1522 5 Simple steps to secure TT-RSS reader
secure tt-rss, tt-rss security 5 Simple steps to secure TT-RSS reader July 27, 2015 by Anand Leave a Comment secure-tt-rss-ft Share: share htpcBeginner We recently presented Tiny Tiny RSS to you as a great alternative to Google reader, which is one more way you can extend the functionality of your home server or your hosting space. Hopefully, you already exported your data from Google Reader. In this post, we will show you how to secure TT-RSS reader to prevent unauthorized access. Tiny Tiny RSS is an open source web-based news feed (RSS/Atom) reader and aggregator, designed to allow you to read news from any location, while feeling as close to a real desktop application as possible. As we previously explained, it makes an ideal candidate to replace Google Reader. While there are services like Feedly and Newsblur grabbing the crowd Google Reader, which some of you may prefer, there are a group of people who would like to run a RSS reader on their own server and keep things private. Assuming that you have already installed Tiny Tiny RSS on your alternative to Google reader or hosting space, we will now show you how to secure TT-RSS reader. Secure TT-RSS Reader One of the main reasons to move to an RSS aggregator like TT-RSS is maintaining your privacy. So if you do not secure TT-RSS reader well you are not only making your data available public but also making your system vulnerable to potential attacks. Choosing a strong username and password while setting your TT-RSS is the first basic thing that you can do to secure TT-RSS reader. Listed below are few more ways you can increase TT-RSS readerâs security. 1. Rename TT-RSS Folder One of the first lines of defense is to not use tt-rss in your URL to access your TT-RSS reader. To do this on your hosting account, use a folder name other than tt-rss while installing TT-RSS. On your Linux home server, edit /etc/tt-rss/apache.conf and change the first /tt-rss to something else. An example is shown below. TT-RSS Rename URL TT-RSS Rename URL After making the change, restart your TT-RSS and Apache to apply the changes: sudo service tt-rss restart sudo serivce apache2 reload Your TT-RSS reader is now available through the new URL (example: http://mydomain.com/myreader) only. Amazon Kindle Fire HDX 2. Enable SSL Accessing TT-RSS through http sends all information as unencrypted data. This could mean less privacy due to potential sniffing. The solution is to encrypt the data during transfer, which makes sniffing by hackers harder. To enable and enforce HTTPS access on Linux servers with Apache, install the following run-time libraries: sudo apt-get install libssl0.9.8 libpam0g openssl Restart your Apache server as shown above. You should now be able to access your TT-RSS reader with HTTPS. Note that you may have to have a SSL certificate generated. Refer to Apache documentation if you want to generate your own certificate. By default, the system will install self-signed certificates for you. These certificates are likely to raise warnings when you point your browser to the site. 3. Disable Single User Mode By default the single user mode is already disabled (in /etc/tt-rss/config.php). Enabling single user mode will also disable TT-RSS login system. Therefore, keep the single user mode disabled. Disable Single User Mode Disable Single User Mode A better way to make it a single user system is by limiting the number of registrations to 1 as described below. For whatever reason, you still want to enable single user mode, make sure you implement Apache Authentication method described below. 4. Self Registrations Self registrations allow a visitor to register themselves, which could reduce TT-RSS security. If your TT-RSS will be for personal use only, then you may want to disable user registration by setting âENABLE_REGISTRATIONâ to âfalseâ. TT-RSS Self Registrations TT-RSS Self Registrations To further secure TT-RSS Reader, uou may also want to change âREG_MAX_USERSâ to â1â to make your account the only account on TT-RSS. asus n66uASUS RT-N66U Dual-Band Wireless-N900 Gigabit Router asus n66u reviewsFind out why it is rated the best wireless router in its class. 5. Apache Authentication Last but not the least, enable Authentication. This is even more important if you have enabled âSingle User Modeâ describe above. Every time you access TT-RSS, you will be asked for a username and password as shown in the picture below: Secure TT-RSS Reader On your hosting account this equivalent to password protecting a directory, in this case the TT-RSS directory. To do this on your Ubuntu server, you will have to create a .htpasswd file. More information is available in Apache documentation. But the easiest way to achieve this is to use one of the htpasswd generators available online. After you enter the username and password two code blocks will be generated. Copy the contents of the .htpasswd code block and save it to /etc/apache2/.htpasswd_ttrss. Next, copy the contents of the .htaccess code block and add it to /etc/tt-rss/apache.conf as shown below: TT-RSS Apache Authentication TT-RSS Apache Authentication Save and exit. Restart both TT-RSS and Apache previous shown above. You should be prompted for a password every time you try to access TT-RSS. Some may think that this double authentication method is an extra inconvenience. But I would rather be safe than sorry. Go ahead, secure Tiny Tiny RSS Reader and enjoy reading articles on your private secure RSS Reader.
1517 THE MUTANT MACHINE Dynamic Analog Percussion Engine
MICROCONTROLLER FREE ANALOG PERCUSSION SYNTHESIS unique Inverter Core oscillators form the MEMBRANE. Each analog oscillator has three waveforms to select from capable of synthesizing everything from heavy-hitting bassdrums to classic 909-style snares and other complex timbres modular design gives the Machine many auxiliary purposes, great for modular sound design of many varieties, and not just percussion the SNAPPY section is comprised of a voltage controlled noise oscillator, for modelling the noisy part of drum timbres both MEMBRANE and SNAPPY elements have an external input for replacing the built-in sound sources, opening up many avenues of possibility 13 control voltage and audio inputs, for a fully modular drum experience 7 audio and CV/gate outputs for maximum integration with other modules dedicated outputs for each WAVE and NOISE oscillator mean you can use the Machine as a complex VCO in your system, when not synthesizing percussion WAVEFORM SCANNING FEATURE GENERATES COMPLEX TIMBRES the MEMBRANEâs waveforms can be scanned through automatically by the wavescannerâs voltage controlled clock generator, or an external clock or VCO can be used SCAN FREQ CV forms a unique form of timbre control, making the Machine act like a complex oscillator at its WAVES output the ENABLE input allows you to gate the wavescanner on and off with a CV or gate signal ARCHITECTURE OF THE MACHINE The Mutant Machine is a dynamic analog instrument capable of generating a wide palette of sounds, ranging from various forms of analog percussion to complex drones and oscillations. To achieve this, the Machine features two synthesis sections which are summed together at the final output: MEMBRANE and SNAPPY. Like the other Mutant Drums, the MEMBRANE and SNAPPY circuits began their mutation as classic analog percussion techniques and have been reimagined for 21st century modular synthesis. The MEMBRANE forms the main body of the sound by way of two analog VCOs, and the SNAPPY section further adds to the timbre by contributing noisy elements to the mix. A noisy CLICK which occurs at the beginning of the SNAPPY sound can have its volume adjusted independent of the main decaying SNAPPY texture. The waveforms which make up the MEMBRANE can be selected manually by button press, or the WAVESCANNER can be used to automatically scan through the available analog waveforms. By modulating the frequency through which waves are scanned, unique, complex sounds are created. Experimentation is encouraged by the many modulation inputs and outputs available to you. The Machine features 8 CV and gate inputs for modulation as well as two external audio inputs, for bringing other modules into the Machineâs core. There are many audio outputs for maximum versatility, allowing you to use the Machine to create drones and alien timbres for use elsewhere in the modular analog system.
1502 Phone-Reluctant Introverts, There is Nothing Wrong With You
As I sit down to write this blog post there is the dreaded sound of a prolonged vibration as my phone skids, bouncing and sporadically across my desk. This is perfectly ideal and ironic distraction that actually befits the very thing I am thinking about and from which it is distracting meâŠ Itself! I have always had an absolute detest for talking on the phone. And Iâll say now that it has nothing whatsoever to do with the person at the other end, I just find it a horrible tool for communicating with. Phone Box I think I probably am, and always have been worse than most people when it comes to using the phone (in the traditional sense, ie speaking to people) but if you can identify with any of this then read on. If youâre thinking, âwhat are you on about, I love the phoneâ then youâll probably just get confused, but if you also have friends who ânever answer the phoneâ then this might help you to understand them a bit better. I canât sum it up any better than Sophia Dembling in her article, 9 Signs that You Might Be an Introvert:
1408 Â» Cut simple SMT Stencil from common aluminum flashing on your CNC Animodule.com
Cut simple SMT Stencil from common aluminum flashing on your CNC Hereâs a quick photodoc of how I made a reusable SMT stencil from some aluminum siding I had laying around. Itâs very simple to assemble and works great. Dirt cheap too. I had picked up a roll of aluminum flashing a few years ago to flash some chimneys I rebuilt/repointed and was curious to see how it would hold up as an SMT stencil. To buy an SMT stencil frame is near $1000 so I didnât have much to lose if it didnât work out. I cut the frame out of some birch plywood since I had some handy. Really any sturdy frame would do the trick. You could easily glue one together out of some 1x or trim board. I put a thicker sheet of aluminum down underneath the flashing to give the CNC endmill something sturdy to cut against and clamped it down stretched and tight. My thought there was that If I cut straight on the MDF it might push on the flashing and bend it before it cut through. A 1mm endmill did the trick. Each pass was .05mm deep. I pulled the Flashing tight and stapled it to the frame. No rocket science here. I taped up the inside edges so no solderpaste could squeeze between the frame and the stencil. I had some old screen print hinge boards so I just attached this frame the same way I would a screen print stencil. The only fiddly part was aligning the first PCB. You have to push around a little and lift the stencil and fiddle with it a little bit. Once I get all the pads lined up correctly I hold it in place and trace around it with a thin tip sharpie marker. Then you place the PCB in the outline. If you have the height adjusted correctly the stencil is sturdy enough to hold the PCB in place while you print the Solderpaste on it. just hold the stencil frame down and it pushes down on the PCB. I used a flexible putty knife as a squeegee. It worked fine. Cleanup was a breeze. Just scrape it off, unscrew the stencil frame from the hingeboard and stick it in the corner till you are ready to do another run.
1398 Wiard: Ten-Year PlanĂÂ : un album sur Flickr
Finally after a decade of planning and scheming, my dream synth is coming together.
