100SILEX, de 0 100 s: 100
1526 Les perles du langage professionnel
MANAGEMENT
http://www.lesechos.fr/14/12/2010/lesechos.fr/0201000688949_les-perles-du-langage-professionnel.htm

1499 100 ans de beauté féminine en Allemagne
100 ans de beauté,allemagne,brooke williams,lifestyle
http://www.tuxboard.com/100-ans-beaute-allemagne/

1441 MPCHunter » MPC 1000

http://www.mpchunter.com/category/mpc-1000/

1408 » Cut simple SMT Stencil from common aluminum flashing on your CNC Animodule.com
Cut simple SMT Stencil from common aluminum flashing on your CNC Here’s a quick photodoc of how I made a reusable SMT stencil from some aluminum siding I had laying around. It’s very simple to assemble and works great. Dirt cheap too. I had picked up a roll of aluminum flashing a few years ago to flash some chimneys I rebuilt/repointed and was curious to see how it would hold up as an SMT stencil. To buy an SMT stencil frame is near $1000 so I didn’t have much to lose if it didn’t work out. I cut the frame out of some birch plywood since I had some handy. Really any sturdy frame would do the trick. You could easily glue one together out of some 1x or trim board. I put a thicker sheet of aluminum down underneath the flashing to give the CNC endmill something sturdy to cut against and clamped it down stretched and tight. My thought there was that If I cut straight on the MDF it might push on the flashing and bend it before it cut through. A 1mm endmill did the trick. Each pass was .05mm deep. I pulled the Flashing tight and stapled it to the frame. No rocket science here. I taped up the inside edges so no solderpaste could squeeze between the frame and the stencil. I had some old screen print hinge boards so I just attached this frame the same way I would a screen print stencil. The only fiddly part was aligning the first PCB. You have to push around a little and lift the stencil and fiddle with it a little bit. Once I get all the pads lined up correctly I hold it in place and trace around it with a thin tip sharpie marker. Then you place the PCB in the outline. If you have the height adjusted correctly the stencil is sturdy enough to hold the PCB in place while you print the Solderpaste on it. just hold the stencil frame down and it pushes down on the PCB. I used a flexible putty knife as a squeegee. It worked fine. Cleanup was a breeze. Just scrape it off, unscrew the stencil frame from the hingeboard and stick it in the corner till you are ready to do another run.
http://www.animodule.com/diy-2/cut-simple-smt-stencil-from-common-aluminum-flashing-on-your-cnc/

1386 Retro Synth Ads: Sound Master Memory Rhythm SR-88, Keyboard 1982
Sound Master Memory Rhythm SR-88 drum machine 1-page advertisement from page 67 in Keyboard Magazine August 1982. Hmmm. Not sure how I feel about this ad. There just seems to be a lot going on. For example, am I supposed to know who "The Rhythm Section" is? The fact that they include themselves in an already long ad title suggests they must be some kind of a big deal. And then you find their name again in the bottom left-hand corner: "The SR-88. Another innovative product from The Rhythm Section by Sound Master Distributed exclusively by JTG of Nashville." So, let me get this straight. JTG of Nashville is the distributor of the SR-88 which was created by The Rhythm Section which is somehow owned or operated by Sound Master. That is waaaaay to much information. Sounds like something political is going on there, and readers unfortunately get stuck in the middle of it. There also seems to be a lot of ad-copy which actually doesn t give me much information. Reason #4 gives readers the most info including instant stop/start, variable tone and output switches, and a write/play mode indicator. The most I glean out of the four other reasons put together is: 16 rhythms, clock pulse and a price of under $200. The actual specs that are probably most important to potential buyers are inexplicably shoved into the bottom right-hand corner. Luckily for me, there are a few resources on the Web with more information about this beast. Unluckily for blog readers, as soon as I started looking for more info, I got swept up in a certain SR-88/Boss DR-55 controversy. Comparing the SR-88 and Boss DR-55 One of the first Web sites I hit while looking for info on the SR-88 was Dubsounds.com. The site includes a great little write-up on the SR-88, but, more interesting was finding out about a little controversy about whether the SR-88 or the very similar Boss DR-55 came out first. The two do seem mighty similar in functionality. For comparison purposes, I did a quick search on MATRIXSYNTH to find more photos. . A great photo of a gray SR-88 can be found in this December 2005 SR-88 MATRIXSYNTH auction post and the less common, but definitely more cool, blue SR-88 can be seen in this January 2011 MATRIXSYNTH auction post. Comparing the two to the Amdek RMK-100 Interestingly, it s not just these two machines that look and function similarly. In this May 2009 MATRIXSYNTH SR-88 auction post commenter "PAC" notices: "Interesting. I have an Amdek RMK-100 (sold as kit), very similar!" Never heard of it, so I Googled "Amdek RMK-100" to see just how similar it was to both the DR-55 and the SR-88. Turns out (according to the Internet) that Amdek products were made by Boss/Roland back in 80s, and, not only that, but that the RMK-100 is actually the kit version of the Boss DR-55. Makes sense on why it would also be similar to the SR-88. I found an ebay auction for an Amdek RMK-100 going on right now with a great photo of the front panel (see below), and indeed it does share a lot with the DR-55 and SR-88 - but definitely not identical to either one. For example, it looks like the Amdek and SR-88 share a similar filler function that as far as I can tell is not available on the DR-55. And the DR-55 and the RMK-100 share a similar accent function that I don t see on the SR-88. Now where does the Electro Dynamics Corporation Programmable Rhythm SR-99 fit in? I also came across another machine with similar features - the Programmable Rhythm SR-99. No - not manufactured by Sound Master, but by Electro Dynamics Corporation. And, it too resembles the others in functionality, and especially the SR-88 in design also. I ve included a row of photos below to help make the comparison between the two. The SR-88 photo is from the 2005 MATRIXSYNTH auction post and the EDC SR-99 photo is from the excellent BigBlueWave.co.uk site. I ve also thrown in a photo from another recent E-bay listing that included both - plus boxes and manuals! Sick! Obviously, Sound Master and EDC are somehow connected, although I can t find any info on the Internet concerning these two companies. I do know that they were both advertising separately in Keyboard Magazine in late 1983, making it unlikely that one of the companies changed their name to the other. Anyone know anything? And then there is the Clef Master Rhythm... Now, I m going to throw in a late entry. It s Sunday night, and I just came across this August 2010 MATRIXSYNTH auction post for the Clef Master Rhythm. It not only shares part of the name of one of the other units ("Master"), it too has many features of the other rhythm machines, and identical innards as the DR-55, but is expanded to include even more sounds: "This is essentially a fully expanded Boss DR-55 feature-wise and tone-wise. The circuits are identical (schematically and tonally) to the Boss DR-55, but the Clef Master Rhythm gives you way more instruments than the Boss DR-55..." Interestingly, according to the post, it pre-dates the Boss DR-55 - and also came in a kit form like the Amdek. "The Clef Master Rhythm came out a little before the Boss DR-55 in late 1979/early 1980. It was sold in two versions and available in greater quantities in Europe than in the United States. One version was a kit that the user put together and another one was a prebuilt machine." A photo from the MATRIXSYNTH post really helps show the similarities in functions with the others: What does it all mean? So, looking at all five machines, its almost like there was a rhythm machine salad bar of some sort in Japan, and each company stepped up to it and picked out which features they wanted to include in their product. And that begs the question - since we know there was a kit form available and there are claims that the Clef Master even has the same circuits as the DR-55, could all five products (and probably others) have used the exact same internal parts - each company choosing which features to include and then customizing in their respective rhythm machine? And if so, were those parts supplied by Amdek, or did all five get their internal parts from some other manufacturer? And if that is the case, then the question of whether the SR-88 or DR-55 came first doesn t really matter much, since it is likely that the kit components would have been available first. Plus, we have that one auction post with the claim that the Clef Master came out before the DR-55 - making it all even more confusing to figure out. Or, am I totally off the mark on all this? Were they all created separately? Maybe I ve just been fixated on this a little too much... I ll keep on looking for more info on these companies and any connection they might have, but if anyone want to buy all four and open them up to take a look - it would be muchly appreciated. :D Posted by RetroSynthAds at 12:05 PM Labels: 1982, amdek, clef master, dr-55, drum machine, electro dynamics corporation, keyboard magazine, rmk-100, Sound Master, sr-88, sr-99 2 comments: Simon said... Here s a funny thing - I seem to remember Clef in the early 1980s as a British company that made electronic pianos (touch-sensitive ones!) in kit form. Deep in the back of my mind I recall seeing them at a music fair in London with a couple of their pianos and some drum machines including a prototype drum/bass/chord sequencer called something like a "Band-Box". But it WAS a long time ago. February 12, 2012 at 12:36 PM Simon said... Looks like (for once) my memory didn t fail me. Here is a 1982 ad for Clef Electronics showing all the products I mentioned, plus a natty-looking little monosynth! BTW, I owned an EDC SR99 drum machine in the mid-1980s, but replaced it with a Yamaha RX-21 a couple of years later. February 12, 2012 at 12:46 PM
http://retrosynthads.blogspot.fr/2011/08/sound-master-memory-rhythm-sr-88.html

1346 E44- alimentation a decoupage - 25w - 12vcc - chassis ferme 100x97x35mm à 24,90 €
Référence : DFI25/12. alimentation a decoupage - 25w - 12vcc - chassis ferme 100x97x35mm, parmi toutes les alimentations à usage industriel. Refroidissement: convection naturelle. Bornes à vis.
http://alimentations.e44.com/alimentations-a-usage-industriel/alimentation-decoupage-25w-12vcc-chassis-ferme-100x97x35mm-DFI25-12.html

1257 CiteSeerX — Eigenrhythms: Drum pattern basis sets for classification and generation
CiteSeerX - Document Details (Isaac Councill, Lee Giles, Pradeep Teregowda): We took a collection of 100 drum beats from popular music tracks and estimated the measure length and downbeat position of each one. Using these values, we normalized each pattern to form an ensemble of aligned drum patterns. Principal Component Analysis on this data set results in a set of basis ‘patterns ’ that can be combined to give approximations and interpolations of all the examples. We use this low-dimension representation of the drum patterns as a space for classification and visualization, and discuss its application to generating continua of rhythms. Our classification results were very modest – about 20 % correct on a 10-way genre classification task – but we show that the projection into principal component space reveals aspects of the rhythm that are largely orthogonal to genre but are still perceptually relevant. CiteSeerX, Daniel P. W. Ellis, John Arroyo
http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.113.1505

1255 Sony Cassette Walkman Overview (1979 - 2003) - sonyvintage.com
Unofficial SONY vintage page Skip to content Home Personal Audio HiFi about sonyvintage.com My Collection ← Sony WM-WE1 (1997) Cassette Walkman 1979 → Sony Cassette Walkman Overview (1979 – 2003) Posted on February 18, 2012 by Quo TPS-L2 WM-2 WM-3 WM-3Ex WM-R2 WM-F2 WM-D6 WM-7 WM-DD WM-F5 WM-20 WM-F20 WM-DC2 WM-D6C WM-DDII WM-F15 WM-R15 WM-30 WM-F30 WM-40 WM-75 WM-F75 WM-F55 WM-55 WM-W800 WM-R55 WM-F85 WM-101 WM-F101 WM-F202 WM-R202 WM-F60 WM-57 WM-60 WM-F107 WM-D3 WM-109 WM-F109 WM-101 WM-102 WM-104 WM-F203 WM-51 WM-51 with radio WM-501 WM-504 WM-503 WM-509 WM-550C WM-52 WM-505 WM-701C WM-F701C WM-506 WM-F506 WM-F606 WM-609 WM-170/171/172 WM-F180 WM-F181 WM-607 WM-DD9 WM-R707 WM-F707 WM-702 WM-F702 WM-703C WM-507 WM-F507 WM-600 WM-190 WM-805 WM-EX80 WM-EX60 WM-EX70 WM-FX70 WM-EX85 WM-FX85 WM-EX90 WM-SX77 WM-WX88 WM-GX90 WM-EX88 WM-EX77 WM-FX77 WM-DX100 WM-EX78 WM-RX77 WM-EX66 WM-EX909 WM-GX77 WM-FX909 WM-EX707 WM-FX707 WM-FX505 WM-WX808 WM-EX606 WM-EX808/808HG WM-FX808 WM-GX707 WM-RX707 WM-EX999 WM-FX999 WM-EX777 WM-FX777 WM-EX555 WM-WX777 WM-EX666 WM-EX1・EX1HG WM-FX1 WM-EX511 WM-FX811 WM-EX911 WM-EX811 WM-GX711 WM-EJ95 WM-WX1 WM-GX312 WM-EX2 WM-FX2 WM-EX622 WM-FX822 WM-EQ2 WM-GX622 WM-EX922 WM-GX822 WM-RX822 WM-EX633 WM-EX641 WM-EX5 WM-FX5 WM-EX3 WM-FX833 WM-GX322 WM-MV1 WM-GX622 WM-GX655 WM-EQ3 WM-FX855 WM-WE1 WM-WE7 WM-FS1 WM-EX655 WM-EX7 WM-EQ5 WM-FK2 WM-EK1 WM-EQ9 WM-EX9 WM-EX677 WM-GX677 WM-FX877 WM-WE01 WM-FK5 WM-EK3 WM-EX20 WM-EX900 WM-EX600 WM-GX323 WM-GX200 WM-FX200 WM-EX2000 WM-EX910 WM-EX610 WM-EX615 WM-GX688 WM-GX400 WM-EX921 WM-EX621 WM-FX888 WM-EX631 WM-FX202 WM-GX202 WM-GX788 +22 0 This entry was posted in Cassette Walkman. Bookmark the permalink. ← Sony WM-WE1 (1997) Cassette Walkman 1979 → Leave a Reply Your email address will not be published. Required fields are marked * Name * Email * Website Comment You may use these HTML tags and attributes:
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1244 CiteSeerX — Eigenrhythms: Drum pattern basis sets for classification and generation
CiteSeerX - Document Details (Isaac Councill, Lee Giles, Pradeep Teregowda): We took a collection of 100 drum beats from popular music tracks and estimated the measure length and downbeat position of each one. Using these values, we normalized each pattern to form an ensemble of aligned drum patterns. Principal Component Analysis on this data set results in a set of basis ‘patterns ’ that can be combined to give approximations and interpolations of all the examples. We use this low-dimension representation of the drum patterns as a space for classification and visualization, and discuss its application to generating continua of rhythms. Our classification results were very modest – about 20 % correct on a 10-way genre classification task – but we show that the projection into principal component space reveals aspects of the rhythm that are largely orthogonal to genre but are still perceptually relevant. CiteSeerX, Daniel P. W. Ellis, John Arroyo
http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.113.1505

1204 Les ondes Martenot, Thomas Bloch
Les ondes Martenot (vidéos, photos, histoire, oeuvres...) et Thomas Bloch (2500 concerts et 100 CD avec Radiohead, Gorillaz, Tom Waits, Valery Gergiev...) ondes, martenot, onde, martinot, Thomas, Bloch, Jean, Loup, Dierstein, Maurice, Ginette, Jeanne, Loriod, Valérie, Hartmann, Claverie, Christine, Ott, Yann, Tiersen, Claude, Samuel, Lévine, Radiohead, Gorillaz, Tom, Waits, Damon, Albarn, Jean, François, Zygel, Zazie, Arthur, H, Edgard, Varèse, Olivier, Messiaen, orchestre, chambre, opéra, Turangalîla, Symphonie, Trois, Petites, Liturgies, de, la, Présence, Divine, Feuillets, Inédits, Bussotti, Milhaud, Jarre, Honegger, au, Bûcher, orgue, Théremin, instruments, Naxos, Jonny, Greenwood, musicales, ondéa, ondea, tiroir, clavier, ruban, bague, métallique, résonance, palme, électronique, électrique, Scelci, Boulez, Martinu, Jolivet, concerto, Murail, Tristan, Jean, Laurendeau, Jacques, Tchamkerten, Dominique, Kim, Brel, diffuseur, incentive, concerts, événementiels, CD, mp3, vidéos, photos, France, Europe, Etats, Unis
http://www.thomasbloch.net/f_ondes-martenot.html

