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1522 5 Simple steps to secure TT-RSS reader
secure tt-rss, tt-rss security
5 Simple steps to secure TT-RSS reader
July 27, 2015 by Anand Leave a Comment
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We recently presented Tiny Tiny RSS to you as a great alternative to Google reader, which is one more way you can extend the functionality of your home server or your hosting space. Hopefully, you already exported your data from Google Reader. In this post, we will show you how to secure TT-RSS reader to prevent unauthorized access. Tiny Tiny RSS is an open source web-based news feed (RSS/Atom) reader and aggregator, designed to allow you to read news from any location, while feeling as close to a real desktop application as possible. As we previously explained, it makes an ideal candidate to replace Google Reader. While there are services like Feedly and Newsblur grabbing the crowd Google Reader, which some of you may prefer, there are a group of people who would like to run a RSS reader on their own server and keep things private. Assuming that you have already installed Tiny Tiny RSS on your alternative to Google reader or hosting space, we will now show you how to secure TT-RSS reader.
Secure TT-RSS Reader
One of the main reasons to move to an RSS aggregator like TT-RSS is maintaining your privacy. So if you do not secure TT-RSS reader well you are not only making your data available public but also making your system vulnerable to potential attacks. Choosing a strong username and password while setting your TT-RSS is the first basic thing that you can do to secure TT-RSS reader. Listed below are few more ways you can increase TT-RSS readerâs security.
1. Rename TT-RSS Folder
One of the first lines of defense is to not use tt-rss in your URL to access your TT-RSS reader. To do this on your hosting account, use a folder name other than tt-rss while installing TT-RSS. On your Linux home server, edit /etc/tt-rss/apache.conf and change the first /tt-rss to something else. An example is shown below.
TT-RSS Rename URL
TT-RSS Rename URL
After making the change, restart your TT-RSS and Apache to apply the changes:
sudo service tt-rss restart
sudo serivce apache2 reload
Your TT-RSS reader is now available through the new URL (example: http://mydomain.com/myreader) only.
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2. Enable SSL
Accessing TT-RSS through http sends all information as unencrypted data. This could mean less privacy due to potential sniffing. The solution is to encrypt the data during transfer, which makes sniffing by hackers harder. To enable and enforce HTTPS access on Linux servers with Apache, install the following run-time libraries:
sudo apt-get install libssl0.9.8 libpam0g openssl
Restart your Apache server as shown above. You should now be able to access your TT-RSS reader with HTTPS. Note that you may have to have a SSL certificate generated. Refer to Apache documentation if you want to generate your own certificate. By default, the system will install self-signed certificates for you. These certificates are likely to raise warnings when you point your browser to the site.
3. Disable Single User Mode
By default the single user mode is already disabled (in /etc/tt-rss/config.php). Enabling single user mode will also disable TT-RSS login system. Therefore, keep the single user mode disabled.
Disable Single User Mode
Disable Single User Mode
A better way to make it a single user system is by limiting the number of registrations to 1 as described below. For whatever reason, you still want to enable single user mode, make sure you implement Apache Authentication method described below.
4. Self Registrations
Self registrations allow a visitor to register themselves, which could reduce TT-RSS security. If your TT-RSS will be for personal use only, then you may want to disable user registration by setting âENABLE_REGISTRATIONâ to âfalseâ.
TT-RSS Self Registrations
TT-RSS Self Registrations
To further secure TT-RSS Reader, uou may also want to change âREG_MAX_USERSâ to â1â to make your account the only account on TT-RSS.
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5. Apache Authentication
Last but not the least, enable Authentication. This is even more important if you have enabled âSingle User Modeâ describe above. Every time you access TT-RSS, you will be asked for a username and password as shown in the picture below:
Secure TT-RSS Reader
On your hosting account this equivalent to password protecting a directory, in this case the TT-RSS directory. To do this on your Ubuntu server, you will have to create a .htpasswd file. More information is available in Apache documentation. But the easiest way to achieve this is to use one of the htpasswd generators available online.
After you enter the username and password two code blocks will be generated. Copy the contents of the .htpasswd code block and save it to /etc/apache2/.htpasswd_ttrss. Next, copy the contents of the .htaccess code block and add it to /etc/tt-rss/apache.conf as shown below:
TT-RSS Apache Authentication
TT-RSS Apache Authentication
Save and exit. Restart both TT-RSS and Apache previous shown above. You should be prompted for a password every time you try to access TT-RSS. Some may think that this double authentication method is an extra inconvenience. But I would rather be safe than sorry.
Go ahead, secure Tiny Tiny RSS Reader and enjoy reading articles on your private secure RSS Reader.
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1386 Retro Synth Ads: Sound Master Memory Rhythm SR-88, Keyboard 1982
Sound Master Memory Rhythm SR-88 drum machine 1-page advertisement from page 67 in Keyboard Magazine August 1982.
Hmmm. Not sure how I feel about this ad. There just seems to be a lot going on.
For example, am I supposed to know who "The Rhythm Section" is? The fact that they include themselves in an already long ad title suggests they must be some kind of a big deal. And then you find their name again in the bottom left-hand corner:
"The SR-88. Another innovative product from The Rhythm Section by Sound Master Distributed exclusively by JTG of Nashville."
So, let me get this straight. JTG of Nashville is the distributor of the SR-88 which was created by The Rhythm Section which is somehow owned or operated by Sound Master.
That is waaaaay to much information. Sounds like something political is going on there, and readers unfortunately get stuck in the middle of it.
There also seems to be a lot of ad-copy which actually doesn t give me much information. Reason #4 gives readers the most info including instant stop/start, variable tone and output switches, and a write/play mode indicator. The most I glean out of the four other reasons put together is: 16 rhythms, clock pulse and a price of under $200.
The actual specs that are probably most important to potential buyers are inexplicably shoved into the bottom right-hand corner.
Luckily for me, there are a few resources on the Web with more information about this beast. Unluckily for blog readers, as soon as I started looking for more info, I got swept up in a certain SR-88/Boss DR-55 controversy.
Comparing the SR-88 and Boss DR-55
One of the first Web sites I hit while looking for info on the SR-88 was Dubsounds.com. The site includes a great little write-up on the SR-88, but, more interesting was finding out about a little controversy about whether the SR-88 or the very similar Boss DR-55 came out first.
The two do seem mighty similar in functionality. For comparison purposes, I did a quick search on MATRIXSYNTH to find more photos. . A great photo of a gray SR-88 can be found in this December 2005 SR-88 MATRIXSYNTH auction post and the less common, but definitely more cool, blue SR-88 can be seen in this January 2011 MATRIXSYNTH auction post.
Comparing the two to the Amdek RMK-100
Interestingly, it s not just these two machines that look and function similarly. In this May 2009 MATRIXSYNTH SR-88 auction post commenter "PAC" notices:
"Interesting. I have an Amdek RMK-100 (sold as kit), very similar!"
Never heard of it, so I Googled "Amdek RMK-100" to see just how similar it was to both the DR-55 and the SR-88. Turns out (according to the Internet) that Amdek products were made by Boss/Roland back in 80s, and, not only that, but that the RMK-100 is actually the kit version of the Boss DR-55. Makes sense on why it would also be similar to the SR-88.
I found an ebay auction for an Amdek RMK-100 going on right now with a great photo of the front panel (see below), and indeed it does share a lot with the DR-55 and SR-88 - but definitely not identical to either one.
For example, it looks like the Amdek and SR-88 share a similar filler function that as far as I can tell is not available on the DR-55. And the DR-55 and the RMK-100 share a similar accent function that I don t see on the SR-88.
Now where does the Electro Dynamics Corporation Programmable Rhythm SR-99 fit in?
I also came across another machine with similar features - the Programmable Rhythm SR-99. No - not manufactured by Sound Master, but by Electro Dynamics Corporation. And, it too resembles the others in functionality, and especially the SR-88 in design also.
I ve included a row of photos below to help make the comparison between the two. The SR-88 photo is from the 2005 MATRIXSYNTH auction post and the EDC SR-99 photo is from the excellent BigBlueWave.co.uk site. I ve also thrown in a photo from another recent E-bay listing that included both - plus boxes and manuals! Sick!
Obviously, Sound Master and EDC are somehow connected, although I can t find any info on the Internet concerning these two companies. I do know that they were both advertising separately in Keyboard Magazine in late 1983, making it unlikely that one of the companies changed their name to the other. Anyone know anything?
And then there is the Clef Master Rhythm...
Now, I m going to throw in a late entry. It s Sunday night, and I just came across this August 2010 MATRIXSYNTH auction post for the Clef Master Rhythm. It not only shares part of the name of one of the other units ("Master"), it too has many features of the other rhythm machines, and identical innards as the DR-55, but is expanded to include even more sounds:
"This is essentially a fully expanded Boss DR-55 feature-wise and tone-wise. The circuits are identical (schematically and tonally) to the Boss DR-55, but the Clef Master Rhythm gives you way more instruments than the Boss DR-55..."
Interestingly, according to the post, it pre-dates the Boss DR-55 - and also came in a kit form like the Amdek.
"The Clef Master Rhythm came out a little before the Boss DR-55 in late 1979/early 1980. It was sold in two versions and available in greater quantities in Europe than in the United States. One version was a kit that the user put together and another one was a prebuilt machine."
A photo from the MATRIXSYNTH post really helps show the similarities in functions with the others:
What does it all mean?
So, looking at all five machines, its almost like there was a rhythm machine salad bar of some sort in Japan, and each company stepped up to it and picked out which features they wanted to include in their product.
And that begs the question - since we know there was a kit form available and there are claims that the Clef Master even has the same circuits as the DR-55, could all five products (and probably others) have used the exact same internal parts - each company choosing which features to include and then customizing in their respective rhythm machine? And if so, were those parts supplied by Amdek, or did all five get their internal parts from some other manufacturer?
And if that is the case, then the question of whether the SR-88 or DR-55 came first doesn t really matter much, since it is likely that the kit components would have been available first. Plus, we have that one auction post with the claim that the Clef Master came out before the DR-55 - making it all even more confusing to figure out.
Or, am I totally off the mark on all this? Were they all created separately? Maybe I ve just been fixated on this a little too much...
I ll keep on looking for more info on these companies and any connection they might have, but if anyone want to buy all four and open them up to take a look - it would be muchly appreciated. :D
Posted by RetroSynthAds at 12:05 PM
Labels: 1982, amdek, clef master, dr-55, drum machine, electro dynamics corporation, keyboard magazine, rmk-100, Sound Master, sr-88, sr-99
Here s a funny thing - I seem to remember Clef in the early 1980s as a British company that made electronic pianos (touch-sensitive ones!) in kit form. Deep in the back of my mind I recall seeing them at a music fair in London with a couple of their pianos and some drum machines including a prototype drum/bass/chord sequencer called something like a "Band-Box". But it WAS a long time ago.
February 12, 2012 at 12:36 PM
Looks like (for once) my memory didn t fail me. Here is a 1982 ad for Clef Electronics showing all the products I mentioned, plus a natty-looking little monosynth! BTW, I owned an EDC SR99 drum machine in the mid-1980s, but replaced it with a Yamaha RX-21 a couple of years later.
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Panneau de configuration
* ACCESS.CPL : ouvre les options d'accessibilitĂ© (Pour XP uniquement)
* APPWIZ.CPL : ouvre l'outil Ajouter/Supprimer un programme
* AZMAN.MSC : ouvre le gestionnaire d'autorisations (Pour Vista uniquement)
* CERTMGR.MSC : ouvre les certificats pour lâutilisateur actuel
* CLICONFG : ouvre la configuration des clients SQL
* COLLAB.CPL : ouvre le voisinage immĂ©diat (Pour Vista uniquement)
* COMEXP.MSC ou bien DCOMCNFG : ouvre l'outil services et composants (Pour Vista uniquement)
* COMPMGMT.MSC : ouvre l'outil de gestion de l'ordinateur
* COMPUTERDEFAULTS : ouvrir lâoutil des programmes par dĂ©faut (Pour Vista uniquement)
* CONTROL /NAME MICROSOFT.BACKUPANDRESTORECENTER : ouvre le centre de sauvegarde et de restauration (Pour Vista uniquement). Tutoriel ICI
* CONTROL ADMINTOOLS : ouvre les outils d'administrations
* CONTROL COLOR : ouvre les paramĂštres de l'apparence
* CONTROL FOLDERS : ouvre les options de dossiers
* CONTROL FONTS : ouvre le gestionnaire de polices
* CONTROL INTERNATIONAL ou bien INTL.CPL : ouvre les options rĂ©gionales et linguistiques
* CONTROL KEYBOARD : ouvre les propriĂ©tĂ©s du clavier
* CONTROL MOUSE ou bien MAIN.CPL : ouvre les propriĂ©tĂ©s de la souris
* CONTROL PRINTERS : ouvre les imprimantes et les fax disponibles
* CONTROL USERPASSWORDS : ouvre lâĂ©diteur des comptes utilisateurs
* CONTROL USERPASSWORDS2 ou bien NETPLWIZ : contrĂŽle les utilisateurs et leurs accĂšs<
* CONTROL : ouvre le panneau de configuration
* CREDWIZ : ouvre lâoutil de sauvegarde et restauration des mots de passe des utilisateurs (Pour Vista uniquement)
* DESK.CPL : ouvre les paramĂštres d'affichage
* DEVMGMT.MSC : ouvre les gestionnaire de pĂ©riphĂ©riques. Tutoriel ICI
* DRWTSN32 : ouvre Dr. Watson (Pour XP uniquement)
* DXDIAG : ouvre l'outil de diagnostic DirectX
* EVENTVWR ou bien EVENTVWR.MSC : ouvre l'observateur d'Ă©vĂšnements
* FSMGMT.MSC : ouvre les dossiers partagĂ©s
* GPEDIT.MSC : ouvre lâĂ©diteur des stratĂ©gies de groupe (Pour les Ă©ditions professionnelles et plus de Windows)
* HDWWIZ.CPL : ouvre l'assistant ajout de matĂ©riels
* INFOCARDCPL.CPL : ouvre l'assistant compatibilitĂ© des programmes
* IRPROPS.CPL : ouvre le gestionnaire d'infrarouge
* ISCSICPL : ouvre l'outil de configuration de l'initiateur ISCI Microsoft (Pour Vista uniquement)
* JOY.CPL : ouvre l'outil de contrĂŽleur de jeu
* LPKSETUP : ouvre lâassistant dâinstallation et dĂ©sinstallation des langues dâaffichage (Pour Vista uniquement)
* LUSRMGR.MSC : ouvre lâĂ©diteur des utilisateurs et groupes locaux
* MDSCHED : ouvre l'outil de diagnostics de la mĂ©moire Windows (Pour Vista uniquement)
* MMC : ouvre une nouvelle console vide
* MMSYS.CPL : ouvre les paramĂštres de sons
* MOBSYNC : ouvre le centre de synchronisation
* MSCONFIG : ouvre l'outil de configuration du systĂšme
* NAPCLCFG.MSC : ouvre l'outil de configuration du client NAP (Pour Vista uniquement)
* NTMSMGR.MSC : ouvre le gestionnaire des supports de stockage amovibles
* NTMSOPRQ.MSC : ouvre les demandes de l'opĂ©rateur de stockage amovible
* ODBCAD32 : ouvre l'administrateur de sources de donnĂ©es ODBC
* OPTIONALFEATURES : ouvre lâoutil Ajouter/Supprimer des composants Windows (Pour Vista uniquement)
* PERFMON ou bien PERFMON.MSC : ouvre le moniteur de fiabilitĂ© et de performances Windows.
