100SILEX, de 0 à 100 s: SUPER
1331 TRAPEZE, Exercices pour muscle TrapÚze : faisceau supérieur, moyen, inférieur
Trapeze, entrainement Akelys : Recherche d exercices de musculation muscle par muscle : Trapeze - groupe epaules - Muscles composant les trapezes : faisceau superieur, moyen et infŽrieur Trapeze, trapezes, muscle trapeze, epaules, dos, faisceau superieur, faisceau moyen, faisceau inferieur, Tirage ˆ la barre - buste penche, Developpe nuque assis, elevation laterale - buste penche
http://www.akelys.com/exercices/exercices_par_muscle/trapeze2.html

1298 Transfert DVD
comment transférer un super 8 en vidéo dvd, tranfert , 8 mm, super 8 mm
http://web.archive.org/web/20120317235028/http://super8mm.web44.net/transfert_super_8.html

1292 Matériel pour le transfert des images Super 8
materiel super 8 pour un transfert dvd projecteur ,super 8 , 8,vidĂƒÂƒĂ‚Â©o,transfert dvd,
http://web.archive.org/web/20120318145927/http://super8mm.web44.net/materiel_super_8.html

1290 Super 8 : Films, caméras et Projecteurs Infos Super8 ciné Bauer Nizo
Vente de Films Super 8 Kodak, Chrome40 , lampes, accessoires, caméras, technicien spécialiste Super 8 depuis 1974 super8,film , cinema amateur, super 8, cameras, Nizo, Bauer, cinema reparations, reparations super8, vente super8, occasions, csve, reparateur cameras, reparateur super8, Super-8, movie, camera, super8mm, super-8mm, films super8, pellicules, Ekta64, Chrome 40, Kodachrome40, cine camera,ampoule projecteur, lampes, lampe projecteur super 8, dichroique, p30, lampe a miroir, projecteurs, projecteurs cinéma, projecteurs super8, festival cinéma, courts métrages, ciné courts, tournage cinéma, projection cinéma, festival super8, Ektachrome, T64, Kodak, wittner chrome, cinematon, gerard courant, tourné-monté, 8mm, normal8, normal 8, 8v 50w, grand-angle,kodachrome40, K40, transfert super8 en dvd ,cine2dvd, transfert super 8, transfert en video, location projecteur ,
http://www.cine-super8.net/index.php?pagep=Accueil&ordpp=1

1172 INDEX: Blank Cassettes | Tape Tardis
CASSETTE TYPES The Type I Normal Bias Cassette The Type II Chrome Cassette The Type III Ferro-chrome/Ferrichrome Cassette The Type IV Metal Cassette INDIVIDUAL CASSETTES 1980s White Label High Bias Agfa FeI Ferrocolor HD (1983) Agfa High Engery Low Noise (1976) Akai SX 90 BASF Chromdioxid II (1982) BASF Chromdioxid II (1984) BASF Chromdioxid Super

http://tapetardis.wordpress.com/contents-index/

1132 Mammoth Modular Synthesizer At MIT Museum
Just got an update from Joe Paradiso on his homebuilt mammoth analog modular synthesizer. He’s installed it in the MIT Museum and has completed a fairly epic patch which you can listen to (24 hours a day!) here. Joe will be at the museum this Thursday and Friday (2/23 and 2/24) at 1pm, demoing the synth to visitors, so be sure to stop by if you’re in the neighborhood. Here’s some info from Joe on the construction and inspiration for the latest patch. The second patch I made at the MIT Museum is totally done now, and you can hear it live on the stream. Listen to it at http://synth.media.mit.edu, and let me know what you think if you’re inclined – it’s running in physical space in Quad, of course – stereo on the stream. Note that this one has absolutely NO sequencer of any sort on it – all of the patterns you hear were made entirely from hand-patched logic (counters, ands, ors, flip flops, ring counters, rate multipliers, etc.). It’s an entirely different kind of composition environment from the norm – you really need to simultaneously be an engineer while being an artist and something of a performer. The inspiration for this patch started with the Boredoms – if you don’t know who they are, you should (http://www.boredoms.jp/). In particular, I was thinking of SuperRoots 9. The beauty of the patching interface is that you can never exactly nail what you start out to attain, but on the other hand, you get drawn into places you wouldn’t have normally gone once you start. The 3 drummers that Yamantaka Eye performs with lay down a compelling rhythm that my hand-patched logic and analog processing can’t match, of course. But this patch definitely has a strange jumpy groove once it gets into gear, and the 2-chord pad is archetypical too. Yes, Boredoms rule today! BTW, this patch took every cord I had, plus a good 30 more wires just shoved into the pin jacks – check out the photos here and here – the latter shows the kind of logic section patching complexity you need to build a sonic environment like this one. I’m ripping this baby out next Thursday, as I’ll be at the museum next Thursday and Friday (2/23 and 2/24) at 1pm to demonstrate the synthesizer to visitors – doing some very simple patches and showing off what the modules do in case anybody is interested in this. It will run continuously until then. Otherwise, enjoy the stream – there are moments of introspective drift in-between wild percussion (yes, Boredoms!). I might pull the percussion line back so it doesn’t come so often or regularly, but it’s essentially a wrap.
http://synth.media.mit.edu/

989 Blog de Hugues Truttmann: Entretien d'embauche et intelligence émotionnelle : la méthode I.D.E.A.L.
Entretien d'embauche et intelligence Ă©motionnelle : la mĂ©thode I.D.E.A.L. Pour un candidat, quelle est la diffĂ©rence entre un entretien d’embauche rĂ©ussi et un entretien d’embauche ratĂ© ? Partons de l’hypothĂšse que 2 candidats de formation et d’expĂ©rience Ă©quivalente passent un entretien pour un mĂȘme poste. Tous les 2 ont eu un entretien avec le mĂȘme recruteur. Pour le premier, le recruteur donne une suite favorable, pour le 2Ăšme, cela n’ira malheureusement pas plus loin, le candidat Ă©tait dans un mauvais jour certainement... Ayant fait passer des entretiens Ă  des centaines de candidats, j’ai constatĂ© que j’ai systĂ©matiquement donnĂ© une suite favorable Ă  ceux qui ont rĂ©ussi Ă  me faire “passer Ă  l’action”, c’est-Ă  dire qu’ils ont suscitĂ© chez moi l’intĂ©rĂȘt, puis le dĂ©sir qui m’a motivĂ© Ă  parler positivement et avec enthousiasme de leur candidature Ă  mes clients. Le candidat qui rĂ©ussit est donc celui qui est capable de transfĂ©rer de la sincĂ©ritĂ©, de l’intĂ©rĂȘt, de la motivation, de l’enthousiame ou toute autre Ă©motion positive. Le candidat qui rate a quant Ă  lui transfĂ©rĂ© des Ă©motions nĂ©gatives (dĂ©sintĂ©rĂȘt, peur, tristesse, ennui, etc...). Une Ă©motion positive fait passer Ă  l’action, une Ă©motion nĂ©gative, jamais. RĂ©ussir un entretien consiste donc Ă  utiliser efficacement son intelligence Ă©motionnelle. Voici une dĂ©finition de l’intelligence Ă©motionnelle : “HabiletĂ© Ă  percevoir et Ă  exprimer les Ă©motions, Ă  les intĂ©grer pour faciliter la pensĂ©e, Ă  comprendre et Ă  raisonner avec les Ă©motions, ainsi qu’à rĂ©guler les Ă©motions chez soi et chez les autres.” Une des composante de cette forme d’intelligence est l’empathie qui est la “capacitĂ© Ă  partager les Ă©motions avec autrui, sans confusion entre soi et l’autre”. Comment activer son intelligence Ă©motionnelle et motiver un recruteur ? En appliquant la mĂ©thode I.D.E.A.L : Cette mĂ©thode n’est pas une technique, mais plutĂŽt une attitude Ă  adopter. Avant chaque entretien dites - vous ceci et APPLIQUEZ - LE ! I Decide to act with Empathy by Asking questions and Listening Soit “Je dĂ©cide d’agir avec empathie en posant des questions et en Ă©coutant” Poser des questions (sincĂšres et honnĂȘtes) permet de garder le contrĂŽle d’un entretien, Ă©couter (sans faire semblant) permet de diriger une conversation et de montrer que l’on s’intĂ©resse Ă  son interlocuteur. Le meilleur des candidats n’est pas celui qui parle le plus, mais celui qui saura vĂ©hiculer une bonne Ă©nergie et des Ă©motions positives dans ses paroles et son attitude. Motiver un recruteur ne consiste pas Ă  savoir se vendre en faisant l’étalage de tous les avantages que l’on peut avoir. Ne faites pas comme ce (mauvais) vendeur de voiture qui vous prĂ©sente toutes les caractĂ©ristiques et superbes options d’une voiture SAUF celle qui va vous faire passer Ă  l’action, c’est - Ă  - dire vous engager en signant un bon de commande ! Posez donc LA question que jamais personne ne pose, mais qui vous fera obligatoirement ressortir du lot : Candidat : “Monsieur le Recruteur, pour ce poste, pourriez-vous me dĂ©crire quel est selon vous le candidat IDEAL ?” > ECOUTE Recruteur : “Pour ce poste le candidat IDEAL doit avoir les qualitĂ©s suivantes :” QualitĂ© A QualitĂ© B QualitĂ© C Etc... Candidat : “De toutes ces qualitĂ©s, quelle est selon vous LA PLUS IMPORTANTE ?" > ECOUTE Recruteur : “Sans AUCUN DOUTE, la qualitĂ© B” Candidat : “J’ai la qualitĂ© B, parce que (prouvez par des FAITS, expĂ©rience, formation, vĂ©cu) et d’autre part j’ai Ă©galement la qualitĂ© A, parce que...... et la qualitĂ© C, parce que...... > PASSAGE A L’ACTION Candidat : “Monsieur le Recruteur, dans ce cas, comment pouvons - nous envisager la suite des Ă©vĂšnements ? Testez, c’est puissant et cela fonctionne !
http://truttmann.blogspot.com/2011/02/entretien-dembauche-et-intelligence.html

