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1522 5 Simple steps to secure TT-RSS reader
secure tt-rss, tt-rss security 5 Simple steps to secure TT-RSS reader July 27, 2015 by Anand Leave a Comment secure-tt-rss-ft Share: share htpcBeginner We recently presented Tiny Tiny RSS to you as a great alternative to Google reader, which is one more way you can extend the functionality of your home server or your hosting space. Hopefully, you already exported your data from Google Reader. In this post, we will show you how to secure TT-RSS reader to prevent unauthorized access. Tiny Tiny RSS is an open source web-based news feed (RSS/Atom) reader and aggregator, designed to allow you to read news from any location, while feeling as close to a real desktop application as possible. As we previously explained, it makes an ideal candidate to replace Google Reader. While there are services like Feedly and Newsblur grabbing the crowd Google Reader, which some of you may prefer, there are a group of people who would like to run a RSS reader on their own server and keep things private. Assuming that you have already installed Tiny Tiny RSS on your alternative to Google reader or hosting space, we will now show you how to secure TT-RSS reader. Secure TT-RSS Reader One of the main reasons to move to an RSS aggregator like TT-RSS is maintaining your privacy. So if you do not secure TT-RSS reader well you are not only making your data available public but also making your system vulnerable to potential attacks. Choosing a strong username and password while setting your TT-RSS is the first basic thing that you can do to secure TT-RSS reader. Listed below are few more ways you can increase TT-RSS reader’s security. 1. Rename TT-RSS Folder One of the first lines of defense is to not use tt-rss in your URL to access your TT-RSS reader. To do this on your hosting account, use a folder name other than tt-rss while installing TT-RSS. On your Linux home server, edit /etc/tt-rss/apache.conf and change the first /tt-rss to something else. An example is shown below. TT-RSS Rename URL TT-RSS Rename URL After making the change, restart your TT-RSS and Apache to apply the changes: sudo service tt-rss restart sudo serivce apache2 reload Your TT-RSS reader is now available through the new URL (example: http://mydomain.com/myreader) only. Amazon Kindle Fire HDX 2. Enable SSL Accessing TT-RSS through http sends all information as unencrypted data. This could mean less privacy due to potential sniffing. The solution is to encrypt the data during transfer, which makes sniffing by hackers harder. To enable and enforce HTTPS access on Linux servers with Apache, install the following run-time libraries: sudo apt-get install libssl0.9.8 libpam0g openssl Restart your Apache server as shown above. You should now be able to access your TT-RSS reader with HTTPS. Note that you may have to have a SSL certificate generated. Refer to Apache documentation if you want to generate your own certificate. By default, the system will install self-signed certificates for you. These certificates are likely to raise warnings when you point your browser to the site. 3. Disable Single User Mode By default the single user mode is already disabled (in /etc/tt-rss/config.php). Enabling single user mode will also disable TT-RSS login system. Therefore, keep the single user mode disabled. Disable Single User Mode Disable Single User Mode A better way to make it a single user system is by limiting the number of registrations to 1 as described below. For whatever reason, you still want to enable single user mode, make sure you implement Apache Authentication method described below. 4. Self Registrations Self registrations allow a visitor to register themselves, which could reduce TT-RSS security. If your TT-RSS will be for personal use only, then you may want to disable user registration by setting “ENABLE_REGISTRATION” to “false”. TT-RSS Self Registrations TT-RSS Self Registrations To further secure TT-RSS Reader, uou may also want to change “REG_MAX_USERS” to “1” to make your account the only account on TT-RSS. asus n66uASUS RT-N66U Dual-Band Wireless-N900 Gigabit Router asus n66u reviewsFind out why it is rated the best wireless router in its class. 5. Apache Authentication Last but not the least, enable Authentication. This is even more important if you have enabled “Single User Mode” describe above. Every time you access TT-RSS, you will be asked for a username and password as shown in the picture below: Secure TT-RSS Reader On your hosting account this equivalent to password protecting a directory, in this case the TT-RSS directory. To do this on your Ubuntu server, you will have to create a .htpasswd file. More information is available in Apache documentation. But the easiest way to achieve this is to use one of the htpasswd generators available online. After you enter the username and password two code blocks will be generated. Copy the contents of the .htpasswd code block and save it to /etc/apache2/.htpasswd_ttrss. Next, copy the contents of the .htaccess code block and add it to /etc/tt-rss/apache.conf as shown below: TT-RSS Apache Authentication TT-RSS Apache Authentication Save and exit. Restart both TT-RSS and Apache previous shown above. You should be prompted for a password every time you try to access TT-RSS. Some may think that this double authentication method is an extra inconvenience. But I would rather be safe than sorry. Go ahead, secure Tiny Tiny RSS Reader and enjoy reading articles on your private secure RSS Reader.
http://www.htpcbeginner.com/secure-tt-rss-reader/

1502 Phone-Reluctant Introverts, There is Nothing Wrong With You
As I sit down to write this blog post there is the dreaded sound of a prolonged vibration as my phone skids, bouncing and sporadically across my desk. This is perfectly ideal and ironic distraction that actually befits the very thing I am thinking about and from which it is distracting me
 Itself! I have always had an absolute detest for talking on the phone. And I’ll say now that it has nothing whatsoever to do with the person at the other end, I just find it a horrible tool for communicating with. Phone Box I think I probably am, and always have been worse than most people when it comes to using the phone (in the traditional sense, ie speaking to people) but if you can identify with any of this then read on. If you’re thinking, “what are you on about, I love the phone” then you’ll probably just get confused, but if you also have friends who ‘never answer the phone’ then this might help you to understand them a bit better. I can’t sum it up any better than Sophia Dembling in her article, 9 Signs that You Might Be an Introvert:
http://www.sheepdressedlikewolves.com/phone-reluctant-introvert/

1408 » Cut simple SMT Stencil from common aluminum flashing on your CNC Animodule.com
Cut simple SMT Stencil from common aluminum flashing on your CNC Here’s a quick photodoc of how I made a reusable SMT stencil from some aluminum siding I had laying around. It’s very simple to assemble and works great. Dirt cheap too. I had picked up a roll of aluminum flashing a few years ago to flash some chimneys I rebuilt/repointed and was curious to see how it would hold up as an SMT stencil. To buy an SMT stencil frame is near $1000 so I didn’t have much to lose if it didn’t work out. I cut the frame out of some birch plywood since I had some handy. Really any sturdy frame would do the trick. You could easily glue one together out of some 1x or trim board. I put a thicker sheet of aluminum down underneath the flashing to give the CNC endmill something sturdy to cut against and clamped it down stretched and tight. My thought there was that If I cut straight on the MDF it might push on the flashing and bend it before it cut through. A 1mm endmill did the trick. Each pass was .05mm deep. I pulled the Flashing tight and stapled it to the frame. No rocket science here. I taped up the inside edges so no solderpaste could squeeze between the frame and the stencil. I had some old screen print hinge boards so I just attached this frame the same way I would a screen print stencil. The only fiddly part was aligning the first PCB. You have to push around a little and lift the stencil and fiddle with it a little bit. Once I get all the pads lined up correctly I hold it in place and trace around it with a thin tip sharpie marker. Then you place the PCB in the outline. If you have the height adjusted correctly the stencil is sturdy enough to hold the PCB in place while you print the Solderpaste on it. just hold the stencil frame down and it pushes down on the PCB. I used a flexible putty knife as a squeegee. It worked fine. Cleanup was a breeze. Just scrape it off, unscrew the stencil frame from the hingeboard and stick it in the corner till you are ready to do another run.
http://www.animodule.com/diy-2/cut-simple-smt-stencil-from-common-aluminum-flashing-on-your-cnc/

1397 Windows 8 - retrouvez le menu DĂ©marrer
Windows 8 introduit un changement majeur dans l utilisation du bureau : le menu Démarrer a disparu ! Heureusement, plusieurs solutions existent pour retrouver leurs habitudes...
http://www.clubic.com/windows-os/windows-8/article-516543-1-windows-8-menu-demarrer.html

1322 Hard Soft Synth 3 There are some HSS3s for sale in my shop.scripts:- HSS3S01V...
Hard Soft Synth 3 There are some HSS3s for sale in my shop. scripts: - HSS3S01V38 (HSS3a, HSS3b, HSS3c) - HSS3S02V20 (only audio and optimized for the HSS3f) - HSS3S02V21 (HSS3g) - HSS3S02V33 (works with HSS3j, HSS3i, HSS3g, and probably also HSS3e) - HSS3S03V23 (works with HSS3j, HSS3i, HSS3g, and probably also HSS3e) - HSS3S03V29 (works with HSS3j, HSS3i, HSS3g, and probably also HSS3e) midi lib: - Midi.zip modding: - Modding a HSS3? files: - HSS3i030_etch_bottom.pdf - HSS3i030_etch_top.pdf kit: - assembling instructions - the parts bibliography: - credits gijs gieskes, instruments, circuitbending, music, visula equipment, 1-bit, 4-bit, 8-bit, 16-bit, gameboymusic, lsdj, nanoloop, sequencer, drumcomputer, tr-707, casio, roland, nintendo, sega
http://gieskes.nl/instruments/?file=hard-soft-synth-3

1302 FreeTube v2 : débridage Youtube by rAthur & NoEx for Greasemonkey
FreeTube dĂƒÂƒĂ‚Â©bride les vidĂƒÂƒĂ‚Â©os Youtube pour ne plus qu'elles galùrent leur race quand on est chez Free ;) Lisez bien le paragraphe "Informations sur FreeTube" plus bas pour en connaitre toutes les fonctionnalitĂƒÂƒĂ‚Â©s ! freetube, free, tube, dĂƒÂƒĂ‚Â©brideur, youtube, vpn, proxfree, dĂƒÂƒĂ‚Â©brider, lecteur, player, api, rĂƒÂƒĂ‚Â©soudre, problùme, connexion, vitesse, debit, vidĂƒÂƒĂ‚Â©os, lire, hd, hq, userscript, greasemonkey
http://userscripts.org/scripts/show/161718

1269 the-best-time-to-buy-anything-during-the-year
A bit of planning can save you a ton of money when it comes to buying throughout the year. Here's your comprehensive, always up-to-date guide on the best times to buy everything this year. always up to date guide, best time to buy, saving money, buying guide, buying, shopping, money, discounts, deals, financial, personal finance, chart, feature, Lifehacker
http://lifehacker.com/5973864/the-best-time-to-buy-anything-during-the-year

1217 Serialize java objects using GZip streams (GZIPInputStream and GZIPOutputStream) at INC
A bit of python, a bit of Java, a bit of C, a bit of everything .
http://andreinc.net/2010/12/12/serialize-java-objects-using-gzip-streams-gzipinputstream-and-gzipoutputstream/

1196 Digital Effect Processor Specifications:- DEP2b- DEP2aManuals:- DEP2b manua...
Digital Effect Processor Specifications: - DEP2b - DEP2a Manuals: - DEP2b manual v0.2 Assembling instructions: - DEP2b Buy: - DEP2b gijs gieskes, instruments, circuitbending, music, visula equipment, 1-bit, 4-bit, 8-bit, 16-bit, gameboymusic, lsdj, nanoloop, sequencer, drumcomputer, tr-707, casio, roland, nintendo, sega
http://gieskes.nl/effects/?file=dep-2

1109 Weekend with the Ricoh GRDIV |
I’ve fielded a lot of questions lately about Ricoh’s latest camera, the GRDIV. Honestly, it was getting a little tedious hearing about it haha. Although I suppose I understand considering there’s hardly anything written about it anywhere. I’ve been having a bit of a love affair with Ricoh’s film cameras the last little while so I hadn’t thought much about the GRDIV. After having a chance to get one though, I decided it a good idea to give it a go.
http://jtinseoul.wordpress.com/2011/11/06/weekend-with-the-ricoh-grdiv/

1052 Lab Overview
Not that I recommend this level of excitement to everyone, but this is my lab. It is my basement, and as you may note from the disheveled ceiling tiles up above, having this much equipment has actually forced me to purchase a separate AC unit for the basement. So my trendy two-zone AC house has now magically become a three-zone AC house. Fortunately, I didn't need a furnace for down here. Equipment is great in the winter to heat your house! The lab has taken on a life of it's own over time... It started out as a single standard 7-foot 19" rack. Then it grew to two standard racks... Then it changed into three Ortronics Mighty-Mo 19" rack systems (because those are cool). As seen now, it has changed yet again into four separate rack cabinets. The cabinets are a bit pricey, so they aren't all the same vendor. Note to all, even if you find a really good price on Ebay, be aware that you still have to ship them, and they weigh a LOT! (This means, have lots of friends and lots of pizza/beer!) Nov'04 -- Well, things have moved even more! The equipment was beating the AC unit that ran for the basement. So instead of being a three-level, three-zone house, we had to upgrade to being a four-zone house. Go figure. As noted above, I would not recommend this path to anyone unless you have a good amount of business to drive it! All of the equipment here is used for testing and lab purposes, but easily serves as Proof of Concept lab for many consulting clients of mine. The recent change was that the crawlspace area under the kitchen area was excavated out and had a concrete floor poured making an enclosed little room. In addition, a large air handler (AKA Mongo AC Unit) was put into that specific room and a door was installed for access and physical separation! While all a very interesting project, it is a pain to move any equipment that you amass, so definitely plan ahead for this sort of activity!
http://smorris.uber-geek.net/lab.htm

1032 Silophone
sonic inhabitation of silo #5 silo, silophone, [The User], the user, quartier éphémÚre, sat, net.art, musique, music, live, architecture industrielle, montreal, vieux port, son
http://www.silophone.net/

1011 Atomic Synth Inspired By Buchla, Future Retro Revolution » Synthtopia
Synthesizer and electronic music news, synth and music software reviews and more! Atomic is a 16 step sequencer composing tool with a built in synth that also has the ability to control other softsynths or even hardware via its MIDI out function. The design is circular, inspired by step sequencers such as the Buchla Arbitrary Function Generator and Future Retro Revolution. You can preview Atomic below: Strange Atomics [ 0:46 ] Hide Player | Play in Popup | Download Sequencer: 16 step sequencer in a circular design with 3 rows: seminotes, velocity and gate. BPM Rate with 5 modes including random. Separate rhythm grid. Advanced arpeggiator with separate rate, 5 modes with gate and octave controls. Latch mode for continuous play. MIDI Out for use in modular hosts which also includes LFO’s and step modulators to control external vst’s or hardware. Synth: 2 Oscillators with 14 waveforms including additive partials. Separate phase controls, detune and octave as well as harmonic tuning mode. VCF with 4 filter types with velocity control. 2 dedicated envelope generators, one for amp and one for filter. 2 LFOs, Sub Oscillator, Step Modulator, Random Generator and Keyboard control with zone and mod wheel assign which includes sequencer controls for step and rate. Comprehensive mod matrix. Effects X-Y delay with separate multimode filters which can be modulated via mod matrix. Spacial stereo reverb Phaser with wide sweeping range. Master section with volume, pan and tuning CC map for hardware MIDI knob controllers.
http://www.synthtopia.com/content/2008/04/15/atomic-synth-inspired-by-buchla-future-retro-revolution/

986 Arduino Blog » Blog Archive » CHEAP, FAT and OPEN
synth Jacob Remin, at CIID will present on August 27th, his Arduino-compatible sound synth. There are many projects out there aiming musicians that use Arduino’s IDE as a programming platform, but Jacob’s wins them all when it comes to the PCB’s shape. Take a look at the picture here and explore his thesis’ blog for more information and videos where he shows the system at its full power. (c) 2009 Cheap, Fat, and Open by J. Remin As for today he hasn’t published the videos using the final PCB, yet. However you can get a sneak preview to how it will be to play with it at the prototype he hand-wired using bits and pieces from a Stylophone, an LCD, some buttons, and other parts.
http://arduino.cc/blog/2009/08/25/cheap-fat-and-open/

969 Ilse Ruppert - photography
Ilse Ruppert: her pictures have the beauty of dreams and the cruelty of nightmares In the early 80s she portrayed the punk and new wave scene in Hamburg, Berlin, Paris and London but also actors, painters and writers. ilse ruppert, photos from 80s, 80s photos, art, berlin, exhibition, photos for sale, photography, photos, pics, punk tribes, Keith Richards, KRAFTWERK, Uwe Ochsenknecht, Diego Giacometti, Nina Hagen, RW Fassbinder, Nena, Dennis Hopper, Christiane F, THE POLICE, DAF, Jim Jarmusch, Rio Reiser, Burghard Driest, The Clash, Maria de Meideros, Michel Piccoli, Jean-Paul Gaultier, Marianne Saegebrecht, The Ramones, The Stranglers, Peter Tosh, Tcheky Karyo, Eric Rohmer, Spike Lee, Bob Marley, Frank Zappa, The Straycats, Iggy Pop, Psychic TV, Blixa Bargeld, Annette und Inga Humpe, Xmal Deutschland, Andreas Dorau und die Marinas, Les Rita Mitsouko, Alan Vega, Denis Lavant, Manuel Blanc, Françoise Sagan, Werner Schreyer, The Who, Klaus Nomi, Romane Bohringer, Eric Rohmer, Tcheky Karyo, Roshdy Zem, Jeff Bridges, David Bennett, Peter Coyote, Georg Baselitz, John Boorman, Hubert Selby Jun, The Who, extrabreit
http://www.ilseruppert.de/

