100SILEX, de 0 à 100 s: Media
1520 Universal Media Server

http://www.universalmediaserver.com/

1496 jPlayer Demos : HTML5 Audio & Video for jQuery
jPlayer, jQuery, jQuery plugin, media, video, audio, media player, video player, audio player, mp3, mp4, m4a, m4v, aac, h264, ogg, oga, ogv, wav, webm
http://www.jplayer.org/latest/demos/

1442 Projectors, Projector Reviews, LCD Projectors, Home Theater DLP Projectors at ProjectorCentral.com
projectors, projector, lcd, dlp, lcos, lcd projectors, dlp projectors, lcos projectors, multimedia projectors, home theater, home theater projectors, data projecters, used projectors, prices, dealers, reviews, Sony, InFocus, Proxima, Optoma, PLUS, Sharp,Toshiba, Eiki, Epson, Hitachi, 3M, Digital Projection, Barco, Lightware, Electrohome
http://www.projectorcentral.com/

1427 Mettez à jour votre navigateur | Facebook

https://www.facebook.com/media/set/?set=a.445816648866414.1073741837.204949496286465&type=3

1321 Derivative TouchDesigner 077
TouchDesigner is a visual development platform that equips you with the tools you need to create stunning realtime projects and rich user experiences. real-time animation, realtime animation, realtime 3D, visual synthesis, real time synthesizer, 3D visualizer sequencer,music visual syncronization, live performance, interactive artworks, art,media artist, media art, MIDI, animation, VJ, DJ, visual jockey, video jockey, interactive music video.
http://www.derivative.ca/