* POWERCFG.CPL : ouvre le gestionnaire des modes dâalimentation (Pour Vista uniquement)
* REGEDIT ou bien REGEDT32 (Pour Vista uniquement) : ouvre l'Ă©diteur de registre
* REKEYWIZ : ouvre le gestionnaire des certificats de chiffrement de fichiers (Pour Vista uniquement)
* RSOP.MSC : ouvre le jeu de stratĂ©gie rĂ©sultant
* SECPOL.MSC : ouvre les paramĂštres de sĂ©curitĂ©s locales
* SERVICES.MSC : ouvre le gestionnaire de services
* SLUI : ouvre lâassistant dâactivation de Windows (Pour Vista uniquement)
* SYSDM.CPL : ouvre les propriĂ©tĂ©s systĂšme
* SYSEDIT : ouvre lâĂ©diteur de configuration systĂšme (Attention, Ă manipuler avec prudence)
* SYSKEY : ouvre lâutilitaire de protection de la base de donnĂ©es des comptes Windows (Attention, Ă manipuler avec extrĂȘme prudence !)
* SYSPREP: ouvre le dossier contenant l'outil de prĂ©paration du systĂšme (Pour Vista uniquement)
* TABLETPC.CPL : ouvre les paramĂštres pour Tablet pc (Pour Vista uniquement)
* TASKSCHD.MSC ou bien CONTROL SCHEDTASKS : ouvre le planificateur de tĂąches (Pour Vista uniquement)
* TELEPHON.CPL : ouvre l'outil de connexion tĂ©lĂ©phonique
* TIMEDATE.CPL : ouvre les paramĂštres de l'heure et de la date
* TPM.MSC : ouvre l'outil gestion de module de plateforme sĂ©curisĂ©e sur l'ordinateur local (Pour Vista uniquement)
* UTILMAN : ouvre les options dâergonomie (Pour Vista uniquement)
* VERIFIER : ouvre le gestionnaire de vĂ©rification des pilotes
* WMIMGMT.MSC : ouvre Windows Management Infrastructure
* WSCUI.CPL : ouvre le centre de sĂ©curitĂ© Windows
* WUAUCPL.CPL : ouvre le service de mise Ă jour Windows (Pour XP uniquement)
Programmes et outils Windows
* %WINDIR%\SYSTEM32\RESTORE\RSTRUI.EXE : ouvre lâoutil de restauration de systĂšme (Pour XP uniquement). Tutoriel ICI
* CALC : ouvre la calculatrice
* CHARMAP : ouvre la table des caractĂšres
* CLIPBRD : ouvre le presse papier (Pour XP uniquement, pour l'ajouter Ă Vista voir ICI)
* CMD : ouvre l'invite de commandes
* DIALER : ouvre le numĂ©rateur tĂ©lĂ©phonique de Windows
* DVDPLAY : ouvre votre lecteur DVD
* EUDCEDIT : ouvre lâĂ©diteur de caractĂšres privĂ©s
* EXPLORER : ouvre l'explorateur Windows
* FSQUIRT : Assistant transfert Bluetooth
* IEXPLORE : ouvre Internet explorer
* IEXPRESS : ouvre lâassistant de crĂ©ation des archives auto-extractibles. Tutoriel ICI
* JOURNAL : ouvre un nouveau journal (Pour Vista uniquement)
* MAGNIFY : ouvre la loupe
* MBLCTR : ouvre le centre de mobilitĂ© de Windows (Pour Vista uniquement)
* MIGWIZ : ouvre l'outil de transfert de fichiers et de paramĂštres Windows (Pour Vista uniquement)
* MIGWIZ.EXE : ouvre l'outil de transfert de fichiers et de paramĂštres Windows (pour XP uniquement)
* MOVIEMK : ouvre Windows Movie Maker
* MRT : lance lâutilitaire de suppression de logiciel malveillant. Tutoriel ICI
* MSDT : ouvre lâoutil de diagnostics et support Microsoft
* MSINFO32 : ouvre les informations systĂšme
* MSPAINT : ouvre Paint
* MSRA : ouvre l'assistance Ă distance Windows
* MSTSC : ouvre l'outil de connexion du bureau a distance
* NOTEPAD : ouvre le bloc-notes
* OSK : ouvre le clavier visuel. Tutoriel ICI
* PRINTBRMUI : ouvre l'assistant de migration d'imprimante (Vista uniquement)
* RSTRUI : ouvre l'outil de restauration du systĂšme (Pour Vista uniquement)
* SIDEBAR : ouvre le volet Windows (Pour Vista uniquement)
* SIGVERIF : ouvre l'outil de vĂ©rification des signatures de fichiers
* SNDVOL : ouvre le mĂ©langeur de volume
* SNIPPINGTOOL : ouvre l'outil capture d'Ă©cran (Pour Vista uniquement). Tutoriel ICI
* SOUNDRECORDER : ouvre le magnĂ©tophone
* STIKYNOT : ouvre le pense-bĂȘte (Pour Vista uniquement)
* TABTIP : ouvre le panneau de saisie Tablet PC (Pour Vista uniquement)
* TASKMGR : ouvre le gestionnaire des tĂąches Windows
* WAB : ouvre les contacts (Pour Vista uniquement)
* WERCON : ouvre l'outil de rapports et de solutions aux problĂšmes (Pour Vista uniquement)
* WINCAL : ouvre le calendrier Windows (Pour Vista uniquement)
* WINCHAT : ouvre le logiciel Microsoft de chat en rĂ©seau (Pour Windows XP uniquement)
* WINDOWSANYTIMEUPGRADE : permet la mise Ă niveau de Windows Vista
* WINVER : ouvre la fenĂȘtre pour connaĂźtre votre version Windows
* WINWORD: ouvre Word (s'il est installĂ©)
* WMPLAYER : ouvre le lecteur Windows Media
* WRITE ou bien Wordpad : ouvre Wordpad
Gestion des disques
* CHKDSK : effectue une analyse de la partition prĂ©cisĂ©e dans les paramĂštres de la commande (Pour plus dâinformations, tapez CHKDSK /? dans lâinvite de commande CMD)
* CLEANMGR : ouvre l'outil de nettoyage de disque
* DEFRAG: DĂ©fragmente le disque dur (pour savoir comment utiliser, c'est ici )
* DFRG.MSC : ouvre lâoutil de dĂ©fragmentation de disque
* DISKMGMT.MSC : ouvre le gestionnaire de disques
* DISKPART : ouvre lâoutil de partitionnement (un peu lourd Ă manipuler)
Gestion des rĂ©seaux et Internet
* CONTROL NETCONNECTIONS ou bien NCPA.CPL : ouvre les connexions rĂ©seau
* FIREWALL.CPL : ouvre le pare-feu Windows
* INETCPL.CPL : ouvre les propriĂ©tĂ©s internet
* IPCONFIG : affiche les configurations des adresses IP sur lâordinateur (Pour plus dâinformations, tapez IPCONFIG /? dans lâinvite de commande CMD)
* NETSETUP.CPL : ouvre lâassistant configuration rĂ©seau (Pour XP uniquement)
* WF.MSC : ouvre les fonctions avancĂ©es du pare-feu Windows (Pour Vista uniquement). Tutoriel ICI
* Ă VOIR ĂGALEMENT : Commandes IP relatives aux rĂ©seaux sous Windows
Commandes IP relatives aux rĂ©seaux sous Windows
Il est parfois trĂšs utile de connaĂźtre les commandes IP, pour analyser voire configurer ses rĂ©seaux TCP/IP.
Voici la liste de ces commandes Ă utiliser dans une fenĂȘtre DOS :
PING : Teste la connexion rĂ©seau avec une adresse IP distante
ping -t [IP ou host]
ping -l 1024 [IP ou host]
* Lâoption -t permet de faire des pings en continu jusquâĂ Ctrl-C.
o Si vous avez prĂ©cisĂ© l'option -t vous pouvez Ă tout moment avoir des statistiques sans interrompre les requĂȘtes ping en appuyant sur Ctrl+Attn (aussi nommĂ© Ctrl+Pause)
Cette commande est aussi utile pour gĂ©nĂ©rer une charge rĂ©seau en spĂ©cifiant la taille du paquet avec lâoption -l et la taille du paquet en octets.
TRACERT : Affiche toutes les adresses IP intermĂ©diaires par lesquelles passe un paquet entre la machine locale et lâadresse IP spĂ©cifiĂ©e.
tracert [@IP ou nom du host]
tracert -d [@IP ou nom du host]
Cette commande est utile si la commande ping ne donne pas de rĂ©ponse, afin d'Ă©tablir Ă quel niveau la connexion est dĂ©faillante.
IPCONFIG : Affiche ou rafraĂźchit la configuration rĂ©seau TCP/IP
ipconfig /all [/release [carte]] [/renew [carte]] /flushdns /displaydns /registerdns [-a] [-a] [-a]
Cette commande, exĂ©cutĂ©e sans option, affiche lâadresse IP en cours, le masque rĂ©seau ainsi que la passerelle par dĂ©faut au niveau des interfaces rĂ©seau connues sur la machine locale.
* /all: Affiche toute la configuration rĂ©seau, y compris les serveurs DNS, WINS, bail DHCP, etc ...
* /renew [carte]: Renouvelle la configuration DHCP de toutes les cartes (si aucune carte n'est spĂ©cifiĂ©e) ou d'une carte spĂ©cifique avec le paramĂštre carte. Le nom de carte est celui qui apparaĂźt avec ipconfig sans paramĂštre.
* /release [carte]: Envoie un message DHCPRELEASE au serveur DHCP pour libĂ©rer la configuration DHCP actuelle et annuler la configuration d'adresse IP de toutes les cartes (si aucune carte n'est spĂ©cifiĂ©e) ou d'une carte spĂ©cifique avec paramĂštre carte. Ce paramĂštre dĂ©sactive TCP/IP pour les cartes configurĂ©es de maniĂšre Ă obtenir automatiquement une adresse IP.
* /flushdns: Vide et rĂ©initialise le cache de rĂ©solution du client DNS. Cette option est utile pour exclure les entrĂ©es de caches nĂ©gatives ainsi que toutes les autres entrĂ©es ajoutĂ©es de faĂ§on dynamique.
* /displaydns: Affiche le cache de rĂ©solution du client DNS, qui inclut les entrĂ©es prĂ©chargĂ©es Ă partir du fichier des hĂŽtes locaux ainsi que tous les enregistrements de ressources rĂ©cemment obtenus pour les requĂȘtes de noms rĂ©solues par l'ordinateur. Le service Client DNS utilise ces informations pour rĂ©soudre rapidement les noms frĂ©quemment sollicitĂ©s, avant d'interroger ses serveurs DNS configurĂ©s.
* /registerdns: Actualise tous les baux DHCP et rĂ©inscrit les noms DNS.
NETSTAT : Affiche lâĂ©tat de la pile TCP/IP sur la machine locale
NETSTAT [-a] [-e] [-n] [-s] [-p proto] [-r] [intervalle]
* -a Affiche toutes les connexions et ports d'Ă©coute (Les connexions cĂŽtĂ© serveur sont normalement inhibĂ©es).
* -e Affiche les statistiques Ethernet. Peut ĂȘtre combinĂ©e avec l'option -s.
* -n Affiche les adresses et les numĂ©ros de port sous forme numĂ©rique.
* -p proto Affiche les connexions pour le protocole spĂ©cifiĂ© par proto; proto peut ĂȘtre TCP ou UDP. UtilisĂ© avec l'option -s pour afficher des statistiques par protocole, proto peut ĂȘtre TCP, UDP, ou IP.
* -r Affiche le contenu de la table de routage.
* -s Affiche les statistiques par protocole. Par dĂ©faut, des statistiques sur TCP, UDP et IP sont visualisĂ©es; l'option -p peut ĂȘtre utilisĂ©e pour spĂ©cifier un sous-ensemble du dĂ©faut.
* intervalle: RĂ©affiche les statistiques sĂ©lectionnĂ©es, avec une pause de "intervalle" secondes entre chaque affichage. Appuyez sur Ctrl+C pour arrĂȘter l'affichage des statistiques.
* -abnov Affiche les processus qui utilisent la connexion internet (Adresse IP local, port, adress IP distante et le PID du processus qui utilise la connexion ainsi que son nom).
ROUTE : Affiche ou modifie la table de routage
ROUTE [-f] [commande [destination] [MASK masque rĂ©seau] [passerelle]
* -f Efface les tables de routage de toutes les entrĂ©es de passerelles. UtilisĂ© conjointement Ă une des commandes, les tables sont effacĂ©es avant l'exĂ©cution de la commande.
* -p Rend rĂ©manente lâentrĂ©e dans la table aprĂšs le reboot de la machine
* commande SpĂ©cifie une des quatre commandes :
o DELETE: Efface un itinĂ©raire.
o PRINT: Affiche un itinĂ©raire.
o ADD: Ajoute un itinĂ©raire.
o CHANGE: Modifie un itinĂ©raire existant.