967 Anarchestra: www.anarchestra.net
Anarchestra is a group of exerimental musical instruments and the people who play them. The instruments, built by Alex Ferris, are predominantly steel with a few adapted parts, such as tuning machines and mouthpieces. The instruments were built to encourage non-musicians to explore the making of sound, to allow experienced musicians to make sound unconstricted by their technical habits and preconceptions, and to provide an alternative vocabulary of musical sounds. Musical Instrument Construction,Musical Instrument Design,Experimental Musical Instruments,Experimental Music,New Music,New Musical Instruments,Avant-Garde Music,Improvisation,Collective Improvisation,Free Jazz,Anarchist Music,Anarchist composition,Anarchist Aesthetics,Aesthetics of music,Music theory,Alternative Music,Alternative Tuning,Steel Musical Instruments,Welded Musical Instruments,Punk,Noise,Noyz,21st century music,post-modern music
http://www.anarchestra.net/

946 docs synth
- 360 SYSTEMS DIGITAL KEYBOARD brochure / prix / pub 1983 - 360 SYSTEMS MIDI BASS user manual - ACCESS VIRUS catalogue été 2004 - ACCESS VIRUS user manual - ACCESS VIRUS OS4 user manual - ACCESS VIRUS TI brochure 2004 - ACCESS VIRUS TI user manual os1.0 - ALESIS HR 16-MMT 8 brochure - ALESIS HR 16-16B-MMT8 user manual - ALESIS HR16-MMT8 banc essai disc international avril 1988 - ALESIS HR16-MMT8 pub numéra - VOCODER X-32 user manual / sons - XPASS FILTER user manual - SEMblance banc essai keyboards allemagne 2004 - SEMblance user manual - FilteredCOFFEE user manual - DROID 3 brochure - VOSTOK user manual - VOSTOK test electronic musician février 2003 - VOSTOK test keys allemagne - VOSTOK keyboard japon mai 2003 - AKAI AX73 brochure (avril 1986) - AKAI AX80 banc essai sono - AKAI AX80 brochure - AKAI EVI 1000 user manual - AKAI EWI 1000-EVI 1000-EVW 2000 banc essai sono - AKAI EWI 3020 user manual - AKAI EWI 3030m user manual - AKAI ME série banc essai sono (10D 15F, 20A) - AKAI ME série banc essai guitare claviers janvier 1986 (10D, 15F, 20A) - AKAI ME série brochure (juin 1985) - AKAI ME20A user manual - AKAI ME25S brochure - AKAI ME30P user manual - AKAI ME30P brochure - AKAI ME30PII user manual - AKAI MX73 brochure - AKAI S612 brochure - AKAI S612 banc essai sono - AKAI S900 banc essai sono - AKAI S900 brochure (avril 1986) - AKAI S900 carte marion system - import numéra - AKAI S1000 banc essai sono - AKAI S1100 user manual - AKAI SG01P user manual - AKAI SG01V user manual - AKAI U4 phrase trainer brochure - AKAI VX90 brochure (avril 1986) - AKAI VX90 banc essai sono - AKAI XR 10 brochure - AKAI PEQ6 - MB76 banc essai sono - AKAI pub - AKAI catalogue gamme 86 - ARP AVATAR brochure publicitaire / modulaire façon 2600 / - ARP AXXE banc essai disc international / pub keyboards 1976 / pub keyboards 1977 - ARP CENTAUR article disc international 1978 - ARP CHROMA brochure publicitaire - ARP EXPLORER service manual / patch book - ARP ODYSSEY banc essai sono / brochure / pub keyboards 1975 / pub1 - ARP OMNI pub disc 1976 / pub omni 2 1979 / voir atelier chok - ARP POLARIS brochure - ARP PRELUDE pub 1983 - ARP PRODGX banc essai sono - ARP QUADRA banc essai sono / pub - ARP QUARTET service manual / pub - ARP LITTLE BROTHER 2950 schematics - ARP PIANO 16 voies pub - ARP SEQUENCER pub 1976 - ARP SOLUS banc essai Claviers septembre 1981 / pub Keyboards 1980 - ARP WING I et II modulaire - ARP catalogue gamme / pub gamme 1977 - ARP catalogue gamme & accessoires - ARP retro family tree - future music - The rise and fall of ARP instruments keyboards avril 1983 ARP AVATAR ARP OMNI EMS VOCODER 5000 MP3 MP3 MP3 pub envoi des 2 flexi disc - BANANA brochure - BALDWIN 88 (KUSTOM) electronique piano brochure - BOHM digidrums banc essai disc international décembre 1983 - BOHM digidrums pub1 / pub2 - BOHM soundlab user manual - BOHM soundlab service manual - BOHM soundlab pub - BOSS DR55 user manual+ tips / banc essai sono / service manual - BOSS DR110 banc essai guitares claviers mai 1984 - BOSS catalogue Micro studio série - BOSS banc essai sono sur 8 pédales - CASIO 401 banc essai claviers aout 1981 / pub fiche technique / - CASIO 701 pub janvier 1982 - CASIO 1000P pub 1983 - CASIO CZ101 pub - CASIO CZ1000 banc essai guitares claviers décembre 1985 - CASIO DH 100 user manual - CASIO DH 500 service manual - CASIO FZ1 user manual / banc essai disc international mai 1987 / pub - CASIO MT40 pub mai 1982 - CASIO PT30 banc essai sono juillet 1983 - CASIOTONE VL1 banc essai disc international juillet 1981 / pub 1 / pub 2 / mod - CASIO VZ1 user & service manual - CASIO VZ1 banc essai disc international janvier 1989 - CASIO VZ1 pub disc international janvier 1989 - CASIO pub gamme 201 à 401/MT30&40 1981 - CASIO catalogue gamme COUVERTURES (cliquer pour agrandir) - DJET 004 banc essai disc international decembre 1979 - EXAGONE XM 64 banc essai disc international - EXAGONE 64 pub - REGGY synthétiseur de percussions banc essai sono - CHEETAH pub distribution music land - CHEETAH MS6 user manual - CREAMWARE B4000 user manual - CREAMWARE MINIMAX user manual - CREAMWARE PRO12 user manual - CREAMWARE PRODYSSEY user manual - CREAMWARE MINMAX/PROFIT5 brochure - BIT99 user manual - BIT99 brochure - BIT99 pub / banc essai sono 01 - BIT99 / BIT01 banc essai sono 2 - BIT01 voices and midi - BIT MASTERKEYBOARD user manual - BIT01 & MASTERKEYBOARD sous UNIQUE DBM test keyboards decembre 1986 - BIT variantes BIT/LEM/UNIQUE - CRUMAR BABY GRAND pub - CRUMAR MULTIMAN brochure - CRUMAR MULTIMAN schematics - CRUMAR MULTIMAN ORCHESTRATOR pub - CRUMAR PERFORMER service manual - CRUMAR série T pub - CRUMAR T3 banc essai claviers février 1982 - CRUMAR TRILOGY STRATUS pub CASIOTONE 202 CASIOTONE 301 MATTEL SYNSONICS DRUMS YAMAHA SY77 MP3 MP3 MP3 MP3 MP3 - POLYEVOLVER rack banc essai recording musicien septembre 2004 - DOEPFER MAQ 16/3 banc essai sono - DOEPFER MCV1-MCV8 user manual - DREAM SAM XR pub 1989 / banc essai disc international 1989 - DYNACORD ADS / ADS K brochure - DYNACORD DRS 78 banc essai sono - DYNACORD DC 200 leslie brochure / pub 1976 - DYNACORD EMINENT 100A user manual - DYNACORD EMINENT 100A service manual - DYNACORD SRV 66 vocoder user manual / schematics / MP3 demo - DYNACORD catalogue drum computer - SYNERGY banc essai sono - SYNERGY digital keyboards brochure - SYNERGY I & II+ test keyboard US COUVERTURES (cliquer pour agrandir) - ELECTRO HARMONIX DIGITAL LOOPING RECORDER 64 Sec - ELECTRO HARMONIX EH300 VOCODER manual / schematics - ELECTRO HARMONIX HARMONIC OCTAVE GENERATOR user manual - ELECTRO HARMONIX MICRO SYNTHESIZER user manual / schematics - ELECTRO HARMONIX 8 pédales d'effets au banc d'essai - sono - ELKA EK22 / EM22 user manual - ELKA SYNTHEX banc essai sono / brochure / pub 1983 - ELKA 610 pub Keyboards 1975 / pub keyboards 1978 - ELKA MICROPIANO 16 brochure / pub 1983 - ELKA OMB5 pub - ELKA OMB3 C92 X35 user manual - ELKA SOLIST 505 pub 1978 - ELKA X50 banc essai claviers mars 1982 - ELKA X50/TWIN 51 pub - ELKA X50 & 61P banc essai sono janvier 1982 - ELKA pub gamme - EMS SYNTHI E banc essai sono - EMS SYNTHI AKS banc essai disc international juillet-aout 1977 - VCS 3 / AKS article keyboard US novembre 1990 - AKS / VCS3 / Keyboard DK1/KS brochure - EMS SYNTHI HI-FLI brochure - EMS SYNTHI HI-FLI tarifs février 1977 revendeurs Gamme - EMS VOCODER 2000 banc essai disc international mai 1979 - EMS tarifs gamme janvier 1976 electrone / piano center - ENSONIQ ASR user manual - ENSONIQ ASR X user manual - ENSONIQ ASR pro keyboards juillet 1999 - ENSONIQ EPS banc essai sono - ENSONIQ EPS 16 plus user manual - ENSONIQ ESQ1 pub - ENSONIQ ESQM brochure - ENSONIQ MIRAGE pub / article sono - ENSONIQ SPM1 brochure - ENSONIQ SQ2 banc essai sono - ENSONIQ SQ80 banc essai sono - ENSONIQ SQ88 reportage de EPS16 jusqu'au SQ80 keyboards - ENSONIQ TS10-12 brochure - ENSONIQ VFX banc essai keyboards aout 1989 / article disc international octobre 1989 - ENSONIQ VFX SD banc essai disc international decembre 1989 - FARFISA POLYCHROME banc essai claviers janvier 1983 - FARFISA SOUNDMAKER service manual - FARFISA SYNTHORCHESTRA service manual - FARFISA PRO 110 pub1 / pub2 / banc essai disc international mai 1979 - FARFISA VIP 255 brochure - FARFISA VIP 345 brochure / service manual - FARFISA VIP 400 brochure - FARFISA MINI COMPACT user manual / service manual COUVERTURES (cliquer pour agrandir) - RHODES 54 notes pub - RHODES 54 banc essai sono - RHODES 73 & 88 notes catalogue - RHODES Mark catalogue - RHODES extrait catalogue 1976 - RHODES electronic piano brochure / pub keyboards 1983 - RHODES pub herbie hancock - RHODES pub disc international - RHODES MK80/60 brochure - ORGACOR Fratelli Crosio pub 1979 - ORGACOR PROHONIC SYNTHE pub (1982) / pub 1979 - DOCTOR CLICK user manual - DOCTOR CLICK 2, MULTI TRIGGER, DRUM DOCTOR, MASTERBEAT extrait catalogue Music Land - DOCTOR CLICK pub keyboards novembre 1983 - DOCTOR CLICK banc essai keyboards 1983 - MINI DOC, CLOCK DELAY, DOCTOR FLICK, MODULATOR extrait catalogue Music Land - NANO SERIES pub 1983 - GEM SPRINTER 61 & 49 pub - banc essai - GEM orgue série F30 à F50 pub 1976 - GEM orgue gamme portable (rodéo 61, phantom 61) et meuble (H600, X365, wizard 320) pub - GEM orgue gamme portable (sprinter 49 & 61) et meuble (H2000, wizard 315 & 321) pub - IBANEZ mixer RM60 pub (catalogue oscar music) - IBANEZ AD202 banc essai sono - IBANEZ DM1000 pub 1983 / - IBANEZ gamme pédale effets 1981 pub - JEN caroussel C390 banc essai disc décembre 1978 (orgue incluant JEN SX2000) - JEN string machine 2007 banc essai sono - JEN sx1000 brochure - JEN sx2000 banc essai sono / test + pub disc international / user manual / patch vide et preset - HAMMOND catalogue gamme 01 - HAMMOND catalogue gamme 02 - HH P73 piano électrique banc essai claviers octobre 1981 - HH P73 pub disc international 1981 - HELPINSTILL piano électro-accoustique banc essai claviers 1981 - HELPINSTILL piano électro-accoustique pub - HOHNER PIANET test disc international juillet aout 1977 - HOHNER C86 user manual - HOHNER C86 service manual - HOHNER C86 banc essai claviers janvier 1982 - HOHNER CLAVINET D6 banc essai sono - HOHNER MELODICA SOPRANO user manual - HOHNER MULTIMONICA user manual - HOHNER orgue soufflerie organa mélodica catalogue Millet - HOHNER extrait gamme 1975 / 1977 - JMS CGX interface midi in cv/gate - import numéra - JMS midi master synchronizer - import numéra - KAWAI 100 F banc essai sono - KAWAI 100 F brochure - KAWAI 100F notes disc international - KAWAI 100F schematics - KAWAI 100F user manual and patchs - KAWAI 100F user manual in français - KAWAI GB1 user manual - KAWAI GB2 user manual / rythm pattern - KAWAI K1 banc essai guitares claviers juillet 1988 / pub 1989 / brochure - KAWAI K4 banc essai keyboards novembre 1989 - KAWAI K5 brochure / sound library - KAWAI SPECTRA KC10 user manual - KAWAI MAV8 user manual - KAWAI MM16 user manual - KAWAI MX16 user manual - KAWAI MX8R user manual - KAWAI R100 service manual / brochure / banc essai disc international - KAWAI SX210 banc essai sono / brochure / pub keyboards 1983 / pub disc 1983 - KAWAI série EP 308/308S/608 pub1 1983 / pub2 1983 - KAWAI EP608 user manual/schematics / brochure - KAWAI EP308/308S user manual - KAWAI ORGAN E550/650 service manual - KORG 700S user manual - KORG 900S banc essai sono - KORG A3 banc essai disc international aout 1989 - KORG BX3 pub1 / pub2 - KORG CX3 banc essai claviers aout 1981 / pub 1981 - KORG DS8 brochure - KORG EPS1 banc essai sono - KORG EX800 user manual - KORG EX800/RK100 brochure - KORG KMX 8/MM 25 brochure 1983 - KORG KPR77 banc essai disc international décembre 1983 - KORG MICROPRESET M500 user manual+service manual / patches - KORG MICROPRESET M500 banc essai sono - KORG MONOPOLY - POLYSIX brochure - KORG MONOPOLY banc essai sono / settings - KORG MONOTRON schematics - KORG MS 20/ SQ 10 - YAMAHA CS 30 match synthétiseurs disc international décembre 1978 - KORG POLY 800 user manual francais / banc essai sono - KORG POLYSIX banc essai disc international aout 1982 - KORG PSS50 banc essai guitares claviers février 1985 + modif - KORG TRIDENT banc essai sono mag - KORG mr multi user manual - KORG EPS1 banc essai sono - KORG SDD300 pub 1983 - KORG SYGMA banc essai disc international septembre 1979 - KORG SYGMA user manual - KORG SYGMA korg magazine winter 2002 - KORG VC10 banc essai disc international mai 1979 - KORG X911 pages annotées d'Eric.G pour modularisation du X911 / voir son site - KORG catalogue gamme 1981 - KORG catalogue gamme 1982 - KORG article disc international arrivée série ms Francfort Synthesizer Bionic Orchestra - Francis rimbert Joop Stokkermans - The Magic of the ARP-Synthesizer MP3 - KURZWEIL 250 banc essai claviers octobre 1984 - LINN 9000 pub keyboards juillet 1985 - LINNDRUM pub keyboards juin 1983 - MATTEL SYNSONICS DRUMS user manual francais + plan accessory jack - MATTEL SYNSONICS DRUMS pub keyboards 1983 - MATTEL MAGICAL MUSICAL THING user manual - M-AUDIO AXIOM user manual - MDB sortie polyséquenceur 1981 - MDB TRIGGTOM 4 extrait catalogue music land - MDB WINDOW RECORDER extrait catalogue music land - POLY-MIDI brochure - POLY-MIDI vs YAMAHA QX7 banc essai guitares claviers septembre 1985 - S2000 séquenceur monophonique brochure - SUPERBAT brochure - MICROPERFORMANCE encart pub disc international - MOOG constellation brochure - MOOG memorymoog brochure - MOOG micromoog notes disc international - MOOG le