946 docs synth
- 360 SYSTEMS DIGITAL KEYBOARD brochure / prix / pub 1983 - 360 SYSTEMS MIDI BASS user manual - ACCESS VIRUS catalogue été 2004 - ACCESS VIRUS user manual - ACCESS VIRUS OS4 user manual - ACCESS VIRUS TI brochure 2004 - ACCESS VIRUS TI user manual os1.0 - ALESIS HR 16-MMT 8 brochure - ALESIS HR 16-16B-MMT8 user manual - ALESIS HR16-MMT8 banc essai disc international avril 1988 - ALESIS HR16-MMT8 pub numéra - VOCODER X-32 user manual / sons - XPASS FILTER user manual - SEMblance banc essai keyboards allemagne 2004 - SEMblance user manual - FilteredCOFFEE user manual - DROID 3 brochure - VOSTOK user manual - VOSTOK test electronic musician février 2003 - VOSTOK test keys allemagne - VOSTOK keyboard japon mai 2003 - AKAI AX73 brochure (avril 1986) - AKAI AX80 banc essai sono - AKAI AX80 brochure - AKAI EVI 1000 user manual - AKAI EWI 1000-EVI 1000-EVW 2000 banc essai sono - AKAI EWI 3020 user manual - AKAI EWI 3030m user manual - AKAI ME série banc essai sono (10D 15F, 20A) - AKAI ME série banc essai guitare claviers janvier 1986 (10D, 15F, 20A) - AKAI ME série brochure (juin 1985) - AKAI ME20A user manual - AKAI ME25S brochure - AKAI ME30P user manual - AKAI ME30P brochure - AKAI ME30PII user manual - AKAI MX73 brochure - AKAI S612 brochure - AKAI S612 banc essai sono - AKAI S900 banc essai sono - AKAI S900 brochure (avril 1986) - AKAI S900 carte marion system - import numéra - AKAI S1000 banc essai sono - AKAI S1100 user manual - AKAI SG01P user manual - AKAI SG01V user manual - AKAI U4 phrase trainer brochure - AKAI VX90 brochure (avril 1986) - AKAI VX90 banc essai sono - AKAI XR 10 brochure - AKAI PEQ6 - MB76 banc essai sono - AKAI pub - AKAI catalogue gamme 86 - ARP AVATAR brochure publicitaire / modulaire façon 2600 / - ARP AXXE banc essai disc international / pub keyboards 1976 / pub keyboards 1977 - ARP CENTAUR article disc international 1978 - ARP CHROMA brochure publicitaire - ARP EXPLORER service manual / patch book - ARP ODYSSEY banc essai sono / brochure / pub keyboards 1975 / pub1 - ARP OMNI pub disc 1976 / pub omni 2 1979 / voir atelier chok - ARP POLARIS brochure - ARP PRELUDE pub 1983 - ARP PRODGX banc essai sono - ARP QUADRA banc essai sono / pub - ARP QUARTET service manual / pub - ARP LITTLE BROTHER 2950 schematics - ARP PIANO 16 voies pub - ARP SEQUENCER pub 1976 - ARP SOLUS banc essai Claviers septembre 1981 / pub Keyboards 1980 - ARP WING I et II modulaire - ARP catalogue gamme / pub gamme 1977 - ARP catalogue gamme & accessoires - ARP retro family tree - future music - The rise and fall of ARP instruments keyboards avril 1983 ARP AVATAR ARP OMNI EMS VOCODER 5000 MP3 MP3 MP3 pub envoi des 2 flexi disc - BANANA brochure - BALDWIN 88 (KUSTOM) electronique piano brochure - BOHM digidrums banc essai disc international décembre 1983 - BOHM digidrums pub1 / pub2 - BOHM soundlab user manual - BOHM soundlab service manual - BOHM soundlab pub - BOSS DR55 user manual+ tips / banc essai sono / service manual - BOSS DR110 banc essai guitares claviers mai 1984 - BOSS catalogue Micro studio série - BOSS banc essai sono sur 8 pédales - CASIO 401 banc essai claviers aout 1981 / pub fiche technique / - CASIO 701 pub janvier 1982 - CASIO 1000P pub 1983 - CASIO CZ101 pub - CASIO CZ1000 banc essai guitares claviers décembre 1985 - CASIO DH 100 user manual - CASIO DH 500 service manual - CASIO FZ1 user manual / banc essai disc international mai 1987 / pub - CASIO MT40 pub mai 1982 - CASIO PT30 banc essai sono juillet 1983 - CASIOTONE VL1 banc essai disc international juillet 1981 / pub 1 / pub 2 / mod - CASIO VZ1 user & service manual - CASIO VZ1 banc essai disc international janvier 1989 - CASIO VZ1 pub disc international janvier 1989 - CASIO pub gamme 201 à 401/MT30&40 1981 - CASIO catalogue gamme COUVERTURES (cliquer pour agrandir) - DJET 004 banc essai disc international decembre 1979 - EXAGONE XM 64 banc essai disc international - EXAGONE 64 pub - REGGY synthétiseur de percussions banc essai sono - CHEETAH pub distribution music land - CHEETAH MS6 user manual - CREAMWARE B4000 user manual - CREAMWARE MINIMAX user manual - CREAMWARE PRO12 user manual - CREAMWARE PRODYSSEY user manual - CREAMWARE MINMAX/PROFIT5 brochure - BIT99 user manual - BIT99 brochure - BIT99 pub / banc essai sono 01 - BIT99 / BIT01 banc essai sono 2 - BIT01 voices and midi - BIT MASTERKEYBOARD user manual - BIT01 & MASTERKEYBOARD sous UNIQUE DBM test keyboards decembre 1986 - BIT variantes BIT/LEM/UNIQUE - CRUMAR BABY GRAND pub - CRUMAR MULTIMAN brochure - CRUMAR MULTIMAN schematics - CRUMAR MULTIMAN ORCHESTRATOR pub - CRUMAR PERFORMER service manual - CRUMAR série T pub - CRUMAR T3 banc essai claviers février 1982 - CRUMAR TRILOGY STRATUS pub CASIOTONE 202 CASIOTONE 301 MATTEL SYNSONICS DRUMS YAMAHA SY77 MP3 MP3 MP3 MP3 MP3 - POLYEVOLVER rack banc essai recording musicien septembre 2004 - DOEPFER MAQ 16/3 banc essai sono - DOEPFER MCV1-MCV8 user manual - DREAM SAM XR pub 1989 / banc essai disc international 1989 - DYNACORD ADS / ADS K brochure - DYNACORD DRS 78 banc essai sono - DYNACORD DC 200 leslie brochure / pub 1976 - DYNACORD EMINENT 100A user manual - DYNACORD EMINENT 100A service manual - DYNACORD SRV 66 vocoder user manual / schematics / MP3 demo - DYNACORD catalogue drum computer - SYNERGY banc essai sono - SYNERGY digital keyboards brochure - SYNERGY I & II+ test keyboard US COUVERTURES (cliquer pour agrandir) - ELECTRO HARMONIX DIGITAL LOOPING RECORDER 64 Sec - ELECTRO HARMONIX EH300 VOCODER manual / schematics - ELECTRO HARMONIX HARMONIC OCTAVE GENERATOR user manual - ELECTRO HARMONIX MICRO SYNTHESIZER user manual / schematics - ELECTRO HARMONIX 8 pédales d'effets au banc d'essai - sono - ELKA EK22 / EM22 user manual - ELKA SYNTHEX banc essai sono / brochure / pub 1983 - ELKA 610 pub Keyboards 1975 / pub keyboards 1978 - ELKA MICROPIANO 16 brochure / pub 1983 - ELKA OMB5 pub - ELKA OMB3 C92 X35 user manual - ELKA SOLIST 505 pub 1978 - ELKA X50 banc essai claviers mars 1982 - ELKA X50/TWIN 51 pub - ELKA X50 & 61P banc essai sono janvier 1982 - ELKA pub gamme - EMS SYNTHI E banc essai sono - EMS SYNTHI AKS banc essai disc international juillet-aout 1977 - VCS 3 / AKS article keyboard US novembre 1990 - AKS / VCS3 / Keyboard DK1/KS brochure - EMS SYNTHI HI-FLI brochure - EMS SYNTHI HI-FLI tarifs février 1977 revendeurs Gamme - EMS VOCODER 2000 banc essai disc international mai 1979 - EMS tarifs gamme janvier 1976 electrone / piano center - ENSONIQ ASR user manual - ENSONIQ ASR X user manual - ENSONIQ ASR pro keyboards juillet 1999 - ENSONIQ EPS banc essai sono - ENSONIQ EPS 16 plus user manual - ENSONIQ ESQ1 pub - ENSONIQ ESQM brochure - ENSONIQ MIRAGE pub / article sono - ENSONIQ SPM1 brochure - ENSONIQ SQ2 banc essai sono - ENSONIQ SQ80 banc essai sono - ENSONIQ SQ88 reportage de EPS16 jusqu'au SQ80 keyboards - ENSONIQ TS10-12 brochure - ENSONIQ VFX banc essai keyboards aout 1989 / article disc international octobre 1989 - ENSONIQ VFX SD banc essai disc international decembre 1989 - FARFISA POLYCHROME banc essai claviers janvier 1983 - FARFISA SOUNDMAKER service manual - FARFISA SYNTHORCHESTRA service manual - FARFISA PRO 110 pub1 / pub2 / banc essai disc international mai 1979 - FARFISA VIP 255 brochure - FARFISA VIP 345 brochure / service manual - FARFISA VIP 400 brochure - FARFISA MINI COMPACT user manual / service manual COUVERTURES (cliquer pour agrandir) - RHODES 54 notes pub - RHODES 54 banc essai sono - RHODES 73 & 88 notes catalogue - RHODES Mark catalogue - RHODES extrait catalogue 1976 - RHODES electronic piano brochure / pub keyboards 1983 - RHODES pub herbie hancock - RHODES pub disc international - RHODES MK80/60 brochure - ORGACOR Fratelli Crosio pub 1979 - ORGACOR PROHONIC SYNTHE pub (1982) / pub 1979 - DOCTOR CLICK user manual - DOCTOR CLICK 2, MULTI TRIGGER, DRUM DOCTOR, MASTERBEAT extrait catalogue Music Land - DOCTOR CLICK pub keyboards novembre 1983 - DOCTOR CLICK banc essai keyboards 1983 - MINI DOC, CLOCK DELAY, DOCTOR FLICK, MODULATOR extrait catalogue Music Land - NANO SERIES pub 1983 - GEM SPRINTER 61 & 49 pub - banc essai - GEM orgue série F30 à F50 pub 1976 - GEM orgue gamme portable (rodéo 61, phantom 61) et meuble (H600, X365, wizard 320) pub - GEM orgue gamme portable (sprinter 49 & 61) et meuble (H2000, wizard 315 & 321) pub - IBANEZ mixer RM60 pub (catalogue oscar music) - IBANEZ AD202 banc essai sono - IBANEZ DM1000 pub 1983 / - IBANEZ gamme pédale effets 1981 pub - JEN caroussel C390 banc essai disc décembre 1978 (orgue incluant JEN SX2000) - JEN string machine 2007 banc essai sono - JEN sx1000 brochure - JEN sx2000 banc essai sono / test + pub disc international / user manual / patch vide et preset - HAMMOND catalogue gamme 01 - HAMMOND catalogue gamme 02 - HH P73 piano électrique banc essai claviers octobre 1981 - HH P73 pub disc international 1981 - HELPINSTILL piano électro-accoustique banc essai claviers 1981 - HELPINSTILL piano électro-accoustique pub - HOHNER PIANET test disc international juillet aout 1977 - HOHNER C86 user manual - HOHNER C86 service manual - HOHNER C86 banc essai claviers janvier 1982 - HOHNER CLAVINET D6 banc essai sono - HOHNER MELODICA SOPRANO user manual - HOHNER MULTIMONICA user manual - HOHNER orgue soufflerie organa mélodica catalogue Millet - HOHNER extrait gamme 1975 / 1977 - JMS CGX interface midi in cv/gate - import numéra - JMS midi master synchronizer - import numéra - KAWAI 100 F banc essai sono - KAWAI 100 F brochure - KAWAI 100F notes disc international - KAWAI 100F schematics - KAWAI 100F user manual and patchs - KAWAI 100F user manual in français - KAWAI GB1 user manual - KAWAI GB2 user manual / rythm pattern - KAWAI K1 banc essai guitares claviers juillet 1988 / pub 1989 / brochure - KAWAI K4 banc essai keyboards novembre 1989 - KAWAI K5 brochure / sound library - KAWAI SPECTRA KC10 user manual - KAWAI MAV8 user manual - KAWAI MM16 user manual - KAWAI MX16 user manual - KAWAI MX8R user manual - KAWAI R100 service manual / brochure / banc essai disc international - KAWAI SX210 banc essai sono / brochure / pub keyboards 1983 / pub disc 1983 - KAWAI série EP 308/308S/608 pub1 1983 / pub2 1983 - KAWAI EP608 user manual/schematics / brochure - KAWAI EP308/308S user manual - KAWAI ORGAN E550/650 service manual - KORG 700S user manual - KORG 900S banc essai sono - KORG A3 banc essai disc international aout 1989 - KORG BX3 pub1 / pub2 - KORG CX3 banc essai claviers aout 1981 / pub 1981 - KORG DS8 brochure - KORG EPS1 banc essai sono - KORG EX800 user manual - KORG EX800/RK100 brochure - KORG KMX 8/MM 25 brochure 1983 - KORG KPR77 banc essai disc international décembre 1983 - KORG MICROPRESET M500 user manual+service manual / patches - KORG MICROPRESET M500 banc essai sono - KORG MONOPOLY - POLYSIX brochure - KORG MONOPOLY banc essai sono / settings - KORG MONOTRON schematics - KORG MS 20/ SQ 10 - YAMAHA CS 30 match synthétiseurs disc international décembre 1978 - KORG POLY 800 user manual francais / banc essai sono - KORG POLYSIX banc essai disc international aout 1982 - KORG PSS50 banc essai guitares claviers février 1985 + modif - KORG TRIDENT banc essai sono mag - KORG mr multi user manual - KORG EPS1 banc essai sono - KORG SDD300 pub 1983 - KORG SYGMA banc essai disc international septembre 1979 - KORG SYGMA user manual - KORG SYGMA korg magazine winter 2002 - KORG VC10 banc essai disc international mai 1979 - KORG X911 pages annotées d'Eric.G pour modularisation du X911 / voir son site - KORG catalogue gamme 1981 - KORG catalogue gamme 1982 - KORG article disc international arrivée série ms Francfort Synthesizer Bionic Orchestra - Francis rimbert Joop Stokkermans - The Magic of the ARP-Synthesizer MP3 - KURZWEIL 250 banc essai claviers octobre 1984 - LINN 9000 pub keyboards juillet 1985 - LINNDRUM pub keyboards juin 1983 - MATTEL SYNSONICS DRUMS user manual francais + plan accessory jack - MATTEL SYNSONICS DRUMS pub keyboards 1983 - MATTEL MAGICAL MUSICAL THING user manual - M-AUDIO AXIOM user manual - MDB sortie polyséquenceur 1981 - MDB TRIGGTOM 4 extrait catalogue music land - MDB WINDOW RECORDER extrait catalogue music land - POLY-MIDI brochure - POLY-MIDI vs YAMAHA QX7 banc essai guitares claviers septembre 1985 - S2000 séquenceur monophonique brochure - SUPERBAT brochure - MICROPERFORMANCE encart pub disc international - MOOG constellation brochure - MOOG memorymoog brochure - MOOG micromoog notes disc international - MOOG le minimoog de 1998 pub - MOOG polymoog brochure 1 / brochure 2 - MOOG polymoog pub annonce disc international - MOOG PRODIGY banc essai disc international juin 1980 - MOOG PRODIGY brochure - MOOG SONIC 6 brochure 1974 - MOOG pub1 1979 / - MOOG prix 1979 - MOOG catalogue - MOOG CATALOGUE 1973 - ENCYCLOPEDIA of MOOG ARTISTS - MXR 15-21 equalizer brochure - MXR time delay command banc essai disc international aout 1982 - MXR pub gamme effets 1979 / pub 1982 - NOVATION A STATION brochure - NOVATION BASS STATION brochure - NOVATION DRUM STATION brochure - NOVATION KS4-KS5-KS6 brochure - NOVATION KS4-KS5 user manual - NOVATION K-STATION brochure - NOVATION SUPERNOVA banc essai keyboards novembre 1998 - NOVATION SUPERNOVA 2 brochure - NOVATION X STATION REMOTE brochure - NOVATION Xio synth brochure - OBERHEIM MATRIX 6 banc essai sono / brochure - OBERHEIM DMX banc essai sono juillet 1983 / brochure - OBERHEIM DPX1 brochure 1897 - OBERHEIM DSX brochure / pub 1981 - OBERHEIM DX brochure 1986 - OBERHEIM MATRIX 6 banc essai sono / brochure - OBERHEIM MATRIX 12 banc essai sono / brochure / banc essai keyboards juillet 1985 - OBERHEIM MATRIX 1000 patches 1 / schematics / patchesbook 2 - OBERHEIM OB-X pub (piano center) - OBERHEIM OB-Xa banc essai claviers mai 1981 - OBERHEIM OB-1 brochure / pub 1978 - OBERHEIM OB-8 banc essai keyboards 1983 avec DMX & DSX - OBERHEIM PROMMER banc essai sono / brochure - OBERHEIM STRETCH brochure 1987 - OBERHEIM pub gamme mars 1986 / pub 1984 - OBERHEIM prix Numéra 1985 / article retro family tree-future music OSCAR oxford - OSCAR banc essai sono - OSCAR pub - OSCAR extrait catalogue Music Land - OSC ADVANCED SOUND GENERATOR extrait catalogue Music land - OSC ADVANCED SOUND GENERATOR guitare de "commande" SYNTHAXE - voir sur le site de jbfairlight - PPG PRK brochure - PPG WALDORF retro family tree article future music - PPG prices list numéra 1985 - PPG WAVE II banc essai claviers novembre 1981 / article disc international - PPG pub 1 1984 / pub 2 1984 / pub 3 1984 - QUASIMIDI SIRIUS banc essai keyboards janvier 1999 - QUASIMIDI RAVEOLUTION 909 banc essai keyboards décembre 1997 - ROLAND A880 banc essai sono - ROLAND CR78 banc essai sono - ROLAND CR1000 pub 1987 - ROLAND DDR 30-PD10-PD20 brochure 1985 - ROLAND GR300 banc essai sono - ROLAND GR700 banc essai claviers 1985 - ROLAND GR700 user manual - ROLAND G707 guitar controller user manual - ROLAND JUNO 6 banc essai sono - ROLAND JUNO 106 banc essai sono - ROLAND JUPITER 4 banc essai disc international janvier 1979 - ROLAND JUPITER 6 banc essai sono - ROLAND JUPITER 8 banc essai sono - ROLAND JX3P banc essai sono - ROLAND JX8P banc essai sono - ROLAND MC202 banc essai sono - ROLAND MP600 banc essai claviers novembre 1981 - ROLAND MP700 banc essai sono + pub - ROLAND OCTAPAD pad 8 controller brochure 1985 - ROLAND PIANO PLUS 11 banc essai disc international aout 1982 - ROLAND REVO 250 / 120 pub - ROLAND SDE 2000 banc essai sono mai 1982 - ROLAND SDE 2500 banc essai sono - ROLAND SH101 banc essai sono - ROLAND SH3A banc essai disc international mai 1977 - ROLAND SDP11 brochure 1993 - ROLAND SUPER JX banc essai sono - ROLAND SVC 350 banc essai sono - ROLAND TB303 banc essai sono / pub 1983 - ROLAND TR505 banc essai sono - ROLAND TR707 banc essai sono - ROLAND TR808 banc essai sono / pub 1981 - ROLAND TR909 banc essai sono - ROLAND TL12 brochure 1986 - ROLAND VP 330 banc essai disc international juin 1980 - ROLAND pub / pub gamme 1977 - ROLAND catalogue gamme 1981 - ROLAND catalogue volume 5 mai 1984 - ROLAND catalogue news été 1986 - DRUMTRACKS banc essai sono - DRUMTRACKS brochure - DRUMTRACKS banc essai guitare claviers (basse res) - PRO ONE banc essai claviers décembre 1981 - PRO ONE banc essai sono - PRO ONE brochure - PROPHET 5 banc essai sono - PROPHET 5 banc essai disc international mai 1979 - PROPHET 5 brochure - PROPHET 5 pub "devenez revendeur" disc international 1981 - PROPHET 600 banc essai sono - PROPHET 600 brochure - PROPHET T8 banc essai sono - PROPHET T8 brochure - PROPHET T8 user manual (seulement chapitre 7 midi) - PROPHET 10 pub - PROPHET VS brochure - SIXTRAK banc essai guitares claviers mai 1984 - SIXTRAK banc essai sono - SIXTRAK brochure - MODEL 700 programmer brochure - MODEL 800 sequenceur user manual - POLYSEQUENCEUR pub keyboards juin 1983 - PROPHET 2000 brochure - PROPHET 2000 user manual - SPLIT EIGHT user manual - PRELUDE pub - PIANO FORTE pub - SEQUENTIAL TRAKS music system brochure distribution music - SEQUENTIAL pub 1984 / pub 1982 - SEQUENTIAL prix gamme (1981/1984) - SEQUENTIAL CIRCUITS brochure gamme (basse res) - SEQUENTIAL CIRCUITS brochure gamme inclus PRO-FX - SEQUENTIAL CIRCUITS catalogue wine country novembre 1994 - SIEL OPERA 6 banc essai sono - SIEL OPERA 6 brochure - SIEL CRUISE user manual - SIEL DK600/EXP600 pub - SIEL MK900 pub keyboards novembre 1984 - SIEL pub disc international 1981 - CLAVIOLINE SELMER livret accompagnement de l'appareil - SELMER PIANOTRON / ORGUE CAPRI brochure - SIMONS SILICON MALLET reportage disc international 1987 - SIMMONS MTX9 banc essai disc international avril 1987 / user manual - SIMMONS SDSV banc essai claviers décembre 1981 - SOLTON live series pub 1988 - SOLTON ARRANGER PLUS pub 1987 - SOLTON MS40 user manual - SOLTON MS 50/60 user manual - SOLTON orgue synthé P500 C pub - STYLOPHONE DUBREQ user manual 1+ boite - STYLOPHONE DUBREQ user manual 2 + boite/vinyl - STYLOPHONE 350S PUB SYNTON - SYRINX banc essai sono - SYRINX patch sheet - SYRINX brochure - SYNTOVOX SPX216 extrait catalogue music land - SYNTOVOX 222 banc essai disc international décembre 1979 - SYNTECHNO TEEBEE mark1 user manual (3.1) - TEISCO S60F banc essai claviers octobre 1981 / banc essai sono - TEISCO S60F & S110F banc essai disc international juillet 1981 / pub disc international 1981 - TEISCO brochure gamme - VOX catalogue incluant Electronic piano - WALDORF MICROWAVE XT banc essai keyboards juillet 1998 - WELSON GLOBE TROTTER banc essai disc international septembre 1979 & pub - WELSON METEOR pub - WELSON CONDOR pub - WELSON gamme spinet (princess, comet, music love, granfiesta) pub - WELSON FIESTA & IMPERATIVE 1977 pub - YAMAHA CE20 banc essai claviers février 1983 - YAMAHA série DX brochure - YAMAHA DX5 brochure - YAMAHA DX7 banc essai sono / brochure - YAMAHA DX7 II brochure - YAMAHA DX9 brochure - YAMAHA DX11 brochure - YAMAHA DX21 brochure - YAMAHA FB01 user manual / service manual - YAMAHA QX5 banc essai disc international janvier 1989 - YAMAHA RX5&17 banc essai disc international - YAMAHA RX15 user manual fr / brochure (11&15) / banc essai sono / pattern book (11&15) - YAMAHA REV 100 user manual - YAMAHA CS30 vs KORG MS 20 disc international - YAMAHA CS70M pub 1983 - YAMAHA WALKBAND pub 1981 / pub gamme 1983 - YAMAHA GX1 user manual - YAMAHA YC30 user manual - YAMAHA YC45D service manual / user manual - YAMAHA Série 100 pub 1989 - YAMAHA catalogue series producer 1983 - YAMAHA catalogue series producer 1985 - YAMAHA catalogue 1984 - YAMAHA brochure gamme 1982 / pub 1982 - YAMAHA pub 1 1979 / pub 2 1979 AMPLIFICATION - LAB series L5 L7 L9 L11 schematics - LAB L5 pub AMPLIFICATION LESLIE (ou effet leslie) - DYNACORD DC200 H pub 1976 - ROTOR-SOUND CSE 80M pub - POLYTONES electronic rotating sound modulator pub keyboards 1984 - ECHOLETTE M IVE brochure - LESLIE/CABINES A SON TOURNANT banc essai disc international - NEO INSTRUMENTS VENTILATOR user manual - ROLAND REVO 250 / 120 pub - HUGHES KETTNER/ROTOSPHERE - MOTION SOUND PRO 3 keyboards mai 1997 - LESLIE STORY article de Stéphane Bredel - LES CABINES LESLIE modÚles,achat, cablage, accessoires, entretien ECHO BANDES - LES CHAMBRES D'ECHO et REVERBERATION A BANDES mécanisme disc janvier 1976 - BANC ESSAI CHAMBRES ECHO à BANDES disc janvier 1976 VOCODER - ANALOG LAB VOCODER X-32 user manual / sons - DYNACORD SRV 66 vocoder user manual / schematics / MP3 demo - ELECTRO HARMONIX EH300 VOCODER manual / schematics - EMS VOCODER 2000 banc essai disc international mai 1979 - KORG VC10 banc essai disc international mai 1979 - ROLAND SVC 350 banc essai sono - SYNTOVOX SPX216 extrait catalogue music land - SYNTOVOX 222 banc essai disc international décembre 1979 - LES VOCODERS disc international mai 1979 DIVERS CONTROLEURS MIDI - FROSTWAVE FAT CONTROLLER user manual - J.L.COOPER CS10-2 user manual - KEYFAX PHATBOY banc essai keyboards décembre 1998 - BLUE SKY LOGIC MIXI user manual - PEAVEY 1600 user manual / Patchs pour 1600 - PEAVEY 1600X user manual / Patchs pour 1600X - PEAVEY 1600X banc essai keyboards mars 1998 - ZENDRUM ZX user manual DIVERS MIDI (ACCESSOIRES) - KENTON ELECTRONICS PRO II intégrale DIVERS MODULAIRE - EUROPAC rational/ SCHROFF catalogue DIVERS SYNTHE - Les synthétiseurs de A à Z sono (article en 2 parties) - Les synthétiseurs hifi stéréo septembre 1976 de E.Lemery - SynthÚse sonore 1Úre partie - SynthÚse sonore 2Úme partie - SynthÚse sonore 3Úme partie - SynthÚse sonore 4Úme partie - Le vcf - Le bruit de J.P.Verpeaux (claviers) - Le suiveur d'enveloppe de J.P.Verpeaux (claviers) - Sample hold1 / sample hold2 (1983) - Mon premier "appareil" clavier octobre 1981 - Le compresseur - Les sequenceurs (guitares claviers J.P Verpeaux 1985) + le sequenceur apprivoisé (claviers) - Le modulateur de J.P. Verpeaux (claviers) - 10 ans de synthétiseur J.Sanjuan Hifi stéréo 1978 - 2éme disco forum matériel tournée F.Rimbert/korg - History of electronic sound modification H.Bode - La synthÚse du son de E.Lemery - disc international novembre 1979 - Vangelis, victoire sur les vibrations - Alain dister - claviers mai 1981 - Onze nouveaux synthétiseurs mis en fiches - claviers mars 1982 - 120 years of electronic music - Les instruments de musique électronique (E.Lemery - hifi stéréo mai 1976) - Les principes de base piezo électricité, magnétisme et électrostatique (E.Lemery) - Martin Newcomb, the collector - Future Music - Rhythmic control of analog sequencer polyphony septembre/octobre 1978 - Introduction aux techniques de synthese du son S.Natkin 2003 - Electronic musical instruments "a survey of the commercial scene" - Pratical electronic supplements novembre 1972 - Francis Rimbert démonstrateur korg (au début...) - Richard Wright & Pink floyd - Keyboard, synthesizer & electronics equipment - ver 1.56 - ONDIOLINE PUB - MELLOTRON prix janvier 1976 - MIDI CODE HEX fabricants - MIDI PITCH - NOTE FREQUENCY - LAG LE KEY pub et banc essai computer music - Will systems MAB 303 banc essai keyboards mai 1997 - MULTIVOX pub gamme décembre 1979 DIVERS ORGUES - ELEX gamme pub 1976 - GIBSON G101 user manual / service manual - GIBSON P2 service manual - KUSTOM ORGAN brochure - RIHA JUPITER 2 pub 1977 - RIHA gamme variété pub 1978 - RIHA ORCHESTRA pub 1979 - Evolution de l'orgue électronique disc international décembre 1978 - Répertoire midi : les orgues - MILTON les orgues pub disc international - L'orgue photoélectronique FOTOSONOR - Anatomie de l'orgue électronique Hifi Stéréo juin 1976 de E.Lemery DIVERS PEDALES EFFETS - ARIA pub gamme effets 1983 - DOD pub gamme effets 1979 - REDSON 7pédales effets banc essai sono janvier 1982 DIVERS EFFETS - ELECTRIX EQ killer user manual - ELECTRIX filter factory user manual - ELECTRIX filter factory keyboards juillet 1999 - ELECTRIX filter queen user manual - ELECTRIX mo fx user manual - ELECTRIX warp factory user manual - ELECTRIX repeater user manual - ELECTRIX banc essai warp/filter /mofx computer music 1999 - EVENTIDE BABY HARMONIZER HM80 banc essai claviers octobre 1981 - DIGITECH DSP128 keyboards juillet 1999 - DBX catalogue 1980 (ou 78 pas sur ...) - ROCKTRON HUSH IIC banc essai disc international mai 1987 - ROLLING REC5/COSMIC AE 7000/ZOOM ER 200 banc essai sono - T.C ELECTRONIC 2290 banc essai disc international mai 1987 - PUBLISON DHM 92-B2 banc essai disc international septembre 1979 - PUBLISON RELIEF ENLARGER banc essai sono 1983 - Principe fondamentaux des effets (E.Lemery) 1981 DIVERS ENREGISTREMENT - AKAI 4000 DS MKII user manual - AKAI 4000 DS brochure et banc essai hifi stéréo octobre 1975 - AKAI GX 635D service manual - AKAI GX 646 service manual - TASCAM 22-2 & 22-4 banc essai sono janvier 1982 - TASCAM 688 user manual - TASCAM 388 studio8 user manual - TASCAM A34 service manual - TEAC 3440 user manual - OTARI MX 5050 1/2 QXHD - TEAC A 3440 banc essai disc international - CHOISIR SA TABLE DE MIXAGE disc international novembre 1979 - LES TETES MAGNETIQUES DIVERS BOITE A RYTHME / PERCUSSION - RYTHMATIC MARS ou HENCOT brochure / manual - PEARL DRUMX banc essai guitares claviers - PEARL SC20/SC40 user manual - PEARL SYNCUSSION 1 user manual - SOUNDMASTER STIX ST305 test guitares claviers mai 1984 - SOUDMASTER STIX ST305 pub keyboards novembre 1983 - SYNTOBA RAMEAU - SYNDRUM test DISC international - SYNARE pub / banc essai disc international juillet 1981 - SYNARE 3 banc essai disc international - CAPELLE KLONE KIT 2 banc essai claviers octobre 1984 DIVERS INCLASSABLE - DIGITAR CHARLIE LAB brochure - MARANTZ pianocorder brochure distribution hamm DIVERS BOUTIQUE / CATALOGUES / PRIX - SOMMAIRE SONO magazine du 1 au 95 - PHONORGAN pub DIVERS LIVRES - HISTOIRE DE LA MUSIQUE - Casterman - 1972 - CLAVIERS - Edts J.M.G - 1989 - LE MONDE DU POP ROCK - HATIER - 1977 - CATALOGUE Studio Robert Schroeder LIENS - User & service manual sur le site de pharmacon : http://www.cem3374.com/archive.htm - Les pubs sur :http://retrosynthads.blogspot.com/
http://www.studio250.fr/accueildocs.html