1152
RAD 100/16 , electrolytic capacitor, 6,3x11mm, RM 2,5mm , Electrolyte Capacitors, radial Electronics, PC Accessories, Network Technology, Soldering, Tools, Batteries, Components, Technics.
http://www.reichelt.de/Elkos-radial/RAD-100-16/3/index.html?;ACTION=3;LA=20;GROUP=B312;GROUPID=3143;ARTICLE=15101;START=0;SORT=artnr;OFFSET=16;SID=13TVAV2n8AAAIAAC1VUrk301260591e213d22ed185fae17433ac5

1126 Tim Stinchcombe - Home Page
Doepfer A-100 Synthesizer The Doepfer A-100 system conforms to the smaller of the two most popular sizes, modules being 3U high and using 3.5mm jacks, as opposed to the larger 'Moog-style' modules using the large 1/4-inch jacks. This is not to everyone's taste, but there is no denying that they offer a very wide range of modules, currently at over 100, and they are competitively priced. My system has been steadily growing (go here for my current list) since I bought the original batch in 2001
http://www.timstinchcombe.co.uk/index.php?pge=home

1082 The Tascam 388

http://messageboard.tapeop.com/viewtopic.php?printertopic=1&t=38598&postdays=0&postorder=asc&start=0&finish_rel=-10000

1078 The Modular Synth
A long time ago, in a galaxy far away, before your local music shop was packed with the latest digital synths, even before the early analogue monosynths, if you wanted a synthesizer you had to make it yourself. Modular synthesis is not in itself a different type of synthesis, but refers to the fact that a synth would be built up from individual components (modules) , which would be linked together (patched) in a configuration decided by the person doing the building. Compared with today's 'plug and play' synths which come with 100's of presets, GM soundsets, etc, this has the obvious disadvantage that 'recalling' a preset can only be done if your synth is patched together in exactly the same way every time and every controller has to be manually set to the same parameter. However, the big advantage of Modular synthesis, of course, is that, providing you have the right components, you can build practically anything you want, without being constrained by the 'hardwired' configurations of modern factory built synthesizers. The Pulsar/Scope Modular synth, like any other Modular 'soft synth' brings together the advantages of both Modular synths and modern factory built synths. Modular configurations can be saved as patches for total recall later on, and each patch can contain any number of presets, again for later recall. Furthermore, with a software modular, you can re-use each component as many times as you wish within one patch, you never run out of cables, you don't have to dedicate a whole room to the synth and the modules never suffer from physical damage. What's more, each parameter can be controlled by MIDI so parameter changes can be recorded into your sequencer in real-time.
http://www.modularsynth.co.uk/themodularsynth.shtml

993 Bach MIDI Files - Download for free :: MIDIWORLD.COM
Biography | Recommended Recordings | Books and Printed Music MIDI Files 2 Part Inventions - John Sankey Inventio 1 [BWV 772] Inventio 2 [BWV 773] Inventio 3 [BWV 774] Inventio 4 [BWV 775] Inventio 5 [BWV 776] Inventio 6 [BWV 777] Inventio 7 [BWV 778] Inventio 8 [BWV 779] Inventio 9 [BWV 780] Inventio 10 [BWV 781] Inventio 11 [BWV 782] Inventio 12 [BWV 783] Inventio 13 [BWV 784] Inventio 14 [BWV 785] Inventio 15 [BWV 786] 3 Part Inventions - John Sankey Sinfonia 1 [BWV 787] Sinfonia 2 [BWV 788] Sinfonia 3 [BWV 789] Sinfonia 4 [BWV 790] Sinfonia 5 [BWV 791] Sinfonia 6 [BWV 792] Sinfonia 7 [BWV 793] Sinfonia 8 [BWV 794] Sinfonia 9 [BWV 795] Sinfonia 10 [BWV 796] Sinfonia 11 [BWV 797] Sinfonia 12 [BWV 798] Sinfonia 13 [BWV 799] Sinfonia 14 [BWV 800] Sinfonia 15 [BWV 801] Air Allemande in Amin [BWV.835] Brandenburg Concerto No. 2. 1st. Movement 2nd. Movement 3rd. Movement Brandenburg Concerto No. 3. Brandenburg Concerto No. 4. 1st. Movement 2nd. Movement 3rd. Movement Brandenburg Concerto No. 5. Brandenburg Concerto No. 6. - David Siu, M.D. 1st. Movement 2nd. Movement 3rd. Movement Cantatas Aria "Es ist vollbracht" from Cantata "Sehet, wir gehn hinauf gen Jerusalem" (BWV159) Aria from Cantata No. 14. Aria "Mein Freund ist Mein!" from Cantata No. 140. Duet from Cantata No. 140. Sinfonia From Cantata No. 106 Ich will den Kreuzstab gerne tragen, No. 56. - 1st. Movement Terzetto from Cantata No. 38 Wachet Auf Versus 1. from Cantata No. 140. Wacht Auf, ruft uns die Stimme from Cantata No.140. Komm susser Tod [BWV 478] Capriccio for a Departing Brother [BWV 992] Capriccio in E [BWV 993] Chromatic Fantasia & Fugue Concert for Two Harpshichords and Orchestra [BVW1060] Garrett Van Cleef Allegro Adagio Allegro Concertos - John Sankey Keyboard arrangements of concertos by other composers Concerto in D [BWV 972] Concerto in G [BWV 973] Concerto in Dmin. [BWV 974] Concerto in Gmin. [BWV 975] Concerto in C [BWV 976] Concerto in C [BWV 977] Concerto in F [BWV 978] Concerto in Bmin. [BWV 979] Concerto in G [BWV 980] Concerto in Cmin. [BWV 981] Concerto in Bb [BWV 982] Concerto in Gmin. [BWV 983] Concerto in C [BWV 984] Concerto in Gmin. [BWV 985] Concerto in G [BWV 986] Concerto in Dmin. [BWV 987] Duets - John Sankey Duet 1 [BWV.802] Duet 2 [BWV.803] Duet 3 [BWV.804] Duet 4 [BWV.805] Fantasia and Fugue in Amin. [BWV 561] English Suites John Sankey English Suite in A [BWV806] English Suite in Amin [BWV807] English Suite in Gmin [BWV808] English Suite in F [BWV809] English Suite in Emin [BWV810] English Suite in Dmin [BWV811] French Suites John Sankey French Suite in Dmin [BWV812] French Suite in Cmin [BWV813] French Suite in Bmin [BWV814] French Suite in Eb [BWV815] French Suite in G [BWV816] French Suite in E [BWV817] Fughetta [BWV 902] Goldberg Variations Goldberg Variations Italian Air with Variations [BWV 989] Italian Concerto [BWV 971] Italian Concerto - 1st movement Jesu Joy of Man’s Desiring Little Fugue in G minor Mass in Bmin. - David Siu, M.D. Kyrie Eleison Christe Eleison Kyrie Eleison Gloria Laudamus te Gratias agimus tibi Domine Deus Qui tolis Qui sedes Quoniam Cum sancto Credo in unum Deum Patrem omnipotentem Et in unum Et incarnatus & Crucifixus Et resurrexit Et in spiritum Confiteor Sanctus Osanna Benedictus Agnus Dei Dona nobis pacem Minuet in G [BWV 841] Partitas John Sankey Partita in Bb [BWV 825] Partita in Cmin [BWV 826] Partita in Amin [BWV 827] Partita in D [BWV 828] Partita in G [BWV 829] Partita in Emin [BWV 830] Partita in A [BWV 832] Prelude & Partita [BWV 833] Preludes & Fugues - John Sankey A minor [BWV.894] A minor [BWV.895] D minor [BWV.899] E minor [BWV.900] F major [BWV.901] Sonata in D [BWV 963] Sonata in Amin [BWV 965] Sonata in C [BWV 966] Sonata in Amin [BWV 967] Scherzo [BWV.844] Sheep May Safely Graze St. Matthew Passion [BWV 244] Bass Aria "Aus Liebe will mein Heiland sterban" soprano aria "Gebt mir meinen Jesum weider" bass aria "Blute nur, du liebes Herz" soprano aria "Erbarme dicht, mein Gott" alto aria "Herzliebster Jesu" chorus "Können Tränen meiner Wangen nichts erlangen" alto aria "Mache dich mein herz" bass aria "O Haupt voll Blut und Wunden" chorus "Wir setzen uns mit Tränen nieder" chorus Passacaglia & Fugue in C minor Sonata No. 1 in G minor for Solo Violin [BWV 1001] - David J. Grossman Adagio Fugue Siciliano Presto Partita No. 1 in B minor for Solo Violin [BWV 1002] - David J. Grossman Allemande Double(Allemande) Courante Double: Presto (Courante) Sarabande Double (Sarabande) Tempo di Borea Double (Tempo di Borea) Sonata No. 2 in A minor for Solo Violin [BWV 1003] - David J. Grossman Grave Fugue Andante Allegro Partita No. 2 in D minor for Solo Violin [BWV 1004] - David J. Grossman Allemande Courante Sarabande Gigue Chaconne Sonata No. 3 in C major for Solo Violin [BWV 1005] - David J. Grossman Adagio Fugue Largo Allegro assai Partita No. 3 in E major for Solo Violin [BWV 1006] - David J. Grossman Prelude Loure Gavotte en Rondeau Menuet I/II Bouree Gigue Suite No. 1 in G major for Solo Cello [BWV 1007] - David J. Grossman Prelude Allemande Courante Sarabande Menuet I/II Gigue Suite No. 2 in D minor for Solo Cello [BWV 1008] - David J. Grossman Prelude Allemande Courante Sarabande Menuet I/II Gigue Suite No. 3 in C major for Solo Cello [BWV 1009] - David J. Grossman Prelude Allemande Courante Sarabande Bouree I/II Gigue Suite No. 4 in Eb major for Solo Cello [BWV 1010] - David J. Grossman Prelude Allemande Courante Sarabande Bouree I/II Gigue Suite No. 5 in C minor for Solo Cello [BWV 1011] - David J. Grossman Prelude Allemande Courante Sarabande Gavotte I/II Gigue Suite No. 6 in D major for Solo Cello [BWV 1012] - David J. Grossman Prelude Allemande Courante Sarabande Gavotte Gigue Sonata - BWV 1032 (Arr. for recorder and harpsichord) Michael Beckenkamp Vivace Largo e dolce Allegro Suite No.3 in D, BWV.1068 Air Gigue Suite in Amin [BWV 818] Suite in Eb [BWV 819] Suite in F [BWV.820] Suite in Fmin [BWV 823] Toccatas John Sankey bwv910 Toccata in F# bwv911 Toccata in Cmin bwv912 Toccata in D bwv913 Toccata in Dmin bwv914 Toccata in Emin bwv915 Toccata in Gmin bwv916 Toccata in G Toccata and Fugue in D minor Toccata and Fugue in D minor MINO Toccata, Adagio and Fugue in C, BWV 564. Toccata in D minor: The "Dorian" Trio Sonata No.6, [BWV 530] - Mauricio Fabbri Vivace Lento Allegro Triosonata for 2 flutes, harpsichord and continuo - Eduardo Moreno Adagio Allegro ma non presto Adagio Presto The Art of Fugue - No.1. The Well-Tempered Klavier John Sankey Prelude & Fugue No.1 in C [BWV 846] Prelude & Fugue No.2 in Cmin [BWV 847] Prelude & Fugue No.3 in C# [BWV 848] Prelude & Fugue No.4 in C#min [BWV 849] Prelude & Fugue No.5 in D [BWV 850] Prelude & Fugue No.6 in Dmin [BWV 851] Prelude & Fugue No.7 in Eb [BWV 852] Prelude & Fugue No.8 in Ebmin [BWV 853] Prelude & Fugue No.9 in E [BWV 854] Prelude & Fugue No.10 in Emin [BWV 855] Prelude & Fugue No.11 in F [BWV 856] Prelude & Fugue No.12 in Fmin [BWV 857] Prelude & Fugue No.13 in F# [BWV 858] Prelude & Fugue No.14 in F#min [BWV 859] Prelude & Fugue No.15 in G [BWV 860] Prelude & Fugue No.16 in Gmin [BWV 861] Prelude & Fugue No.17 in Ab [BWV 862] Prelude & Fugue No.18 in Abmin [BWV 863] Prelude & Fugue No.19 in A [BWV 864] Prelude & Fugue No.20 in Amin [BWV 865] Prelude & Fugue No.21 in Bb [BWV 866] Prelude & Fugue No.22 in Bbmin [BWV 867] Prelude & Fugue No.23 in B [BWV 868] Prelude & Fugue No.24 in Bmin [BWV 869] Prelude & Fugue No.25 in C [BWV 870] Prelude & Fugue No.26 in Cmin [BWV 871] Prelude & Fugue No.27 in C# [BWV 872] Prelude & Fugue No.28 in C#min [BWV 873] Prelude & Fugue No.29 in D [BWV 874] Prelude & Fugue No.30 in Dmin [BWV 875] Prelude & Fugue No.31 in Eb [BWV 876] Prelude & Fugue No.32 in Ebmin [BWV 877] Prelude & Fugue No.33 in E [BWV 878] Prelude & Fugue No.34 in Emin [BWV 879] Prelude & Fugue No.35 in F [BWV 880] Prelude & Fugue No.36 in Fmin [BWV 881] The Well-Tempered Klavier Book II. Jennifer Weir Prelude II Prelude XII Fugue XII
http://midiworld.com/bach.htm

972 cowon iaudio X5 [topic unique]
pourquoi les balladeurs cowon sont biens ?et le X5 en particulier... -son irréprochable et puissant (trop pour la législation francaise d'ailleurs, il peut dépasser les 100db, evidemment avec un casque c'est très mauvais entre les mains de crétins qui le poussent à fond, mais avec des petites enceintes non-amplifiées ca peut être utile ) -pas cher du tout par rapport au matos -veritablement UMS et même usb on the go -coque entièrement en alu, et design sympa je trouve, qui donne une bonne impression de "plein" -autaunomie! surtout les modèles L en quoi ca vaut le coup un L chez cowon? ca sert simplement à passer de 14 heures non-stop à 35! -radio FM intégrée -enregistreur numérique/dictaphone intégré -egaliser 5 bandes personalisables, et effets psychoacoustiques -un ecran TFT de qualité , pas très grand (160x128), mais il permet un bon bonus, lire des videos, pour de vrai! le X5 n'est pas un video player, (et cowon sort un video player bientôt alors ca aurait pas été dans leur intérêt ) mais pour le même prix voire moins cher qu'un sur-populaire ipod, ca peut être sympa quand même -capacité de 20, 30, et bientôt 60Go ; et des modèles 30L (alors que les M3L par exemple sont limités à 20Go) et attention le meilleur sur la fin, support OGG, MP3, WMA,ASF et même FLAC, ce qui est déjà plus rare,ainsi que JPEG et MPEG4!, mais il ne supporte pas les DRM avec le firmware actuel je crois (quelqu'un confirme?) mais étant assez puissant pour lire des videos, le support de codecs variés n'est donc limité que par le firmware en accessoire, -la telecommande la plus complète qui existe sur un player MP3 (la même qu'avec un M3 simplement) -une station dock (cradle) -une houssette iaudio sympathique donc pour moi , c'est un balladeur ultime, d'un fabricant coréen encore méconnu des masses, mais jugez par vous même la critique unanime: LES REVIEWS >>>prise en main par spaceturtle<<<, avec photos et télécommande, ici même! http://forum.hardware.fr/forum2.ph [...] w=0&nojs=0 akihabara news (plein de photos) http://www.akihabaranews.com/revue_48.html ZDnet http://www.zdnet.fr/produits/mater [...] m?tab=test generationMP3 http://www.generationmp3.com/forum [...] ntry242882 et encore http://www.generationmp3.com/forum [...] 22069.html DAPreview (in english) http://www.dapreview.net/content.php?review.201 200 photos dans la gallerie iaudiophile (in english) http://www.iaudiophile.net/content.php?review.24.0 bon test avec benchs et tout mp3.com (in english) http://www.mp3.com/tech/players_31447897_review.php sondage X5 vs Ipod, mais qui gagne donc? et de combien? http://reviews.cnet.com/4520-3000_7-6245404.html les commentaires des ipodiens sont hilarants ("si je voulais des fonctions qui servent à rien et 2 heures d'autonomie j'acheterai un archos!" )
http://forum.hardware.fr/hfr/VideoSon/Materiel/unique-iaudio-x5-sujet_85395_132.htm