* destination: SpĂ©cifie l'hĂŽte.
* MASK: Si le mot clĂ© MASK est prĂ©sent, le paramĂštre suivant est interprĂ©tĂ© comme le paramĂštre masque rĂ©seau.
* masque rĂ©seau: Fourni, il spĂ©cifie la valeur de masque de sous-rĂ©seau Ă associer Ă cette entrĂ©e d'itinĂ©raire. Non spĂ©cifiĂ©, il prend la valeur par dĂ©faut 255.255.255.255.
* passerelle: SpĂ©cifie la passerelle.
* METRIC: SpĂ©cifie le coĂ»t mĂ©trique pour la destination
ARP : RĂ©solution des adresses IP en adresses MAC. Affiche et modifie les tables de traduction des adresses IP en adresses physiques utilisĂ©es par le protocole de rĂ©solution d'adresses ARP.
ARP -s adr_inet adr_eth [adr_if]
ARP -d adr_inet [adr_if]
ARP -a [adr_inet] [-N adr_if]
* -a Affiche les entrĂ©es ARP actives en interrogeant le protocole de donnĂ©es actif. Si adr_inet est spĂ©cifiĂ©, seules les adresses IP et physiques de l'ordinateur spĂ©cifiĂ© sont affichĂ©es. Si plus d'une interface rĂ©seau utilise ARP, les entrĂ©es de chaque table ARP sont affichĂ©es.
* -g Identique Ă -a.
* adr_inet SpĂ©cifie une adresse internet.
* -N adr_if Affiche les entrĂ©es ARP pour l'interface rĂ©seau spĂ©cifiĂ©e par adr_if.
* -d Efface l'hĂŽte spĂ©cifiĂ© par adr_inet.
* -s Ajoute l'hĂŽte et associe l'adresse Internet adr_inet avec l'adresse physique adr_eth. L'adresse physique est donnĂ©e sous forme de 6 octets hexadĂ©cimaux sĂ©parĂ©s par des tirets. L'entrĂ©e est permanente.
* adr_eth SpĂ©cifie une adresse physique.
* adr_if PrĂ©cisĂ©e, elle spĂ©cifie l'adresse Internet de l'interface dont la table de traduction des adresses devrait ĂȘtre modifiĂ©e. Non prĂ©cisĂ©e, la premiĂšre interface applicable sera utilisĂ©e.
NBTSTAT : Mise Ă jour du cache du fichier Lmhosts. Affiche les statistiques du protocole et les connexions TCP/IP actuelles utilisant NBT (NetBIOS sur TCP/IP).
NBTSTAT [-a Nom Distant] [-A adresse IP] [-c] [-n] [-r] [-R] [-s] [S] [intervalle]
* -a (Ă©tat carte) Liste la table de noms de la machine distante (nom connu).
* -A (Ă©tat carte) Liste la table de noms de la machine distante (adresse IP).
* -c (cache) Liste le cache de noms distants y compris les adresses IP.
* -n (noms) Liste les noms NetBIOS locaux.
* -r (rĂ©solus) Liste les noms rĂ©solus par diffusion et via WINS.
* -R (Recharge) Purge et recharge la table du cache de noms distantes.
* -S (Sessions) Liste la table de sessions avec les adresses destination IP.
* -s (sessions) Liste la table de sessions convertissant les adresses de destination IP en noms d'hĂŽtes via le fichier hĂŽtes.
Un Exemple :
nbtstat -A @IP
Cette commande renvoie le nom NetBIOS, nom du systĂšme, les utilisateurs connectĂ©s ...de la machine distante.
La commande telnet permet d'accĂ©der en mode Terminal (Ecran passif) Ă un host distant. Elle permet Ă©galement de vĂ©rifier si un service quelconque TCP tourne sur un serveur distant en spĂ©cifiant aprĂšs lâadresse IP le numĂ©ro de port TCP. Câest ainsi que lâon peut tester si le service SMTP, par exemple, tourne sur un serveur Microsoft Exchange en utilisant lâadresse IP du connecteur SMTP et puis 25 comme numĂ©ro de port. Les ports les plus courants sont :
* ftp (21),
* telnet (23),
* smtp (25),
* www (80),
* kerberos (88),
* pop3 (110),
* nntp (119)
* et nbt (137-139).
HOSTNAME : Affiche le nom de la machine
FTP: Client de tĂ©lĂ©chargement de fichiers
* -s cette option permet de lancer des FTP en mode batch : spĂ©cifie un fichier textuel contenant les commandes FTP.
NsLookUp: envoie des requĂȘtes DNS sur un serveur DNS au choix
nslookup [domaine] [serveur dns]
La commande NsLookUp permet d'envoyer des requĂȘtes DNS Ă un serveur. Par dĂ©faut, si vous ne mettez pas le serveur DNS, la commande utilisera celui qui est configurĂ© pour votre interface rĂ©seau (celui que vous utilisez pour naviguer sur internet, par exemple) mais vous pouvez forcer l'utilisation d'un autre serveur.
Par exemple, pour demander au serveur DNS 10.0.0.3 l'adresse IP correspondante Ă l'adresse www.commentcamarche.net:
nslookup www.commentcamarche.net 10.0.0.3
* Si vous ne prĂ©cisez aucun paramĂštre pour nslookup, un shell s'ouvrira en attente de requĂȘtes de votre part.
Netsh (network shell : shell rĂ©seau) est un utilitaire en ligne de commande inclus dans la gamme des systĂšmes d'exploitation Windows NT (NT, 2000, XP, 2003 Serveur, Vista) Ă partir de Windows 2000. Il permet la configuration du rĂ©seau, localement ou Ă distance.
Une utilisation classique de netsh est la rĂ©initialisation de la pile TCP/IP Ă ses paramĂštres d'origines (Sous Windows 98, cette opĂ©ration nĂ©cessitait la rĂ©installation de l'adaptateur TCP/IP). Dans ce mode, vous devez fournir Ă la commande un fichier journal (log). Celui-ci sera rempli avec les valeurs affectĂ©es par netsh.
Netsh permet aussi (entre autres) de changer l'adresse IP de la machine.
Exemples d'utilisations :
- RĂ©initialisation de la pile TCP/IP :
netsh interface ip reset C:\resetlog.txt
- Adresse IP statique :
netsh interface ip set address local static 184.108.40.206 255.255.255.0
- Adresse IP dynamique :
netsh interface ip set address name="Connexion au rĂ©seau local" source=dhcp
- Netsh et IPv6 :
Netsh peut Ă©galement ĂȘtre utilisĂ© pour lire des informations provenant de la pile IPv6, cette commande est plus facile Ă utiliser que la commande IPv6.exe et fournit quasiment le mĂȘme niveau d'information.
Pour afficher votre adresse IPv6 en utilisant netsh :
netsh interface ipv6 show address
* %HOMEDRIVE% : ouvre l'explorateur sur la partition ou le systĂšme d'exploitation est installĂ©
* %HOMEPATH% : ouvre le dossier d'utilisateur connectĂ© actuellement C:\Documents and settings\[nom d'utilisateur]
* %PROGRAMFILES% : ouvre le dossier dâinstallation dâautres programmes (Program Files)
* %TEMP% ou bien %TMP% : ouvre le dossier temporaire
* %USERPROFILE% : ouvre le dossier du profil de l'utilisateur connectĂ© actuellement
* %WINDIR% ou bien %SYSTEMROOT% : ouvre le dossier dâinstallation de Windows
* %WINDIR%\system32\rundll32.exe shell32.dll,Control_RunDLL hotplug.dll : affiche la fenĂȘtre "Supprimer le pĂ©riphĂ©rique en toute sĂ©curitĂ©"
* AC3FILTER.CPL : ouvre les propriĂ©tĂ©s du filtre AC3 (Si installĂ©)
* FIREFOX : lance Mozilla FireFox (Si installĂ©)
* JAVAWS : Visualise le cache du logiciel JAVA (Si installĂ©)
* LOGOFF : ferme la session actuelle
* NETPROJ : autorise ou pas la connexion Ă un projecteur rĂ©seau (Pour Vista uniquement)
* VĂ©rificateur des fichiers systĂšme (NĂ©cessite un CD de Windows si le cache nâest pas disponible): (Tutoriel ICI)
o SFC /SCANNOW : scanne immĂ©diatement tous les fichiers systĂšme et rĂ©pare les fichiers endommagĂ©s
o SFC /VERIFYONLY : scanne seulement les fichiers systĂšme
o SFC /SCANFILE="nom et chemin de fichier" : scanne le fichier prĂ©cisĂ©, et le rĂ©pare sâil est endommagĂ©
o SFC /VERIFYFILE="nom et chemin de fichier" : scanne seulement le fichier prĂ©cisĂ©
o SFC /SCANONCE : scanne les fichiers systĂšme au prochain redĂ©marrage
o SFC /REVERT : remet la configuration initiale (Pour plus dâinformations, tapez SFC /? dans lâinvite de commande CMD.
* SHUTDOWN : Ă©teint Windows
* SHUTDOWN âA : interrompe lâarrĂȘt de Windows
* VSP1CLN : supprime le cache d'installation du service pack 1 de Vista (Tutoriel ICI)
CrĂ©er votre propre commande
Pour ceux qui aiment tout faire avec le clavier, il est possible de crĂ©er vos propres commandes exĂ©cutables dans Menu dĂ©marrer > ExĂ©cuter.
Nous allons prendre l'exemple de la commande netnavig qui exĂ©cutera Mozilla FireFox.
* Ouvrez la base de registre.
* Allez vers la clĂ© HKEY_LOCAL_MACHINE puis les sous-clĂ©s successives \SOFTWARE\Microsoft\Windows\CurrentVersion\App Paths
* Allez dans le menu Ădition > Nouveau > ClĂ© et donnez-lui le nom netnavig.exe
* Faites un double-clic sur la valeur que vous venez de crĂ©er, puis allez de nouveau dans le menu Ădition > Nouveau > Valeur ChaĂźne et donnez-lui le nom Path
* Faites encore un double-clic sur la valeur crĂ©Ă©e et entrez le chemin complet de l'application que vous voudrez lancer, dans notre exemple c'est C:\Program Files\Mozilla Firefox, puis validez. Il est possible de copier ce chemin Ă partir de la barre d'adresse de l'explorateur directement.
* Un autre double-clic sur la valeur (par dĂ©faut) et entrez l'exĂ©cutable de l'application avec son chemin complet : C:\Program Files\Mozilla Firefox\firefox, dans notre exemple. Ensuite, validez et fermez l'Ă©diteur de registre.
Ainsi vous pouvez exĂ©cuter Mozilla Firefox juste en faisant: Menu dĂ©marrer > ExĂ©cuter > taper netnavig et valider.
Vous pouvez faire la mĂȘme chose pour toutes les applications auxquelles vous voulez un accĂšs rapide avec le clavier.
1246 âTen Rules for Maker Businessesâ by Wiredâs Chris Anderson ĂąÂÂ Rule #1 Â« Ponoko â Blog
1233 MOTU.com - Calibration
Volta's unique oscillator calibration feature listens to the output of your oscillators and calibrates pitch tracking to ensure precise tuning.
1229 SQL Authority
Personal Notes of Pinal Dave
1225 VOLTA MOTU.com - Calibration
Volta's unique oscillator calibration feature listens to the output of your oscillators and calibrates pitch tracking to ensure precise tuning.
1201 Jean-Louis MURAT - Le blog de Guy Forgeois
Nous faisions partie de la mĂÂȘme mouvance rock dans les annĂÂ©es 80 ĂÂ Clermont-Ferrand. Il ĂÂ©tait dĂÂ©jĂÂ flagrant que son groupe Clara sortait du lot et avait un truc en plus que le commun des groupesĂąÂÂŠ HĂÂ©bergĂÂ© par OverBlog
1200 jean louis murat
1189 polaroid impossible
Flickr est certainement le meilleur service de gestion et de partage de photos en ligne au monde. Exposez vos photos prĂÂ©fĂÂ©rĂÂ©es au monde entier. Partagez, en toute sĂÂ©curitĂÂ© et en toute confidentialitĂÂ©, vos photos ĂÂ vos amis et ĂÂ votre famille. Et publiez les photos de votre mobile sur un blog.
1187 Ark II - Google Image Search
1167 How to Solder an SMD LED | eHow.com
How to Solder an SMD LED. The small size of the SMD (Surface Mount Device) component and the confined workspace of the PCB (Printed Circuit Board) are the challenging parts of SMD soldering. The best approach is to obtain the proper equipment and to plan out the process, before you actually begin. Working with an LED (Light Emitting Diode) is no...
1161 body rock tv fitness
I have a non-fitness related life situation that I wanted to run by you guysâŠ. I wanted to talk to you guys today about not always having to say your sorry. Are you one of those people who finds yourself apologizing for things just to smooth things over or avoid a confrontation? This ability is admirable in certain low-key non-crucial situations. Itâs when we apologize for our beliefs and principles â or in the face of being bullied that we pay the high price of compromising ourselves. I have a friend who is being treated badly by certain members of her family. It really comes down to her not living her life exactly the way they think she should be living it. My friend is not endangering herself or others, she is kind hearted and generous to the extreme, but because she is not pulling the line and placing the needs of others before her own basic needs and happiness she is taking a lot of undeserved heat bordering on emotional abuse. Her strategy to this point has been to apologize left and right in an attempt to smooth it over and reset everything. It hasnât worked and if anything it has given the people giving her a hard time more of a license to push it even further. I think there comes a time when you just have to say enough and stop apologizing. I think that there is more strength and balance in believing in yourself and respectfully staying firm in your truth. From this position I think both sides have the best chance of talking it through and resolving it. What do you guys think? Do you find yourself constantly apologizing to certain people in your life? Is it helping or making the relationship more challenging? Any advice for my friend?
1146 Glaucus atlanticus
Glaucus atlanticus, parfois appelĂ© glaucus atlantique ou francisĂ© en glauque dans les Ă©crits anciens, est une petite espĂšce de nudibranche de la famille des GlaucidĂ©s. C'est un mollusque gastĂ©ropode dĂ©crit comme Ă©lĂ©gant par ses formes et ses couleurs, mĂȘlant le blanc et le gris perle Ă diffĂ©rents tons de bleu.