1247 Les commandes dos de Windows
Panneau de configuration * ACCESS.CPL : ouvre les options d'accessibilitĂ© (Pour XP uniquement) * APPWIZ.CPL : ouvre l'outil Ajouter/Supprimer un programme * AZMAN.MSC : ouvre le gestionnaire d'autorisations (Pour Vista uniquement) * CERTMGR.MSC : ouvre les certificats pour l’utilisateur actuel * CLICONFG : ouvre la configuration des clients SQL * COLLAB.CPL : ouvre le voisinage immĂ©diat (Pour Vista uniquement) * COMEXP.MSC ou bien DCOMCNFG : ouvre l'outil services et composants (Pour Vista uniquement) * COMPMGMT.MSC : ouvre l'outil de gestion de l'ordinateur * COMPUTERDEFAULTS : ouvrir l’outil des programmes par dĂ©faut (Pour Vista uniquement) * CONTROL /NAME MICROSOFT.BACKUPANDRESTORECENTER : ouvre le centre de sauvegarde et de restauration (Pour Vista uniquement). Tutoriel ICI * CONTROL ADMINTOOLS : ouvre les outils d'administrations * CONTROL COLOR : ouvre les paramĂštres de l'apparence * CONTROL FOLDERS : ouvre les options de dossiers * CONTROL FONTS : ouvre le gestionnaire de polices * CONTROL INTERNATIONAL ou bien INTL.CPL : ouvre les options rĂ©gionales et linguistiques * CONTROL KEYBOARD : ouvre les propriĂ©tĂ©s du clavier * CONTROL MOUSE ou bien MAIN.CPL : ouvre les propriĂ©tĂ©s de la souris * CONTROL PRINTERS : ouvre les imprimantes et les fax disponibles * CONTROL USERPASSWORDS : ouvre l’éditeur des comptes utilisateurs * CONTROL USERPASSWORDS2 ou bien NETPLWIZ : contrĂŽle les utilisateurs et leurs accĂšs< * CONTROL : ouvre le panneau de configuration * CREDWIZ : ouvre l’outil de sauvegarde et restauration des mots de passe des utilisateurs (Pour Vista uniquement) * DESK.CPL : ouvre les paramĂštres d'affichage * DEVMGMT.MSC : ouvre les gestionnaire de pĂ©riphĂ©riques. Tutoriel ICI * DRWTSN32 : ouvre Dr. Watson (Pour XP uniquement) * DXDIAG : ouvre l'outil de diagnostic DirectX * EVENTVWR ou bien EVENTVWR.MSC : ouvre l'observateur d'Ă©vĂšnements * FSMGMT.MSC : ouvre les dossiers partagĂ©s * GPEDIT.MSC : ouvre l’éditeur des stratĂ©gies de groupe (Pour les Ă©ditions professionnelles et plus de Windows) * HDWWIZ.CPL : ouvre l'assistant ajout de matĂ©riels * INFOCARDCPL.CPL : ouvre l'assistant compatibilitĂ© des programmes * IRPROPS.CPL : ouvre le gestionnaire d'infrarouge * ISCSICPL : ouvre l'outil de configuration de l'initiateur ISCI Microsoft (Pour Vista uniquement) * JOY.CPL : ouvre l'outil de contrĂŽleur de jeu * LPKSETUP : ouvre l’assistant d’installation et dĂ©sinstallation des langues d’affichage (Pour Vista uniquement) * LUSRMGR.MSC : ouvre l’éditeur des utilisateurs et groupes locaux * MDSCHED : ouvre l'outil de diagnostics de la mĂ©moire Windows (Pour Vista uniquement) * MMC : ouvre une nouvelle console vide * MMSYS.CPL : ouvre les paramĂštres de sons * MOBSYNC : ouvre le centre de synchronisation * MSCONFIG : ouvre l'outil de configuration du systĂšme * NAPCLCFG.MSC : ouvre l'outil de configuration du client NAP (Pour Vista uniquement) * NTMSMGR.MSC : ouvre le gestionnaire des supports de stockage amovibles * NTMSOPRQ.MSC : ouvre les demandes de l'opĂ©rateur de stockage amovible * ODBCAD32 : ouvre l'administrateur de sources de donnĂ©es ODBC * OPTIONALFEATURES : ouvre l’outil Ajouter/Supprimer des composants Windows (Pour Vista uniquement) * PERFMON ou bien PERFMON.MSC : ouvre le moniteur de fiabilitĂ© et de performances Windows. * POWERCFG.CPL : ouvre le gestionnaire des modes d’alimentation (Pour Vista uniquement) * REGEDIT ou bien REGEDT32 (Pour Vista uniquement) : ouvre l'Ă©diteur de registre * REKEYWIZ : ouvre le gestionnaire des certificats de chiffrement de fichiers (Pour Vista uniquement) * RSOP.MSC : ouvre le jeu de stratĂ©gie rĂ©sultant * SECPOL.MSC : ouvre les paramĂštres de sĂ©curitĂ©s locales * SERVICES.MSC : ouvre le gestionnaire de services * SLUI : ouvre l’assistant d’activation de Windows (Pour Vista uniquement) * SYSDM.CPL : ouvre les propriĂ©tĂ©s systĂšme * SYSEDIT : ouvre l’éditeur de configuration systĂšme (Attention, Ă  manipuler avec prudence) * SYSKEY : ouvre l’utilitaire de protection de la base de donnĂ©es des comptes Windows (Attention, Ă  manipuler avec extrĂȘme prudence !) * SYSPREP: ouvre le dossier contenant l'outil de prĂ©paration du systĂšme (Pour Vista uniquement) * TABLETPC.CPL : ouvre les paramĂštres pour Tablet pc (Pour Vista uniquement) * TASKSCHD.MSC ou bien CONTROL SCHEDTASKS : ouvre le planificateur de tĂąches (Pour Vista uniquement) * TELEPHON.CPL : ouvre l'outil de connexion tĂ©lĂ©phonique * TIMEDATE.CPL : ouvre les paramĂštres de l'heure et de la date * TPM.MSC : ouvre l'outil gestion de module de plateforme sĂ©curisĂ©e sur l'ordinateur local (Pour Vista uniquement) * UTILMAN : ouvre les options d’ergonomie (Pour Vista uniquement) * VERIFIER : ouvre le gestionnaire de vĂ©rification des pilotes * WMIMGMT.MSC : ouvre Windows Management Infrastructure * WSCUI.CPL : ouvre le centre de sĂ©curitĂ© Windows * WUAUCPL.CPL : ouvre le service de mise Ă  jour Windows (Pour XP uniquement) Programmes et outils Windows * %WINDIR%\SYSTEM32\RESTORE\RSTRUI.EXE : ouvre l’outil de restauration de systĂšme (Pour XP uniquement). Tutoriel ICI * CALC : ouvre la calculatrice * CHARMAP : ouvre la table des caractĂšres * CLIPBRD : ouvre le presse papier (Pour XP uniquement, pour l'ajouter Ă  Vista voir ICI) * CMD : ouvre l'invite de commandes * DIALER : ouvre le numĂ©rateur tĂ©lĂ©phonique de Windows * DVDPLAY : ouvre votre lecteur DVD * EUDCEDIT : ouvre l’éditeur de caractĂšres privĂ©s * EXPLORER : ouvre l'explorateur Windows * FSQUIRT : Assistant transfert Bluetooth * IEXPLORE : ouvre Internet explorer * IEXPRESS : ouvre l’assistant de crĂ©ation des archives auto-extractibles. Tutoriel ICI * JOURNAL : ouvre un nouveau journal (Pour Vista uniquement) * MAGNIFY : ouvre la loupe * MBLCTR : ouvre le centre de mobilitĂ© de Windows (Pour Vista uniquement) * MIGWIZ : ouvre l'outil de transfert de fichiers et de paramĂštres Windows (Pour Vista uniquement) * MIGWIZ.EXE : ouvre l'outil de transfert de fichiers et de paramĂštres Windows (pour XP uniquement) * MOVIEMK : ouvre Windows Movie Maker * MRT : lance l’utilitaire de suppression de logiciel malveillant. Tutoriel ICI * MSDT : ouvre l’outil de diagnostics et support Microsoft * MSINFO32 : ouvre les informations systĂšme * MSPAINT : ouvre Paint * MSRA : ouvre l'assistance Ă  distance Windows * MSTSC : ouvre l'outil de connexion du bureau a distance * NOTEPAD : ouvre le bloc-notes * OSK : ouvre le clavier visuel. Tutoriel ICI * PRINTBRMUI : ouvre l'assistant de migration d'imprimante (Vista uniquement) * RSTRUI : ouvre l'outil de restauration du systĂšme (Pour Vista uniquement) * SIDEBAR : ouvre le volet Windows (Pour Vista uniquement) * SIGVERIF : ouvre l'outil de vĂ©rification des signatures de fichiers * SNDVOL : ouvre le mĂ©langeur de volume * SNIPPINGTOOL : ouvre l'outil capture d'Ă©cran (Pour Vista uniquement). Tutoriel ICI * SOUNDRECORDER : ouvre le magnĂ©tophone * STIKYNOT : ouvre le pense-bĂȘte (Pour Vista uniquement) * TABTIP : ouvre le panneau de saisie Tablet PC (Pour Vista uniquement) * TASKMGR : ouvre le gestionnaire des tĂąches Windows * WAB : ouvre les contacts (Pour Vista uniquement) * WERCON : ouvre l'outil de rapports et de solutions aux problĂšmes (Pour Vista uniquement) * WINCAL : ouvre le calendrier Windows (Pour Vista uniquement) * WINCHAT : ouvre le logiciel Microsoft de chat en rĂ©seau (Pour Windows XP uniquement) * WINDOWSANYTIMEUPGRADE : permet la mise Ă  niveau de Windows Vista * WINVER : ouvre la fenĂȘtre pour connaĂźtre votre version Windows * WINWORD: ouvre Word (s'il est installĂ©) * WMPLAYER : ouvre le lecteur Windows Media * WRITE ou bien Wordpad : ouvre Wordpad Gestion des disques * CHKDSK : effectue une analyse de la partition prĂ©cisĂ©e dans les paramĂštres de la commande (Pour plus d’informations, tapez CHKDSK /? dans l’invite de commande CMD) * CLEANMGR : ouvre l'outil de nettoyage de disque * DEFRAG: DĂ©fragmente le disque dur (pour savoir comment utiliser, c'est ici ) * DFRG.MSC : ouvre l’outil de dĂ©fragmentation de disque * DISKMGMT.MSC : ouvre le gestionnaire de disques * DISKPART : ouvre l’outil de partitionnement (un peu lourd Ă  manipuler) Gestion des rĂ©seaux et Internet * CONTROL NETCONNECTIONS ou bien NCPA.CPL : ouvre les connexions rĂ©seau * FIREWALL.CPL : ouvre le pare-feu Windows * INETCPL.CPL : ouvre les propriĂ©tĂ©s internet * IPCONFIG : affiche les configurations des adresses IP sur l’ordinateur (Pour plus d’informations, tapez IPCONFIG /? dans l’invite de commande CMD) * NETSETUP.CPL : ouvre l’assistant configuration rĂ©seau (Pour XP uniquement) * WF.MSC : ouvre les fonctions avancĂ©es du pare-feu Windows (Pour Vista uniquement). Tutoriel ICI * À VOIR ÉGALEMENT : Commandes IP relatives aux rĂ©seaux sous Windows Commandes IP relatives aux rĂ©seaux sous Windows Il est parfois trĂšs utile de connaĂźtre les commandes IP, pour analyser voire configurer ses rĂ©seaux TCP/IP. Voici la liste de ces commandes Ă  utiliser dans une fenĂȘtre DOS : * Ping * Tracert * IpConfig * NetStat * Route * Arp * NbtStat * Telnet * Hostname * Ftp * NsLookUp * NetSh ------------------------------------------------------------------------------------------------------------------------------------------------ PING : Teste la connexion rĂ©seau avec une adresse IP distante ping -t [IP ou host] ping -l 1024 [IP ou host] * L’option -t permet de faire des pings en continu jusqu’à Ctrl-C. o Si vous avez prĂ©cisĂ© l'option -t vous pouvez Ă  tout moment avoir des statistiques sans interrompre les requĂȘtes ping en appuyant sur Ctrl+Attn (aussi nommĂ© Ctrl+Pause) Cette commande est aussi utile pour gĂ©nĂ©rer une charge rĂ©seau en spĂ©cifiant la taille du paquet avec l’option -l et la taille du paquet en octets. --------------------------------------------------------------------------------------------------------------------------------------------------- TRACERT : Affiche toutes les adresses IP intermĂ©diaires par lesquelles passe un paquet entre la machine locale et l’adresse IP spĂ©cifiĂ©e. tracert [@IP ou nom du host] tracert -d [@IP ou nom du host] Cette commande est utile si la commande ping ne donne pas de rĂ©ponse, afin d'Ă©tablir Ă  quel niveau la connexion est dĂ©faillante. -------------------------------------------------------------------------------------------------------------------------------------------------------------- IPCONFIG : Affiche ou rafraĂźchit la configuration rĂ©seau TCP/IP ipconfig /all [/release [carte]] [/renew [carte]] /flushdns /displaydns /registerdns [-a] [-a] [-a] Cette commande, exĂ©cutĂ©e sans option, affiche l’adresse IP en cours, le masque rĂ©seau ainsi que la passerelle par dĂ©faut au niveau des interfaces rĂ©seau connues sur la machine locale. * /all: Affiche toute la configuration rĂ©seau, y compris les serveurs DNS, WINS, bail DHCP, etc ... * /renew [carte]: Renouvelle la configuration DHCP de toutes les cartes (si aucune carte n'est spĂ©cifiĂ©e) ou d'une carte spĂ©cifique avec le paramĂštre carte. Le nom de carte est celui qui apparaĂźt avec ipconfig sans paramĂštre. * /release [carte]: Envoie un message DHCPRELEASE au serveur DHCP pour libĂ©rer la configuration DHCP actuelle et annuler la configuration d'adresse IP de toutes les cartes (si aucune carte n'est spĂ©cifiĂ©e) ou d'une carte spĂ©cifique avec paramĂštre carte. Ce paramĂštre dĂ©sactive TCP/IP pour les cartes configurĂ©es de maniĂšre Ă  obtenir automatiquement une adresse IP. * /flushdns: Vide et rĂ©initialise le cache de rĂ©solution du client DNS. Cette option est utile pour exclure les entrĂ©es de caches nĂ©gatives ainsi que toutes les autres entrĂ©es ajoutĂ©es de façon dynamique. * /displaydns: Affiche le cache de rĂ©solution du client DNS, qui inclut les entrĂ©es prĂ©chargĂ©es Ă  partir du fichier des hĂŽtes locaux ainsi que tous les enregistrements de ressources rĂ©cemment obtenus pour les requĂȘtes de noms rĂ©solues par l'ordinateur. Le service Client DNS utilise ces informations pour rĂ©soudre rapidement