963 4 synth geeks ONLY!! thom yorke style beats 100% modular..no seq's, computers,...
4 synth geeks ONLY!! thom yorke style beats 100% modular..no seq's, computers, plugins, fx...just pure analogue!
http://www.twitvid.com/8TDCY

954 ディスクユニオン吉祥寺店 2010年08月30日
奇天烈新品特集にインストアライヴ、各種中古セールまで企画出し惜しみなし!!セール情報はメールマガジンでも随時配信しています!!
http://blog-kichijyouji.diskunion.net/Date/20100830/

946 docs synth
- 360 SYSTEMS DIGITAL KEYBOARD brochure / prix / pub 1983 - 360 SYSTEMS MIDI BASS user manual - ACCESS VIRUS catalogue été 2004 - ACCESS VIRUS user manual - ACCESS VIRUS OS4 user manual - ACCESS VIRUS TI brochure 2004 - ACCESS VIRUS TI user manual os1.0 - ALESIS HR 16-MMT 8 brochure - ALESIS HR 16-16B-MMT8 user manual - ALESIS HR16-MMT8 banc essai disc international avril 1988 - ALESIS HR16-MMT8 pub numéra - VOCODER X-32 user manual / sons - XPASS FILTER user manual - SEMblance banc essai keyboards allemagne 2004 - SEMblance user manual - FilteredCOFFEE user manual - DROID 3 brochure - VOSTOK user manual - VOSTOK test electronic musician février 2003 - VOSTOK test keys allemagne - VOSTOK keyboard japon mai 2003 - AKAI AX73 brochure (avril 1986) - AKAI AX80 banc essai sono - AKAI AX80 brochure - AKAI EVI 1000 user manual - AKAI EWI 1000-EVI 1000-EVW 2000 banc essai sono - AKAI EWI 3020 user manual - AKAI EWI 3030m user manual - AKAI ME série banc essai sono (10D 15F, 20A) - AKAI ME série banc essai guitare claviers janvier 1986 (10D, 15F, 20A) - AKAI ME série brochure (juin 1985) - AKAI ME20A user manual - AKAI ME25S brochure - AKAI ME30P user manual - AKAI ME30P brochure - AKAI ME30PII user manual - AKAI MX73 brochure - AKAI S612 brochure - AKAI S612 banc essai sono - AKAI S900 banc essai sono - AKAI S900 brochure (avril 1986) - AKAI S900 carte marion system - import numéra - AKAI S1000 banc essai sono - AKAI S1100 user manual - AKAI SG01P user manual - AKAI SG01V user manual - AKAI U4 phrase trainer brochure - AKAI VX90 brochure (avril 1986) - AKAI VX90 banc essai sono - AKAI XR 10 brochure - AKAI PEQ6 - MB76 banc essai sono - AKAI pub - AKAI catalogue gamme 86 - ARP AVATAR brochure publicitaire / modulaire façon 2600 / - ARP AXXE banc essai disc international / pub keyboards 1976 / pub keyboards 1977 - ARP CENTAUR article disc international 1978 - ARP CHROMA brochure publicitaire - ARP EXPLORER service manual / patch book - ARP ODYSSEY banc essai sono / brochure / pub keyboards 1975 / pub1 - ARP OMNI pub disc 1976 / pub omni 2 1979 / voir atelier chok - ARP POLARIS brochure - ARP PRELUDE pub 1983 - ARP PRODGX banc essai sono - ARP QUADRA banc essai sono / pub - ARP QUARTET service manual / pub - ARP LITTLE BROTHER 2950 schematics - ARP PIANO 16 voies pub - ARP SEQUENCER pub 1976 - ARP SOLUS banc essai Claviers septembre 1981 / pub Keyboards 1980 - ARP WING I et II modulaire - ARP catalogue gamme / pub gamme 1977 - ARP catalogue gamme & accessoires - ARP retro family tree - future music - The rise and fall of ARP instruments keyboards avril 1983 ARP AVATAR ARP OMNI EMS VOCODER 5000 MP3 MP3 MP3 pub envoi des 2 flexi disc - BANANA brochure - BALDWIN 88 (KUSTOM) electronique piano brochure - BOHM digidrums banc essai disc international décembre 1983 - BOHM digidrums pub1 / pub2 - BOHM soundlab user manual - BOHM soundlab service manual - BOHM soundlab pub - BOSS DR55 user manual+ tips / banc essai sono / service manual - BOSS DR110 banc essai guitares claviers mai 1984 - BOSS catalogue Micro studio série - BOSS banc essai sono sur 8 pédales - CASIO 401 banc essai claviers aout 1981 / pub fiche technique / - CASIO 701 pub janvier 1982 - CASIO 1000P pub 1983 - CASIO CZ101 pub - CASIO CZ1000 banc essai guitares claviers décembre 1985 - CASIO DH 100 user manual - CASIO DH 500 service manual - CASIO FZ1 user manual / banc essai disc international mai 1987 / pub - CASIO MT40 pub mai 1982 - CASIO PT30 banc essai sono juillet 1983 - CASIOTONE VL1 banc essai disc international juillet 1981 / pub 1 / pub 2 / mod - CASIO VZ1 user & service manual - CASIO VZ1 banc essai disc international janvier 1989 - CASIO VZ1 pub disc international janvier 1989 - CASIO pub gamme 201 à 401/MT30&40 1981 - CASIO catalogue gamme COUVERTURES (cliquer pour agrandir) - DJET 004 banc essai disc international decembre 1979 - EXAGONE XM 64 banc essai disc international - EXAGONE 64 pub - REGGY synthétiseur de percussions banc essai sono - CHEETAH pub distribution music land - CHEETAH MS6 user manual - CREAMWARE B4000 user manual - CREAMWARE MINIMAX user manual - CREAMWARE PRO12 user manual - CREAMWARE PRODYSSEY user manual - CREAMWARE MINMAX/PROFIT5 brochure - BIT99 user manual - BIT99 brochure - BIT99 pub / banc essai sono 01 - BIT99 / BIT01 banc essai sono 2 - BIT01 voices and midi - BIT MASTERKEYBOARD user manual - BIT01 & MASTERKEYBOARD sous UNIQUE DBM test keyboards decembre 1986 - BIT variantes BIT/LEM/UNIQUE - CRUMAR BABY GRAND pub - CRUMAR MULTIMAN brochure - CRUMAR MULTIMAN schematics - CRUMAR MULTIMAN ORCHESTRATOR pub - CRUMAR PERFORMER service manual - CRUMAR série T pub - CRUMAR T3 banc essai claviers février 1982 - CRUMAR TRILOGY STRATUS pub CASIOTONE 202 CASIOTONE 301 MATTEL SYNSONICS DRUMS YAMAHA SY77 MP3 MP3 MP3 MP3 MP3 - POLYEVOLVER rack banc essai recording musicien septembre 2004 - DOEPFER MAQ 16/3 banc essai sono - DOEPFER MCV1-MCV8 user manual - DREAM SAM XR pub 1989 / banc essai disc international 1989 - DYNACORD ADS / ADS K brochure - DYNACORD DRS 78 banc essai sono - DYNACORD DC 200 leslie brochure / pub 1976 - DYNACORD EMINENT 100A user manual - DYNACORD EMINENT 100A service manual - DYNACORD SRV 66 vocoder user manual / schematics / MP3 demo - DYNACORD catalogue drum computer - SYNERGY banc essai sono - SYNERGY digital keyboards brochure - SYNERGY I & II+ test keyboard US COUVERTURES (cliquer pour agrandir) - ELECTRO HARMONIX DIGITAL LOOPING RECORDER 64 Sec - ELECTRO HARMONIX EH300 VOCODER manual / schematics - ELECTRO HARMONIX HARMONIC OCTAVE GENERATOR user manual - ELECTRO HARMONIX MICRO SYNTHESIZER user manual / schematics - ELECTRO HARMONIX 8 pédales d'effets au banc d'essai - sono - ELKA EK22 / EM22 user manual - ELKA SYNTHEX banc essai sono / brochure / pub 1983 - ELKA 610 pub Keyboards 1975 / pub keyboards 1978 - ELKA MICROPIANO 16 brochure / pub 1983 - ELKA OMB5 pub - ELKA OMB3 C92 X35 user manual - ELKA SOLIST 505 pub 1978 - ELKA X50 banc essai claviers mars 1982 - ELKA X50/TWIN 51 pub - ELKA X50 & 61P banc essai sono janvier 1982 - ELKA pub gamme - EMS SYNTHI E banc essai sono - EMS SYNTHI AKS banc essai disc international juillet-aout 1977 - VCS 3 / AKS article keyboard US novembre 1990 - AKS / VCS3 / Keyboard DK1/KS brochure - EMS SYNTHI HI-FLI brochure - EMS SYNTHI HI-FLI tarifs février 1977 revendeurs Gamme - EMS VOCODER 2000 banc essai disc international mai 1979 - EMS tarifs gamme janvier 1976 electrone / piano center - ENSONIQ ASR user manual - ENSONIQ ASR X user manual - ENSONIQ ASR pro keyboards juillet 1999 - ENSONIQ EPS banc essai sono - ENSONIQ EPS 16 plus user manual - ENSONIQ ESQ1 pub - ENSONIQ ESQM brochure - ENSONIQ MIRAGE pub / article sono - ENSONIQ SPM1 brochure - ENSONIQ SQ2 banc essai sono - ENSONIQ SQ80 banc essai sono - ENSONIQ SQ88 reportage de EPS16 jusqu'au SQ80 keyboards - ENSONIQ TS10-12 brochure - ENSONIQ VFX banc essai keyboards aout 1989 / article disc international octobre 1989 - ENSONIQ VFX SD banc essai disc international decembre 1989 - FARFISA POLYCHROME banc essai claviers janvier 1983 - FARFISA SOUNDMAKER service manual - FARFISA SYNTHORCHESTRA service manual - FARFISA PRO 110 pub1 / pub2 / banc essai disc international mai 1979 - FARFISA VIP 255 brochure - FARFISA VIP 345 brochure / service manual - FARFISA VIP 400 brochure - FARFISA MINI COMPACT user manual / service manual COUVERTURES (cliquer pour agrandir) - RHODES 54 notes pub - RHODES 54 banc essai sono - RHODES 73 & 88 notes catalogue - RHODES Mark catalogue - RHODES extrait catalogue 1976 - RHODES electronic piano brochure / pub keyboards 1983 - RHODES pub herbie hancock - RHODES pub disc international - RHODES MK80/60 brochure - ORGACOR Fratelli Crosio pub 1979 - ORGACOR PROHONIC SYNTHE pub (1982) / pub 1979 - DOCTOR CLICK user manual - DOCTOR CLICK 2, MULTI TRIGGER, DRUM DOCTOR, MASTERBEAT extrait catalogue Music Land - DOCTOR CLICK pub keyboards novembre 1983 - DOCTOR CLICK banc essai keyboards 1983 - MINI DOC, CLOCK DELAY, DOCTOR FLICK, MODULATOR extrait catalogue Music Land - NANO SERIES pub 1983 - GEM SPRINTER 61 & 49 pub - banc essai - GEM orgue série F30 à F50 pub 1976 - GEM orgue gamme portable (rodéo 61, phantom 61) et meuble (H600, X365, wizard 320) pub - GEM orgue gamme portable (sprinter 49 & 61) et meuble (H2000, wizard 315 & 321) pub - IBANEZ mixer RM60 pub (catalogue oscar music) - IBANEZ AD202 banc essai sono - IBANEZ DM1000 pub 1983 / - IBANEZ gamme pédale effets 1981 pub - JEN caroussel C390 banc essai disc décembre 1978 (orgue incluant JEN SX2000) - JEN string machine 2007 banc essai sono - JEN sx1000 brochure - JEN sx2000 banc essai sono / test + pub disc international / user manual / patch vide et preset - HAMMOND catalogue gamme 01 - HAMMOND catalogue gamme 02 - HH P73 piano électrique banc essai claviers octobre 1981 - HH P73 pub disc international 1981 - HELPINSTILL piano électro-accoustique banc essai claviers 1981 - HELPINSTILL piano électro-accoustique pub - HOHNER PIANET test disc international juillet aout 1977 - HOHNER C86 user manual - HOHNER C86 service manual - HOHNER C86 banc essai claviers janvier 1982 - HOHNER CLAVINET D6 banc essai sono - HOHNER MELODICA SOPRANO user manual - HOHNER MULTIMONICA user manual - HOHNER orgue soufflerie organa mélodica catalogue Millet - HOHNER extrait gamme 1975 / 1977 - JMS CGX interface midi in cv/gate - import numéra - JMS midi master synchronizer - import numéra - KAWAI 100 F banc essai sono - KAWAI 100 F brochure - KAWAI 100F notes disc international - KAWAI 100F schematics - KAWAI 100F user manual and patchs - KAWAI 100F user manual in français - KAWAI GB1 user manual - KAWAI GB2 user manual / rythm pattern - KAWAI K1 banc essai guitares claviers juillet 1988 / pub 1989 / brochure - KAWAI K4 banc essai keyboards novembre 1989 - KAWAI K5 brochure / sound library - KAWAI SPECTRA KC10 user manual - KAWAI MAV8 user manual - KAWAI MM16 user manual - KAWAI MX16 user manual - KAWAI MX8R user manual - KAWAI R100 service manual / brochure / banc essai disc international - KAWAI SX210 banc essai sono / brochure / pub keyboards 1983 / pub disc 1983 - KAWAI série EP 308/308S/608 pub1 1983 / pub2 1983 - KAWAI EP608 user manual/schematics / brochure - KAWAI EP308/308S user manual - KAWAI ORGAN E550/650 service manual - KORG 700S user manual - KORG 900S banc essai sono - KORG A3 banc essai disc international aout 1989 - KORG BX3 pub1 / pub2 - KORG CX3 banc essai claviers aout 1981 / pub 1981 - KORG DS8 brochure - KORG EPS1 banc essai sono - KORG EX800 user manual - KORG EX800/RK100 brochure - KORG KMX 8/MM 25 brochure 1983 - KORG KPR77 banc essai disc international décembre 1983 - KORG MICROPRESET M500 user manual+service manual / patches - KORG MICROPRESET M500 banc essai sono - KORG MONOPOLY - POLYSIX brochure - KORG MONOPOLY banc essai sono / settings - KORG MONOTRON schematics - KORG MS 20/ SQ 10 - YAMAHA CS 30 match synthétiseurs disc international décembre 1978 - KORG POLY 800 user manual francais / banc essai sono - KORG POLYSIX banc essai disc international aout 1982 - KORG PSS50 banc essai guitares claviers février 1985 + modif - KORG TRIDENT banc essai sono mag - KORG mr multi user manual - KORG EPS1 banc essai sono - KORG SDD300 pub 1983 - KORG SYGMA banc essai disc international septembre 1979 - KORG SYGMA user manual - KORG SYGMA korg magazine winter 2002 - KORG VC10 banc essai disc international mai 1979 - KORG X911 pages annotées d'Eric.G pour modularisation du X911 / voir son site - KORG catalogue gamme 1981 - KORG catalogue gamme 1982 - KORG article disc international arrivée série ms Francfort Synthesizer Bionic Orchestra - Francis rimbert Joop Stokkermans - The Magic of the ARP-Synthesizer MP3 - KURZWEIL 250 banc essai claviers octobre 1984 - LINN 9000 pub keyboards juillet 1985 - LINNDRUM pub keyboards juin 1983 - MATTEL SYNSONICS DRUMS user manual francais + plan accessory jack - MATTEL SYNSONICS DRUMS pub keyboards 1983 - MATTEL MAGICAL MUSICAL THING user manual - M-AUDIO AXIOM user manual - MDB sortie polyséquenceur 1981 - MDB TRIGGTOM 4 extrait catalogue music land - MDB WINDOW RECORDER extrait catalogue music land - POLY-MIDI brochure - POLY-MIDI vs YAMAHA QX7 banc essai guitares claviers septembre 1985 - S2000 séquenceur monophonique brochure - SUPERBAT brochure - MICROPERFORMANCE encart pub disc international - MOOG constellation brochure - MOOG memorymoog brochure - MOOG micromoog notes disc international - MOOG le minimoog de 1998 pub - MOOG polymoog brochure 1 / brochure 2 - MOOG polymoog pub annonce disc international - MOOG PRODIGY banc essai disc international juin 1980 - MOOG PRODIGY brochure - MOOG SONIC 6 brochure 1974 - MOOG pub1 1979 / - MOOG prix 1979 - MOOG catalogue - MOOG CATALOGUE 1973 - ENCYCLOPEDIA