1391 LED Facts & How To Safely Use LEDS
LED facts, current requirements, voltage and resistor selection. How to properly use LEDs in your own projects. With color and power chart and full details. diy led lamp, diy led light bulb, diy leds, homemade led light bulb, make a led light bulb, diy rv led lights, diy camper led lights, diy auto led light
1386 Retro Synth Ads: Sound Master Memory Rhythm SR-88, Keyboard 1982
Sound Master Memory Rhythm SR-88 drum machine 1-page advertisement from page 67 in Keyboard Magazine August 1982. Hmmm. Not sure how I feel about this ad. There just seems to be a lot going on. For example, am I supposed to know who "The Rhythm Section" is? The fact that they include themselves in an already long ad title suggests they must be some kind of a big deal. And then you find their name again in the bottom left-hand corner: "The SR-88. Another innovative product from The Rhythm Section by Sound Master Distributed exclusively by JTG of Nashville." So, let me get this straight. JTG of Nashville is the distributor of the SR-88 which was created by The Rhythm Section which is somehow owned or operated by Sound Master. That is waaaaay to much information. Sounds like something political is going on there, and readers unfortunately get stuck in the middle of it. There also seems to be a lot of ad-copy which actually doesn t give me much information. Reason #4 gives readers the most info including instant stop/start, variable tone and output switches, and a write/play mode indicator. The most I glean out of the four other reasons put together is: 16 rhythms, clock pulse and a price of under $200. The actual specs that are probably most important to potential buyers are inexplicably shoved into the bottom right-hand corner. Luckily for me, there are a few resources on the Web with more information about this beast. Unluckily for blog readers, as soon as I started looking for more info, I got swept up in a certain SR-88/Boss DR-55 controversy. Comparing the SR-88 and Boss DR-55 One of the first Web sites I hit while looking for info on the SR-88 was Dubsounds.com. The site includes a great little write-up on the SR-88, but, more interesting was finding out about a little controversy about whether the SR-88 or the very similar Boss DR-55 came out first. The two do seem mighty similar in functionality. For comparison purposes, I did a quick search on MATRIXSYNTH to find more photos. . A great photo of a gray SR-88 can be found in this December 2005 SR-88 MATRIXSYNTH auction post and the less common, but definitely more cool, blue SR-88 can be seen in this January 2011 MATRIXSYNTH auction post. Comparing the two to the Amdek RMK-100 Interestingly, it s not just these two machines that look and function similarly. In this May 2009 MATRIXSYNTH SR-88 auction post commenter "PAC" notices: "Interesting. I have an Amdek RMK-100 (sold as kit), very similar!" Never heard of it, so I Googled "Amdek RMK-100" to see just how similar it was to both the DR-55 and the SR-88. Turns out (according to the Internet) that Amdek products were made by Boss/Roland back in 80s, and, not only that, but that the RMK-100 is actually the kit version of the Boss DR-55. Makes sense on why it would also be similar to the SR-88. I found an ebay auction for an Amdek RMK-100 going on right now with a great photo of the front panel (see below), and indeed it does share a lot with the DR-55 and SR-88 - but definitely not identical to either one. For example, it looks like the Amdek and SR-88 share a similar filler function that as far as I can tell is not available on the DR-55. And the DR-55 and the RMK-100 share a similar accent function that I don t see on the SR-88. Now where does the Electro Dynamics Corporation Programmable Rhythm SR-99 fit in? I also came across another machine with similar features - the Programmable Rhythm SR-99. No - not manufactured by Sound Master, but by Electro Dynamics Corporation. And, it too resembles the others in functionality, and especially the SR-88 in design also. I ve included a row of photos below to help make the comparison between the two. The SR-88 photo is from the 2005 MATRIXSYNTH auction post and the EDC SR-99 photo is from the excellent BigBlueWave.co.uk site. I ve also thrown in a photo from another recent E-bay listing that included both - plus boxes and manuals! Sick! Obviously, Sound Master and EDC are somehow connected, although I can t find any info on the Internet concerning these two companies. I do know that they were both advertising separately in Keyboard Magazine in late 1983, making it unlikely that one of the companies changed their name to the other. Anyone know anything? And then there is the Clef Master Rhythm... Now, I m going to throw in a late entry. It s Sunday night, and I just came across this August 2010 MATRIXSYNTH auction post for the Clef Master Rhythm. It not only shares part of the name of one of the other units ("Master"), it too has many features of the other rhythm machines, and identical innards as the DR-55, but is expanded to include even more sounds: "This is essentially a fully expanded Boss DR-55 feature-wise and tone-wise. The circuits are identical (schematically and tonally) to the Boss DR-55, but the Clef Master Rhythm gives you way more instruments than the Boss DR-55..." Interestingly, according to the post, it pre-dates the Boss DR-55 - and also came in a kit form like the Amdek. "The Clef Master Rhythm came out a little before the Boss DR-55 in late 1979/early 1980. It was sold in two versions and available in greater quantities in Europe than in the United States. One version was a kit that the user put together and another one was a prebuilt machine." A photo from the MATRIXSYNTH post really helps show the similarities in functions with the others: What does it all mean? So, looking at all five machines, its almost like there was a rhythm machine salad bar of some sort in Japan, and each company stepped up to it and picked out which features they wanted to include in their product. And that begs the question - since we know there was a kit form available and there are claims that the Clef Master even has the same circuits as the DR-55, could all five products (and probably others) have used the exact same internal parts - each company choosing which features to include and then customizing in their respective rhythm machine? And if so, were those parts supplied by Amdek, or did all five get their internal parts from some other manufacturer? And if that is the case, then the question of whether the SR-88 or DR-55 came first doesn t really matter much, since it is likely that the kit components would have been available first. Plus, we have that one auction post with the claim that the Clef Master came out before the DR-55 - making it all even more confusing to figure out. Or, am I totally off the mark on all this? Were they all created separately? Maybe I ve just been fixated on this a little too much... I ll keep on looking for more info on these companies and any connection they might have, but if anyone want to buy all four and open them up to take a look - it would be muchly appreciated. :D Posted by RetroSynthAds at 12:05 PM Labels: 1982, amdek, clef master, dr-55, drum machine, electro dynamics corporation, keyboard magazine, rmk-100, Sound Master, sr-88, sr-99 2 comments: Simon said... Here s a funny thing - I seem to remember Clef in the early 1980s as a British company that made electronic pianos (touch-sensitive ones!) in kit form. Deep in the back of my mind I recall seeing them at a music fair in London with a couple of their pianos and some drum machines including a prototype drum/bass/chord sequencer called something like a "Band-Box". But it WAS a long time ago. February 12, 2012 at 12:36 PM Simon said... Looks like (for once) my memory didn t fail me. Here is a 1982 ad for Clef Electronics showing all the products I mentioned, plus a natty-looking little monosynth! BTW, I owned an EDC SR99 drum machine in the mid-1980s, but replaced it with a Yamaha RX-21 a couple of years later. February 12, 2012 at 12:46 PM
1381 COLLIN CUNNINGHAM / NARBOTIC INSTRUMENTS
COLLIN CUNNINGHAM / NARBOTIC INSTRUMENTS [BLOG] MidiVox CV sketch update 02.05.2012 The MidiVox CV sketch has been updated to work with Arduino 1.0 - grab it here Also be sure to use the new version of the Midi Library as well! Also, also: Some previous comments on earlier posts seem to have been lost in a recent Disqus migration - apologies to previous commenters. 7 Comments Updated Midi Library & site changes 01.23.2012 Perhaps you noticed narbotic.com looks different? It is different! A big thanks to everyone who picked up a MidiVox kit - you are now the proud owner of a rare piece of electronics. Though the kit is no longer in production, there is now a new version of the Midi Libray which has been updated to work with the Arduino 1.0 IDE. In addition to an aesthetic reboot, this site will now serve as your premiere destination for all things Collin Cunningham on the web. (and I vow that will be the one & only time I refer to myself in the third-person) New things are in the works - more to come 2 Comments
1368 Reaper tips & tricks
Established in 2002, Taperssection.com is the forum community of live concert recordists. Taperssection is full of archived information and professional recordists who are ready to help you with your live sound recording questions Live Concert Recording, stereo recording, live music, audio recording, microphone, condenser microphones, portable audio recording equipment
1364 FRACTAL Software
Contains several galleries of fractal images, wallpapers, fractal music, and discussions on fractals as art. It also includes an extensive up-to-date list of freeware fractal generators, screen savers and fractal music software, with links and reviews fractovia, fractal, art, pictures, images, graphics, software, freeware, programs, generator, tutorial, wallpaper, Mandelbrot, Ultra, Julia, Gingerbread, Lyapunov, TieraZon, Tiera, zon, Sierpinski, Fractint, iteration, Winfract, Xaos, ChaosPro, FractMus, quaternion, Lindenmayer, Musinum, Volterra, Lotka, IFS, chaos, digital, layer, Windows, Win, Macintosh, Mac, PowerPC, PC, BeOS, Linux, Debian, Ubuntu, screensaver, screen, saver
1322 Hard Soft Synth 3 There are some HSS3s for sale in my shop.scripts:- HSS3S01V...
Hard Soft Synth 3 There are some HSS3s for sale in my shop. scripts: - HSS3S01V38 (HSS3a, HSS3b, HSS3c) - HSS3S02V20 (only audio and optimized for the HSS3f) - HSS3S02V21 (HSS3g) - HSS3S02V33 (works with HSS3j, HSS3i, HSS3g, and probably also HSS3e) - HSS3S03V23 (works with HSS3j, HSS3i, HSS3g, and probably also HSS3e) - HSS3S03V29 (works with HSS3j, HSS3i, HSS3g, and probably also HSS3e) midi lib: - Midi.zip modding: - Modding a HSS3? files: - HSS3i030_etch_bottom.pdf - HSS3i030_etch_top.pdf kit: - assembling instructions - the parts bibliography: - credits gijs gieskes, instruments, circuitbending, music, visula equipment, 1-bit, 4-bit, 8-bit, 16-bit, gameboymusic, lsdj, nanoloop, sequencer, drumcomputer, tr-707, casio, roland, nintendo, sega
1321 Derivative TouchDesigner 077
TouchDesigner is a visual development platform that equips you with the tools you need to create stunning realtime projects and rich user experiences. real-time animation, realtime animation, realtime 3D, visual synthesis, real time synthesizer, 3D visualizer sequencer,music visual syncronization, live performance, interactive artworks, art,media artist, media art, MIDI, animation, VJ, DJ, visual jockey, video jockey, interactive music video.
1319 therevox : custom musical instruments
Inspired by the Ondes Martenot s au ruban controller, the ET-4 is controlled by moving a finger along a reference keyboard shaped to provide tactile feedback. Dual pressure sensitive intensity keys control the amplitude of the ET-4 s two independent analog oscillators. Combined with a filter, white noise generator and internal spring reverb the ET-4 is an expressive and versatile performance synthesizer.
Twenty years of a free, open web On 30 April 1993 CERN published a statement that made World Wide Web technology available on a royalty free basis, allowing the web to flourish On 30 April 1993 CERN published a statement that made World Wide Web ("W3", or simply "the web") technology available on a royalty-free basis. By making the software required to run a web server freely available, along with a basic browser and a library of code, the web was allowed to flourish.
1297 Gadgets, Presents, Geek Shirts and more in the Geek Shop for Nerds - getDigital
This online shop offers everything that makes a real geek happier: Geek wear with ingenious sayings, the newest gadgets and hand-picked toys for computerfreaks. Geek, Nerd, Geek Shirts, Nerd Shirts, Geek Wear, Geek Stuff, Computerfreak, Gadgets, USB Gadgets
1266 SchneidersLaden Testsalon at Rough Trade East on Vimeo
The Testsalon inside Rough Trade East in London is the showroom installed by Schneidersladen, Berlin with the latest news in electronic hardware devices. ThisâŠ
1262 The Targum from the Beginnings
The Targum from the Beginnings "on the run thoughts" As it is written daily, the path and soul of the journey leading to great and fabulous discoveries with realizations and directionalisation entering into great things! paranormal
1260 Lotus Domino JDBC Oracle
1255 Sony Cassette Walkman Overview (1979 - 2003) - sonyvintage.com
Unofficial SONY vintage page Skip to content Home Personal Audio HiFi about sonyvintage.com My Collection â Sony WM-WE1 (1997) Cassette Walkman 1979 â Sony Cassette Walkman Overview (1979 â 2003) Posted on February 18, 2012 by Quo TPS-L2 WM-2 WM-3 WM-3Ex WM-R2 WM-F2 WM-D6 WM-7 WM-DD WM-F5 WM-20 WM-F20 WM-DC2 WM-D6C WM-DDII WM-F15 WM-R15 WM-30 WM-F30 WM-40 WM-75 WM-F75 WM-F55 WM-55 WM-W800 WM-R55 WM-F85 WM-101 WM-F101 WM-F202 WM-R202 WM-F60 WM-57 WM-60 WM-F107 WM-D3 WM-109 WM-F109 WM-101 WM-102 WM-104 WM-F203 WM-51 WM-51 with radio WM-501 WM-504 WM-503 WM-509 WM-550C WM-52 WM-505 WM-701C WM-F701C WM-506 WM-F506 WM-F606 WM-609 WM-170/171/172 WM-F180 WM-F181 WM-607 WM-DD9 WM-R707 WM-F707 WM-702 WM-F702 WM-703C WM-507 WM-F507 WM-600 WM-190 WM-805 WM-EX80 WM-EX60 WM-EX70 WM-FX70 WM-EX85 WM-FX85 WM-EX90 WM-SX77 WM-WX88 WM-GX90 WM-EX88 WM-EX77 WM-FX77 WM-DX100 WM-EX78 WM-RX77 WM-EX66 WM-EX909 WM-GX77 WM-FX909 WM-EX707 WM-FX707 WM-FX505 WM-WX808 WM-EX606 WM-EX808/808HG WM-FX808 WM-GX707 WM-RX707 WM-EX999 WM-FX999 WM-EX777 WM-FX777 WM-EX555 WM-WX777 WM-EX666 WM-EX1ă»EX1HG WM-FX1 WM-EX511 WM-FX811 WM-EX911 WM-EX811 WM-GX711 WM-EJ95 WM-WX1 WM-GX312 WM-EX2 WM-FX2 WM-EX622 WM-FX822 WM-EQ2 WM-GX622 WM-EX922 WM-GX822 WM-RX822 WM-EX633 WM-EX641 WM-EX5 WM-FX5 WM-EX3 WM-FX833 WM-GX322 WM-MV1 WM-GX622 WM-GX655 WM-EQ3 WM-FX855 WM-WE1 WM-WE7 WM-FS1 WM-EX655 WM-EX7 WM-EQ5 WM-FK2 WM-EK1 WM-EQ9 WM-EX9 WM-EX677 WM-GX677 WM-FX877 WM-WE01 WM-FK5 WM-EK3 WM-EX20 WM-EX900 WM-EX600 WM-GX323 WM-GX200 WM-FX200 WM-EX2000 WM-EX910 WM-EX610 WM-EX615 WM-GX688 WM-GX400 WM-EX921 WM-EX621 WM-FX888 WM-EX631 WM-FX202 WM-GX202 WM-GX788 +22 0 This entry was posted in Cassette Walkman. Bookmark the permalink. â Sony WM-WE1 (1997) Cassette Walkman 1979 â Leave a Reply Your email address will not be published. Required fields are marked * Name * Email * Website Comment You may use these HTML tags and attributes:
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1254 SONY TC-D5 Pro II, an impressive machine
Hi there, I received yesterday a SONT TC-D5 Pro II. I have seen it in photos and read comments about its quality, similar to the D6C. I liked so much the design with the two VU meters, and it seemed to me that it belongs to an era when build quality was driven by other rules.
1245 Let me google that for you
For all those people who find it more convenient to bother you with their question rather than google it for themselves. google, search, funny, comedy
1215 Panasonic Toughbook CF-T8 review | Laptops and netbooks Reviews | TechRadar
Panasonic Toughbook CF-T8 review - Panasonic have yet to release an Eee-style netbook PC; and with good reason - their Toughbook range of laptops has been hugely successful, and new, interesting additions to their line of ruggedised PCs are coming thick and fast. Buying advice from the leading technology site
This forum will help you with all your video and audio questions! VideoHelp.com, Video, DVD, VCD, Blu-ray, avi, mkv, mp4, h264
1206 Seo Clean Url With Image Name | Piwigo.org
1205 Remove Logos or Watermarks From Video with VirtualDub and DeLogo Filter - WJunction - Webmaster Forum!
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Opentape is a free, open-source package that lets you make and host your own mixtapes on the web. Upload songs (via web or FTP), reorder, rename, customize the style, and share what you like on other sites with an embeddable player.
1193 WM-D6C sony walkman central
Walkman Central is independent, and has no connection with Sony. Our aim is to provide details and commentary on a variety of Walkman products produced by Sony over the years. We don't just cover personal stereos: CD players and TVs are included too, as well as a few earlier products that contributed to the development of the original Walkman.
Power tools such as Metal cutting mills and lathes, Drill presses, bandsaws, sanders and more may require .5HP to 2HP motors with the ability to fine ...
1171 headphone audio
Read Reviews, Get Advice, and Buy with Confidence from the Experts of 20 years. HeadRoom, headphones, headphone amp, headphone amplifier, AirHead, BlockHead, sennheiser, grado, etymotic research, beyerdynamic, koss, akg, shure
1167 How to Solder an SMD LED | eHow.com
How to Solder an SMD LED. The small size of the SMD (Surface Mount Device) component and the confined workspace of the PCB (Printed Circuit Board) are the challenging parts of SMD soldering. The best approach is to obtain the proper equipment and to plan out the process, before you actually begin. Working with an LED (Light Emitting Diode) is no...