les noms frĂ©quemment sollicitĂ©s, avant d'interroger ses serveurs DNS configurĂ©s. * /registerdns: Actualise tous les baux DHCP et rĂ©inscrit les noms DNS. ------------------------------------------------------------------------------------------------------------------------------------------------------------------ NETSTAT : Affiche l’état de la pile TCP/IP sur la machine locale NETSTAT [-a] [-e] [-n] [-s] [-p proto] [-r] [intervalle] * -a Affiche toutes les connexions et ports d'Ă©coute (Les connexions cĂŽtĂ© serveur sont normalement inhibĂ©es). * -e Affiche les statistiques Ethernet. Peut ĂȘtre combinĂ©e avec l'option -s. * -n Affiche les adresses et les numĂ©ros de port sous forme numĂ©rique. * -p proto Affiche les connexions pour le protocole spĂ©cifiĂ© par proto; proto peut ĂȘtre TCP ou UDP. UtilisĂ© avec l'option -s pour afficher des statistiques par protocole, proto peut ĂȘtre TCP, UDP, ou IP. * -r Affiche le contenu de la table de routage. * -s Affiche les statistiques par protocole. Par dĂ©faut, des statistiques sur TCP, UDP et IP sont visualisĂ©es; l'option -p peut ĂȘtre utilisĂ©e pour spĂ©cifier un sous-ensemble du dĂ©faut. * intervalle: RĂ©affiche les statistiques sĂ©lectionnĂ©es, avec une pause de "intervalle" secondes entre chaque affichage. Appuyez sur Ctrl+C pour arrĂȘter l'affichage des statistiques. * -abnov Affiche les processus qui utilisent la connexion internet (Adresse IP local, port, adress IP distante et le PID du processus qui utilise la connexion ainsi que son nom). ------------------------------------------------------------------------------------------------------------------------------------------------------------------- ROUTE : Affiche ou modifie la table de routage ROUTE [-f] [commande [destination] [MASK masque rĂ©seau] [passerelle] * -f Efface les tables de routage de toutes les entrĂ©es de passerelles. UtilisĂ© conjointement Ă  une des commandes, les tables sont effacĂ©es avant l'exĂ©cution de la commande. * -p Rend rĂ©manente l’entrĂ©e dans la table aprĂšs le reboot de la machine * commande SpĂ©cifie une des quatre commandes : o DELETE: Efface un itinĂ©raire. o PRINT: Affiche un itinĂ©raire. o ADD: Ajoute un itinĂ©raire. o CHANGE: Modifie un itinĂ©raire existant. * destination: SpĂ©cifie l'hĂŽte. * MASK: Si le mot clĂ© MASK est prĂ©sent, le paramĂštre suivant est interprĂ©tĂ© comme le paramĂštre masque rĂ©seau. * masque rĂ©seau: Fourni, il spĂ©cifie la valeur de masque de sous-rĂ©seau Ă  associer Ă  cette entrĂ©e d'itinĂ©raire. Non spĂ©cifiĂ©, il prend la valeur par dĂ©faut 255.255.255.255. * passerelle: SpĂ©cifie la passerelle. * METRIC: SpĂ©cifie le coĂ»t mĂ©trique pour la destination ---------------------------------------------------------------------------------------------------------------------------------------------------------------------- ARP : RĂ©solution des adresses IP en adresses MAC. Affiche et modifie les tables de traduction des adresses IP en adresses physiques utilisĂ©es par le protocole de rĂ©solution d'adresses ARP. ARP -s adr_inet adr_eth [adr_if] ARP -d adr_inet [adr_if] ARP -a [adr_inet] [-N adr_if] * -a Affiche les entrĂ©es ARP actives en interrogeant le protocole de donnĂ©es actif. Si adr_inet est spĂ©cifiĂ©, seules les adresses IP et physiques de l'ordinateur spĂ©cifiĂ© sont affichĂ©es. Si plus d'une interface rĂ©seau utilise ARP, les entrĂ©es de chaque table ARP sont affichĂ©es. * -g Identique Ă  -a. * adr_inet SpĂ©cifie une adresse internet. * -N adr_if Affiche les entrĂ©es ARP pour l'interface rĂ©seau spĂ©cifiĂ©e par adr_if. * -d Efface l'hĂŽte spĂ©cifiĂ© par adr_inet. * -s Ajoute l'hĂŽte et associe l'adresse Internet adr_inet avec l'adresse physique adr_eth. L'adresse physique est donnĂ©e sous forme de 6 octets hexadĂ©cimaux sĂ©parĂ©s par des tirets. L'entrĂ©e est permanente. * adr_eth SpĂ©cifie une adresse physique. * adr_if PrĂ©cisĂ©e, elle spĂ©cifie l'adresse Internet de l'interface dont la table de traduction des adresses devrait ĂȘtre modifiĂ©e. Non prĂ©cisĂ©e, la premiĂšre interface applicable sera utilisĂ©e. --------------------------------------------------------------------------------------------------------------------------------------------------------------------- NBTSTAT : Mise Ă  jour du cache du fichier Lmhosts. Affiche les statistiques du protocole et les connexions TCP/IP actuelles utilisant NBT (NetBIOS sur TCP/IP). NBTSTAT [-a Nom Distant] [-A adresse IP] [-c] [-n] [-r] [-R] [-s] [S] [intervalle] * -a (Ă©tat carte) Liste la table de noms de la machine distante (nom connu). * -A (Ă©tat carte) Liste la table de noms de la machine distante (adresse IP). * -c (cache) Liste le cache de noms distants y compris les adresses IP. * -n (noms) Liste les noms NetBIOS locaux. * -r (rĂ©solus) Liste les noms rĂ©solus par diffusion et via WINS. * -R (Recharge) Purge et recharge la table du cache de noms distantes. * -S (Sessions) Liste la table de sessions avec les adresses destination IP. * -s (sessions) Liste la table de sessions convertissant les adresses de destination IP en noms d'hĂŽtes via le fichier hĂŽtes. Un Exemple : nbtstat -A @IP Cette commande renvoie le nom NetBIOS, nom du systĂšme, les utilisateurs connectĂ©s ...de la machine distante. -------------------------------------------------------------------------------------------------------------------------------------------------------------------- TELNET telnet telnet La commande telnet permet d'accĂ©der en mode Terminal (Ecran passif) Ă  un host distant. Elle permet Ă©galement de vĂ©rifier si un service quelconque TCP tourne sur un serveur distant en spĂ©cifiant aprĂšs l’adresse IP le numĂ©ro de port TCP. C’est ainsi que l’on peut tester si le service SMTP, par exemple, tourne sur un serveur Microsoft Exchange en utilisant l’adresse IP du connecteur SMTP et puis 25 comme numĂ©ro de port. Les ports les plus courants sont : * ftp (21), * telnet (23), * smtp (25), * www (80), * kerberos (88), * pop3 (110), * nntp (119) * et nbt (137-139). --------------------------------------------------------------------------------------------------------------------------------------------------------------------- HOSTNAME : Affiche le nom de la machine Ftp FTP: Client de tĂ©lĂ©chargement de fichiers ftp –s: * -s cette option permet de lancer des FTP en mode batch : spĂ©cifie un fichier textuel contenant les commandes FTP. --------------------------------------------------------------------------------------------------------------------------------------------------------------------- NsLookUp: envoie des requĂȘtes DNS sur un serveur DNS au choix nslookup [domaine] [serveur dns] La commande NsLookUp permet d'envoyer des requĂȘtes DNS Ă  un serveur. Par dĂ©faut, si vous ne mettez pas le serveur DNS, la commande utilisera celui qui est configurĂ© pour votre interface rĂ©seau (celui que vous utilisez pour naviguer sur internet, par exemple) mais vous pouvez forcer l'utilisation d'un autre serveur. Par exemple, pour demander au serveur DNS 10.0.0.3 l'adresse IP correspondante Ă  l'adresse www.commentcamarche.net: nslookup www.commentcamarche.net 10.0.0.3 * Si vous ne prĂ©cisez aucun paramĂštre pour nslookup, un shell s'ouvrira en attente de requĂȘtes de votre part. -------------------------------------------------------------------------------------------------------------------------------------------------------------------- Netsh (network shell : shell rĂ©seau) est un utilitaire en ligne de commande inclus dans la gamme des systĂšmes d'exploitation Windows NT (NT, 2000, XP, 2003 Serveur, Vista) Ă  partir de Windows 2000. Il permet la configuration du rĂ©seau, localement ou Ă  distance. Une utilisation classique de netsh est la rĂ©initialisation de la pile TCP/IP Ă  ses paramĂštres d'origines (Sous Windows 98, cette opĂ©ration nĂ©cessitait la rĂ©installation de l'adaptateur TCP/IP). Dans ce mode, vous devez fournir Ă  la commande un fichier journal (log). Celui-ci sera rempli avec les valeurs affectĂ©es par netsh. Netsh permet aussi (entre autres) de changer l'adresse IP de la machine. Exemples d'utilisations : - RĂ©initialisation de la pile TCP/IP : netsh interface ip reset C:\resetlog.txt - Adresse IP statique : netsh interface ip set address local static 123.123.123.123 255.255.255.0 - Adresse IP dynamique : netsh interface ip set address name="Connexion au rĂ©seau local" source=dhcp - Netsh et IPv6 : Netsh peut Ă©galement ĂȘtre utilisĂ© pour lire des informations provenant de la pile IPv6, cette commande est plus facile Ă  utiliser que la commande IPv6.exe et fournit quasiment le mĂȘme niveau d'information. Pour afficher votre adresse IPv6 en utilisant netsh : netsh interface ipv6 show address Autres commandes * %HOMEDRIVE% : ouvre l'explorateur sur la partition ou le systĂšme d'exploitation est installĂ© * %HOMEPATH% : ouvre le dossier d'utilisateur connectĂ© actuellement C:\Documents and settings\[nom d'utilisateur] * %PROGRAMFILES% : ouvre le dossier d’installation d’autres programmes (Program Files) * %TEMP% ou bien %TMP% : ouvre le dossier temporaire * %USERPROFILE% : ouvre le dossier du profil de l'utilisateur connectĂ© actuellement * %WINDIR% ou bien %SYSTEMROOT% : ouvre le dossier d’installation de Windows * %WINDIR%\system32\rundll32.exe shell32.dll,Control_RunDLL hotplug.dll : affiche la fenĂȘtre "Supprimer le pĂ©riphĂ©rique en toute sĂ©curitĂ©" * AC3FILTER.CPL : ouvre les propriĂ©tĂ©s du filtre AC3 (Si installĂ©) * FIREFOX : lance Mozilla FireFox (Si installĂ©) * JAVAWS : Visualise le cache du logiciel JAVA (Si installĂ©) * LOGOFF : ferme la session actuelle * NETPROJ : autorise ou pas la connexion Ă  un projecteur rĂ©seau (Pour Vista uniquement) * VĂ©rificateur des fichiers systĂšme (NĂ©cessite un CD de Windows si le cache n’est pas disponible): (Tutoriel ICI) o SFC /SCANNOW : scanne immĂ©diatement tous les fichiers systĂšme et rĂ©pare les fichiers endommagĂ©s o SFC /VERIFYONLY : scanne seulement les fichiers systĂšme o SFC /SCANFILE="nom et chemin de fichier" : scanne le fichier prĂ©cisĂ©, et le rĂ©pare s’il est endommagĂ© o SFC /VERIFYFILE="nom et chemin de fichier" : scanne seulement le fichier prĂ©cisĂ© o SFC /SCANONCE : scanne les fichiers systĂšme au prochain redĂ©marrage o SFC /REVERT : remet la configuration initiale (Pour plus d’informations, tapez SFC /? dans l’invite de commande CMD. * SHUTDOWN : Ă©teint Windows * SHUTDOWN –A : interrompe l’arrĂȘt de Windows * VSP1CLN : supprime le cache d'installation du service pack 1 de Vista (Tutoriel ICI) CrĂ©er votre propre commande Pour ceux qui aiment tout faire avec le clavier, il est possible de crĂ©er vos propres commandes exĂ©cutables dans Menu dĂ©marrer > ExĂ©cuter. Nous allons prendre l'exemple de la commande netnavig qui exĂ©cutera Mozilla FireFox. * Ouvrez la base de registre. * Allez vers la clĂ© HKEY_LOCAL_MACHINE puis les sous-clĂ©s successives \SOFTWARE\Microsoft\Windows\CurrentVersion\App Paths * Allez dans le menu Édition > Nouveau > ClĂ© et donnez-lui le nom netnavig.exe * Faites un double-clic sur la valeur que vous venez de crĂ©er, puis allez de nouveau dans le menu Édition > Nouveau > Valeur ChaĂźne et donnez-lui le nom Path * Faites encore un double-clic sur la valeur crĂ©Ă©e et entrez le chemin complet de l'application que vous voudrez lancer, dans notre exemple c'est C:\Program Files\Mozilla Firefox, puis validez. Il est possible de copier ce chemin Ă  partir de la barre d'adresse de l'explorateur directement. * Un autre double-clic sur la valeur (par dĂ©faut) et entrez l'exĂ©cutable de l'application avec son chemin complet : C:\Program Files\Mozilla Firefox\firefox, dans notre exemple. Ensuite, validez et fermez l'Ă©diteur de registre. Ainsi vous pouvez exĂ©cuter Mozilla Firefox juste en faisant: Menu dĂ©marrer > ExĂ©cuter > taper netnavig et valider. Vous pouvez faire la mĂȘme chose pour toutes les applications auxquelles vous voulez un accĂšs rapide avec le clavier.
http://www.artup-concept.com/commandes-dos-de-windows.html