of MOOG ARTISTS - MXR 15-21 equalizer brochure - MXR time delay command banc essai disc international aout 1982 - MXR pub gamme effets 1979 / pub 1982 - NOVATION A STATION brochure - NOVATION BASS STATION brochure - NOVATION DRUM STATION brochure - NOVATION KS4-KS5-KS6 brochure - NOVATION KS4-KS5 user manual - NOVATION K-STATION brochure - NOVATION SUPERNOVA banc essai keyboards novembre 1998 - NOVATION SUPERNOVA 2 brochure - NOVATION X STATION REMOTE brochure - NOVATION Xio synth brochure - OBERHEIM MATRIX 6 banc essai sono / brochure - OBERHEIM DMX banc essai sono juillet 1983 / brochure - OBERHEIM DPX1 brochure 1897 - OBERHEIM DSX brochure / pub 1981 - OBERHEIM DX brochure 1986 - OBERHEIM MATRIX 6 banc essai sono / brochure - OBERHEIM MATRIX 12 banc essai sono / brochure / banc essai keyboards juillet 1985 - OBERHEIM MATRIX 1000 patches 1 / schematics / patchesbook 2 - OBERHEIM OB-X pub (piano center) - OBERHEIM OB-Xa banc essai claviers mai 1981 - OBERHEIM OB-1 brochure / pub 1978 - OBERHEIM OB-8 banc essai keyboards 1983 avec DMX & DSX - OBERHEIM PROMMER banc essai sono / brochure - OBERHEIM STRETCH brochure 1987 - OBERHEIM pub gamme mars 1986 / pub 1984 - OBERHEIM prix Numéra 1985 / article retro family tree-future music OSCAR oxford - OSCAR banc essai sono - OSCAR pub - OSCAR extrait catalogue Music Land - OSC ADVANCED SOUND GENERATOR extrait catalogue Music land - OSC ADVANCED SOUND GENERATOR guitare de "commande" SYNTHAXE - voir sur le site de jbfairlight - PPG PRK brochure - PPG WALDORF retro family tree article future music - PPG prices list numéra 1985 - PPG WAVE II banc essai claviers novembre 1981 / article disc international - PPG pub 1 1984 / pub 2 1984 / pub 3 1984 - QUASIMIDI SIRIUS banc essai keyboards janvier 1999 - QUASIMIDI RAVEOLUTION 909 banc essai keyboards décembre 1997 - ROLAND A880 banc essai sono - ROLAND CR78 banc essai sono - ROLAND CR1000 pub 1987 - ROLAND DDR 30-PD10-PD20 brochure 1985 - ROLAND GR300 banc essai sono - ROLAND GR700 banc essai claviers 1985 - ROLAND GR700 user manual - ROLAND G707 guitar controller user manual - ROLAND JUNO 6 banc essai sono - ROLAND JUNO 106 banc essai sono - ROLAND JUPITER 4 banc essai disc international janvier 1979 - ROLAND JUPITER 6 banc essai sono - ROLAND JUPITER 8 banc essai sono - ROLAND JX3P banc essai sono - ROLAND JX8P banc essai sono - ROLAND MC202 banc essai sono - ROLAND MP600 banc essai claviers novembre 1981 - ROLAND MP700 banc essai sono + pub - ROLAND OCTAPAD pad 8 controller brochure 1985 - ROLAND PIANO PLUS 11 banc essai disc international aout 1982 - ROLAND REVO 250 / 120 pub - ROLAND SDE 2000 banc essai sono mai 1982 - ROLAND SDE 2500 banc essai sono - ROLAND SH101 banc essai sono - ROLAND SH3A banc essai disc international mai 1977 - ROLAND SDP11 brochure 1993 - ROLAND SUPER JX banc essai sono - ROLAND SVC 350 banc essai sono - ROLAND TB303 banc essai sono / pub 1983 - ROLAND TR505 banc essai sono - ROLAND TR707 banc essai sono - ROLAND TR808 banc essai sono / pub 1981 - ROLAND TR909 banc essai sono - ROLAND TL12 brochure 1986 - ROLAND VP 330 banc essai disc international juin 1980 - ROLAND pub / pub gamme 1977 - ROLAND catalogue gamme 1981 - ROLAND catalogue volume 5 mai 1984 - ROLAND catalogue news été 1986 - DRUMTRACKS banc essai sono - DRUMTRACKS brochure - DRUMTRACKS banc essai guitare claviers (basse res) - PRO ONE banc essai claviers décembre 1981 - PRO ONE banc essai sono - PRO ONE brochure - PROPHET 5 banc essai sono - PROPHET 5 banc essai disc international mai 1979 - PROPHET 5 brochure - PROPHET 5 pub "devenez revendeur" disc international 1981 - PROPHET 600 banc essai sono - PROPHET 600 brochure - PROPHET T8 banc essai sono - PROPHET T8 brochure - PROPHET T8 user manual (seulement chapitre 7 midi) - PROPHET 10 pub - PROPHET VS brochure - SIXTRAK banc essai guitares claviers mai 1984 - SIXTRAK banc essai sono - SIXTRAK brochure - MODEL 700 programmer brochure - MODEL 800 sequenceur user manual - POLYSEQUENCEUR pub keyboards juin 1983 - PROPHET 2000 brochure - PROPHET 2000 user manual - SPLIT EIGHT user manual - PRELUDE pub - PIANO FORTE pub - SEQUENTIAL TRAKS music system brochure distribution music - SEQUENTIAL pub 1984 / pub 1982 - SEQUENTIAL prix gamme (1981/1984) - SEQUENTIAL CIRCUITS brochure gamme (basse res) - SEQUENTIAL CIRCUITS brochure gamme inclus PRO-FX - SEQUENTIAL CIRCUITS catalogue wine country novembre 1994 - SIEL OPERA 6 banc essai sono - SIEL OPERA 6 brochure - SIEL CRUISE user manual - SIEL DK600/EXP600 pub - SIEL MK900 pub keyboards novembre 1984 - SIEL pub disc international 1981 - CLAVIOLINE SELMER livret accompagnement de l'appareil - SELMER PIANOTRON / ORGUE CAPRI brochure - SIMONS SILICON MALLET reportage disc international 1987 - SIMMONS MTX9 banc essai disc international avril 1987 / user manual - SIMMONS SDSV banc essai claviers décembre 1981 - SOLTON live series pub 1988 - SOLTON ARRANGER PLUS pub 1987 - SOLTON MS40 user manual - SOLTON MS 50/60 user manual - SOLTON orgue synthé P500 C pub - STYLOPHONE DUBREQ user manual 1+ boite - STYLOPHONE DUBREQ user manual 2 + boite/vinyl - STYLOPHONE 350S PUB SYNTON - SYRINX banc essai sono - SYRINX patch sheet - SYRINX brochure - SYNTOVOX SPX216 extrait catalogue music land - SYNTOVOX 222 banc essai disc international décembre 1979 - SYNTECHNO TEEBEE mark1 user manual (3.1) - TEISCO S60F banc essai claviers octobre 1981 / banc essai sono - TEISCO S60F & S110F banc essai disc international juillet 1981 / pub disc international 1981 - TEISCO brochure gamme - VOX catalogue incluant Electronic piano - WALDORF MICROWAVE XT banc essai keyboards juillet 1998 - WELSON GLOBE TROTTER banc essai disc international septembre 1979 & pub - WELSON METEOR pub - WELSON CONDOR pub - WELSON gamme spinet (princess, comet, music love, granfiesta) pub - WELSON FIESTA & IMPERATIVE 1977 pub - YAMAHA CE20 banc essai claviers février 1983 - YAMAHA série DX brochure - YAMAHA DX5 brochure - YAMAHA DX7 banc essai sono / brochure - YAMAHA DX7 II brochure - YAMAHA DX9 brochure - YAMAHA DX11 brochure - YAMAHA DX21 brochure - YAMAHA FB01 user manual / service manual - YAMAHA QX5 banc essai disc international janvier 1989 - YAMAHA RX5&17 banc essai disc international - YAMAHA RX15 user manual fr / brochure (11&15) / banc essai sono / pattern book (11&15) - YAMAHA REV 100 user manual - YAMAHA CS30 vs KORG MS 20 disc international - YAMAHA CS70M pub 1983 - YAMAHA WALKBAND pub 1981 / pub gamme 1983 - YAMAHA GX1 user manual - YAMAHA YC30 user manual - YAMAHA YC45D service manual / user manual - YAMAHA Série 100 pub 1989 - YAMAHA catalogue series producer 1983 - YAMAHA catalogue series producer 1985 - YAMAHA catalogue 1984 - YAMAHA brochure gamme 1982 / pub 1982 - YAMAHA pub 1 1979 / pub 2 1979 AMPLIFICATION - LAB series L5 L7 L9 L11 schematics - LAB L5 pub AMPLIFICATION LESLIE (ou effet leslie) - DYNACORD DC200 H pub 1976 - ROTOR-SOUND CSE 80M pub - POLYTONES electronic rotating sound modulator pub keyboards 1984 - ECHOLETTE M IVE brochure - LESLIE/CABINES A SON TOURNANT banc essai disc international - NEO INSTRUMENTS VENTILATOR user manual - ROLAND REVO 250 / 120 pub - HUGHES KETTNER/ROTOSPHERE - MOTION SOUND PRO 3 keyboards mai 1997 - LESLIE STORY article de Stéphane Bredel - LES CABINES LESLIE modèles,achat, cablage, accessoires, entretien ECHO BANDES - LES CHAMBRES D'ECHO et REVERBERATION A BANDES mécanisme disc janvier 1976 - BANC ESSAI CHAMBRES ECHO à BANDES disc janvier 1976 VOCODER - ANALOG LAB VOCODER X-32 user manual / sons - DYNACORD SRV 66 vocoder user manual / schematics / MP3 demo - ELECTRO HARMONIX EH300 VOCODER manual / schematics - EMS VOCODER 2000 banc essai disc international mai 1979 - KORG VC10 banc essai disc international mai 1979 - ROLAND SVC 350 banc essai sono - SYNTOVOX SPX216 extrait catalogue music land - SYNTOVOX 222 banc essai disc international décembre 1979 - LES VOCODERS disc international mai 1979 DIVERS CONTROLEURS MIDI - FROSTWAVE FAT CONTROLLER user manual - J.L.COOPER CS10-2 user manual - KEYFAX PHATBOY banc essai keyboards décembre 1998 - BLUE SKY LOGIC MIXI user manual - PEAVEY 1600 user manual / Patchs pour 1600 - PEAVEY 1600X user manual / Patchs pour 1600X - PEAVEY 1600X banc essai keyboards mars 1998 - ZENDRUM ZX user manual DIVERS MIDI (ACCESSOIRES) - KENTON ELECTRONICS PRO II intégrale DIVERS MODULAIRE - EUROPAC rational/ SCHROFF catalogue DIVERS SYNTHE - Les synthétiseurs de A à Z sono (article en 2 parties) - Les synthétiseurs hifi stéréo septembre 1976 de E.Lemery - Synthèse sonore 1ère partie - Synthèse sonore 2ème partie - Synthèse sonore 3ème partie - Synthèse sonore 4ème partie - Le vcf - Le bruit de J.P.Verpeaux (claviers) - Le suiveur d'enveloppe de J.P.Verpeaux (claviers) - Sample hold1 / sample hold2 (1983) - Mon premier "appareil" clavier octobre 1981 - Le compresseur - Les sequenceurs (guitares claviers J.P Verpeaux 1985) + le sequenceur apprivoisé (claviers) - Le modulateur de J.P. Verpeaux (claviers) - 10 ans de synthétiseur J.Sanjuan Hifi stéréo 1978 - 2éme disco forum matériel tournée F.Rimbert/korg - History of electronic sound modification H.Bode - La synthèse du son de E.Lemery - disc international novembre 1979 - Vangelis, victoire sur les vibrations - Alain dister - claviers mai 1981 - Onze nouveaux synthétiseurs mis en fiches - claviers mars 1982 - 120 years of electronic music - Les instruments de musique électronique (E.Lemery - hifi stéréo mai 1976) - Les principes de base piezo électricité, magnétisme et électrostatique (E.Lemery) - Martin Newcomb, the collector - Future Music - Rhythmic control of analog sequencer polyphony septembre/octobre 1978 - Introduction aux techniques de synthese du son S.Natkin 2003 - Electronic musical instruments "a survey of the commercial scene" - Pratical electronic supplements novembre 1972 - Francis Rimbert démonstrateur korg (au début...) - Richard Wright & Pink floyd - Keyboard, synthesizer & electronics equipment - ver 1.56 - ONDIOLINE PUB - MELLOTRON prix janvier 1976 - MIDI CODE HEX fabricants - MIDI PITCH - NOTE FREQUENCY - LAG LE KEY pub et banc essai computer music - Will systems MAB 303 banc essai keyboards mai 1997 - MULTIVOX pub gamme décembre 1979 DIVERS ORGUES - ELEX gamme pub 1976 - GIBSON G101 user manual / service manual - GIBSON P2 service manual - KUSTOM ORGAN brochure - RIHA JUPITER 2 pub 1977 - RIHA gamme variété pub 1978 - RIHA ORCHESTRA pub 1979 - Evolution de l'orgue électronique disc international décembre 1978 - Répertoire midi : les orgues - MILTON les orgues pub disc international - L'orgue photoélectronique FOTOSONOR - Anatomie de l'orgue électronique Hifi Stéréo juin 1976 de E.Lemery DIVERS PEDALES EFFETS - ARIA pub gamme effets 1983 - DOD pub gamme effets 1979 - REDSON 7pédales effets banc essai sono janvier 1982 DIVERS EFFETS - ELECTRIX EQ killer user manual - ELECTRIX filter factory user manual - ELECTRIX filter factory keyboards juillet 1999 - ELECTRIX filter queen user manual - ELECTRIX mo fx user manual - ELECTRIX warp factory user manual - ELECTRIX repeater user manual - ELECTRIX banc essai warp/filter /mofx computer music 1999 - EVENTIDE BABY HARMONIZER HM80 banc essai claviers octobre 1981 - DIGITECH DSP128 keyboards juillet 1999 - DBX catalogue 1980 (ou 78 pas sur ...) - ROCKTRON HUSH IIC banc essai disc international mai 1987 - ROLLING REC5/COSMIC AE 7000/ZOOM ER 200 banc essai sono - T.C ELECTRONIC 2290 banc essai disc international mai 1987 - PUBLISON DHM 92-B2 banc essai disc international septembre 1979 - PUBLISON RELIEF ENLARGER banc essai sono 1983 - Principe fondamentaux des effets (E.Lemery) 1981 DIVERS ENREGISTREMENT - AKAI 4000 DS MKII user manual - AKAI 4000 DS brochure et banc essai hifi stéréo octobre 1975 - AKAI GX 635D service manual - AKAI GX 646 service manual - TASCAM 22-2 & 22-4 banc essai sono janvier 1982 - TASCAM 688 user manual - TASCAM 388 studio8 user manual - TASCAM A34 service manual - TEAC 3440 user manual - OTARI MX 5050 1/2 QXHD - TEAC A 3440 banc essai disc international - CHOISIR SA TABLE DE MIXAGE disc international novembre 1979 - LES TETES MAGNETIQUES DIVERS BOITE A RYTHME / PERCUSSION - RYTHMATIC MARS ou HENCOT brochure / manual - PEARL DRUMX banc essai guitares claviers - PEARL SC20/SC40 user manual - PEARL SYNCUSSION 1 user manual - SOUNDMASTER STIX ST305 test guitares claviers mai 1984 - SOUDMASTER STIX ST305 pub keyboards novembre 1983 - SYNTOBA RAMEAU - SYNDRUM test DISC international - SYNARE pub / banc essai disc international juillet 1981 - SYNARE 3 banc essai disc international - CAPELLE KLONE KIT 2 banc essai claviers octobre 1984 DIVERS INCLASSABLE - DIGITAR CHARLIE LAB brochure - MARANTZ pianocorder brochure distribution hamm DIVERS BOUTIQUE / CATALOGUES / PRIX - SOMMAIRE SONO magazine du 1 au 95 - PHONORGAN pub DIVERS LIVRES - HISTOIRE DE LA MUSIQUE - Casterman - 1972 - CLAVIERS - Edts J.M.G - 1989 - LE MONDE DU POP ROCK - HATIER - 1977 - CATALOGUE Studio Robert Schroeder LIENS - User & service manual sur le site de pharmacon : http://www.cem3374.com/archive.htm - Les pubs sur :http://retrosynthads.blogspot.com/
http://www.studio250.fr/accueildocs.html

