100SILEX, de 0 à 100 s: code
1529 Table de caracteres Unicode
unicode, signes, symboles, caracteres, table Unicode, jeu de caracteres, la liste des caracteres Unicode, UFT-8, les caracteres de facebook, encodage, symbole de coeur, de l ecriture, les langues, emoji, hieroglyphes, runes, symboles de fleche, cyrillique, latin, symboles monetaires
http://unicode-table.com/fr/#supplemental-symbols-and-pictographs

1522 5 Simple steps to secure TT-RSS reader
secure tt-rss, tt-rss security 5 Simple steps to secure TT-RSS reader July 27, 2015 by Anand Leave a Comment secure-tt-rss-ft Share: share htpcBeginner We recently presented Tiny Tiny RSS to you as a great alternative to Google reader, which is one more way you can extend the functionality of your home server or your hosting space. Hopefully, you already exported your data from Google Reader. In this post, we will show you how to secure TT-RSS reader to prevent unauthorized access. Tiny Tiny RSS is an open source web-based news feed (RSS/Atom) reader and aggregator, designed to allow you to read news from any location, while feeling as close to a real desktop application as possible. As we previously explained, it makes an ideal candidate to replace Google Reader. While there are services like Feedly and Newsblur grabbing the crowd Google Reader, which some of you may prefer, there are a group of people who would like to run a RSS reader on their own server and keep things private. Assuming that you have already installed Tiny Tiny RSS on your alternative to Google reader or hosting space, we will now show you how to secure TT-RSS reader. Secure TT-RSS Reader One of the main reasons to move to an RSS aggregator like TT-RSS is maintaining your privacy. So if you do not secure TT-RSS reader well you are not only making your data available public but also making your system vulnerable to potential attacks. Choosing a strong username and password while setting your TT-RSS is the first basic thing that you can do to secure TT-RSS reader. Listed below are few more ways you can increase TT-RSS reader’s security. 1. Rename TT-RSS Folder One of the first lines of defense is to not use tt-rss in your URL to access your TT-RSS reader. To do this on your hosting account, use a folder name other than tt-rss while installing TT-RSS. On your Linux home server, edit /etc/tt-rss/apache.conf and change the first /tt-rss to something else. An example is shown below. TT-RSS Rename URL TT-RSS Rename URL After making the change, restart your TT-RSS and Apache to apply the changes: sudo service tt-rss restart sudo serivce apache2 reload Your TT-RSS reader is now available through the new URL (example: http://mydomain.com/myreader) only. Amazon Kindle Fire HDX 2. Enable SSL Accessing TT-RSS through http sends all information as unencrypted data. This could mean less privacy due to potential sniffing. The solution is to encrypt the data during transfer, which makes sniffing by hackers harder. To enable and enforce HTTPS access on Linux servers with Apache, install the following run-time libraries: sudo apt-get install libssl0.9.8 libpam0g openssl Restart your Apache server as shown above. You should now be able to access your TT-RSS reader with HTTPS. Note that you may have to have a SSL certificate generated. Refer to Apache documentation if you want to generate your own certificate. By default, the system will install self-signed certificates for you. These certificates are likely to raise warnings when you point your browser to the site. 3. Disable Single User Mode By default the single user mode is already disabled (in /etc/tt-rss/config.php). Enabling single user mode will also disable TT-RSS login system. Therefore, keep the single user mode disabled. Disable Single User Mode Disable Single User Mode A better way to make it a single user system is by limiting the number of registrations to 1 as described below. For whatever reason, you still want to enable single user mode, make sure you implement Apache Authentication method described below. 4. Self Registrations Self registrations allow a visitor to register themselves, which could reduce TT-RSS security. If your TT-RSS will be for personal use only, then you may want to disable user registration by setting “ENABLE_REGISTRATION” to “false”. TT-RSS Self Registrations TT-RSS Self Registrations To further secure TT-RSS Reader, uou may also want to change “REG_MAX_USERS” to “1” to make your account the only account on TT-RSS. asus n66uASUS RT-N66U Dual-Band Wireless-N900 Gigabit Router asus n66u reviewsFind out why it is rated the best wireless router in its class. 5. Apache Authentication Last but not the least, enable Authentication. This is even more important if you have enabled “Single User Mode” describe above. Every time you access TT-RSS, you will be asked for a username and password as shown in the picture below: Secure TT-RSS Reader On your hosting account this equivalent to password protecting a directory, in this case the TT-RSS directory. To do this on your Ubuntu server, you will have to create a .htpasswd file. More information is available in Apache documentation. But the easiest way to achieve this is to use one of the htpasswd generators available online. After you enter the username and password two code blocks will be generated. Copy the contents of the .htpasswd code block and save it to /etc/apache2/.htpasswd_ttrss. Next, copy the contents of the .htaccess code block and add it to /etc/tt-rss/apache.conf as shown below: TT-RSS Apache Authentication TT-RSS Apache Authentication Save and exit. Restart both TT-RSS and Apache previous shown above. You should be prompted for a password every time you try to access TT-RSS. Some may think that this double authentication method is an extra inconvenience. But I would rather be safe than sorry. Go ahead, secure Tiny Tiny RSS Reader and enjoy reading articles on your private secure RSS Reader.
http://www.htpcbeginner.com/secure-tt-rss-reader/

1511 Les Cast Codeurs Podcast | Liste des épisodes

https://lescastcodeurs.com/

1462 myAVR Microcontroller shop - mySmartUSB light
AVR910, AVR911, STK500, firmware, bootloader, controller, usb programmer, avr controller, usb, isp, myavr, USB stick, AVR Studio, BASCOM, CodeVision, Windows, Linux, MacOSX
http://shop.myavr.com/index.php?sp=article.sp.php&artID=200006

1421 The Absolute Minimum Every Software Developer Absolutely, Positively Must Know About Unicode and Character Sets (No Excuses!) - Joel on Software

http://www.joelonsoftware.com/articles/Unicode.html

1359 PHP code- 10 lines - codepad

http://codepad.org/bntu7Lex

1347 Online-REPs-and-REPLs
Action Script 3: http://eval.hurlant.com/demo/ http://wonderfl.net/ Ada: http://ideone.com/ Arc: http://dabuttonfactory.com:8080/ http://jonathan.tang.name/files/arclite/ Assembler: http://ideone.com/ AWK: http://ideone.com/ Bash: http://ideone.com/ BASIC: http://colabv6.dan.co.jp/lleval.html bc: http://ideone.com/ BeanShell: http://lotrepls.appspot.com/ Bloop: http://repl.it/ brainfuck: http://ideone.com/ http://repl.it/ C: http://codepad.org/ http://ideone.com/ C#: http://ideone.com/ C++: http://codepad.org/ http://ideone.com/ Clojure: http://tryclj.licenser.net/ http://www.try-clojure.org/ http://ideone.com/ http://lotrepls.appspot.com/ COBOL: http://ideone.com/ CoffeeScript: http://jashkenas.github.com/coffee-script/ (Click "TRY COFFEESCRIPT") http://repl.it/ Common Lisp: http://ideone.com/ http://biobike.org/ http://colabv6.dan.co.jp/lleval.html http://www.solve-et-coagula.com/As3Lisp.html (subset) D: http://codepad.org/ http://ideone.com/ Emacs Lisp: http://colabv6.dan.co.jp/lleval.html Emoticon: http://repl.it/ Erlang: http://ideone.com/ F#: http://tryfs.net/ Forth: http://ideone.com/ http://repl.it/ Fortran: http://ideone.com/ Go: http://ideone.com/ http://golang.org/doc/play/ Groovy: http://trygroovy.appspot.com/tutorial http://lotrepls.appspot.com/ Haskell: http://tryhaskell.org/ http://codepad.org/ http://ideone.com/ http://colabv6.dan.co.jp/lleval.html Icon: http://ideone.com/ Io: http://colabv6.dan.co.jp/lleval.html Intercal: http://ideone.com/ Java: http://ideone.com/ JavaScript: http://www.squarefree.com/shell/shell.html http://ideone.com/ http://lotrepls.appspot.com/ http://jsconsole.com/ http://colabv6.dan.co.jp/lleval.html http://repl.it/ http://webshell.io Kaffeine: http://repl.it/ LOLCODE: http://repl.it/ Lua: http://codepad.org/ http://ideone.com/ http://colabv6.dan.co.jp/lleval.html http://repl.it/ MongoDB: http://try.mongodb.org/ Move: http://repl.it/ Nemerle: http://ideone.com/ Nice: http://ideone.com/ Objective-J: http://cappuccino.org/learn/console/ OCaml: http://codepad.org/ http://ideone.com/ http://colabv6.dan.co.jp/lleval.html Oz: http://ideone.com/ Pascal: http://ideone.com/ Perl: http://codepad.org/ http://ideone.com/ http://colabv6.dan.co.jp/lleval.html http://sunaba.plackperl.org/ Perl6: http://colabv6.dan.co.jp/lleval.html PHP: http://codepad.org/ http://ideone.com/ http://colabv6.dan.co.jp/lleval.html Pike: http://ideone.com/ PostScript: http://colabv6.dan.co.jp/lleval.html Prolog: http://ideone.com/ Python: http://shell.appspot.com/ http://www.datamech.com/devan/trypython/trypython.py http://www.trypython.org/ http://try-python.mired.org/ http://codepad.org/ http://ideone.com/ http://lotrepls.appspot.com/ http://colabv6.dan.co.jp/lleval.html http://ironpython.net/try/ http://www.skulpt.org/ http://doc.pyschools.com/console http://pythonwebconsole.thomnichols.org/ http://repl.it/ QBasic: http://repl.it/ R: http://ideone.com/ Ruby: http://tryruby.org/ http://codepad.org/ http://ideone.com/ http://lotrepls.appspot.com/ http://repl.it/ Scala: http://www.simplyscala.com/ http://ideone.com/ http://lotrepls.appspot.com/ Scheme: http://sisc-scheme.org/sisc-online.php http://codepad.org/ http://ideone.com/ http://lotrepls.appspot.com/ http://colabv6.dan.co.jp/lleval.html http://repl.it/ Smalltalk: http://ideone.com/ Tcl: http://codepad.org/ http://ideone.com/ http://colabv6.dan.co.jp/lleval.html Unlambda: http://ideone.com/ http://repl.it/ Visual Basic .NET: http://ideone.com/ Whitespace: http://ideone.com/ See also: http://stackoverflow.com/questions/49092/online-interactive-consoles http://codepad.org/about http://ideone.com/faq http://repl.it/#:help
http://joel.franusic.com/Online-REPs-and-REPLs/

1306 Cern
Twenty years of a free, open web On 30 April 1993 CERN published a statement that made World Wide Web technology available on a royalty free basis, allowing the web to flourish On 30 April 1993 CERN published a statement that made World Wide Web ("W3", or simply "the web") technology available on a royalty-free basis. By making the software required to run a web server freely available, along with a basic browser and a library of code, the web was allowed to flourish.
http://info.cern.ch/