1164 Liz Lang at The MAP
A cathartic experience. As a composer, musical sound designer, and performer my lifelong passion/goal is to give listeners exactly that. Through works that evoke a sense of mood, mystery, and otherworldliness. To achieve this, in a given composition I make a landscape of voice and/or instrumentation layered with heavily morphed samples and altered field recordings. The juxtaposition of familiar with supra-familiar gives the listener the experience of melody/harmony as a guiding light while giving voice to sonic geography of forms and energies unable to exist naturally in our matter-based world. Bel canto voice training, impressionist and futurist composers, glitch and industrial/ambient genres all figure into what comprises my influences. My professional experience includes composing, musical sound design, scoring, recording foley and dialogue, and creating sound effects for independent film. My work also appears on a number of collaborations on CD and vinyl currently floating around the globe, with works-in-progress slated for near-future release.
1153 Piwigo - alloyphoto
The Piwigo Plug-in allows you to export photos from Adobe Lightroom directly to a Piwigo hosting service. Piwigo is a photo gallery software for the web that comes with powerful features for publishing and managing your photo collection. Features Supports Export operations in Lightroom 2, 3, and 4 Supports Publish operations in Lightroom 3 and 4 Supports photo comments and ratings Enables you to Import existing online gallery structures into Lightroom catalog Provides automatic pairing of online photos with photos in the catalog based on photo name and capture time Synchronizes photo metadata Enables you to assign and modify album covers
1143 Make music with p01's Speech Synth
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1133 Shutterdown Blog: General Archives
Meeting: Pittsburgh Modular By Antisa on September 30, 2011 12:37 AM | No Comments Tonight we got to play in the basement studio of Pittsburgh's very own modular synth Stradivari - tucked away on unassuming Pocusset Street in Squirrel Hill. Headed by local Richard Nicol, Pittsburgh Modular is fast becoming a contender in the world market of modular synthesizers - supplying analog enthusiasts in the US, Europe and Australia (and possibly elsewhere, but I got too distracted by the beautiful glowing oscillators)... Interest in Pittsburgh Modular is picking up speed - and it's no wonder. The modules are as pretty as they are solidly built. Nicol, who now shares design and manufacturing duties with Thomas O'Connor (Australia) and Scott Swartz (USA), had moved away from producing electronic sounds digitally, in part, because analog is more fun. "The key to modular synthesis is that its captivatingly fun," he says. "After playing with it for 5 minutes, you get sucked into its world... and the next thing you know, you've created something new."
1132 Mammoth Modular Synthesizer At MIT Museum
Just got an update from Joe Paradiso on his homebuilt mammoth analog modular synthesizer. Heâs installed it in the MIT Museum and has completed a fairly epic patch which you can listen to (24 hours a day!) here. Joe will be at the museum this Thursday and Friday (2/23 and 2/24) at 1pm, demoing the synth to visitors, so be sure to stop by if youâre in the neighborhood. Hereâs some info from Joe on the construction and inspiration for the latest patch. The second patch I made at the MIT Museum is totally done now, and you can hear it live on the stream. Listen to it at http://synth.media.mit.edu, and let me know what you think if youâre inclined â itâs running in physical space in Quad, of course â stereo on the stream. Note that this one has absolutely NO sequencer of any sort on it â all of the patterns you hear were made entirely from hand-patched logic (counters, ands, ors, flip flops, ring counters, rate multipliers, etc.). Itâs an entirely different kind of composition environment from the norm â you really need to simultaneously be an engineer while being an artist and something of a performer. The inspiration for this patch started with the Boredoms â if you donât know who they are, you should (http://www.boredoms.jp/). In particular, I was thinking of SuperRoots 9. The beauty of the patching interface is that you can never exactly nail what you start out to attain, but on the other hand, you get drawn into places you wouldnât have normally gone once you start. The 3 drummers that Yamantaka Eye performs with lay down a compelling rhythm that my hand-patched logic and analog processing canât match, of course. But this patch definitely has a strange jumpy groove once it gets into gear, and the 2-chord pad is archetypical too. Yes, Boredoms rule today! BTW, this patch took every cord I had, plus a good 30 more wires just shoved into the pin jacks â check out the photos here and here â the latter shows the kind of logic section patching complexity you need to build a sonic environment like this one. Iâm ripping this baby out next Thursday, as Iâll be at the museum next Thursday and Friday (2/23 and 2/24) at 1pm to demonstrate the synthesizer to visitors â doing some very simple patches and showing off what the modules do in case anybody is interested in this. It will run continuously until then. Otherwise, enjoy the stream â there are moments of introspective drift in-between wild percussion (yes, Boredoms!). I might pull the percussion line back so it doesnât come so often or regularly, but itâs essentially a wrap.
1131 Photos: The Best Facial Hair in the Civil War
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1122 Disk Wiping - One Pass is Enough - Part 2 (this time with screenshots) | Anti-Forensics
Demonstration of what happens to data with a single pass wipe using EnCase, WinHex and the HDD Wipe tool. disk wiping, erase data, erase hard drive, encase, winhex, magnetic force microscopy
1114 Custom EMS Oscillator Bank in Euro module format | Hinton Instruments News
Hinton Instruments has provided a custom rebuild of an EMS Board âCâ into a 3U 62HP Eurorack format module incorporating all of Graham Hintonâs modifications and more, all within a 40mm depth. This is not a clone, we donât do clones so donât ask. The module is shown here mounted in our new four rail open Euro frame with rear mounted Triple 1A PSU module and our new ModMix module. The combination provides a very high specification, comprehensive modular synthesizer front end.
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1109 Weekend with the Ricoh GRDIV |
Iâve fielded a lot of questions lately about Ricohâs latest camera, the GRDIV. Honestly, it was getting a little tedious hearing about it haha. Although I suppose I understand considering thereâs hardly anything written about it anywhere. Iâve been having a bit of a love affair with Ricohâs film cameras the last little while so I hadnât thought much about the GRDIV. After having a chance to get one though, I decided it a good idea to give it a go.
1104 Custom EMS Oscillator Bank in Euro module format | Hinton Instruments News
Hinton Instruments has provided a custom rebuild of an EMS Board âCâ into a 3U 62HP Eurorack format module incorporating all of Graham Hintonâs modifications and more, all within a 40mm depth. This is not a clone, we donât do clones so donât ask. The module is shown here mounted in our new four rail open Euro frame with rear mounted Triple 1A PSU module and our new ModMix module. The combination provides a very high specification, comprehensive modular synthesizer front end.
1093 Disk Wiping - One Pass is Enough - Part 2 (this time with screenshots) | Anti-Forensics
Demonstration of what happens to data with a single pass wipe using EnCase, WinHex and the HDD Wipe tool. disk wiping, erase data, erase hard drive, encase, winhex, magnetic force microscopy
1084 Erthenvar Products
Eurorack Modules: Erthenvar: Patch Chord PulpLogic: Exit Strategy PulpLogic: Entry Point Eurorack Power: freelunch: -12 to +5V Eurorack Regulator Ribbon Cable (16 to 16) Eurorack DIY Parts: PJ-301B Vertical Mount Jack with Hex Nut Vector T-Strut Rail: Cut To Length Square Rail Nut
1078 The Modular Synth
A long time ago, in a galaxy far away, before your local music shop was packed with the latest digital synths, even before the early analogue monosynths, if you wanted a synthesizer you had to make it yourself. Modular synthesis is not in itself a different type of synthesis, but refers to the fact that a synth would be built up from individual components (modules) , which would be linked together (patched) in a configuration decided by the person doing the building. Compared with today's 'plug and play' synths which come with 100's of presets, GM soundsets, etc, this has the obvious disadvantage that 'recalling' a preset can only be done if your synth is patched together in exactly the same way every time and every controller has to be manually set to the same parameter. However, the big advantage of Modular synthesis, of course, is that, providing you have the right components, you can build practically anything you want, without being constrained by the 'hardwired' configurations of modern factory built synthesizers. The Pulsar/Scope Modular synth, like any other Modular 'soft synth' brings together the advantages of both Modular synths and modern factory built synths. Modular configurations can be saved as patches for total recall later on, and each patch can contain any number of presets, again for later recall. Furthermore, with a software modular, you can re-use each component as many times as you wish within one patch, you never run out of cables, you don't have to dedicate a whole room to the synth and the modules never suffer from physical damage. What's more, each parameter can be controlled by MIDI so parameter changes can be recorded into your sequencer in real-time.
1069 WebAudio Drum Machine
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1066 EML Electrocomp 101
Electronic Music Labs (EML), based in Vernon, CT, was a rather strange but interesting outfit that, for a brief period in the early 1970s, had some success in the commercial synthesizer market. The company was founded and largely run by electrical engineers rather than musicians, an attribute with both strengths and weaknesses.
1064 Electronic Music - Interviews Index
Interviews with electronic music artists, inventors and engineers. electronic music artist interviews. Scott Jaeger The Harvestman George Mattson Mattson Mini Modular, Syntar Synthwerks Steve Turnidge, James Husted ~flight Flight Of Harmony Scott Rise Division 6 Rick Wakeman The Strawbs, YES, Journey To The Center Of The Earth Michael Paradinas ÎŒ-Ziq, Tusken Raiders, Jake Slazenger, Gary Moscheles Bob Moog Moog Music, Minimoog Harry Hamer Chumbawumba Gary Numan Cars, Tubeway Army Scott Kirkland Crystal Method Larry Fast Synergy, Nektar, Peter Gabriel, Yes, Tony Levin Band Jeff Greinke LAND, Hana, Dennis Rea, Faith & Disease, Art Zoyd Jochem Paap Speedy J The Enigma Jim Rose Circus Paul Lansky Professor of music composition at Princeton University
1056 ĂŒber x0xSh0p.de
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1050 Frieze Magazine | Comment | Conrad Schnitzler
In the early 1960s, Conrad Schnitzler met Joseph Beuys in a bar in DĂŒsseldorf. Beuys was at the start of his legendary run as a professor of âmonumental sculptureâ at DĂŒsseldorfâs Kunstakademie. Schnitzler was a sailor, who specialized in fixing the engines of merchant ships in nearby ports. Beuys took a liking to Schnitzler, inviting him to be one of his students. Schnitzler enrolled at the Kunstakademie, but dropped out a year or two later, much to Beuysâ dismay. If, as Beuys famously entreated, âeverybody is an artistâ, why did he have to go to school to be one? Schnitzler travelled for a few years, making metal sculptures and performance art. Then he took the metal sculptures he built during his time with Beuys, which he had covered in stark planes of black and white paint, dragged them all to a grassy field, and left them there.
COIL Any future official Coil news and releases will be made here. Jordi Devas (the executor of Peter's estate) and myself intend to make the entire Coil back catalogue available again on CD and any previously unreleased or unfinished work will be released as such. All in good time. There have been NO official Coil releases since Peter passed away and I can confirm that a recent unofficial release has absolutely nothing to do with Coil . Please don't feed these parasites to genuine creativity.
1043 Monotribe, MIDI and me
synth When I heard about the monotribe, I had my doubts. Mostly that thereâs only one pattern, which is 8 steps long. Well, there are 8 extra steps for the drums, as well as a âflux modeâ which records your movements on the ribbon continuously. In that sense, it is limited, and is an instrument made to be played with your hands, rather than be programmed. But as it turned out, this was a design choice, and not a technical limitation. I can easily imagine why. They wanted it to seem as analog and playful as possible. Same thing with MIDI. Officially, the monotribe doesnât support MIDI. It does however offer a sync pulse output and input. This allows it to be synced to other monotribes, modular synthesizers or even Korgâs own virtual iMS-20/iElectribe, using a special sync app on a second iPhone/Pod/Pad. However, the lack of MIDI is still a slight limitation.
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1020 GnomeActivityJournal - GNOME Live!