Il vit dans toutes les eaux tempĂ©rĂ©es ou tropicales, oĂč il flotte Ă la surface des eaux parmi le pleuston, la face ventrale tournĂ©e vers la surface. Il se nourrit principalement d'hydrozoaires dont il tire son pouvoir urticant, y compris pour l'Homme, en conservant certains nĂ©matocystes. Glaucus atlanticus est hermaphrodite et pond des chapelets d'Ćufs laissĂ©s Ă la dĂ©rive ou fixĂ©s sur les cadavres des proies des adultes.
Au cours du XIXe siĂšcle, plusieurs grands naturalistes, pour une bonne part franĂ§ais, l'ont dĂ©crit Ă plusieurs reprises, en dĂ©signant par de nombreux noms scientifiques diffĂ©rents chacune des formes, mais les Ă©tudes plus rĂ©centes ont conclu Ă la synonymie de l'ensemble de ces noms. G. atlanticus est trĂšs proche de Glaucus marginatus, l'unique autre espĂšce du genre Glaucus et de la famille â dans l'acception la plus stricte de cette derniĂšre â et qui Ă©tait autrefois placĂ©e dans un genre monotypique sĂ©parĂ©, Glaucilla.
1137 CitroĂ«n Karin
Citroen, Concept car, Karin
1131 Photos: The Best Facial Hair in the Civil War
Browse through these portraits of officers with great facial hair and then vote for your favorite
Civil War Facial Hair, civil war, facial hair, vote, beard, mustache, mutton chop, sideburn
1123 korg monotribe hack mod midi
how to modify (or midify) a monotron
1116 Sitting is Killing You
As we enter the second decade of the 21st century, there is one thing nearly all modern Americans have in common: we sit all the time. Though our great shift towards computer-based work has done great things for productivity, it has, unfortunately, done terrible things for our health. From increased risk of heart disease and obesity in the long term, to sharply hampered cholesterol maintenance in the short term, the negative health effects of sitting are starting to weigh heavily against the benefits. Even the medical field â the greatest advocates of reducing sitting time â is plagued by this new health issue. Though doctors and nurses get plenty of walking time, it usually falls to the secretaries, billers, and coders to do all the sitting. And, as we can see, something has to change.
1110 MiniaturesĂÂ : un album sur Flickr
Flickr est certainement le meilleur service de gestion et de partage de photos en ligne au monde. Exposez vos photos prĂÂĂÂ©fĂÂĂÂ©rĂÂĂÂ©es au monde entier. Partagez, en toute sĂÂĂÂ©curitĂÂĂÂ© et en toute confidentialitĂÂĂÂ©, vos photos ĂÂĂÂ vos amis et ĂÂĂÂ votre famille. Et publiez les photos de votre mobile sur un blog.
1105 Home EMS
1097 synth books
Here's a list of books relating to synthesizers and electronic music that we think are worth reading. Click on the image to go to Amazon.com and view more information and purchase them. Feel free to suggest a book. We do not sell books.
Synthesizers.com Modular Analog Music Synthesizers
Synthesizers.com, synthesizer, synth, synthesizers, modular, analog, arrick, analogue, keyboard, music, sound, effects, patch, vco, vcf, vca, ladder, oscillator, voltage control, low pass, filter, amplifier, envelope generator, CD, MP3, reverb, pan, fade, mixer, noise, sample, hold, sequencer, roland, moog, SEM, oberheim, yamaha, arp, 2500, 2600, vintage, vocoder, filter bank, ring modulator, sampler, clipper, rectifier, fuzz, multiple, processor, switch, interface, state variable, noise
1078 The Modular Synth
A long time ago, in a galaxy far away, before your local music shop was packed with the latest digital synths, even before the early analogue monosynths, if you wanted a synthesizer you had to make it yourself. Modular synthesis is not in itself a different type of synthesis, but refers to the fact that a synth would be built up from individual components (modules) , which would be linked together (patched) in a configuration decided by the person doing the building.
Compared with today's 'plug and play' synths which come with 100's of presets, GM soundsets, etc, this has the obvious disadvantage that 'recalling' a preset can only be done if your synth is patched together in exactly the same way every time and every controller has to be manually set to the same parameter.
However, the big advantage of Modular synthesis, of course, is that, providing you have the right components, you can build practically anything you want, without being constrained by the 'hardwired' configurations of modern factory built synthesizers.
The Pulsar/Scope Modular synth, like any other Modular 'soft synth' brings together the advantages of both Modular synths and modern factory built synths. Modular configurations can be saved as patches for total recall later on, and each patch can contain any number of presets, again for later recall. Furthermore, with a software modular, you can re-use each component as many times as you wish within one patch, you never run out of cables, you don't have to dedicate a whole room to the synth and the modules never suffer from physical damage. What's more, each parameter can be controlled by MIDI so parameter changes can be recorded into your sequencer in real-time.
1043 Monotribe, MIDI and me
When I heard about the monotribe, I had my doubts. Mostly that thereâs only one pattern, which is 8 steps long. Well, there are 8 extra steps for the drums, as well as a âflux modeâ which records your movements on the ribbon continuously. In that sense, it is limited, and is an instrument made to be played with your hands, rather than be programmed. But as it turned out, this was a design choice, and not a technical limitation. I can easily imagine why. They wanted it to seem as analog and playful as possible.
Same thing with MIDI. Officially, the monotribe doesnât support MIDI. It does however offer a sync pulse output and input. This allows it to be synced to other monotribes, modular synthesizers or even Korgâs own virtual iMS-20/iElectribe, using a special sync app on a second iPhone/Pod/Pad. However, the lack of MIDI is still a slight limitation.
1033 "I'm a technical lead on the Google+ team. Ask me anything."
I helped design and build a lot of the circles model and sharing UI for Google+. I was recruited to Google to work on "getting social right" in early 2010. Prior to that, I was CTO of Plaxo, and also its first employee (since March 2002). I've also spent many years working on open standards for the social web (OpenID, OAuth, Portable Contacts, WebFinger, etc.) Since I work for a big/public company (albeit a pretty cool one), I can't provide specific stats, dates for future features, or details of confidential code/algorithms. But I will do my best to be "refreshingly frank" about everything else. :)
1020 GnomeActivityJournal - GNOME Live!
GNOME Activity Journal (formerly GNOME Zeitgeist)
GNOME Activity Journal (formerly GNOME Zeitgeist)
Getting in touch
Grouping and Filtering
Long term goals
Mockups And Current Usage
See Zeitgeist for information about the Zeitgeist engine used internally by the GNOME Activity Journal.
The GNOME Activity Journal is a tool for easily browsing and finding files on your computer. It uses Zeitgeist to get information and metadata on what files/websites/contacts/etc. you worked with.
Links: Zeitgeist Website, Zeitgeist on Launchpad, GNOME Activity Journal on Launchpad
The Zeitgeist code is split into two modules:
GNOME Activity Journal (GTK+ interface)
Project page: https://launchpad.net/gnome-activity-journal
Repository: bzr branch lp:gnome-activity-journal
Project page: https://launchpad.net/zeitgeist
Repository: bzr branch lp:zeitgeist
Getting in touch
Mailing list: https://launchpad.net/~gnome-zeitgeist-users
IRC: #zeitgeist @ irc.freenode.net, #gnome-zeitgeist @ irc.gimp.org
John turns on his computer to work on his seminar paper. Instead of digging through his hierarchal file system, he simply opens up GNOME Activity Journal and clicks on the top item in the "Recently Used Files" list. When he realizes that he can't remember the name of the website that he was reading for research yesterday, he simply looks at the list of files related to his paper and clicks on the website.
More at the Zeitgeist Vision page.
Grouping and Filtering
Our goal is to group/filter the data by:
Type of data
Location of use (GPS)
Drag and Drop (not for links)
Filtering by Dataproviders/Time/Tags
Add an actions toolbar to quickly share items by email or instant messaging. (See nautilus-share)
Experiment with Tracker, Soylent, and Empathy.
Long term goals
Better metadata extraction (see some of the sprints above)
Integration with other computers and mobile devices.
Mockups And Current Usage
Some work was done by the City of Largo in the past which replicated some of the features of the Activity Journal. Possibly some of this work can result in ideas for improving the User Interface.
Mockups And Usage.
/BolzanoIdeas /CityOfLargo /Ideas
1018 EZ sniper : Free ebay auction sniper software. Snipe auctions online. Automatic esnipe bid sniping agent.
Online auction sniping software. The most effective unattended esnipe auction sniping. Snipe ebay and others.
auction, bid, esnipe, esniper, powersnipe, auctionsniper, ebay, snipe, sniper, sniping, ebay, software, online, EZ sniper , ezsniper, auctionstealer, automatic, free, bidding, tool, management, automated, auctions, free, agent, stealer
1017 Auction Sniper: eBay Sniper and eBay Bidding snipe, bid sniping for eBay
Auction Sniper is a free ebay sniper that automates the process of placing your bid at the auction closing. Place eBay auction bidding snipe automatically.
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1004 MIDISTATION - ANALOG, VINTAGE OUTBOARD, SAMPLER
962 25 Abandoned Soviet Monuments that look like they're from the Future | Crack Two
These structures were commissioned by former Yugoslavian president Josip Broz Tito in the 1960s and 70s to commemorate sites where WWII battles took place (like TjentiĆĄte, Kozara and KadinjaÄa), or where concentration camps stood (like Jasenovac and NiĆĄ). They were designed by different sculptors (DuĆĄan DĆŸamonja, Vojin BakiÄ, Miodrag ĆœivkoviÄ, Jordan and Iskra Grabul, to name a few) and architects (Bogdan BogdanoviÄ, Gradimir MedakoviÄ...), conveying powerful visual impact to show the confidence and strength of the Socialist Republic. In the 1980s, these monuments attracted millions of visitors per year, especially young pioneers for their "patriotic education." After the Republic dissolved in early 1990s, they were completely abandoned, and their symbolic meanings were forever lost.
From 2006 to 2009, Kempenaers toured around the ex-Yugoslavia region (now Croatia, Serbia, Slovenia, Bosnia and Herzegovina, etc.) with the help of a 1975 map of memorials, bringing before our eyes a series of melancholy yet striking images. His photos raise a question: can these former monuments continue to exist as pure sculptures? On one hand, their physical dilapidated condition and institutional neglect reflect a more general social historical fracturing. And on the other hand, they are still of stunning beauty without any symbolic significances. I know this may sound schizophrenic if you also read my last post. But maybe there are forms that can transcend meaning...
942 Buy obsolete, discontinued, hard-to-find, long lead time, components
Chip Sale - Electronic Component Sourcing. Buy obsolete, discontinued electronic components, hard to find ICs, and long lead time semiconductors
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917 Sitting 101: Desk Ergonomics
I consider myself an active person and am definitely happier strolling about than sitting, but I sit for a large portion of the day. I blog â how could I avoid a chair? Like most things, there's a technique to sitting. A well-designed workstation
Sitting, 101, Desk, Ergonomics
909 5 Things You Should Never Say While Negotiating
5 Things You Should Never Say While Negotiating: If you're new to small business negotiating or find deal-making to be difficult, here are some missteps to avoid.
small business negotiations, negotiating, deal making, negotiation tips, sales tips
897 Generic Synth Preset Storage and Conversion
For my synths with preset storage and the ability to dump & load presets via midi sysex, I wanted to be able to feed the sysex of a synth into a software program which can
display the sound parameters in a meaningful form, and
convert the sound into the sysex format of any of my other presets synths
The generic patch storage format must display meaningful values for the parameters (filter envelope amount = 1/2 octave, envelope 1 attack = 50ms, etc) and convert between these values and a given synth's sysex (as much as possible - resolution probably isn't good enough to get envelope attack to exactly 50ms on each and every synth, and envelope shapes vary between synths, etc). The storage format will also store the original parameters, using the "native" value range of each parameter (e.g. filter cutoff frequency between 0 and 127) as well as the original sysex program as an ASCII hex dump.
Since I didn't find any software which could do this, I began writing my own in Java. I am concentrating on converting basic analog components; any on-board effects are not used.
882 Dave Smith Evolver
Dave Smith, creator of the Prophet 5 and Wavestation, moved into software synthesis in the '90s, but now he's back with what he calls 'the ultimate dongle' — a hardware analogue and digital synth. We find out if he's still evolving...
Dave Smith Sequential
880 Anafrog âą Afficher le sujet - Vintage (Arp Odyssey/ Mono/Poly) VS Moderne (Mopho/Evolver)
878 Paul's Extreme Sound Stretch
This is a program for stretching the audio. It is suitable only for extreme sound stretching of the audio (like 50x) and for applying special effects by "spectral smoothing" the sounds. It can transform any sound/music to a texture. The program is Open-Source and it's released under the version 2 of the General Public License. You can download the source code for Linux or the Windows binaries.
Please note that this is suitable only for extreme time stretching (e.g. if have a melody of 3 minutes and you want to listen it in 3 hours). If you want "less extreme" time stretching, you can use a program which contains the SoundTouch library.
851 50+ Sites with Free Stock Photography | Literary Spring Designs
4 Free Photos Public Domain Photos Arspublik Public Domain Images for Designers Best Photos US Big Photo This is a good site for free photographs for
842 ComplĂ©ment d'humeur
839 ISO50 Blog â The Blog of Scott Hansen (Tycho / ISO50) ĂÂ» The blog of Scott Hansen (aka ISO50 / Tycho)
ISO50 graphic design portfolio website design portfolio sacramento San Francisco california ca scott hansen scot hanson tycho tyco print photography posters ISO50 ISOSO Clothing Field Research Clothing ISO50 Blog Systems Clothing System Shirts American Apparel
838 Tim Stinchcombe - Korg MS-10 & MS-20 Filters
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822 unix linux command line 25 Even More â Sick Linux Commands
799 Synths - C.Y.KONG.com
788 Setting Up Your Digital Camera For HDR Shooting
Youâve probably heard of High Dynamic Range (HDR) Photography, itâs made quite an entrance into the world of digital photography.