1282 Lotus Notes/Domino - Tools and utilities for Administrators and Users.
VirtualObjectives provides IT consulting services for Microsoft SQL Server administration, Tools and utilities for Windows environments, and Lotus Notes/Domino databases/utilities for system administrators. virtual,objectives,lotus,notes,domino,database,utility,utilities,program,application,free,freeware,windows,development,john buoro,notes.ini,notesini,killnotes,stopnotes,moontool,log analyser,log analyzer,analyser,analyzer,sendsmtp,mail box cleaner,notesrepair,repair notes,repair lotus notes,repair,compact,desktop,workspace,desktop6.ndk,error code,text formatting,text tools,csv,col2csv,col2tab,csv2tab,tab2csv,csv2html,html2csv,csv2xml,xml2csv,epolicy,policy,netware quota,user registration,id store,partcopy,stopnotes,killnotes,recover,password,mame,frontend,mamerunner,emulator,partcopy,sql server,clean drive pro,clean drive,dts,dts package,sql,sql server,script,rconsole
http://www.virtualobjectives.com.au/notesdomino/notesdomino-index.htm

1255 Sony Cassette Walkman Overview (1979 - 2003) - sonyvintage.com
Unofficial SONY vintage page Skip to content Home Personal Audio HiFi about sonyvintage.com My Collection ← Sony WM-WE1 (1997) Cassette Walkman 1979 → Sony Cassette Walkman Overview (1979 – 2003) Posted on February 18, 2012 by Quo TPS-L2 WM-2 WM-3 WM-3Ex WM-R2 WM-F2 WM-D6 WM-7 WM-DD WM-F5 WM-20 WM-F20 WM-DC2 WM-D6C WM-DDII WM-F15 WM-R15 WM-30 WM-F30 WM-40 WM-75 WM-F75 WM-F55 WM-55 WM-W800 WM-R55 WM-F85 WM-101 WM-F101 WM-F202 WM-R202 WM-F60 WM-57 WM-60 WM-F107 WM-D3 WM-109 WM-F109 WM-101 WM-102 WM-104 WM-F203 WM-51 WM-51 with radio WM-501 WM-504 WM-503 WM-509 WM-550C WM-52 WM-505 WM-701C WM-F701C WM-506 WM-F506 WM-F606 WM-609 WM-170/171/172 WM-F180 WM-F181 WM-607 WM-DD9 WM-R707 WM-F707 WM-702 WM-F702 WM-703C WM-507 WM-F507 WM-600 WM-190 WM-805 WM-EX80 WM-EX60 WM-EX70 WM-FX70 WM-EX85 WM-FX85 WM-EX90 WM-SX77 WM-WX88 WM-GX90 WM-EX88 WM-EX77 WM-FX77 WM-DX100 WM-EX78 WM-RX77 WM-EX66 WM-EX909 WM-GX77 WM-FX909 WM-EX707 WM-FX707 WM-FX505 WM-WX808 WM-EX606 WM-EX808/808HG WM-FX808 WM-GX707 WM-RX707 WM-EX999 WM-FX999 WM-EX777 WM-FX777 WM-EX555 WM-WX777 WM-EX666 WM-EX1・EX1HG WM-FX1 WM-EX511 WM-FX811 WM-EX911 WM-EX811 WM-GX711 WM-EJ95 WM-WX1 WM-GX312 WM-EX2 WM-FX2 WM-EX622 WM-FX822 WM-EQ2 WM-GX622 WM-EX922 WM-GX822 WM-RX822 WM-EX633 WM-EX641 WM-EX5 WM-FX5 WM-EX3 WM-FX833 WM-GX322 WM-MV1 WM-GX622 WM-GX655 WM-EQ3 WM-FX855 WM-WE1 WM-WE7 WM-FS1 WM-EX655 WM-EX7 WM-EQ5 WM-FK2 WM-EK1 WM-EQ9 WM-EX9 WM-EX677 WM-GX677 WM-FX877 WM-WE01 WM-FK5 WM-EK3 WM-EX20 WM-EX900 WM-EX600 WM-GX323 WM-GX200 WM-FX200 WM-EX2000 WM-EX910 WM-EX610 WM-EX615 WM-GX688 WM-GX400 WM-EX921 WM-EX621 WM-FX888 WM-EX631 WM-FX202 WM-GX202 WM-GX788 +22 0 This entry was posted in Cassette Walkman. Bookmark the permalink. ← Sony WM-WE1 (1997) Cassette Walkman 1979 → Leave a Reply Your email address will not be published. Required fields are marked * Name * Email * Website Comment You may use these HTML tags and attributes:
Recent Posts Minidisc Walkman 2003 Minidisc Walkman 2002 Minidisc Walkman 2001 Minidisc Walkman 2000 Minidisc Walkman 1999 Minidisc Walkman 1998 Minidisc Walkman 2004 Minidisc Walkman 2005 Minidisc Walkman 2006 Minidisc Walkman 1997 Minidisc Walkman 1996 Minidisc Walkman 1995 Minidisc Walkman 1993 1994(us) Minidisc Walkman 1992 Sony TPS-L2 SOUNDABOUT (1979) Sony MZ-R91 MD Minidisc Walkman (1999) Sony MZ-R30 MD Minidisc Walkman (1996) Sony MZ-R2 MD Minidisc Walkman (1993) Sony MZ-E800 MD Minidisc Walkman (2000) Sony MZ-E90 MD Minidisc Walkman (1999) Sony MZ-E80 MD Minidisc Walkman (1998) Sony MZ-E75 MD Minidisc Walkman (1999) Sony MZ-E55 MD Minidisc Walkman (1998) Sony MZ-RH1 / MZ-M200 Hi-MD Minidisc Walkman (2006) Sony WM-EX999 Cassette Walkman (1993) Sony WM-F404 Cassette Walkman (1988) Sony WM-F501 Cassette Walkman (1987) Sony WM-F15 Cassette Walkman (1984) Sony WM-FX1 Cassette Walkman (1994) Sony WM-F101 Cassette Walkman (1985) Recently Liked Posts CD WALKMAN DISCMAN (1991) Sony D-50 D-5 DISCMAN (1984) Sony WM-F107 Cassette Walkman (1987) Sony TPS-L2 WALKMAN (1979) Sony WM-109 Cassette Walkman (1986) Sony D-EJ815 CD WALKMAN (2000) Sony D-E999 CD Walkman (2000) Sony D-NE900 CD Walkman (2004) CD WALKMAN DISCMAN (1987) Sony WM-150 Cassette Walkman (1988) CD WALKMAN DISCMAN (2005) Minidisc Walkman 1992 Cassette Walkman 1986 Sony D-515 DISCMAN (1992) Sony D-EJ01 D-E01 DISCMAN (1999) CD WALKMAN DISCMAN (1990) Sony D-11 DISCMAN (1990) Sony WM-EX505 Cassette Walkman (1999) Sony D-100 D-10 DISCMAN (1986) Sony WM-51 CASSETTE WALKMAN (1987) Sony WM-701C CASSETTE WALKMAN (1988) Cassette Walkman 1988 Minidisc Walkman 2003 Sony D-20 Discman (1988) Cassette Walkman 1989 Sony D-50mkII DISCMAN (1985) Sony D-135 DISCMAN (1994) Sony Cassette Walkman Overview (1979 - 2003) Sony MZ-R50 MINIDISC RECORDER (1997) Sony WM-50 (1985) Sony WM-EX606 Cassette Walkman (1993) Sony MZ-RH1 / MZ-M200 Hi-MD Minidisc Walkman (2006) CD WALKMAN DISCMAN (1993) Sony D-33 DISCMAN (1991) Sony WM-EX80 Cassette Walkman (1990) Sony D-Z555 D-555 DISCMAN (1989) Recent Comments Brandon Edwards on OLIVIER SEKNAZI on Sony WM-D6C (1984) Brandon on sonyvintage.com wm-F2 1 Brandon on Sony WM-DD30 CASSETTE WALKMAN (1989) Vlad Sabbath on Traffic Pages Pages|Hits |Unique Last 24 hours: 1,154 Last 7 days: 7,160 Last 30 days: 24,957 Online now: 2 Old posts Proudly powered by WordPress.
http://www.sonyvintage.com/?p=1034

1205 Remove Logos or Watermarks From Video with VirtualDub and DeLogo Filter - WJunction - Webmaster Forum!
This is tutorial how to remove logo or watermark Download Videodub Code: http://virtualdub.sourceforge.net/ Download delogo filter Code: http://neuron2 Remove,Logos,Watermarks,Video,VirtualDub,DeLogo,Filter, Remove Logos or Watermarks From Video with VirtualDub and DeLogo Filter, wjunction, webmasters, hosting, seedbox, rapidleech, servers, uploaders, uploading, uploaded, cyberlocker, server, admin, forums, websites, coding, programming, money, marketing
http://www.wjunction.com/13-tutorials-guides/84403-remove-logos-watermarks-video-virtualdub-delogo-filter.html