923 Downloads - ctrlr - Project Hosting on Google Code
Alesis - Micron - Windows.zip Alesis - Micron - Windows - r1506 Windows 2.0 MB Sep 17 75 Cheetah - MS6 - Windows.zip Cheetah - MS6 - Windows - r1506 Windows 2.0 MB Sep 17 29 Clavia - Nord Lead 2 - Windows.zip Clavia - Nord Lead 2 - Windows - r1506 Windows 3.3 MB Sep 17 97 Clavia - Nord Lead 3 - Windows.zip Clavia - Nord Lead 3 - Windows - r1506 Windows 3.3 MB Sep 17 66 DSI - Evolver - Windows.zip DSI - Evolver - Windows - r1506 Windows 2.3 MB Sep 17 159 DSI - Evolver.zip DSI - Evolver Windows 1.6 MB Aug 2010 37 DSI - Mopho - Windows.zip DSI - Mopho - Windows - r1506 Windows 2.6 MB Sep 17 247 DSI - Mopho.zip DSI - Mopho Windows 1.9 MB Aug 2010 73 DSI - Prophet08 - Windows.zip DSI - Prophet08 - Windows - r1506 Windows 3.8 MB Sep 17 63 DSI - Tetra - Windows.zip DSI - Tetra - Windows - r1506 Windows 7.5 MB Sep 17 162 DSI - Tetra.zip DSI - Tetra Windows 6.8 MB Aug 2010 49 JoMoX - Airbase - Windows.zip JoMoX - Airbase - Windows - r1506 Windows 2.6 MB Sep 17 54 JoMoX - Airbase.zip JoMoX - Airbase Windows 1.9 MB Aug 2010 17 JoMoX - MBase01 - Windows.zip JoMoX - MBase01 - Windows - r1506 Windows 2.7 MB Sep 17 36 JoMoX - MBrane11 - Windows.zip JoMoX - MBrane11 - Windows - r1506 Windows 2.2 MB Sep 17 22 JoMoX - Xbase888 - Windows.zip JoMoX - Xbase888 - Windows - r1506 Windows 2.0 MB Sep 17 27 Korg - EX8000 - Windows.zip Korg - EX8000 - Windows - r1506 Windows 2.7 MB Sep 17 53 MFB - MFB503 - Windows.zip MFB - MFB503 - Windows - r1506 Windows 5.4 MB Sep 17 25 MFB - MFB503.zip MFB - MFB503 Windows 4.8 MB Aug 2010 6 MFB - Polylite - Windows.zip MFB - Polylite - Windows - r1506 Windows 2.2 MB Sep 17 19 Moog - Little Phatty - Windows.zip Moog - Little Phatty - Windows - r1506 Windows 3.1 MB Sep 17 75 Moog - Little Phatty.zip Moog - Little Phatty Windows 2.5 MB Aug 2010 29 Moog - Voyager - Windows.zip Moog - Voyager - Windows - r1506 Windows 3.0 MB Sep 17 53 Moog - Voyager.zip Moog - Voyager Windows 2.4 MB Aug 2010 18 Novation - DrumStation - Windows.zip Novation - DrumStation - Windows - r1506 Windows 3.8 MB Sep 17 58 Novation - DrumStation.zip Novation - DrumStation Windows 3.2 MB Aug 2010 18 Novation - Super Bass Station - Windows.zip Novation - Super Bass Station - Windows - r1506 Windows 2.7 MB Sep 17 58 Novation - Super Bass Station.zip Novation - Super Bass Station Windows 2.0 MB Aug 2010 11 Novation - Supernova II - Windows.zip Novation - Supernova II - Windows - r1506 Windows 5.1 MB Sep 17 61 Novation - Xio - Windows.zip Novation - Xio - Windows - r1506 Windows 5.1 MB Sep 17 81 Oberheim - Matrix 1000 - Windows.zip Oberheim - Matrix 1000 - Windows - r1506 Windows 2.7 MB Sep 17 72 Oberheim - Matrix 1000.zip Oberheim - Matrix 1000 Windows 2.1 MB Aug 2010 13 Roland - Alpha Juno 2 - Windows.zip Roland - Alpha Juno 2 - Windows - r1506 Windows 2.8 MB Sep 17 129 Roland - Alpha Juno 2.zip Roland - Alpha Juno 2 Windows 2.2 MB Aug 2010 34 Roland - JX3P - Windows.zip Roland - JX3P - Windows - r1506 Windows 2.3 MB Sep 17 54 Roland - JX3P.zip Roland - JX3P Windows 1.7 MB Aug 2010 7 Roland - JX8P - Windows.zip Roland - JX8P - Windows - r1506 Windows 5.4 MB Sep 17 55 Roland - JX8P.zip Roland - JX8P Windows 4.7 MB Aug 2010 10 Roland - Juno106 - Windows.zip Roland - Juno106 - Windows - r1506 Windows 2.5 MB Sep 17 86 Roland - MKS30 - Windows.zip Roland - MKS30 - Windows - r1506 Windows 3.2 MB Sep 17 30 Roland - MKS70 - Windows.zip Roland - MKS70 - Windows - r1506 Windows 4.7 MB Sep 17 37 SCI - SixTrak - Windows.zip SCI - SixTrak - Windows - r1506 Windows 2.4 MB Sep 17 41 SCI - SixTrak.zip SCI - SixTrak Windows 1.8 MB Aug 2010 9 Studio Electronics - SE1X - Windows.zip Studio Electronics - SE1X - Windows - r1506 Windows 2.2 MB Sep 17 44 Waldorf - Blofeld - Windows.zip Waldorf - Blofeld - Windows - r1506 Windows 3.5 MB Sep 17 120 Waldorf - Blofeld.zip Waldorf - Blofeld Windows 2.9 MB Aug 2010 47 Waldorf - Pulse - Windows.zip Waldorf - Pulse - Windows - r1506 Windows 2.3 MB Sep 17 105 Waldorf - Pulse.zip Waldorf - Pulse Windows 1.7 MB Aug 2010 27 Yamaha - AN1x - Windows.zip Yamaha - AN1x - Windows Windows 2.6 MB Sep 01 53 Yamaha - DX21 - Windows.zip Yamaha - DX21 - Windows - r1506 Windows 3.2 MB Sep 17 33 Yamaha - TX7 - Windows.zip Yamaha - TX7 - Windows - r1506 Windows 3.8 MB Sep 17 59 Yamaha - TX7.zip Yamaha - TX7 Windows 3.2 MB Aug 2010 11 Yamaha - TX81Z - Windows.zip Yamaha - TX81Z - Windows - r1506 Windows 3.0 MB Sep 17 112 Yamaha - TX81Z.zip Yamaha - TX81Z Windows 2.3 MB Aug 2010 26
http://code.google.com/p/ctrlr/downloads/list