1140 New Musical Instruments Battle for $10K in Prizes
See the latest multimedia and applications including videos, animations, podcasts, photos, and slideshows on Wired.com media, technology, tech, movie, film, animation, music, video, television, internet, online, web, satellite radio, podcast, audio, photo, slideshow
http://www.wired.com/gadgets/mods/multimedia/2009/03/gallery_instruments?slide=1&slideView=11

1136 Serviio media server
Serviio is a free media server for Window, Mac and Linux. It enables streaming video, audio and images to your DLNA certified device. DLNA, dlna, free, 'dlna server', serviio, Serviio, UPNP, media, server, 'media server', Mac, Linux, xbox, playstation, ps3, video, streaming, samsung, bravia, LG
http://www.serviio.org/index.php

1132 Mammoth Modular Synthesizer At MIT Museum
Just got an update from Joe Paradiso on his homebuilt mammoth analog modular synthesizer. He’s installed it in the MIT Museum and has completed a fairly epic patch which you can listen to (24 hours a day!) here. Joe will be at the museum this Thursday and Friday (2/23 and 2/24) at 1pm, demoing the synth to visitors, so be sure to stop by if you’re in the neighborhood. Here’s some info from Joe on the construction and inspiration for the latest patch. The second patch I made at the MIT Museum is totally done now, and you can hear it live on the stream. Listen to it at http://synth.media.mit.edu, and let me know what you think if you’re inclined – it’s running in physical space in Quad, of course – stereo on the stream. Note that this one has absolutely NO sequencer of any sort on it – all of the patterns you hear were made entirely from hand-patched logic (counters, ands, ors, flip flops, ring counters, rate multipliers, etc.). It’s an entirely different kind of composition environment from the norm – you really need to simultaneously be an engineer while being an artist and something of a performer. The inspiration for this patch started with the Boredoms – if you don’t know who they are, you should (http://www.boredoms.jp/). In particular, I was thinking of SuperRoots 9. The beauty of the patching interface is that you can never exactly nail what you start out to attain, but on the other hand, you get drawn into places you wouldn’t have normally gone once you start. The 3 drummers that Yamantaka Eye performs with lay down a compelling rhythm that my hand-patched logic and analog processing can’t match, of course. But this patch definitely has a strange jumpy groove once it gets into gear, and the 2-chord pad is archetypical too. Yes, Boredoms rule today! BTW, this patch took every cord I had, plus a good 30 more wires just shoved into the pin jacks – check out the photos here and here – the latter shows the kind of logic section patching complexity you need to build a sonic environment like this one. I’m ripping this baby out next Thursday, as I’ll be at the museum next Thursday and Friday (2/23 and 2/24) at 1pm to demonstrate the synthesizer to visitors – doing some very simple patches and showing off what the modules do in case anybody is interested in this. It will run continuously until then. Otherwise, enjoy the stream – there are moments of introspective drift in-between wild percussion (yes, Boredoms!). I might pull the percussion line back so it doesn’t come so often or regularly, but it’s essentially a wrap.
http://synth.media.mit.edu/

1111 BOOOOOOOM! - CREATE * INSPIRE * COMMUNITY * ART * DESIGN * MUSIC * FILM * PHOTO * PROJECTS
A blog about Art, Photography, Film, Music, Design, and Collaborative Projects. graphic design, new media art, vancouver, bc, photography, daily junk, film reviews, documentary films
http://www.booooooom.com/

992 Troy Hunt: Who’s who of bad password practices – banks, airlines and more
Troy Hunt on observations, musings and conjecture about the world of software and technology Troy Hunt, blog, .NET, Azure, Backup, Bing, Blogger, Career Development, Code Quality, Conference, Database, Design Utopia, DotNetNuke, Enterprise Software Platform, Internet Explorer, iPhone, K2, LinkedIn, Media, NDepend, Online Identity, OWASP, People Management, Personal Development, Product Review, ReSharper, Security, SharePoint, Silverlight, Software Quality, SQL Injection, SQL Server, Subversion, Travel, Twitter, Visual Studio, Windows Mobile, XSS, Ah, passwords. Love ‘em or hate ‘em, they’re a necessary evil of the digital age. The reality is we all end up with an alphabet soup of passwords spread over dozens of various sites and services across the internet. Whilst we might not always practice it, we all know the theory of creating a good password; uniqueness, randomness and length. The more of each, the better. Of course we frequently don’t do this because of all sorts of human factors such as convenience, memory or simple unawareness of the risks. Still, when it’s a case of individuals electing not to create secure passwords, they really only have themselves to blame. But what happens when the website won’t allow you to create a secure password? Or at least when they severely constrain your ability to create long, random, unique passwords? And what about when they don’t allow you to send it between your computer and their server securely? Even worse, what happens when our most “secure” institutions implement lazy password policies? Unfortunately, all of this is pretty rampant practice.
http://www.troyhunt.com/2011/01/whos-who-of-bad-password-practices.html

914 Social Sound Design is a Q&A site for Sound Designers.
Social Sound Design is a Q&A site encompassing all the wonderful disciplines of sound design: Film, game, art and installations, sound effects, new media, software, programming (Max/MSP; Pd, etc.), Arduino and micro-controllers, gear, feedback, recording, techniques and tips... As long as it involves sound design, it is welcome here!
http://socialsounddesign.com/

849 Photo Kawai R-100 : Kawai R-100 (greenblue) - Audiofanzine
Photo Kawai R-100 : ". Auteur : greenblue médias, r-100, kawai, boßtes à rythmes
http://fr.audiofanzine.com/bar/kawai/R-100/medias/a.play,m.132649.html

830 [Guide foobar2000] - Présentation de foobar2000
Guide foobar2000 foobar2000, foobar, guide foobar2000, player
http://michel.jaumes.free.fr/doc/multimedia/foobar/

745 Things You Should Do Immediately After Launching a Website
A few things you should do right after launching a website (and if you can, do them prior to launching your website publicly). website management
http://sixrevisions.com/website-management/things-you-should-do-immediately-after-launching-a-website/

691 visualizing.org
Visualizing.org is a community of creative people working to make sense of complex issues through data and design
 and it’s a shared space and free resource to help you achieve this goal. Why Visualizing.org? By some estimates, we now create more data each year than in the entirety of prior human history. Data visualization helps us approach, interpret, and extract knowledge from this information. Over the last couple of years, we’ve seen government agencies, NGOs, and companies open up their data for the public to see and use. And we’ve seen data visualization figure more prominently in design curricula, conference programs, and the media. We created Visualizing.org because we want to help connect the proliferation of public data
 with a community that can help us understand this data
 with the general public. What is Visualizing.org? What can I do on the site? For designers: Visualizing is a place to showcase your work, get feedback, ensure that your work is seen by lots of people and gets used by teachers, journalists, and conference organizers to help educate the public about various world issues Visualizing is a free resource to search for data Use Visualizing to keep up with and be inspired by the latest work from other designers and design schools Learn about new visualization tools, blogs, books and other resources to help your work Everything you upload remains your sole and exclusive property and is licensed under a Creative Commons Attribution Non-Commercial Share-Alike License For teachers and schools: Visualizing is a place to exhibit the collective work of your students, organize assignments and class projects, and help your students find data for their own visualizations We’re working on new tools to help you share teaching material with other teachers As an Academic Partner, your students are eligible to participate in various design competitions – we’re hosting the first Visualizing Marathon in New York in October To learn more, contact Saira Jesani For bloggers and journalists: Visualizing is a resource to find data visualizations about a wide variety of world issues to inform and accompany your own reporting – and it’s easy to embed visualizations and widgets from Visualizing on your own site For conference organizers: As a Knowledge Partner, Visualizing allows you to use data visualizations at your conferences under a Creative Commons License To learn more, contact Saira Jesani For all: Visualizing is a new and fun online resource to learn more about the world in all its complexity and inter-dependence -- and become more comfortable with data and how it can be visually represented How does it work? The site is open and free to use. Everything you upload remains your sole and exclusive property and is licensed under a Creative Commons Attribution Non-Commercial Share Alike License. Simply put, this means that anyone can share, copy, remix, or build upon the visualization as long as: (i) it is used non-commercially; and (ii) the visualization’s creator and source are credited.
http://www.visualizing.org/

668 Brian Eno Streams Small Craft on a Milk Sea’s Hypno-Sonics | Underwire | Wired.com
Brian Eno's multimedia box set Small Craft on a Milk Sea doesn't set sail until Nov. 2. But the acclaimed composer and ambient pioneer prepared its launch brian eno,small craft on a milk sea
http://www.wired.com/underwire/2010/09/brian-eno-stream/

623 Less Framework 2
A CSS framework for cross-device layouts .grid_5 .clearfix 960 px Everyone writes CSS differently. Less Framework takes this into account by having a minimal set of features, and does away with things like predefined classes. All it really contains are: a set of media-queries typography presets aligned to a 24 px baseline grid and a grid, with its column sizes noted down within CSS comments. Nothing more, nothing less. It doesn’t try to do anything for you, and doesn’t change the way you work.
http://lessframework.com/

615 Digitalife | RomaEuropa WebFactory
Un'iniziativa promossa da Ideazione e organizzazione in collaborazione con servizi museali media
http://romaeuropa.net/digitalife/

614 digital life - Digicult.it
DIGITAL LIFE, is a project dedicated to the digital future and to the cross-fertilization between technology, new media and contemporary artistic expressions. On the 3 March 2010, this project inaugurates La Pelanda, a new location in the newly refurbished ex-abattoirs in Testaccio for contemporary artistic and cultural productions. These premises have been renovated for the city by the Rome Municipality as part of the Zone attive Project. Digital Life, Richard Castelli, Romaeuropa, Ryuichi Sakamoto, Shiro Takatani, Jeffrey Shaw, Ulf Langheinrich, Jean Michel BruyĂšre, Erwin Redl, Thomas McIntosh, Emmanuel Madan, Martux-m, Mikko Hynninen, Julien Maire, Christian Partos, digicult, digital culture, culture, digital, electonics arts, arts, elecronics, promotions and circulation, circulation
http://www.digicult.it/en/2010/digitallife.asp

609 The Next 5 Years in Social Media
What's in store for the future of social media? Trends point to a more connected future built on the backs of today's major social players. features,social media future
http://mashable.com/2010/09/07/next-5-years-social-media/

601 MediaCUB Telechargeur de Catch-up TV
Telechargeur de Catch-up TV M6Replay, W9replay, pluzz, télécharger, catch-up, TF1, Arte, Virgine 17, Tou.tv video
http://www.mediacub.com/