If you havenât, the HDR process is accomplished by taking multiple exposures of a high contrast scene (usually a landscape or cityscape), at different levels of brightness, and then combining the best light from each exposure into one image.
The end result is a stunning image that very closely resembles how the human eye views a scene. This process of digital manipulation has caused a bit of controversy and debate in the world of photography, especially with images that are âover-cooked.â One thing is for sure though, HDR is here to stay. When done right, this unique and in depth processing technique can produce beautiful works of art that mimic the way we view and remember a landscape or scene.
The above image is an example of what HDR processing can produce. This image, taken from the Big Island of Hawaii, would not be possible without HDR processing. It was taken around noon, the harshest light of the day. The first image is the best image my camera could produce given the situation. While still beautiful, there are obvious problems. Get ready, this article is going to show you how to take your digital camera and turn it into an HDR shooting machine!
777 SPERRZONE: [ K E Y C H A I N S ]: Zazzle.com Store
About Beat Hauser, SPERRZONE
Beat Hauser is interested in industrial archaeology and history of Europe. His special area is the brewing industry of Switzerland and the former German Democratic Republic. Since 2003 he is taking pictures of industrial areas and abandoned places within all Europe. On his web site SPERRZONE (www.sperrzone.net) he does not only present his own pictures, but also some information about the related factories and places as well as historical photo post cards, old letter heads, labels, advertisings to document the history of the factories.
Most pictures are taken in abandoned factories. Abandoned places and industrial ruins are generally seen as ĂąÂÂspots of dirtĂąÂÂ and people feel uncomfortable around them. Often such places have a very long and interesting history, which seems almost forgotten today. Instead of the activity of former days there is nothing but silence and emptiness. Instead of windows, black holes are staring out of the walls. But very often the architecture of elapsed eras is attractive and astonishing. In combination with the emptiness and beginning decay, such places often spread the impression of a dream world. Decay and nature give new structures to strictly geometric forms and lines, e.g. in production halls. Moisture, moss and rust give new colors to gray halls. Beat Hauser tries to capture these impressions with his photographs. Aesthetics of decay is illustrated in its huge variety from huge industrial plants to small details.
10 Jun ĂąÂÂ 1 Jul 2007 3Fotografen3, Alte evangelische Kirche Kirchzarten
(Exhibition of the 3 winners of the ĂąÂÂKirchzARTener FOTOsalons 2006ĂąÂÂ)
2 Dec ĂąÂÂ 3 Dec 2006 KirchzARTener FOTOsalon 2006, Kurhaus Kirchzarten
(Photo contest with 54 participants, 1. rank)
20 Nov ĂąÂÂ 21 Nov 2004 KirchzARTener FOTOsalon 2004, Kurhaus Kirchzarten
(Photo contest with 46 participants, 11. rank)
Several beamer shows at party events of ĂąÂÂRigor MortisĂąÂÂ and ĂąÂÂSolanaceaeĂąÂÂ in Basle, Aarau, Pratteln and Reinach (all Switzerland)
sperrzone, industry, industrial, archaeology, industrie, industriekultur, zerfall, decay, architektur, architecture
775 140 Google Interview Questions | Seattle Interview Coach
Tips on Answering Interview Questions
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767 The 5 types of programmers Â« Steven Benner's Blog
In my code journeys and programming adventures Iâve encountered many strange foes, and even stranger allies. Iâve identified at least five different kinds of code warriors, some make for wonderful comrades in arms, while others seem to foil my every plan.
However they all have their place in the pantheon of software development. Without a healthy mix of these different programming styles youâll probably find your projects either take too long to complete, are not stable enough or are too perfect for humans to look upon.
The code may not be pretty, but damnit, it works!
This guy is the foundation of your company. When something goes wrong he will fix it fast and in a way that wonât break again. Of course he doesnât care about how it looks, ease of use, or any of those other trivial concerns, but he will make it happen, without a bunch of talk or time-wasting nonsense. The best way to use this person is to point at a problem and walk away.
You want to do what to my code?
This guy doesnât care about your deadlines or budgets, those are insignificant when compared to the art form that is programming. When you do finally receive the finished product you will have no option but submit to the stunning glory and radiant beauty of perfectly formatted, no, perfectly beautiful code, that is so efficient that anything you would want to do to it would do nothing but defame a masterpiece. He is the only one qualified to work on his code.
Iâm a programmer, damnit. I donât write code.
His world has one simple truth; writing code is bad. If you have to write something then youâre doing it wrong. Someone else has already done the work so just use their code. He will tell you how much faster this development practice is, even though he takes as long or longer than the other programmers. But when you get the project it will only be 20 lines of actual code and will be very easy to read. It may not be very fast, efficient, or forward-compatible, but it will be done with the least effort required.
What do you want? It works doesnât it?
The guy who couldnât care less about quality, thatâs someone elses job. He accomplishes the tasks that heâs asked to do, quickly. You may not like his work, the other programmers hate it, but management and the clients love it. As much pain as he will cause you in the future, he is single-handedly keeping your deadlines so you canât scoff at it (no matter how much you want to).
Well, thatâs a possibility, but in practice this might be a better alternative.
This guy is more interested the options than what should be done. He will spend 80% of his time staring blankly at his computer thinking up ways to accomplish a task, 15% of his time complaining about unreasonable deadlines, 4% of his time refining the options, and 1% of his time writing code. When you receive the final work it will always be accompanied by the phrase âif I had more time I could have done this the right wayâ.
Personally, Iâd have to classify myself as the perfectionist. So, which type of programmer are you? Or perhaps you know another programming archetype that is missing from my list? Post a comment below and Iâll add it to a new updated list.
761 Midi Software - Synth Zone
MIDI Sequencing SoftwareAnvil Studio Anvil Studio is a MIDI and audio sequencer and is free software for Windows users.
Building Blocks Building Blocks for Windows is a multifunctional MIDI application / modular sequencer, that allows you to build custom controller remapping, LFO's, arpeggiators, autochords, drum and note sequences, echoes etc.
Busker A Windows score editor and player that has Yamaha style support. 1000s of Yamaha styles can be downloaded for free. Another great music software tool from Jos Maas.
Cakewalk Sonar Windows & Mac sequencer now with integrated midi and audio. Sonar demo available. For other Cakewalk resources see Synth Zone's Cakewalk Page
Cubase - Steinberg Featuring integrated midi & audio package Cubase VST For more info & related links see Synth Zone's Cubase Links
Cursed Sequencer Open Source sequencer for Windows and Linux.
Digital Performer MOTU presents Digital Performer for the Mac, a complete digital audio and MIDI production environment. Competitive upgrades available. See the new Digital Performer mailing list.
Ditty Ditty is a freeware MIDI sequencer for Windows aimed at assisting piano practice.
Easybeat Mac MIDI sequencing software from Uni Software Plus. Features include a software GM wavetable synth.
Energy XT Energy XT is Windows sequencer/composer software.
Fl Studio Windows application that provides easy to use yet powerful MIDI/digital audio sequencing and looping tools.
Intuem Mac OSX MIDI sequencer that provides a variable-tempo system and a simple way to transform a real, human, performance into a sequence where bars and beats actually have meaning. Time restricted version available to download.
Jammer - Soundtrek Jammer for Windows provides a 256 Track MIDI sequencer with built in studio musicians. A very useful program for creating arrangements & drum tracks with assistance from the software. Also check the Yahoo Jammer Group.
JUMP A highly streamlined Windows MIDI sequencer, designed to help you compose music
Jazzware - Jazz++ Windows & Linux open source MIDI sequencer with audio support. If you need a MIDI sequencer you really should check it out.
Logic Pro Audio Apple's MIDI & audio solution for the Mac. For Emagic product support see the Emagic Legacy pages at Apple. For related information see Emagic Users Page with resources & mailing list for Emagic products, the Logic Users' Net which includes Mac related info, and the Powerkeys "Learning Logic" web site. SwiftKick provides and archive for the Logic Users' Group environments. Editors, MIDI processors etc. are available. Omega Art has Logic info and resources. You can read the History Of Logic at Tweakheadz Lab.
Magix Magix Music Studio incorporates a MIDI sequencer with its digital audio sequencer.
Massiva An audio/MIDI sequencer for Windows users with undo plus plugin support. This is just an archive of an old site. You can still get it from AudioMelody.com. Massiva has now moved on to become Energy XT
Mixcraft Windows software that supports MIDI and audio sequencing..
MU.LAB An alternative, hi-quality music application for Mac OSX and Windows with MIDI and audio support.
MultitrackStudio Window digital audio recorder with VST 2.0 plugin and MIDI support. Freeware version and pro versions available.
Music Master Win sequencing & notation package with a full graphic interface for Roland VS880 control & integration.
Music Master Works A shareware Windows sequencing & accompaniment package. Win95 & Win3.1 versions available. From Aspire software
MusicPhrase XL MusicPhrase for Windows is a creative tool for composing music. Features phrase sequencing and visual groove editing tools.
Music Studio Producer Music Studio Producer is a free Windows MIDI sequencer, DAW which can host VST(i), supports ASIO. From Aspire software
Numerology Numerology is a modular sequencing and audio plugin environment for Mac OS X.
Onyx Onyx by Jasmine Music provides powerful sequencing, harmonizer and MIDI-2-Audio rendering.
Power Chords By Howling Dog Systems - Innovative Windows midi sequencer using onscreen guitar fretboard interface, plus other unique features for creating strum & rhythm patterns. Demo available
PowerTracks Pro Audio PG Music's budget priced sequencer for Windows now features up to 48 tracks of digital audio with effects, EQ, panning etc plus 3rd party plugin support.
Pro Tools Digidesign provide Pro Tools for Windows and Mac with MIDI, multitrack audio and plugin support.
Quartz Audio Master Quartz Audio Master is free Windows multitrack digital recording software and MIDI sequencing software. Provided by DigitalSound Planet
Reaper REAPER is a fully featured Windows multitrack audio and MIDI recording, editing, processing, mixing, and mastering environment. Fully functional evaluation available for download.
Rosegarden Rosegarden is a free MIDI sequencer and notation editor for Unix, and has binary distributions for Linux PCs and SGI IRIX.
SoftStep SoftStep is a Win9x modular step sequencer based on modular analog step sequencers. Features modules, which are math and logic functions that you treat as physical boxes with knobs and sliders.
Style Enhancer Windows MIDI sequencer based on Performance Modeling technology with powerful and intelligent MIDI-data generation and transformation.
SwarShala Midi sequencer package for Windows software that covers both the melodic and rhythmic aspects of Indian music. Featured instruments include Sitar, Sarod, Tanpura, Guitar, Tabla, Pakhawaj, Dholki and Bells. MIDI files and WAV files can be output.
Sweet Sixteen Midi sequencer package for Windows from Roni Music. And check out the Sweet MIDI arpeggiator for Windows, very cool !!
TR-x0x Freeware Windows step sequencer based on the Roland TR-808/909 drum machines.
Tracktion Tracktion from Mackie provides low cost MIDI and audio sequencing.
Tunafish A Windows VSTi MIDI sequencer with sample support. A fully functional ( save disabled ) demo is available to download. Has sample support and provides a built-in sample/drum sequencer.
Xx A multi-track MIDI sequencer for MacOS. It is also an algorithmic compositional tool. Requires OMS.
Midi SoftwareAudible Oddities - Twerk's Tools Audible Oddities is an audio mastering business and Shawn Hatfield also provides some free music composition tools for the Mac featuring sequencing control and algorithmic music generation. Burnt Toast even has a beta version available for Win XP.
Catanya Software pattern arpeggiator VST plugin.
MIDI-OX Win9x/NT midi utility providing sysex handling, diagnostics, filtering & mapping of midi data Streams. All Windows MIDI users should check this out. It is also available from Yamaha UK. Also see MIDI Yoke which allows you to route MIDI between different applications.
vanBasco's Karaoke Player vanBasco's Karaoke Player is freeware Windows software that plays Karaoke (.kar) and standard MIDI (.mid, .midi, .rmi) files. Provides a piano keyboard and lyric display.
Vocal Writer Shareware music & vocal synthesis software for the Power Mac. Not only playback & edit GM midi files, but it will also sing your lyrics (85 voices to choose from)
Zel Zel is an interpretive MIDI programming language for Windows. Version 1.2 includes the Zel Drum Machine, a style based composer and editor which makes it easy to create MIDI drum tracks without having to learn the Zel language. Freeware.
Midi Sequencing Related SitesAtari-MIDI Yahoo Group for Atari computer users to discuss MIDI applications. Also check The Caged Artist Series Page for once commercial MIDI software that is now freeware.
Audio Forums Forums for most major sequencing & digital audio software packages.
Harmony Central Provide an archive of MIDI sequencer and notation applications to download. There is software for all platforms available.
HitSquad Provide links to a number of MIDI sequencers and "tracker" sequencers for Windows, Mac and Linux.
MacMusic.org Macmusic.org have lots of links to Mac specific audio and MIDI sequencing resources. .
Mac OSX MIDI Apps A very useful list of links to Mac OSX MIDI applications with descriptions and direct links to the websites and apps.
Midijoys Freeware Windows program that combines two independent fully programmable joystick controllers, and a Continuous MIDI Controller programmable sliders that can send a wide spectrum of MIDI control parameters.
MidiPlugins.com Links to freeware and commercial MIDI plugins for both Windows and Mac OS9/OSX.
Music-X Amiga University Info on the original Amiga sequencer Music-X including writing sysex protocols. Also see Driptomatic Fairytales for Music-X info and resources. AM/FM also provide disk images containing many Amiga MIDI articles and tools.
Sonic Control Sonic Control provides information and reviews of sequencers for all platforms as well as MIDI hardware.
SourceForge SourceForge provide freeware software for Windows, Mac and Linux platforms and have many MIDI sequencer applications.
Sweetwater Sequencer Forum Sweetwater.com provides forums including one dedicated to MIDI sequencers.
Vintage Sequencers Tweakheadz Lab provides a great rundown on the ancestors of todays sequencers on computers in the 80s. Very interesting and informative reading with screen shots of many sequencers from the early days of MIDI.