923 Downloads - ctrlr - Project Hosting on Google Code
Alesis - Micron - Windows.zip Alesis - Micron - Windows - r1506 Windows 2.0 MB Sep 17 75 Cheetah - MS6 - Windows.zip Cheetah - MS6 - Windows - r1506 Windows 2.0 MB Sep 17 29 Clavia - Nord Lead 2 - Windows.zip Clavia - Nord Lead 2 - Windows - r1506 Windows 3.3 MB Sep 17 97 Clavia - Nord Lead 3 - Windows.zip Clavia - Nord Lead 3 - Windows - r1506 Windows 3.3 MB Sep 17 66 DSI - Evolver - Windows.zip DSI - Evolver - Windows - r1506 Windows 2.3 MB Sep 17 159 DSI - Evolver.zip DSI - Evolver Windows 1.6 MB Aug 2010 37 DSI - Mopho - Windows.zip DSI - Mopho - Windows - r1506 Windows 2.6 MB Sep 17 247 DSI - Mopho.zip DSI - Mopho Windows 1.9 MB Aug 2010 73 DSI - Prophet08 - Windows.zip DSI - Prophet08 - Windows - r1506 Windows 3.8 MB Sep 17 63 DSI - Tetra - Windows.zip DSI - Tetra - Windows - r1506 Windows 7.5 MB Sep 17 162 DSI - Tetra.zip DSI - Tetra Windows 6.8 MB Aug 2010 49 JoMoX - Airbase - Windows.zip JoMoX - Airbase - Windows - r1506 Windows 2.6 MB Sep 17 54 JoMoX - Airbase.zip JoMoX - Airbase Windows 1.9 MB Aug 2010 17 JoMoX - MBase01 - Windows.zip JoMoX - MBase01 - Windows - r1506 Windows 2.7 MB Sep 17 36 JoMoX - MBrane11 - Windows.zip JoMoX - MBrane11 - Windows - r1506 Windows 2.2 MB Sep 17 22 JoMoX - Xbase888 - Windows.zip JoMoX - Xbase888 - Windows - r1506 Windows 2.0 MB Sep 17 27 Korg - EX8000 - Windows.zip Korg - EX8000 - Windows - r1506 Windows 2.7 MB Sep 17 53 MFB - MFB503 - Windows.zip MFB - MFB503 - Windows - r1506 Windows 5.4 MB Sep 17 25 MFB - MFB503.zip MFB - MFB503 Windows 4.8 MB Aug 2010 6 MFB - Polylite - Windows.zip MFB - Polylite - Windows - r1506 Windows 2.2 MB Sep 17 19 Moog - Little Phatty - Windows.zip Moog - Little Phatty - Windows - r1506 Windows 3.1 MB Sep 17 75 Moog - Little Phatty.zip Moog - Little Phatty Windows 2.5 MB Aug 2010 29 Moog - Voyager - Windows.zip Moog - Voyager - Windows - r1506 Windows 3.0 MB Sep 17 53 Moog - Voyager.zip Moog - Voyager Windows 2.4 MB Aug 2010 18 Novation - DrumStation - Windows.zip Novation - DrumStation - Windows - r1506 Windows 3.8 MB Sep 17 58 Novation - DrumStation.zip Novation - DrumStation Windows 3.2 MB Aug 2010 18 Novation - Super Bass Station - Windows.zip Novation - Super Bass Station - Windows - r1506 Windows 2.7 MB Sep 17 58 Novation - Super Bass Station.zip Novation - Super Bass Station Windows 2.0 MB Aug 2010 11 Novation - Supernova II - Windows.zip Novation - Supernova II - Windows - r1506 Windows 5.1 MB Sep 17 61 Novation - Xio - Windows.zip Novation - Xio - Windows - r1506 Windows 5.1 MB Sep 17 81 Oberheim - Matrix 1000 - Windows.zip Oberheim - Matrix 1000 - Windows - r1506 Windows 2.7 MB Sep 17 72 Oberheim - Matrix 1000.zip Oberheim - Matrix 1000 Windows 2.1 MB Aug 2010 13 Roland - Alpha Juno 2 - Windows.zip Roland - Alpha Juno 2 - Windows - r1506 Windows 2.8 MB Sep 17 129 Roland - Alpha Juno 2.zip Roland - Alpha Juno 2 Windows 2.2 MB Aug 2010 34 Roland - JX3P - Windows.zip Roland - JX3P - Windows - r1506 Windows 2.3 MB Sep 17 54 Roland - JX3P.zip Roland - JX3P Windows 1.7 MB Aug 2010 7 Roland - JX8P - Windows.zip Roland - JX8P - Windows - r1506 Windows 5.4 MB Sep 17 55 Roland - JX8P.zip Roland - JX8P Windows 4.7 MB Aug 2010 10 Roland - Juno106 - Windows.zip Roland - Juno106 - Windows - r1506 Windows 2.5 MB Sep 17 86 Roland - MKS30 - Windows.zip Roland - MKS30 - Windows - r1506 Windows 3.2 MB Sep 17 30 Roland - MKS70 - Windows.zip Roland - MKS70 - Windows - r1506 Windows 4.7 MB Sep 17 37 SCI - SixTrak - Windows.zip SCI - SixTrak - Windows - r1506 Windows 2.4 MB Sep 17 41 SCI - SixTrak.zip SCI - SixTrak Windows 1.8 MB Aug 2010 9 Studio Electronics - SE1X - Windows.zip Studio Electronics - SE1X - Windows - r1506 Windows 2.2 MB Sep 17 44 Waldorf - Blofeld - Windows.zip Waldorf - Blofeld - Windows - r1506 Windows 3.5 MB Sep 17 120 Waldorf - Blofeld.zip Waldorf - Blofeld Windows 2.9 MB Aug 2010 47 Waldorf - Pulse - Windows.zip Waldorf - Pulse - Windows - r1506 Windows 2.3 MB Sep 17 105 Waldorf - Pulse.zip Waldorf - Pulse Windows 1.7 MB Aug 2010 27 Yamaha - AN1x - Windows.zip Yamaha - AN1x - Windows Windows 2.6 MB Sep 01 53 Yamaha - DX21 - Windows.zip Yamaha - DX21 - Windows - r1506 Windows 3.2 MB Sep 17 33 Yamaha - TX7 - Windows.zip Yamaha - TX7 - Windows - r1506 Windows 3.8 MB Sep 17 59 Yamaha - TX7.zip Yamaha - TX7 Windows 3.2 MB Aug 2010 11 Yamaha - TX81Z - Windows.zip Yamaha - TX81Z - Windows - r1506 Windows 3.0 MB Sep 17 112 Yamaha - TX81Z.zip Yamaha - TX81Z Windows 2.3 MB Aug 2010 26
http://code.google.com/p/ctrlr/downloads/list

899 DIY musician and Modular Synth accessories. Analogue Solutions - Concussor modular synthesiser
Electronic Music Accessories. concussor, Concussor, CONCUSSOR, EMIS, Doepfer A-100, A100, Analogue Systems Integrator, Phoenix modular, TR909, TR808 drum machines, percussion, voices, electronic drums, simmons, pearl syncussion sy1, RS, RS200, MIDI interface for Mac, MIDI interface for Pc, digital audio card, PCI, Cubase VST, MIDI Thru box, MIDI Merge box, MIDI switcher, USB MIDI interface, CO2, MIDIman, midiman, sync box, analog sequencer, analogue sequencer, synths, synthesizers, drum machines, MIDI-CV converters, convertors, nord modular, waldorf microwavem waldorf pulse, kenton electronics, MIDI to trigger, sample CD, Yamaha, SCI, Oberheim, ladder filter, moog filter, bass drum, kick drum, hihat, cymbal, tom drum, clap, rimshot, clave, maracas, fame, f.a.m.e., analogue heaven, hyperreal, sync 24, din sync, vco, vcf, vca, envelope generator, filter, low pass, resonance, lfo, ring modulation
http://www.users.globalnet.co.uk/~concuss/diy.htm

884 jh_polykorg_clone
I have started to build a (slightly) updated version of the Korg PS-3200 synthesizer. The PS-3200 was the last of three fully polyphonic, semi-modular analogue synthesizers offered by Korg in the late 70's. (See Ben Ward's excellent Korg PS site for detailed information, including user manuals.) The concept of the PS-Synthesizers was different from other manufacturer's early polyphonic instruments. Instead of using a small number of voices and a clever keyboard assigning circuit, the "PolyKorgs" had a complete synthesizer circuit, hard wired to each key. That makes a total of 48 VCFs, 48 VCAs and 48 voltage controlled ADSRs even for the smallest of the range, the PS-3100. The largest of the range, PS-3300, even had 144 of these circuits. The sheer number of synthesizer circuits called for an extremly economic circuit design, and it's a joy to look at Korg's design ideas which led to building blocks that almost did the same as in the better known "classic" synthesizers. And after many years of engineering and reverse-engineering electronic music circuits, I have learned to look at odd solutions not as "substandard", but as a source of creativity an individual character. Here's a list of some highlights: Function Implementation Side effects Single-Transistor Waveform Converter creates triangle, saw, pulse and PWM from saw input, using one (!) transistor, one diode and two resistors per voice, plus two global control voltages Pulse height also changes with pulse width 5-Transistor-VCF (Korg-35) A Voltage controlled 2-pole (Sallen&Key) LPF built from 5 transistors rather high CV feedthru Single-Diode VC Resonance The dynamic resistance of a simple diode is used to alter the feedback gain of the VCF limited range of Q "Expand" function instead of VCF Envelope modulation depth Instead of scaling down the ADSR with a VCA, the a variable portion of the Envelope is just clipped with a single diode. It's so remarkably close to ordinary VCA function that apparently nobody takes notice. At least I have not read about it anywhere. At slow Atack times, the Envelope appears delayed at the VCF (no effect until th eclipping point is reached). Usefull for Brass sounds, and not easy to emulate with conventional synthesizers. Minimum parts count Voltage Controlled ADSR Three transistors, 1/2 of a LM324 and one CD4007 per voice. Plus some more involved control circuit, shared by several voices Transistors must be selected in 13-tuples, not just in pairs. ADSR detail (1): One-opamp control logic 1/4 LM324 is used as Flipflop, which is dynamically set by Gate-ON, dynamically reset by Gate-OFF, statically reset when the attack peak voltage is reached, and whose set/reset sensitivity is altered by a CV Very odd "Hold" function, depending on the "Attack"-value. But very useful in practise. ADSR detail (2): Single-Transistor, exponential slope VC-Decay Using a single transistor per voice for VC Attack and Release is remarkable already, even though the A and R slopes are linerar. But the Decay slope is exponential, and this is achieved with a single transistor and two resistors per voice! The Decay time range is rather limited. No ultra fast Decay, and no ultra slow Decay either. Single-Transistor VCA That's the "Korg standard" VCA, well known from other instruments like the MS-10.
http://jhaible.de/polykorg/jh_polykorg_clone.html

849 Photo Kawai R-100 : Kawai R-100 (greenblue) - Audiofanzine
Photo Kawai R-100 : ". Auteur : greenblue médias, r-100, kawai, boîtes à rythmes
http://fr.audiofanzine.com/bar/kawai/R-100/medias/a.play,m.132649.html

846 100 Principles for Designing Logos and Building Brands | Brand Identity Essentials

http://brand-identity-essentials.com/100-principles/

819 Divers - Désoxydant CAIG Deoxit D100L (7.4ml)
Divers - Désoxydant CAIG Deoxit D100L (7.4ml) DeoxIT à une action désoxydante rapide qui nettoie, protège, lubrifie et améliore la conductivité du métal sur tous les connecteurs et contacts. S'utilise de manière générale pour le traitement des connecteurs, des contacts et d'autres surfaces métalliques, Si la surface du métal est décolorée, la corrosion est sévère. Divers , Désoxydant CAIG Deoxit D100L (7.4ml)
http://www.audiophonics.fr/desoxydant-caig-deoxit-d100l-74ml-p-3515.html