minimoog de 1998 pub - MOOG polymoog brochure 1 / brochure 2 - MOOG polymoog pub annonce disc international - MOOG PRODIGY banc essai disc international juin 1980 - MOOG PRODIGY brochure - MOOG SONIC 6 brochure 1974 - MOOG pub1 1979 / - MOOG prix 1979 - MOOG catalogue - MOOG CATALOGUE 1973 - ENCYCLOPEDIA of MOOG ARTISTS - MXR 15-21 equalizer brochure - MXR time delay command banc essai disc international aout 1982 - MXR pub gamme effets 1979 / pub 1982 - NOVATION A STATION brochure - NOVATION BASS STATION brochure - NOVATION DRUM STATION brochure - NOVATION KS4-KS5-KS6 brochure - NOVATION KS4-KS5 user manual - NOVATION K-STATION brochure - NOVATION SUPERNOVA banc essai keyboards novembre 1998 - NOVATION SUPERNOVA 2 brochure - NOVATION X STATION REMOTE brochure - NOVATION Xio synth brochure - OBERHEIM MATRIX 6 banc essai sono / brochure - OBERHEIM DMX banc essai sono juillet 1983 / brochure - OBERHEIM DPX1 brochure 1897 - OBERHEIM DSX brochure / pub 1981 - OBERHEIM DX brochure 1986 - OBERHEIM MATRIX 6 banc essai sono / brochure - OBERHEIM MATRIX 12 banc essai sono / brochure / banc essai keyboards juillet 1985 - OBERHEIM MATRIX 1000 patches 1 / schematics / patchesbook 2 - OBERHEIM OB-X pub (piano center) - OBERHEIM OB-Xa banc essai claviers mai 1981 - OBERHEIM OB-1 brochure / pub 1978 - OBERHEIM OB-8 banc essai keyboards 1983 avec DMX & DSX - OBERHEIM PROMMER banc essai sono / brochure - OBERHEIM STRETCH brochure 1987 - OBERHEIM pub gamme mars 1986 / pub 1984 - OBERHEIM prix Numéra 1985 / article retro family tree-future music OSCAR oxford - OSCAR banc essai sono - OSCAR pub - OSCAR extrait catalogue Music Land - OSC ADVANCED SOUND GENERATOR extrait catalogue Music land - OSC ADVANCED SOUND GENERATOR guitare de "commande" SYNTHAXE - voir sur le site de jbfairlight - PPG PRK brochure - PPG WALDORF retro family tree article future music - PPG prices list numéra 1985 - PPG WAVE II banc essai claviers novembre 1981 / article disc international - PPG pub 1 1984 / pub 2 1984 / pub 3 1984 - QUASIMIDI SIRIUS banc essai keyboards janvier 1999 - QUASIMIDI RAVEOLUTION 909 banc essai keyboards décembre 1997 - ROLAND A880 banc essai sono - ROLAND CR78 banc essai sono - ROLAND CR1000 pub 1987 - ROLAND DDR 30-PD10-PD20 brochure 1985 - ROLAND GR300 banc essai sono - ROLAND GR700 banc essai claviers 1985 - ROLAND GR700 user manual - ROLAND G707 guitar controller user manual - ROLAND JUNO 6 banc essai sono - ROLAND JUNO 106 banc essai sono - ROLAND JUPITER 4 banc essai disc international janvier 1979 - ROLAND JUPITER 6 banc essai sono - ROLAND JUPITER 8 banc essai sono - ROLAND JX3P banc essai sono - ROLAND JX8P banc essai sono - ROLAND MC202 banc essai sono - ROLAND MP600 banc essai claviers novembre 1981 - ROLAND MP700 banc essai sono + pub - ROLAND OCTAPAD pad 8 controller brochure 1985 - ROLAND PIANO PLUS 11 banc essai disc international aout 1982 - ROLAND REVO 250 / 120 pub - ROLAND SDE 2000 banc essai sono mai 1982 - ROLAND SDE 2500 banc essai sono - ROLAND SH101 banc essai sono - ROLAND SH3A banc essai disc international mai 1977 - ROLAND SDP11 brochure 1993 - ROLAND SUPER JX banc essai sono - ROLAND SVC 350 banc essai sono - ROLAND TB303 banc essai sono / pub 1983 - ROLAND TR505 banc essai sono - ROLAND TR707 banc essai sono - ROLAND TR808 banc essai sono / pub 1981 - ROLAND TR909 banc essai sono - ROLAND TL12 brochure 1986 - ROLAND VP 330 banc essai disc international juin 1980 - ROLAND pub / pub gamme 1977 - ROLAND catalogue gamme 1981 - ROLAND catalogue volume 5 mai 1984 - ROLAND catalogue news été 1986 - DRUMTRACKS banc essai sono - DRUMTRACKS brochure - DRUMTRACKS banc essai guitare claviers (basse res) - PRO ONE banc essai claviers décembre 1981 - PRO ONE banc essai sono - PRO ONE brochure - PROPHET 5 banc essai sono - PROPHET 5 banc essai disc international mai 1979 - PROPHET 5 brochure - PROPHET 5 pub "devenez revendeur" disc international 1981 - PROPHET 600 banc essai sono - PROPHET 600 brochure - PROPHET T8 banc essai sono - PROPHET T8 brochure - PROPHET T8 user manual (seulement chapitre 7 midi) - PROPHET 10 pub - PROPHET VS brochure - SIXTRAK banc essai guitares claviers mai 1984 - SIXTRAK banc essai sono - SIXTRAK brochure - MODEL 700 programmer brochure - MODEL 800 sequenceur user manual - POLYSEQUENCEUR pub keyboards juin 1983 - PROPHET 2000 brochure - PROPHET 2000 user manual - SPLIT EIGHT user manual - PRELUDE pub - PIANO FORTE pub - SEQUENTIAL TRAKS music system brochure distribution music - SEQUENTIAL pub 1984 / pub 1982 - SEQUENTIAL prix gamme (1981/1984) - SEQUENTIAL CIRCUITS brochure gamme (basse res) - SEQUENTIAL CIRCUITS brochure gamme inclus PRO-FX - SEQUENTIAL CIRCUITS catalogue wine country novembre 1994 - SIEL OPERA 6 banc essai sono - SIEL OPERA 6 brochure - SIEL CRUISE user manual - SIEL DK600/EXP600 pub - SIEL MK900 pub keyboards novembre 1984 - SIEL pub disc international 1981 - CLAVIOLINE SELMER livret accompagnement de l'appareil - SELMER PIANOTRON / ORGUE CAPRI brochure - SIMONS SILICON MALLET reportage disc international 1987 - SIMMONS MTX9 banc essai disc international avril 1987 / user manual - SIMMONS SDSV banc essai claviers décembre 1981 - SOLTON live series pub 1988 - SOLTON ARRANGER PLUS pub 1987 - SOLTON MS40 user manual - SOLTON MS 50/60 user manual - SOLTON orgue synthé P500 C pub - STYLOPHONE DUBREQ user manual 1+ boite - STYLOPHONE DUBREQ user manual 2 + boite/vinyl - STYLOPHONE 350S PUB SYNTON - SYRINX banc essai sono - SYRINX patch sheet - SYRINX brochure - SYNTOVOX SPX216 extrait catalogue music land - SYNTOVOX 222 banc essai disc international décembre 1979 - SYNTECHNO TEEBEE mark1 user manual (3.1) - TEISCO S60F banc essai claviers octobre 1981 / banc essai sono - TEISCO S60F & S110F banc essai disc international juillet 1981 / pub disc international 1981 - TEISCO brochure gamme - VOX catalogue incluant Electronic piano - WALDORF MICROWAVE XT banc essai keyboards juillet 1998 - WELSON GLOBE TROTTER banc essai disc international septembre 1979 & pub - WELSON METEOR pub - WELSON CONDOR pub - WELSON gamme spinet (princess, comet, music love, granfiesta) pub - WELSON FIESTA & IMPERATIVE 1977 pub - YAMAHA CE20 banc essai claviers février 1983 - YAMAHA série DX brochure - YAMAHA DX5 brochure - YAMAHA DX7 banc essai sono / brochure - YAMAHA DX7 II brochure - YAMAHA DX9 brochure - YAMAHA DX11 brochure - YAMAHA DX21 brochure - YAMAHA FB01 user manual / service manual - YAMAHA QX5 banc essai disc international janvier 1989 - YAMAHA RX5&17 banc essai disc international - YAMAHA RX15 user manual fr / brochure (11&15) / banc essai sono / pattern book (11&15) - YAMAHA REV 100 user manual - YAMAHA CS30 vs KORG MS 20 disc international - YAMAHA CS70M pub 1983 - YAMAHA WALKBAND pub 1981 / pub gamme 1983 - YAMAHA GX1 user manual - YAMAHA YC30 user manual - YAMAHA YC45D service manual / user manual - YAMAHA Série 100 pub 1989 - YAMAHA catalogue series producer 1983 - YAMAHA catalogue series producer 1985 - YAMAHA catalogue 1984 - YAMAHA brochure gamme 1982 / pub 1982 - YAMAHA pub 1 1979 / pub 2 1979 AMPLIFICATION - LAB series L5 L7 L9 L11 schematics - LAB L5 pub AMPLIFICATION LESLIE (ou effet leslie) - DYNACORD DC200 H pub 1976 - ROTOR-SOUND CSE 80M pub - POLYTONES electronic rotating sound modulator pub keyboards 1984 - ECHOLETTE M IVE brochure - LESLIE/CABINES A SON TOURNANT banc essai disc international - NEO INSTRUMENTS VENTILATOR user manual - ROLAND REVO 250 / 120 pub - HUGHES KETTNER/ROTOSPHERE - MOTION SOUND PRO 3 keyboards mai 1997 - LESLIE STORY article de Stéphane Bredel - LES CABINES LESLIE modÚles,achat, cablage, accessoires, entretien ECHO BANDES - LES CHAMBRES D'ECHO et REVERBERATION A BANDES mécanisme disc janvier 1976 - BANC ESSAI CHAMBRES ECHO à BANDES disc janvier 1976 VOCODER - ANALOG LAB VOCODER X-32 user manual / sons - DYNACORD SRV 66 vocoder user manual / schematics / MP3 demo - ELECTRO HARMONIX EH300 VOCODER manual / schematics - EMS VOCODER 2000 banc essai disc international mai 1979 - KORG VC10 banc essai disc international mai 1979 - ROLAND SVC 350 banc essai sono - SYNTOVOX SPX216 extrait catalogue music land - SYNTOVOX 222 banc essai disc international décembre 1979 - LES VOCODERS disc international mai 1979 DIVERS CONTROLEURS MIDI - FROSTWAVE FAT CONTROLLER user manual - J.L.COOPER CS10-2 user manual - KEYFAX PHATBOY banc essai keyboards décembre 1998 - BLUE SKY LOGIC MIXI user manual - PEAVEY 1600 user manual / Patchs pour 1600 - PEAVEY 1600X user manual / Patchs pour 1600X - PEAVEY 1600X banc essai keyboards mars 1998 - ZENDRUM ZX user manual DIVERS MIDI (ACCESSOIRES) - KENTON ELECTRONICS PRO II intégrale DIVERS MODULAIRE - EUROPAC rational/ SCHROFF catalogue DIVERS SYNTHE - Les synthétiseurs de A à Z sono (article en 2 parties) - Les synthétiseurs hifi stéréo septembre 1976 de E.Lemery - SynthÚse sonore 1Úre partie - SynthÚse sonore 2Úme partie - SynthÚse sonore 3Úme partie - SynthÚse sonore 4Úme partie - Le vcf - Le bruit de J.P.Verpeaux (claviers) - Le suiveur d'enveloppe de J.P.Verpeaux (claviers) - Sample hold1 / sample hold2 (1983) - Mon premier "appareil" clavier octobre 1981 - Le compresseur - Les sequenceurs (guitares claviers J.P Verpeaux 1985) + le sequenceur apprivoisé (claviers) - Le modulateur de J.P. Verpeaux (claviers) - 10 ans de synthétiseur J.Sanjuan Hifi stéréo 1978 - 2éme disco forum matériel tournée F.Rimbert/korg - History of electronic sound modification H.Bode - La synthÚse du son de E.Lemery - disc international novembre 1979 - Vangelis, victoire sur les vibrations - Alain dister - claviers mai 1981 - Onze nouveaux synthétiseurs mis en fiches - claviers mars 1982 - 120 years of electronic music - Les instruments de musique électronique (E.Lemery - hifi stéréo mai 1976) - Les principes de base piezo électricité, magnétisme et électrostatique (E.Lemery) - Martin Newcomb, the collector - Future Music - Rhythmic control of analog sequencer polyphony septembre/octobre 1978 - Introduction aux techniques de synthese du son S.Natkin 2003 - Electronic musical instruments "a survey of the commercial scene" - Pratical electronic supplements novembre 1972 - Francis Rimbert démonstrateur korg (au début...) - Richard Wright & Pink floyd - Keyboard, synthesizer & electronics equipment - ver 1.56 - ONDIOLINE PUB - MELLOTRON prix janvier 1976 - MIDI CODE HEX fabricants - MIDI PITCH - NOTE FREQUENCY - LAG LE KEY pub et banc essai computer music - Will systems MAB 303 banc essai keyboards mai 1997 - MULTIVOX pub gamme décembre 1979 DIVERS ORGUES - ELEX gamme pub 1976 - GIBSON G101 user manual / service manual - GIBSON P2 service manual - KUSTOM ORGAN brochure - RIHA JUPITER 2 pub 1977 - RIHA gamme variété pub 1978 - RIHA ORCHESTRA pub 1979 - Evolution de l'orgue électronique disc international décembre 1978 - Répertoire midi : les orgues - MILTON les orgues pub disc international - L'orgue photoélectronique FOTOSONOR - Anatomie de l'orgue électronique Hifi Stéréo juin 1976 de E.Lemery DIVERS PEDALES EFFETS - ARIA pub gamme effets 1983 - DOD pub gamme effets 1979 - REDSON 7pédales effets banc essai sono janvier 1982 DIVERS EFFETS - ELECTRIX EQ killer user manual - ELECTRIX filter factory user manual - ELECTRIX filter factory keyboards juillet 1999 - ELECTRIX filter queen user manual - ELECTRIX mo fx user manual - ELECTRIX warp factory user manual - ELECTRIX repeater user manual - ELECTRIX banc essai warp/filter /mofx computer music 1999 - EVENTIDE BABY HARMONIZER HM80 banc essai claviers octobre 1981 - DIGITECH DSP128 keyboards juillet 1999 - DBX catalogue 1980 (ou 78 pas sur ...) - ROCKTRON HUSH IIC banc essai disc international mai 1987 - ROLLING REC5/COSMIC AE 7000/ZOOM ER 200 banc essai sono - T.C ELECTRONIC 2290 banc essai disc international mai 1987 - PUBLISON DHM 92-B2 banc essai disc international septembre 1979 - PUBLISON RELIEF ENLARGER banc essai sono 1983 - Principe fondamentaux des effets (E.Lemery) 1981 DIVERS ENREGISTREMENT - AKAI 4000 DS MKII user manual - AKAI 4000 DS brochure et banc essai hifi stéréo octobre 1975 - AKAI GX 635D service manual - AKAI GX 646 service manual - TASCAM 22-2 & 22-4 banc essai sono janvier 1982 - TASCAM 688 user manual - TASCAM 388 studio8 user manual - TASCAM A34 service manual - TEAC 3440 user manual - OTARI MX 5050 1/2 QXHD - TEAC A 3440 banc essai disc international - CHOISIR SA TABLE DE MIXAGE disc international novembre 1979 - LES TETES MAGNETIQUES DIVERS BOITE A RYTHME / PERCUSSION - RYTHMATIC MARS ou HENCOT brochure / manual - PEARL DRUMX banc essai guitares claviers - PEARL SC20/SC40 user manual - PEARL SYNCUSSION 1 user manual - SOUNDMASTER STIX ST305 test guitares claviers mai 1984 - SOUDMASTER STIX ST305 pub keyboards novembre 1983 - SYNTOBA RAMEAU - SYNDRUM test DISC international - SYNARE pub / banc essai disc international juillet 1981 - SYNARE 3 banc essai disc international - CAPELLE KLONE KIT 2 banc essai claviers octobre 1984 DIVERS INCLASSABLE - DIGITAR CHARLIE LAB brochure - MARANTZ pianocorder brochure distribution hamm DIVERS BOUTIQUE / CATALOGUES / PRIX - SOMMAIRE SONO magazine du 1 au 95 - PHONORGAN pub DIVERS LIVRES - HISTOIRE DE LA MUSIQUE - Casterman - 1972 - CLAVIERS - Edts J.M.G - 1989 - LE MONDE DU POP ROCK - HATIER - 1977 - CATALOGUE Studio Robert Schroeder LIENS - User & service manual sur le site de pharmacon : http://www.cem3374.com/archive.htm - Les pubs sur :http://retrosynthads.blogspot.com/
http://www.studio250.fr/accueildocs.html