1125 MTN - Liste des codes USSD
mobile codes SERVICES CODES USSD COMMENT DESACTIVER LA MESSAGERIE VOCALE OU ANNULER TOUS LES RENVOIS? Pour dĂ©sactiver la messagerie vocale ou annuler tous les renvois Taper ##002# COMMENT TRANSFÉRER LES APPELS VERS SA MESSAGERIE ? COMMENT TRANSFÉRER LES APPELS VERS UN AUTRE NUMÉRO ? COMMENT FAIRE UN RENVOI D'APPEL DE SON MOBILE ? Pour configurer et activer le renvoi systĂ©matique Taper **21*numĂ©ro# Pour consulter l'Ă©tat de renvoi systĂ©matique Taper *#21# Pour dĂ©sactiver le renvoi systĂ©matique Taper #21# Pour activer le renvoi systĂ©matique Taper *21# DĂ©sactiver et dĂ©configurer Renvoi systĂ©matique Taper ##21# Pour configurer et activer le renvoi si non accessible Taper **62*numĂ©ro# Pour consulter l'Ă©tat de renvoi si non accessible Taper *#62# Pour dĂ©sactiver le renvoi si non accessible. Taper #62# Pour activer le renvoi si non accessible Taper *62# Pour dĂ©sactiver et dĂ©configurer le renvoi si non accessible Taper ##62# Pour configurer et activer le renvoi si occupĂ©. Taper **67*numĂ©ro# Pour consulter l'Ă©tat du renvoi si occupĂ© Taper *#67# Pour dĂ©sactiver le renvoi si occupĂ© Taper #67# Pour activer le renvoi si occupĂ© Taper *67# Pour dĂ©sactiver et dĂ©configurer le renvoi si occupĂ© Taper ##67# Pour configurer et activer le renvoi si non rĂ©ponse (avec dĂ©lai par dĂ©faut) Taper **61*numĂ©ro# Pour configurer et activer le renvoi si non rĂ©ponse (dĂ©lai : de 1 Ă  30 secondes) Taper **61*numĂ©ro**dĂ©lai# Pour consulter l'Ă©tat du renvoi si non rĂ©ponse Taper *#61# Pour dĂ©sactiver le renvoi si non rĂ©ponse Taper #61# Pour activer le renvoi si non rĂ©ponse Taper *61# Pour dĂ©sactiver et dĂ©configurer le renvoi si non rĂ©ponse Taper ##61# Pour dĂ©sactiver tous les renvois Taper ##002# Pour dĂ©sactiver les renvois conditionnels Taper ##004# COMMENT DEBLOQUER SON CODE PIN AVEC SON CODE PUK ? COMMENT MODIFIER SON CODE PIN ? OĂč TROUVER SON CODE PUK ? Pour changer le code PIN Taper **04*ancienPIN*nouveauPIN*nouveauPIN# Pour Changer le code PIN 2 Taper **042*ancienPIN2*nouveauPIN2*nouveauPIN2# Pour dĂ©bloquer le code PIN Taper **05*PUK*nouveauPIN*nouveauPIN# Pour dĂ©bloquer le code PIN 2 Taper **052*PUK2*nouveauPIN2*nouveauPIN2# Pour activer le double appel Taper *43# Pour dĂ©sactiver le double appel Taper #43# Pour consulter l'Ă©tat Taper *#43# COMMENT TROUVER SON CODE IMEI ? Pour afficher l'IMEI Taper *#06# CONSULTATION Pour avoir le solde. Taper *555# Pour avoir le cumul de consommation Taper *557# RECHARGE Pour recharger le compte Taper *556* [les 14 chiffres de la carte de recharge] # valider par Ok / Yes LIBOTA Pour ajouter un numĂ©ro Libota Taper *777*1* [NumĂ©ro Ă  ajouter] puis # valider par la touche Ok / Yes Pour supprimer un numĂ©ro Libota Taper *777*0 [NumĂ©ro Ă  supprimer] puis # valider par la touche Ok / Yes Pour consulter sa liste Libota Taper *777# puis valider par la touche Ok / Yes CALL ME Pour envoyer un Call Me Taper *199* [NumĂ©ro du destinataire] puis # valider par Ok / Yes Me2u Pour creer un compte Me2u Taper *444*9999*[Nouveau code PIN Ă  4 chiffres] # puis valider par la touche Ok / Yes Pour envoyer du crĂ©dit Ă  un abonnĂ© Taper *444*[montant Ă  transfĂ©rer]*[NumĂ©ro du destinataire] *[Code PIN] # puis valider par Ok / Yes Pour changer un code PIN Taper *444*[Ancien code PIN]*[Nouveau code PIN] # puis valider par la touche Ok / Yes BONUS Pour connaitre votre bonus en crĂ©dit d'appel Taper *555*1# Pour connaitre votre bonus en SMS Taper *555*2#
http://www.mtncongo.net/liste_des_codes_ussd.php

1116 Sitting is Killing You
As we enter the second decade of the 21st century, there is one thing nearly all modern Americans have in common: we sit all the time. Though our great shift towards computer-based work has done great things for productivity, it has, unfortunately, done terrible things for our health. From increased risk of heart disease and obesity in the long term, to sharply hampered cholesterol maintenance in the short term, the negative health effects of sitting are starting to weigh heavily against the benefits. Even the medical field – the greatest advocates of reducing sitting time – is plagued by this new health issue. Though doctors and nurses get plenty of walking time, it usually falls to the secretaries, billers, and coders to do all the sitting. And, as we can see, something has to change.
http://www.medicalbillingandcoding.org/sitting-kills/

1097 synth books
Here's a list of books relating to synthesizers and electronic music that we think are worth reading. Click on the image to go to Amazon.com and view more information and purchase them. Feel free to suggest a book. We do not sell books. Synthesizers.com Modular Analog Music Synthesizers Synthesizers.com, synthesizer, synth, synthesizers, modular, analog, arrick, analogue, keyboard, music, sound, effects, patch, vco, vcf, vca, ladder, oscillator, voltage control, low pass, filter, amplifier, envelope generator, CD, MP3, reverb, pan, fade, mixer, noise, sample, hold, sequencer, roland, moog, SEM, oberheim, yamaha, arp, 2500, 2600, vintage, vocoder, filter bank, ring modulator, sampler, clipper, rectifier, fuzz, multiple, processor, switch, interface, state variable, noise
http://www.synthesizers.com/books.html

1069 WebAudio Drum Machine
Create custom drum beats with a few clicks. Choose from 15 drum kits and 26 effects, and adjust the pitch of each drum. Save and share your beatsñ€© rock on!
http://chromium.googlecode.com/svn/trunk/samples/audio/shiny-drum-machine.html

1033 "I'm a technical lead on the Google+ team. Ask me anything."
I helped design and build a lot of the circles model and sharing UI for Google+. I was recruited to Google to work on "getting social right" in early 2010. Prior to that, I was CTO of Plaxo, and also its first employee (since March 2002). I've also spent many years working on open standards for the social web (OpenID, OAuth, Portable Contacts, WebFinger, etc.) Since I work for a big/public company (albeit a pretty cool one), I can't provide specific stats, dates for future features, or details of confidential code/algorithms. But I will do my best to be "refreshingly frank" about everything else. :)
http://anyasq.com/79-im-a-technical-lead-on-the-google+-team%20%20%20%20--

1026 MiniakTools - (Alesis Micron) at SourceForge.net
MiniakTools at SourceForge.net. Fast, secure and free downloads from the largest Open Source applications and software directory Alesis Micron / Alesis ION Editors, MIDI, Open Source, Open Source Software, Development, Community, Source Code, Secure, Downloads, Free Software
http://sourceforge.net/projects/miniaktools/files/Production_1.00/

1021 Comparatif des principaux CMS et solutions e-commerce
Comparaison de la complexité du code source des principaux logiciels CMS et e-commerce, open-source ou commerciaux.. comparatif, solution e-commerce, logiciels open-source, cms, logiciel e-commerce
http://www.kiubi.com/comparatif-cms-solution-ecommerce.html

1020 GnomeActivityJournal - GNOME Live!
GNOME Activity Journal (formerly GNOME Zeitgeist) Contents GNOME Activity Journal (formerly GNOME Zeitgeist) Overview Code Getting in touch Use cases Grouping and Filtering Features TODO GUI Sprints Architecture Long term goals Video Mockups And Current Usage Sub Pages See Zeitgeist for information about the Zeitgeist engine used internally by the GNOME Activity Journal. Overview The GNOME Activity Journal is a tool for easily browsing and finding files on your computer. It uses Zeitgeist to get information and metadata on what files/websites/contacts/etc. you worked with. Links: Zeitgeist Website, Zeitgeist on Launchpad, GNOME Activity Journal on Launchpad Code The Zeitgeist code is split into two modules: GNOME Activity Journal (GTK+ interface) Project page: https://launchpad.net/gnome-activity-journal Repository: bzr branch lp:gnome-activity-journal Zeitgeist Engine Project page: https://launchpad.net/zeitgeist Repository: bzr branch lp:zeitgeist Getting in touch Mailing list: https://launchpad.net/~gnome-zeitgeist-users IRC: #zeitgeist @ irc.freenode.net, #gnome-zeitgeist @ irc.gimp.org Use cases John turns on his computer to work on his seminar paper. Instead of digging through his hierarchal file system, he simply opens up GNOME Activity Journal and clicks on the top item in the "Recently Used Files" list. When he realizes that he can't remember the name of the website that he was reading for research yesterday, he simply looks at the list of files related to his paper and clicks on the website. More at the Zeitgeist Vision page. Grouping and Filtering Our goal is to group/filter the data by: Type of data Source Time Name Tags Neighbouring Data Comments Location of use (GPS) Features Browse activities Drag and Drop (not for links) Tagging Auto tagging Searching Filtering by Dataproviders/Time/Tags Bookmark Data TODO GUI Sprints Add an actions toolbar to quickly share items by email or instant messaging. (See nautilus-share) Architecture Experiment with Tracker, Soylent, and Empathy. Long term goals Better metadata extraction (see some of the sprints above) Integration with other computers and mobile devices. Video Zeitgeist video GAJ video Mockups And Current Usage Some work was done by the City of Largo in the past which replicated some of the features of the Activity Journal. Possibly some of this work can result in ideas for improving the User Interface. Mockups And Usage. Sub Pages /BolzanoIdeas /CityOfLargo /Ideas
http://live.gnome.org/action/show/GnomeActivityJournal?action=show&redirect=GnomeZeitgeist

1007 Advanced Programming Techniques for Modular Synthesizers / Nord Modular
1 Introduction 1.1 The Purpose of this Document 1.2 Acknowledgements 2 Oscillator Waveform Modification 2.1 Sync 2.2 Frequency Modulation Techniques 2.3 Wave Shaping 2.4 Vector Synthesis 2.5 Wave Sequencing 2.6 Audio-Rate Crossfading 2.7 Wave Terrain Synthesis 2.8 VOSIM 2.9 FOF Synthesis 2.10 Granular Synthesis 3 Filter Techniques 3.1 Resonant Filters as Oscillators 3.2 Serial and Parallel Filter Techniques 3.3 Audio-Rate Filter Cutoff Modulation 3.4 Adding Analog Feel 3.5 Wet Filters 4 Noise Generation 4.1 White Noise 4.2 Brown Noise 4.3 Pink Noise 4.4 Pitched Noise 5 Percussion 5.1 Bass Drum Synthesis 5.2 Snare Drum Synthesis 5.3 Synthesis of Gongs, Bells and Cymbals 5.4 Synthesis of Hand Claps 6 Additive Synthesis 6.1 What is Additive Synthesis? 6.2 Resynthesis 6.3 Group Additive Synthesis 6.4 Morphing 6.5 Transients 6.7 Which Oscillator to Use 7 Physical Modeling 7.1 Introduction to Physical Modeling 7.2 The Karplus-Strong Algorithm 7.3 Tuning of Delay Lines 7.4 Delay Line Details 7.5 Physical Modeling with Digital Waveguides 7.6 String Modeling 7.7 Woodwind Modeling 7.8 Related Links 8 Speech Synthesis and Processing 8.1 Vocoder Techniques 8.2 Speech Synthesis 8.3 Pitch Tracking 9 Using the Logic Modules 9.1 Complex Logic Functions 9.2 Flipflops, Counters other Sequential Elements 9.3 Asynchronous Elements 9.4 Arpeggiation 10 Algorithmic Composition 10.1 Chaos and Fractal Music 10.2 Cellular Automata 10.3 Cooking Noodles 11 Reverb and Echo Effects 11.1 Synthetic Echo and Reverb 11.2 Short-Time Reverb 11.3 Low-Fidelity Echo and Reverb 12 Distortion Effects 12.1 Distortion using Nonlinearities 12.2 Multiband Distortion 12.3 Polynomial Distortion 12.4 Distortion using Time-Variant Systems 13 Frequency and Pitch Shifting 13.1 Frequency Shifting 13.2 Pitch Shifting 14 Spatialization 15 Emulating Classic Synths 15.1 General Guidelines 15.2 Yamaha DX7 15.3 Octave Cat 15.4 ARP Odyssey 15.5 Casio 15.6 Hallsey Mark 1 and 2 15.7 Other Emulations
http://www.cim.mcgill.ca/~clark/nordmodularbook/nm_book_toc.html