GNOME Activity Journal (formerly GNOME Zeitgeist) Contents GNOME Activity Journal (formerly GNOME Zeitgeist) Overview Code Getting in touch Use cases Grouping and Filtering Features TODO GUI Sprints Architecture Long term goals Video Mockups And Current Usage Sub Pages See Zeitgeist for information about the Zeitgeist engine used internally by the GNOME Activity Journal. Overview The GNOME Activity Journal is a tool for easily browsing and finding files on your computer. It uses Zeitgeist to get information and metadata on what files/websites/contacts/etc. you worked with. Links: Zeitgeist Website, Zeitgeist on Launchpad, GNOME Activity Journal on Launchpad Code The Zeitgeist code is split into two modules: GNOME Activity Journal (GTK+ interface) Project page: https://launchpad.net/gnome-activity-journal Repository: bzr branch lp:gnome-activity-journal Zeitgeist Engine Project page: https://launchpad.net/zeitgeist Repository: bzr branch lp:zeitgeist Getting in touch Mailing list: https://launchpad.net/~gnome-zeitgeist-users IRC: #zeitgeist @ irc.freenode.net, #gnome-zeitgeist @ irc.gimp.org Use cases John turns on his computer to work on his seminar paper. Instead of digging through his hierarchal file system, he simply opens up GNOME Activity Journal and clicks on the top item in the "Recently Used Files" list. When he realizes that he can't remember the name of the website that he was reading for research yesterday, he simply looks at the list of files related to his paper and clicks on the website. More at the Zeitgeist Vision page. Grouping and Filtering Our goal is to group/filter the data by: Type of data Source Time Name Tags Neighbouring Data Comments Location of use (GPS) Features Browse activities Drag and Drop (not for links) Tagging Auto tagging Searching Filtering by Dataproviders/Time/Tags Bookmark Data TODO GUI Sprints Add an actions toolbar to quickly share items by email or instant messaging. (See nautilus-share) Architecture Experiment with Tracker, Soylent, and Empathy. Long term goals Better metadata extraction (see some of the sprints above) Integration with other computers and mobile devices. Video Zeitgeist video GAJ video Mockups And Current Usage Some work was done by the City of Largo in the past which replicated some of the features of the Activity Journal. Possibly some of this work can result in ideas for improving the User Interface. Mockups And Usage. Sub Pages /BolzanoIdeas /CityOfLargo /Ideas
1014 Nord Modular Tips & Tricks
synth clavia Nord Modular & Micro Modular V3.03 tips & tricks Welcome to the Nord Modular and Micro Modular 'tips and tricks' section! The workshops of this section are created by a very skilled Nord Modular user: Rob Hordijk. On the 'tips and tricks' pages you will find various information regarding sound synthesis techniques. With every topic comes a workshop where you can follow the practical, non-mathematical, musician-oriented examples. The patches are kept as simple as possible showing only the basic connections. So it's up to you to color the tone to your liking, add modulation, etc., thus turning them into musically useful patches. Occasionally there might be a 'professional' patch as a bonus. If you have a Nord Modular or Nord MicroModular synthesizer you can download the example patches directly from the workshops into the Modular Editor V3.03 program and your synth and play with them. Just click on the patch image to download the actual patch to your Modular. If you do not have a Nord Modular you can download the Modular Editor V3.03 software here and check out the patches visually. Another very skilled Nord Modular/G2 user - Roland Kuit - has made the E-Book "SoundLab". This book covers synthesis techniques from A-Z, history of electronic music and composing techniques. For more info about the SoundLab E-Book, please visit: http://rolandkuit.blogspot.com/Topics available: Basics of sound synthesis on the Nord Modular This extensive section describes the basics of synthesis. (By Rob Hordijk) Basic synthesis Oscillator synchronisation This topic covers hardsync, softsync, FM-sync and VOSIM, a special application of sync. (By Rob Hordijk) Sync workshop Frequency Modulation This topic covers different types of FM, like linear FM, Phase Modulation and fixed formant FM. (By Rob Hordijk) FM Workshop Using the delay module It's too short for echos, but it's a valuable tool that can be used in a variety of ways, creating both sound effects as well as physical models of plucked string sounds and resonant bodies. (By Rob Hordijk) Delay Module Workshop Using logic modules Mastering those yellow connections. (By Rob Hordijk) Logic Workshop
1011 Atomic Synth Inspired By Buchla, Future Retro Revolution Â» Synthtopia
Synthesizer and electronic music news, synth and music software reviews and more! Atomic is a 16 step sequencer composing tool with a built in synth that also has the ability to control other softsynths or even hardware via its MIDI out function. The design is circular, inspired by step sequencers such as the Buchla Arbitrary Function Generator and Future Retro Revolution. You can preview Atomic below: Strange Atomics [ 0:46 ] Hide Player | Play in Popup | Download Sequencer: 16 step sequencer in a circular design with 3 rows: seminotes, velocity and gate. BPM Rate with 5 modes including random. Separate rhythm grid. Advanced arpeggiator with separate rate, 5 modes with gate and octave controls. Latch mode for continuous play. MIDI Out for use in modular hosts which also includes LFOâs and step modulators to control external vstâs or hardware. Synth: 2 Oscillators with 14 waveforms including additive partials. Separate phase controls, detune and octave as well as harmonic tuning mode. VCF with 4 filter types with velocity control. 2 dedicated envelope generators, one for amp and one for filter. 2 LFOs, Sub Oscillator, Step Modulator, Random Generator and Keyboard control with zone and mod wheel assign which includes sequencer controls for step and rate. Comprehensive mod matrix. Effects X-Y delay with separate multimode filters which can be modulated via mod matrix. Spacial stereo reverb Phaser with wide sweeping range. Master section with volume, pan and tuning CC map for hardware MIDI knob controllers.
1007 Advanced Programming Techniques for Modular Synthesizers / Nord Modular
1 Introduction 1.1 The Purpose of this Document 1.2 Acknowledgements 2 Oscillator Waveform Modification 2.1 Sync 2.2 Frequency Modulation Techniques 2.3 Wave Shaping 2.4 Vector Synthesis 2.5 Wave Sequencing 2.6 Audio-Rate Crossfading 2.7 Wave Terrain Synthesis 2.8 VOSIM 2.9 FOF Synthesis 2.10 Granular Synthesis 3 Filter Techniques 3.1 Resonant Filters as Oscillators 3.2 Serial and Parallel Filter Techniques 3.3 Audio-Rate Filter Cutoff Modulation 3.4 Adding Analog Feel 3.5 Wet Filters 4 Noise Generation 4.1 White Noise 4.2 Brown Noise 4.3 Pink Noise 4.4 Pitched Noise 5 Percussion 5.1 Bass Drum Synthesis 5.2 Snare Drum Synthesis 5.3 Synthesis of Gongs, Bells and Cymbals 5.4 Synthesis of Hand Claps 6 Additive Synthesis 6.1 What is Additive Synthesis? 6.2 Resynthesis 6.3 Group Additive Synthesis 6.4 Morphing 6.5 Transients 6.7 Which Oscillator to Use 7 Physical Modeling 7.1 Introduction to Physical Modeling 7.2 The Karplus-Strong Algorithm 7.3 Tuning of Delay Lines 7.4 Delay Line Details 7.5 Physical Modeling with Digital Waveguides 7.6 String Modeling 7.7 Woodwind Modeling 7.8 Related Links 8 Speech Synthesis and Processing 8.1 Vocoder Techniques 8.2 Speech Synthesis 8.3 Pitch Tracking 9 Using the Logic Modules 9.1 Complex Logic Functions 9.2 Flipflops, Counters other Sequential Elements 9.3 Asynchronous Elements 9.4 Arpeggiation 10 Algorithmic Composition 10.1 Chaos and Fractal Music 10.2 Cellular Automata 10.3 Cooking Noodles 11 Reverb and Echo Effects 11.1 Synthetic Echo and Reverb 11.2 Short-Time Reverb 11.3 Low-Fidelity Echo and Reverb 12 Distortion Effects 12.1 Distortion using Nonlinearities 12.2 Multiband Distortion 12.3 Polynomial Distortion 12.4 Distortion using Time-Variant Systems 13 Frequency and Pitch Shifting 13.1 Frequency Shifting 13.2 Pitch Shifting 14 Spatialization 15 Emulating Classic Synths 15.1 General Guidelines 15.2 Yamaha DX7 15.3 Octave Cat 15.4 ARP Odyssey 15.5 Casio 15.6 Hallsey Mark 1 and 2 15.7 Other Emulations
1001 30 Awesomely Bad Unicorn Tattoos: A Gallery â Holytaco
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993 Bach MIDI Files - Download for free :: MIDIWORLD.COM
Biography | Recommended Recordings | Books and Printed Music MIDI Files 2 Part Inventions - John Sankey Inventio 1 [BWV 772] Inventio 2 [BWV 773] Inventio 3 [BWV 774] Inventio 4 [BWV 775] Inventio 5 [BWV 776] Inventio 6 [BWV 777] Inventio 7 [BWV 778] Inventio 8 [BWV 779] Inventio 9 [BWV 780] Inventio 10 [BWV 781] Inventio 11 [BWV 782] Inventio 12 [BWV 783] Inventio 13 [BWV 784] Inventio 14 [BWV 785] Inventio 15 [BWV 786] 3 Part Inventions - John Sankey Sinfonia 1 [BWV 787] Sinfonia 2 [BWV 788] Sinfonia 3 [BWV 789] Sinfonia 4 [BWV 790] Sinfonia 5 [BWV 791] Sinfonia 6 [BWV 792] Sinfonia 7 [BWV 793] Sinfonia 8 [BWV 794] Sinfonia 9 [BWV 795] Sinfonia 10 [BWV 796] Sinfonia 11 [BWV 797] Sinfonia 12 [BWV 798] Sinfonia 13 [BWV 799] Sinfonia 14 [BWV 800] Sinfonia 15 [BWV 801] Air Allemande in Amin [BWV.835] Brandenburg Concerto No. 2. 1st. Movement 2nd. Movement 3rd. Movement Brandenburg Concerto No. 3. Brandenburg Concerto No. 4. 1st. Movement 2nd. Movement 3rd. Movement Brandenburg Concerto No. 5. Brandenburg Concerto No. 6. - David Siu, M.D. 1st. Movement 2nd. Movement 3rd. Movement Cantatas Aria "Es ist vollbracht" from Cantata "Sehet, wir gehn hinauf gen Jerusalem" (BWV159) Aria from Cantata No. 14. Aria "Mein Freund ist Mein!" from Cantata No. 140. Duet from Cantata No. 140. Sinfonia From Cantata No. 106 Ich will den Kreuzstab gerne tragen, No. 56. - 1st. Movement Terzetto from Cantata No. 38 Wachet Auf Versus 1. from Cantata No. 140. Wacht Auf, ruft uns die Stimme from Cantata No.140. Komm susser Tod [BWV 478] Capriccio for a Departing Brother [BWV 992] Capriccio in E [BWV 993] Chromatic Fantasia & Fugue Concert for Two Harpshichords and Orchestra [BVW1060] Garrett Van Cleef Allegro Adagio Allegro Concertos - John Sankey Keyboard arrangements of concertos by other composers Concerto in D [BWV 972] Concerto in G [BWV 973] Concerto in Dmin. [BWV 974] Concerto in Gmin. [BWV 975] Concerto in C [BWV 976] Concerto in C [BWV 977] Concerto in F [BWV 978] Concerto in Bmin. [BWV 979] Concerto in G [BWV 980] Concerto in Cmin. [BWV 981] Concerto in Bb [BWV 982] Concerto in Gmin. [BWV 983] Concerto in C [BWV 984] Concerto in Gmin. [BWV 985] Concerto in G [BWV 986] Concerto in Dmin. [BWV 987] Duets - John Sankey Duet 1 [BWV.802] Duet 2 [BWV.803] Duet 3 [BWV.804] Duet 4 [BWV.805] Fantasia and Fugue in Amin. [BWV 561] English Suites John Sankey English Suite in A [BWV806] English Suite in Amin [BWV807] English Suite in Gmin [BWV808] English Suite in F [BWV809] English Suite in Emin [BWV810] English Suite in Dmin [BWV811] French Suites John Sankey French Suite in Dmin [BWV812] French Suite in Cmin [BWV813] French Suite in Bmin [BWV814] French Suite in Eb [BWV815] French Suite in G [BWV816] French Suite in E [BWV817] Fughetta [BWV 902] Goldberg Variations Goldberg Variations Italian Air with Variations [BWV 989] Italian Concerto [BWV 971] Italian Concerto - 1st movement Jesu Joy of Manâs Desiring Little Fugue in G minor Mass in Bmin. - David Siu, M.D. Kyrie Eleison Christe Eleison Kyrie Eleison Gloria Laudamus te Gratias agimus tibi Domine Deus Qui tolis Qui sedes Quoniam Cum sancto Credo in unum Deum Patrem omnipotentem Et in unum Et incarnatus & Crucifixus Et resurrexit Et in spiritum Confiteor Sanctus Osanna Benedictus Agnus Dei Dona nobis pacem Minuet in G [BWV 841] Partitas John Sankey Partita in Bb [BWV 825] Partita in Cmin [BWV 826] Partita in Amin [BWV 827] Partita in D [BWV 828] Partita in G [BWV 829] Partita in Emin [BWV 830] Partita in A [BWV 832] Prelude & Partita [BWV 833] Preludes & Fugues - John Sankey A minor [BWV.894] A minor [BWV.895] D minor [BWV.899] E minor [BWV.900] F major [BWV.901] Sonata in D [BWV 963] Sonata in Amin [BWV 965] Sonata in C [BWV 966] Sonata in Amin [BWV 967] Scherzo [BWV.844] Sheep May Safely Graze St. Matthew Passion [BWV 244] Bass Aria "Aus Liebe will mein Heiland sterban" soprano aria "Gebt mir meinen Jesum weider" bass aria "Blute nur, du liebes Herz" soprano aria "Erbarme dicht, mein Gott" alto aria "Herzliebster Jesu" chorus "KĂ¶nnen TrĂ€nen meiner Wangen nichts erlangen" alto aria "Mache dich mein herz" bass aria "O Haupt voll Blut und Wunden" chorus "Wir setzen uns mit TrĂ€nen nieder" chorus Passacaglia & Fugue in C minor Sonata No. 1 in G minor for Solo Violin [BWV 1001] - David J. Grossman Adagio Fugue Siciliano Presto Partita No. 1 in B minor for Solo Violin [BWV 1002] - David J. Grossman Allemande Double(Allemande) Courante Double: Presto (Courante) Sarabande Double (Sarabande) Tempo di Borea Double (Tempo di Borea) Sonata No. 2 in A minor for Solo Violin [BWV 1003] - David J. Grossman Grave Fugue Andante Allegro Partita No. 2 in D minor for Solo Violin [BWV 1004] - David J. Grossman Allemande Courante Sarabande Gigue Chaconne Sonata No. 3 in C major for Solo Violin [BWV 1005] - David J. Grossman Adagio Fugue Largo Allegro assai Partita No. 