938 Composant Ă©lectronique GoTronic : catalogue de composants Ă©lectroniques et appareils Ă©lectroniques
GoTronic, vente par correspondance de composants et appareils électroniques : accessoires tv vidéo, alarmes, télécommandes, appareils de mesure, audio, caméras, vidéosurveillance, commutateurs, connectique, fils et cùbles, livres techniques et CD-ROM's, micro-informatique, optoélectronique, refroidisseurs et ventilateurs, robotique, transformateurs, fusibles, accus Accessoire alarme, Accessoire téléphonique, accumulateur, accumulateur chargeur, accumulateur pile électrique, accus, accus batterie, accus chargeur, accus pile, accus rechargeable, Adaptateur secteur, Adhésif, Aérosol, Afficheur, Afficheur à leds, Afficheur alphanumérique, Afficheur de tableau, Afficheur lcd, Aide mémoire, Aimant, alarme, alarme anti intrusion, alarme domestique, alarme habitation, alarme intrusion, alarme maison, alarme sans fil, alarme vidéosurveillance, alarme voiture, Alimentation, alimentation 12 volts transformateur, alimentations, Ampli répartiteur, Amplificateur, Ampoule, Antenne, Antenne active, Appareil de mesure, appareil de mesure électronique, Appareil pour chien, Appareils de mesure, Argent conducteur, Audio, Aurel, Balance digitale, Balance numérique, Ballast, Bargraphe, Barrette de connexion, Barrette sécable, BarriÚre infrarouge, BarriÚre IR, Basic Stamp, batterie d'accumulateur, batterie électronique, Bloc laser, Bloc secteur, Boßte de connexion, Boßtier électronique, Boomer, Borne pour haut parleur, Bornier, Bornier à poussoir, Bornier pour haut parleur, Bouton, Bouton à blocage, Bouton compte tours, Bouton poussoir, Bouton-poussoir, Bracelet antistatique, Brosse antistatique, Brucelle, Buzzer, cùble, cùble coaxial, cùble et connectique, cùble et connectique audio vidéo, cùble peritel, Cadre pour afficheur, caméra, Caméra de recul, caméra de surveillance, caméra vidéo, caméra vidéosurveillance, CapacimÚtre, Capsule à ultrasons, capteur, Capteur à effet Hall, Capteur de courant, Capteur de gaz, Capteur de mesure de distance, capteur de niveau, capteur de pression, capteur de température, capteur robotique, Carillon sans fil, Casque audio, Casque multimédia, Casque stéréo, cellule optoélectronique, Cellule photorésistive, Cellule solaire, Chargeur, Chargeur accu, chargeur accus, Chùssis à insoler, Chien de garde électronique, ChronomÚtre, circuit électronique, Circuit epoxy, circuit imprimé, Circuit intégré, circuit intégré électronique, Circuit linéaire, Circuit logique, Clavier, Clavier alarme, Clixon, Coffret, Coffret électronique, Collier à sertir, Colliers anti-aboiement, Colliers de dressage, Colonnette, Commande à distance, Commutateur, Commutateur à clé, Commutateur quad, Commutateur rotatif, Commutateur vidéo, Composant, composant actif, composant actif passif, composant électronique, Composants HF, Composants opto, Condensateur, Condensateur céramique, Condensateur chimique, ondensateur de démarrage, Condensateur électrolytique, Condensateur polyester, Condensateur tantale, Connecteur BNC, Connecteur carte à puce, Connecteur cinch, connecteur circuit imprimé, Connecteur Din41612, Connecteur DIP, Connecteur étanche, Connecteur HE10, Connecteur HE14, Connecteur jack, Connecteur pour ci, Connecteur RCA, Connecteur secteur, Connecteur sub d, Connecteur SUB-D, Connecteur TV, Connecteur USB, Connecteur XLR, Connectique, connectique cùble, Contact magnétique, Convertisseur, Convertisseur audio vidéo usb, Convertisseur de tension, Cordon audio, Cordon BNC, Cordon de mesure, Cordon firewire, Cordon informatique, Cordon modular, Cordon null modem, Cordon spiralé, Cordon usb, Cordon vidéo, Cosse à sertir, Cosse faston, Coupleur de pile, DécibelmÚtre, Del, Détecteur de faux billets, Détecteur de gaz, Détecteur de mouvements, Détecteur de niveau, Détecteur de proximité, Détecteur filaire, Détecteur infrarouge, Digisat, Diode, Diode électroluminescente, diode et transistor, Diode infrarouge, Diode zéner, Dip-switch, disjoncteur et fusibles, Dissipateur, Douille pour halogÚne, Ecouteur, Ecran lcd, Ecran vidéo, Eeprom, électronique et robotique, Enceinte, Enceinte audio, Engrenage, Enregistreur vidéo, Entretoise, Eprom, équipement connecteurs électrique, Etain chimique, Etau, Extracteur de fumées, Fer à dessouder, Fer à souder, Fiche alimentation, Fiche banane, Fiche DIN, Fiche F, Fiche mini-Din, Fiche péritel, Fiche secteur, Fil émaillé, Filtre, Filtre audio, Fin de course, Foret carbure, Foret miniature, Foreuse, FréquencemÚtre, Frigo portable, Fusible, Gaine thermorétractable, Galet presseur, GalvanomÚtre, Générateur de fonction, Gradateur, Graisse molykote, Graisse pour vidéo, Graisse silicone, Graisse thermique, Graveuse, Grignoteuse, Grip-fil, Grippe fil, Harmonique, Haut parleur, Haut parleur étanche, Haut-parleur, Horloge, Humidistance, Inductance variable, Insoleuse, Instrument météo, Inter TV, Interface, Interface PC, Interphone, Interphone sans fil, Interphone vidéo, Interrupteur, Interrupteur à bille, Interrupteur à clé, Interrupteur infrarouge, Interrupteur opto, Interrupteur optoélectronique, Interrupteur secteur, Interrupteur TV, Inverseur, kit alarme, Kit audio, Kit didactique, kit électronique, Kit mécanique, Lampe, Lampe halogÚne, Lampe loupe, Lampe torche, Ldr, Lecteur de carte SIM, Led, Livre pour pc, Loupe, LuxmÚtre, Machine à graver, Machine à insoler, Mandrin à bobiner, matériel électronique, matériel optoélectronique, matériel vidéosurveillance, Mécanisme d'horloge, Mégaphone, Mémoire, Mesureur d'isolement, Micro, Micro électret, Micro multimédia, Microchip, MicrocontrÎleur, MicrocontrÎleur PIC, micro-informatique, Microrupteur, Modulateur, Modulateur audio vidéo, Module graphique, Module hybride, Module laser, Module lcd, Module Peltier, modules HF, Molykote, Moniteur, Moniteur couleur, Moniteur LCD, Moniteur noir et blanc, Moniteur vidéo, Montage didactique, Moteur, Moteur audio, Moteur pas-à-pas, Moto réducteur, MultimÚtre, Optocoupleur, Optoélectronique, Oscillateur à quartz, Oscilloscope, Outil de manipulation, Outillage, Outillage vidéo, Panne à souder, Parlophone, Perceuse, Perchlorure, Perchlorure de fer, Persultate, Persultate de sodium, Photodiode, Photorésistance, Phototransistor, Pied à coulisse, Pile, pile accus, pile électrique et accumulateur, pile et accumulateur, Pince, Pince à dénuder, Pince à sertir, Pince ampÚremétrique, Pince crocodile, Pistolet à colle, Plaque epoxy, Plaque thermoformable, Platine d'expérimentation, PluviomÚtre, Pointe de touche, Pointeur laser, Pompe à dessouder, Pont redresseur, Pont rlc, Portier vidéo, PotentiomÚtre, PotentiomÚtre multitours, Poulie miniature, Pré amplificateur, Pré-amplificateur, Prise anti-surtension, Programmateur, Programmateur de PIC, programmateur électronique, Projecteur halogÚne, Projecteur infrarouge, protection électrique fusibles, Réfrigérateur portable, Régulateur, Relais bistable, Relais miniature, Relais statique, Relais temporisé, Répartiteur mural, Répartiteur péritel, repartiteur tv antenne et accessoire, Résistance, Résistance carbone, Résistance cms, Résistance métal, Résonateur, Révélateur, Robot, Robotique, Rotacteur, roue codeuse, Roue dentée, Satfinder, Sation de dessoudage, Satmeter, Schéma, Scie à chantourner, Scie circulaire, sécurité alarme, Self, Semiconducteur, Semi-conducteur, Servo moteur, Servomoteur, SirÚne, Sonde de température, SonomÚtre, Spot halogÚne, Station de soudage, Station météo, Stylo conducteur, Stylo électronique, Subwoofer, Support, Support à insertion nulle, Support de caméra, Support de fer à souder, Support de relais, Support lyre, Support tulipe, systÚme alarme maison, systÚme d'alarme, systÚme d'alarme intrusion residentiel, Table de mixage, TachymÚtre, Talkie walkie, Tapis antistatique, Tapis de contact, Tapis de réparation, Télécommande, télécommande de télévision, télécommande infrarouge, télécommande radio, télécommande téléviseur, télécommande tv, Télécontrolli, TélémÚtre, Télérupteur, Télérupteur bipolaire, Temporisateur, Temporisation, temporisation type 86, Testeur de réseau, Testeur électronique, Testeur infrarouge, TÃÂȘte LNB, Thermistance, ThermomÚtre, Thermostat, THT, Thyristor, Tore, Tore de ferrite, Touche, Tranfo torique, Transducteur à ultrasons, Transducteur piézo, Transducteur piézoélectrique, Transfo moulé, Transfo THT, transformateur, transformateur 12v 220v, transformateur 12v 230 v, transformateur 12v 230v, transformateur 12v électricité, transformateur 220 12 volts, transformateur 220v en 12v, transformateur de tension, transformateur électrique, Transformateur FI, transformateur monophase, Transformateur moulé, Transformateur THT, Transformateur torique,
http://www.gotronic.fr/index.htm

925 Forum Holga, SX70, pinhole,polaroid... canette ou boite Ă  chaussures; tout le cheap est ici ~
Holg4.org ? Ami(e)s photographes, Bienvenue sur h0lg4.org, le portail francophone dĂ©diĂ© aux photographies cheap et aux appareils exotiques. Vous ĂȘtes un fĂ©ru de bidouillage photographique ou un parfait dĂ©butant ? Holga est votre prĂ©nom prĂ©fĂ©rĂ© ? Vous voulez savoir comment prendre des photos avec une simple boĂźte de conserve ? Vous souhaitez expĂ©rimenter des modes photographiques diffĂ©rents, ou tout simplement visualiser ce qu'on obtient avec des appareils cheap ? Vous en pincez pour Diana ? Vous souhaitez partager vos impressions et vos expressions photographiques ? Devenez membre du forum en vous inscrivant, participez aux Ă©changes et crĂ©ez votre propre galerie en ligne. Armez votre bonne humeur, rĂ©glez votre curiositĂ© sur la plus grande ouverture, et dĂ©clenchez !!! Clic, clic, clic !!! Derniers articles € MĂ©thode de DĂ©veloppement C41 avec le kit digibase de Rollei. € DĂ©veloppement au HC-110 de la FP4 exposĂ©e en-dessous de sa sensibitĂ© € DĂ©velopper les films couleurs Ă  la maison (chimie C41) € Agat 18 € Great Wall DF Les derniĂšres interventions » Pavillon d'Aveyron ou une semaine chez mami » HĂŽtel 4 Ă©toiles » Symphonie en UT 18 ... » La boite de bonbon ... » Youkfou a sa flĂȘche... » Les accords d'LĂ©on » Exposition aux Baux de Provence » La grange » Ces inconnus. » apĂ©ro Hitchcockien
http://h0lg4.org/

916 HughLeCaine.com - Bonjour
Biographie On a qualifiĂ© le scientifique et compositeur canadien Hugh Le Caine (1914-1977) de "hĂ©ros" de la musique Ă©lectronique. Il a grandi Ă  Port Arthur (maintenant Thunder Bay) dans le nord-ouest de l'Ontario. TrĂšs tĂŽt, il a commencĂ© Ă  construire des instruments de musique et Ă  expĂ©rimenter avec des appareils Ă©lectroniques. Dans sa jeunesse, il imaginait des "sonoritĂ©s merveilleuses" qu'il pensait pouvoir rĂ©aliser Ă  l'aide de nouvelles inventions Ă©lectroniques. Hugh Le Caine travaillant dans le laboratoire de physique de l'UniversitĂ© Queen Ă  Kingston en Ontario, en 1938 AprĂšs l'obtention de son diplĂŽme de maĂźtrise en science Ă  l'UniversitĂ© Queen en 1939, il s'est joint au Conseil national de recherche du Canada (CNRC) Ă  Ottawa. Il a travaillĂ© au dĂ©veloppement des premiers systĂšmes de radar et en physique atomique, se distinguant comme scientifique et publiant d'importants articles dans ces domaines. Chez lui, il poursuivait ses recherches en musique Ă©lectronique et en gĂ©nĂ©ration de son. Il a montĂ© son studio personnel en 1945 oĂč il a dĂ©butĂ© son travail indĂ©pendant sur la conception d'instruments de musique Ă©lectroniques tels que la sacqueboute Ă©lectronique, un instrument monophonique trĂšs Ă©laborĂ© qui est maintenant reconnu comme le premier synthĂ©tiseur contrĂŽlĂ© par tension. Par la suite, Le Caine a dĂ©veloppĂ© des systĂšmes de contrĂŽle par tension pour une grande variĂ©tĂ© d'applications. En 1948, Le Caine est parti en Angleterre pour quatre ans oĂč il a fait des Ă©tudes en physique, poursuivant son travail en musique Ă©lectronique Ă  son retour au Canada. GrĂące aux dĂ©monstrations publiques de ses instruments, il a obtenu la permission de dĂ©placer ses activitĂ©s musicales au CNRC et de s'y consacrer Ă  plein temps en 1954. Pendant les vingt annĂ©es qui ont suivi, il a construit plus de vingt-deux nouveaux instruments diffĂ©rents. Il a collaborĂ© au dĂ©veloppement de deux des premiers studios de musique Ă©lectronique Ă  l'UniversitĂ© de Toronto (inaugurĂ© en 1959) et Ă  l'UniversitĂ© McGill Ă  MontrĂ©al (inaugurĂ© en 1964). Le laboratoire de Le Caine au CNRC a fourni pratiquement Ă  lui seul l'Ă©quipement pour ces deux premiers studios. Les composantes de la saqueboute ont Ă©tĂ© sĂ©parĂ©es en unitĂ©s indĂ©pendantes - ou modules - permettant au compositeurs de leur assigner une tĂąche spĂ©cifique au sein d'un ensemble. Le Caine a enseignĂ© aux deux universitĂ©s et a influencĂ© toute une gĂ©nĂ©ration de compositeurs de musique Ă©lectroacoustique. Ses nombreux articles et dĂ©monstrations personnelles ont eu un effet catalyseur dans la communautĂ© canadienne et internationale. Il a exercĂ© une influence indirecte sur le dĂ©veloppement du synthĂ©tiseur modulaire Moog par l'entremise de Gustav Ciamaga, qui Ă©tait familier avec les filtres de Le Caine et qui a par la suite encouragĂ© Robert Moog Ă  dĂ©velopper son filtre passe-bas contrĂŽlĂ© par tension. Un des aspects les plus importants des instruments de Le Caine est sans doute leur efficacitĂ© pour la performance, leur maniabilitĂ©. Son obsession pour le "beau son" l'a conduit Ă  concevoir des instruments capables de produire un jeu expressif nuancĂ© caractĂ©ristique de la tradition orchestrale. Il avait un sens aigu des besoins de l'interprĂšte afin que celui-ci puisse exĂ©cuter les gestes qui, selon Le Caine, constituent l'essence de la musique. À cet Ă©gard, la sensibilitĂ© au toucher a Ă©tĂ© un Ă©lĂ©ment essentiel et a Ă©tĂ© utilisĂ©e pour les claviers, les mixeurs et autres composantes, sous des formes d'application mĂ©canique, Ă©lectronique et au moyen de la sensibilitĂ© Ă  la lumiĂšre. Sur ce point, les conceptions de Le Caine Ă©taient tellement avancĂ©es que certaines des possibilitĂ©s qu'il a dĂ©veloppĂ©es n'ont connu d'application commerciale que dans les annĂ©es 1980. IdĂ©alement, un instrument de musique devrait offrir de bonnes qualitĂ©s sonores et une certaine flexibilitĂ© dans son contrĂŽle. Or ces deux objectifs ne sont pas toujours compatibles. Les instruments traditionnels exigent habituellement une longue formation avant que l'interprĂšte puisse tirer parti de leurs qualitĂ©s musicales. Dans la conception de ses instruments Ă©lectroniques, Le Caine a tentĂ© de mettre l'accent sur la maniabilitĂ© de l'instrument sans compromettre l'intĂ©gritĂ© de la musique. Chacune de ses crĂ©ations est une Ă©tude unique sur l'Ă©quilibre et le raffinement. Sur le CD, HUGH LE CAINE, COMPOSITIONS, DOMONSTRATIONS 1946-1974, nous pouvons entendre les enregistrements rĂ©alisĂ©s par Le Caine, oĂč il explore et fait la dĂ©monstration des possibilitĂ©s qu'offrent huit de ses instruments. Dripsody, sa composition de 1955 construite Ă  partir du son d'une seule goutte d'eau, compte encore parmi les exemples les plus jouĂ©s de musique concrĂšte. MalgrĂ© l'accueil favorable que ses compositions ont Ă  juste titre connu, Le Caine a conservĂ© une attitude critique Ă  leur Ă©gard : "Je ne me considĂ©rais pas comme un compositeur. Toutefois, j'ai senti que la seule façon de comprendre l'intĂ©rĂȘt du compositeur pour un instrument Ă©tait de l'utiliser moi-mĂȘme dans les diffĂ©rentes formes musicales actuelles." Son humour dĂ©prĂ©ciateur Ă  l'Ă©gard de lui-mĂȘme est Ă©vident dans certains des titres qu'il a donnĂ©s Ă  ses compositions, tel que A Noisome Pestilence (le titre est un calembours : l'anglais "noisome" signifie rĂ©pugnant ou fĂ©tide, mais suggĂšre Ă©galement "noise" qui signifie bruit, d'oĂč la traduction adoptĂ©e, "Une peste bruyante"). Lorsqu'on lui a demandĂ© pourquoi il avait nommĂ© sa premiĂšre composition Dripsody, il a rĂ©pondu : "Parce qu'elle a Ă©tĂ© Ă©crite par une goutte."
http://www.hughlecaine.com/fr/