992 Troy Hunt: Who’s who of bad password practices – banks, airlines and more
Troy Hunt on observations, musings and conjecture about the world of software and technology Troy Hunt, blog, .NET, Azure, Backup, Bing, Blogger, Career Development, Code Quality, Conference, Database, Design Utopia, DotNetNuke, Enterprise Software Platform, Internet Explorer, iPhone, K2, LinkedIn, Media, NDepend, Online Identity, OWASP, People Management, Personal Development, Product Review, ReSharper, Security, SharePoint, Silverlight, Software Quality, SQL Injection, SQL Server, Subversion, Travel, Twitter, Visual Studio, Windows Mobile, XSS, Ah, passwords. Love ‘em or hate ‘em, they’re a necessary evil of the digital age. The reality is we all end up with an alphabet soup of passwords spread over dozens of various sites and services across the internet. Whilst we might not always practice it, we all know the theory of creating a good password; uniqueness, randomness and length. The more of each, the better. Of course we frequently don’t do this because of all sorts of human factors such as convenience, memory or simple unawareness of the risks. Still, when it’s a case of individuals electing not to create secure passwords, they really only have themselves to blame. But what happens when the website won’t allow you to create a secure password? Or at least when they severely constrain your ability to create long, random, unique passwords? And what about when they don’t allow you to send it between your computer and their server securely? Even worse, what happens when our most “secure” institutions implement lazy password policies? Unfortunately, all of this is pretty rampant practice.
http://www.troyhunt.com/2011/01/whos-who-of-bad-password-practices.html

972 cowon iaudio X5 [topic unique]
pourquoi les balladeurs cowon sont biens ?et le X5 en particulier... -son irrĂ©prochable et puissant (trop pour la lĂ©gislation francaise d'ailleurs, il peut dĂ©passer les 100db, evidemment avec un casque c'est trĂšs mauvais entre les mains de crĂ©tins qui le poussent Ă  fond, mais avec des petites enceintes non-amplifiĂ©es ca peut ĂȘtre utile ) -pas cher du tout par rapport au matos -veritablement UMS et mĂȘme usb on the go -coque entiĂšrement en alu, et design sympa je trouve, qui donne une bonne impression de "plein" -autaunomie! surtout les modĂšles L en quoi ca vaut le coup un L chez cowon? ca sert simplement Ă  passer de 14 heures non-stop Ă  35! -radio FM intĂ©grĂ©e -enregistreur numĂ©rique/dictaphone intĂ©grĂ© -egaliser 5 bandes personalisables, et effets psychoacoustiques -un ecran TFT de qualitĂ© , pas trĂšs grand (160x128), mais il permet un bon bonus, lire des videos, pour de vrai! le X5 n'est pas un video player, (et cowon sort un video player bientĂŽt alors ca aurait pas Ă©tĂ© dans leur intĂ©rĂȘt ) mais pour le mĂȘme prix voire moins cher qu'un sur-populaire ipod, ca peut ĂȘtre sympa quand mĂȘme -capacitĂ© de 20, 30, et bientĂŽt 60Go ; et des modĂšles 30L (alors que les M3L par exemple sont limitĂ©s Ă  20Go) et attention le meilleur sur la fin, support OGG, MP3, WMA,ASF et mĂȘme FLAC, ce qui est dĂ©jĂ  plus rare,ainsi que JPEG et MPEG4!, mais il ne supporte pas les DRM avec le firmware actuel je crois (quelqu'un confirme?) mais Ă©tant assez puissant pour lire des videos, le support de codecs variĂ©s n'est donc limitĂ© que par le firmware en accessoire, -la telecommande la plus complĂšte qui existe sur un player MP3 (la mĂȘme qu'avec un M3 simplement) -une station dock (cradle) -une houssette iaudio sympathique donc pour moi , c'est un balladeur ultime, d'un fabricant corĂ©en encore mĂ©connu des masses, mais jugez par vous mĂȘme la critique unanime: LES REVIEWS >>>prise en main par spaceturtle<<<, avec photos et tĂ©lĂ©commande, ici mĂȘme! http://forum.hardware.fr/forum2.ph [...] w=0&nojs=0 akihabara news (plein de photos) http://www.akihabaranews.com/revue_48.html ZDnet http://www.zdnet.fr/produits/mater [...] m?tab=test generationMP3 http://www.generationmp3.com/forum [...] ntry242882 et encore http://www.generationmp3.com/forum [...] 22069.html DAPreview (in english) http://www.dapreview.net/content.php?review.201 200 photos dans la gallerie iaudiophile (in english) http://www.iaudiophile.net/content.php?review.24.0 bon test avec benchs et tout mp3.com (in english) http://www.mp3.com/tech/players_31447897_review.php sondage X5 vs Ipod, mais qui gagne donc? et de combien? http://reviews.cnet.com/4520-3000_7-6245404.html les commentaires des ipodiens sont hilarants ("si je voulais des fonctions qui servent Ă  rien et 2 heures d'autonomie j'acheterai un archos!" )
http://forum.hardware.fr/hfr/VideoSon/Materiel/unique-iaudio-x5-sujet_85395_132.htm