889 IBM - Watson
Watson, the IBM computer that will compete on Jeopardy!, represents an impressive leap forward in analytics and systems design. The underlying DeepQA architecture is designed to find the meaning behind a question posed in natural language and deliver a single, precise answer. IBM, Watson, Jeopardy!, Thomas J. Watson, DeepQA, smarter planet, Watson Buzz, Jeopardy! Challenge, supercomputer, NLP, natural language processing, What is Watson?, analytics, Jeopardy! countdown, system design, industry transformation, research IBMers
http://www-03.ibm.com/innovation/us/watson/index.shtml

877 Musique électronique - Wikipédia
La musique Ă©lectronique est un type de musique qui a Ă©tĂ© conçue Ă  partir des annĂ©es 1950 avec des gĂ©nĂ©rateurs de signaux et de sons synthĂ©tiques. Avant de pouvoir ĂȘtre utilisĂ©e en temps rĂ©el, elle a Ă©tĂ© primitivement enregistrĂ©e sur bande magnĂ©tique, ce qui permettait aux compositeurs de manier aisĂ©ment les sons, par exemple dans l'utilisation de boucles rĂ©pĂ©titives superposĂ©es. Ses prĂ©curseurs ont pu bĂ©nĂ©ficier de studios spĂ©cialement Ă©quipĂ©s ou faisaient partie d'institutions musicales prĂ©-existantes. La musique pour bande de Pierre Schaeffer, Ă©galement appelĂ©e musique concrĂšte, se distingue de ce type de musique dans la mesure oĂč son matĂ©riau primitif Ă©tait constituĂ© des sons de la vie courante. La particularitĂ© de la musique Ă©lectronique de l'Ă©poque est de n'utiliser que des sons gĂ©nĂ©rĂ©s par des appareils Ă©lectroniques.
http://fr.wikipedia.org/wiki/Musique_Ă©lectronique