908 Amazing Photos of Liquids in Motion | Bite Dose
amazing photos,liqids,motion,photos,art
http://bite-dose.com/amazing-photos-of-liquids-in-motion/

907 RĂ©paration des boutons d'une Roland CR-5000 CompuRhythm
AudioBusters.com,MAO,Home-Studio,Musique,Plug-in,VST,Instruments,Synthes,Claviers,Guitares,Effets,basses,batteries,logiciels,interfaces,audionumerique,MIDI,samplers,synthes,boites a rythmes,DJ des, est, bouton, vous, les, sur, une, boutons, ça, contact, pour, contacts, qui, support, avec Vous trouverez plein de tutoriaux sur Internet pour réparer des CR5000 mais vous devrez les suivre dans une salle blanche en vous mordant le bout de la langue, avec une goutte de sueur qui perle sur votre tempe gauche, et surtout vous endetter auprÚs de vendeurs de piÚces d'occasion de machines vintage. Pas de ça ici, on a droit à des essais, des erreurs, à des outils de type pince coupante. Mais attention, ça fonctionne, et la CR 5000 que je me propose de remettre en état marchera comme au premier jour. Les boutons de la CR 5000, la fierté du département ingénierie psycho-pathologique de chez Roland Quand vous chillez tranquillement avec votre bar, que le groove vous habite et que vous lancez un fill, vous souhaitez que le fill se déclenche. Idem quand vous voulez rajouter des doubles croches de hi hat ou bien switcher entre bossa nova et grind core. Sur la CR5000, les changements de rythme se méritent. Il faut appuyer fort, ou de biais ou plusieurs fois en tapotant. Car contrairement aux CR78 et aux TR, les CR 5000 disposent de boutons cauchemardesques.
http://audiobusters.com/reparations-bidouilles/boutons-roland-cr-5000

868 How Facebook Ships Code « FrameThink – Frameworks for Thinking People
I’m fascinated by the way Facebook operates. It’s a very unique environment, not easily replicated (nor would their system work for all companies, even if they tried). These are notes gathered from talking with many friends at Facebook about how the company develops and releases software. It’s been over six months since I assembled these observations and I’m sure Facebook has continuously evolved its software development practices in the meantime. So these notes are probably a little bit out-of-date. It also seems like Facebook’s developer-driven culture is coming under greater public scrutiny. So I’m feeling more comfortable now about releasing these notes
 HUGE thanks to the many folks who helped put together this view inside of Facebook! Thanks are also due to folks like epriest and fryfrog who have written up corrections and edits.
http://framethink.wordpress.com/2011/01/17/how-facebook-ships-code/

865 Evolver.html
Just Beautiful! What an amazing instrument! The DSI Evolver has the signature "old school" timbre down pat as well as being able to provide digital timbres reminiscent of the Waldorf Q. There's certainly a "rougher" side available as well with all the feedback implementation and controled distortion. Being able to make PM type plucked and blown sounds is just icing on the cake. Dave Smith should be commended for a job well done. Just have a look at the Panel Layout to get a taste of what this beauty can dish out - the controls are pretty much laid out in the form of a signal path graphic. Be sure to visit Dave Smith's Website! Evolver Sound Examples There are a lot of demos of the Evolver on the web showcasing the gutsy harsh sounds of this beast so I decided to post demos of some of my own patches as examples of the "softer" more "vintage" side of the Evolver's timbre. I make no apologies for these unpolished recordings - these are merely sound samples ;) Resonant Plucked Pad This pad shows some of the rich resonant nature of the filter. Soft Lead This is a simple analog brass lead patch. FM Pad A fun patch with lots of motion made using my "Audio-rate Filter FM" programming tip below. Warm Pad A nice bland-vanilla pad ^_^ What can I say? I love pads... For more MP3 demos showing the full gamut of sounds the Evolver and Polyevolver are capable of, please visit the excellent website of Stefan Trippler! The Definitive Guide to Evolver This rather in-depth guide to the Evolver goes places and does things a mere manual can't. This labor-of-love was crafted by Anu Kirk and with his kind permission, I am offering this fantastic resource right here in PDF format! A much smaller version (400K) is here but it dosen't have internal hyperlinks. Programming Tips Here's a fun repository of programming tips for the Evolver in all its incarnations. Please email me if you would like to add some. Fingered Wave Sequence Submitted by Dave Bryce. This brilliant technique has to be heard to be believed! Plus, its one of those cool things unique to the Evolver! This particular tip is so full of detailed information that it gets its own page! Audio-rate Filter FM Submitted by James Maier. Use the "Audio Mod" parameter in the Filter section to frequency-modulate the cutoff with the analog oscillator. Add resonance until the filter is just on the edge of oscillation then mod the cutoff with just a little triangle LFO set at a very slow speed. Amazing moving chorusing pad and lead sounds can be made this way. Fatter Bass/Pad Sounds Submitted by Mike Peake. Set the same sound in both channels (detuned saws, for instance). With the filters at the 24dB setting, increasing resonance cuts the passband as on the Moog filters. Set Envelope 3 to minimum attack, maximum decay and release, and sustain to maximum. This "creates" an offset, a continuous "on" signal while the keys are gated. Modulate one filters' resonance up (just one), or of the overall resonance level is high, us it to modulate one filters' resonance to its minimum. You get the resonant character plus the size of the non-resonant filter. Use Tri and Sine waves on that side too. "Warmer" Sounds Submitted by James Maier. The Evolver can make many ultra-bright and buzzy sounds due to its extensive feedback and distortion stages but sometimes people miss the subtler side of the beast. For a warmer sound use little or no distortion, close the filter just a bit and turn off the feedback and delay lines. I've managed to get dead-on Prophet5 timbres this way. Adding "Punch" Submitted by Mike Peake. Set the envelopes to linear, and use a Mod to modulate AmpEnv All by itself (lin through log responses with positive and negative self-modulation). This is of course fun on the filter envelopes as well. More Vintage Character Submitted by Mike Peake. Oscillator Slop, set at 5, doesn't come close to the Moog and other old-timer movement, so add slight (1 or 2) LFO to pitch modulations, with individual LFOs per oscillator, and a touch of LFO to LFO rate modulation. A tad of Envelope 3 to pitch helps as well. Don't miss out on the 12dB filter setting Submitted by Mike Peake. The 24dB setting has much more resonance, but the 12dB setting can sound nice and plucky, and do nice slightly fuzzy pads etc. DSI Evolver Waveshape Charts Below are charts I've assembled of the digital waveforms and their spectra as currently used in the DSI Evolver synthesizers. Originally these waves were unique to the SCI ProphetVS vector synth. I find these waveform/spectra graphics really usefull when programming sounds - maybe you will as well. Pay special attention to the spectra as this info is sometimes much more useful than waveshape in determining actual timbre - even before you hear what the waveform sounds like. These are designed to be downloaded (right-click & "save target as"), and printed at 300dpi on 8.5" x 11" pages - don't resize these images before printing or you will lose useful detail. Use them as a handy refrence. This information was cobbled together from various scattered sources (with very special thanks to Achim Gratz!). Any errors or omissions are my own. ^_^ HAVE FUN!!! Page 1 Page 2 Page 3 Page 4 As far as the origin of these waves is concerned, one of the original VS engineers, Chris Meyer, said: "The original waves for the VS were created three ways - extracting single-cycles from sampled sounds, using a custom additive synthesis program, and using a program Josh (Josh Jeffe, another VS engineer) slapped together called "Hacker" where you could draw the waveshape. These were fed straight from the computer through the filter and VCA of a Pro-One to figure out what they might sound like in a patch. And by the way, no PPG waveforms appear inside the VS - we had access to them, but in the end our consciences got the better of us. We did steal some waveforms from the Korg DW6000, but only by looking at the harmonic drawings on the front panel and trying to imitate them in our additive synthesis program." Modulation Matrix "Cheat Sheet" This chart shows all the modulation routing available on the Evolver. This same info is available in the manual but this can be printed on a single sheet of paper as a handy refrence! Evolver Wallpaper These I created just for fun and desktop "beautification" ;) 1280 X 1024 1024 X 768 800 X 600
http://www.carbon111.com/evolver.html

816 Forfait mobile - Comparateur forfait Orange, Bouygues, SFR - telephonie mobile
Comparateur de forfaits mobiles et Internet. Notre but est de faire un comparatif de tous les operateurs mobiles et Internet pour choisir le forfait de téléphone portable ou l'abonnement Internet haut débit selon vos besoins comparateur forfait telephone, operateur mobile, comparatif internet, comparatif forfaits mobiles, forfait téléphone portable, telephonie mobile, abonnement adsl, comparatif haut débit, fournisseur d'accÚs à Internet, comparateur de forfaits, offre operateurs mobile, abonnement telephone portable, comparateur ADSL, abonnement haut debit, telephonie illimitée, comparatif ADSL, comparateur haut debit, abonnement internet, forfait telephone portable
http://www.edcom.fr/res-comparateur-forfaits-mobile.html

806 Tunnelier (Bitvise)
Bitvise Tunnelier: SSH Terminal, Tunneling and File Transfer Client Tunnelier, SSH, SSH2, Secure Shell, client, Windows, telnet, console, terminal, port, forwarding, connection, tunneling, VPN, remote, access, login
http://www.bitvise.com/tunnelier

788 Setting Up Your Digital Camera For HDR Shooting
You’ve probably heard of High Dynamic Range (HDR) Photography, it’s made quite an entrance into the world of digital photography. If you haven’t, the HDR process is accomplished by taking multiple exposures of a high contrast scene (usually a landscape or cityscape), at different levels of brightness, and then combining the best light from each exposure into one image. The end result is a stunning image that very closely resembles how the human eye views a scene. This process of digital manipulation has caused a bit of controversy and debate in the world of photography, especially with images that are “over-cooked.” One thing is for sure though, HDR is here to stay. When done right, this unique and in depth processing technique can produce beautiful works of art that mimic the way we view and remember a landscape or scene. The above image is an example of what HDR processing can produce. This image, taken from the Big Island of Hawaii, would not be possible without HDR processing. It was taken around noon, the harshest light of the day. The first image is the best image my camera could produce given the situation. While still beautiful, there are obvious problems. Get ready, this article is going to show you how to take your digital camera and turn it into an HDR shooting machine!
http://www.digital-photography-school.com/setting-up-your-digital-camera-for-hdr-shooting

785 100 Exceedingly Useful CSS Tips and Tricks
This is a collection of 100 bite-sized CSS tips and tricks. css
http://sixrevisions.com/css/100-exceedingly-useful-css-tips-and-tricks/

777 SPERRZONE: [ K E Y C H A I N S ]: Zazzle.com Store
About Beat Hauser, SPERRZONE Beat Hauser is interested in industrial archaeology and history of Europe. His special area is the brewing industry of Switzerland and the former German Democratic Republic. Since 2003 he is taking pictures of industrial areas and abandoned places within all Europe. On his web site SPERRZONE (www.sperrzone.net) he does not only present his own pictures, but also some information about the related factories and places as well as historical photo post cards, old letter heads, labels, advertisings to document the history of the factories. Most pictures are taken in abandoned factories. Abandoned places and industrial ruins are generally seen as ñ€œspots of dirtñ€ and people feel uncomfortable around them. Often such places have a very long and interesting history, which seems almost forgotten today. Instead of the activity of former days there is nothing but silence and emptiness. Instead of windows, black holes are staring out of the walls. But very often the architecture of elapsed eras is attractive and astonishing. In combination with the emptiness and beginning decay, such places often spread the impression of a dream world. Decay and nature give new structures to strictly geometric forms and lines, e.g. in production halls. Moisture, moss and rust give new colors to gray halls. Beat Hauser tries to capture these impressions with his photographs. Aesthetics of decay is illustrated in its huge variety from huge industrial plants to small details. Past exhibitions 10 Jun ñ€“ 1 Jul 2007 3Fotografen3, Alte evangelische Kirche Kirchzarten (Exhibition of the 3 winners of the ñ€žKirchzARTener FOTOsalons 2006ñ€œ) 2 Dec ñ€“ 3 Dec 2006 KirchzARTener FOTOsalon 2006, Kurhaus Kirchzarten (Photo contest with 54 participants, 1. rank) 20 Nov ñ€“ 21 Nov 2004 KirchzARTener FOTOsalon 2004, Kurhaus Kirchzarten (Photo contest with 46 participants, 11. rank) Several beamer shows at party events of ñ€žRigor Mortisñ€œ and ñ€žSolanaceaeñ€œ in Basle, Aarau, Pratteln and Reinach (all Switzerland) sperrzone, industry, industrial, archaeology, industrie, industriekultur, zerfall, decay, architektur, architecture
http://www.zazzle.com/sperrzone/gifts?cg=196119980926265824

