100SILEX, de 0 à 100 s: ELECTRIC
1454 Old Europa Cafe: ELECTRIC SEWER AGE [COIL] - Bad White Corpuscle (OLD EUROPA CAFE)
ELECTRIC SEWER AGE [COIL], Bad White Corpuscle, OLD EUROPA CAFE ,music, label, mailorder, industrial, neo folk, dark ambient, neo pop, neo classic, martial, noise, minimal, ambient, ebm, traditional, neo cabaret, military pop, combat folk, power electronics, etheral, heavenly voices, apocalyptic folk, black ambient
1411 Homelab - server at home
1066 EML Electrocomp 101
Electronic Music Labs (EML), based in Vernon, CT, was a rather strange but interesting outfit that, for a brief period in the early 1970s, had some success in the commercial synthesizer market. The company was founded and largely run by electrical engineers rather than musicians, an attribute with both strengths and weaknesses.
Electrical DIY Note for sounds
Analogue Ribbon Synthesizer KORG beatnic music DIY amature hand made mod Circuit Bending Toy
756 Matmos - Supreme Balloon
The arcs of rising and falling pitches that start this song reminded us of a rainbow, and the title stuck: any resemblance to fluttering symbols of homo-nationalist pride are side effects. People have asked us about the Latin kitsch aspect of the song, and we plead guilty to a great love of the Richard Hayman "The Genuine Electric Latin Love Machine" Moog novelty LP from 1969. Having lived in the Mission District of San Francisco for seven years up until our recent move to Baltimore, we have had enough casual exposure to actual Mexican and Salvadorean music to know that this bears only the faintest relation to the real thing. Keith Fullerton Whitman contributed some tasty squelches and zaps from his Doepfer modular synth to brighten the corners, but not everything on here is that high-tech. Consider the lowly stylophone, a handheld novelty instrument popular with British schoolkids that was immortalized during the rave era in the cheesy techno banger "Stylophonia" by the fabulously named UK crew Two Little Boys. The stylophone that is played on this record was sent to us in the mail by a well-wisher and we thank him for this unexpected present. We are even more grateful to Safety Scissors, who forgave us when M. C. Schmidt broke his MS-20 filter knob by tweaking it too vigorously while recording the "horn" part of this song. It's all been patched up now.
707 Dogmazic.net, musique libre - electric games (Happiness project)
dogmazic.net : Association Musique libre ! - Un portail pour la communautÃ© musique libre
Music, music, Musique, musique, Free, Libre, Free Music, free music, musique libre, Musique Libre, Libre music, Copyleft, copyleft, License, license, Licence, Licences, licence, licences, Creative Commons, Creative Commons licenses, Licences Creative Commons, Art libre, licence Art libre, Free art license, Archive, archive, archive de musique libre, artistes, artist, labels, label, son, sound, libre music archive, tÃ©lÃ©chargement de musique, music download, legal music download, tÃ©lÃ©chargement lÃ©gal de musique, MP3, mp3, Ogg, ogg, ogg vorbis, podcast, playlist, new economy of music, nouvelle Ã©conomie de la musique
564 Directive RoHS - WikipÃ©dia
La directive europÃ©enne RoHS (2002/95/CE) vise Ã limiter l'utilisation de six substances dangereuses.
RoHS signifie Restriction of the use of certain Hazardous Substances in electrical and electronic equipment, c'est-Ã -dire Â« restriction de l'utilisation de certaines substances dangereuses dans les Ã©quipements Ã©lectriques et Ã©lectroniques Â».
Les substances concernÃ©es sont :
le plomb ;
le mercure ;
le cadmium ;
le chrome hexavalent ;
les polybromobiphÃ©nyles (PBB) ;
les polybromodiphÃ©nylÃ©thers (PBDE).
Sound synthesis and sound design
Music has brought pleasure and entertainment to mankind throughout the whole of history. Each person is by nature equipped with one of the most elaborate and emotional musical instruments; the human voice. Whenever people feel good music seems to fit the occasion, and it is considered quite natural to hum or sing a song. Musical instruments have brought their own moods to music and at the current moment in human evolution there is an enormous variety of musical instruments available. The twentieth century has seen the development of a range of new and exciting electronic musical instruments. These electronic instruments are very flexible, they can produce a wide range of timbres and can be amplified to whatever loudness level sounds best for the occasion. Most of these electronic instruments are played by a keyboard, but in essence the keyboard can be replaced by any electromechanical device that is able to transform a movement caused by a human interaction into an electrical signal that can drive the sound generating core of the electronic instrument.
All sorts of technical and scientific developments have helped to create electronic instruments and the human interface to play them. Still, music is an art and not really a hard science, although music and sound have for a long time been subject to various scientific research. An important realization is that science can not really explain why much music is such a pleasure to listen to and such a joy to make. Which is not a bad thing, as probably no one is waiting for science to take the fun out of music by applying formalized rules and templates on what is also subject to â€˜feelâ€™. So, although this book covers techniques that lean heavily on scientific research, the application of these techniques will in general be aimed at creating fun. There are a lot of professionals working with sound and even more people that make music for their personal enjoyment. Mastery of sound synthesis is valuable to all of them. Still, it wonâ€™t be easy to please everyone with one single book, as some people will be more interested in how things work and others might want practical examples that just work. The aim of this book is that it can at least be used as a practical guide in workshops and courses in electronic music, covering some essential basics that are needed to operate the equipment used in sound synthesis in a way that makes some sense. Additionally it can be used to explore techniques to find out how they can help in the development of oneâ€™s own musical style.
Sound synthesis is the art of creating sounds by using suitable electronic means, using either analog or digital electronic devices. Sound design is the art of creating particular sounds using sound synthesis techniques. The definition of sound design as used here might be confusing to some, as the name sound design is also used in the discipline in industrial design that occupies itself with how mass produced objects should sound. Examples are how the sound of cars or ladyshaves are â€˜designedâ€™ to sound pleasing while in use. Which of course has nothing to do at all with music or sound synthesizers. This book puts the emphasis on the various synthesis techniques for musical purposes and how to setup sound synthesizers to create a large range of characteristic musical sounds. The art of musical sound design is left to the artist.
388 The World of Musical Instruments Brochures - from '70s to '80s - Scanned Catalogs of Electric Guitars, Basses, Guitar Amps, Keyboards, Synthesizers, Effectors - Published in Japan
356 The Land List -- SX-70 Cameras
Folding SX-70 Cameras:
ALL Folding SX-70 Cameras have the following features in common:
4-element 116mm f/8 glass lens
Minimum focus: 10.4 inches
Front-cell focusing via geared wheel at top of lens/shutter housing
Programmed automatic exposure-- shutter speeds from >10 sec to 1/175; aperture range f/8- f/22; smaller apertures possible when flash is used.
Auto flash exposure based on focus distance; Max flash distance 20ft.
Has built-in Flashbar socket for flash. Accessory electronic flashes were also available.
Socket for an electrically-actuated remote shutter release.
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