3 in E major for Solo Violin [BWV 1006] - David J. Grossman Prelude Loure Gavotte en Rondeau Menuet I/II Bouree Gigue Suite No. 1 in G major for Solo Cello [BWV 1007] - David J. Grossman Prelude Allemande Courante Sarabande Menuet I/II Gigue Suite No. 2 in D minor for Solo Cello [BWV 1008] - David J. Grossman Prelude Allemande Courante Sarabande Menuet I/II Gigue Suite No. 3 in C major for Solo Cello [BWV 1009] - David J. Grossman Prelude Allemande Courante Sarabande Bouree I/II Gigue Suite No. 4 in Eb major for Solo Cello [BWV 1010] - David J. Grossman Prelude Allemande Courante Sarabande Bouree I/II Gigue Suite No. 5 in C minor for Solo Cello [BWV 1011] - David J. Grossman Prelude Allemande Courante Sarabande Gavotte I/II Gigue Suite No. 6 in D major for Solo Cello [BWV 1012] - David J. Grossman Prelude Allemande Courante Sarabande Gavotte Gigue Sonata - BWV 1032 (Arr. for recorder and harpsichord) Michael Beckenkamp Vivace Largo e dolce Allegro Suite No.3 in D, BWV.1068 Air Gigue Suite in Amin [BWV 818] Suite in Eb [BWV 819] Suite in F [BWV.820] Suite in Fmin [BWV 823] Toccatas John Sankey bwv910 Toccata in F# bwv911 Toccata in Cmin bwv912 Toccata in D bwv913 Toccata in Dmin bwv914 Toccata in Emin bwv915 Toccata in Gmin bwv916 Toccata in G Toccata and Fugue in D minor Toccata and Fugue in D minor MINO Toccata, Adagio and Fugue in C, BWV 564. Toccata in D minor: The "Dorian" Trio Sonata No.6, [BWV 530] - Mauricio Fabbri Vivace Lento Allegro Triosonata for 2 flutes, harpsichord and continuo - Eduardo Moreno Adagio Allegro ma non presto Adagio Presto The Art of Fugue - No.1. The Well-Tempered Klavier John Sankey Prelude & Fugue No.1 in C [BWV 846] Prelude & Fugue No.2 in Cmin [BWV 847] Prelude & Fugue No.3 in C# [BWV 848] Prelude & Fugue No.4 in C#min [BWV 849] Prelude & Fugue No.5 in D [BWV 850] Prelude & Fugue No.6 in Dmin [BWV 851] Prelude & Fugue No.7 in Eb [BWV 852] Prelude & Fugue No.8 in Ebmin [BWV 853] Prelude & Fugue No.9 in E [BWV 854] Prelude & Fugue No.10 in Emin [BWV 855] Prelude & Fugue No.11 in F [BWV 856] Prelude & Fugue No.12 in Fmin [BWV 857] Prelude & Fugue No.13 in F# [BWV 858] Prelude & Fugue No.14 in F#min [BWV 859] Prelude & Fugue No.15 in G [BWV 860] Prelude & Fugue No.16 in Gmin [BWV 861] Prelude & Fugue No.17 in Ab [BWV 862] Prelude & Fugue No.18 in Abmin [BWV 863] Prelude & Fugue No.19 in A [BWV 864] Prelude & Fugue No.20 in Amin [BWV 865] Prelude & Fugue No.21 in Bb [BWV 866] Prelude & Fugue No.22 in Bbmin [BWV 867] Prelude & Fugue No.23 in B [BWV 868] Prelude & Fugue No.24 in Bmin [BWV 869] Prelude & Fugue No.25 in C [BWV 870] Prelude & Fugue No.26 in Cmin [BWV 871] Prelude & Fugue No.27 in C# [BWV 872] Prelude & Fugue No.28 in C#min [BWV 873] Prelude & Fugue No.29 in D [BWV 874] Prelude & Fugue No.30 in Dmin [BWV 875] Prelude & Fugue No.31 in Eb [BWV 876] Prelude & Fugue No.32 in Ebmin [BWV 877] Prelude & Fugue No.33 in E [BWV 878] Prelude & Fugue No.34 in Emin [BWV 879] Prelude & Fugue No.35 in F [BWV 880] Prelude & Fugue No.36 in Fmin [BWV 881] The Well-Tempered Klavier Book II. Jennifer Weir Prelude II Prelude XII Fugue XII
992 Troy Hunt: Whoâs who of bad password practices â banks, airlines and more
Troy Hunt on observations, musings and conjecture about the world of software and technology Troy Hunt, blog, .NET, Azure, Backup, Bing, Blogger, Career Development, Code Quality, Conference, Database, Design Utopia, DotNetNuke, Enterprise Software Platform, Internet Explorer, iPhone, K2, LinkedIn, Media, NDepend, Online Identity, OWASP, People Management, Personal Development, Product Review, ReSharper, Security, SharePoint, Silverlight, Software Quality, SQL Injection, SQL Server, Subversion, Travel, Twitter, Visual Studio, Windows Mobile, XSS, Ah, passwords. Love âem or hate âem, theyâre a necessary evil of the digital age. The reality is we all end up with an alphabet soup of passwords spread over dozens of various sites and services across the internet. Whilst we might not always practice it, we all know the theory of creating a good password; uniqueness, randomness and length. The more of each, the better. Of course we frequently donât do this because of all sorts of human factors such as convenience, memory or simple unawareness of the risks. Still, when itâs a case of individuals electing not to create secure passwords, they really only have themselves to blame. But what happens when the website wonât allow you to create a secure password? Or at least when they severely constrain your ability to create long, random, unique passwords? And what about when they donât allow you to send it between your computer and their server securely? Even worse, what happens when our most âsecureâ institutions implement lazy password policies? Unfortunately, all of this is pretty rampant practice.
989 Blog de Hugues Truttmann: Entretien d'embauche et intelligence ĂÂ©motionnelle : la mĂÂ©thode I.D.E.A.L.
Entretien d'embauche et intelligence Ă©motionnelle : la mĂ©thode I.D.E.A.L. Pour un candidat, quelle est la diffĂ©rence entre un entretien dâembauche rĂ©ussi et un entretien dâembauche ratĂ© ? Partons de lâhypothĂšse que 2 candidats de formation et dâexpĂ©rience Ă©quivalente passent un entretien pour un mĂȘme poste. Tous les 2 ont eu un entretien avec le mĂȘme recruteur. Pour le premier, le recruteur donne une suite favorable, pour le 2Ăšme, cela nâira malheureusement pas plus loin, le candidat Ă©tait dans un mauvais jour certainement... Ayant fait passer des entretiens Ă des centaines de candidats, jâai constatĂ© que jâai systĂ©matiquement donnĂ© une suite favorable Ă ceux qui ont rĂ©ussi Ă me faire âpasser Ă lâactionâ, câest-Ă dire quâils ont suscitĂ© chez moi lâintĂ©rĂȘt, puis le dĂ©sir qui mâa motivĂ© Ă parler positivement et avec enthousiasme de leur candidature Ă mes clients. Le candidat qui rĂ©ussit est donc celui qui est capable de transfĂ©rer de la sincĂ©ritĂ©, de lâintĂ©rĂȘt, de la motivation, de lâenthousiame ou toute autre Ă©motion positive. Le candidat qui rate a quant Ă lui transfĂ©rĂ© des Ă©motions nĂ©gatives (dĂ©sintĂ©rĂȘt, peur, tristesse, ennui, etc...). Une Ă©motion positive fait passer Ă lâaction, une Ă©motion nĂ©gative, jamais. RĂ©ussir un entretien consiste donc Ă utiliser efficacement son intelligence Ă©motionnelle. Voici une dĂ©finition de lâintelligence Ă©motionnelle : âHabiletĂ© Ă percevoir et Ă exprimer les Ă©motions, Ă les intĂ©grer pour faciliter la pensĂ©e, Ă comprendre et Ă raisonner avec les Ă©motions, ainsi quâĂ rĂ©guler les Ă©motions chez soi et chez les autres.â Une des composante de cette forme dâintelligence est lâempathie qui est la âcapacitĂ© Ă partager les Ă©motions avec autrui, sans confusion entre soi et lâautreâ. Comment activer son intelligence Ă©motionnelle et motiver un recruteur ? En appliquant la mĂ©thode I.D.E.A.L : Cette mĂ©thode nâest pas une technique, mais plutĂŽt une attitude Ă adopter. Avant chaque entretien dites - vous ceci et APPLIQUEZ - LE ! I Decide to act with Empathy by Asking questions and Listening Soit âJe dĂ©cide dâagir avec empathie en posant des questions et en Ă©coutantâ Poser des questions (sincĂšres et honnĂȘtes) permet de garder le contrĂŽle dâun entretien, Ă©couter (sans faire semblant) permet de diriger une conversation et de montrer que lâon sâintĂ©resse Ă son interlocuteur. Le meilleur des candidats nâest pas celui qui parle le plus, mais celui qui saura vĂ©hiculer une bonne Ă©nergie et des Ă©motions positives dans ses paroles et son attitude. Motiver un recruteur ne consiste pas Ă savoir se vendre en faisant lâĂ©talage de tous les avantages que lâon peut avoir. Ne faites pas comme ce (mauvais) vendeur de voiture qui vous prĂ©sente toutes les caractĂ©ristiques et superbes options dâune voiture SAUF celle qui va vous faire passer Ă lâaction, câest - Ă - dire vous engager en signant un bon de commande ! Posez donc LA question que jamais personne ne pose, mais qui vous fera obligatoirement ressortir du lot : Candidat : âMonsieur le Recruteur, pour ce poste, pourriez-vous me dĂ©crire quel est selon vous le candidat IDEAL ?â > ECOUTE Recruteur : âPour ce poste le candidat IDEAL doit avoir les qualitĂ©s suivantes :â QualitĂ© A QualitĂ© B QualitĂ© C Etc... Candidat : âDe toutes ces qualitĂ©s, quelle est selon vous LA PLUS IMPORTANTE ?" > ECOUTE Recruteur : âSans AUCUN DOUTE, la qualitĂ© Bâ Candidat : âJâai la qualitĂ© B, parce que (prouvez par des FAITS, expĂ©rience, formation, vĂ©cu) et dâautre part jâai Ă©galement la qualitĂ© A, parce que...... et la qualitĂ© C, parce que...... > PASSAGE A LâACTION Candidat : âMonsieur le Recruteur, dans ce cas, comment pouvons - nous envisager la suite des Ă©vĂšnements ? Testez, câest puissant et cela fonctionne !
987 Alesis Micron
This is one of the cutest, smallest, yet most powerful synths I've ever put my hands on! The Micron is the sequel to the popular Ion, and while it can be considered as the Ion's younger brother, it actually has a few enhancements that are absent on the big bro. This is a very clean, precise, sparkly and definitely virtual analog (or analog modeled) sounding synth. Eight voices of polyphony are plenty for these types of units, but we would always want more. The synth engine is the same as the Ion though, but extra and welcome features include sequencing, arpeggio, and great on board percussion, and the ability to build patterns. The Micron really sounds bigger than it looks: while personally I feel that the character of its synth engine leans on the more digitally precise DSP side of virtual analog technology, it's certainly capable of huge, warm and fat sounds. The main panel is logically laid out and easy to understand. At the very left, a big red knob offers volume control; the two "m1" and "m2" sliders provide useful modulation control, typically (but not always) vibrato and filter cutoff. The three knobs labeled "x", "y" and "z" also offer way of modulating sounds, and can (ought to) be assigned to your favorite parameters. Two octave buttons, and other useful commands such as tap (tempo) and latch (sustains the notes) occupy the space at the left of the two-line backlit green display. Finally, a multi-function matrix with push-down knob serve as the central nerve system of the machine, letting you easily access programs, setups, configurations, patterns and rhythms. You do the programming by turning the knob to view the various editing pages. In all, it's simple to program, and the manual does a fantastic job of being easy to follow and easy to understand.
986 Arduino Blog Â» Blog Archive Â» CHEAP, FAT and OPEN
synth Jacob Remin, at CIID will present on August 27th, his Arduino-compatible sound synth. There are many projects out there aiming musicians that use Arduinoâs IDE as a programming platform, but Jacobâs wins them all when it comes to the PCBâs shape. Take a look at the picture here and explore his thesisâ blog for more information and videos where he shows the system at its full power. (c) 2009 Cheap, Fat, and Open by J. Remin As for today he hasnât published the videos using the final PCB, yet. However you can get a sneak preview to how it will be to play with it at the prototype he hand-wired using bits and pieces from a Stylophone, an LCD, some buttons, and other parts.
980 Fake Synths Process Post Â« Shout Out Out Out Out
For our Coming Home video we needed some burnable synths. Being a handy guy with a skill saw and plumb bob I whipped up three fake keyboards based on the Sequential Prophet 5, The Moog Voyager and a large 5U modular. It nearly destroyed my mind and I ended up basically pulling 3 all-nighters to finish in time. Anyway, the plan was to make them look as authentic as possible and to that end, I think we succeeded. Here are some pics of the processâŠ
977 modern jewelry inspired by nature by nervoussystem on Etsy
Nervous System works at the intersection of science, art, and technology. We combine generative computer simulations with digital fabrication to earrings, necklaces, rings, bracelets, brooches
973 zCover X5
iPod, nano, iAUdio, Samsung, YH820, YH925, Sony, Walkman, MN-HD5, network, Tosiba, Gigabeat, Sony PSP, iPod, iPod G4, iPod mini, iPod Shuffle, iRiver, iRiver H10, PalmOne, Tero600, Tero650, Creative, Zen, Creative Zen Micro, Creative Zen PMC, PMC, Camouflage, Candy, original, silicone, silicon, silicone alliance, case, skin, silicone case, silicone skin, protector Headphone & USB Reset hole Mic hole Power Switch Advanced molding technology and contour design in the latest style allows full access to all controls and connectors. Low Profile removable, rotating Belt Clip can be rotated and locked so that you can wear your iAudio vertically or horizontally when clipped to your belt. Crystal clear Hard Screen Protector with Rubber Ring Pad provides the best protection and vision effect, it won't slid around or scratch your device. Applied SA flipper lid concept, integrated subpack port flipper cover can help to keep dust, dirt and liquids out. Removable Belt clip with a soft landing insert disk, which will not scratch your device.S zCover silicone cases are crafted from non-toxic, durable HealthCare grade silicone rubber. It is safe Washable - you can wash zCover silicone case by hand. Make sure itâs dried out before putting your iAudio into it. Dry it in room temperature. Please avoid direct fire and direct bright sunshine.