780 The 6 Creepiest Places on Earth (Part 2) | Cracked.com
Whether it's due to their bizarre histories, suspicious coincidences or good ol' human insanity, these are the locations even the die-hardest of atheists wouldn't venture into without a crucifix and a Super Soaker full of Pope-blessed water.
http://www.cracked.com/article_18830_the-6-creepiest-places-earth-part-2_p2.html

738 Leboncoin RSS - Alerte RSS - Création de flux RSS
Leboncoin2RSS est un outil gratuit en ligne qui permet de transformer le résultat d'une recherche personnalisée sur le site leboncoin.fr en un flux RSS lisible dans n'importe quel agrégateur RSS grùce à un simple copier/coller. Consultez la rubrique AIDE pour une explication du mode de fonctionnement. Je vous invite à aller sur la page de création des flux en allant sur la page 'Ajouter de flux' ou sur la page 'Liste des flux' pour voir les flux déjà créés.
http://leboncoin2rss.superfetatoire.com/

718 Musiques - H O R S N O R M E
Dossier : OĂč trouver de la musique sur internet ? Par Ed End le samedi, mai 29 2010, 10:07 albums apprendre audio comment complet dossier efficace exhaussif fĂȘte de la musique gratuites guide illĂ©gal internet libre lĂ©gal meilleurs sites mp3 musiques oĂč trouver de la musique recherche simple son trouver tĂ©lĂ©chargement tĂ©lĂ©charger I. Pourquoi chercher de la musique sur internet ? Pour rĂ©pondre Ă  cette question on peut se poser une autre question : OĂč trouver de la musique en dehors d'internet ? A part quelques exceptions Ă  Paris, la plupart des disquaires indĂ©pendants ont disparus. Les supermarchĂ©s ont trĂšs peu de choix. Les magasins spĂ©cialisĂ©s, par exemple la Fnac ont un nombre limitĂ© de rĂ©fĂ©rences disponibles Ă  des prix pas toujours accessibles. Cependant il reste des solutions intĂ©ressantes : le marchĂ© de l'occasion, acheter les albums lors des concerts Ă  des prix plus abordables ou encore moins onĂ©reux les emprunter Ă  des mĂ©diathĂšques. Convertir en mp3 les anciens supports, k7, cd, vinyles et Ă©changer des albums numĂ©risĂ©s dont on dĂ©tient les originaux, lĂ©galement, dans le cadre de la copie privĂ©. Si malgrĂ© cela tant de personnes cherchent de la musique sur internet, c'est : a. Parce qu'il y a beaucoup plus de choix. A l'heure actuelle, par exemple, le dĂ©veloppement de la musique libre est tel qu'il est impossible de suivre l'intĂ©gralitĂ© des Ɠuvres qui sont publiĂ©es. b. Parce que le coĂ»t est quasi nul. - Soit en raison de la disparition du support, il n'y a plus de coĂ»t de diffusion, plus de coĂ»t de fabrication, juste Ă©ventuellement un coup de crĂ©ation. MalgrĂ© cela dans le domaine commercial les magasins en ligne (Itune et autres consorts) sont loin de rĂ©percuter la disparition des coups sur leurs tarifs. - Soit en raison de ce que les lobbys et le gouvernement appĂšlent piratage, pour ma part je considĂšre qu'ils font une faute d'orthographe et prĂ©fĂšre parler de partage. Un exemple flagrant de leur mauvaise foie, contrairement Ă  ce qu'a prĂ©tendu un jour un patron de la Fnac, un album n'est pas une baguette de pain, passer l'Ă©tape de crĂ©ation du premier exemplaire, il est duplicable Ă  l'infini, ni farine, ni travail supplĂ©mentaire, autrement dit, je ne connais aucune baguette de pain qui puisse nourrir toute la planĂšte. c. Parce que la dĂ©couverte est facilitĂ©e. Depuis que les majors ont pris le contrĂŽle des mĂ©dias radio et tĂ©lĂ©, Ă  part dans de rares mĂ©dias papiers spĂ©cialisĂ©s, et certains gratuits culturels, c'est trĂšs difficile de faire des dĂ©couvertes. ConcrĂštement avec un logiciel de peer to peer, on Ă©tend trĂšs rapidement la diversitĂ© des musiques que l'on apprĂ©cie. DĂ©jĂ  pour la simple raison que dans tous les genres, au-delĂ  du mainstream des majors il existe des Ɠuvres de qualitĂ©. d. Pour pouvoir essayer la musique avant de l'acheter. Une bonne façon de se prĂ©munir des singles qui pourraient permettent d'Ă©couler des albums bĂąclĂ©s.
http://hors.norme.blog.free.fr/index.php?category/L-internet-pour-les-nuls/Ressources-culturelles/Musique

712 40 Fresh Examples of Minimal Web Design | Inspiration
There is nothing more inspiring than a clean and minimal website. A design with few elements representing something. The good and old less is more. We already published here a A Showcase of Clean White Web Designs and a list with 60 Minimal and Super Clean Web Designs to Inspire You. inspiration,minimal,web design
http://webdesignledger.com/inspiration/40-fresh-examples-of-minimal-web-design/

655 Patchbays
Of the technical queries received at Sound On Sound, many fall into the 'hardy perenial' category. One common source of these patchbays and their role in the project studio. Hugh Robjohns provides some answers... Walk into any professional studio and you will find a patchbay (or jackfield, to use the original British term) lurking in a rack somewhere. This kind of facility might seem totally superfluous in a simple home studio, but once the number of outboard units and sound sources increases, a patchbay quickly becomes an essential facility rather than an expensive luxury. The different types available, their setup, and their exact function in a studio can be the source of considerable confusion. In an effort to set things straight, I have tried to answer many of the most common patchbay questions we receive at Sound On Sound.
http://www.soundonsound.com/sos/dec99/articles/patchbay.htm

628 Get LoFi Circuit Bending Blog: January 2006
Circuit bending, synth building, Circuit bending projects, links, and pictures Circuit Bent, Synth DIY, Circuit Bent, Circuit Bent, Circuit Bent, Circuit Bent, Circuit Bent, Circuit Bent, Circuit Bent, Circuit Bent, Circuit Bent, Circuit Bent, Circuit Bent, Circuit Bent, Circuit Bent, Circuit Bent, Circuit Bent, Circuit Bent, Circuit Bent, Circuit Bent,Circuit Bent Cedar Rapids, Casio SK-1, Casio, Yamaha, Speak and Spell, Casio SK-1, Casio, Yamaha, Speak and Spell, Casio SK-1, Casio, Yamaha, Speak and Spell, Casio SK-1, Casio, Yamaha, Speak and Spell, Casio SK-1, Casio, Yamaha, Speak and Spell, Casio SK-1, Casio, Yamaha, Speak and Spell, Casio SK-1, Casio, Yamaha, Speak and Spell, Casio SK-1, Casio, Yamaha, Speak and Spell, Rap machine, casio mods, casio hacks, circuit bent schematics, pictures, free music, theremin, kaoss pad, super speak and spell, bentstruments, bentfest 2005, circuit bent nanoloop, nanoloop music, optical theremin, theremin, vtech, talking scholar, sonar, synth, making a synth
http://www.getlofi.com/2006_01_01_archive.html