770 Bitcrusher Bending
dictée magique
http://bitcrusher.free.fr/index.php?page=dicteemagique

766 [WS001] Circuit-Bending – Initiation « Gasol
Introduction Le Circuit-Bending ou Circuitage dĂ©signe l’activitĂ© qui consiste Ă  volontairement court-circuiter un appareil Ă©lectronique (gĂ©nĂ©ralement sonore) afin de provoquer des comportements inattendus pour le dĂ©tourner de son usage d’origine. Par exemple, un jouet sonore pour enfant ou une console de jeu gĂ©nĂ©reront des sons ou des images plus ou moins alĂ©atoires et imprĂ©visibles. Ce terme Ă  Ă©tĂ© introduit par Reed Ghazala dans les annĂ©e 60 lorsqu’il court-circuita accidentellement l’un de ses instruments. Mais des mĂ©thodes similaires ont Ă©tĂ© utilisĂ©es auparavant par d’autres musiciens et ingĂ©nieurs. Cette activitĂ© peut ĂȘtre assimilĂ©e Ă  une certaine forme d’art, de part le dĂ©tournement, l’appropriation et la personnalisation de ces appareils ainsi que leurs usages lors de performances audiovisuelles. C’est l’art du court-circuit. On rencontrera souvent les termes Circuit-Bender ou Bender pour dĂ©signer la personne qui effectue ces modifications et on parlera de Bends pour toutes modifications apportĂ©es Ă  l’appareil. Attention: Ne jamais tenter ces manipulations sur des appareils alimentĂ©s par une tension supĂ©rieure Ă  12V, risque d’électrocution. Ne pas torturer des appareils trop onĂ©reux ou auxquels on tient, en effet il existe un haut risque de casse irrĂ©versible qui transformera le jouet en un joli presse papier. Un peu de thĂ©orie Le Circuitage ne demande pas de grandes connaissances en Ă©lectronique, mais quelques bases sont nĂ©cessaires Ă  l’apprĂ©hension de cette activitĂ©. Notamment la reconnaissance des divers composants Ă©lectroniques qui seront utilisĂ©s ou court-circuitĂ©s. RĂ©sistances La rĂ©sistance est surement le composant le plus rĂ©pandu. Sa principale caractĂ©ristique est d’opposer une plus ou moins grande rĂ©sistance Ă  la circulation du courant Ă©lectrique. Sa valeur (mesurĂ©e en ohms) peut ĂȘtre dĂ©terminĂ©e par un code couleur ou lue sur le boĂźtier des composants les plus rĂ©cents. PotentiomĂštres Un potentiomĂštre n’est autre qu’une rĂ©sistance ajustable. Il possĂšde 3 pattes ainsi qu’un systĂšme mĂ©canique permettant la variation de la rĂ©sistance. Photo-rĂ©sistances Une photo-rĂ©sistance est Ă©galement une rĂ©sistance dont la valeur varie en fonction de l’intensitĂ© lumineuse. On peut Ă©galement le nommer rĂ©sistance photo-dĂ©pendante (light-dependent resistor (LDR)) ou photoconducteur. Condensateurs Un condensateur est un composant Ă©lectronique ou Ă©lectrique Ă©lĂ©mentaire qui a pour propriĂ©tĂ© principale de pouvoir stocker des charges Ă©lectriques opposĂ©es sur ses armatures. Il est utilisĂ© principalement pour stabiliser une alimentation Ă©lectrique, traiter des signaux pĂ©riodiques, sĂ©parer le courant alternatif du courant continu, stocker de l’énergie. Diodes La diode est principalement utilisĂ©e comme convertisseur de courant alternatif vers du courant continu ou comme multiplicateur ou rĂ©gulateur de tension. C’est un composant polarisĂ©, ce qui signifie que le sens de branchement a une importance sur le fonctionnement du montage. Diodes Electro-Luminescentes (DEL / LED) La LED possĂšde la particularitĂ© de gĂ©nĂ©rer de la lumiĂšre lorsqu’elle est parcourue par un courant. De la mĂȘme maniĂšre que la diode, ce composant est polarisĂ©. Transistors Le transistor est le composant actif utilisĂ© principalement comme interrupteur commandĂ© ou pour l’amplification, mais aussi pour stabiliser une tension ou moduler un signal. Circuits intĂ©grĂ©s Le circuit intĂ©grĂ© (CI), aussi appelĂ© puce Ă©lectronique, est un composant Ă©lectronique reproduisant une ou plusieurs fonctions Ă©lectroniques plus ou moins complexes, intĂ©grant souvent plusieurs types de composants Ă©lectroniques de base dans un volume rĂ©duit, rendant le circuit facile Ă  mettre en Ɠuvre. Il existe une trĂšs grande variĂ©tĂ© de ces composants divisĂ©s en deux grandes catĂ©gories : analogique et numĂ©rique. Interrupteurs Un interrupteur est un dispositif permettant d’interrompre ou d’autoriser le passage d’un flux. Boutons poussoirs Le bouton poussoir est une touche tactile qui permet de faire une liaison Ă©lectrique momentanĂ©e le temps que l’on appuie dessus ou, sur certains modĂšles inversĂ©s, d’ouvrir temporairement le contact Ă©lectrique. Connecteurs Jack Format de connecteur mĂąle et femelle gĂ©nĂ©ralement utilisĂ© pour les connexions audio de types casques et micros. Le mini Jack fait 3,5 mm de diamĂštre, le jack normal fait 6,35 mm. MatĂ©riel et compĂ©tences Pour mener Ă  bien ces projets et en plus de certains composants citĂ©s ci-dessus, il faudra ĂȘtre Ă©quipĂ© du matĂ©riel basique (tournevis, fer Ă  souder, Ă©tain, pompe Ă  dessouder, cĂąblage, pinces coupantes, pinces croco, perceuse, dremel 
) De plus, il faudra un minimum de compĂ©tences en soudage, mais tout le monde se souvient des cours de technologies au collĂšge et dans tous les cas, ces compĂ©tences s’acquiĂšrent vite aprĂšs quelques essais. Il faudra simplement veiller Ă  ne pas dĂ©poser la panne du fer trop longtemps sur un composant pour ne pas l’endommager et ne pas faire baver l’étain au risque de crĂ©er un court-circuit non souhaitĂ©. Il faudra Ă©galement s’armer de patience, c’est la qualitĂ© premiĂšre et la plus haute compĂ©tence d’un Bender. En effet, un jouet nĂ©cessite gĂ©nĂ©ralement entre 4 Ă  12h pour ĂȘtre modifiĂ© (dont les 3/4 de ce temps sont consacrĂ©s Ă  la recherche des Bends). Avec l’expĂ©rience ce temps sera considĂ©rablement rĂ©duit. Beaucoup de pratique Victimes potentielles Pour dĂ©buter, l’idĂ©al est de s’attaquer Ă  des appareils peu couteux tels que des jouets sonores rĂ©cupĂ©rĂ©s dans votre cave ou lors de vide-greniers. Les plus rĂ©putĂ©s Ă©tant les jouets vintages du type DictĂ©e Magique et dĂ©rivĂ©s (Speak&Spell/Math/Learn), les insupportables Furby, les petits synthĂ©tiseurs type Casio SK-1 
 Tout ce qui possĂšde un haut-parleur, fonctionne sur piles ou en dessous de 12V. Plus particuliĂšrement les appareils fabriquĂ©s durant les annĂ©es 80/90 qui ne sont pas encore Ă©quipĂ©s de composants Ă©lectroniques sophistiquĂ©s ou de circuits entiĂšrement numĂ©riques. Les constructeurs les plus connus sont: Texas Instruments, Casio, Vtech, Coleco, Creatoy. Il est Ă©videmment possible d’élargir les domaines de recherches Ă  des appareils plus Ă©laborĂ©s mais gare Ă  l’irrĂ©versible court-circuit meurtrier qui mettra dĂ©finitivement la machine hors-service. Recherche Il faut tout d’abord dĂ©sosser votre cible pour mettre Ă  nu le circuit Ă©lectronique. Ensuite, on allume le jouet pour lui faire Ă©mettre un son et on test simplement sa rĂ©activitĂ© en posant plusieurs doigts simultanĂ©ment sur diffĂ©rents endroits du circuit. GĂ©nĂ©ralement, un effet de « pitch » se fait entendre (baisse/augmentation de la tonalitĂ©), on comprend alors que la machine est sensible au Circuitage et les choses sĂ©rieuses peuvent donc commencer (toutes les machines ne sont pas forcement sensibles au toucher, mais c’est une bonne technique d’approche). Afin de ne pas avoir Ă  mĂ©moriser tous les endroits sensibles, l’idĂ©al est de prendre une photo du circuit, de la transferer sur un ordinateur et ainsi noter pas Ă  pas Ă  l’aide d’un logiciel de dessin type MSPaint ou Photoshop tous les Bends dĂ©couverts. Certains les notent directement sur le circuit Ă  l’aide d’un stylo ou d’un feutre, mais l’encre contenant gĂ©nĂ©ralement du carbone et le carbone Ă©tant conducteur, il existe un risque de court-circuit non dĂ©sirĂ© dont on pourra difficilement se dĂ©faire. La premiĂšre et la plus simple des modifications Ă  apporter Ă  son appareil est le raccordement Ă  un ampli ou une console de mixage. Il sera alors possible d’enregistrer les sons de la machine ou de l’utiliser lors de performances live. Pour ce faire, on repĂšre gĂ©nĂ©ralement le haut-parleur et on le remplace ou on installe en parallĂšle un connecteur Jack. Dans le second cas, l’ajout d’un interrupteur pourra servir Ă  basculer entre la sortie audio ou le haut-parleur. On peut maintenant commencer Ă  parcourir mĂ©thodiquement ou au hasard le circuit Ă  l’aide d’un testeur. Le plus simple est d’utiliser des pinces croco que l’on raccordera Ă  deux petits tournevis d’horloger. On place la pointe du premier tournevis qui restera stationnaire sur un point du circuit et avec le second on parcourt diffĂ©rents autres points en Ă©coutant les changements de sons intĂ©ressants que l’on note au fur et Ă  mesure sur notre photo. On poursuit ensuite en dĂ©plaçant le premier tournevis sur un autre point et en recommençant notre parcours avec le second. On rĂ©pĂšte cette procĂ©dure jusqu’à ce que la totalitĂ© du circuit ait Ă©tĂ© parcouru ou lorsque nous estimons avoir trouvĂ© toutes les modifications souhaitĂ©es. Les Bends les plus courants sont gĂ©nĂ©ralement: la sortie audio permettant l’amplification, le volume, l’overdrive/distortion, les glitches, les boucles, le bouton reset. Dans certains cas, les Bends ne sont pas compatibles entre-eux. La machine plantera irrĂ©mĂ©diablement dĂšs lors qu’on activera plusieurs Bends simultanĂ©ment. On peut alors dĂ©cider de continuer la quĂȘte des modifications compatibles ou bien Ă©viter d’en activer plusieurs Ă  la fois. CĂąblage et placement des composants La prochaine Ă©tape est le raccordement des diffĂ©rents points du circuit trouvĂ©s prĂ©cĂ©demment. On les relie entre eux en soudant un fin cĂąble de cuivre sur chaque point. On placera ensuite, par exemple, un interrupteur entre deux de ces cĂąbles allant de paires, de maniĂšre Ă  (dĂ©s)activer notre court-circuit. Il est aussi possible dans certains cas de remplacer ou coupler l’interrupteur Ă  un potentiomĂštre ou une photo-rĂ©sistance qui appliquera une plus ou moins grande rĂ©sistance au passage du courant, attĂ©nuant ou accentuant ainsi l’effet du court-circuit (trĂšs utile pour les effets de pitch/volume/overdrive). Il est prĂ©fĂ©rable de ne pas souder le composant avant de l’avoir montĂ© sur le chĂąssis de la machine, de maniĂšre Ă  ne pas le dessouder par inadvertance lors de son placement. Utile aussi pour connaitre la bonne longueur des cĂąbles et leur cheminement et ainsi Ă©viter les surplus qui empĂȘcheraient la fermeture du boitier. Pour percer le chĂąssis, on utilisera une petite perceuse ou un Dremel. Le positionnement des composants est libre mais attention Ă  choisir un emplacement qui ne gĂȘnera ni la fermeture, ni l’ergonomie du boitier. En effet, un composant mal placĂ© et difficilement accessible pourrait compromettre la spontanĂ©itĂ© de la performance. Afin de ne pas trop endommager le chĂąssis, il est aussi possible de raccorder tous les composants sur un boitier externe qui servira de contrĂŽleur. Dans ce cas, l’utilisation d’un cĂąble nappe tel que l’on trouve dans un ordinateur peut ĂȘtre trĂšs pratique pour ne pas avoir des dizaines de fils qui sortent du chĂąssis (un cĂąble SCSI est parfait pour ce type de montage). Tests Il est maintenant l’heure de tester notre nouveau jouet ! Liens utiles http://www.anti-theory.com : Reed Ghazala, pĂšre du Circuit-Bending http://www.casperelectronics.com : Peter Edwards, grand maĂźtre Bender http://gieskes.nl : Gijs Gieskes, un extra-terrestre http://bitcrusher.free.fr : Mon cher ami Bitcrusher, grand Bender francophone http://www.dataglitch.org : Label associatif regroupant des amoureux des technologies Lo-Fi http://www.getlofi.com : Astuces et ressources pour dĂ©butants ou vĂ©tĂ©rans http://www.sailormouth.org : Des infos et des schĂ©mas trĂšs utiles http://www.datamath.org : MusĂ©e des produits Texas-Instruments http://www.miniorgan.com : Base de donnĂ©es de jouets plus ou moins rares CrĂ©ations personnelles Screaming Teacher aka Talking Teacher – Coleco Le Livre Tragique aka Le Livre Magique – TI Speak’n'Glitch’n'Bleep’n'Math aka Speak’n'Math – TI La Tortu(r)e aka Tortue Musicale – Carrefour LoFi Mic aka TĂ©lĂ©phone Ă  cadran – Socotel
http://www.gasol.fr/2010/06/30/5/

721 DNA seen through the eyes of a coder
This is just some rambling by a computer programmer about DNA. I'm not a molecular geneticist. If you spot the inevitable mistakes, please mail me (bert hubert) at ahu@ds9a.nl. I'm not trying to force my view unto the DNA - each observation here is quite 'uncramped'. To see where I got all this from, head to the bibliography. Quick links: The source code, Position Independent Code, Conditional compilation, Dead code, bloat, comments ('junk dna'), fork() and fork bombs ('tumors'), Mirroring, failover, Cluttered APIs, dependency hell, Viruses, worms, Central Dogma, Binary patching aka 'Gene therapy', Bug Regression, Reed-Solomon codes: 'Forward Error Correction', Holy Code, Framing errors: start and stop bits, Massive multiprocessing: each cell is a universe, Self hosting & bootstrapping, The Makefile, Further reading.
http://ds9a.nl/amazing-dna/

706 Geometry, Surfaces, Curves, Polyhedra
POV-Ray: A Tool for Creating Engaging Visualisation of Geometry Various notes on polygons and meshes Includes Surface (polygon) simplification, Clipping a polygonal facet with an arbitrary plane, Surface Relaxation and Smoothing of polygonal data, Mesh crumpling, splitting polygons, two sided facets, polygon types. Philosophy is written in this grand book - I mean universe - which stands continuously open to our gaze, but which cannot be understood unless one first learns to comprehend the language in which it is written. It is written in the language of mathematics, and its characters are triangles, circles and other geometric figures, without which it is humanly impossible to understand a single word of it; without these, one is wandering about in a dark labyrinth. Galileo (1623) Distance between a point, a line and a plane The intersection of a line with another line (2D) The closest line between two lines (3D) The intersection of a line with a plane Mathematics describing a plane The intersection of two planes The intersection of three planes Polygon area and centroid calculation Inside / outside polygon test Reflection of a ray Direction Cosines Eulers number and closed surfaces Determining whether a line segment intersects a facet Coordinate transformations on the plane (2D) Cartesian, Cylindrical, and Spherical Euler angles and coordinate transformations Converting between left and right coordinate systems Clipping a line with a polygon Clockwise test for polygons in 2D Test for concave/convex polygon in 2D Area of (planar) polygons in 3D Spheres, equations and terminology The intersection of a line and a sphere (or a circle) Equation of the circle through 3 points Equation of the sphere through 4 points Intersecting area of circles on a plane Rotation of a point about an arbitrary axis Creating a plane/disk perpendicular to a line segment Intersection of two circles on the plane Circumference of an ellipse Intersection of two spheres Distributing Points on a Sphere Quadric equations in x and y of degree 2 Fowler angles: Comparing angles without trigonometry Contouring Algorithm Description of an efficient contouring algorithm as it appeared in Byte magazine. (Byte Magazine, 1987) and a more general approach for arbitrary contour planes and polygonal meshes. Spherical projections Methods for mapping points on a spherical surface onto a plane, stereographic and cylindrical (including Mercator) projections. Includes Aitoff map projection: Conversion to/from longitude/latitude (spherical map) Projection types Classification of projections from 3D to 2D and specific examples of oblique projections. A triangle was an improvement to the square wheel. It eliminated one bump. BC comics Planar (stretching) distortion in the plane Including Anamorphic projections and Mappings in the Complex Plane (Otherwise known as Conformal maps) Polygonising a scalar field Otherwise known as marching cubes and marching tetrahedrons. HyperSpace (Historic) A Macintosh 4 dimensional geometry viewer and manual.
http://local.wasp.uwa.edu.au/~pbourke/geometry/

691 visualizing.org
Visualizing.org is a community of creative people working to make sense of complex issues through data and design
 and it’s a shared space and free resource to help you achieve this goal. Why Visualizing.org? By some estimates, we now create more data each year than in the entirety of prior human history. Data visualization helps us approach, interpret, and extract knowledge from this information. Over the last couple of years, we’ve seen government agencies, NGOs, and companies open up their data for the public to see and use. And we’ve seen data visualization figure more prominently in design curricula, conference programs, and the media. We created Visualizing.org because we want to help connect the proliferation of public data
 with a community that can help us understand this data
 with the general public. What is Visualizing.org? What can I do on the site? For designers: Visualizing is a place to showcase your work, get feedback, ensure that your work is seen by lots of people and gets used by teachers, journalists, and conference organizers to help educate the public about various world issues Visualizing is a free resource to search for data Use Visualizing to keep up with and be inspired by the latest work from other designers and design schools Learn about new visualization tools, blogs, books and other resources to help your work Everything you upload remains your sole and exclusive property and is licensed under a Creative Commons Attribution Non-Commercial Share-Alike License For teachers and schools: Visualizing is a place to exhibit the collective work of your students, organize assignments and class projects, and help your students find data for their own visualizations We’re working on new tools to help you share teaching material with other teachers As an Academic Partner, your students are eligible to participate in various design competitions – we’re hosting the first Visualizing Marathon in New York in October To learn more, contact Saira Jesani For bloggers and journalists: Visualizing is a resource to find data visualizations about a wide variety of world issues to inform and accompany your own reporting – and it’s easy to embed visualizations and widgets from Visualizing on your own site For conference organizers: As a Knowledge Partner, Visualizing allows you to use data visualizations at your conferences under a Creative Commons License To learn more, contact Saira Jesani For all: Visualizing is a new and fun online resource to learn more about the world in all its complexity and inter-dependence -- and become more comfortable with data and how it can be visually represented How does it work? The site is open and free to use. Everything you upload remains your sole and exclusive property and is licensed under a Creative Commons Attribution Non-Commercial Share Alike License. Simply put, this means that anyone can share, copy, remix, or build upon the visualization as long as: (i) it is used non-commercially; and (ii) the visualization’s creator and source are credited.
http://www.visualizing.org/