967 Anarchestra: www.anarchestra.net
Anarchestra is a group of exerimental musical instruments and the people who play them. The instruments, built by Alex Ferris, are predominantly steel with a few adapted parts, such as tuning machines and mouthpieces. The instruments were built to encourage non-musicians to explore the making of sound, to allow experienced musicians to make sound unconstricted by their technical habits and preconceptions, and to provide an alternative vocabulary of musical sounds. Musical Instrument Construction,Musical Instrument Design,Experimental Musical Instruments,Experimental Music,New Music,New Musical Instruments,Avant-Garde Music,Improvisation,Collective Improvisation,Free Jazz,Anarchist Music,Anarchist composition,Anarchist Aesthetics,Aesthetics of music,Music theory,Alternative Music,Alternative Tuning,Steel Musical Instruments,Welded Musical Instruments,Punk,Noise,Noyz,21st century music,post-modern music
962 25 Abandoned Soviet Monuments that look like they're from the Future | Crack Two
These structures were commissioned by former Yugoslavian president Josip Broz Tito in the 1960s and 70s to commemorate sites where WWII battles took place (like TjentiĆĄte, Kozara and KadinjaÄa), or where concentration camps stood (like Jasenovac and NiĆĄ). They were designed by different sculptors (DuĆĄan DĆŸamonja, Vojin BakiÄ, Miodrag ĆœivkoviÄ, Jordan and Iskra Grabul, to name a few) and architects (Bogdan BogdanoviÄ, Gradimir MedakoviÄ...), conveying powerful visual impact to show the confidence and strength of the Socialist Republic. In the 1980s, these monuments attracted millions of visitors per year, especially young pioneers for their "patriotic education." After the Republic dissolved in early 1990s, they were completely abandoned, and their symbolic meanings were forever lost. From 2006 to 2009, Kempenaers toured around the ex-Yugoslavia region (now Croatia, Serbia, Slovenia, Bosnia and Herzegovina, etc.) with the help of a 1975 map of memorials, bringing before our eyes a series of melancholy yet striking images. His photos raise a question: can these former monuments continue to exist as pure sculptures? On one hand, their physical dilapidated condition and institutional neglect reflect a more general social historical fracturing. And on the other hand, they are still of stunning beauty without any symbolic significances. I know this may sound schizophrenic if you also read my last post. But maybe there are forms that can transcend meaning...
956 MIDI Specification
The MIDI Specification MIDI (ie, Musical Instrument Digital Interface) consists of both a simple hardware interface, and a more elaborate transmission protocol. For a simple, layman's explanation of what MIDI is, read What is MIDI? The MIDI Specification is published by the MIDI Manufacturer's Association, ie, MMA (although this online document gives you the same information for free, in easier-to-understand language, and in many cases, with even more detail than the official document). synth
949 simple algorithms
Hi. This is a place to find information about some of the more fundamental algorithms used in computer science. This information is widely available on the net, but hopefully the way it's presented and discussed here will resonate with you. Most of these are things you wouldn't need to write yourself. Modern libraries and languages tend to have quality implementations for all of this. Nonetheless, I truly believe that understanding how things work is key to improving how we work. Enjoy.
947 htaccess tester
897 Generic Synth Preset Storage and Conversion
For my synths with preset storage and the ability to dump & load presets via midi sysex, I wanted to be able to feed the sysex of a synth into a software program which can display the sound parameters in a meaningful form, and convert the sound into the sysex format of any of my other presets synths The generic patch storage format must display meaningful values for the parameters (filter envelope amount = 1/2 octave, envelope 1 attack = 50ms, etc) and convert between these values and a given synth's sysex (as much as possible - resolution probably isn't good enough to get envelope attack to exactly 50ms on each and every synth, and envelope shapes vary between synths, etc). The storage format will also store the original parameters, using the "native" value range of each parameter (e.g. filter cutoff frequency between 0 and 127) as well as the original sysex program as an ASCII hex dump. Since I didn't find any software which could do this, I began writing my own in Java. I am concentrating on converting basic analog components; any on-board effects are not used.
894 Sonic State - News (Video Item) WNAMM11: Make Noise PhonoGene, Tape splicer and looper
(Video Item) WNAMM11: Make Noise PhonoGene, Tape splicer and looper Synths, Make Noise, WNAMM11: Make Noise PhonoGene,Tape splicer and looper Tony Rolando from Make Noise shows off his new PhonoGene Tape splicer/ Looper Eurorack module. A mix of sampler, splicer and tape echo in digital form it can dice up your audio sample and give you control over many parameters in real time. Also on show was the new Modumix balanced modulator and the Timbre Mixer a low pass gate with a damper circuit. All should be available Q1 2011
890 Make Noise PhonoGene, Tape splicer and looper
(Video Item) WNAMM11: Make Noise PhonoGene, Tape splicer and looper Synths, Make Noise, WNAMM11: Make Noise PhonoGene,Tape splicer and looper Tony Rolando from Make Noise shows off his new PhonoGene Tape splicer/ Looper Eurorack module. A mix of sampler, splicer and tape echo in digital form it can dice up your audio sample and give you control over many parameters in real time. Also on show was the new Modumix balanced modulator and the Timbre Mixer a low pass gate with a damper circuit. All should be available Q1 2011
I have started to build a (slightly) updated version of the Korg PS-3200 synthesizer. The PS-3200 was the last of three fully polyphonic, semi-modular analogue synthesizers offered by Korg in the late 70's. (See Ben Ward's excellent Korg PS site for detailed information, including user manuals.) The concept of the PS-Synthesizers was different from other manufacturer's early polyphonic instruments. Instead of using a small number of voices and a clever keyboard assigning circuit, the "PolyKorgs" had a complete synthesizer circuit, hard wired to each key. That makes a total of 48 VCFs, 48 VCAs and 48 voltage controlled ADSRs even for the smallest of the range, the PS-3100. The largest of the range, PS-3300, even had 144 of these circuits. The sheer number of synthesizer circuits called for an extremly economic circuit design, and it's a joy to look at Korg's design ideas which led to building blocks that almost did the same as in the better known "classic" synthesizers. And after many years of engineering and reverse-engineering electronic music circuits, I have learned to look at odd solutions not as "substandard", but as a source of creativity an individual character. Here's a list of some highlights: Function Implementation Side effects Single-Transistor Waveform Converter creates triangle, saw, pulse and PWM from saw input, using one (!) transistor, one diode and two resistors per voice, plus two global control voltages Pulse height also changes with pulse width 5-Transistor-VCF (Korg-35) A Voltage controlled 2-pole (Sallen&Key) LPF built from 5 transistors rather high CV feedthru Single-Diode VC Resonance The dynamic resistance of a simple diode is used to alter the feedback gain of the VCF limited range of Q "Expand" function instead of VCF Envelope modulation depth Instead of scaling down the ADSR with a VCA, the a variable portion of the Envelope is just clipped with a single diode. It's so remarkably close to ordinary VCA function that apparently nobody takes notice. At least I have not read about it anywhere. At slow Atack times, the Envelope appears delayed at the VCF (no effect until th eclipping point is reached). Usefull for Brass sounds, and not easy to emulate with conventional synthesizers. Minimum parts count Voltage Controlled ADSR Three transistors, 1/2 of a LM324 and one CD4007 per voice. Plus some more involved control circuit, shared by several voices Transistors must be selected in 13-tuples, not just in pairs. ADSR detail (1): One-opamp control logic 1/4 LM324 is used as Flipflop, which is dynamically set by Gate-ON, dynamically reset by Gate-OFF, statically reset when the attack peak voltage is reached, and whose set/reset sensitivity is altered by a CV Very odd "Hold" function, depending on the "Attack"-value. But very useful in practise. ADSR detail (2): Single-Transistor, exponential slope VC-Decay Using a single transistor per voice for VC Attack and Release is remarkable already, even though the A and R slopes are linerar. But the Decay slope is exponential, and this is achieved with a single transistor and two resistors per voice! The Decay time range is rather limited. No ultra fast Decay, and no ultra slow Decay either. Single-Transistor VCA That's the "Korg standard" VCA, well known from other instruments like the MS-10.
882 Dave Smith Evolver
Dave Smith, creator of the Prophet 5 and Wavestation, moved into software synthesis in the '90s, but now he's back with what he calls 'the ultimate dongle' — a hardware analogue and digital synth. We find out if he's still evolving... Dave Smith Sequential
873 Search Results: Items matching occult taken from The Goetia: The Lesser Key of Solomon the King (1904)
occult: literally, that which is hidden, or secret knowledge, but in this case anything to do with magick, pagan rituals, necromancy and so forth.
871 Get familiar with HTML5! - Dev.Opera
Dev.Opera article: Get familiar with HTML5! developer,article,html, wsc,html5,web standards curriculum,open web Introduction Most of the web standards curriculum is based on the last stable version of HTML â HTML 4.01. The HTML 4.01 spec was completed in 1999, over 10 years ago as of the time of this writing! But unless you've been hiding under a rock for the last year or so, you'll be well aware that there is a new version of HTML in production â HTML5! So why have we been teaching you HTML 4.01 in spite of this? In this article we'll answer this question, and many more. We'll give you the essential background you need to know on why HTML5 came about, and where it is up to now. We'll advise you on how it can fit into your learning right now, even if you are a novice web designer or developer, and we will look at some of the main features of HTML5, so you can see what it adds to the already powerful HTML language.
870 How I Use Visualization To Drive Creativity
This is a guest post by Mark Suster, a 2x entrepreneur turned VC. ĂÂ He sold his second company to Salesforce.com, becoming VP of Product Management. He joined GRP Partners in 2007 as a General Partner focusing on early-stage technology companies. Read more about Suster on his blog atĂÂ Bothsidesofthetable and on Twitter atĂÂ @msuster. This is a guest post by Mark Suster, a 2x entrepreneur turned VC. He sold his second company to Salesforce.com, becoming VP of Product Management. He joined GRP Partners in 2007 as a General Partner focusing on early-stage technology companies. Read more about Suster on his blog at Bothsidesofthetable and on Twitter at @msuster. Creativity. Iâve always believed itâs been one of the most important attributes of business success yet something very few business leaders talk about. So I thought Iâd write a post about how I drive my personal creativity. As a practitioner of creativity rather than as an instructor of it Iâm certain that there are many ways to get the creative juices flowing and how to release more creativity. The one that works best for me is visualization coupled with self talk. Visualization is so important to help yourself & others conceptualize ideas. Itâs why I always work hard to find images for my blog posts & why all of my keynote presentations are visual rather than bullet points with words.
869 Top 18 jQuery Slider/Image Gallery Tutorials and PluginsImage
Today I have collected 18 best jQuery Slider/Image Gallery Tutorials and Plugins for you. Enjoy creating beautiful galleries with these excellent jQuery resources. jquery tutorials, jquery plugins, image galleries, sliders jquery plugins, galleries jquery plugins
868 How Facebook Ships Code Â« FrameThink â Frameworks for Thinking People
Iâm fascinated by the way Facebook operates. Itâs a very unique environment, not easily replicated (nor would their system work for all companies, even if they tried). These are notes gathered from talking with many friends at Facebook about how the company develops and releases software. Itâs been over six months since I assembled these observations and Iâm sure Facebook has continuously evolved its software development practices in the meantime. So these notes are probably a little bit out-of-date. It also seems like Facebookâs developer-driven culture is coming under greater public scrutiny. So Iâm feeling more comfortable now about releasing these notesâŠ HUGE thanks to the many folks who helped put together this view inside of Facebook! Thanks are also due to folks like epriest and fryfrog who have written up corrections and edits.