602 Free Music Friday – Circuit Ben « GetLoFi – Circuit Bending Synth DIY
Circuit Ben is Killing Music Album now is free to download. Enjoy great catchy tunes and top notch production. This is a very good example melodic composition with circuit bent toys. Circuit_Ben_is_Killing_Music Download Background Info: Bent Stuff used: Casio sk1, Casio sk5, Casio sk100, Casio pt-20, Casio ks-03, Yamaha pss-11, Yamaha pss460, Hing Hon EK-001, Cheburashka!, Jim Bowen/Al Pacino dub siren, Super ultra mega, Fun-box (orgasm toy), Toy Koran (Quran), Cheap Chinese phone toys, Kung Fu toy, Captain Scarlet’s car, “Pound Shop” keyboard (cost £1 new.), Dragonball Z keyrings, Barbie keyboard, Fisher-price tape recorder (now dirty,dirty guitar amp.), George W Bush and probably about fifty circuits with a soldered output that were bent/killed while recording – auto-destruct! Non Bent Stuff: Mini Kaoss pad, Gameboy with Nanoloop, Melodica, 5-litre oil can guitar, Acoustic bass, Casio kx-101, Stylophone, Voice Ben Says that in general songs are as vague as possible and about nothing – that’s the story he is sticking to The Lyrics for “Allen” are from “Cocaine Blues” by Allen Ginsberg. All this was written and performed by Circuit Ben and produced by Lee Gregory – www.myspace.com/randomleeaudio
http://www.getlofi.com/?p=1687

570 Top 10 cutest axolotl mudkip pics | Cute n Tiny
Yes, these guys are the original mudkips! Enjoy these super cute axolotl pics :D
http://cute-n-tiny.com/cute-animals/top-10-cutest-axolotl-mudkip-pics/

533 The Theory and Technique of Electronic Music
Contents Sinusoids, amplitude and frequency Measures of Amplitude Units of Amplitude Controlling Amplitude Frequency Synthesizing a sinusoid Superposing Signals Periodic Signals About the Software Examples Examples Wavetables and samplers The Wavetable Oscillator Sampling Enveloping samplers Timbre stretching Interpolation Examples Audio and control computations The sampling theorem Control Control streams Converting from audio signals to numeric control streams Control streams in block diagrams Event detection Audio signals as control Operations on control streams Control operations in Pd Examples Automation and voice management Envelope Generators Linear and Curved Amplitude Shapes Continuous and discontinuous control changes Muting Switch-and-ramp Polyphony Voice allocation Voice tags Encapsulation in Pd Examples Modulation Taxonomy of spectra Multiplying audio signals Waveshaping Frequency and phase modulation Examples Designer spectra Carrier/modulator model Pulse trains Pulse trains via waveshaping Pulse trains via wavetable stretching Resulting spectra Movable ring modulation Phase-aligned formant (PAF) generator Examples Time shifts and delays Complex numbers Complex sinusoids Time shifts and phase changes Delay networks Recirculating delay networks Power conservation and complex delay networks Artificial reverberation Controlling reverberators Variable and fractional shifts Fidelity of interpolating delay lines Pitch shifting Examples Filters Taxonomy of filters Low-pass and high-pass filters Band-pass and stop-band filters Equalizing filters Elementary filters Elementary non-recirculating filter Non-recirculating filter, second form Elementary recirculating filter Compound filters Real outputs from complex filters Two recirculating filters for the price of one Designing filters One-pole low-pass filter One-pole, one-zero high-pass filter Shelving filter Band-pass filter Peaking and stop-band filter Butterworth filters Stretching the unit circle with rational functions Butterworth band-pass filter Time-varying coefficients Impulse responses of recirculating filters All-pass filters Applications Subtractive synthesis Envelope following Single Sideband Modulation Examples Fourier analysis and resynthesis Fourier analysis of periodic signals Periodicity of the Fourier transform Fourier transform as additive synthesis Properties of Fourier transforms Fourier transform of DC Shifts and phase changes Fourier transform of a sinusoid Fourier analysis of non-periodic signals Fourier analysis and reconstruction of audio signals Narrow-band companding Timbre stamping (classical vocoder) Phase Phase relationships between channels Phase bashing Examples Classical waveforms Symmetries and Fourier series Sawtooth waves and symmetry Dissecting classical waveforms Fourier series of the elementary waveforms Sawtooth wave Parabolic wave Square and symmetric triangle waves General (non-symmetric) triangle wave Predicting and controlling foldover Over-sampling Sneaky triangle waves Transition splicing Examples Index Bibliography
http://crca.ucsd.edu/~msp/techniques/latest/book-html/book.html

523 Yamaha CS-01 Resonance Mod
Just to get this up here. I hope to make this clearer soon... This shows how you can modify the Yamaha CS-01 Mk1 to: 1) have variable resonance control, by hijacking the Breath Control VCF potentiometer a) remove the 10k resistor near the VCF chip. b) cut the traces (or lift the pins) of the Breath Control VCF pot that connect it to GND and the Breath Control jack. I lifted the pins just to avoid cutting PCB traces c) remove the 39k resistor tied to the wiper of the VCF pot. d) solder wires from one side of the pot and the pot wiper and run these wires over to the holes that used to contain the 10k resistor near the VCF chip e) I'd suggest adjusting the resonance trimmer that's near the VCF chip to make your new Resonance control self-oscillate near the end of the rotation. why? because this filter gets out of control in a very loud and dramatic way. I don't think this VCF chip was designed for stable self-oscillation - that may explain why, in the CS-01 Mk2, when they gave you analog control of the resonance, they used a different 24dB VCF chip. 2) have variable VCA "drone" by hijacking the Breath Control VCA potentiometer. a) remove the 1k resistor that grounds usually-closed terminal of the breath control jack to GND b) solder a 47k resistor from the ungrounded, non-wiper terminal of the pot to -9V. c) when the VCA drone pot is now fully on, you'll always get a DCO-VCF signal running to the power amp. this mod keeps the VCA only partially open, and you can still superimpose the EG over the drone. I did this because I don't have a spec sheet on the VCA chip and I didn't want to risk having the EG slamming the VCA while the drone was going full on (basically, I don't know the max CV that the VCA chip can tolerate). so if you just use the drone, you'll have to increase the volume at the power amp. But now the front-panel VCA slider actually becomes useful, since if you don't want the EG to affect the drone, just turn that down to nothing! Sorry I don't have actual pics of the mod up! Perhaps someday soon...
http://home.earthlink.net/~kerrybradley/id11.html

509 A List Apart: Articles: Supersize that Background, Please!
With an advertising world keen to use every inch of a medium for brand or product experience, it is becoming increasingly popular to design websites with full-browser backgrounds. Using CSS, this can be achieved quite easily. Just drop a huge background image in a page with one line of code (Line wraps marked » —Ed.): body { background: #000 url(myBackground_1280x960.jpg) » center center fixed no-repeat; }
http://www.alistapart.com/articles/supersize-that-background-please/

484 Why did so many successful entrepreneurs and startups come out of PayPal? Answered by Insiders
Why did so many successful entrepreneurs and startups come out of PayPal? I long have been fascinated by the extraordinary achievement from the ex-Paypal team and wonder about the reasons behind their success. In the past, mass media tried to answer this question several times but still couldn’t give us a clear answer. I once asked David Sacks the same question during an event in Los Angeles. He told me the secret is that Paypal has built a “scrappy” culture. No matter what problems they faced, they would find a way to solve them. I kind of got the idea, but was still confused about the execution details. So when I saw some of the past Paypal employees answering this question on Quora, I was super excited! After all, they should be the only ones who can tell people the inside stories. Below are some highlights of their answers. *If you want to check out the sources or leave your comments, please go to here and here. On Talent Management “Peter and Max assembled an unusual critical mass of entrepreneurial talent, primarily due to their ability to recognize young people with extraordinary ability (the median age of *execs* on the S1 filing was 30). But the poor economy allowed us to close an abnormal number of offers, as virtually nobody other than eBay and (in part) google was hiring in 2000-02.” (by Keith Rabois, former Executive Vice President of Paypal) “Extreme Focus (driven by Peter): Peter required that everyone be tasked with exactly one priority. He would refuse to discuss virtually anything else with you except what was currently assigned as your #1 initiative. Even our annual review forms in 2001 required each employee to identify their single most valuable contribution to the company.” (by Keith Rabois, former Executive Vice President of Paypal) “Dedication to individual accomplishment: Teams were almost considered socialist institutions. Most great innovations at PayPal were driven by one person who then conscripted others to support, adopt, implement the new idea. If you identified the 8-12 most critical innovations at PayPal (or perhaps even the most important 25), almost every one had a single person inspire it (and often it drive it to implementation). As a result, David enforced an anti-meeting culture where any meeting that included more than 3-4 people was deemed suspect and subject to immediate adjournment if he gauged it inefficient. Our annual review forms in 2002 included a direction to rate the employee on “avoids imposing on others’ time, e.g. scheduling unnecessary meetings.” (by Keith Rabois, former Executive Vice President of Paypal) “Refusal to accept constraints, external or internal:We were expected to pursue our #1 priority with extreme dispatch (NOW) and vigor. To borrow an apt phrase, employees were expected to “come to work every day willing to be fired, to circumvent any order aimed at stopping your dream.” Jeremy Stoppelman has relayed elsewhere the story about an email he sent around criticizing management that he expected to get him fired and instead got him promoted. Peter did not accept no for answer: If you couldn’t solve the problem, someone else would be soon assigned to do it.” (by Keith Rabois, former Executive Vice President of Paypal) “Driven problem solvers: PayPal had a strong bias toward hiring (and promoting / encouraging, as Keith mentions) smart, driven problem solvers, rather than subject matter experts. Very few of the top performers at the company had any prior experience with payments, and many of the best employees had little or no prior background building Internet products. I worked on the fraud analytics team at PayPal, and most of our best people had never before done anything related to fraud detection. If he’d approached things “traditionally”, Max would have gone out and hired people who had been building logistic regression models for banks for 20 years but never innovated, and fraud losses would likely have swallowed the company.” (by Mike Greenfield, former Sr. Fraud R&D Scientist of Paypal) “Self-sufficiency – individuals and small teams were given fairly complex objectives and expected to figure out how to achieve them on their own. If you needed to integrate with an outside vendor, you picked up the phone yourself and called; you didn’t wait for a BD person to become available. You did (the first version of) mockups and wireframes yourself; you didn’t wait for a designer to become available. You wrote (the first draft of) site copy yourself; you didn’t wait for a content writer.” (by Yee Lee, former Product & BU GM of Paypal) On Culture & Ideology “Extreme bias towards action – early PayPal was simply a really *productive* workplace. This was partly driven by the culture of self-sufficiency. PayPal is and was, after all, a web service; and the company managed to ship prodigious amounts of relatively high-quality web software for a lot of years in a row early on. Yes, we had the usual politics between functional groups, but either individual heroes or small, high-trust teams more often than not found ways to deliver projects on-time.” (by Yee Lee, former Product & BU GM of Paypal) “Willingness to try – even in a data-driven culture, you’ll always run in to folks who either don’t believe you have collected the right supporting data for a given decision or who just aren’t comfortable when data contradicts their gut feeling. In many companies, those individuals would be the death of decision-making. At PayPal, I felt like you could almost always get someone to give it a *try* and then let performance data tell us whether to maintain the decision or rollback.” (by Yee Lee, former Product & BU GM of Paypal) “Data-driven decision making – PayPal was filled with smart, opinionated people who were often at logger-heads. The way to win arguments was to bring data to bear. So you never started a sentence like this “I feel like it’s a problem that our users can’t do X”, instead you’d do your homework first and then come to the table with “35% of our [insert some key metric here] are caused by the lack of X functionality
” (by Yee Lee, former Product & BU GM of Paypal) “Radical transparency on metrics: All employees were expected to be facile with the metrics driving the business. Otherwise, how could one expect each employee to make rational calculations and decisions on their own every day? To enforce this norm, almost every all-hands meeting consisted of distributing a printed Excel spreadsheet to the assembled masses and Peter conducting a line by line review of our performance (this is only a modest exaggeration).” (by Keith Rabois, former Executive Vice President of Paypal) “Vigorous debate, often via email: Almost every important issue had champions and critics. These were normally resolved not by official edict but by a vigorous debate that could be very intense. Being able to articulate and defend a strategy or product in a succinct, compelling manner with empirical analysis and withstand a withering critique was a key attribute of almost every key contributor. I still recall the trepidation I confronted when I was informed that I needed to defend the feasibility of my favorite “baby” to Max for the first time.” (by Keith Rabois, former Executive Vice President of Paypal) “Extreme Pressure – PayPal was a very difficult business with many major issues to solve. We were able to see our colleagues work under extreme pressure and hence we learned who we could rely on and trust.” (by Keith Rabois, former Executive Vice President of Paypal)
http://primitus.com/blog/why-did-so-many-successful-entrepreneurs-and-startups-come-out-of-paypal-answered-by-insiders/