812 ED102 - Octave-Volts-Hertz
The ED102 borrows heavily from the Korg MS-02™ although it was developed independently of Korg Inc. Korg and MS-02 are the trademarks of Korg Inc. Among presently available music synthesizers, there are two different types of control system used for controlling devices such as the VCO (voltage controlled oscillator) and VCF (voltage controlled filter). These two systems been: Hertz/Volt (Hz/V) and Octave/Volt (Oct/V). The graph to the left shows the relationship between the VCO oscillator frequency (pitch) and the control voltage (keyboard output voltage). The straight line on the graph is from a synthesizer in which there is a one octave change for every one volt change in the control voltage (Oct/V). In contrast, the curved line on the graph is the control voltage from a synthesizer in which the VCO frequency is proportional to voltage (Hz/V system). To allow these systems to work together you will need a module like this ED102. The built-in, fully adjustable log amp and anti-log amp ensure complete system flexibility and compatibility between any presently voltage controlled synthesiser. The Hz/V system In the Hz/V system, the VCO oscillator frequency is proportional to the control voltage so that, for example, if the frequency of a VCO increases by 100Hz for every volt applied, then applying 1V, 2V and 3V to this VCO would generate 100Hz, 200Hz and 300Hz respectively. The Oct/V system In the Oct/V system the VCO oscillator frequency changes one octave for every one volt change in the control voltage so that, for example, 1V, 2V and 3V to a VCO would generate 200Hz, 400Hz and 800Hz respectively. Features and Functions Log Amp: This changes a Hz/V type keyboard CV (control voltage) output into an OCT/V type of CV. Use the Log Amp to change the control signal from, say, a Korg or Yamaha synthesiser into a signal you can use with another type of synthesizer. Antilog Amp: This changes an OCT/V type of keyboard CV output into a Hz/V type of CV. Use this Antilog Amp when you want to control, say, a Korg synthesiser by means of a unit that uses the OCT/V system.
http://www.elby-designs.com/panther/ed102-octave-volts-hertz/ed102.htm

798 FELIX VISSER COLLECTION
AND HIS GEAR MOOG CEMS CUSTOM MODULAR SYSTEM ODYSSEY BLACK/GOLD MICROMOOG ODYSSEY WHITE EMS SYNTHI AKS MOOG SYSTEM 55 EMS SYNTHI HIFLI MOOG KEYBOARD POLYMOOG PPG WAVETERM PPG FD KEYBOARD PPG EVU LINN 9000 LINNDRUM LINN SEQUENCER EMU DRUMULATOR EMU SP-12 T & N SPRINGER EMU EMULATOR 360 SYSTEMS EDP SPIDER EDP GNAT STEINER MASTERS TOUCH SYNTOVOX SPX-216 SYNTON 3000 SYNTOVOX 221 SYNTON SYRINX KORG MS-02 KORG MS-50 KORG MS-10 MELLOTRON M-400 KORG PS3100 HAMMOND PORTA-B WEM COPICAT PROPHET 5 ELMO TAPESOUND SYNCLAVIER II YAMAHA YC-45D VAKO ORCHESTRON FENDER RHODES 73 WERSIVOICE FAIRLIGHT CMI QUANTEC QRS-1 OBERHEIM DS-2A ACE TONE RHYTHM ACE RMI KC-11 EKO RHYTHMAKER DYNACORD EMINENT-100
http://www.vintageplanet.nl/pages/felix07.html

785 100 Exceedingly Useful CSS Tips and Tricks
This is a collection of 100 bite-sized CSS tips and tricks. css
http://sixrevisions.com/css/100-exceedingly-useful-css-tips-and-tricks/

761 Midi Software - Synth Zone
MIDI Sequencing SoftwareAnvil Studio Anvil Studio is a MIDI and audio sequencer and is free software for Windows users. Building Blocks Building Blocks for Windows is a multifunctional MIDI application / modular sequencer, that allows you to build custom controller remapping, LFO's, arpeggiators, autochords, drum and note sequences, echoes etc. Busker A Windows score editor and player that has Yamaha style support. 1000s of Yamaha styles can be downloaded for free. Another great music software tool from Jos Maas. Cakewalk Sonar Windows & Mac sequencer now with integrated midi and audio. Sonar demo available. For other Cakewalk resources see Synth Zone's Cakewalk Page Cubase - Steinberg Featuring integrated midi & audio package Cubase VST For more info & related links see Synth Zone's Cubase Links Cursed Sequencer Open Source sequencer for Windows and Linux. Digital Performer MOTU presents Digital Performer for the Mac, a complete digital audio and MIDI production environment. Competitive upgrades available. See the new Digital Performer mailing list. Ditty Ditty is a freeware MIDI sequencer for Windows aimed at assisting piano practice. Easybeat Mac MIDI sequencing software from Uni Software Plus. Features include a software GM wavetable synth. Energy XT Energy XT is Windows sequencer/composer software. Fl Studio Windows application that provides easy to use yet powerful MIDI/digital audio sequencing and looping tools. Intuem Mac OSX MIDI sequencer that provides a variable-tempo system and a simple way to transform a real, human, performance into a sequence where bars and beats actually have meaning. Time restricted version available to download. Jammer - Soundtrek Jammer for Windows provides a 256 Track MIDI sequencer with built in studio musicians. A very useful program for creating arrangements & drum tracks with assistance from the software. Also check the Yahoo Jammer Group. JUMP A highly streamlined Windows MIDI sequencer, designed to help you compose music Jazzware - Jazz++ Windows & Linux open source MIDI sequencer with audio support. If you need a MIDI sequencer you really should check it out. Logic Pro Audio Apple's MIDI & audio solution for the Mac. For Emagic product support see the Emagic Legacy pages at Apple. For related information see Emagic Users Page with resources & mailing list for Emagic products, the Logic Users' Net which includes Mac related info, and the Powerkeys "Learning Logic" web site. SwiftKick provides and archive for the Logic Users' Group environments. Editors, MIDI processors etc. are available. Omega Art has Logic info and resources. You can read the History Of Logic at Tweakheadz Lab. Magix Magix Music Studio incorporates a MIDI sequencer with its digital audio sequencer. Massiva An audio/MIDI sequencer for Windows users with undo plus plugin support. This is just an archive of an old site. You can still get it from AudioMelody.com. Massiva has now moved on to become Energy XT Mixcraft Windows software that supports MIDI and audio sequencing.. MU.LAB An alternative, hi-quality music application for Mac OSX and Windows with MIDI and audio support. MultitrackStudio Window digital audio recorder with VST 2.0 plugin and MIDI support. Freeware version and pro versions available. Music Master Win sequencing & notation package with a full graphic interface for Roland VS880 control & integration. Music Master Works A shareware Windows sequencing & accompaniment package. Win95 & Win3.1 versions available. From Aspire software MusicPhrase XL MusicPhrase for Windows is a creative tool for composing music. Features phrase sequencing and visual groove editing tools. Music Studio Producer Music Studio Producer is a free Windows MIDI sequencer, DAW which can host VST(i), supports ASIO. From Aspire software Numerology Numerology is a modular sequencing and audio plugin environment for Mac OS X. Onyx Onyx by Jasmine Music provides powerful sequencing, harmonizer and MIDI-2-Audio rendering. Power Chords By Howling Dog Systems - Innovative Windows midi sequencer using onscreen guitar fretboard interface, plus other unique features for creating strum & rhythm patterns. Demo available PowerTracks Pro Audio PG Music's budget priced sequencer for Windows now features up to 48 tracks of digital audio with effects, EQ, panning etc plus 3rd party plugin support. Pro Tools Digidesign provide Pro Tools for Windows and Mac with MIDI, multitrack audio and plugin support. Quartz Audio Master Quartz Audio Master is free Windows multitrack digital recording software and MIDI sequencing software. Provided by DigitalSound Planet Reaper REAPER is a fully featured Windows multitrack audio and MIDI recording, editing, processing, mixing, and mastering environment. Fully functional evaluation available for download. Rosegarden Rosegarden is a free MIDI sequencer and notation editor for Unix, and has binary distributions for Linux PCs and SGI IRIX. SoftStep SoftStep is a Win9x modular step sequencer based on modular analog step sequencers. Features modules, which are math and logic functions that you treat as physical boxes with knobs and sliders. Style Enhancer Windows MIDI sequencer based on Performance Modeling technology with powerful and intelligent MIDI-data generation and transformation. SwarShala Midi sequencer package for Windows software that covers both the melodic and rhythmic aspects of Indian music. Featured instruments include Sitar, Sarod, Tanpura, Guitar, Tabla, Pakhawaj, Dholki and Bells. MIDI files and WAV files can be output. Sweet Sixteen Midi sequencer package for Windows from Roni Music. And check out the Sweet MIDI arpeggiator for Windows, very cool !! TR-x0x Freeware Windows step sequencer based on the Roland TR-808/909 drum machines. Tracktion Tracktion from Mackie provides low cost MIDI and audio sequencing. Tunafish A Windows VSTi MIDI sequencer with sample support. A fully functional ( save disabled ) demo is available to download. Has sample support and provides a built-in sample/drum sequencer. Xx A multi-track MIDI sequencer for MacOS. It is also an algorithmic compositional tool. Requires OMS. Midi SoftwareAudible Oddities - Twerk's Tools Audible Oddities is an audio mastering business and Shawn Hatfield also provides some free music composition tools for the Mac featuring sequencing control and algorithmic music generation. Burnt Toast even has a beta version available for Win XP. Catanya Software pattern arpeggiator VST plugin. MIDI-OX Win9x/NT midi utility providing sysex handling, diagnostics, filtering & mapping of midi data Streams. All Windows MIDI users should check this out. It is also available from Yamaha UK. Also see MIDI Yoke which allows you to route MIDI between different applications. vanBasco's Karaoke Player vanBasco's Karaoke Player is freeware Windows software that plays Karaoke (.kar) and standard MIDI (.mid, .midi, .rmi) files. Provides a piano keyboard and lyric display. Vocal Writer Shareware music & vocal synthesis software for the Power Mac. Not only playback & edit GM midi files, but it will also sing your lyrics (85 voices to choose from) Zel Zel is an interpretive MIDI programming language for Windows. Version 1.2 includes the Zel Drum Machine, a style based composer and editor which makes it easy to create MIDI drum tracks without having to learn the Zel language. Freeware. Midi Sequencing Related SitesAtari-MIDI Yahoo Group for Atari computer users to discuss MIDI applications. Also check The Caged Artist Series Page for once commercial MIDI software that is now freeware. Audio Forums Forums for most major sequencing & digital audio software packages. Harmony Central Provide an archive of MIDI sequencer and notation applications to download. There is software for all platforms available. HitSquad Provide links to a number of MIDI sequencers and "tracker" sequencers for Windows, Mac and Linux. MacMusic.org Macmusic.org have lots of links to Mac specific audio and MIDI sequencing resources. . Mac OSX MIDI Apps A very useful list of links to Mac OSX MIDI applications with descriptions and direct links to the websites and apps. Midijoys Freeware Windows program that combines two independent fully programmable joystick controllers, and a Continuous MIDI Controller programmable sliders that can send a wide spectrum of MIDI control parameters. MidiPlugins.com Links to freeware and commercial MIDI plugins for both Windows and Mac OS9/OSX. Music-X Amiga University Info on the original Amiga sequencer Music-X including writing sysex protocols. Also see Driptomatic Fairytales for Music-X info and resources. AM/FM also provide disk images containing many Amiga MIDI articles and tools. Sonic Control Sonic Control provides information and reviews of sequencers for all platforms as well as MIDI hardware. SourceForge SourceForge provide freeware software for Windows, Mac and Linux platforms and have many MIDI sequencer applications. Sweetwater Sequencer Forum Sweetwater.com provides forums including one dedicated to MIDI sequencers. Vintage Sequencers Tweakheadz Lab provides a great rundown on the ancestors of todays sequencers on computers in the 80s. Very interesting and informative reading with screen shots of many sequencers from the early days of MIDI.
http://www.synthzone.com/midiseq.htm

753

http://lipsheim.org/forum/agora/view-lipsheimorg_schizoforum-1180625595-100-149.html

698 Top 100 Most Beautiful Wordpress Themes | Top Design Magazine - Web Design and Digital Content
graphic,theme,wordpress,wordpress themes
http://www.topdesignmag.com/top-100-most-beautiful-wordpress-themes/

697 WAVE-Sequencer
WAVE sequencer software with a WAVE edit function, It is easy to synchronize the tempo of a sequence with the tempo of an audio. A MIDI sequence is convertible to WAVE. Sequencer,Sampler,nano PAD,nano KEY,nano KONTROL,LPD8,LPK25,WAVE EDIT,MPD,MPD16,MPD18,MPD24,MPD32,APC20,APC40,MIDI,WAV,WAVE,Ableton Live,Cubase,Reason,MPC500,MPC5000,MPC2000XL,MPC2500,MV8800,MPC1000,ADSR,Synthesizer,Roland,KORG
http://www7b.biglobe.ne.jp/~jj_sequencer/

685 100 Best Photoshop Tutorials of All Time that Yield Professional Results | CreativeFan
Photoshop tutorials are one of the most popular subjects on the web, as the digital art community continues to grow and new designers bring their unique skills. However, quality Photoshop tutorials that teach you a useful effect, have a quality finished result and are well explained are harder to find, and with the large number of tutorial sites available, it can be hard to sort the quality from the mundane. best photoshop tutorials
http://creativefan.com/101-best-photoshop-tutorials/

672 101 Absolutely Breathtaking Infrared Photographs | Tutorial9
There is nothing quite like Infrared Photography. In this showcase, over 100 phenomenal photos have been gathered, as well as some tutorials and equipment suggestions for aspiring photographers. freebies & resources,roundups
http://www.tutorial9.net/resources/101-absolutely-breathtaking-infrared-photographs/

671 customsynth
customsynth custom synth end panels bells moog roland korg yamaha 100 system respray screen printing white synthersier ms sh modular wood walnut mahogany desktop rack desk top wood drums bass drum art work custom logo picture minimoog pro 5 prophet 5 five desktop rack devon newton abbot synthersizers decal guitar sticker band bands
http://customsynth.co.uk/index.html

665 100 Useful Free Textures - Noupe Design Blog

http://www.noupe.com/graphics/100-useful-free-textures.html

643 Akai MPC 1000 Spare Parts from MPCstuff.com

http://www.mpcstuff.com/mpc.html

618 Homo Numericus : Internet, un tournant ?
Nouvelles technologies et société internet, numérique, questions de société, numérique, technologies, NTIC, TIC
http://www.homo-numericus.net/spip.php?breve1004

602 Free Music Friday – Circuit Ben « GetLoFi – Circuit Bending Synth DIY
Circuit Ben is Killing Music Album now is free to download. Enjoy great catchy tunes and top notch production. This is a very good example melodic composition with circuit bent toys. Circuit_Ben_is_Killing_Music Download Background Info: Bent Stuff used: Casio sk1, Casio sk5, Casio sk100, Casio pt-20, Casio ks-03, Yamaha pss-11, Yamaha pss460, Hing Hon EK-001, Cheburashka!, Jim Bowen/Al Pacino dub siren, Super ultra mega, Fun-box (orgasm toy), Toy Koran (Quran), Cheap Chinese phone toys, Kung Fu toy, Captain Scarlet’s car, “Pound Shop” keyboard (cost £1 new.), Dragonball Z keyrings, Barbie keyboard, Fisher-price tape recorder (now dirty,dirty guitar amp.), George W Bush and probably about fifty circuits with a soldered output that were bent/killed while recording – auto-destruct! Non Bent Stuff: Mini Kaoss pad, Gameboy with Nanoloop, Melodica, 5-litre oil can guitar, Acoustic bass, Casio kx-101, Stylophone, Voice Ben Says that in general songs are as vague as possible and about nothing – that’s the story he is sticking to The Lyrics for “Allen” are from “Cocaine Blues” by Allen Ginsberg. All this was written and performed by Circuit Ben and produced by Lee Gregory – www.myspace.com/randomleeaudio
http://www.getlofi.com/?p=1687