596 Eventide
Accessories Eventide PitchFactor Support Links â€șDocumentation â€șSoftware Updates â€șPitchFactor Support â€șKnowledge Base â€șForum Find a Dealer No Comparison Nothing Sounds Like an Eventide Through the decades, top players have depended on Eventide: Jimmy Page, Frank Zappa, Brian May, Eddie Van Halen, Steve Vai, Robert Fripp, John Petrucci, and Adrian Belew, to name a few. Now, for the first time these effects are portable AND affordable. Stompbox simple, PitchFactor fits on your pedalboard or in your gigbag. Features Specifications Photos Media Studio Quality Effects at Your Feet Top recording studios worldwide use Eventide effects on hit after hit. PitchFactor includes Eventide's best pitch-changing effects from the past 39 years without compromising quality OR flexibility. Flexibility Built-In Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals. Obsolescence is so 20th Century Easy to upgrade; download new software from the Internet and install via USB. Features 10 of Eventide’s signature stereo or mono pitch+delay effects: Diatonic PitchFlexℱ Quadravoxℱ Octaverℱ HarModulatorℱ Crystalsℱ MicroPitch HarPeggiatorℱ H910 / H949 Synthonizerℱ Up to 4 voices of diatonic pitch shifting and up to 1.5 seconds of stereo delay Studio quality sound Guitar or bass compatible Built-in Tuner Software upgradeable via USB 2.0 MIDI control via USB or MIDI in, out/thru Instant program change Real-time control with 10 knobs, MIDI, or expression pedal Tap tempo and MIDI clock sync 100 factory presets, unlimited through MIDI True analog bypass Rugged cast metal construction Reliable metal footswitches for instant preset access Mono or stereo operation Guitar or line level inputs and outputs
http://www.eventide.com/AudioDivision/Products/StompBoxes/PitchFactor.aspx

594 Genres musicaux

http://www.lamediatheque.be/dec/genres_musicaux/index.php

574 26 Essential Social Media Resources You May Have Missed
We're back with a brand new edition of great Mashable resources you may have missed. Check it out! Business Lists,Channels,Lists,Mobile Lists,Social Media Lists,business,facebook,features,social media,twitter,youtube
http://mashable.com/2010/08/22/essential-resources-roundup-3/

563 Top 20 Sites To Improve Your Twitter Experience
We compiled a list of the top 20 third-party websites for making your Twitter experience more useful and easier to manage. twitter, hootsuite, brizzly, seesmic, polldaddy, klout, twitpic, list, wefollow, yfrog,Channels,Lists,Productivity Lists,Social Media Lists,Twitter Lists,Web Apps,features,mashable,social media
http://mashable.com/2010/07/25/improve-twitter-experience/

526 Page d'accueil - Pickanews : Moteur multi-media
veille
http://www.pickanews.com/qespresspub/usr/FRA/jsp/PRESSWelcome.jsp

515 Flickr: Analogue Haven's Photostream
Flickr is almost certainly the best online photo management and sharing application in the world. Show off your favorite photos and videos to the world, securely and privately show content to your friends and family, or blog the photos and videos you take with a cameraphone. photography, digital photography, cameraphones, camera, hobby photography, photo, digital camera, compactflash, smartmedia, cameras, canon, nikon, olympus, fujifilm, video
http://www.flickr.com/photos/analoguehaven/

514 Flickr: Analogue Haven's Photostream
Flickr is almost certainly the best online photo management and sharing application in the world. Show off your favorite photos and videos to the world, securely and privately show content to your friends and family, or blog the photos and videos you take with a cameraphone. photography, digital photography, cameraphones, camera, hobby photography, photo, digital camera, compactflash, smartmedia, cameras, canon, nikon, olympus, fujifilm, video
http://www.flickr.com/photos/analoguehaven/page5/

510 How Social Media Has Radically Altered Advertising
Social Media started out as a bit of a novelty -- a playground for the geekerati. But it has taken hold as a game changing force that will reshape advertising at its very core. Business Lists,Channels,Lists,Social Media Lists,business,contributor,features,social media
http://mashable.com/2010/07/06/social-media-advertising/

492 Flickr: Chris_Carter_'s Photostream
Flickr is almost certainly the best online photo management and sharing application in the world. Show off your favorite photos and videos to the world, securely and privately show content to your friends and family, or blog the photos and videos you take with a cameraphone. photography, digital photography, cameraphones, camera, hobby photography, photo, digital camera, compactflash, smartmedia, cameras, canon, nikon, olympus, fujifilm, video
http://www.flickr.com/photos/chris_carter_/

484 Why did so many successful entrepreneurs and startups come out of PayPal? Answered by Insiders
Why did so many successful entrepreneurs and startups come out of PayPal? I long have been fascinated by the extraordinary achievement from the ex-Paypal team and wonder about the reasons behind their success. In the past, mass media tried to answer this question several times but still couldn’t give us a clear answer. I once asked David Sacks the same question during an event in Los Angeles. He told me the secret is that Paypal has built a “scrappy” culture. No matter what problems they faced, they would find a way to solve them. I kind of got the idea, but was still confused about the execution details. So when I saw some of the past Paypal employees answering this question on Quora, I was super excited! After all, they should be the only ones who can tell people the inside stories. Below are some highlights of their answers. *If you want to check out the sources or leave your comments, please go to here and here. On Talent Management “Peter and Max assembled an unusual critical mass of entrepreneurial talent, primarily due to their ability to recognize young people with extraordinary ability (the median age of *execs* on the S1 filing was 30). But the poor economy allowed us to close an abnormal number of offers, as virtually nobody other than eBay and (in part) google was hiring in 2000-02.” (by Keith Rabois, former Executive Vice President of Paypal) “Extreme Focus (driven by Peter): Peter required that everyone be tasked with exactly one priority. He would refuse to discuss virtually anything else with you except what was currently assigned as your #1 initiative. Even our annual review forms in 2001 required each employee to identify their single most valuable contribution to the company.” (by Keith Rabois, former Executive Vice President of Paypal) “Dedication to individual accomplishment: Teams were almost considered socialist institutions. Most great innovations at PayPal were driven by one person who then conscripted others to support, adopt, implement the new idea. If you identified the 8-12 most critical innovations at PayPal (or perhaps even the most important 25), almost every one had a single person inspire it (and often it drive it to implementation). As a result, David enforced an anti-meeting culture where any meeting that included more than 3-4 people was deemed suspect and subject to immediate adjournment if he gauged it inefficient. Our annual review forms in 2002 included a direction to rate the employee on “avoids imposing on others’ time, e.g. scheduling unnecessary meetings.” (by Keith Rabois, former Executive Vice President of Paypal) “Refusal to accept constraints, external or internal:We were expected to pursue our #1 priority with extreme dispatch (NOW) and vigor. To borrow an apt phrase, employees were expected to “come to work every day willing to be fired, to circumvent any order aimed at stopping your dream.” Jeremy Stoppelman has relayed elsewhere the story about an email he sent around criticizing management that he expected to get him fired and instead got him promoted. Peter did not accept no for answer: If you couldn’t solve the problem, someone else would be soon assigned to do it.” (by Keith Rabois, former Executive Vice President of Paypal) “Driven problem solvers: PayPal had a strong bias toward hiring (and promoting / encouraging, as Keith mentions) smart, driven problem solvers, rather than subject matter experts. Very few of the top performers at the company had any prior experience with payments, and many of the best employees had little or no prior background building Internet products. I worked on the fraud analytics team at PayPal, and most of our best people had never before done anything related to fraud detection. If he’d approached things “traditionally”, Max would have gone out and hired people who had been building logistic regression models for banks for 20 years but never innovated, and fraud losses would likely have swallowed the company.” (by Mike Greenfield, former Sr. Fraud R&D Scientist of Paypal) “Self-sufficiency – individuals and small teams were given fairly complex objectives and expected to figure out how to achieve them on their own. If you needed to integrate with an outside vendor, you picked up the phone yourself and called; you didn’t wait for a BD person to become available. You did (the first version of) mockups and wireframes yourself; you didn’t wait for a designer to become available. You wrote (the first draft of) site copy yourself; you didn’t wait for a content writer.” (by Yee Lee, former Product & BU GM of Paypal) On Culture & Ideology “Extreme bias towards action – early PayPal was simply a really *productive* workplace. This was partly driven by the culture of self-sufficiency. PayPal is and was, after all, a web service; and the company managed to ship prodigious amounts of relatively high-quality web software for a lot of years in a row early on. Yes, we had the usual politics between functional groups, but either individual heroes or small, high-trust teams more often than not found ways to deliver projects on-time.” (by Yee Lee, former Product & BU GM of Paypal) “Willingness to try – even in a data-driven culture, you’ll always run in to folks who either don’t believe you have collected the right supporting data for a given decision or who just aren’t comfortable when data contradicts their gut feeling. In many companies, those individuals would be the death of decision-making. At PayPal, I felt like you could almost always get someone to give it a *try* and then let performance data tell us whether to maintain the decision or rollback.” (by Yee Lee, former Product & BU GM of Paypal) “Data-driven decision making – PayPal was filled with smart, opinionated people who were often at logger-heads. The way to win arguments was to bring data to bear. So you never started a sentence like this “I feel like it’s a problem that our users can’t do X”, instead you’d do your homework first and then come to the table with “35% of our [insert some key metric here] are caused by the lack of X functionality
” (by Yee Lee, former Product & BU GM of Paypal) “Radical transparency on metrics: All employees were expected to be facile with the metrics driving the business. Otherwise, how could one expect each employee to make rational calculations and decisions on their own every day? To enforce this norm, almost every all-hands meeting consisted of distributing a printed Excel spreadsheet to the assembled masses and Peter conducting a line by line review of our performance (this is only a modest exaggeration).” (by Keith Rabois, former Executive Vice President of Paypal) “Vigorous debate, often via email: Almost every important issue had champions and critics. These were normally resolved not by official edict but by a vigorous debate that could be very intense. Being able to articulate and defend a strategy or product in a succinct, compelling manner with empirical analysis and withstand a withering critique was a key attribute of almost every key contributor. I still recall the trepidation I confronted when I was informed that I needed to defend the feasibility of my favorite “baby” to Max for the first time.” (by Keith Rabois, former Executive Vice President of Paypal) “Extreme Pressure – PayPal was a very difficult business with many major issues to solve. We were able to see our colleagues work under extreme pressure and hence we learned who we could rely on and trust.” (by Keith Rabois, former Executive Vice President of Paypal)
http://primitus.com/blog/why-did-so-many-successful-entrepreneurs-and-startups-come-out-of-paypal-answered-by-insiders/