687 50 Beautiful and Fresh Free Fonts
As you will already know, there are thousands upon thousands of free fonts available, so choosing that perfect font can be very, very difficult. Its tedious business constantly scouring through countless font directories and foundries to hopefully find what you are looking for. Hopefully, with this post, we can make your search that little bit easier by rounding up 50 of our favorite fonts that have been released in recent months. So, whether you design web pages, t-shirts, posters or just seeking some typographical inspiration, we have no doubt that you will the perfect font for your perfect project in this round-up. Please note, licenses to have a tendency to change so please double check before usage.
http://speckyboy.com/2010/10/03/50-beautiful-and-fresh-free-fonts/

636 The Beginner’s Guide to Zen Habits – A Guided Tour | zen habits
‘Smile, breathe and go slowly.’ ~Thich Nhat Hanh Post written by Leo Babauta. Follow me on Twitter. Note: This is an update to the old guide — so it should be interesting to readers new and old. While some of you have been following Zen Habits since its early days (beginning of 2007), many of you are fairly new readers. To help you through the fairly overwhelming archives, I’ve compiled a beginner’s guide. Kind of a Quick Start guide. First, a note: Please don’t try to go through this all at once. There are days and days worth of reading here. I’ve just organized that so that you can go to the stuff you want to learn about first. Take it in small chunks. Where do you start when you have a thousand posts to read through? You start with the best, or at least the most popular. So here they are: Most Popular Posts breathe. be still. a brief guide to life. the best goal is no goal the lost art of solitude the elements of living lightly the zen of doing The Ultimate How to Get Lean Guide. simplify, and savor life How Not to Hurry Email Sanity: How to Clear Your Inbox When You’re Drowning the barefoot philosophy The No. 1 Habit of Highly Creative People How Not to Hurry The Simple, Ridiculously Useful Guide to Earning a Living from Your Passion 10 Benefits of Rising Early, and How to Do It 20 Things I Wish I Had Known When Starting Out in Life Simple Living Manifesto: 72 Ideas to Simplify Your Life A Guide to Creating a Minimalist Home Get Off Your Butt: 16 Ways to Get Motivated When You’re in a Slump
http://zenhabits.net/start/

610 . ïżœ ïżœïżœ'ïżœi|ïżœ,_ ïżœ ïżœïżœ'ïżœi|ïżœ,_ . welcome @ deep!sonic ïżœ ïżœïżœ'ïżœi|ïżœ,_ . ïżœ ïżœïżœ'ïżœi|ïżœ,_ .
.:[ Hello Electromusic Lovers ! ]:. Es ist gelogen, dass Videogames Kids beeinflussen. HĂ€tte PAC MAN das getan, wĂŒrden wir heute durch dunkle RĂ€ume irren, Pillen fressen und elektronische Musik hören! (Christian Wilson, Nintendo Inc., 1989) In deep!sonic i primary show my musican side in my life. More and more also people come here to watch the balance in my life - photography in nature. I like the world wide web and found lot of information and answers. Because this i feel better to give a little bit back and presents my works here in deep!sonic. But more i think it's important to feel and life culture with all kinds.
http://www.deepsonic.ch/

598 G E I S H A B A L L S
Polaroid, film, 8bit and modular synthesis.
http://geishaballs.tumblr.com/

591 Corden|Potts Gallery
Corden Potts Gallery exhibits the work of emerging photographers. It is located at 49 Geary St., SF, CA, Suite 211. photography, gallery, san francisco, contemporary photography, 49 Geary, Bill Mattick, Beth Kientzle, Andrea Camuto, Elizabeth Corden, Jan Potts, Laurie Lambrecht, Jacqueline Walters, Michael Starkman, Ron Moultrie Saunders, Takeshi Shikama, Jane Fulton Alt, Jeri Eisenberg, Dog Days,
http://www.cordenpottsgallery.com/index.cfm

557 Experimenting with Node.js - Jeff Kreeftmeijer
Using Node.js and a bit of jQuery to annoy you. jeff kreeftmeijer, jeffkreeftmeijer
http://jeffkreeftmeijer.com/2010/experimenting-with-node-js/

551 The Top Idea in Your Mind
I realized recently that what one thinks about in the shower in the morning is more important than I'd thought. I knew it was a good time to have ideas. Now I'd go further: now I'd say it's hard to do a really good job on anything you don't think about in the shower. Everyone who's worked on difficult problems is probably familiar with the phenomenon of working hard to figure something out, failing, and then suddenly seeing the answer a bit later while doing something else. There's a kind of thinking you do without trying to. I'm increasingly convinced this type of thinking is not merely helpful in solving hard problems, but necessary. The tricky part is, you can only control it indirectly. [1] I think most people have one top idea in their mind at any given time. That's the idea their thoughts will drift toward when they're allowed to drift freely. And this idea will thus tend to get all the benefit of that type of thinking, while others are starved of it. Which means it's a disaster to let the wrong idea become the top one in your mind. What made this clear to me was having an idea I didn't want as the top one in my mind for two long stretches.
http://www.paulgraham.com/top.html

518 LA MUSIQUE INDUSTRIELLE
QU’EST-CE QUE LA MUSIQUE INDUSTRIELLE ? Vous trouverez chez les disquaires bien achalandĂ©s un coin rĂ©servĂ© aux albums d’ " indus ", souvent mĂ©langĂ©s au gothique, Ă  la cold ou encore aux indĂ©pendants. Les couleurs noire et grise dominent les pochettes et les noms des groupes sont souvent longs et imprononçables, Ă  consonance allemande ou anglaise. Pour continuer dans le clichĂ©, on peut dĂ©crire la musique industrielle comme un style basĂ© sur des percussions mĂ©talliques qui martĂšlent, accompagnĂ©es de bruits agressifs souvent dissonants et de voix trafiquĂ©es, criĂ©es plus que chantĂ©es. En fait, l’indus est pour beaucoup une musique suspecte, apprĂ©ciĂ©e par d’étranges mĂ©lomanes qui n’auraient pas compris que la musique moderne est faite pour distraire, pour danser ou encore adoucir les mƓurs. Peu de gens savent en fait ce qu’est l’industriel Ă  proprement parler. Pourtant ce style a Ă©tĂ© trĂšs productif et une partie de la musique actuelle s’en inspire. A la base, l’industriel est un mouvement de contestation sociale et artistique. Il rejette le contrĂŽle de la musique populaire par les businessmen, les mĂ©dias et tous les hommes de pouvoir. Son essor est marquĂ© par la crĂ©ation d’Industrial Records, Ă  Londres, Ă  la fin des annĂ©es 1970 par le groupe Throbbing Gristle. C’est un des premiers labels indĂ©pendants, une entreprise de production et de diffusion de cassettes audio et de 33 tours, qui laisse ses musiciens s’exprimer sans contrainte, ni censure, ni souci de rentabilitĂ©. Il dĂ©veloppe une " stratĂ©gie de guĂ©rilla " contre les major company, ces entreprises qui soumettent la musique populaire aux lois du marchĂ©. Plus gĂ©nĂ©ralement, le mouvement industriel vomit l’industrie des loisirs orchestrĂ©e par les grands mĂ©dias. Il cherche Ă  faire rĂ©flĂ©chir sur la propagande et le marketing, sur l’utilisation de l’art et des diverses techniques de communication pour convaincre et dominer. L’ambition est de crĂ©er une alternative Ă  la culture de masse afin de lutter contre l’uniformisation des esprits. Pape de l’industriel, Genesis P-Orridge (alias Neil Megson) explique qu’au dĂ©part le but est de "savoir jusqu’oĂč on pouvait mĂ©tamorphoser et coller le son, prĂ©senter des sons complexes et non-divertissants dans une situation de culture populaire, afin de convaincre et de convertir. Nous voulions rĂ©investir la musique rock avec un contenu, une motivation et un risque. " Apparu en mĂȘme temps que le punk, l’industriel se veut plus radical, plus rĂ©flĂ©chi et surtout plus novateur en matiĂšre musicale. Il milite pour l’éclatement des codes musicaux qu’ils soient rock, jazz, classique ou pop. Recherchant l’imprĂ©vu, fuyant le formatage, il puise dans diffĂ©rents styles. Par ailleurs, de nouveaux instruments sont incorporĂ©s Ă  la musique. Les membres d’EinstĂŒrzende Neubauten utilisent des perceuses, de l’eau, des tĂŽles, ou mĂȘme leurs dents pour produire des sons originaux. DĂšs le dĂ©part, les instruments Ă©lectroniques ont Ă©tĂ© privilĂ©giĂ©s : boites Ă  rythme, synthĂ©tiseurs et les tout premiers Ă©chantillonneurs (sampleurs), dĂšs le dĂ©but des annĂ©es 1980. Ces instruments Ă©lectroniques aidant, l’indus a Ă©tĂ© produit par des non-musiciens et a dĂ©veloppĂ© la rĂ©pĂ©titivitĂ© (utilisation des sĂ©quenceurs). C’est dans ce sens que l’industriel est pour une bonne part Ă  l’origine de la techno. L’industriel ne se limite pas au dĂ©part Ă  un courant musical, c’est une tentative d’art total. Soit les musiciens indus sont des touches Ă  tout en matiĂšre artistique (Genesis P-Orridge, Jim Thirlwell), soit ils collaborent frĂ©quemment avec des cinĂ©astes, des troupes de thĂ©Ăątre ou de danse contemporaine. Pour les disques, le graphisme des pochettes compte parfois autant que la musique elle-mĂȘme. Dans toutes ses expressions artistiques, l’industriel recherche la provocation la plus radicale, le choc et la confusion. Les thĂšmes dĂ©veloppĂ©s sont autant de tabous : le totalitarisme sous toutes ses formes (propagande, uniformes militaires, symboles paĂŻens, plus ou moins fascistes ou nazis) ; le sado-masochisme, bouffonnerie spectaculaire parodiant les rapports humains ; la mort. C’est un constat froid des horreurs du monde, l’irruption de la laideur sous toutes ses formes dans la musique populaire. Mais attention, l’humour, le sarcasme et le cynisme sont essentiels dans l’indus. L’ironie et l’ambiguĂŻtĂ© sont fondatrices : la musique qui se proclame industrielle s’oppose Ă  l’industrie de la musique et aux valeurs de la sociĂ©tĂ© industrielle. Les membres de Throbbing Gristle troquaient volontiers leurs uniformes pour des chemises hawaĂŻennes, Current 93 s’est pris de passion pour le hĂ©ros enfantin Oui-Oui (Noddy), Laibach a parodiĂ© pompeusement les Beatles, Clair Obscur a chantĂ© les cours de la bourse, aprĂšs avoir smurfĂ© au goulag, et Foetus s’est fait connaĂźtre par une parodie de disco en l’honneur du marquis de Sade (avant MylĂšne Farmer !). Tous les musiciens qui se prĂ©tendent industriels mais s’expriment sans cette ironie fondatrice ou sans vĂ©ritable recherche musicale utilisent le terme abusivement. DĂšs 1981, Throbbing Gristle se sĂ©pare. Genesis P-Orridge explique : " nous avons quitter un milieu envahi par des idĂ©es et des gens malsains, parce que ces gens ont choisi de ne pas comprendre ce que nous disions. C’est devenu une surenchĂšre de provocation ". On a assistĂ© en effet Ă  une dĂ©rive et un appauvrissement musical. L’industriel est devenu un style parmi les autres. Comme tout mouvement contestataire, il a Ă©tĂ© rĂ©cupĂ©rĂ©e ; Ă  la fois par les mĂ©dias et par des mouvements d’extrĂȘme droite. Ainsi on a pu entendre, dans des publicitĂ©s tĂ©lĂ©visĂ©es, des percussions mĂ©talliques pour vanter les mĂ©rites de slips trĂšs masculins, ou bien des bruits de mĂ©canique qui dĂ©raille sortant d’un autoradio, pour vendre une voiture Ă  la mĂ©canique irrĂ©prochable. Les liens avĂ©rĂ©s avec l’extrĂȘme-droite ne concernent que quelques uns : en particulier Boyd Rice (du groupe NON) et plusieurs pĂąles ersatz du groupe de folk industriel Death in June, engluĂ©s dans une soupe europĂ©aniste nausĂ©abonde, oĂč se mĂȘlent rĂ©volution conservatrice, paganisme nordique ou celtique, thĂšmes guerriers et romantisme noir. Ces connivences ont jetĂ© le discrĂ©dit sur tout le mouvement industriel. C’est oublier que les artistes d’Industrial records refusaient de s’exprimer sur le terrain politique traditionnel, que des groupes se sont engagĂ©s Ă  gauche (Test Dept), tandis que d’autres ont affirmĂ© leur rejet de l’extrĂȘme-droite (Front 242). Beaucoup cependant rĂ©pugnent Ă  se justifier et continuent de jouer le jeu dangereux de la provocation fasciste. Il y a peu le groupe allemand Substanz t. a Ă©chantillonnĂ© la phrase suivante dans un morceau : " if you don’t like fascism, don’t play industrial music " (compilation teknoir, 1998).
http://nksinternational.free.fr/indus.html

510 How Social Media Has Radically Altered Advertising
Social Media started out as a bit of a novelty -- a playground for the geekerati. But it has taken hold as a game changing force that will reshape advertising at its very core. Business Lists,Channels,Lists,Social Media Lists,business,contributor,features,social media
http://mashable.com/2010/07/06/social-media-advertising/

490 16 vs. 24 bit Audio Recording Demystified
The Tweak attempts to give you a perspective on 16 vs 24 bit audio recording that makes sense. 24 bit, 16 bit, audio recording, multi-track recording, sequencer, logic, cubase, sonar
http://tweakheadz.com/16_vs_24_bit_audio.htm

486 Ninite Easy PC Setup - Silent Unattended Install Multiple Programs At Once
Ninite is the fastest, easiest way to get software. Ninite will automatically download and install multiple apps unattended and 100% hands-free. 1. Pick your favorite software below. 2. Click "Get Installer" and run it. 3. You're done! No Toolbars Ninite says "No" to toolbars and other junk. No Clicking Ninite automates installers offscreen. 32 and 64-bit Ninite installs the best version of an app for your PC. International Ninite installs apps in your PC's language. Fast No manual labor means installs finish quickly. And More Ninite Pro has even more features. Learn more
http://ninite.com/

478 Test connexion : ADSL, bande passante, débit - Tester sa ligne avec le JDN
Test de connexion : lancez le test de bande passante pour calculer le débit ascendant et descendant de votre ligne ADSL, fibre optique ou autre avec le Journal du Net test, adsl, test, connexion, test, bande, passante
http://www.journaldunet.com/test-connexion/