Just Beautiful! What an amazing instrument! The DSI Evolver has the signature "old school" timbre down pat as well as being able to provide digital timbres reminiscent of the Waldorf Q. There's certainly a "rougher" side available as well with all the feedback implementation and controled distortion. Being able to make PM type plucked and blown sounds is just icing on the cake. Dave Smith should be commended for a job well done. Just have a look at the Panel Layout to get a taste of what this beauty can dish out - the controls are pretty much laid out in the form of a signal path graphic. Be sure to visit Dave Smith's Website! Evolver Sound Examples There are a lot of demos of the Evolver on the web showcasing the gutsy harsh sounds of this beast so I decided to post demos of some of my own patches as examples of the "softer" more "vintage" side of the Evolver's timbre. I make no apologies for these unpolished recordings - these are merely sound samples ;) Resonant Plucked Pad This pad shows some of the rich resonant nature of the filter. Soft Lead This is a simple analog brass lead patch. FM Pad A fun patch with lots of motion made using my "Audio-rate Filter FM" programming tip below. Warm Pad A nice bland-vanilla pad ^_^ What can I say? I love pads... For more MP3 demos showing the full gamut of sounds the Evolver and Polyevolver are capable of, please visit the excellent website of Stefan Trippler! The Definitive Guide to Evolver This rather in-depth guide to the Evolver goes places and does things a mere manual can't. This labor-of-love was crafted by Anu Kirk and with his kind permission, I am offering this fantastic resource right here in PDF format! A much smaller version (400K) is here but it dosen't have internal hyperlinks. Programming Tips Here's a fun repository of programming tips for the Evolver in all its incarnations. Please email me if you would like to add some. Fingered Wave Sequence Submitted by Dave Bryce. This brilliant technique has to be heard to be believed! Plus, its one of those cool things unique to the Evolver! This particular tip is so full of detailed information that it gets its own page! Audio-rate Filter FM Submitted by James Maier. Use the "Audio Mod" parameter in the Filter section to frequency-modulate the cutoff with the analog oscillator. Add resonance until the filter is just on the edge of oscillation then mod the cutoff with just a little triangle LFO set at a very slow speed. Amazing moving chorusing pad and lead sounds can be made this way. Fatter Bass/Pad Sounds Submitted by Mike Peake. Set the same sound in both channels (detuned saws, for instance). With the filters at the 24dB setting, increasing resonance cuts the passband as on the Moog filters. Set Envelope 3 to minimum attack, maximum decay and release, and sustain to maximum. This "creates" an offset, a continuous "on" signal while the keys are gated. Modulate one filters' resonance up (just one), or of the overall resonance level is high, us it to modulate one filters' resonance to its minimum. You get the resonant character plus the size of the non-resonant filter. Use Tri and Sine waves on that side too. "Warmer" Sounds Submitted by James Maier. The Evolver can make many ultra-bright and buzzy sounds due to its extensive feedback and distortion stages but sometimes people miss the subtler side of the beast. For a warmer sound use little or no distortion, close the filter just a bit and turn off the feedback and delay lines. I've managed to get dead-on Prophet5 timbres this way. Adding "Punch" Submitted by Mike Peake. Set the envelopes to linear, and use a Mod to modulate AmpEnv All by itself (lin through log responses with positive and negative self-modulation). This is of course fun on the filter envelopes as well. More Vintage Character Submitted by Mike Peake. Oscillator Slop, set at 5, doesn't come close to the Moog and other old-timer movement, so add slight (1 or 2) LFO to pitch modulations, with individual LFOs per oscillator, and a touch of LFO to LFO rate modulation. A tad of Envelope 3 to pitch helps as well. Don't miss out on the 12dB filter setting Submitted by Mike Peake. The 24dB setting has much more resonance, but the 12dB setting can sound nice and plucky, and do nice slightly fuzzy pads etc. DSI Evolver Waveshape Charts Below are charts I've assembled of the digital waveforms and their spectra as currently used in the DSI Evolver synthesizers. Originally these waves were unique to the SCI ProphetVS vector synth. I find these waveform/spectra graphics really usefull when programming sounds - maybe you will as well. Pay special attention to the spectra as this info is sometimes much more useful than waveshape in determining actual timbre - even before you hear what the waveform sounds like. These are designed to be downloaded (right-click & "save target as"), and printed at 300dpi on 8.5" x 11" pages - don't resize these images before printing or you will lose useful detail. Use them as a handy refrence. This information was cobbled together from various scattered sources (with very special thanks to Achim Gratz!). Any errors or omissions are my own. ^_^ HAVE FUN!!! Page 1 Page 2 Page 3 Page 4 As far as the origin of these waves is concerned, one of the original VS engineers, Chris Meyer, said: "The original waves for the VS were created three ways - extracting single-cycles from sampled sounds, using a custom additive synthesis program, and using a program Josh (Josh Jeffe, another VS engineer) slapped together called "Hacker" where you could draw the waveshape. These were fed straight from the computer through the filter and VCA of a Pro-One to figure out what they might sound like in a patch. And by the way, no PPG waveforms appear inside the VS - we had access to them, but in the end our consciences got the better of us. We did steal some waveforms from the Korg DW6000, but only by looking at the harmonic drawings on the front panel and trying to imitate them in our additive synthesis program." Modulation Matrix "Cheat Sheet" This chart shows all the modulation routing available on the Evolver. This same info is available in the manual but this can be printed on a single sheet of paper as a handy refrence! Evolver Wallpaper These I created just for fun and desktop "beautification" ;) 1280 X 1024 1024 X 768 800 X 600
851 50+ Sites with Free Stock Photography | Literary Spring Designs
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843 PC Pedia -| Blogger| Computer Tips | tricks |Internet Tools |SEO| Tech | Reviews: Increase Traffic by 150-300% with Wahoha- Unique visitors
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824 Set Up and Get to Know Your New Camera
Whether it takes photos or videos, and whether it fits in the palm of your hand or has interchangeable lenses, you've got a brand new camera to play with. Here's how to get the most out of your great new gift. Set Up and Get to Know Your New Camera, software, productivity, technology, downloads, life hacks, hacker, lifehacks, computing, lifestyle, timesavers, health, internet, personal technology, DIY, projects, tricks, advice, backup, email, Mac, Windows, Firefox, Google, Yahoo, Gmail, keyboard shortcuts, household, HOWTO, how to's, tutorials
812 ED102 - Octave-Volts-Hertz
The ED102 borrows heavily from the Korg MS-02âą although it was developed independently of Korg Inc. Korg and MS-02 are the trademarks of Korg Inc. Among presently available music synthesizers, there are two different types of control system used for controlling devices such as the VCO (voltage controlled oscillator) and VCF (voltage controlled filter). These two systems been: Hertz/Volt (Hz/V) and Octave/Volt (Oct/V). The graph to the left shows the relationship between the VCO oscillator frequency (pitch) and the control voltage (keyboard output voltage). The straight line on the graph is from a synthesizer in which there is a one octave change for every one volt change in the control voltage (Oct/V). In contrast, the curved line on the graph is the control voltage from a synthesizer in which the VCO frequency is proportional to voltage (Hz/V system). To allow these systems to work together you will need a module like this ED102. The built-in, fully adjustable log amp and anti-log amp ensure complete system flexibility and compatibility between any presently voltage controlled synthesiser. The Hz/V system In the Hz/V system, the VCO oscillator frequency is proportional to the control voltage so that, for example, if the frequency of a VCO increases by 100Hz for every volt applied, then applying 1V, 2V and 3V to this VCO would generate 100Hz, 200Hz and 300Hz respectively. The Oct/V system In the Oct/V system the VCO oscillator frequency changes one octave for every one volt change in the control voltage so that, for example, 1V, 2V and 3V to a VCO would generate 200Hz, 400Hz and 800Hz respectively. Features and Functions Log Amp: This changes a Hz/V type keyboard CV (control voltage) output into an OCT/V type of CV. Use the Log Amp to change the control signal from, say, a Korg or Yamaha synthesiser into a signal you can use with another type of synthesizer. Antilog Amp: This changes an OCT/V type of keyboard CV output into a Hz/V type of CV. Use this Antilog Amp when you want to control, say, a Korg synthesiser by means of a unit that uses the OCT/V system.
794 TouellSkouarn Gallery
TouellSkouarn is a boutique pedal & stompboxes builder with breton serigraphy and/or etching, vintage and NOS components, based near Brest - France. pedal, fuzz, vintage, NOS, fuzzes, tube, preamp, breton
788 Setting Up Your Digital Camera For HDR Shooting
Youâve probably heard of High Dynamic Range (HDR) Photography, itâs made quite an entrance into the world of digital photography. If you havenât, the HDR process is accomplished by taking multiple exposures of a high contrast scene (usually a landscape or cityscape), at different levels of brightness, and then combining the best light from each exposure into one image. The end result is a stunning image that very closely resembles how the human eye views a scene. This process of digital manipulation has caused a bit of controversy and debate in the world of photography, especially with images that are âover-cooked.â One thing is for sure though, HDR is here to stay. When done right, this unique and in depth processing technique can produce beautiful works of art that mimic the way we view and remember a landscape or scene. The above image is an example of what HDR processing can produce. This image, taken from the Big Island of Hawaii, would not be possible without HDR processing. It was taken around noon, the harshest light of the day. The first image is the best image my camera could produce given the situation. While still beautiful, there are obvious problems. Get ready, this article is going to show you how to take your digital camera and turn it into an HDR shooting machine!
786 InfoGraphic: How to Save Money Shopping Online | Out of Debt Again
Shopping online can be a great way to save money. It's easy, here are a few examples. Credit Loan provided a nifty infographic to go with my post today. | Out of Debt Again amazon,com,shopping,affiliate,buy,online,rewards,infographic, credit loan
781 Atlas obscura
About the Atlas Obscura Welcome to the Atlas Obscura, a compendium of this age's wonders, curiosities, and esoterica. The Atlas Obscura is a collaborative project with the goal of cataloging all of the singular, eccentric, bizarre, fantastical, and strange out-of-the-way places that get left out of traditional travel guidebooks and are ignored by the average tourist. If you're looking for miniature cities, glass flowers, books bound in human skin, gigantic flaming holes in the ground, phallological museums, bone churches, balancing pagodas, or homes built entirely out of paper, the Atlas Obscura is where you'll find them. The Atlas Obscura is not just about collecting oddities. In an age where everything seems to have been explored and there is nothing new to be found, the Atlas Obscura celebrates a different way of traveling, and a different lens through which to view the world. The Atlas Obscura depends on our community of far-flung explorers to find and report back about the world's wonders and curiosities. If you have been to, know of, or have heard about a place that belongs in the Atlas Obscura, we want you to tell us about it. Anyone and everyone is welcome and encouraged to nominate places for inclusion, and to edit content already in the Atlas. Thanks for stopping by, and good exploring!
780 The 6 Creepiest Places on Earth (Part 2) | Cracked.com
Whether it's due to their bizarre histories, suspicious coincidences or good ol' human insanity, these are the locations even the die-hardest of atheists wouldn't venture into without a crucifix and a Super Soaker full of Pope-blessed water.
777 SPERRZONE: [ K E Y C H A I N S ]: Zazzle.com Store
About Beat Hauser, SPERRZONE Beat Hauser is interested in industrial archaeology and history of Europe. His special area is the brewing industry of Switzerland and the former German Democratic Republic. Since 2003 he is taking pictures of industrial areas and abandoned places within all Europe. On his web site SPERRZONE (www.sperrzone.net) he does not only present his own pictures, but also some information about the related factories and places as well as historical photo post cards, old letter heads, labels, advertisings to document the history of the factories. Most pictures are taken in abandoned factories. Abandoned places and industrial ruins are generally seen as ĂąÂÂspots of dirtĂąÂÂ and people feel uncomfortable around them. Often such places have a very long and interesting history, which seems almost forgotten today. Instead of the activity of former days there is nothing but silence and emptiness. Instead of windows, black holes are staring out of the walls. But very often the architecture of elapsed eras is attractive and astonishing. In combination with the emptiness and beginning decay, such places often spread the impression of a dream world. Decay and nature give new structures to strictly geometric forms and lines, e.g. in production halls. Moisture, moss and rust give new colors to gray halls. Beat Hauser tries to capture these impressions with his photographs. Aesthetics of decay is illustrated in its huge variety from huge industrial plants to small details. Past exhibitions 10 Jun ĂąÂÂ 1 Jul 2007 3Fotografen3, Alte evangelische Kirche Kirchzarten (Exhibition of the 3 winners of the ĂąÂÂKirchzARTener FOTOsalons 2006ĂąÂÂ) 2 Dec ĂąÂÂ 3 Dec 2006 KirchzARTener FOTOsalon 2006, Kurhaus Kirchzarten (Photo contest with 54 participants, 1. rank) 20 Nov ĂąÂÂ 21 Nov 2004 KirchzARTener FOTOsalon 2004, Kurhaus Kirchzarten (Photo contest with 46 participants, 11. rank) Several beamer shows at party events of ĂąÂÂRigor MortisĂąÂÂ and ĂąÂÂSolanaceaeĂąÂÂ in Basle, Aarau, Pratteln and Reinach (all Switzerland) sperrzone, industry, industrial, archaeology, industrie, industriekultur, zerfall, decay, architektur, architecture
772 16 Step Sequencer (With improved PCB) (+/-9V to +/-15V)
Article by Ray Wilson Back to "Music From Outer Space" Analog Synth Pages Watch Thomas White's Excellent Sequencer Videos on YouTube http://www.youtube.com/watch?v=EU6d24_eZ08 http://www.youtube.com/watch?v=AvZi-YMvHRE http://www.youtube.com/watch?v=s5cx6Z7wDOg Thomas White used the MFOS sequencer boards to produce this incredible rotary sequencer. Visit his site to keep up with his latest awesome projects. Features Improved PC board (far less kludging). Produces sequences of 4 to 16 steps in length Modes include stop at count, reverse at count, reset at count and random 16 mode Each step has coarse tune, fine tune, and switchable gate Accepts external clock and external start pulse. Simultaneous outputs with and without portamento. Forward, Back, and Reset controls ease sequence set up. Introduction Please see the pages at 16 Step Analog Sequencer Circuit for details regarding circuit descriptions etc. This page is here soley as a vehicle to present the new PC boards and support board purchases. The schematic and PCBs presented here incorporate all of the improvements and modifications shown on the previous sequencer pages. Panel to board wiring is presented here. Please browse the entire page before ordering board to ensure you understand the circuit and there is enough information provided here for you to successfully complete the project prior to purchasing PC boards. Thanks.
767 The 5 types of programmers Â« Steven Benner's Blog
In my code journeys and programming adventures Iâve encountered many strange foes, and even stranger allies. Iâve identified at least five different kinds of code warriors, some make for wonderful comrades in arms, while others seem to foil my every plan. However they all have their place in the pantheon of software development. Without a healthy mix of these different programming styles youâll probably find your projects either take too long to complete, are not stable enough or are too perfect for humans to look upon. The duct tape programmer The code may not be pretty, but damnit, it works! This guy is the foundation of your company. When something goes wrong he will fix it fast and in a way that wonât break again. Of course he doesnât care about how it looks, ease of use, or any of those other trivial concerns, but he will make it happen, without a bunch of talk or time-wasting nonsense. The best way to use this person is to point at a problem and walk away. The OCD perfectionist programmer You want to do what to my code? This guy doesnât care about your deadlines or budgets, those are insignificant when compared to the art form that is programming. When you do finally receive the finished product you will have no option but submit to the stunning glory and radiant beauty of perfectly formatted, no, perfectly beautiful code, that is so efficient that anything you would want to do to it would do nothing but defame a masterpiece. He is the only one qualified to work on his code. The anti-programming programmer Iâm a programmer, damnit. I donât write code. His world has one simple truth; writing code is bad. If you have to write something then youâre doing it wrong. Someone else has already done the work so just use their code. He will tell you how much faster this development practice is, even though he takes as long or longer than the other programmers. But when you get the project it will only be 20 lines of actual code and will be very easy to read. It may not be very fast, efficient, or forward-compatible, but it will be done with the least effort required. The half-assed programmer What do you want? It works doesnât it? The guy who couldnât care less about quality, thatâs someone elses job. He accomplishes the tasks that heâs asked to do, quickly. You may not like his work, the other programmers hate it, but management and the clients love it. As much pain as he will cause you in the future, he is single-handedly keeping your deadlines so you canât scoff at it (no matter how much you want to). The theoretical programmer Well, thatâs a possibility, but in practice this might be a better alternative. This guy is more interested the options than what should be done. He will spend 80% of his time staring blankly at his computer thinking up ways to accomplish a task, 15% of his time complaining about unreasonable deadlines, 4% of his time refining the options, and 1% of his time writing code. When you receive the final work it will always be accompanied by the phrase âif I had more time I could have done this the right wayâ. Where do you fit? Personally, Iâd have to classify myself as the perfectionist. So, which type of programmer are you? Or perhaps you know another programming archetype that is missing from my list? Post a comment below and Iâll add it to a new updated list.