467 35 Essential Social Media Resources You May Have Missed
Looking for something you missed during the busy week? Check in here to catch up. Business Lists,Lists,Mobile Lists,Social Media Lists
http://mashable.com/2010/06/27/essential-social-media-resources-10/

428 Alain Neffe and the Home-Taped Electronic Music Revolution
Alain Neffe launched his first tape label at home in Belgium in 1981. He called it Insane Music Contact and his first installment was called Insane Music for Insane People. Thus began a nearly thirty year foray into home-made, visionary and utterly unfashionable electronic music that has hardly made anyone involved a household name. Insane Music released 55 titles in its most prolific years (1981-87). Five of these were vinyl records and the rest were cassettes tapes. Why cassettes tapes? Magnetic tape was the obvious solution to the problem facing many artists working without record contracts in those days. Cassettes could be recorded at home, produced at home, dubbed at home, and sold or traded by mail. No need for tasteless outside producers and marketing mojo—one needed only leave home to buy more tapes. Says Neffe, “I could copy the tapes on demand. Releasing an LP required that you print 500 copies and 1000 copies of the cover sleeve, and everything had to be paid up front 
 if the buyer didn’t like the music, he or she could wipe it out and record something else on it.” Mr. Neffe was not the only one out there recording, selling and trading tapes by mail. On both sides of the Atlantic, home cassette technology was permitting the release of much groundbreaking and breathlessly beautiful work, as well as some noxious and otherwise self-indulgent wanking—that coat of many colors we call the DIY (do-it-yourself) Revolution. As early as 1974, Albrecht/d. self-released a cassette entitled Amsterdam Op De Dam in Germany. In 1976, Throbbing Gristle was distributing tapes of their infamous live recordings, and in 1977, the French electro-industrial unit Die Form began releasing tapes on their own Bain Total label. 1980 saw the release of two monumental self-released cassettes, The Storm Bugs’ A Safe Substitute and Colin Potter’s The Ghost Office. In Japan, 1980 saw the release of Merzbow’s first two cassettes, Remblandt Assemblage and Fuckexercise. And in the USA, 1981 saw John Bender’s Plaster: The Prototypes, a laconic and mysterious series of tone and vocal poems. Home taping was not limited to electronic music. R. Stevie Moore, one of the elder living ancestors of the lo-fi rock aesthetic, began releasing distributing home-made tapes via the R. Stevie Moore Cassette Club sometime in the 1970s. And tapes of live punk shows from the era continue to trade hands. Soon, cassettes were coming from everywhere: mysterious PO boxes in the Midwest, to which you sent a blank tape and three dollars and received the tape back with something on it. The Tellus Audio Cassette Magazine was a Fluxus-inspired subscription audio-journal dedicated to music as well as poetry and drama and other forms of audio-art. Zines like Factsheet Five and Unsound devoted entire columns to the material they received from bands on home-made cassette, and demo tapes began leaking to radio stations prior to official record release dates. It was a grassroots movement that marched in association with the self-publication of zines, comics, chapbooks, and other media. The medium had begun to become the message. Insane Music for Insane People (which eventually reached 25 volumes) was a series compiling all home-made electronic music made by artists from across the globe. By including in the liner notes the contact address for each artist featured, Neffe helped pioneer a snail-mail network for those interested in more of what they heard. Artists from all over Europe and the USA, from Japan, New Zealand, and beyond contributed over the years. One could send a few dollars to Insane Music Contact, receive tapes in the mail, write to artists involved and receive more cassettes. Insane Music Contact (now known as Insane Music) has always been a vehicle for Mr. Neffe’s own electronic music projects as well, many of which are periodically active to this day. Though he now makes liberal use of the CD format, Neffe’s artistic approach remains undiluted by years of underexposure. He expects very little acknowledgment of or remuneration for his efforts, which, for him, are emotional articulation, continued experimentation, and purity. It seems nothing but nothing could possibly catapult such heavily uncommercial sounds into the public consciousness–not even this thirty-year retrospective box-set entitled The Insane Box released (ironically, on vinyl) by the venerable Frank Maier of Vinyl-on-Demand Records, an outfit devoted to preserving the precious gems of cassette culture before the evidence disintegrates. For this retrospective (4 LPs + a 7” 45), Mr. Neffe has reached into dusty attic boxes, wherein lay unreleased (or hardly available) material by five projects of which he has been a part: BeNe GeSSeRiT, Human Flesh, Pseudo Code, I Scream and Subject. Each has a unique cerebral orientation and emotional vibe made possible by the combined efforts of invited guests; each runs the high fever of a man very much committed to a personal vision of artistic purity without virtuosity, and each is distinctly French. BeNe GeSSeRiT was not the first of Mr. Neffe’s projects to be recorded and distributed, but is, to my understanding, the genesis of his approach to music as “texts” or “photographs”, or as he puts it, “potlatch music”. On these early tracks we also detect a burgeoning interest in the endless expressive properties of the human voice, both explicitly human and as heavily-treated sound sculpture, both French and English At times, voices shout like besotted Celine parlor workers at each other from tenement windows; at other times a high-pitched female voice wails up and down like Catherine Ribeiro alone in her bathroom. In these tracks, one can also detect the half-digested influence of electro-rock luminaries Silver Apples, the avant-lashings a la Yoko Ono, and occasionally the thunder-beat of early Laibach. Primitive Casio electronics, stage whispers, delay echoes, tape loops, and a certain absurdist humor redolent of Erik Satie, neither dampen the fabric with melodrama, nor detract from the integrity of the grist, nor from the topical seriousness of the text’s subjects. BeNe GeSSeRiT is difficult music, even in the moments that risk elegy, yet it is still more accessible than some of the other Francophone avant-dada outfits of the day, such as DDAA and Étant DonnĂ©s, or Nurse with Wound in the UK. Human Flesh is decidedly more structurally cohesive and song-oriented than BeNe GeSSeRiT, and its predecessors and influences are less clear. Still there is a clear interest in the human voice, its textures and timbers when removed of sign value by backwards-masking, and the new textures that emerge when disassembled and reassembled. Even rock-oriented at times, Human Flesh chases a more delirious climax, for the hounds of the carnival are snapping at their heels as they run. This is also a project of varied angles and pursuits, sliding as it does into poetic electro-pop (the supple and Chicago-accented voice of the late Lydia Tomkiw, of Algebra Suicide, appears on two tracks), and moments of Half Japanese-style primitivism. The side-long track “Langsam” is more reminiscent of Piper-era Pink Floyd and Brainticket, as well as other Krautrock, yet is still distinctly French. These early and rare tracks are, in contrast to the more ambitious Pseudo Code and the more intimate recordings by I Scream, more oblique for being a mix-down of materials sent to Neffe from artists around the globe. The track “Sons of God?” is also notable for what is perhaps the first recorded sample of the American fire-and-brimstone preacher Ferrell Griswold, whose voice has appeared in music by Front 242, Phallus Dei, Pragha Khan, et cetera. The cassette medium, for all its benefits to individual artistic expression and culture, is for the selfsame reasons impermanent. Magnetic tape has a thirty year lifespan if properly archived, which means both that preserving their contents in other formats is important, and that paying hundreds of dollars for the original artifacts is a questionable collectors’ pursuit (nevertheless, you can watch it happen daily). With the advent of the mp3 and the efforts of Vinyl-on-Demand and other labels, Insane Music’s CD-r reissue program included, some of this exquisite material has been rescued from oblivion.
http://www.timesquotidian.com/2010/05/28/alain-neffe-and-the-home-taped-electronic-music-revolution/

423 MACBETH STUDIO SYSTEMS
Welcome to MacBeth Synthesizers! LATEST NEWS: 20/07/09 please scroll down for infoOver the last year and half or so, more products have been developed. Work has gone into the design of a new modular synthesizer system shared by two formats- the 3U format and the 5U format. The designs are relatively new but still retain the inherant qualities of the M3X, M5 and M5N synthesizers. The system is called the X-Series Modular Synthesizer after the popular M3X and its protégé keyboard synthesizer the X-Factor. This fully analogue keyboard is still under serious development and there will be more information to follow on that one. As a refreshing change from making the large scale semi modular M5 and M5N, I am now delving into the production of smaller, free for all systems that will probably grow large! I'm taking into it all my experience of designing both large and small analogue synthesizers as well as a few new ideas too. Please take the time to look around this website. In each catagory there is product information, sounds, tracks and links to other related media on the internet. Currently the 3U X-Series Dual Oscillator and 'Backend' Filter Combo are in production. I expect delivery of the Dual Oscillator within the next two weeks- shortly after that the 'Backend' Filter Combo will roll out of production. Please contact any of the Distributers listed to get your modules. I intend to produce a short run of the 5U modules soon, so once again- stay tuned for that... ...anyway! I have uploaded quite a few demo sounds on here- maybe not to everyones taste- but at least they make you think of what these modules could do in the right hands, i.e. you! - after all- I'm an engineer, not a muscian as such!...Well you decide! All MacBeth Products are built to exacting standards- from materials selection to the physical build. The PCBs and Sheet Metalwork are fabricated by Zot Engineering from Musselburgh, Scotland http://www.zot.co.uk and final assembly is performed by Diatron Assembly Systems from Norwich, England http://www.diatron.co.uk Both companies also manufacture equipment for the medical, military and aerospace sectors of industrial engineering
http://www.macbethstudiosystems.com/

387 Kaossilator Hacks and Hidden Features [Tim Rideout : recording artist, music producer, New Media musician]
Geek,Music production,Film soundtracks,Technology,Synthesizers,Cool stuff that I like,Korg,Kaossilator,DJ,Looper,Electronic Music,Hacks,Tips, music, MP3, downloads, Montreal, Fredericton, Quebec, New Brunswick, Canada, artist, electronic, electronica, breakbeat, house, jazz, drums, drummer, musician, producer, new media, loops, samples, indie, independent, Tim Rideout, Fibii Media, cool, hip, geek, singer, songwriter, composer, film maker, DJ, new media
http://www.timrideout.com/spip.php?article176