474 Why Intelligent People Fail
Why Intelligent People Fail Content from Sternberg, R. (1994). In search of the human mind. New York: Harcourt Brace. 1. Lack of motivation. A talent is irrelevant if a person is not motivated to use it. Motivation may be external (for example, social approval) or internal (satisfaction from a job well-done, for instance). External sources tend to be transient, while internal sources tend to produce more consistent performance. 2. Lack of impulse control. Habitual impulsiveness gets in the way of optimal performance. Some people do not bring their full intellectual resources to bear on a problem but go with the first solution that pops into their heads. 3. Lack of perserverance and perseveration. Some people give up too easily, while others are unable to stop even when the quest will clearly be fruitless. 4. Using the wrong abilities. People may not be using the right abilities for the tasks in which they are engaged. 5. Inability to translate thought into action. Some people seem buried in thought. They have good ideas but rarely seem able to do anything about them. 6. Lack of product orientation. Some people seem more concerned about the process than the result of activity. 7. Inability to complete tasks. For some people nothing ever draws to a close. Perhaps it’s fear of what they would do next or fear of becoming hopelessly enmeshed in detail. 8. Failure to initiate. Still others are unwilling or unable to initiate a project. It may be indecision or fear of commitment. 9. Fear of failure. People may not reach peak performance because they avoid the really important challenges in life. 10. Procrastination. Some people are unable to act without pressure. They may also look for little things to do in order to put off the big ones. 11. Misattribution of blame. Some people always blame themselves for even the slightest mishap. Some always blame others. 12. Excessive self-pity. Some people spend more time feeling sorry for themselves than expending the effort necessary to overcome the problem. 13. Excessive dependency. Some people expect others to do for them what they ought to be doing themselves. 14. Wallowing in personal difficulties. Some people let their personal difficulties interfere grossly with their work. During the course of life, one can expect some real joys and some real sorrows. Maintaining a proper perspective is often difficult. 15. Distractibility and lack of concentration. Even some very intelligent people have very short attention spans. 16. Spreading oneself too think or too thick. Undertaking too many activities may result in none being completed on time. Undertaking too few can also result in missed opportunities and reduced levels of accomplishment. 17. Inability to delay gratification. Some people reward themselves and are rewarded by others for finishing small tasks, while avoiding bigger tasks that would earn them larger rewards. 18. Inability to see the forest for the trees. Some people become obsessed with details and are either unwilling or unable to see or deal with the larger picture in the projects they undertake. 19. Lack of balance between critical, analytical thinking and creative, synthetic thinking. It is important for people to learn what kind of thinking is expected of them in each situation. 20. Too little or too much self-confidence. Lack of self-confidence can gnaw away at a person’s ability to get things done and become a self-fulfilling prophecy. Conversely, individuals with too much self-confidence may not know when to admit they are wrong or in need of self-improvement.
http://www.acceleratingfuture.com/michael/works/intelligentfailure.htm

464 Ksplice » Attack of the Cosmic Rays! - System administration and software blog
It’s a well-documented fact that RAM in modern computers is susceptible to occasional random bit flips due to various sources of noise, most commonly high-energy cosmic rays. By some estimates, you can even expect error rates as high as one error per 4GB of RAM per day! Many servers these days have ECC RAM, which uses extra bits to store error-correcting codes that let them correct most bit errors, but ECC RAM is still fairly rare in desktops, and unheard-of in laptops. For me, bitflips due to cosmic rays are one of those problems I always assumed happen to “other people”. I also assumed that even if I saw random cosmic-ray bitflips, my computer would probably just crash, and I’d never really be able to tell the difference from some random kernel bug. A few weeks ago, though, I encountered some bizarre behavior on my desktop, that honestly just didn’t make sense. I spent about half an hour digging to discover what had gone wrong, and eventually determined, conclusively, that my problem was a single undetected flipped bit in RAM. I can’t prove whether the problem was due to cosmic rays, bad RAM, or something else, but in any case, I hope you find this story interesting and informative.
http://blog.ksplice.com/2010/06/attack-of-the-cosmic-rays/

456 Korg MS-20 Highpass Filter not working - Gearslutz.com
Just Joined GS and this is my first post. I recently purchased a Korg MS-20 and have discovered that the Peak or resonance pot seems a bit faulty on Korg,MS,20,Highpass,Filter,not,working, Korg MS-20 Highpass Filter not working, recording, studio, microphone, mic pre, compressor, equalizer, pro tools, DAW, Nuendo, Cubase, SSL, Neve, Helios, review, reviews
http://www.gearslutz.com/board/electronic-music-instruments-electronic-music-production/450964-korg-ms-20-highpass-filter-not-working.html

448 HTML Ampersand Character Codes
These are character sequences that may appear in HTML documents; they represent sometimes useful symbols that are not part of the standard ASCII set or that would be difficult or impossible to type otherwise (e.g. the less-than sign, which would always be mistaken for the beginning of an HTML tag). Case is signinficant. The content of this table has been throughly tested. If the character that appears in the first column does not fit the description in the third column, your browser has a screw loose.
http://rabbit.eng.miami.edu/info/htmlchars.html

445 Doug Kaufman's Web Site - DOS ports LYNX
This site exists primarily to distribute DOS ports of programs in which I have taken an interest. This consists primarily of the text-mode web browser "lynx", the network file retrievers "wget" and "curl", the file compressor "bzip2" and the URL extractor "urlview". Running programs originally designed for unix in DOS is not necessarily easy. If you download these programs, please read the text files which explain how to set up these programs in DOS and which functional problems may be present. The latest DOS port of lynx is 2.8.5rel.1. You can download it here (2463576 bytes, 18 April 2004). This version is compiled with openssl-0.9.7d to give SSL support. This means that it can now access https:// URLs. This can now be distributed because of the easing of US export controls on encryption. Please note, however, that US regulations still prohibit export to Cuba, Iran, Iraq, Libya, North Korea, Sudan, or Syria. Do not download the file if you are from any of these countries. Please check your own country's regulations on the use of strong cryptography before using or redistributing this file.
http://www.rahul.net/dkaufman/

428 Alain Neffe and the Home-Taped Electronic Music Revolution
Alain Neffe launched his first tape label at home in Belgium in 1981. He called it Insane Music Contact and his first installment was called Insane Music for Insane People. Thus began a nearly thirty year foray into home-made, visionary and utterly unfashionable electronic music that has hardly made anyone involved a household name. Insane Music released 55 titles in its most prolific years (1981-87). Five of these were vinyl records and the rest were cassettes tapes. Why cassettes tapes? Magnetic tape was the obvious solution to the problem facing many artists working without record contracts in those days. Cassettes could be recorded at home, produced at home, dubbed at home, and sold or traded by mail. No need for tasteless outside producers and marketing mojo—one needed only leave home to buy more tapes. Says Neffe, “I could copy the tapes on demand. Releasing an LP required that you print 500 copies and 1000 copies of the cover sleeve, and everything had to be paid up front 
 if the buyer didn’t like the music, he or she could wipe it out and record something else on it.” Mr. Neffe was not the only one out there recording, selling and trading tapes by mail. On both sides of the Atlantic, home cassette technology was permitting the release of much groundbreaking and breathlessly beautiful work, as well as some noxious and otherwise self-indulgent wanking—that coat of many colors we call the DIY (do-it-yourself) Revolution. As early as 1974, Albrecht/d. self-released a cassette entitled Amsterdam Op De Dam in Germany. In 1976, Throbbing Gristle was distributing tapes of their infamous live recordings, and in 1977, the French electro-industrial unit Die Form began releasing tapes on their own Bain Total label. 1980 saw the release of two monumental self-released cassettes, The Storm Bugs’ A Safe Substitute and Colin Potter’s The Ghost Office. In Japan, 1980 saw the release of Merzbow’s first two cassettes, Remblandt Assemblage and Fuckexercise. And in the USA, 1981 saw John Bender’s Plaster: The Prototypes, a laconic and mysterious series of tone and vocal poems. Home taping was not limited to electronic music. R. Stevie Moore, one of the elder living ancestors of the lo-fi rock aesthetic, began releasing distributing home-made tapes via the R. Stevie Moore Cassette Club sometime in the 1970s. And tapes of live punk shows from the era continue to trade hands. Soon, cassettes were coming from everywhere: mysterious PO boxes in the Midwest, to which you sent a blank tape and three dollars and received the tape back with something on it. The Tellus Audio Cassette Magazine was a Fluxus-inspired subscription audio-journal dedicated to music as well as poetry and drama and other forms of audio-art. Zines like Factsheet Five and Unsound devoted entire columns to the material they received from bands on home-made cassette, and demo tapes began leaking to radio stations prior to official record release dates. It was a grassroots movement that marched in association with the self-publication of zines, comics, chapbooks, and other media. The medium had begun to become the message. Insane Music for Insane People (which eventually reached 25 volumes) was a series compiling all home-made electronic music made by artists from across the globe. By including in the liner notes the contact address for each artist featured, Neffe helped pioneer a snail-mail network for those interested in more of what they heard. Artists from all over Europe and the USA, from Japan, New Zealand, and beyond contributed over the years. One could send a few dollars to Insane Music Contact, receive tapes in the mail, write to artists involved and receive more cassettes. Insane Music Contact (now known as Insane Music) has always been a vehicle for Mr. Neffe’s own electronic music projects as well, many of which are periodically active to this day. Though he now makes liberal use of the CD format, Neffe’s artistic approach remains undiluted by years of underexposure. He expects very little acknowledgment of or remuneration for his efforts, which, for him, are emotional articulation, continued experimentation, and purity. It seems nothing but nothing could possibly catapult such heavily uncommercial sounds into the public consciousness–not even this thirty-year retrospective box-set entitled The Insane Box released (ironically, on vinyl) by the venerable Frank Maier of Vinyl-on-Demand Records, an outfit devoted to preserving the precious gems of cassette culture before the evidence disintegrates. For this retrospective (4 LPs + a 7” 45), Mr. Neffe has reached into dusty attic boxes, wherein lay unreleased (or hardly available) material by five projects of which he has been a part: BeNe GeSSeRiT, Human Flesh, Pseudo Code, I Scream and Subject. Each has a unique cerebral orientation and emotional vibe made possible by the combined efforts of invited guests; each runs the high fever of a man very much committed to a personal vision of artistic purity without virtuosity, and each is distinctly French. BeNe GeSSeRiT was not the first of Mr. Neffe’s projects to be recorded and distributed, but is, to my understanding, the genesis of his approach to music as “texts” or “photographs”, or as he puts it, “potlatch music”. On these early tracks we also detect a burgeoning interest in the endless expressive properties of the human voice, both explicitly human and as heavily-treated sound sculpture, both French and English At times, voices shout like besotted Celine parlor workers at each other from tenement windows; at other times a high-pitched female voice wails up and down like Catherine Ribeiro alone in her bathroom. In these tracks, one can also detect the half-digested influence of electro-rock luminaries Silver Apples, the avant-lashings a la Yoko Ono, and occasionally the thunder-beat of early Laibach. Primitive Casio electronics, stage whispers, delay echoes, tape loops, and a certain absurdist humor redolent of Erik Satie, neither dampen the fabric with melodrama, nor detract from the integrity of the grist, nor from the topical seriousness of the text’s subjects. BeNe GeSSeRiT is difficult music, even in the moments that risk elegy, yet it is still more accessible than some of the other Francophone avant-dada outfits of the day, such as DDAA and Étant DonnĂ©s, or Nurse with Wound in the UK. Human Flesh is decidedly more structurally cohesive and song-oriented than BeNe GeSSeRiT, and its predecessors and influences are less clear. Still there is a clear interest in the human voice, its textures and timbers when removed of sign value by backwards-masking, and the new textures that emerge when disassembled and reassembled. Even rock-oriented at times, Human Flesh chases a more delirious climax, for the hounds of the carnival are snapping at their heels as they run. This is also a project of varied angles and pursuits, sliding as it does into poetic electro-pop (the supple and Chicago-accented voice of the late Lydia Tomkiw, of Algebra Suicide, appears on two tracks), and moments of Half Japanese-style primitivism. The side-long track “Langsam” is more reminiscent of Piper-era Pink Floyd and Brainticket, as well as other Krautrock, yet is still distinctly French. These early and rare tracks are, in contrast to the more ambitious Pseudo Code and the more intimate recordings by I Scream, more oblique for being a mix-down of materials sent to Neffe from artists around the globe. The track “Sons of God?” is also notable for what is perhaps the first recorded sample of the American fire-and-brimstone preacher Ferrell Griswold, whose voice has appeared in music by Front 242, Phallus Dei, Pragha Khan, et cetera. The cassette medium, for all its benefits to individual artistic expression and culture, is for the selfsame reasons impermanent. Magnetic tape has a thirty year lifespan if properly archived, which means both that preserving their contents in other formats is important, and that paying hundreds of dollars for the original artifacts is a questionable collectors’ pursuit (nevertheless, you can watch it happen daily). With the advent of the mp3 and the efforts of Vinyl-on-Demand and other labels, Insane Music’s CD-r reissue program included, some of this exquisite material has been rescued from oblivion.
http://www.timesquotidian.com/2010/05/28/alain-neffe-and-the-home-taped-electronic-music-revolution/

405 AudioLemon: HOWTO: Build A Steampunk Oscilloscope
AudioLemon is a blog that looks at all things audio related. Synths, samplers, software, effects and a little bit of electronic music and culture. A steampunk oscilloscope built by Andrew Smith from parts found in a junk box. "Although not intended to be fully functional it does actually work." It's looks so cute... if you have the DIY skills you can read an article over on electronicsweekly detailing the build, components used and a schematic. "I discovered that I had a really cute little 7cm CRT in the loft, together with several other valves of different types, and it seemed a good idea to make something decorative with them. For me, a lot of the charm of this piece resides in the unconventional layout and design, using a polished wooden box instead of the more usual metal chassis."
http://audiolemon.blogspot.com/2007/10/howto-build-steampunk-oscilloscope.html

377 8BitBoy :: A Flash based Amiga Modplayer
A MOD Player for the Flash Player. flash mod player actionscript chiptunes 8bit 8bitboy amiga tracker
http://8bitboy.popforge.de/

364 What every programmer should know about memory, Part 1 [LWN.net]
Editor's introduction: Ulrich Drepper recently approached us asking if we would be interested in publishing a lengthy document he had written on how memory and software interact. We did not have to look at the text for long to realize that it would be of interest to many LWN readers. Memory usage is often the determining factor in how software performs, but good information on how to avoid memory bottlenecks is hard to find. This series of articles should change that situation. The original document prints out at over 100 pages. We will be splitting it into about seven segments, each run 1-2 weeks after its predecessor. Once the entire series is out, Ulrich will be releasing the full text. Reformatting the text from the original LaTeX has been a bit of a challenge, but the results, hopefully, will be good. For ease of online reading, Ulrich's footnotes have been placed {inline in the text}. Hyperlinked cross-references (and [bibliography references]) will not be possible until the full series is published. Many thanks to Ulrich for allowing LWN to publish this material; we hope that it will lead to more memory-efficient software across our systems in the near future.
https://lwn.net/Articles/250967/

321 30 Creative and Unique Free Fonts
Everyone love free fonts. If you want to be a bit different, you can use these creative fonts to make sure that your designs will stand out. free, fonts,resources
http://sixrevisions.com/resources/creative-unique-free-fonts/

279 VI Editor / Linux Terminal Cheat Sheet (PDF) - Smashing Magazine
We've been releasing many icon sets and WordPress themes on Smashing Magazine, yet today we are glad to announce the release of a bit different freebie. This post... freebies, design, magazine, photoshop, wordpress, wallpaper, icons, css, fonts
http://www.smashingmagazine.com/2010/05/03/vi-editor-linux-terminal-cheat-sheet-pdf/

275 charabia.net : génération de textes
Quelques explications Fort mĂ©connue du grand public, la gĂ©nĂ©ration de textes demeure une discipline sportive essentiellement universitaire, pratiquĂ©e par d'obscurs chercheurs dans des laboratoires tristes et exigus. Cette discipline pousse ses malheureux adeptes Ă  des pratiques honteuses : la gĂ©nĂ©ration par ordinateur interposĂ© de textes longs et soporifiques Ă  partir d'une composition sĂ©mantique produite mĂ©caniquement. C'est donc avec la plus grande fiertĂ© que ce site se dĂ©voue Ă  faire exactement le contraire, dans une contre-culture gĂ©nĂ©rative particuliĂšrement ambitieuse : produire du texte en fonction d'un modĂšle de discours oĂč la notion de sens est totalement absente. On parle alors de gĂ©nĂ©ration automatique de textes alĂ©atoires. Notons nĂ©anmoins que, paradoxalement, l'absence de sens donne parfois du sens.
http://www.charabia.net/gen/docs.php?n=introduction

211 30 Old PC Ads That Will Blow Your Processor | Information Technology Schools
Many people today either are too young to have ever seen some early pc’s or have forgotten what they looked like and how much they cost. Today we complain about the cost of a laptop running 2Ghz with 4GB ram for a cost of $ 400.00, however it wasn’t that long ago that laptops and pc’s were priced quite a bit higher. Here are 30 Old PC ads that will make you laugh and possibly appreciate what you have today.
http://www.informationtechnologyschools.org/blog/2010/30-old-pc-ads-that-will-blow-your-processor/

208 13 small things to simplify your workday | Zen Habits

http://zenhabits.net/2010/03/simplify-your-workday/

99 Arrangements in Skin, Parts 1 + 2; Repulsion Decoration Series (TRAMAINE de SENNA)
art, architecture, illustration, costume design, clothing, film, painting, courtroom illustration, sculpture, drawing, models, exhibits, shows, meat, red curtains, puppets, Tramaine de Senna, The Butcher Boutique, donuts, Eine Kleine Fleischmusik, Welcome to my Cardboard Home, Das Rote Experiment, The Red Experiment, La Belladonna e La Gola Profunda, I Love Caulk Frosting Paintings, Decorous Mundanity, Disgust and Desire, Repulsion Decoration, cardboard architecture, banality, Speed Bump Mannequins, Double Dub, Tremenda Cena Boing Boing
http://sites.google.com/site/tramainesite/home/repulsion-decoration-arrangements-in-skin-part-1

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