476 Top 15+ Best Practices for Writing Super Readable Code | Nettuts+
Code readability is a universal subject in the world of computer programming. It’s one of the first things we learn as developers. Readable and maintainable code is something to be proud of in a finished product. We can share it with others, contribute to other projects, and reuse code from applications we wrote months or even years ago. This article will detail the fifteen most important best practices when writing readable code.
http://net.tutsplus.com/tutorials/html-css-techniques/top-15-best-practices-for-writing-super-readable-code/

434 40 Superb Photoshop Tutorials For Attractive Photo Effects - Noupe
By Obaid ur Rehman Photoshop is the basic requirement of a designer and thatñ€™s why designers all around the world regularly look for the tutorials that can help photography, wordpress, jquery, photoshop, javascript, tutorials
http://www.noupe.com/tutorial/40-superb-photoshop-tutorials-for-attractive-photo-effects.html

367 60 Minimal and Super Clean Web Designs to Inspire You | Inspiration
A clean and minimal web design is an effective way to convey an image of elegance and sophistication. This type of design is all about doing more with less, and making use of plenty of white space to let content and page elements breathe. However, it can be difficult to come up with a solid minimal website, because you can’t rely on “shiny” design elements to make things visually appealing. So if you’ve struggled in the past to tackle this type of web design, we’re here to help. Here’s a showcase of 60 minimal and super clean web designs to inspire you.
http://webdesignledger.com/inspiration/60-minimal-and-super-clean-web-designs-to-inspire-you

340 7-things-to-stop-doing-now-on-facebook: Personal Finance News from Yahoo! Finance
Using a Weak Password Avoid simple names or words you can find in a dictionary, even with numbers tacked on the end. Instead, mix upper- and lower-case letters, numbers, and symbols. A password should have at least eight characters. One good technique is to insert numbers or symbols in the middle of a word, such as this variant on the word "houses": hO27usEs! Leaving Your Full Birth Date in Your Profile More from ConsumerReports.org: ‱ Millions of Users Exposing Personal Information ‱ Tested: 119 Laptops, Desktops, Netbooks and iPad ‱ Electronics Reviews It's an ideal target for identity thieves, who could use it to obtain more information about you and potentially gain access to your bank or credit card account. If you've already entered a birth date, go to your profile page and click on the Info tab, then on Edit Information. Under the Basic Information section, choose to show only the month and day or no birthday at all. Overlooking Useful Privacy Controls For almost everything in your Facebook profile, you can limit access to only your friends, friends of friends, or yourself. Restrict access to photos, birth date, religious views, and family information, among other things. You can give only certain people or groups access to items such as photos, or block particular people from seeing them. Consider leaving out contact info, such as phone number and address, since you probably don't want anyone to have access to that information anyway. Popular Stories on Yahoo!: ‱ 20 Best Cities to Ride Out the Recession ‱ Wealth Ranking: You're Richer Than You Think ‱ 7 Expenses You Can Ditch in Retirement More from Yahoo! Finance Posting Your Child's Name in a Caption Don't use a child's name in photo tags or captions. If someone else does, delete it by clicking on Remove Tag. If your child isn't on Facebook and someone includes his or her name in a caption, ask that person to remove the name. Mentioning That You'll Be Away From Home That's like putting a "no one's home" sign on your door. Wait until you get home to tell everyone how awesome your vacation was and be vague about the date of any trip. Letting Search Engines Find You To help prevent strangers from accessing your page, go to the Search section of Facebook's privacy controls and select Only Friends for Facebook search results. Be sure the box for public search results isn't checked. Permitting Youngsters to Use Facebook Unsupervised Facebook limits its members to ages 13 and over, but children younger than that do use it. If you have a young child or teenager on Facebook, the best way to provide oversight is to become one of their online friends. Use your e-mail address as the contact for their account so that you receive their notifications and monitor their activities. "What they think is nothing can actually be pretty serious," says Charles Pavelites, a supervisory special agent at the Internet Crime Complaint Center. For example, a child who posts the comment "Mom will be home soon, I need to do the dishes" every day at the same time is revealing too much about the parents' regular comings and goings.
http://finance.yahoo.com/family-home/article/109538/7-things-to-stop-doing-now-on-facebook

320 60 Minimal and Super Clean Web Designs to Inspire You | Inspiration
Clean websites are awesome! We all love to appreciate beautiful, elegant, minimal and clean websites. Many people think that clean and minimal websites need to be white and need to showcase as less elements and colors as possible, and I always agreed with that, but that is not actually true. And to show you that is possible to have super clean websites with some nice elements and colors, we put this selection together. clean,inspiration,minimal,web design
http://webdesignledger.com/inspiration/60-minimal-and-super-clean-web-designs-to-inspire-you/

276 SUPER, pour convertir toutes vos vidéos dans tous les formats - Tuto Videos
Si seulement je pouvais avoir un logiciel qui transforme mes vidĂ©os crĂ©Ă©es avec Windows Movie Maker (wmv)en un format qui soit reconnu par mon lecteur divx de salon... Si seulement ce logiciel Ă©tait gratuit, si seulement ce logiciel pouvait convertir tous mes fichiers vidĂ©os de diffĂ©rents formats (mov, xvid, flv) en un seul et mĂȘme format (divx). Si en plus, ce logiciel me permettait de crĂ©er des vidĂ©os reconnus sur mon tĂ©lĂ©phone portable, sur ta psp, ou ton ipod vidĂ©o
 ça serait vraiment SUPER videos, mobilite
http://astuces.jeanviet.info/videos/super-pour-convertir-toutes-vos-videos-dans-tous-les-formats.htm

176 Retro Thing
The independent guide to vintage gadgets and retro technology. retro, vintage, technology, hi-fi, photography, video games, home computers, film, movie cameras, watches, classic cars, robots, sixties, seventies, eighties, space, turntables, super 8, design
http://www.retrothing.com/

132 à découvrir absolument
1. Benjamin Biolay – La Superbe 2. Dominique A – La musique 3. Alain Bashung – Dimanche Ă  l’ElysĂ©e 4. Charlotte Gainsbourg – IRM 5. U2 – No line on the horizon 6. Jean-Louis Murat - Le Cours ordinaire des choses 7. François and the Atlas Mountains – Plaine Inondable 8. Exsonvaldes – Near the edge of something beautiful 9. The Dodos – Time to die 10. Nick & Cody - Everything’s gonna be alright
http://www.adecouvrirabsolument.com/spip.php?article3773

128 HybridReverb
HybridReverb2 is a convolution-based reverberation effect which combines the superior sound quality of a convolution reverb with the tuning capability of a feedback delay network. The sound quality of a convolution reverb depends on the quality of the used room impulse responses. HybridReverb2 comes with a set of room impulse responses which were synthesized with tinyAVE, an auralization software which was developed at the Institute of Communication Acoustics, Ruhr-UniversitĂ€t Bochum (Borß and Martin, 2009; Borß, 2009a). These room impulse responses are designed for a speaker setup with two front and two rear speakers (Borß, 2009b). For a full surround sound effect, you will need two plugins, one plugin which uses a "front" preset for the front channels and a second plugin which uses the corresponding "rear" preset for the rear channels.
http://www2.ika.rub.de/HybridReverb2/#download

101 - 201