756 Matmos - Supreme Balloon
The arcs of rising and falling pitches that start this song reminded us of a rainbow, and the title stuck: any resemblance to fluttering symbols of homo-nationalist pride are side effects. People have asked us about the Latin kitsch aspect of the song, and we plead guilty to a great love of the Richard Hayman "The Genuine Electric Latin Love Machine" Moog novelty LP from 1969. Having lived in the Mission District of San Francisco for seven years up until our recent move to Baltimore, we have had enough casual exposure to actual Mexican and Salvadorean music to know that this bears only the faintest relation to the real thing. Keith Fullerton Whitman contributed some tasty squelches and zaps from his Doepfer modular synth to brighten the corners, but not everything on here is that high-tech. Consider the lowly stylophone, a handheld novelty instrument popular with British schoolkids that was immortalized during the rave era in the cheesy techno banger "Stylophonia" by the fabulously named UK crew Two Little Boys. The stylophone that is played on this record was sent to us in the mail by a well-wisher and we thank him for this unexpected present. We are even more grateful to Safety Scissors, who forgave us when M. C. Schmidt broke his MS-20 filter knob by tweaking it too vigorously while recording the "horn" part of this song. It's all been patched up now.
739 Sound Designers.Org :: Le son qui a du sens
Le son qui a du sens
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Le PrĂ©-Mastering audio est une Ă©tape situĂ©e aprĂšs lâenregistrement et le mixage, en fin de la chaĂźne de production audio, câest la derniĂšre optimisation du projet. NĂ©anmoins, câest la partie du processus la moins connue tant par les professionnels que par les artistes. Le manque de connaissances Ă ce sujet peut amener Ă se poser plusieurs questions :
Â« Quelle est son utilitĂ© ? Pourquoi un individu appelĂ© ingĂ©nieur de Mastering toucherait Ă mon travail que je considĂšre comme Ă©tant abouti ? âŠ Â»
De plus si les personnes agissant en amont de la production audio et plus particuliĂšrement au niveau du mixage ne connaissent pas de quelle faĂ§on et dans quelle direction sera finalisĂ© leur projet, des erreurs ne pourront ĂȘtre Ă©vitĂ©s et les bĂ©nĂ©fices apportĂ©s par une Ă©tape de finalisation ne seront pas optimaux.
On peut aussi dĂ©duire quâune activitĂ© mal connue est inĂ©vitablement victime de prĂ©jugĂ©s et de fausses interprĂ©tations.
Dans ce mĂ©moire, je porterai mon attention sur les moyens dâoptimiser la transition entre le mixage et le PrĂ©-Mastering.
En effet, lors dâune sĂ©ance dâenregistrement, les techniciens concernĂ©s agissent toujours en pensant Ă lâĂ©tape suivante, c'est-Ă -dire celle du mixage. La dĂ©marche Ă suivre devrait ĂȘtre la mĂȘme au moment de mixer Ă lâattention du PrĂ©-Mastering. De cette faĂ§on, chacun remplit son rĂŽle de faĂ§on optimale et le produit peut prendre toute son ampleur.
Pour ce faire il faut donc Ă©claircir les moyens et les logiques utilisĂ©es dans les studios de Mastering et mettre en Ă©vidence les bĂ©nĂ©fices quâon en retire.
AprĂšs un bref historique, pour Â« planter le dĂ©cor Â», je commencerai par mettre en avant les diffĂ©rents avantages que lâon peut tirer du PrĂ©-Mastering et pourquoi il est indispensable dans la chaĂźne de production audio. Puis jâexpliquerai les moyens utilisĂ©s pour perfectionner le projet sonore en faisant un aperĂ§u des outils et de la maniĂšre dont sâen servent les ingĂ©nieurs de Mastering.
Enfin, je mettrai en Ă©vidence les efforts qui peuvent ĂȘtre fait dĂ©s le mixage afin de faciliter et de profiter pleinement des amĂ©liorations pouvant ĂȘtre apportĂ©es lors de la finalisation.
Le PrĂ©-Mastering nâest Ă priori praticable que par des techniciens dotĂ©s dâune longue expĂ©rience. Le propos de ce mĂ©moire est de dĂ©couvrir et dâĂ©clairer une activitĂ©, tout en dĂ©veloppant les bĂ©nĂ©fices quâelle peut engendrer. Je prendrai aussi position sur les attitudes et les pratiques Ă adopter en amont de la production audio pour profiter pleinement du PrĂ©-Mastering. Le sujet choisi est le reflet de ma curiositĂ© et de la volontĂ© de travailler en harmonie avec les diffĂ©rents acteurs du milieu de la production audio.
726 Procrastination Â« You Are Not So Smart
The Misconception: You procrastinate because you are lazy and canât manage your time well.
The Truth: Procrastination is fueled by weakness in the face of impulse and a failure to think about thinking.
721 DNA seen through the eyes of a coder
This is just some rambling by a computer programmer about DNA. I'm not a molecular geneticist. If you spot the inevitable mistakes, please mail me (bert hubert) at email@example.com.
I'm not trying to force my view unto the DNA - each observation here is quite 'uncramped'. To see where I got all this from, head to the bibliography.
Quick links: The source code, Position Independent Code, Conditional compilation, Dead code, bloat, comments ('junk dna'), fork() and fork bombs ('tumors'), Mirroring, failover, Cluttered APIs, dependency hell, Viruses, worms, Central Dogma, Binary patching aka 'Gene therapy', Bug Regression, Reed-Solomon codes: 'Forward Error Correction', Holy Code, Framing errors: start and stop bits, Massive multiprocessing: each cell is a universe, Self hosting & bootstrapping, The Makefile, Further reading.
719 Facebook owns us â Copy me happy
Facebook has become the event planning system. Itâs the place where you have all your friends (and other people) somewhat sorted and organized. All in all, itâs the organized system in the chaos that is otherwise known as the internets.
This is leading Facebook towards a virtual monopoly. There are lots of issues with monopolies, but one of the more interesting ones when it comes to Facebook is the impact is has on our social lives, online as well as offline.
718 Musiques - H O R S N O R M E
Dossier : OĂč trouver de la musique sur internet ?
Par Ed End le samedi, mai 29 2010, 10:07
fĂȘte de la musique
oĂč trouver de la musique
I. Pourquoi chercher de la musique sur internet ?
Pour rĂ©pondre Ă cette question on peut se poser une autre question : OĂč trouver de la musique en dehors d'internet ?
A part quelques exceptions Ă Paris, la plupart des disquaires indĂ©pendants ont disparus. Les supermarchĂ©s ont trĂšs peu de choix. Les magasins spĂ©cialisĂ©s, par exemple la Fnac ont un nombre limitĂ© de rĂ©fĂ©rences disponibles Ă des prix pas toujours accessibles.
Cependant il reste des solutions intĂ©ressantes : le marchĂ© de l'occasion, acheter les albums lors des concerts Ă des prix plus abordables ou encore moins onĂ©reux les emprunter Ă des mĂ©diathĂšques. Convertir en mp3 les anciens supports, k7, cd, vinyles et Ă©changer des albums numĂ©risĂ©s dont on dĂ©tient les originaux, lĂ©galement, dans le cadre de la copie privĂ©.
Si malgrĂ© cela tant de personnes cherchent de la musique sur internet, c'est :
a. Parce qu'il y a beaucoup plus de choix.
A l'heure actuelle, par exemple, le dĂ©veloppement de la musique libre est tel qu'il est impossible de suivre l'intĂ©gralitĂ© des Ćuvres qui sont publiĂ©es.
b. Parce que le coĂ»t est quasi nul.
- Soit en raison de la disparition du support, il n'y a plus de coĂ»t de diffusion, plus de coĂ»t de fabrication, juste Ă©ventuellement un coup de crĂ©ation. MalgrĂ© cela dans le domaine commercial les magasins en ligne (Itune et autres consorts) sont loin de rĂ©percuter la disparition des coups sur leurs tarifs.
- Soit en raison de ce que les lobbys et le gouvernement appĂšlent piratage, pour ma part je considĂšre qu'ils font une faute d'orthographe et prĂ©fĂšre parler de partage. Un exemple flagrant de leur mauvaise foie, contrairement Ă ce qu'a prĂ©tendu un jour un patron de la Fnac, un album n'est pas une baguette de pain, passer l'Ă©tape de crĂ©ation du premier exemplaire, il est duplicable Ă l'infini, ni farine, ni travail supplĂ©mentaire, autrement dit, je ne connais aucune baguette de pain qui puisse nourrir toute la planĂšte.
c. Parce que la dĂ©couverte est facilitĂ©e.
Depuis que les majors ont pris le contrĂŽle des mĂ©dias radio et tĂ©lĂ©, Ă part dans de rares mĂ©dias papiers spĂ©cialisĂ©s, et certains gratuits culturels, c'est trĂšs difficile de faire des dĂ©couvertes. ConcrĂštement avec un logiciel de peer to peer, on Ă©tend trĂšs rapidement la diversitĂ© des musiques que l'on apprĂ©cie. DĂ©jĂ pour la simple raison que dans tous les genres, au-delĂ du mainstream des majors il existe des Ćuvres de qualitĂ©.
d. Pour pouvoir essayer la musique avant de l'acheter.
Une bonne faĂ§on de se prĂ©munir des singles qui pourraient permettent d'Ă©couler des albums bĂąclĂ©s.
714 30 free programming eBooks Â« citizen428.blog()
Since this post got quite popular I decided to incorporate some of the excellent suggestions posted in the comments, so this list now has more than 40 books in it. [UPDATED: 2010-10-12]
Learning a new programming language always is fun and there are many great books legally available for free online. Hereâs a selection of 30 of them:
How to Desing Programs
Interpreting Lisp (PDF, suggested by Gary Knott)
Let Over Lambda
Practical Common Lisp
Programming in Emacs Lisp
Programming Languages. Application and Interpretation (suggested by Alex Ott)
Structure and Interpretation of Computer Programs
Teach Yourself Scheme in Fixnum Days
Visual LISP Developerâs Bible (suggested by âskatterbrainzâ)
Data Structures and Algorithms with Object-Oriented Design Patterns in Ruby
Learn to Program
MacRuby: The Definitive Guide
Mr. Neighborlyâs Humble Little Ruby Book (suggested by @tundal45)
Read Ruby 1.9
Ruby Best Practices
Ruby on Rails Tutorial Book (suggested by @tundal45)
Learn You a Haskell for Great Good
Real World Haskell
Concurrent Programming in Erlang
Learn You Some Erlang for Great Good
Dive into Python
How to Think Like a Computer Scientist â Learning with Python
Dynamic Web Development with Seaside
Pharo by Example (based on the next book in this list, suggested by Anonymous)
Squeak by Example
The Art of Assembly Language
Building Accessible Websites (suggested by Joe Clark)
The C Book
C# Yellow Book (suggested by Joe Wyatt)
Dive Into HTML 5 (suggested by @til)
The Implementation of Functional Programming Languages (suggested by âDefâ)
An Introduction to R
Learn Prolog Now!
Objective-C 2.0 Essentials
Of course there are many more free programming eBooks, but this list consists of the ones I read or want(ed) to read. This is far from comprehensive and languages that are completely missing are mostly left out on purpose (e.g. PHP, C++, Java). Iâm sure somebody else made a list for them somewhere.
712 40 Fresh Examples of Minimal Web Design | Inspiration
There is nothing more inspiring than a clean and minimal website. A design with few elements representing something. The good and old less is more. We already published here a A Showcase of Clean White Web Designs and a list with 60 Minimal and Super Clean Web Designs to Inspire You.
698 Top 100 Most Beautiful Wordpress Themes | Top Design Magazine - Web Design and Digital Content
Visualizing.org is a community of creative people working to make sense of complex issues through data and designâŠ and itâs a shared space and free resource to help you achieve this goal.
By some estimates, we now create more data each year than in the entirety of prior human history. Data visualization helps us approach, interpret, and extract knowledge from this information. Over the last couple of years, weâve seen government agencies, NGOs, and companies open up their data for the public to see and use. And weâve seen data visualization figure more prominently in design curricula, conference programs, and the media. We created Visualizing.org because we want to help connect the proliferation of public dataâŠ with a community that can help us understand this dataâŠ with the general public.
What is Visualizing.org? What can I do on the site?
Visualizing is a place to showcase your work, get feedback, ensure that your work is seen by lots of people and gets used by teachers, journalists, and conference organizers to help educate the public about various world issues
Visualizing is a free resource to search for data
Use Visualizing to keep up with and be inspired by the latest work from other designers and design schools
Learn about new visualization tools, blogs, books and other resources to help your work
Everything you upload remains your sole and exclusive property and is licensed under a Creative Commons Attribution Non-Commercial Share-Alike License
For teachers and schools:
Visualizing is a place to exhibit the collective work of your students, organize assignments and class projects, and help your students find data for their own visualizations
Weâre working on new tools to help you share teaching material with other teachers
As an Academic Partner, your students are eligible to participate in various design competitions â weâre hosting the first Visualizing Marathon in New York in October
To learn more, contact Saira Jesani
For bloggers and journalists:
Visualizing is a resource to find data visualizations about a wide variety of world issues to inform and accompany your own reporting â and itâs easy to embed visualizations and widgets from Visualizing on your own site
For conference organizers:
As a Knowledge Partner, Visualizing allows you to use data visualizations at your conferences under a Creative Commons License
To learn more, contact Saira Jesani
Visualizing is a new and fun online resource to learn more about the world in all its complexity and inter-dependence -- and become more comfortable with data and how it can be visually represented
How does it work?
The site is open and free to use. Everything you upload remains your sole and exclusive property and is licensed under a Creative Commons Attribution Non-Commercial Share Alike License. Simply put, this means that anyone can share, copy, remix, or build upon the visualization as long as: (i) it is used non-commercially; and (ii) the visualizationâs creator and source are credited.
688 Wonders World: Top 5 Most Dangerous Cities for live of the World
The crime statistics of world's five most dangerous cities are disheartening and shocking. With such high rates of homicide, robberies and violence these cities deservedly bear the names of 'the places of chaos and death' or 'the murder capitals of the world'. Despite the scary data, some of them still remain wanted tourist destinations, though extreme caution is strongly advised when visiting.
676 (How to Write a (Lisp) Interpreter (in Python))
674 Remove Complex Backgrounds from Images in Photoshop - How-To Geek
While tools like the Magic Eraser can sometimes remove your backgrounds, the fact is you're going to have to get your hands dirty with the eraser if you have images with complex backgrounds that need removing.