946 docs synth
- 360 SYSTEMS DIGITAL KEYBOARD brochure / prix / pub 1983 - 360 SYSTEMS MIDI BASS user manual - ACCESS VIRUS catalogue été 2004 - ACCESS VIRUS user manual - ACCESS VIRUS OS4 user manual - ACCESS VIRUS TI brochure 2004 - ACCESS VIRUS TI user manual os1.0 - ALESIS HR 16-MMT 8 brochure - ALESIS HR 16-16B-MMT8 user manual - ALESIS HR16-MMT8 banc essai disc international avril 1988 - ALESIS HR16-MMT8 pub numéra - VOCODER X-32 user manual / sons - XPASS FILTER user manual - SEMblance banc essai keyboards allemagne 2004 - SEMblance user manual - FilteredCOFFEE user manual - DROID 3 brochure - VOSTOK user manual - VOSTOK test electronic musician février 2003 - VOSTOK test keys allemagne - VOSTOK keyboard japon mai 2003 - AKAI AX73 brochure (avril 1986) - AKAI AX80 banc essai sono - AKAI AX80 brochure - AKAI EVI 1000 user manual - AKAI EWI 1000-EVI 1000-EVW 2000 banc essai sono - AKAI EWI 3020 user manual - AKAI EWI 3030m user manual - AKAI ME série banc essai sono (10D 15F, 20A) - AKAI ME série banc essai guitare claviers janvier 1986 (10D, 15F, 20A) - AKAI ME série brochure (juin 1985) - AKAI ME20A user manual - AKAI ME25S brochure - AKAI ME30P user manual - AKAI ME30P brochure - AKAI ME30PII user manual - AKAI MX73 brochure - AKAI S612 brochure - AKAI S612 banc essai sono - AKAI S900 banc essai sono - AKAI S900 brochure (avril 1986) - AKAI S900 carte marion system - import numéra - AKAI S1000 banc essai sono - AKAI S1100 user manual - AKAI SG01P user manual - AKAI SG01V user manual - AKAI U4 phrase trainer brochure - AKAI VX90 brochure (avril 1986) - AKAI VX90 banc essai sono - AKAI XR 10 brochure - AKAI PEQ6 - MB76 banc essai sono - AKAI pub - AKAI catalogue gamme 86 - ARP AVATAR brochure publicitaire / modulaire façon 2600 / - ARP AXXE banc essai disc international / pub keyboards 1976 / pub keyboards 1977 - ARP CENTAUR article disc international 1978 - ARP CHROMA brochure publicitaire - ARP EXPLORER service manual / patch book - ARP ODYSSEY banc essai sono / brochure / pub keyboards 1975 / pub1 - ARP OMNI pub disc 1976 / pub omni 2 1979 / voir atelier chok - ARP POLARIS brochure - ARP PRELUDE pub 1983 - ARP PRODGX banc essai sono - ARP QUADRA banc essai sono / pub - ARP QUARTET service manual / pub - ARP LITTLE BROTHER 2950 schematics - ARP PIANO 16 voies pub - ARP SEQUENCER pub 1976 - ARP SOLUS banc essai Claviers septembre 1981 / pub Keyboards 1980 - ARP WING I et II modulaire - ARP catalogue gamme / pub gamme 1977 - ARP catalogue gamme & accessoires - ARP retro family tree - future music - The rise and fall of ARP instruments keyboards avril 1983 ARP AVATAR ARP OMNI EMS VOCODER 5000 MP3 MP3 MP3 pub envoi des 2 flexi disc - BANANA brochure - BALDWIN 88 (KUSTOM) electronique piano brochure - BOHM digidrums banc essai disc international décembre 1983 - BOHM digidrums pub1 / pub2 - BOHM soundlab user manual - BOHM soundlab service manual - BOHM soundlab pub - BOSS DR55 user manual+ tips / banc essai sono / service manual - BOSS DR110 banc essai guitares claviers mai 1984 - BOSS catalogue Micro studio série - BOSS banc essai sono sur 8 pédales - CASIO 401 banc essai claviers aout 1981 / pub fiche technique / - CASIO 701 pub janvier 1982 - CASIO 1000P pub 1983 - CASIO CZ101 pub - CASIO CZ1000 banc essai guitares claviers décembre 1985 - CASIO DH 100 user manual - CASIO DH 500 service manual - CASIO FZ1 user manual / banc essai disc international mai 1987 / pub - CASIO MT40 pub mai 1982 - CASIO PT30 banc essai sono juillet 1983 - CASIOTONE VL1 banc essai disc international juillet 1981 / pub 1 / pub 2 / mod - CASIO VZ1 user & service manual - CASIO VZ1 banc essai disc international janvier 1989 - CASIO VZ1 pub disc international janvier 1989 - CASIO pub gamme 201 à 401/MT30&40 1981 - CASIO catalogue gamme COUVERTURES (cliquer pour agrandir) - DJET 004 banc essai disc international decembre 1979 - EXAGONE XM 64 banc essai disc international - EXAGONE 64 pub - REGGY synthétiseur de percussions banc essai sono - CHEETAH pub distribution music land - CHEETAH MS6 user manual - CREAMWARE B4000 user manual - CREAMWARE MINIMAX user manual - CREAMWARE PRO12 user manual - CREAMWARE PRODYSSEY user manual - CREAMWARE MINMAX/PROFIT5 brochure - BIT99 user manual - BIT99 brochure - BIT99 pub / banc essai sono 01 - BIT99 / BIT01 banc essai sono 2 - BIT01 voices and midi - BIT MASTERKEYBOARD user manual - BIT01 & MASTERKEYBOARD sous UNIQUE DBM test keyboards decembre 1986 - BIT variantes BIT/LEM/UNIQUE - CRUMAR BABY GRAND pub - CRUMAR MULTIMAN brochure - CRUMAR MULTIMAN schematics - CRUMAR MULTIMAN ORCHESTRATOR pub - CRUMAR PERFORMER service manual - CRUMAR série T pub - CRUMAR T3 banc essai claviers février 1982 - CRUMAR TRILOGY STRATUS pub CASIOTONE 202 CASIOTONE 301 MATTEL SYNSONICS DRUMS YAMAHA SY77 MP3 MP3 MP3 MP3 MP3 - POLYEVOLVER rack banc essai recording musicien septembre 2004 - DOEPFER MAQ 16/3 banc essai sono - DOEPFER MCV1-MCV8 user manual - DREAM SAM XR pub 1989 / banc essai disc international 1989 - DYNACORD ADS / ADS K brochure - DYNACORD DRS 78 banc essai sono - DYNACORD DC 200 leslie brochure / pub 1976 - DYNACORD EMINENT 100A user manual - DYNACORD EMINENT 100A service manual - DYNACORD SRV 66 vocoder user manual / schematics / MP3 demo - DYNACORD catalogue drum computer - SYNERGY banc essai sono - SYNERGY digital keyboards brochure - SYNERGY I & II+ test keyboard US COUVERTURES (cliquer pour agrandir) - ELECTRO HARMONIX DIGITAL LOOPING RECORDER 64 Sec - ELECTRO HARMONIX EH300 VOCODER manual / schematics - ELECTRO HARMONIX HARMONIC OCTAVE GENERATOR user manual - ELECTRO HARMONIX MICRO SYNTHESIZER user manual / schematics - ELECTRO HARMONIX 8 pédales d'effets au banc d'essai - sono - ELKA EK22 / EM22 user manual - ELKA SYNTHEX banc essai sono / brochure / pub 1983 - ELKA 610 pub Keyboards 1975 / pub keyboards 1978 - ELKA MICROPIANO 16 brochure / pub 1983 - ELKA OMB5 pub - ELKA OMB3 C92 X35 user manual - ELKA SOLIST 505 pub 1978 - ELKA X50 banc essai claviers mars 1982 - ELKA X50/TWIN 51 pub - ELKA X50 & 61P banc essai sono janvier 1982 - ELKA pub gamme - EMS SYNTHI E banc essai sono - EMS SYNTHI AKS banc essai disc international juillet-aout 1977 - VCS 3 / AKS article keyboard US novembre 1990 - AKS / VCS3 / Keyboard DK1/KS brochure - EMS SYNTHI HI-FLI brochure - EMS SYNTHI HI-FLI tarifs février 1977 revendeurs Gamme - EMS VOCODER 2000 banc essai disc international mai 1979 - EMS tarifs gamme janvier 1976 electrone / piano center - ENSONIQ ASR user manual - ENSONIQ ASR X user manual - ENSONIQ ASR pro keyboards juillet 1999 - ENSONIQ EPS banc essai sono - ENSONIQ EPS 16 plus user manual - ENSONIQ ESQ1 pub - ENSONIQ ESQM brochure - ENSONIQ MIRAGE pub / article sono - ENSONIQ SPM1 brochure - ENSONIQ SQ2 banc essai sono - ENSONIQ SQ80 banc essai sono - ENSONIQ SQ88 reportage de EPS16 jusqu'au SQ80 keyboards - ENSONIQ TS10-12 brochure - ENSONIQ VFX banc essai keyboards aout 1989 / article disc international octobre 1989 - ENSONIQ VFX SD banc essai disc international decembre 1989 - FARFISA POLYCHROME banc essai claviers janvier 1983 - FARFISA SOUNDMAKER service manual - FARFISA SYNTHORCHESTRA service manual - FARFISA PRO 110 pub1 / pub2 / banc essai disc international mai 1979 - FARFISA VIP 255 brochure - FARFISA VIP 345 brochure / service manual - FARFISA VIP 400 brochure - FARFISA MINI COMPACT user manual / service manual COUVERTURES (cliquer pour agrandir) - RHODES 54 notes pub - RHODES 54 banc essai sono - RHODES 73 & 88 notes catalogue - RHODES Mark catalogue - RHODES extrait catalogue 1976 - RHODES electronic piano brochure / pub keyboards 1983 - RHODES pub herbie hancock - RHODES pub disc international - RHODES MK80/60 brochure - ORGACOR Fratelli Crosio pub 1979 - ORGACOR PROHONIC SYNTHE pub (1982) / pub 1979 - DOCTOR CLICK user manual - DOCTOR CLICK 2, MULTI TRIGGER, DRUM DOCTOR, MASTERBEAT extrait catalogue Music Land - DOCTOR CLICK pub keyboards novembre 1983 - DOCTOR CLICK banc essai keyboards 1983 - MINI DOC, CLOCK DELAY, DOCTOR FLICK, MODULATOR extrait catalogue Music Land - NANO SERIES pub 1983 - GEM SPRINTER 61 & 49 pub - banc essai - GEM orgue série F30 à F50 pub 1976 - GEM orgue gamme portable (rodéo 61, phantom 61) et meuble (H600, X365, wizard 320) pub - GEM orgue gamme portable (sprinter 49 & 61) et meuble (H2000, wizard 315 & 321) pub - IBANEZ mixer RM60 pub (catalogue oscar music) - IBANEZ AD202 banc essai sono - IBANEZ DM1000 pub 1983 / - IBANEZ gamme pédale effets 1981 pub - JEN caroussel C390 banc essai disc décembre 1978 (orgue incluant JEN SX2000) - JEN string machine 2007 banc essai sono - JEN sx1000 brochure - JEN sx2000 banc essai sono / test + pub disc international / user manual / patch vide et preset - HAMMOND catalogue gamme 01 - HAMMOND catalogue gamme 02 - HH P73 piano électrique banc essai claviers octobre 1981 - HH P73 pub disc international 1981 - HELPINSTILL piano électro-accoustique banc essai claviers 1981 - HELPINSTILL piano électro-accoustique pub - HOHNER PIANET test disc international juillet aout 1977 - HOHNER C86 user manual - HOHNER C86 service manual - HOHNER C86 banc essai claviers janvier 1982 - HOHNER CLAVINET D6 banc essai sono - HOHNER MELODICA SOPRANO user manual - HOHNER MULTIMONICA user manual - HOHNER orgue soufflerie organa mélodica catalogue Millet - HOHNER extrait gamme 1975 / 1977 - JMS CGX interface midi in cv/gate - import numéra - JMS midi master synchronizer - import numéra - KAWAI 100 F banc essai sono - KAWAI 100 F brochure - KAWAI 100F notes disc international - KAWAI 100F schematics - KAWAI 100F user manual and patchs - KAWAI 100F user manual in français - KAWAI GB1 user manual - KAWAI GB2 user manual / rythm pattern - KAWAI K1 banc essai guitares claviers juillet 1988 / pub 1989 / brochure - KAWAI K4 banc essai keyboards novembre 1989 - KAWAI K5 brochure / sound library - KAWAI SPECTRA KC10 user manual - KAWAI MAV8 user manual - KAWAI MM16 user manual - KAWAI MX16 user manual - KAWAI MX8R user manual - KAWAI R100 service manual / brochure / banc essai disc international - KAWAI SX210 banc essai sono / brochure / pub keyboards 1983 / pub disc 1983 - KAWAI série EP 308/308S/608 pub1 1983 / pub2 1983 - KAWAI EP608 user manual/schematics / brochure - KAWAI EP308/308S user manual - KAWAI ORGAN E550/650 service manual - KORG 700S user manual - KORG 900S banc essai sono - KORG A3 banc essai disc international aout 1989 - KORG BX3 pub1 / pub2 - KORG CX3 banc essai claviers aout 1981 / pub 1981 - KORG DS8 brochure - KORG EPS1 banc essai sono - KORG EX800 user manual - KORG EX800/RK100 brochure - KORG KMX 8/MM 25 brochure 1983 - KORG KPR77 banc essai disc international décembre 1983 - KORG MICROPRESET M500 user manual+service manual / patches - KORG MICROPRESET M500 banc essai sono - KORG MONOPOLY - POLYSIX brochure - KORG MONOPOLY banc essai sono / settings - KORG MONOTRON schematics - KORG MS 20/ SQ 10 - YAMAHA CS 30 match synthétiseurs disc international décembre 1978 - KORG POLY 800 user manual francais / banc essai sono - KORG POLYSIX banc essai disc international aout 1982 - KORG PSS50 banc essai guitares claviers février 1985 + modif - KORG TRIDENT banc essai sono mag - KORG mr multi user manual - KORG EPS1 banc essai sono - KORG SDD300 pub 1983 - KORG SYGMA banc essai disc international septembre 1979 - KORG SYGMA user manual - KORG SYGMA korg magazine winter 2002 - KORG VC10 banc essai disc international mai 1979 - KORG X911 pages annotées d'Eric.G pour modularisation du X911 / voir son site - KORG catalogue gamme 1981 - KORG catalogue gamme 1982 - KORG article disc international arrivée série ms Francfort Synthesizer Bionic Orchestra - Francis rimbert Joop Stokkermans - The Magic of the ARP-Synthesizer MP3 - KURZWEIL 250 banc essai claviers octobre 1984 - LINN 9000 pub keyboards juillet 1985 - LINNDRUM pub keyboards juin 1983 - MATTEL SYNSONICS DRUMS user manual francais + plan accessory jack - MATTEL SYNSONICS DRUMS pub keyboards 1983 - MATTEL MAGICAL MUSICAL THING user manual - M-AUDIO AXIOM user manual - MDB sortie polyséquenceur 1981 - MDB TRIGGTOM 4 extrait catalogue music land - MDB WINDOW RECORDER extrait catalogue music land - POLY-MIDI brochure - POLY-MIDI vs YAMAHA QX7 banc essai guitares claviers septembre 1985 - S2000 séquenceur monophonique brochure - SUPERBAT brochure - MICROPERFORMANCE encart pub disc international - MOOG constellation brochure - MOOG memorymoog brochure - MOOG micromoog notes disc international - MOOG le minimoog de 1998 pub - MOOG polymoog brochure 1 / brochure 2 - MOOG polymoog pub annonce disc international - MOOG PRODIGY banc essai disc international juin 1980 - MOOG PRODIGY brochure - MOOG SONIC 6 brochure 1974 - MOOG pub1 1979 / - MOOG prix 1979 - MOOG catalogue - MOOG CATALOGUE 1973 - ENCYCLOPEDIA of MOOG ARTISTS - MXR 15-21 equalizer brochure - MXR time delay command banc essai disc international aout 1982 - MXR pub gamme effets 1979 / pub 1982 - NOVATION A STATION brochure - NOVATION BASS STATION brochure - NOVATION DRUM STATION brochure - NOVATION KS4-KS5-KS6 brochure - NOVATION KS4-KS5 user manual - NOVATION K-STATION brochure - NOVATION SUPERNOVA banc essai keyboards novembre 1998 - NOVATION SUPERNOVA 2 brochure - NOVATION X STATION REMOTE brochure - NOVATION Xio synth brochure - OBERHEIM MATRIX 6 banc essai sono / brochure - OBERHEIM DMX banc essai sono juillet 1983 / brochure - OBERHEIM DPX1 brochure 1897 - OBERHEIM DSX brochure / pub 1981 - OBERHEIM DX brochure 1986 - OBERHEIM MATRIX 6 banc essai sono / brochure - OBERHEIM MATRIX 12 banc essai sono / brochure / banc essai keyboards juillet 1985 - OBERHEIM MATRIX 1000 patches 1 / schematics / patchesbook 2 - OBERHEIM OB-X pub (piano center) - OBERHEIM OB-Xa banc essai claviers mai 1981 - OBERHEIM OB-1 brochure / pub 1978 - OBERHEIM OB-8 banc essai keyboards 1983 avec DMX & DSX - OBERHEIM PROMMER banc essai sono / brochure - OBERHEIM STRETCH brochure 1987 - OBERHEIM pub gamme mars 1986 / pub 1984 - OBERHEIM prix Numéra 1985 / article retro family tree-future music OSCAR oxford - OSCAR banc essai sono - OSCAR pub - OSCAR extrait catalogue Music Land - OSC ADVANCED SOUND GENERATOR extrait catalogue Music land - OSC ADVANCED SOUND GENERATOR guitare de "commande" SYNTHAXE - voir sur le site de jbfairlight - PPG PRK brochure - PPG WALDORF retro family tree article future music - PPG prices list numéra 1985 - PPG WAVE II banc essai claviers novembre 1981 / article disc international - PPG pub 1 1984 / pub 2 1984 / pub 3 1984 - QUASIMIDI SIRIUS banc essai keyboards janvier 1999 - QUASIMIDI RAVEOLUTION 909 banc essai keyboards décembre 1997 - ROLAND A880 banc essai sono - ROLAND CR78 banc essai sono - ROLAND CR1000 pub 1987 - ROLAND DDR 30-PD10-PD20 brochure 1985 - ROLAND GR300 banc essai sono - ROLAND GR700 banc essai claviers 1985 - ROLAND GR700 user manual - ROLAND G707 guitar controller user manual - ROLAND JUNO 6 banc essai sono - ROLAND JUNO 106 banc essai sono - ROLAND JUPITER 4 banc essai disc international janvier 1979 - ROLAND JUPITER 6 banc essai sono - ROLAND JUPITER 8 banc essai sono - ROLAND JX3P banc essai sono - ROLAND JX8P banc essai sono - ROLAND MC202 banc essai sono - ROLAND MP600 banc essai claviers novembre 1981 - ROLAND MP700 banc essai sono + pub - ROLAND OCTAPAD pad 8 controller brochure 1985 - ROLAND PIANO PLUS 11 banc essai disc international aout 1982 - ROLAND REVO 250 / 120 pub - ROLAND SDE 2000 banc essai sono mai 1982 - ROLAND SDE 2500 banc essai sono - ROLAND SH101 banc essai sono - ROLAND SH3A banc essai disc international mai 1977 - ROLAND SDP11 brochure 1993 - ROLAND SUPER JX banc essai sono - ROLAND SVC 350 banc essai sono - ROLAND TB303 banc essai sono / pub 1983 - ROLAND TR505 banc essai sono - ROLAND TR707 banc essai sono - ROLAND TR808 banc essai sono / pub 1981 - ROLAND TR909 banc essai sono - ROLAND TL12 brochure 1986 - ROLAND VP 330 banc essai disc international juin 1980 - ROLAND pub / pub gamme 1977 - ROLAND catalogue gamme 1981 - ROLAND catalogue volume 5 mai 1984 - ROLAND catalogue news été 1986 - DRUMTRACKS banc essai sono - DRUMTRACKS brochure - DRUMTRACKS banc essai guitare claviers (basse res) - PRO ONE banc essai claviers décembre 1981 - PRO ONE banc essai sono - PRO ONE brochure - PROPHET 5 banc essai sono - PROPHET 5 banc essai disc international mai 1979 - PROPHET 5 brochure - PROPHET 5 pub "devenez revendeur" disc international 1981 - PROPHET 600 banc essai sono - PROPHET 600 brochure - PROPHET T8 banc essai sono - PROPHET T8 brochure - PROPHET T8 user manual (seulement chapitre 7 midi) - PROPHET 10 pub - PROPHET VS brochure - SIXTRAK banc essai guitares claviers mai 1984 - SIXTRAK banc essai sono - SIXTRAK brochure - MODEL 700 programmer brochure - MODEL 800 sequenceur user manual - POLYSEQUENCEUR pub keyboards juin 1983 - PROPHET 2000 brochure - PROPHET 2000 user manual - SPLIT EIGHT user manual - PRELUDE pub - PIANO FORTE pub - SEQUENTIAL TRAKS music system brochure distribution music - SEQUENTIAL pub 1984 / pub 1982 - SEQUENTIAL prix gamme (1981/1984) - SEQUENTIAL CIRCUITS brochure gamme (basse res) - SEQUENTIAL CIRCUITS brochure gamme inclus PRO-FX - SEQUENTIAL CIRCUITS catalogue wine country novembre 1994 - SIEL OPERA 6 banc essai sono - SIEL OPERA 6 brochure - SIEL CRUISE user manual - SIEL DK600/EXP600 pub - SIEL MK900 pub keyboards novembre 1984 - SIEL pub disc international 1981 - CLAVIOLINE SELMER livret accompagnement de l'appareil - SELMER PIANOTRON / ORGUE CAPRI brochure - SIMONS SILICON MALLET reportage disc international 1987 - SIMMONS MTX9 banc essai disc international avril 1987 / user manual - SIMMONS SDSV banc essai claviers décembre 1981 - SOLTON live series pub 1988 - SOLTON ARRANGER PLUS pub 1987 - SOLTON MS40 user manual - SOLTON MS 50/60 user manual - SOLTON orgue synthé P500 C pub - STYLOPHONE DUBREQ user manual 1+ boite - STYLOPHONE DUBREQ user manual 2 + boite/vinyl - STYLOPHONE 350S PUB SYNTON - SYRINX banc essai sono - SYRINX patch sheet - SYRINX brochure - SYNTOVOX SPX216 extrait catalogue music land - SYNTOVOX 222 banc essai disc international décembre 1979 - SYNTECHNO TEEBEE mark1 user manual (3.1) - TEISCO S60F banc essai claviers octobre 1981 / banc essai sono - TEISCO S60F & S110F banc essai disc international juillet 1981 / pub disc international 1981 - TEISCO brochure gamme - VOX catalogue incluant Electronic piano - WALDORF MICROWAVE XT banc essai keyboards juillet 1998 - WELSON GLOBE TROTTER banc essai disc international septembre 1979 & pub - WELSON METEOR pub - WELSON CONDOR pub - WELSON gamme spinet (princess, comet, music love, granfiesta) pub - WELSON FIESTA & IMPERATIVE 1977 pub - YAMAHA CE20 banc essai claviers février 1983 - YAMAHA série DX brochure - YAMAHA DX5 brochure - YAMAHA DX7 banc essai sono / brochure - YAMAHA DX7 II brochure - YAMAHA DX9 brochure - YAMAHA DX11 brochure - YAMAHA DX21 brochure - YAMAHA FB01 user manual / service manual - YAMAHA QX5 banc essai disc international janvier 1989 - YAMAHA RX5&17 banc essai disc international - YAMAHA RX15 user manual fr / brochure (11&15) / banc essai sono / pattern book (11&15) - YAMAHA REV 100 user manual - YAMAHA CS30 vs KORG MS 20 disc international - YAMAHA CS70M pub 1983 - YAMAHA WALKBAND pub 1981 / pub gamme 1983 - YAMAHA GX1 user manual - YAMAHA YC30 user manual - YAMAHA YC45D service manual / user manual - YAMAHA Série 100 pub 1989 - YAMAHA catalogue series producer 1983 - YAMAHA catalogue series producer 1985 - YAMAHA catalogue 1984 - YAMAHA brochure gamme 1982 / pub 1982 - YAMAHA pub 1 1979 / pub 2 1979 AMPLIFICATION - LAB series L5 L7 L9 L11 schematics - LAB L5 pub AMPLIFICATION LESLIE (ou effet leslie) - DYNACORD DC200 H pub 1976 - ROTOR-SOUND CSE 80M pub - POLYTONES electronic rotating sound modulator pub keyboards 1984 - ECHOLETTE M IVE brochure - LESLIE/CABINES A SON TOURNANT banc essai disc international - NEO INSTRUMENTS VENTILATOR user manual - ROLAND REVO 250 / 120 pub - HUGHES KETTNER/ROTOSPHERE - MOTION SOUND PRO 3 keyboards mai 1997 - LESLIE STORY article de Stéphane Bredel - LES CABINES LESLIE modÚles,achat, cablage, accessoires, entretien ECHO BANDES - LES CHAMBRES D'ECHO et REVERBERATION A BANDES mécanisme disc janvier 1976 - BANC ESSAI CHAMBRES ECHO à BANDES disc janvier 1976 VOCODER - ANALOG LAB VOCODER X-32 user manual / sons - DYNACORD SRV 66 vocoder user manual / schematics / MP3 demo - ELECTRO HARMONIX EH300 VOCODER manual / schematics - EMS VOCODER 2000 banc essai disc international mai 1979 - KORG VC10 banc essai disc international mai 1979 - ROLAND SVC 350 banc essai sono - SYNTOVOX SPX216 extrait catalogue music land - SYNTOVOX 222 banc essai disc international décembre 1979 - LES VOCODERS disc international mai 1979 DIVERS CONTROLEURS MIDI - FROSTWAVE FAT CONTROLLER user manual - J.L.COOPER CS10-2 user manual - KEYFAX PHATBOY banc essai keyboards décembre 1998 - BLUE SKY LOGIC MIXI user manual - PEAVEY 1600 user manual / Patchs pour 1600 - PEAVEY 1600X user manual / Patchs pour 1600X - PEAVEY 1600X banc essai keyboards mars 1998 - ZENDRUM ZX user manual DIVERS MIDI (ACCESSOIRES) - KENTON ELECTRONICS PRO II intégrale DIVERS MODULAIRE - EUROPAC rational/ SCHROFF catalogue DIVERS SYNTHE - Les synthétiseurs de A à Z sono (article en 2 parties) - Les synthétiseurs hifi stéréo septembre 1976 de E.Lemery - SynthÚse sonore 1Úre partie - SynthÚse sonore 2Úme partie - SynthÚse sonore 3Úme partie - SynthÚse sonore 4Úme partie - Le vcf - Le bruit de J.P.Verpeaux (claviers) - Le suiveur d'enveloppe de J.P.Verpeaux (claviers) - Sample hold1 / sample hold2 (1983) - Mon premier "appareil" clavier octobre 1981 - Le compresseur - Les sequenceurs (guitares claviers J.P Verpeaux 1985) + le sequenceur apprivoisé (claviers) - Le modulateur de J.P. Verpeaux (claviers) - 10 ans de synthétiseur J.Sanjuan Hifi stéréo 1978 - 2éme disco forum matériel tournée F.Rimbert/korg - History of electronic sound modification H.Bode - La synthÚse du son de E.Lemery - disc international novembre 1979 - Vangelis, victoire sur les vibrations - Alain dister - claviers mai 1981 - Onze nouveaux synthétiseurs mis en fiches - claviers mars 1982 - 120 years of electronic music - Les instruments de musique électronique (E.Lemery - hifi stéréo mai 1976) - Les principes de base piezo électricité, magnétisme et électrostatique (E.Lemery) - Martin Newcomb, the collector - Future Music - Rhythmic control of analog sequencer polyphony septembre/octobre 1978 - Introduction aux techniques de synthese du son S.Natkin 2003 - Electronic musical instruments "a survey of the commercial scene" - Pratical electronic supplements novembre 1972 - Francis Rimbert démonstrateur korg (au début...) - Richard Wright & Pink floyd - Keyboard, synthesizer & electronics equipment - ver 1.56 - ONDIOLINE PUB - MELLOTRON prix janvier 1976 - MIDI CODE HEX fabricants - MIDI PITCH - NOTE FREQUENCY - LAG LE KEY pub et banc essai computer music - Will systems MAB 303 banc essai keyboards mai 1997 - MULTIVOX pub gamme décembre 1979 DIVERS ORGUES - ELEX gamme pub 1976 - GIBSON G101 user manual / service manual - GIBSON P2 service manual - KUSTOM ORGAN brochure - RIHA JUPITER 2 pub 1977 - RIHA gamme variété pub 1978 - RIHA ORCHESTRA pub 1979 - Evolution de l'orgue électronique disc international décembre 1978 - Répertoire midi : les orgues - MILTON les orgues pub disc international - L'orgue photoélectronique FOTOSONOR - Anatomie de l'orgue électronique Hifi Stéréo juin 1976 de E.Lemery DIVERS PEDALES EFFETS - ARIA pub gamme effets 1983 - DOD pub gamme effets 1979 - REDSON 7pédales effets banc essai sono janvier 1982 DIVERS EFFETS - ELECTRIX EQ killer user manual - ELECTRIX filter factory user manual - ELECTRIX filter factory keyboards juillet 1999 - ELECTRIX filter queen user manual - ELECTRIX mo fx user manual - ELECTRIX warp factory user manual - ELECTRIX repeater user manual - ELECTRIX banc essai warp/filter /mofx computer music 1999 - EVENTIDE BABY HARMONIZER HM80 banc essai claviers octobre 1981 - DIGITECH DSP128 keyboards juillet 1999 - DBX catalogue 1980 (ou 78 pas sur ...) - ROCKTRON HUSH IIC banc essai disc international mai 1987 - ROLLING REC5/COSMIC AE 7000/ZOOM ER 200 banc essai sono - T.C ELECTRONIC 2290 banc essai disc international mai 1987 - PUBLISON DHM 92-B2 banc essai disc international septembre 1979 - PUBLISON RELIEF ENLARGER banc essai sono 1983 - Principe fondamentaux des effets (E.Lemery) 1981 DIVERS ENREGISTREMENT - AKAI 4000 DS MKII user manual - AKAI 4000 DS brochure et banc essai hifi stéréo octobre 1975 - AKAI GX 635D service manual - AKAI GX 646 service manual - TASCAM 22-2 & 22-4 banc essai sono janvier 1982 - TASCAM 688 user manual - TASCAM 388 studio8 user manual - TASCAM A34 service manual - TEAC 3440 user manual - OTARI MX 5050 1/2 QXHD - TEAC A 3440 banc essai disc international - CHOISIR SA TABLE DE MIXAGE disc international novembre 1979 - LES TETES MAGNETIQUES DIVERS BOITE A RYTHME / PERCUSSION - RYTHMATIC MARS ou HENCOT brochure / manual - PEARL DRUMX banc essai guitares claviers - PEARL SC20/SC40 user manual - PEARL SYNCUSSION 1 user manual - SOUNDMASTER STIX ST305 test guitares claviers mai 1984 - SOUDMASTER STIX ST305 pub keyboards novembre 1983 - SYNTOBA RAMEAU - SYNDRUM test DISC international - SYNARE pub / banc essai disc international juillet 1981 - SYNARE 3 banc essai disc international - CAPELLE KLONE KIT 2 banc essai claviers octobre 1984 DIVERS INCLASSABLE - DIGITAR CHARLIE LAB brochure - MARANTZ pianocorder brochure distribution hamm DIVERS BOUTIQUE / CATALOGUES / PRIX - SOMMAIRE SONO magazine du 1 au 95 - PHONORGAN pub DIVERS LIVRES - HISTOIRE DE LA MUSIQUE - Casterman - 1972 - CLAVIERS - Edts J.M.G - 1989 - LE MONDE DU POP ROCK - HATIER - 1977 - CATALOGUE Studio Robert Schroeder LIENS - User & service manual sur le site de pharmacon : http://www.cem3374.com/archive.htm - Les pubs sur :http://retrosynthads.blogspot.com/
http://www.studio250.fr/accueildocs.html