596 Eventide
Accessories Eventide PitchFactor Support Links ›Documentation ›Software Updates ›PitchFactor Support ›Knowledge Base ›Forum Find a Dealer No Comparison Nothing Sounds Like an Eventide Through the decades, top players have depended on Eventide: Jimmy Page, Frank Zappa, Brian May, Eddie Van Halen, Steve Vai, Robert Fripp, John Petrucci, and Adrian Belew, to name a few. Now, for the first time these effects are portable AND affordable. Stompbox simple, PitchFactor fits on your pedalboard or in your gigbag. Features Specifications Photos Media Studio Quality Effects at Your Feet Top recording studios worldwide use Eventide effects on hit after hit. PitchFactor includes Eventide's best pitch-changing effects from the past 39 years without compromising quality OR flexibility. Flexibility Built-In Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals. Obsolescence is so 20th Century Easy to upgrade; download new software from the Internet and install via USB. Features 10 of Eventide’s signature stereo or mono pitch+delay effects: Diatonic PitchFlex™ Quadravox™ Octaver™ HarModulator™ Crystals™ MicroPitch HarPeggiator™ H910 / H949 Synthonizer™ Up to 4 voices of diatonic pitch shifting and up to 1.5 seconds of stereo delay Studio quality sound Guitar or bass compatible Built-in Tuner Software upgradeable via USB 2.0 MIDI control via USB or MIDI in, out/thru Instant program change Real-time control with 10 knobs, MIDI, or expression pedal Tap tempo and MIDI clock sync 100 factory presets, unlimited through MIDI True analog bypass Rugged cast metal construction Reliable metal footswitches for instant preset access Mono or stereo operation Guitar or line level inputs and outputs
http://www.eventide.com/AudioDivision/Products/StompBoxes/PitchFactor.aspx

588 Korg MS Monophonic Synthesizers - Users Tips and Techniques
Korg MS and PS analogue music synthesizers owners manuals, pictures and other details Korg, MS, PS, Japan, Japanese, 1970's, polyphonic, monophonic, analogue, analog, synthesizer, synth, sequencer, processor, pedal, keyboard, pop, electronic, music, sound, synthesis, subtractive, manual, manuals, user guide, owners, handbook, MS-01, MS-02, MS-03, MS-04, MS-10, MS-20, MS-50, VC-10, SQ-10, PS-3100, PS-3200, PS-3300
http://www.korganalogue.net/korgms/mstt.html

573 100 Helpful Photography Tutorials for Beginners and Professionals
Photography as both a profession and a hobby is an incredibly expansive topic that covers a remarkably vast range of subjects from science and art. No matter
http://photo.tutsplus.com/articles/round-ups/100-helpful-photography-tutorials-for-beginners-and-professionals/

569 Welcome to RL Music
buy, sell, sale, Buchla 200e european distributor, Macbeth M5, Vintage Analogue Synthesisers, Analogue Synthesisers, Vintage Analog Synthesizers, Analog Synthesizers, Electronic Musical Instruments, Keyboards, Interview, Bob, Moog, Howard Jones, Jean-Jacques Perrey, Vintage Synthesiser, Synthesizer, Analogue, Modular, Keyboard, Moog, Arp, Oberheim, Korg, Roland, Yamaha, Voyager, Polymoog, Memorymoog, Minimoog, 2600, System 700, Xpander, Prophet 10, Prodigy, Mellotron, MKVI, Metasonix, CS15, CS30, Monopoly, SEM, MS20, MS10, PS3100, Jupiter 8, Kenton, Steiner-Parker Synthacon
http://www.rlmusic.co.uk/

558 100 best ever free PC system tools | News | TechRadar UK
100 best ever free PC system tools Create your perfect Windows toolkit with these apps : TechRadar UK pc tools,windows tools,software
http://www.techradar.com/news/software/applications/100-best-ever-free-pc-system-tools-705029/

513 Welcome to Analogue Solutions - Concussor modular synthesiser - compatible with Doepfer A100 and RS Integrator modualr synths
analogue electronic synthesisers, modular synths, Concussor, Integrator, Doepfer A100 concussor, Concussor, CONCUSSOR, EMIS, Doepfer A-100, A100, Analogue Systems Integrator, Phoenix modular, TR909, TR808 drum machine, percussion, voices, electronic drums, simmons, pearl syncussion sy1, RS, RS200, minimodular, analog sequencer, analogue sequencer, synths, synthesizers, MIDI-CV converters, convertors, nord modular, waldorf microwave, waldorf pulse, kenton electronics, Roland TB303, MIDI to trigger, sample CD, Yamaha, SCI, Oberheim, AKS, ARP, Buchla, Spring reverb, EDP, electro, Korg, Linn, Moog, Music and More, PAiA, PPG, philip rees, midiman, technosaurus, kraftwerk, analogue heaven, hyperreal, digital audio
http://www.users.globalnet.co.uk/~concuss/

502 Korg MS-20 Synthesizer - circuit board photos
Korg MS and PS analogue music synthesizers owners manuals, pictures and other details Korg, MS, PS, Japan, Japanese, 1970's, polyphonic, monophonic, analogue, analog, synthesizer, synth, sequencer, processor, pedal, keyboard, pop, electronic, music, sound, synthesis, subtractive, manual, manuals, user guide, owners, handbook, MS-01, MS-02, MS-03, MS-04, MS-10, MS-20, MS-50, VC-10, SQ-10, PS-3100, PS-3200, PS-3300
http://www.korganalogue.net/korgms/service/ms20/joris.html

486 Ninite Easy PC Setup - Silent Unattended Install Multiple Programs At Once
Ninite is the fastest, easiest way to get software. Ninite will automatically download and install multiple apps unattended and 100% hands-free. 1. Pick your favorite software below. 2. Click "Get Installer" and run it. 3. You're done! No Toolbars Ninite says "No" to toolbars and other junk. No Clicking Ninite automates installers offscreen. 32 and 64-bit Ninite installs the best version of an app for your PC. International Ninite installs apps in your PC's language. Fast No manual labor means installs finish quickly. And More Ninite Pro has even more features. Learn more
http://ninite.com/

460 Vacuum Tube Modules for Electronic Music by Metasonix - S-1000 Wretch Machine
Vacuum Tube Modules for Electronic Music by Metasonix Metasonix, Vacuum Tube, Tube, Electronic Music, Electronic, Eric Barbour, Vacuum Tube Valley, synth
http://www.metasonix.com/index.php?option=com_content&task=view&id=30&Itemid=61

451 100 of the Best Privacy Tools and Online Resources | High Speed Internet
The Internet still remains a largely unregulated domain with no enforcement agency with any teeth to protect the privacy of citizens using the World Wide Web. features
http://www.highspeedinternet.net/features/100-of-the-best-privacy-tools-and-online-resources.asp

430 Mega Collection Of Cheatsheets for Designers And Developers | SpyreStudios
This post contains more than 100 cheatsheets and reference cards for topics such as CSS, HTML, Javascript, PHP, MySQL, Color/Fonts/SEO, CMS, Softwares, Browsers and OS. cheatsheets, css, html, reference cards, web-design, development, seo, typography, php,resources,tools
http://spyrestudios.com/mega-collection-of-cheatsheets-for-designer-developers/

428 Alain Neffe and the Home-Taped Electronic Music Revolution
Alain Neffe launched his first tape label at home in Belgium in 1981. He called it Insane Music Contact and his first installment was called Insane Music for Insane People. Thus began a nearly thirty year foray into home-made, visionary and utterly unfashionable electronic music that has hardly made anyone involved a household name. Insane Music released 55 titles in its most prolific years (1981-87). Five of these were vinyl records and the rest were cassettes tapes. Why cassettes tapes? Magnetic tape was the obvious solution to the problem facing many artists working without record contracts in those days. Cassettes could be recorded at home, produced at home, dubbed at home, and sold or traded by mail. No need for tasteless outside producers and marketing mojo—one needed only leave home to buy more tapes. Says Neffe, “I could copy the tapes on demand. Releasing an LP required that you print 500 copies and 1000 copies of the cover sleeve, and everything had to be paid up front … if the buyer didn’t like the music, he or she could wipe it out and record something else on it.” Mr. Neffe was not the only one out there recording, selling and trading tapes by mail. On both sides of the Atlantic, home cassette technology was permitting the release of much groundbreaking and breathlessly beautiful work, as well as some noxious and otherwise self-indulgent wanking—that coat of many colors we call the DIY (do-it-yourself) Revolution. As early as 1974, Albrecht/d. self-released a cassette entitled Amsterdam Op De Dam in Germany. In 1976, Throbbing Gristle was distributing tapes of their infamous live recordings, and in 1977, the French electro-industrial unit Die Form began releasing tapes on their own Bain Total label. 1980 saw the release of two monumental self-released cassettes, The Storm Bugs’ A Safe Substitute and Colin Potter’s The Ghost Office. In Japan, 1980 saw the release of Merzbow’s first two cassettes, Remblandt Assemblage and Fuckexercise. And in the USA, 1981 saw John Bender’s Plaster: The Prototypes, a laconic and mysterious series of tone and vocal poems. Home taping was not limited to electronic music. R. Stevie Moore, one of the elder living ancestors of the lo-fi rock aesthetic, began releasing distributing home-made tapes via the R. Stevie Moore Cassette Club sometime in the 1970s. And tapes of live punk shows from the era continue to trade hands. Soon, cassettes were coming from everywhere: mysterious PO boxes in the Midwest, to which you sent a blank tape and three dollars and received the tape back with something on it. The Tellus Audio Cassette Magazine was a Fluxus-inspired subscription audio-journal dedicated to music as well as poetry and drama and other forms of audio-art. Zines like Factsheet Five and Unsound devoted entire columns to the material they received from bands on home-made cassette, and demo tapes began leaking to radio stations prior to official record release dates. It was a grassroots movement that marched in association with the self-publication of zines, comics, chapbooks, and other media. The medium had begun to become the message. Insane Music for Insane People (which eventually reached 25 volumes) was a series compiling all home-made electronic music made by artists from across the globe. By including in the liner notes the contact address for each artist featured, Neffe helped pioneer a snail-mail network for those interested in more of what they heard. Artists from all over Europe and the USA, from Japan, New Zealand, and beyond contributed over the years. One could send a few dollars to Insane Music Contact, receive tapes in the mail, write to artists involved and receive more cassettes. Insane Music Contact (now known as Insane Music) has always been a vehicle for Mr. Neffe’s own electronic music projects as well, many of which are periodically active to this day. Though he now makes liberal use of the CD format, Neffe’s artistic approach remains undiluted by years of underexposure. He expects very little acknowledgment of or remuneration for his efforts, which, for him, are emotional articulation, continued experimentation, and purity. It seems nothing but nothing could possibly catapult such heavily uncommercial sounds into the public consciousness–not even this thirty-year retrospective box-set entitled The Insane Box released (ironically, on vinyl) by the venerable Frank Maier of Vinyl-on-Demand Records, an outfit devoted to preserving the precious gems of cassette culture before the evidence disintegrates. For this retrospective (4 LPs + a 7” 45), Mr. Neffe has reached into dusty attic boxes, wherein lay unreleased (or hardly available) material by five projects of which he has been a part: BeNe GeSSeRiT, Human Flesh, Pseudo Code, I Scream and Subject. Each has a unique cerebral orientation and emotional vibe made possible by the combined efforts of invited guests; each runs the high fever of a man very much committed to a personal vision of artistic purity without virtuosity, and each is distinctly French. BeNe GeSSeRiT was not the first of Mr. Neffe’s projects to be recorded and distributed, but is, to my understanding, the genesis of his approach to music as “texts” or “photographs”, or as he puts it, “potlatch music”. On these early tracks we also detect a burgeoning interest in the endless expressive properties of the human voice, both explicitly human and as heavily-treated sound sculpture, both French and English At times, voices shout like besotted Celine parlor workers at each other from tenement windows; at other times a high-pitched female voice wails up and down like Catherine Ribeiro alone in her bathroom. In these tracks, one can also detect the half-digested influence of electro-rock luminaries Silver Apples, the avant-lashings a la Yoko Ono, and occasionally the thunder-beat of early Laibach. Primitive Casio electronics, stage whispers, delay echoes, tape loops, and a certain absurdist humor redolent of Erik Satie, neither dampen the fabric with melodrama, nor detract from the integrity of the grist, nor from the topical seriousness of the text’s subjects. BeNe GeSSeRiT is difficult music, even in the moments that risk elegy, yet it is still more accessible than some of the other Francophone avant-dada outfits of the day, such as DDAA and Étant Donnés, or Nurse with Wound in the UK. Human Flesh is decidedly more structurally cohesive and song-oriented than BeNe GeSSeRiT, and its predecessors and influences are less clear. Still there is a clear interest in the human voice, its textures and timbers when removed of sign value by backwards-masking, and the new textures that emerge when disassembled and reassembled. Even rock-oriented at times, Human Flesh chases a more delirious climax, for the hounds of the carnival are snapping at their heels as they run. This is also a project of varied angles and pursuits, sliding as it does into poetic electro-pop (the supple and Chicago-accented voice of the late Lydia Tomkiw, of Algebra Suicide, appears on two tracks), and moments of Half Japanese-style primitivism. The side-long track “Langsam” is more reminiscent of Piper-era Pink Floyd and Brainticket, as well as other Krautrock, yet is still distinctly French. These early and rare tracks are, in contrast to the more ambitious Pseudo Code and the more intimate recordings by I Scream, more oblique for being a mix-down of materials sent to Neffe from artists around the globe. The track “Sons of God?” is also notable for what is perhaps the first recorded sample of the American fire-and-brimstone preacher Ferrell Griswold, whose voice has appeared in music by Front 242, Phallus Dei, Pragha Khan, et cetera. The cassette medium, for all its benefits to individual artistic expression and culture, is for the selfsame reasons impermanent. Magnetic tape has a thirty year lifespan if properly archived, which means both that preserving their contents in other formats is important, and that paying hundreds of dollars for the original artifacts is a questionable collectors’ pursuit (nevertheless, you can watch it happen daily). With the advent of the mp3 and the efforts of Vinyl-on-Demand and other labels, Insane Music’s CD-r reissue program included, some of this exquisite material has been rescued from oblivion.
http://www.timesquotidian.com/2010/05/28/alain-neffe-and-the-home-taped-electronic-music-revolution/

425 workshop synthétiseurs modulaires
synthetiseurs modulaires, arturia cwejman, analogue solutions, analogue systems, curetronic, macbeth audio systems, roland, yamaha, system 100 m, korg PS 3200
http://www.mesi.fr/pub/modular_workshop.php

421 Welcome to Analogue Solutions - Concussor modular synthesiser - compatible with Doepfer A100 and RS Integrator modualr synths
analogue electronic synthesisers, modular synths, Concussor, Integrator, Doepfer A100 concussor, Concussor, CONCUSSOR, EMIS, Doepfer A-100, A100, Analogue Systems Integrator, Phoenix modular, TR909, TR808 drum machine, percussion, voices, electronic drums, simmons, pearl syncussion sy1, RS, RS200, minimodular, analog sequencer, analogue sequencer, synths, synthesizers, MIDI-CV converters, convertors, nord modular, waldorf microwave, waldorf pulse, kenton electronics, Roland TB303, MIDI to trigger, sample CD, Yamaha, SCI, Oberheim, AKS, ARP, Buchla, Spring reverb, EDP, electro, Korg, Linn, Moog, Music and More, PAiA, PPG, philip rees, midiman, technosaurus, kraftwerk, analogue heaven, hyperreal, digital audio
http://www.users.globalnet.co.uk/~concuss/

418 RAISERROR (Transact-SQL)
Generates an error message and initiates error processing for the session. RAISERROR can either reference a user-defined message stored in the sys.messages catalog view or build a message dynamically. The message is returned as a server error message to the calling application or to an associated CATCH block of a TRY…CATCH construct.
http://msdn.microsoft.com/en-us/library/ms178592(v=SQL.100).aspx