761 Midi Software - Synth Zone
MIDI Sequencing SoftwareAnvil Studio Anvil Studio is a MIDI and audio sequencer and is free software for Windows users. Building Blocks Building Blocks for Windows is a multifunctional MIDI application / modular sequencer, that allows you to build custom controller remapping, LFO's, arpeggiators, autochords, drum and note sequences, echoes etc. Busker A Windows score editor and player that has Yamaha style support. 1000s of Yamaha styles can be downloaded for free. Another great music software tool from Jos Maas. Cakewalk Sonar Windows & Mac sequencer now with integrated midi and audio. Sonar demo available. For other Cakewalk resources see Synth Zone's Cakewalk Page Cubase - Steinberg Featuring integrated midi & audio package Cubase VST For more info & related links see Synth Zone's Cubase Links Cursed Sequencer Open Source sequencer for Windows and Linux. Digital Performer MOTU presents Digital Performer for the Mac, a complete digital audio and MIDI production environment. Competitive upgrades available. See the new Digital Performer mailing list. Ditty Ditty is a freeware MIDI sequencer for Windows aimed at assisting piano practice. Easybeat Mac MIDI sequencing software from Uni Software Plus. Features include a software GM wavetable synth. Energy XT Energy XT is Windows sequencer/composer software. Fl Studio Windows application that provides easy to use yet powerful MIDI/digital audio sequencing and looping tools. Intuem Mac OSX MIDI sequencer that provides a variable-tempo system and a simple way to transform a real, human, performance into a sequence where bars and beats actually have meaning. Time restricted version available to download. Jammer - Soundtrek Jammer for Windows provides a 256 Track MIDI sequencer with built in studio musicians. A very useful program for creating arrangements & drum tracks with assistance from the software. Also check the Yahoo Jammer Group. JUMP A highly streamlined Windows MIDI sequencer, designed to help you compose music Jazzware - Jazz++ Windows & Linux open source MIDI sequencer with audio support. If you need a MIDI sequencer you really should check it out. Logic Pro Audio Apple's MIDI & audio solution for the Mac. For Emagic product support see the Emagic Legacy pages at Apple. For related information see Emagic Users Page with resources & mailing list for Emagic products, the Logic Users' Net which includes Mac related info, and the Powerkeys "Learning Logic" web site. SwiftKick provides and archive for the Logic Users' Group environments. Editors, MIDI processors etc. are available. Omega Art has Logic info and resources. You can read the History Of Logic at Tweakheadz Lab. Magix Magix Music Studio incorporates a MIDI sequencer with its digital audio sequencer. Massiva An audio/MIDI sequencer for Windows users with undo plus plugin support. This is just an archive of an old site. You can still get it from AudioMelody.com. Massiva has now moved on to become Energy XT Mixcraft Windows software that supports MIDI and audio sequencing.. MU.LAB An alternative, hi-quality music application for Mac OSX and Windows with MIDI and audio support. MultitrackStudio Window digital audio recorder with VST 2.0 plugin and MIDI support. Freeware version and pro versions available. Music Master Win sequencing & notation package with a full graphic interface for Roland VS880 control & integration. Music Master Works A shareware Windows sequencing & accompaniment package. Win95 & Win3.1 versions available. From Aspire software MusicPhrase XL MusicPhrase for Windows is a creative tool for composing music. Features phrase sequencing and visual groove editing tools. Music Studio Producer Music Studio Producer is a free Windows MIDI sequencer, DAW which can host VST(i), supports ASIO. From Aspire software Numerology Numerology is a modular sequencing and audio plugin environment for Mac OS X. Onyx Onyx by Jasmine Music provides powerful sequencing, harmonizer and MIDI-2-Audio rendering. Power Chords By Howling Dog Systems - Innovative Windows midi sequencer using onscreen guitar fretboard interface, plus other unique features for creating strum & rhythm patterns. Demo available PowerTracks Pro Audio PG Music's budget priced sequencer for Windows now features up to 48 tracks of digital audio with effects, EQ, panning etc plus 3rd party plugin support. Pro Tools Digidesign provide Pro Tools for Windows and Mac with MIDI, multitrack audio and plugin support. Quartz Audio Master Quartz Audio Master is free Windows multitrack digital recording software and MIDI sequencing software. Provided by DigitalSound Planet Reaper REAPER is a fully featured Windows multitrack audio and MIDI recording, editing, processing, mixing, and mastering environment. Fully functional evaluation available for download. Rosegarden Rosegarden is a free MIDI sequencer and notation editor for Unix, and has binary distributions for Linux PCs and SGI IRIX. SoftStep SoftStep is a Win9x modular step sequencer based on modular analog step sequencers. Features modules, which are math and logic functions that you treat as physical boxes with knobs and sliders. Style Enhancer Windows MIDI sequencer based on Performance Modeling technology with powerful and intelligent MIDI-data generation and transformation. SwarShala Midi sequencer package for Windows software that covers both the melodic and rhythmic aspects of Indian music. Featured instruments include Sitar, Sarod, Tanpura, Guitar, Tabla, Pakhawaj, Dholki and Bells. MIDI files and WAV files can be output. Sweet Sixteen Midi sequencer package for Windows from Roni Music. And check out the Sweet MIDI arpeggiator for Windows, very cool !! TR-x0x Freeware Windows step sequencer based on the Roland TR-808/909 drum machines. Tracktion Tracktion from Mackie provides low cost MIDI and audio sequencing. Tunafish A Windows VSTi MIDI sequencer with sample support. A fully functional ( save disabled ) demo is available to download. Has sample support and provides a built-in sample/drum sequencer. Xx A multi-track MIDI sequencer for MacOS. It is also an algorithmic compositional tool. Requires OMS. Midi SoftwareAudible Oddities - Twerk's Tools Audible Oddities is an audio mastering business and Shawn Hatfield also provides some free music composition tools for the Mac featuring sequencing control and algorithmic music generation. Burnt Toast even has a beta version available for Win XP. Catanya Software pattern arpeggiator VST plugin. MIDI-OX Win9x/NT midi utility providing sysex handling, diagnostics, filtering & mapping of midi data Streams. All Windows MIDI users should check this out. It is also available from Yamaha UK. Also see MIDI Yoke which allows you to route MIDI between different applications. vanBasco's Karaoke Player vanBasco's Karaoke Player is freeware Windows software that plays Karaoke (.kar) and standard MIDI (.mid, .midi, .rmi) files. Provides a piano keyboard and lyric display. Vocal Writer Shareware music & vocal synthesis software for the Power Mac. Not only playback & edit GM midi files, but it will also sing your lyrics (85 voices to choose from) Zel Zel is an interpretive MIDI programming language for Windows. Version 1.2 includes the Zel Drum Machine, a style based composer and editor which makes it easy to create MIDI drum tracks without having to learn the Zel language. Freeware. Midi Sequencing Related SitesAtari-MIDI Yahoo Group for Atari computer users to discuss MIDI applications. Also check The Caged Artist Series Page for once commercial MIDI software that is now freeware. Audio Forums Forums for most major sequencing & digital audio software packages. Harmony Central Provide an archive of MIDI sequencer and notation applications to download. There is software for all platforms available. HitSquad Provide links to a number of MIDI sequencers and "tracker" sequencers for Windows, Mac and Linux. MacMusic.org Macmusic.org have lots of links to Mac specific audio and MIDI sequencing resources. . Mac OSX MIDI Apps A very useful list of links to Mac OSX MIDI applications with descriptions and direct links to the websites and apps. Midijoys Freeware Windows program that combines two independent fully programmable joystick controllers, and a Continuous MIDI Controller programmable sliders that can send a wide spectrum of MIDI control parameters. MidiPlugins.com Links to freeware and commercial MIDI plugins for both Windows and Mac OS9/OSX. Music-X Amiga University Info on the original Amiga sequencer Music-X including writing sysex protocols. Also see Driptomatic Fairytales for Music-X info and resources. AM/FM also provide disk images containing many Amiga MIDI articles and tools. Sonic Control Sonic Control provides information and reviews of sequencers for all platforms as well as MIDI hardware. SourceForge SourceForge provide freeware software for Windows, Mac and Linux platforms and have many MIDI sequencer applications. Sweetwater Sequencer Forum Sweetwater.com provides forums including one dedicated to MIDI sequencers. Vintage Sequencers Tweakheadz Lab provides a great rundown on the ancestors of todays sequencers on computers in the 80s. Very interesting and informative reading with screen shots of many sequencers from the early days of MIDI.
756 Matmos - Supreme Balloon
The arcs of rising and falling pitches that start this song reminded us of a rainbow, and the title stuck: any resemblance to fluttering symbols of homo-nationalist pride are side effects. People have asked us about the Latin kitsch aspect of the song, and we plead guilty to a great love of the Richard Hayman "The Genuine Electric Latin Love Machine" Moog novelty LP from 1969. Having lived in the Mission District of San Francisco for seven years up until our recent move to Baltimore, we have had enough casual exposure to actual Mexican and Salvadorean music to know that this bears only the faintest relation to the real thing. Keith Fullerton Whitman contributed some tasty squelches and zaps from his Doepfer modular synth to brighten the corners, but not everything on here is that high-tech. Consider the lowly stylophone, a handheld novelty instrument popular with British schoolkids that was immortalized during the rave era in the cheesy techno banger "Stylophonia" by the fabulously named UK crew Two Little Boys. The stylophone that is played on this record was sent to us in the mail by a well-wisher and we thank him for this unexpected present. We are even more grateful to Safety Scissors, who forgave us when M. C. Schmidt broke his MS-20 filter knob by tweaking it too vigorously while recording the "horn" part of this song. It's all been patched up now.
746 40 Essential CSS Templates, Resources and Downloads | Speckyboy Design Magazine
Every web developer should have in their toolbox a collection of CSS tools and resources like the ones outlined in this article. A set of techniques that you rely on and that are always at the ready to cover any possible eventuality. You will find not a selection of the latest innovative CSS techniques (there are some) in this article, merely a collection of tools, resources and downloads that can be used by web designers for solutions to everyday CSS design and coding solutions. The resources below have been split into four categories: CSS Download Packages (all of the CSS resources offer multiple variations of each technique), Downloadable CSS Tools (the resources within this category offers specialized templates), Web, Mobile & Form Frameworks (+ tools and templates to help you get started with each); Feature-Rich and Outstanding Mobile & Web Templates and finally, a selection of tools to help with cross browser compatibility. We donât presume that this is an ultimate collection, merely a selection of resources we have found to be indispensable. We are positive we have missed a few, and would love to hear about the tools and resources you rely upon.
727 How To Create an Antique Mirror Effect | Apartment Therapy DC
How To Create an Antique Mirror Effect Mclain Wiesand, a Baltimore-based custom furniture company, has made a name for itself by producing handcrafted pieces that capture the feel of real antiques. One of the techniques they use for aging mirror is wonderfully simple and serves as the inspiration for this how to. Creating an antique mirror effect is an inexpensive way to revamp a flea market find, or add a new layer of interest and depth to an ordinary wall mirror. Almost any type of mirror can be aged using this technique, including mirrored plexiglass. Supplies âą Mirrored glass or plexiglass. Due to the type of paint applied to the reflective coating, inexpensive, craft-store mirror works wonderfully. âą Latex or other gloves for hand protection. âą Paint stripper. Most types work fine. For a less toxic product, Citristrip works well. âą Plastic putty spreader or putty knife. âą Modern Masters Metal Effects Black Patina. This patina solution is essentially an acid that eats at the reflective surface of the mirror. There are probably other products that work similarly, but Modern Masters products work well and can be found online or in most art supply stores or specialty paint stores. âą 1â chip brush (or similar brush). âą Silver paint of choice. Steps Step 1: (Image 2, above) Wearing gloves, place mirror face down on cardboard or other protected surface in a well-ventilated area. Apply stripper generously to back of mirror and allow to sit for a few hours, or until paint can be easily removed with plastic scraper. It is not necessary for all of the paint to be removed; generally speaking, 80-90% should suffice. When paint has been stripped, wash mirror with soap and water and allow to dry. Step 2: (Images 3 & 4) Place stripped mirror face down on clean cardboard or other protected surface. Dip chip brush in Modern Masters Metal Patina Solution and gradually apply it to the raw reflective surface of the mirror. As mirror tends to age from the edges inward, it is best to apply patina solution in heavier amounts around the edges of the mirror. In a matter of minutes (or less), the patina solution will begin to eat away at the reflective surface. Other application techniques that produce nice effects are spattering and light directional brushing of patina solution. Continue applying solution until desired level of ageing is achieved. Rinse with water to neutralize the reaction and allow to dry. Step 3: (photos 5 & 6) This next step involves reapplying paint to the back of the mirror. The color paint you choose will be visible through the spots created by the patina solution. The dark areas of aged antique mirrors tend to be a dark silver-grey but depending on the silvering technique used, can range from gold to pale silver to black. One method that produced nice results is a combination of dark and light silver paints, applied randomly (per images). Apply paint until the reflective surface is completely covered.
722 Making AJAX Applications Crawlable - Google Code
If you're running an AJAX application with content that you'd like to appear in search results, we have a new process that, when implemented, can help Google (and potentially other search engines) crawl and index your content. Historically, AJAX applications have been difficult for search engines to process because AJAX content is produced dynamically by the browser and thus not visible to crawlers. While there are existing methods for dealing with this problem, they involve regular manual maintenance to keep the content up-to-date. Learn more Learn why search engines don't see the content you see and what needs to happen to fix this. Getting started guide Get started in making your AJAX application visible to search engines. If you are in a hurry, you can start here, but AJAX crawling is a complex topic, so we recommend reading all the documentation. Creating HTML snapshots Learn more about creating HTML snapshots, and which technique might be best suited for your application. Frequently asked questions Having trouble? Check out the frequently asked questions. Specification Get the details.
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