938 Composant Ă©lectronique GoTronic : catalogue de composants Ă©lectroniques et appareils Ă©lectroniques
GoTronic, vente par correspondance de composants et appareils électroniques : accessoires tv vidéo, alarmes, télécommandes, appareils de mesure, audio, caméras, vidéosurveillance, commutateurs, connectique, fils et cùbles, livres techniques et CD-ROM's, micro-informatique, optoélectronique, refroidisseurs et ventilateurs, robotique, transformateurs, fusibles, accus Accessoire alarme, Accessoire téléphonique, accumulateur, accumulateur chargeur, accumulateur pile électrique, accus, accus batterie, accus chargeur, accus pile, accus rechargeable, Adaptateur secteur, Adhésif, Aérosol, Afficheur, Afficheur à leds, Afficheur alphanumérique, Afficheur de tableau, Afficheur lcd, Aide mémoire, Aimant, alarme, alarme anti intrusion, alarme domestique, alarme habitation, alarme intrusion, alarme maison, alarme sans fil, alarme vidéosurveillance, alarme voiture, Alimentation, alimentation 12 volts transformateur, alimentations, Ampli répartiteur, Amplificateur, Ampoule, Antenne, Antenne active, Appareil de mesure, appareil de mesure électronique, Appareil pour chien, Appareils de mesure, Argent conducteur, Audio, Aurel, Balance digitale, Balance numérique, Ballast, Bargraphe, Barrette de connexion, Barrette sécable, BarriÚre infrarouge, BarriÚre IR, Basic Stamp, batterie d'accumulateur, batterie électronique, Bloc laser, Bloc secteur, Boßte de connexion, Boßtier électronique, Boomer, Borne pour haut parleur, Bornier, Bornier à poussoir, Bornier pour haut parleur, Bouton, Bouton à blocage, Bouton compte tours, Bouton poussoir, Bouton-poussoir, Bracelet antistatique, Brosse antistatique, Brucelle, Buzzer, cùble, cùble coaxial, cùble et connectique, cùble et connectique audio vidéo, cùble peritel, Cadre pour afficheur, caméra, Caméra de recul, caméra de surveillance, caméra vidéo, caméra vidéosurveillance, CapacimÚtre, Capsule à ultrasons, capteur, Capteur à effet Hall, Capteur de courant, Capteur de gaz, Capteur de mesure de distance, capteur de niveau, capteur de pression, capteur de température, capteur robotique, Carillon sans fil, Casque audio, Casque multimédia, Casque stéréo, cellule optoélectronique, Cellule photorésistive, Cellule solaire, Chargeur, Chargeur accu, chargeur accus, Chùssis à insoler, Chien de garde électronique, ChronomÚtre, circuit électronique, Circuit epoxy, circuit imprimé, Circuit intégré, circuit intégré électronique, Circuit linéaire, Circuit logique, Clavier, Clavier alarme, Clixon, Coffret, Coffret électronique, Collier à sertir, Colliers anti-aboiement, Colliers de dressage, Colonnette, Commande à distance, Commutateur, Commutateur à clé, Commutateur quad, Commutateur rotatif, Commutateur vidéo, Composant, composant actif, composant actif passif, composant électronique, Composants HF, Composants opto, Condensateur, Condensateur céramique, Condensateur chimique, ondensateur de démarrage, Condensateur électrolytique, Condensateur polyester, Condensateur tantale, Connecteur BNC, Connecteur carte à puce, Connecteur cinch, connecteur circuit imprimé, Connecteur Din41612, Connecteur DIP, Connecteur étanche, Connecteur HE10, Connecteur HE14, Connecteur jack, Connecteur pour ci, Connecteur RCA, Connecteur secteur, Connecteur sub d, Connecteur SUB-D, Connecteur TV, Connecteur USB, Connecteur XLR, Connectique, connectique cùble, Contact magnétique, Convertisseur, Convertisseur audio vidéo usb, Convertisseur de tension, Cordon audio, Cordon BNC, Cordon de mesure, Cordon firewire, Cordon informatique, Cordon modular, Cordon null modem, Cordon spiralé, Cordon usb, Cordon vidéo, Cosse à sertir, Cosse faston, Coupleur de pile, DécibelmÚtre, Del, Détecteur de faux billets, Détecteur de gaz, Détecteur de mouvements, Détecteur de niveau, Détecteur de proximité, Détecteur filaire, Détecteur infrarouge, Digisat, Diode, Diode électroluminescente, diode et transistor, Diode infrarouge, Diode zéner, Dip-switch, disjoncteur et fusibles, Dissipateur, Douille pour halogÚne, Ecouteur, Ecran lcd, Ecran vidéo, Eeprom, électronique et robotique, Enceinte, Enceinte audio, Engrenage, Enregistreur vidéo, Entretoise, Eprom, équipement connecteurs électrique, Etain chimique, Etau, Extracteur de fumées, Fer à dessouder, Fer à souder, Fiche alimentation, Fiche banane, Fiche DIN, Fiche F, Fiche mini-Din, Fiche péritel, Fiche secteur, Fil émaillé, Filtre, Filtre audio, Fin de course, Foret carbure, Foret miniature, Foreuse, FréquencemÚtre, Frigo portable, Fusible, Gaine thermorétractable, Galet presseur, GalvanomÚtre, Générateur de fonction, Gradateur, Graisse molykote, Graisse pour vidéo, Graisse silicone, Graisse thermique, Graveuse, Grignoteuse, Grip-fil, Grippe fil, Harmonique, Haut parleur, Haut parleur étanche, Haut-parleur, Horloge, Humidistance, Inductance variable, Insoleuse, Instrument météo, Inter TV, Interface, Interface PC, Interphone, Interphone sans fil, Interphone vidéo, Interrupteur, Interrupteur à bille, Interrupteur à clé, Interrupteur infrarouge, Interrupteur opto, Interrupteur optoélectronique, Interrupteur secteur, Interrupteur TV, Inverseur, kit alarme, Kit audio, Kit didactique, kit électronique, Kit mécanique, Lampe, Lampe halogÚne, Lampe loupe, Lampe torche, Ldr, Lecteur de carte SIM, Led, Livre pour pc, Loupe, LuxmÚtre, Machine à graver, Machine à insoler, Mandrin à bobiner, matériel électronique, matériel optoélectronique, matériel vidéosurveillance, Mécanisme d'horloge, Mégaphone, Mémoire, Mesureur d'isolement, Micro, Micro électret, Micro multimédia, Microchip, MicrocontrÎleur, MicrocontrÎleur PIC, micro-informatique, Microrupteur, Modulateur, Modulateur audio vidéo, Module graphique, Module hybride, Module laser, Module lcd, Module Peltier, modules HF, Molykote, Moniteur, Moniteur couleur, Moniteur LCD, Moniteur noir et blanc, Moniteur vidéo, Montage didactique, Moteur, Moteur audio, Moteur pas-à-pas, Moto réducteur, MultimÚtre, Optocoupleur, Optoélectronique, Oscillateur à quartz, Oscilloscope, Outil de manipulation, Outillage, Outillage vidéo, Panne à souder, Parlophone, Perceuse, Perchlorure, Perchlorure de fer, Persultate, Persultate de sodium, Photodiode, Photorésistance, Phototransistor, Pied à coulisse, Pile, pile accus, pile électrique et accumulateur, pile et accumulateur, Pince, Pince à dénuder, Pince à sertir, Pince ampÚremétrique, Pince crocodile, Pistolet à colle, Plaque epoxy, Plaque thermoformable, Platine d'expérimentation, PluviomÚtre, Pointe de touche, Pointeur laser, Pompe à dessouder, Pont redresseur, Pont rlc, Portier vidéo, PotentiomÚtre, PotentiomÚtre multitours, Poulie miniature, Pré amplificateur, Pré-amplificateur, Prise anti-surtension, Programmateur, Programmateur de PIC, programmateur électronique, Projecteur halogÚne, Projecteur infrarouge, protection électrique fusibles, Réfrigérateur portable, Régulateur, Relais bistable, Relais miniature, Relais statique, Relais temporisé, Répartiteur mural, Répartiteur péritel, repartiteur tv antenne et accessoire, Résistance, Résistance carbone, Résistance cms, Résistance métal, Résonateur, Révélateur, Robot, Robotique, Rotacteur, roue codeuse, Roue dentée, Satfinder, Sation de dessoudage, Satmeter, Schéma, Scie à chantourner, Scie circulaire, sécurité alarme, Self, Semiconducteur, Semi-conducteur, Servo moteur, Servomoteur, SirÚne, Sonde de température, SonomÚtre, Spot halogÚne, Station de soudage, Station météo, Stylo conducteur, Stylo électronique, Subwoofer, Support, Support à insertion nulle, Support de caméra, Support de fer à souder, Support de relais, Support lyre, Support tulipe, systÚme alarme maison, systÚme d'alarme, systÚme d'alarme intrusion residentiel, Table de mixage, TachymÚtre, Talkie walkie, Tapis antistatique, Tapis de contact, Tapis de réparation, Télécommande, télécommande de télévision, télécommande infrarouge, télécommande radio, télécommande téléviseur, télécommande tv, Télécontrolli, TélémÚtre, Télérupteur, Télérupteur bipolaire, Temporisateur, Temporisation, temporisation type 86, Testeur de réseau, Testeur électronique, Testeur infrarouge, TÃÂȘte LNB, Thermistance, ThermomÚtre, Thermostat, THT, Thyristor, Tore, Tore de ferrite, Touche, Tranfo torique, Transducteur à ultrasons, Transducteur piézo, Transducteur piézoélectrique, Transfo moulé, Transfo THT, transformateur, transformateur 12v 220v, transformateur 12v 230 v, transformateur 12v 230v, transformateur 12v électricité, transformateur 220 12 volts, transformateur 220v en 12v, transformateur de tension, transformateur électrique, Transformateur FI, transformateur monophase, Transformateur moulé, Transformateur THT, Transformateur torique,
http://www.gotronic.fr/index.htm