Windows, Windows Vista, Ubuntu, Programming, Networking, Firefox, Help, Solaris, Linux, Unix, VMware ,SQL Server, Oracle, MySQL, Analytics, Suse, Redhat, network security, firewall, postgresql,database, how to, how-to, howto, hints, tips, shell scripts, system administration
660 What's Next: fully ergonomic laptops? | VentureBeat
When the first laptops were created around 1979 â laptops like the Grid Compass â ergonomics was not exactly a core concern. The screens were only 2-4 inches, RAM was a few hundred kilobytes, and batteries were huge. The Osbourne 1 weighed 24 pounds, perhaps making it the first portable computer and dumbbell. Hooray for convergence!
Modern clamshell and tablet designs have solved many of these issues: screen sizes exceed 17â, RAM can be several gigabytes, and weight can be less than three pounds, deservedly earning names like the Air. What hasnât been solved is ergonomics, and thatâs a costly problem.
The U.S. Department of Labor reported 650,000 cases of work-related muscular disorders, costing businesses an estimated $20 billion in medical claims and lost productivity. An ergonomically ideal computer setup aligns the top of the screen with our eye level, lets our arms and wrists straighten, and allows our shoulders to relax.
Because laptop screens are attached to their keyboards, they require a damaging trade-off: place the laptop at eye level and hunch our shoulders, or place the keyboard at arm level and bend our neck. Most laptop keyboards are also rectangles, requiring wrist twisting. The result is chronic neck, shoulder, and wrist pain, and with laptop use increasing, this problem will only get worse.
630 Push-Pull :: SynthĂ©s + Prod musicale en tous genres...
Mes dĂ©mos "monomachines"
Principe: le morceau est rĂ©alisĂ© avec uniquement des sons du synthĂ© en question. Pas d'effets Ă part un peu de delay ping-pong et un peu de reverb.
Pour les synthĂ©s monophoniques, les parties poly sont enregistrĂ©es voix aprĂšs voix, Ă l'ancienne ! Une technique un peu "lourde" mais qui en vaut la peine.
Sauf remarque, les parties de batteries sont rĂ©alisĂ©es avec des sons du synthĂ© concernĂ©. Parfois jouĂ©s sur le synthĂ© (JP6) ou samplĂ©s pour plus de souplesse (MS20, Yusynth).
MS10 - Fade To Grey La rythmique vient d'une TR606, le vocoder est celui du microkorg.
MS20 for Couch Potatoes Ma premiĂšre dĂ©mo monomachine.
MS20 sur une plage bretonne
MS20 by Night
MS20 - Tribute to Sergei
MS20 - Introspection MS20 passĂ© dans le delay Spacebug d'Eowave.
MS20 - J'ai froid
MS20 - Nazareth EnregistrĂ© un 25 dĂ©cembre, avec un controleur de souffle BC2 Yamaha pour moduler le lead.
MS50 - The Last Oscillator Les sons de drum sont des samples d'une Oberheim DX.
SH09 - Solarize
JP6 - From Io to Callisto
JP8 - La prise de Carthage Les parties de percussions et batteries proviennent de divers softs.
CS30 - Hamamatsu Les sons de drum sont issus de divers samples.
CS30 - Hamamatsu (drumless) Le mĂȘme, sans la piste de drum.
DX7 - At Night in the Cuyabeno Jungle La nappe de strings discrĂšte qui apparait depuis le millieu du morceau vient d'un Korg Z1.
Clavia micromodular - Face nord Exercice d'imitation d'un MS20.
OSCar - From Oxford With Love Les sons de drum sont issus de divers samples.
Yusynth/DotCom - Modular Snow Les nappes viennent du Yamaha D85.
Yusynth/DotCom - Little Bear Les nappes viennent du Yamaha D85.
A synthesizer DIY page. Synth DIY users get visited by a frog. Synth DIY projects
SDIY, SynthDIY, Synth DIY, Mr. Braska, Braska, synth frog, SID, Sequencer, midibox, MIDI, DIY, panel, Modular synthesizer, Modular, Yusynth
608 Stories In Flight | HTML5/CSS3 Cheatsheet
Here are some simple cut-and-paste examples of HTML5/CSS3 features that are currently (mid-2010) usable across a number of web browsers, chief among them Firefox, Safari, Chrome and Opera.
For many of the CSS3 examples, Internet Explorer is the lone holdout with a limited number of workarounds, however these features degrade gracefully and may still be useful on new projects as long as this limitation is kept in mind.
Please note: With the exception of SVGWeb, no Internet Explorer workarounds have been included on this page - most of the examples will therefore not work in IE6, IE7 or IE8.
And if you want to discuss any of the code below or leave a correction or suggestion, you can leave comments below and here is also The Web We Should Have on my blog. Thanks!
On this page:
Rounded Corners Redux: Circles
Canvas Text Rotate
Some more complex subjects are also discussed in these separate pages:
Multiple Background Images
HTML5 Audio Data API - Spectrum Visualizer
Google Font API and Font Loading Behavior
...and don't forget to leave some comments below!
602 Free Music Friday â Circuit Ben Â« GetLoFi â Circuit Bending Synth DIY
Circuit Ben is Killing Music Album now is free to download. Enjoy great catchy tunes and top notch production. This is a very good example melodic composition with circuit bent toys.
Bent Stuff used: Casio sk1, Casio sk5, Casio sk100, Casio pt-20, Casio ks-03, Yamaha pss-11, Yamaha pss460, Hing Hon EK-001, Cheburashka!, Jim Bowen/Al Pacino dub siren, Super ultra mega, Fun-box (orgasm toy), Toy Koran (Quran), Cheap Chinese phone toys, Kung Fu toy, Captain Scarletâs car, âPound Shopâ keyboard (cost ÂŁ1 new.), Dragonball Z keyrings, Barbie keyboard, Fisher-price tape recorder (now dirty,dirty guitar amp.), George W Bush
and probably about fifty circuits with a soldered output that were bent/killed while recording â auto-destruct!
Non Bent Stuff: Mini Kaoss pad, Gameboy with Nanoloop, Melodica, 5-litre oil can guitar, Acoustic bass, Casio kx-101, Stylophone, Voice
Ben Says that in general songs are as vague as possible and about nothing â thatâs the story he is sticking to
The Lyrics for âAllenâ are from âCocaine Bluesâ by Allen Ginsberg.
All this was written and performed by Circuit Ben and produced by Lee Gregory â www.myspace.com/randomleeaudio
599 Inside Alesis A6 Andromeda | Ibsendesign blog
Inside Alesis A6 Andromeda
Find a Dealer
Nothing Sounds Like an Eventide
Through the decades, top players have depended on Eventide: Jimmy Page, Frank Zappa, Brian May, Eddie Van Halen, Steve Vai, Robert Fripp, John Petrucci, and Adrian Belew, to name a few. Now, for the first time these effects are portable AND affordable. Stompbox simple, PitchFactor fits on your pedalboard or in your gigbag.
Studio Quality Effects at Your Feet
Top recording studios worldwide use Eventide effects on hit after hit. PitchFactor includes Eventide's best pitch-changing effects from the past 39 years without compromising quality OR flexibility.
Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals.
Obsolescence is so 20th Century
Easy to upgrade; download new software from the Internet and install via USB.
10 of Eventideâs signature stereo or mono pitch+delay effects:
H910 / H949
Up to 4 voices of diatonic pitch shifting and up to 1.5 seconds of stereo delay
Studio quality sound
Guitar or bass compatible
Software upgradeable via USB 2.0
MIDI control via USB or MIDI in, out/thru
Instant program change
Real-time control with 10 knobs, MIDI, or expression pedal
Tap tempo and MIDI clock sync
100 factory presets, unlimited through MIDI
True analog bypass
Rugged cast metal construction
Reliable metal footswitches for instant preset access
Mono or stereo operation
Guitar or line level inputs and outputs
589 Anafrog âą Afficher le sujet - Encore le quantizer
585 Bidouilles. Hacking. ExpĂ©riences. DĂ©couvertes.: [Circuit Bending] DictĂ©e Magique 1 - Silence 0
La naissance d'un joli monstre plutĂŽt bruyant ou le bidouillage illustrĂ© d'un French Speak&Spell rebaptisĂ© dans notre contrĂ©e "La dictĂ©e magique"!
Pour le moment j'en suis toujours Ă me balader sur le circuit et j'en ai rapportĂ© ces quelques petits trucs ci-dessous. D'autres modifs ne sauraient tarder!
Pour le sens du circuit prenez votre dictĂ©e magique clavier Ă terre et compartiment Ă piles vers vous.
Attention! Le circuit d'un Speak&Spell autre que franĂ§ais n'est pas le mĂȘme, mais bon testez! Certains effets peuvent trĂšs bien marcher tout de mĂȘme!
565 Inside Alesis A6 Andromeda | Ibsendesign blog
Inside Alesis A6 Andromeda
Here are some pics Iâve shot during the reconnaissance inside my A6 (taking some measures before pimping it with some custom made wooden cheeks). Itâs quite surprising that its guts are not that complicated as it may seem looking at itâs interface. Very clean layout and good engineering (with tons of silicone glue, WTF?). The only con is that in order to remove those original cheeks I have to disassemble all the PCBâs attached to the front panel â and probably all the pots! Teh drama.
543 Music Thing
The essential, funny guide to retro and future synths, guitars, music making, gear, gadgets and techology.
retro, VST, synth, synthesizer, synthesiser, computers, vintage, classic, guitar, effects, pedals, moog, roland, korg, fender, gibson, akai
540 Anafrog âą Afficher le sujet - Alim et/ou case universel pour modules Eurorack?
537 Beau Ă Â la louche
un peu plus que de l'eau ĂÂĂÂ la bouche...
cuisine & recettes
530 AudionumĂ©rique, ressources
AudionumĂÂ©rique, ressources : Ouvrages de rĂÂ©fĂÂ©rence. http://codelab.fr/up/audionumerique-curtis-roads.jpg. L'audionumĂÂ©rique, musique et informatique de Curtis Roads, traduit et adaptĂÂ© par Jean de Reydellet. Editions Dunod, 2007, ISBN-13 : 978-2-10-051249-2. Une mine d'informations pour ceux qui s ...
AudionumĂÂ©rique, ressources, Ouvrages, rĂÂ©fĂÂ©rence, codelab, audionumerique, curtis, audionumĂÂ©rique, musique, informatique, Curtis, traduit, adaptĂÂ©, Reydellet, Editions, 051249, informations, intĂÂ©ressent, synthĂÂšse, sonore, spatialisation, mixage, traduction, computer, tutorialĂÂ»
Sound synthesis and sound design
Music has brought pleasure and entertainment to mankind throughout the whole of history. Each person is by nature equipped with one of the most elaborate and emotional musical instruments; the human voice. Whenever people feel good music seems to fit the occasion, and it is considered quite natural to hum or sing a song. Musical instruments have brought their own moods to music and at the current moment in human evolution there is an enormous variety of musical instruments available. The twentieth century has seen the development of a range of new and exciting electronic musical instruments. These electronic instruments are very flexible, they can produce a wide range of timbres and can be amplified to whatever loudness level sounds best for the occasion. Most of these electronic instruments are played by a keyboard, but in essence the keyboard can be replaced by any electromechanical device that is able to transform a movement caused by a human interaction into an electrical signal that can drive the sound generating core of the electronic instrument.
All sorts of technical and scientific developments have helped to create electronic instruments and the human interface to play them. Still, music is an art and not really a hard science, although music and sound have for a long time been subject to various scientific research. An important realization is that science can not really explain why much music is such a pleasure to listen to and such a joy to make. Which is not a bad thing, as probably no one is waiting for science to take the fun out of music by applying formalized rules and templates on what is also subject to âfeelâ. So, although this book covers techniques that lean heavily on scientific research, the application of these techniques will in general be aimed at creating fun. There are a lot of professionals working with sound and even more people that make music for their personal enjoyment. Mastery of sound synthesis is valuable to all of them. Still, it wonât be easy to please everyone with one single book, as some people will be more interested in how things work and others might want practical examples that just work. The aim of this book is that it can at least be used as a practical guide in workshops and courses in electronic music, covering some essential basics that are needed to operate the equipment used in sound synthesis in a way that makes some sense. Additionally it can be used to explore techniques to find out how they can help in the development of oneâs own musical style.
Sound synthesis is the art of creating sounds by using suitable electronic means, using either analog or digital electronic devices. Sound design is the art of creating particular sounds using sound synthesis techniques. The definition of sound design as used here might be confusing to some, as the name sound design is also used in the discipline in industrial design that occupies itself with how mass produced objects should sound. Examples are how the sound of cars or ladyshaves are âdesignedâ to sound pleasing while in use. Which of course has nothing to do at all with music or sound synthesizers. This book puts the emphasis on the various synthesis techniques for musical purposes and how to setup sound synthesizers to create a large range of characteristic musical sounds. The art of musical sound design is left to the artist.
521 Audioblogs ARTE Radio
Bienvenue sur la plateforme des audioblogs d'ARTE Radio !
506 The Sheldons Â» Donât worry, maâam. Weâre from the InternetâŠ
Certo. Resolvi abraĂ§ar o papel de uber-geek do grupo, pelo menos no que se refere Ă s coisas menos tĂ©cnicas.
Uma das coisas que mais faĂ§o pela Internet Ă© passear por fĂłruns. De todos os assuntos. Esportes, quadrinhos, cinema, tecnologia, seguranĂ§a. E, em todos eles, o que mais encontro Ă©âŠ.. outros nerds. Como qualquer outro grupo, os nerds tĂȘm expressĂ”es prĂłprias, referĂȘncias que sĂł eles entendem. O interessante Ă© que, no caso da Internet, essas referĂȘncias tĂȘm alcance mundial, e se espalham rapidamente.
SĂŁo os chamados Internet Memes.
Na verdade, o termo âinternet memesâ pode atĂ© ser usado de forma mais abrangente, significando fenĂŽmenos que se iniciam na Internet, e transbordam para a cultura pop, normalmente em funĂ§ĂŁo de serem repetidos em diversas mĂdias.