362 90+ Essential Social Media Resources
Check out our extensive list of social media, business, mobile and tech resources. No matter what you're into, you're sure to find it here! Business Lists,Facebook Lists,Lists,Megalists,Mobile Lists,Social Media Lists,Twitter Lists,business,facebook,features,iPhone Resource Lists,social media,twitter,youtube Now you’ve gone and done it. You’ve come across a list so enormous, so useful, and so awesome, our futile attempts to describe it have been lost in the tubes of cyberspace. We’ll just say this: No matter what you’re into — Twitter, Facebook, Mobile Apps, Business Development, or good-old-fashioned YouTube hilarity — you will find it below. So put down your barbeque, send out another huge thanks to our men and women in uniform, and limber up your scrolling finger — it’s a big one. If you dig the uber-list, be sure to send some comments our way down below!
http://mashable.com/2010/05/31/92-essential-social-media-resources/

358 RĂ©sultats Google Recherche d'images correspondant Ă  http://www.amazona.de/media/articles/article_images/article_1734/1_ps3200.jpg
AnlĂ€sslich der Jean Michel Jarre Tour 2008 ist es angebracht, einen seiner treuen Wegbegleiter im BĂŒhnensetup vorzustellen: Den Korg PS-3200. Dieses semi-modulare Instrument kam 1978 – ein Jahr nach ‘Start’ der Serie in Form von PS-3100 bzw. PS-3300 – auf den Markt. Obwohl sich in diesem einen Jahr technisch gesehen viel getan hat (der PS-3200 verfĂŒgt als Einziger ĂŒber Programmspeicher, stufenlosen Chorus und andere Besonderheiten), und das Instrument bis weit in die 80er Jahre in Produktion bzw. im Angebot war, wurden nur 500 StĂŒck davon hergestellt. Das entspricht jedoch in etwa der ‘PS-Tradition’, denn auch vom kleinen PS-3100 wurden nicht mehr als 600 StĂŒck verkauft. Der große PS-3300 (von dem Jean Michel Jarre seinerzeit ĂŒbrigens zwei StĂŒck im Studio hatte) fĂ€llt bekanntlich noch deutlicher aus dem Rahmen, brachte er es doch nur auf ca. 50 gebaute Exemplare.
http://www.google.com/imgres?imgurl=http://www.amazona.de/media/articles/article_images/article_1734/1_ps3200.jpg&imgrefurl=http://www.amazona.de/index.php%3Fpage%3D26%26file%3D2%26article_id%3D1734&usg=__6h2_oYoRdhSJm3vSnU-6f5BQE4Y=&h=600&w=800&sz=106&hl=fr&start=11&sig2=2YGw0U429tB19AJ_m6tg5g&um=1&itbs=1&tbnid=VZYyV__Lfq7npM:&tbnh=107&tbnw=143&prev=/images%3Fq%3Dkorg%2Bps%2B3300%26um%3D1%26hl%3Dfr%26client%3Dopera%26sa%3DN%26rls%3Dfr%26tbs%3Disch:1&ei=khIETIfhJZiP4gbphZzqDQ

357 LiVES Video Editing System - Because the media should be open
LiVES - Open media and free video editing and VJ software for Linux media lives video editor linux BSD IRIX OpenMosix music multimedia free open source gnu GPL h264 x264 edition instal final cut premier ’Ž±’ÊŠ Â’ÂŽÂ±Â’ĂŠĂœÂ’ĂŠÂŠÂ’ĂŁĂ« Â‘ĂŠĂ“Â‘Ă†Â”Â‘Â±Ă Â‘ÂŒÂ­Â’ÂŽĂŻ ćź˜çœ‘ 柘æ–č眑站 ‘ÊӑƔ Â‘Â±Ă Â‘ÂŒÂ­ Â’ÂŒÂ«Â’ĂÂłÂ’Ă…ÂȘ Â‘ĂˆĂ­Â’Â·ĂŻ ‘”ç’±Æ ’ÂČÈ ’À¾‘ÂČĂș ’¿’ÇޒÂÎ OSX darwin hdv snow xvid FOSS FLOSS jack clip resize resample home capture display convert audio production dvd mp3 solaris ogg wav editing software freeware avi vcd svcd anime film movie divx mpeg matroska ubuntu debian mandriva redhat slackware fedora suse gentoo unix codec logiciel grab merge trim dvgrab dv hdv studio vob asf mpeg2 crop montaggio modificare dirac theora vorbis best good newest fastest sourceforge stream download project site professional quality pro powerful frame descargar feature multitrack simple composite composer real time realtime server encode encoder plugin effect tool nonlinear linear non-linear program animated gif jpeg png vj OSC sound control remote network sex porn pr0n
http://lives.sourceforge.net/index.php?do=downloads

337 Most Popular Social News And Social Bookmarking Websites
Social bookmarking is emerging as awesome way to share your interest, organize, search, manage bookmarks of web resources and information on Internet. best social news sites,best social bookmarking,10 top sites, social news websites, social news websites, social bookmarking. interest, manage bookmarks,web resources, ,file sharing, most popular social bookmarking websites, social bookmarking sites list,design,designer,free,social bookmarking,social media,web developer,web development,resources
http://technologytosoftware.com/best-social-news-social-bookmarking-websites-designers-developers.html

332 Web Design Trends for 2010 | Webdesigner Depot
Purists will say that great design is timeless. Yes, in an ideal world, we should ignore trends. Pragmatically speaking, though, there is a lot of value in monitoring and incorporating design trends, especially with regard to websites. Let’s face it: the web changes at a rapid pace. Unlike in other media, design trends on the web are not just driven by aesthetics. Technology is changing that can drastically alter the capabilities of the medium. In 2010, we’re seeing designers continuing to push the boundaries of web design, setting the following clear trends

http://www.webdesignerdepot.com/2010/05/web-design-trends-for-2010/

312 12 Applications to Make Your Facebook Page More Engaging
Currently, there are more than three million active Facebook Pages on the top ranked site, with the typical Page boasting an average of less than 1,000 fans – oops, I mean ‘likes‘ (seriously, that just doesn’t roll off your tongue quite the same way). Standing out from the static requires you to dress up your Page and make it more interesting and fun for your ‘likers’. That’s where Facebook applications come in. They’re basically like plugins for your Page and there are tens of thousands of them available. Deciding what apps you’d like to incorporate depends on how you’d like to engage with your peeps (that’s an even better word than ‘likers’). Here’s a compilation of some must have applications for any Page. They’re great additions to the the basic layout that Facebook provides and they can be used in interesting ways to move your ‘likes‘ into action.
http://www.socialmediatoday.com/SMC/197503/

280 How-To Permanently Delete Your Facebook Account
Over the last 12 months, Facebook has seen itñ€™s share of controversy in regard to account privacy and itñ€™s terms of service.  Itñ€™s hard to say what sparked all the excitement: Rapid growth of the service (#3 on the internet overall)?  Parents growing awareness of the site and how their kids were using it?  The Media?  Or perhaps they deserved it based on their unethical business practices, privacy policy and terms of service?  facebook,how-to,privacy,security
http://www.groovypost.com/howto/security/permanently-delete-your-facebook-profile-account/

269 Un plongeon dans le vinyle - Sources
Le site de reference et le forum francophone sur le home-cinema, la hautefidelite et le multimedia multicanal, multi canal, multicanaux, multi-canaux, forum, HCFR, DVD, full hd, 1080p, Blue Ray, Blu ray, Blu-ray, bluray, hifi, haute-fidélité, haute fidélité, haute fidelite, surround, THX, stéréo, stéréophonique, caisson, subwoofer, enceintes, écran, ampli, amplificateur, préampli, bi-amplification, cables, formats vidéo, 16/9, dlp, plasma, tv lcd, écran lcd, téléviseur lcd, ps3, Xbox 360, projection, videoprojection, projecteur, videoprojecteur, sonde HCFR, calibration, colorimÚtre, 3D, OLED, video projection, video projecteur, magasin home cinema, magasin home cinéma, ecran home cinema, écran home cinéma, enceintes home cinéma, enceintes home cinema, enceinte home cinéma, enceinte home cinema, installation home cinema, installation home cinéma, vente home cinéma, vente home cinema, systÚme home cinéma, systeme home cinema, prix home cinéma, prix home cinema, matériel home cinéma, materiel home cinema, home cinema hdmi, amplis home cinéma, amplis home cinema, ampli home cinéma, ampli home cinema, achat home cinéma, achat home cinema, acheter home cinéma, acheter home cinema, dvd home cinéma, dvd home cinema, vidéoprojecteur home cinéma, videoprojecteur home cinema, pack home cinema, pack home cinéma, packs home cinéma, amplificateur home cinema, amplificateur home cinéma, comparatif home cinema, comparatif home cinéma, home cinéma denon, home cinéma yamaha, home cinéma sony, home cinéma pioneer, home cinéma samsung, home cinéma jamo, home cinéma jbl, cables hdmi, cable hdmi, hdmi 1080p, switch hdmi, hdmi audio, hdmi video, lcd television, lcd samsung, lcd sony, lcd lg, lcd panasonic, lcd philips, ampli atoll, amplificateur atoll, ampli rotel, amplificateur rotel, ampli onkyo, amplificateur onkyo, ampli nad, amplificateur nad, ampli yamaha, amplificateur yamaha, ampli denon, amplificateur denon, ampli stereo, ampli stéréo, amplificateur stereo, amplificateur stéréo, revue haute fidélité, enceinte focal, enceinte cobalt, enceinte cabasse, enceinte triangle,enceinte gkf, do it yourself enceinte, do it yourself ampli, do it yourself amplificateur, do it yourself plantefevre, telecommande domotique, télécommande domotique, prise domotique, entreprise domotique, installation domotique, mousse acoustique, cloison acoustique, isolation acoustique, traitement acoustique, mur acoustique, materiaux acoustique
http://www.homecinema-fr.com/forum/viewtopic.php?f=1029&t=29915948&sid=19ebe691cbbbd61af82ff63ecdc196df