400 Akai MPC Forums - View topic - PIMPED OUT MPC1000 PICS (BEFORE & AFTER)

http://www.mpc-forums.com/viewtopic.php?f=15&t=97996

397 Oscilloscope TO-3 Radio Tech; Tokyo?
Oscilloscope TO-3 Radio Tech; Tokyo? Pays: Japon Fabricant / Marque: Tech; Tokyo? Année: 1968 ?? Type: Appareils de mesure et de dépannage (Lab Equipment) Lampes / Tubes 9: 12AT7 12AT7 12AU7 12AU7 12AU7 6U8 6X4 1X2B 3KP1F Nous avons besoin de ce schéma! Principe de réception non indiqué Gammes d'ondes - sans Tension / type courant Alimentation Courant Alternatif (CA) / 110; 220 Volt Haut-parleur / Puissance - - No sound reproduction output. De Radiomuseum.org Model: Oscilloscope TO-3 Matière Boitier métallique Forme Modèle de table de forme quelconque, profil pas précisés. Dimensions 140 x 220 x 325 mm / 5.5 x 8.7 x 12.8 inch Remarques Runde Kathodenstrahl-Röhre. Y-Verstärker: Ablenkempfindlichkeit: 0,1Vss/cm Frequenzbereich: 1,5Hz...1,5MHz Eingangsimpedanz: 2MOhm, 25pF X-Verstärker: Ablenkempfindlichkeit: 1Vss/cm Frequenzbereich: 1,5Hz...800kHz Eingangsimpedanz: 2MOhm, 20pF Zeitablenkung: 5 Bereiche: 10-100-1k-10k-80k-300kHz Synchronisation: intern, extern, Netz.
http://www.radiomuseum.org/r/tech_oscilloscope_to_3to.html

391 MPC1000 JJ OS
MPC1000 JJ OS1 Version 4.99 and JJ OS2XL It is the site which is making original OS of MPC1000. Sequencer,Sampler,MPC500,MPC5000,MPC2000XL,MPC2500,MV8800,nano PAD,ADSR,Synthesizer
http://www7a.biglobe.ne.jp/~mpc1000/

364 What every programmer should know about memory, Part 1 [LWN.net]
Editor's introduction: Ulrich Drepper recently approached us asking if we would be interested in publishing a lengthy document he had written on how memory and software interact. We did not have to look at the text for long to realize that it would be of interest to many LWN readers. Memory usage is often the determining factor in how software performs, but good information on how to avoid memory bottlenecks is hard to find. This series of articles should change that situation. The original document prints out at over 100 pages. We will be splitting it into about seven segments, each run 1-2 weeks after its predecessor. Once the entire series is out, Ulrich will be releasing the full text. Reformatting the text from the original LaTeX has been a bit of a challenge, but the results, hopefully, will be good. For ease of online reading, Ulrich's footnotes have been placed {inline in the text}. Hyperlinked cross-references (and [bibliography references]) will not be possible until the full series is published. Many thanks to Ulrich for allowing LWN to publish this material; we hope that it will lead to more memory-efficient software across our systems in the near future.
https://lwn.net/Articles/250967/

359 AMAZONA.de - Vintage Synths > Blue Box: Korg PS-3200
AMAZONA.de Online Magazin Synthesizer, Keyboards, Expander, Sampler, Effektgeräte, Masteringtools, Produktionseqipment, Software, Plugins, Standalonesoftware, Microphone, Lautsprecher, Mischpulte Anlässlich der Jean Michel Jarre Tour 2008 ist es angebracht, einen seiner treuen Wegbegleiter im Bühnensetup vorzustellen: Den Korg PS-3200. Dieses semi-modulare Instrument kam 1978 – ein Jahr nach ‘Start’ der Serie in Form von PS-3100 bzw. PS-3300 – auf den Markt. Obwohl sich in diesem einen Jahr technisch gesehen viel getan hat (der PS-3200 verfügt als Einziger über Programmspeicher, stufenlosen Chorus und andere Besonderheiten), und das Instrument bis weit in die 80er Jahre in Produktion bzw. im Angebot war, wurden nur 500 Stück davon hergestellt. Das entspricht jedoch in etwa der ‘PS-Tradition’, denn auch vom kleinen PS-3100 wurden nicht mehr als 600 Stück verkauft. Der große PS-3300 (von dem Jean Michel Jarre seinerzeit übrigens zwei Stück im Studio hatte) fällt bekanntlich noch deutlicher aus dem Rahmen, brachte er es doch nur auf ca. 50 gebaute Exemplare.
http://www.amazona.de/index.php?page=26&file=2&article_id=1734

358 Résultats Google Recherche d'images correspondant à http://www.amazona.de/media/articles/article_images/article_1734/1_ps3200.jpg
Anlässlich der Jean Michel Jarre Tour 2008 ist es angebracht, einen seiner treuen Wegbegleiter im Bühnensetup vorzustellen: Den Korg PS-3200. Dieses semi-modulare Instrument kam 1978 – ein Jahr nach ‘Start’ der Serie in Form von PS-3100 bzw. PS-3300 – auf den Markt. Obwohl sich in diesem einen Jahr technisch gesehen viel getan hat (der PS-3200 verfügt als Einziger über Programmspeicher, stufenlosen Chorus und andere Besonderheiten), und das Instrument bis weit in die 80er Jahre in Produktion bzw. im Angebot war, wurden nur 500 Stück davon hergestellt. Das entspricht jedoch in etwa der ‘PS-Tradition’, denn auch vom kleinen PS-3100 wurden nicht mehr als 600 Stück verkauft. Der große PS-3300 (von dem Jean Michel Jarre seinerzeit übrigens zwei Stück im Studio hatte) fällt bekanntlich noch deutlicher aus dem Rahmen, brachte er es doch nur auf ca. 50 gebaute Exemplare.
http://www.google.com/imgres?imgurl=http://www.amazona.de/media/articles/article_images/article_1734/1_ps3200.jpg&imgrefurl=http://www.amazona.de/index.php%3Fpage%3D26%26file%3D2%26article_id%3D1734&usg=__6h2_oYoRdhSJm3vSnU-6f5BQE4Y=&h=600&w=800&sz=106&hl=fr&start=11&sig2=2YGw0U429tB19AJ_m6tg5g&um=1&itbs=1&tbnid=VZYyV__Lfq7npM:&tbnh=107&tbnw=143&prev=/images%3Fq%3Dkorg%2Bps%2B3300%26um%3D1%26hl%3Dfr%26client%3Dopera%26sa%3DN%26rls%3Dfr%26tbs%3Disch:1&ei=khIETIfhJZiP4gbphZzqDQ

325 Electronic_a # 11: Jeudi 29 avril 2010
Ben Edwards est un humble artisan amoureux de l’analogique, archéologue des temps pré-électroniques. "la musique synthétique", comme on l’appelait alors. Ben collectionne les synthétiseurs et en a accumulé une quantité invraisemblable. Si les noms suivants ne vous disent rien, Korg Modular, Oberheim SEM, Roland 100 M … souvenez-vous de Abbey Road ou de Blade Runner. C'est tout un pan de la musique pop qui fut irrigué des vibrations quasi cosmiques de ces machines et c’est une âme singulière et poétique que nous retrouverons ainsi ce soir. Ce que la presse en dit: « De son vrai nom Ben Edwards, Benge développe depuis ses premiers pas musicaux une passion peu commune pour les synthétiseurs, passion qui l’a conduit à amasser au fil du temps une collection de machines qui ferait baver d’envie bien des aficionados de la chose. Obsédé par cette famille d’instruments aux possibilités infinies et compositeur stakhanoviste si il en est, Benge passe sa vie à disséquer les algorithmes abscons de chacune de ses machines qu’il connaît jusqu’au plus profond de leur process électroniques » - A découvrir absolument « Album concept que ce Twenty Systems puisqu’il s’agit, en vingt pistes plutôt courtes, de présenter vingt synthétiseurs différents, un par année de 1968 à 1988. Dans un esprit didactique, le disque est accompagné d’un livret cartonné de 52 pages détaillant les caractéristiques de chaque synthétiseur tandis que les morceaux portent le nom de l’instrument ayant été utilisé pour chacun et l’année correspondante (utilisation unique et solitaire d’ailleurs, Ben Edwards indiquant n’avoir employé aucun autre effet ou appareil en dehors de ces synthétiseurs). » - Etherreal « Avec ce disque poétique, à la naïveté parfois désarmante (Yamaha CS30) mais toujours très inspiré, Benge nous fait voyager à travers les époques et rend un bel hommage à ces machines pleines de chaleur (qui sont pour certaines de véritables antiquités !) et à leurs géniaux créateurs. Rarement une leçon d'histoire aura été aussi délicieuse que celle-ci. » - Pop News « La musique de Ben Edwards est en effet bien plus et bien moins qu'un impossible catalogue de sons ou une ode technopositiviste : c'est un réenchantement viscéral du son électronique. » - Chronic’art « A brilliant contribution to the archaeology of electronic music » - Brian Eno « Indicates what a deliriously desirable thing the synthesis of sound has historically been » - The Wire « Absolutely cast iron irrefutable proof that synthesisers are better than guitars » - Vice Magazine
http://bellegarde.toulouse.fr/archives/154-electronica11

316 100 Fresh And Free xHTML Templates Of Year 2010
If you remember some long time at 1stwebdesigner we published huge 2-part article (part 1, part 2) with 202 free HTML templates there, time has been passed and this is follow-up articles. This time you will find here just really new templates, mostly created in this year 2010! Hopefully this article will be good success as well, because I think these templates can really help if you need to complete any fast project, see how things work and finally get inspired! Enjoy!
http://www.1stwebdesigner.com/freebies/fresh-free-xhtml-templates-2010/

301 Yamaha CS-15 mods: info and modification description (contribution by Don Solaris)
The original CS-15 is a great monophonic synth from the late 70's. It has a specific dual 12 dB multimode filter structure and a dual signal path. However these two filters are permanently set into parallel connection. This can be sometimes limiting, specially when more filter power is required (i.e. 24 dB response). One of the mods here will provide your CS-15 with serial filter connection - the 24dB mode. Of course, switch is included so that you can always bring back the original unmodified parallel filter routing the 12dB + 12 dB mode. One of the features that make CS-15 specific (next to parallel filters) is the ultra fast LFO that will go all the way up to 100 Hz. There are no many analog synths with LFOs that can go that fast (most end at 10-15 Hz). The potentiometer is used to tune from 0.1 Hz to 100 Hz. If you look at the numbers, this is quite a big range, and we said majority of LFO modulations are performed in up to 10 Hz range. The same is applied on CS-15's LFO potentiometer. That means, you can precisely tune from 0.1 Hz to 10 Hz (over 80% of potentiometer's turn ). However, going from 30 Hz to 100 Hz occupies only 10% of the potentiometer's turn. So if you were to perform some kind FM or Ring Mod effects, this might become a tricky job, as it requires precise tuning, but instead potentiometer jumps from i.e. 20 Hz into 40, then 70 then 100 Hz. Please note, this doesn't have anything to do with potentiometer's condition (cleaning). No matter how good you clean it, the same problem will exist, simply because this is the physical precision limit of the potentiometer. The only solution is to expand the precision in the high frequency range. In other words, we will expand 10% of potentiometer's turn into some 80% or more. Switch is included to provide the original unmodified version.
http://homepage.mac.com/synth_seal/html/ds_cs15mod.html

168 Musiques Incongrues - All you can eat - 100 versions of Popcorn song
[img]http://puyopuyo.lautre.net/allyoucaneat.jpg[/img] [b] [size=14]Musique Incongrues world exclusive ! 100 versions of Popcorn online[/b][/size] From a Schling idea with a large base of WFMU blog All you can eat friends ! And you can contribute of course ! Next step 200 !! Favorites so far : Toytone Guyom Shadmehr V. Malone Denki Groove [url=http://conradek.wrzuta.pl/sr/f/57C86ofH7wt/alfred_hause_-_popcorn.mp3]Alfred Hause - Popcorn[/url] [url=http://blogfiles.wfmu.org/KG/popcorn/Anarchic-System-Side-A-Popcorn-Vocal.mp3]Anarchic System - Popcorn (vocal)[/url] [url=http://blogfiles.wfmu.org/KG/popcorn/Anarchic-System-Side-B-Popcorn-Instrumental.mp3]Anarchic System - Popcorn (instrumental)[/url] [url=http://blogfiles.wfmu.org/KG/popcorn/aphex-twin-Popcorn.mp3]Aphex musiques incongrues, da ! heard it records, the brain, egotwister
http://www.musiques-incongrues.net/forum/discussion/1707/all-you-can-eat-100-versions-of-popcorn-song/

142 Polaroid - [Tuto] : filtre pour SX-70 / 1000 : lequel et comment ? :: Forum Polaroid Passion - Le site des passionnés de Polaroid
Il est bon de savoir que les films 600 peuvent être utilisées dans les Polaroid SX-70, Polaroid 1000, 2000...etc. Le problème est qu'il faut pour cela utiliser un filtre, car d'origine un SX-70 fonctionne avec du film d'une sensibilité de 150 ISO, alors qu'un film 600 fait 640 ISO. Découvrez donc comment adapter un film type 600 sur ces appareils.
http://www.polaroid-passion.com/forum/viewtopic.php?t=1002

141 Débloquer votre portable Sony Ericsson gratuitement « Web Interdit
S’il y a bien un truc énervant avec les opérateurs telecom, c’est leur manie de bloquer les téléphones achetés chez eux sur leur réseau. Ainsi un portable Orange n’est pas utilisable chez SFR et vice-versa. Une manie bien mesquine qui fait le beurre de nombreuses officines, dans la rue comme sur le web. Une recherche sur « Débloquer Sony Ericsson » ou « Unlock Sony Ericsson » vous donnera un aperçu, avec des offres de 15 à plus de 100€ ! Possédant un Sony Ericsson C905 (remplacé par un iPhone 3GS), et souhaitant le donner, je ne voulais pas payer pour ce service. Mais en cherchant bien, j’ai trouvé une solution gratuite qui fonctionne pour les modèles Sony Ericsson suivants : C510, C702, C901, C902, C903, C905, G502, G705, K630, K660, K850, K858, T700, TM506, V640, W595, W705, W715, W760, W890, W902, W908, W910, W980, Z750, Z770, Z780, C510C702, C901, C902, C903, C905, G905, G705, K630, K660, K850, K858, T700, TM506, V640W595, W705, W715, W760, W890, W902, W908, W910, W980, Z750, Z770 et Z780. Donc si vous êtes l’heureux propriétaire d’un de ces modèles et souhaitez le débloquer, suivez le guide
http://www.webinterdit.com/2009/09/22/debloquer-votre-portable-sony-ericsson-gratuitement/

139 Telephone portable sans abonnement | Acheter Tel mobiles - Kelkoo
Chercher un téléphone portable sans abonnement pas cher ? Consulter les avis et nos guides d'achat de téléphonie mobile. Acheter votre téléphone mobile sans abonnement au meilleur prix parmi les marchands référencés par votre comparateur de prix. comparatif Telephone portable sans abonnement, Telephone portable sans abonnement pas cher, acheter Telephone portable sans abonnement, comparer Telephone portable sans abonnement, boutiques Telephone portable sans abonnement, Kelkoo
http://hifiphotovideo.kelkoo.fr/c-100020213-telephone-portable-sans-abonnement.html

29 1001 Albums You Must Hear Before You Die
1001 Albums You Must Hear Before You Die is a musical reference book edited by Robert Dimery, released in 2006. It consists of a list of albums released between 1955 and 2005, part of a series from Quintessence Editions Ltd. The book is arranged chronologically, starting with Frank Sinatra's In the Wee Small Hours and concluding with Myths of the Near Future by Klaxons.
http://en.wikipedia.org/wiki/1001_Albums_You_Must_Hear_Before_You_Die

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