(pequena pausa para cultura. O termo âmemeâ foi criado por um dos meus autores favoritos: Richard Dawkins. Ele Ă© um ateu proeminente, que no livro âThe Selfish Geneâ usou o termo âmemeâ como referĂȘncia a um grupo de informaĂ§Ă”es culturais)
O sitcom responsĂĄvel pelo nome deste blog, o The Big Bang Theory, volta e meia faz alguma dessas referĂȘncias, mas ele nĂŁo Ă© o Ășnico. Existem alguns temas que se repetem, principalmente nos fĂłruns, nos comentĂĄrios de blog, nos comentĂĄrios do Digg.com. Normalmente, eles comeĂ§am de alguma forma estĂșpida, alguĂ©m acha engraĂ§ado, repete, e o negĂłcio cresce a olhos vistos (ui!).
496 EuroRack, les modules incontournable ...
484 Why did so many successful entrepreneurs and startups come out of PayPal? Answered by Insiders
Why did so many successful entrepreneurs and startups come out of PayPal? I long have been fascinated by the extraordinary achievement from the ex-Paypal team and wonder about the reasons behind their success. In the past, mass media tried to answer this question several times but still couldnât give us a clear answer.
I once asked David Sacks the same question during an event in Los Angeles. He told me the secret is that Paypal has built a âscrappyâ culture. No matter what problems they faced, they would find a way to solve them. I kind of got the idea, but was still confused about the execution details.
So when I saw some of the past Paypal employees answering this question on Quora, I was super excited! After all, they should be the only ones who can tell people the inside stories.
Below are some highlights of their answers. *If you want to check out the sources or leave your comments, please go to here and here.
On Talent Management
âPeter and Max assembled an unusual critical mass of entrepreneurial talent, primarily due to their ability to recognize young people with extraordinary ability (the median age of *execs* on the S1 filing was 30). But the poor economy allowed us to close an abnormal number of offers, as virtually nobody other than eBay and (in part) google was hiring in 2000-02.â (by Keith Rabois, former Executive Vice President of Paypal)
âExtreme Focus (driven by Peter): Peter required that everyone be tasked with exactly one priority. He would refuse to discuss virtually anything else with you except what was currently assigned as your #1 initiative. Even our annual review forms in 2001 required each employee to identify their single most valuable contribution to the company.â (by Keith Rabois, former Executive Vice President of Paypal)
âDedication to individual accomplishment: Teams were almost considered socialist institutions. Most great innovations at PayPal were driven by one person who then conscripted others to support, adopt, implement the new idea. If you identified the 8-12 most critical innovations at PayPal (or perhaps even the most important 25), almost every one had a single person inspire it (and often it drive it to implementation). As a result, David enforced an anti-meeting culture where any meeting that included more than 3-4 people was deemed suspect and subject to immediate adjournment if he gauged it inefficient. Our annual review forms in 2002 included a direction to rate the employee on âavoids imposing on othersâ time, e.g. scheduling unnecessary meetings.â (by Keith Rabois, former Executive Vice President of Paypal)
âRefusal to accept constraints, external or internal:We were expected to pursue our #1 priority with extreme dispatch (NOW) and vigor. To borrow an apt phrase, employees were expected to âcome to work every day willing to be fired, to circumvent any order aimed at stopping your dream.â Jeremy Stoppelman has relayed elsewhere the story about an email he sent around criticizing management that he expected to get him fired and instead got him promoted. Peter did not accept no for answer: If you couldnât solve the problem, someone else would be soon assigned to do it.â (by Keith Rabois, former Executive Vice President of Paypal)
âDriven problem solvers: PayPal had a strong bias toward hiring (and promoting / encouraging, as Keith mentions) smart, driven problem solvers, rather than subject matter experts. Very few of the top performers at the company had any prior experience with payments, and many of the best employees had little or no prior background building Internet products. I worked on the fraud analytics team at PayPal, and most of our best people had never before done anything related to fraud detection. If heâd approached things âtraditionallyâ, Max would have gone out and hired people who had been building logistic regression models for banks for 20 years but never innovated, and fraud losses would likely have swallowed the company.â (by Mike Greenfield, former Sr. Fraud R&D Scientist of Paypal)
âSelf-sufficiency â individuals and small teams were given fairly complex objectives and expected to figure out how to achieve them on their own. If you needed to integrate with an outside vendor, you picked up the phone yourself and called; you didnât wait for a BD person to become available. You did (the first version of) mockups and wireframes yourself; you didnât wait for a designer to become available. You wrote (the first draft of) site copy yourself; you didnât wait for a content writer.â (by Yee Lee, former Product & BU GM of Paypal)
On Culture & Ideology
âExtreme bias towards action â early PayPal was simply a really *productive* workplace. This was partly driven by the culture of self-sufficiency. PayPal is and was, after all, a web service; and the company managed to ship prodigious amounts of relatively high-quality web software for a lot of years in a row early on. Yes, we had the usual politics between functional groups, but either individual heroes or small, high-trust teams more often than not found ways to deliver projects on-time.â (by Yee Lee, former Product & BU GM of Paypal)
âWillingness to try â even in a data-driven culture, youâll always run in to folks who either donât believe you have collected the right supporting data for a given decision or who just arenât comfortable when data contradicts their gut feeling. In many companies, those individuals would be the death of decision-making. At PayPal, I felt like you could almost always get someone to give it a *try* and then let performance data tell us whether to maintain the decision or rollback.â (by Yee Lee, former Product & BU GM of Paypal)
âData-driven decision making â PayPal was filled with smart, opinionated people who were often at logger-heads. The way to win arguments was to bring data to bear. So you never started a sentence like this âI feel like itâs a problem that our users canât do Xâ, instead youâd do your homework first and then come to the table with â35% of our [insert some key metric here] are caused by the lack of X functionalityâŠâ (by Yee Lee, former Product & BU GM of Paypal)
âRadical transparency on metrics: All employees were expected to be facile with the metrics driving the business. Otherwise, how could one expect each employee to make rational calculations and decisions on their own every day? To enforce this norm, almost every all-hands meeting consisted of distributing a printed Excel spreadsheet to the assembled masses and Peter conducting a line by line review of our performance (this is only a modest exaggeration).â (by Keith Rabois, former Executive Vice President of Paypal)
âVigorous debate, often via email: Almost every important issue had champions and critics. These were normally resolved not by official edict but by a vigorous debate that could be very intense. Being able to articulate and defend a strategy or product in a succinct, compelling manner with empirical analysis and withstand a withering critique was a key attribute of almost every key contributor. I still recall the trepidation I confronted when I was informed that I needed to defend the feasibility of my favorite âbabyâ to Max for the first time.â (by Keith Rabois, former Executive Vice President of Paypal)
âExtreme Pressure â PayPal was a very difficult business with many major issues to solve. We were able to see our colleagues work under extreme pressure and hence we learned who we could rely on and trust.â (by Keith Rabois, former Executive Vice President of Paypal)
476 Top 15+ Best Practices for Writing Super Readable Code | Nettuts+
Code readability is a universal subject in the world of computer programming. Itâs one of the first things we learn as developers. Readable and maintainable code is something to be proud of in a finished product. We can share it with others, contribute to other projects, and reuse code from applications we wrote months or even years ago.
This article will detail the fifteen most important best practices when writing readable code.
474 Why Intelligent People Fail
Why Intelligent People Fail
Content from Sternberg, R. (1994). In search of the human mind. New York: Harcourt Brace.
1. Lack of motivation. A talent is irrelevant if a person is not motivated to use it. Motivation may be external (for example, social approval) or internal (satisfaction from a job well-done, for instance). External sources tend to be transient, while internal sources tend to produce more consistent performance.
2. Lack of impulse control. Habitual impulsiveness gets in the way of optimal performance. Some people do not bring their full intellectual resources to bear on a problem but go with the first solution that pops into their heads.
3. Lack of perserverance and perseveration. Some people give up too easily, while others are unable to stop even when the quest will clearly be fruitless.
4. Using the wrong abilities. People may not be using the right abilities for the tasks in which they are engaged.
5. Inability to translate thought into action. Some people seem buried in thought. They have good ideas but rarely seem able to do anything about them.
6. Lack of product orientation. Some people seem more concerned about the process than the result of activity.
7. Inability to complete tasks. For some people nothing ever draws to a close. Perhaps itâs fear of what they would do next or fear of becoming hopelessly enmeshed in detail.
8. Failure to initiate. Still others are unwilling or unable to initiate a project. It may be indecision or fear of commitment.
9. Fear of failure. People may not reach peak performance because they avoid the really important challenges in life.
10. Procrastination. Some people are unable to act without pressure. They may also look for little things to do in order to put off the big ones.
11. Misattribution of blame. Some people always blame themselves for even the slightest mishap. Some always blame others.
12. Excessive self-pity. Some people spend more time feeling sorry for themselves than expending the effort necessary to overcome the problem.
13. Excessive dependency. Some people expect others to do for them what they ought to be doing themselves.
14. Wallowing in personal difficulties. Some people let their personal difficulties interfere grossly with their work. During the course of life, one can expect some real joys and some real sorrows. Maintaining a proper perspective is often difficult.
15. Distractibility and lack of concentration. Even some very intelligent people have very short attention spans.
16. Spreading oneself too think or too thick. Undertaking too many activities may result in none being completed on time. Undertaking too few can also result in missed opportunities and reduced levels of accomplishment.
17. Inability to delay gratification. Some people reward themselves and are rewarded by others for finishing small tasks, while avoiding bigger tasks that would earn them larger rewards.
18. Inability to see the forest for the trees. Some people become obsessed with details and are either unwilling or unable to see or deal with the larger picture in the projects they undertake.
19. Lack of balance between critical, analytical thinking and creative, synthetic thinking. It is important for people to learn what kind of thinking is expected of them in each situation.
20. Too little or too much self-confidence. Lack of self-confidence can gnaw away at a personâs ability to get things done and become a self-fulfilling prophecy. Conversely, individuals with too much self-confidence may not know when to admit they are wrong or in need of self-improvement.
464 Ksplice Â» Attack of the Cosmic Rays! - System administration and software blog
Itâs a well-documented fact that RAM in modern computers is susceptible to occasional random bit flips due to various sources of noise, most commonly high-energy cosmic rays. By some estimates, you can even expect error rates as high as one error per 4GB of RAM per day! Many servers these days have ECC RAM, which uses extra bits to store error-correcting codes that let them correct most bit errors, but ECC RAM is still fairly rare in desktops, and unheard-of in laptops.
For me, bitflips due to cosmic rays are one of those problems I always assumed happen to âother peopleâ. I also assumed that even if I saw random cosmic-ray bitflips, my computer would probably just crash, and Iâd never really be able to tell the difference from some random kernel bug.
A few weeks ago, though, I encountered some bizarre behavior on my desktop, that honestly just didnât make sense. I spent about half an hour digging to discover what had gone wrong, and eventually determined, conclusively, that my problem was a single undetected flipped bit in RAM. I canât prove whether the problem was due to cosmic rays, bad RAM, or something else, but in any case, I hope you find this story interesting and informative.
463 Combien de fabricants de modules Eurorack ?
I'm mainly compiling this list for my own reference.
If anyone knows of another make, let me know.
Eurorack synthesizer module makers, 2010:
Analogue Solutions (UK)
Analogue Systems (UK)
Cwejman (Sweden by way of Poland)
Elby Designs (Australia)
Encore Electronics (USA)
Endangered Audio (USA)
Flight of Harmony (USA)
Future Sound Systems (UK)
Hinton Instruments (UK)
Macbeth (Scotland & England)
Malekko Heavy Industry (USA)
STG Soundlabs (USA)
Synthesis Technology/MOTM (USA)
Tip Top (USA)
456 Korg MS-20 Highpass Filter not working - Gearslutz.com
Just Joined GS and this is my first post. I recently purchased a Korg MS-20 and have discovered that the Peak or resonance pot seems a bit faulty on
Korg,MS,20,Highpass,Filter,not,working, Korg MS-20 Highpass Filter not working, recording, studio, microphone, mic pre, compressor, equalizer, pro tools, DAW, Nuendo, Cubase, SSL, Neve, Helios, review, reviews
448 HTML Ampersand Character Codes
These are character sequences that may appear in HTML documents; they represent sometimes useful symbols that are not part of the standard ASCII set or that would be difficult or impossible to type otherwise (e.g. the less-than sign, which would always be mistaken for the beginning of an HTML tag). Case is signinficant.
The content of this table has been throughly tested.
If the character that appears in the first column does not fit the description in the third column,
your browser has a screw loose.
440 A List Apart: Articles: Taking Advantage of HTML5 and CSS3 with Modernizr
Today, CSS-based layouts are commonplace and every browser has pretty solid support for them. But now we have CSS3 and HTML5, and the situation is repeating itselfâdifferent browsers demonstrate varying levels of support for these new technologies. Weâve smartened up, however, and no longer employ CSS hacks nor use browser sniffingâan unreliable, poor practice. Weâve also convinced more and more clients that websites donât need to look exactly the same in every browser. So how do we deal with this new but familiar problem? Simple: We use feature detection, which means that we do not ask the browser âwho are you?â and make unreliable assumptions from there on. Instead we ask the browser, âcan you do this and that?â Itâs a simple way to test browser capabilities, but doing all these tests manually all the time gets tiresome. To solve that problem (and others), you can use Modernizr.
438 Mensch -- A coding font
415 AudionumĂ©rique, ressources
AudionumĂ©rique, ressources : Ouvrages de rĂ©fĂ©rence. http://codelab.fr/up/audionumerique-curtis-roads.jpg. L'audionumĂ©rique, musique et informatique de Curtis Roads, traduit et adaptĂ© par Jean de Reydellet. Editions Dunod, 2007, ISBN-13 : 978-2-10-051249-2. Une mine d'informations pour ceux qui s ...
AudionumĂ©rique, ressources, Ouvrages, rĂ©fĂ©rence, codelab, audionumerique, curtis, audionumĂ©rique, musique, informatique, Curtis, traduit, adaptĂ©, Reydellet, Editions, 051249, informations, intĂ©ressent, synthĂšse, sonore, spatialisation, mixage, traduction, computer, tutorialÂ»
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