268 Pourquoi le vinyle n'est-il pas mort et enterré ?
Le site de reference et le forum francophone sur le home-cinema, la hautefidelite et le multimedia multicanal, multi canal, multicanaux, multi-canaux, forum, HCFR, DVD, full hd, 1080p, Blue Ray, Blu ray, Blu-ray, bluray, hifi, haute-fidélité, haute fidélité, haute fidelite, surround, THX, stéréo, stéréophonique, caisson, subwoofer, enceintes, écran, ampli, amplificateur, préampli, bi-amplification, cables, formats vidéo, 16/9, dlp, plasma, tv lcd, écran lcd, téléviseur lcd, ps3, Xbox 360, projection, videoprojection, projecteur, videoprojecteur, sonde HCFR, calibration, colorimÚtre, 3D, OLED, video projection, video projecteur, magasin home cinema, magasin home cinéma, ecran home cinema, écran home cinéma, enceintes home cinéma, enceintes home cinema, enceinte home cinéma, enceinte home cinema, installation home cinema, installation home cinéma, vente home cinéma, vente home cinema, systÚme home cinéma, systeme home cinema, prix home cinéma, prix home cinema, matériel home cinéma, materiel home cinema, home cinema hdmi, amplis home cinéma, amplis home cinema, ampli home cinéma, ampli home cinema, achat home cinéma, achat home cinema, acheter home cinéma, acheter home cinema, dvd home cinéma, dvd home cinema, vidéoprojecteur home cinéma, videoprojecteur home cinema, pack home cinema, pack home cinéma, packs home cinéma, amplificateur home cinema, amplificateur home cinéma, comparatif home cinema, comparatif home cinéma, home cinéma denon, home cinéma yamaha, home cinéma sony, home cinéma pioneer, home cinéma samsung, home cinéma jamo, home cinéma jbl, cables hdmi, cable hdmi, hdmi 1080p, switch hdmi, hdmi audio, hdmi video, lcd television, lcd samsung, lcd sony, lcd lg, lcd panasonic, lcd philips, ampli atoll, amplificateur atoll, ampli rotel, amplificateur rotel, ampli onkyo, amplificateur onkyo, ampli nad, amplificateur nad, ampli yamaha, amplificateur yamaha, ampli denon, amplificateur denon, ampli stereo, ampli stéréo, amplificateur stereo, amplificateur stéréo, revue haute fidélité, enceinte focal, enceinte cobalt, enceinte cabasse, enceinte triangle,enceinte gkf, do it yourself enceinte, do it yourself ampli, do it yourself amplificateur, do it yourself plantefevre, telecommande domotique, télécommande domotique, prise domotique, entreprise domotique, installation domotique, mousse acoustique, cloison acoustique, isolation acoustique, traitement acoustique, mur acoustique, materiaux acoustique
http://www.homecinema-fr.com/forum/viewtopic.php?f=1029

257 21 Creative Ways To Increase Your Facebook Fanbase | Social Media Examiner
Facebook fan page marketing: 21 ways to create strategic visibility and promote your Facebook fan page facebook fan page marketing, facebookk fan page, ,buddy media,bullseye gives,canvas page,email signature,facebook,facebook advertising,facebook autograph,facebook badge,facebook comment feature,facebook contest,facebook extended info,facebook fan page,facebook fanbase,facebook friends,facebook invitation,facebook landing tap,facebook logo,facebook marketing,facebook marketing an hour a day,facebook personal profile,facebook profile,facebook promotional guidelines,facebook tag,facebook text message,facebook users,facebook video,facebook votes,facebook wall post,facebook welcome video,facebook widget,facebookk share button,fan count,fan page,fan page broadcast,fanappz,fbml,hootsuite,involver,join our fan page,live stream,nick oneil,page badge,profile html,social media,social plugins,social proof,steve spangler,suggest to friends,tag photos,target,the fan box,threadless,twitter,video,video streaming app,virtue,vpype,welcome page,wildfire apps
http://www.socialmediaexaminer.com/21-creative-ways-to-increase-your-facebook-fanbase/

248 Technologies du Marketing: Les effets limités des médias sociaux
Il est bon de revenir aux classiques, et en l'occurrence un texte de Katz de 1989 dans la revue hermes qui revient sur les travaux de Lazarfeld conduits Ă  l'Ă©poque oĂč un mĂ©dia nouveau, avec le tĂ©lĂ©phone, se rĂ©pandait dans le monde, la radio. Outre des dĂ©tails intĂ©ressants sur la genĂšse d'une aventure scientifique qui a durĂ© plusieurs gĂ©nĂ©rations, il revient sur cette hypothĂšse critiquĂ©e par trois grandes Ă©coles, dont il rĂ©vise les thĂšses, mais qui tient encore plus de 50 ans aprĂšs. Cette thĂšse est sans doute toujours juste Ă  l'heure oĂč une nouvelle sociĂ©tĂ© de l'information – ce n'est que la quatriĂšme ou cinquiĂšme depuis les premiĂšres lueurs de la modernitĂ©, fais rage, et ouvre Ă  nouveau cette ancienne thĂ©matique de la puissance des mĂ©dias.
http://i-marketing.blogspot.com/2010/04/les-effets-limites-des-medias-sociaux.html

201 5 Essential Apps for Your Business's Facebook Fan Page
There's so much you can do with your business Fan Page. Here are five useful apps that can bring extra social media value to your Facebook presence. Facebook, Fan Page,Business Lists,Facebook Lists,Lists,business,facebook,features,social media
http://mashable.com/2010/03/28/facebook-business-apps/

198 How to Add Google Analytics to Your Facebook Fan Page | Social Media Examiner
Facebook Google Analytics Tracker works on your Facebook fan page to track visitor statistics, traffic sources, visitor countries, and keyword searches fgat, facebook google analytics, facebook fan page,analytics code,application,facebook,facebook code,facebook fan page,facebook google analytics tracker,facebook insights,facebook statistics,fan page wall,fbgat,fbml,google analytics,javascript,keyword search,mariam john,tracking images,traffic sources,visitor countries,visitor statistics
http://www.socialmediaexaminer.com/how-to-add-google-analytics-to-your-facebook-fan-page/

174 Pictobrowser : Une autre galerie Flickr en Flash | NiouMedia
Comment créer facilement une galerie flash à partir de votre compte flickr? En fait Pictobrowser vous permet de créer une galerie à partir des images flickr,image,images
http://nioumedia.com/2007/12/06/pictobrowser-une-autre-galerie-flickr-en-flash/

135 all - dj accessories - Turntablelab.com
we started the Lab in 1998, our first year out of college. Turntable Lab was established in 1998 by Anthony Cattarina, Jasper Goggins, and Peter Hahn. The trio formed the idea for the Lab based on numerous negative experiences at stores that sold dj equipment: both big musical instrument chains and shady Canal Street stereo stores. Turned off by haggling, uninformed salesmen, and questionable product, Turntable Lab built its business on fair pricing, informed reviews, and a well researched selection of “Lab approved” items. Most of the Lab's employees are working djs / producers / musicians, which helps to ensure this high standard. The business model was an immediate success, establishing rapid growth and a dedicated customer base. Turntable Lab soon applied their business model to other areas including recorded music, production equipment, clothing, and books. Each expansion has been met with success, and today Turntable Lab is a recognized tastemaker in all those areas. To bring the Turntable Lab experience directly to consumers, Turntable Lab opened its first retail location in 2001. In December of 2005, Turntable opened its flagship store in Hollywood, California. Currently the Turntable Lab headquarters is located in Brooklyn, New York.
http://www.turntablelab.com/dj_equipment/42/2204/

102 Killer Facebook Fan Pages: 5 Inspiring Case Studies
Here are five mini case studies of brands that are doing everything right when it comes to Facebook fan pages, presented so that you can learn by example. Facebook fan Pages, Social Media, brands on Facebook,Facebook Lists,Lists
http://mashable.com/2009/06/16/killer-facebook-fan-pages/

101 5 Elements of a Successful Facebook Fan Page
For many companies a Facebook fan page is an integral part of their social media campaign. Here are 5 elements that contribute to a successful Facebook fan page. Facebook, facebook fan page, marketing, branding, brands, business,Business Lists,Facebook Lists,Lists,business
http://mashable.com/2009/03/30/successful-facebook-fan-page/

57 WikRadio, portail d'accÚs direct aux radios/TV francophones et générateur de listes de lecture ou playlists radio tele video pour tout lecteur audio video tels les players Winamp, WMP windows media player, VLC, iTunes, Jetaudio...
WikRadio ; page de recherche du portail d'accÚs audio direct aux radios teles francophones ; générateur de playlists radio TV ou listes de lecture pour lecteurs audio video usuels tels les players Winamp, WMP windows media player, VLC, iTunes, Jetaudio... ; la plus grande base de données de radios TV francophones en ligne en une seule page radio ; base de données de radios TV francophones en ligne; liste de radios teles françaises en ligne; liste d'url audio directes ; recherche de liens audio video directs; accÚs audio video direct aux radios; liste de webradios; accÚs audio video direct aux webradios; création de listes de lecture radios; playlists radios TV à la demande; playlists radio tele pour wimanp itunes vlc jetaudio songbird wmp windows media player; bookmarks et signets radio pour winamp; selection sélection de radio tele pour WMP windows media player ; liste de radios TV csv excel ;base de données des radios francophone en ligne
http://wikradio.free.fr/radio/WikRadio.php?r=&tts=Toutes+les+stations&ty=ra&bt=fr

41 Radio FR Solo
Avec Radio Fr Solo vous pouvez écouter les radios d'Internet sans aller sur leurs sites. La liste des radios est mise à jour automatiquement et elle contient plus de 600 radios francophones. Vous pouvez supprimer ou ajouter des stations. Vous pouvez enregistrer en Ogg ou en MP3 mais aussi changer l'apparence avec des skins. Radio Fr Solo est un logiciel gratuit et sans pub La liste des radios est maintenue coopérativement par les utilisateurs et des administrateurs bénévoles. Radio, Radio FR, Radio Fr solo, RadioFRsolo, RFS, Radio solo, écouter, mise à jour, france, francophone, radio française, stream, streaming, webradio, liveradio, flux, enregistrer, enregistrement, enregistreur, tutoriel, harddiskoog, real, winamp, windows media player, realplayer, logiciel, gratuit, freeware, gratuiciel,
http://www.radiofrsolo.info/

101 - 201