923 Downloads - ctrlr - Project Hosting on Google Code
Alesis - Micron - Windows.zip Alesis - Micron - Windows - r1506 Windows 2.0 MB Sep 17 75 Cheetah - MS6 - Windows.zip Cheetah - MS6 - Windows - r1506 Windows 2.0 MB Sep 17 29 Clavia - Nord Lead 2 - Windows.zip Clavia - Nord Lead 2 - Windows - r1506 Windows 3.3 MB Sep 17 97 Clavia - Nord Lead 3 - Windows.zip Clavia - Nord Lead 3 - Windows - r1506 Windows 3.3 MB Sep 17 66 DSI - Evolver - Windows.zip DSI - Evolver - Windows - r1506 Windows 2.3 MB Sep 17 159 DSI - Evolver.zip DSI - Evolver Windows 1.6 MB Aug 2010 37 DSI - Mopho - Windows.zip DSI - Mopho - Windows - r1506 Windows 2.6 MB Sep 17 247 DSI - Mopho.zip DSI - Mopho Windows 1.9 MB Aug 2010 73 DSI - Prophet08 - Windows.zip DSI - Prophet08 - Windows - r1506 Windows 3.8 MB Sep 17 63 DSI - Tetra - Windows.zip DSI - Tetra - Windows - r1506 Windows 7.5 MB Sep 17 162 DSI - Tetra.zip DSI - Tetra Windows 6.8 MB Aug 2010 49 JoMoX - Airbase - Windows.zip JoMoX - Airbase - Windows - r1506 Windows 2.6 MB Sep 17 54 JoMoX - Airbase.zip JoMoX - Airbase Windows 1.9 MB Aug 2010 17 JoMoX - MBase01 - Windows.zip JoMoX - MBase01 - Windows - r1506 Windows 2.7 MB Sep 17 36 JoMoX - MBrane11 - Windows.zip JoMoX - MBrane11 - Windows - r1506 Windows 2.2 MB Sep 17 22 JoMoX - Xbase888 - Windows.zip JoMoX - Xbase888 - Windows - r1506 Windows 2.0 MB Sep 17 27 Korg - EX8000 - Windows.zip Korg - EX8000 - Windows - r1506 Windows 2.7 MB Sep 17 53 MFB - MFB503 - Windows.zip MFB - MFB503 - Windows - r1506 Windows 5.4 MB Sep 17 25 MFB - MFB503.zip MFB - MFB503 Windows 4.8 MB Aug 2010 6 MFB - Polylite - Windows.zip MFB - Polylite - Windows - r1506 Windows 2.2 MB Sep 17 19 Moog - Little Phatty - Windows.zip Moog - Little Phatty - Windows - r1506 Windows 3.1 MB Sep 17 75 Moog - Little Phatty.zip Moog - Little Phatty Windows 2.5 MB Aug 2010 29 Moog - Voyager - Windows.zip Moog - Voyager - Windows - r1506 Windows 3.0 MB Sep 17 53 Moog - Voyager.zip Moog - Voyager Windows 2.4 MB Aug 2010 18 Novation - DrumStation - Windows.zip Novation - DrumStation - Windows - r1506 Windows 3.8 MB Sep 17 58 Novation - DrumStation.zip Novation - DrumStation Windows 3.2 MB Aug 2010 18 Novation - Super Bass Station - Windows.zip Novation - Super Bass Station - Windows - r1506 Windows 2.7 MB Sep 17 58 Novation - Super Bass Station.zip Novation - Super Bass Station Windows 2.0 MB Aug 2010 11 Novation - Supernova II - Windows.zip Novation - Supernova II - Windows - r1506 Windows 5.1 MB Sep 17 61 Novation - Xio - Windows.zip Novation - Xio - Windows - r1506 Windows 5.1 MB Sep 17 81 Oberheim - Matrix 1000 - Windows.zip Oberheim - Matrix 1000 - Windows - r1506 Windows 2.7 MB Sep 17 72 Oberheim - Matrix 1000.zip Oberheim - Matrix 1000 Windows 2.1 MB Aug 2010 13 Roland - Alpha Juno 2 - Windows.zip Roland - Alpha Juno 2 - Windows - r1506 Windows 2.8 MB Sep 17 129 Roland - Alpha Juno 2.zip Roland - Alpha Juno 2 Windows 2.2 MB Aug 2010 34 Roland - JX3P - Windows.zip Roland - JX3P - Windows - r1506 Windows 2.3 MB Sep 17 54 Roland - JX3P.zip Roland - JX3P Windows 1.7 MB Aug 2010 7 Roland - JX8P - Windows.zip Roland - JX8P - Windows - r1506 Windows 5.4 MB Sep 17 55 Roland - JX8P.zip Roland - JX8P Windows 4.7 MB Aug 2010 10 Roland - Juno106 - Windows.zip Roland - Juno106 - Windows - r1506 Windows 2.5 MB Sep 17 86 Roland - MKS30 - Windows.zip Roland - MKS30 - Windows - r1506 Windows 3.2 MB Sep 17 30 Roland - MKS70 - Windows.zip Roland - MKS70 - Windows - r1506 Windows 4.7 MB Sep 17 37 SCI - SixTrak - Windows.zip SCI - SixTrak - Windows - r1506 Windows 2.4 MB Sep 17 41 SCI - SixTrak.zip SCI - SixTrak Windows 1.8 MB Aug 2010 9 Studio Electronics - SE1X - Windows.zip Studio Electronics - SE1X - Windows - r1506 Windows 2.2 MB Sep 17 44 Waldorf - Blofeld - Windows.zip Waldorf - Blofeld - Windows - r1506 Windows 3.5 MB Sep 17 120 Waldorf - Blofeld.zip Waldorf - Blofeld Windows 2.9 MB Aug 2010 47 Waldorf - Pulse - Windows.zip Waldorf - Pulse - Windows - r1506 Windows 2.3 MB Sep 17 105 Waldorf - Pulse.zip Waldorf - Pulse Windows 1.7 MB Aug 2010 27 Yamaha - AN1x - Windows.zip Yamaha - AN1x - Windows Windows 2.6 MB Sep 01 53 Yamaha - DX21 - Windows.zip Yamaha - DX21 - Windows - r1506 Windows 3.2 MB Sep 17 33 Yamaha - TX7 - Windows.zip Yamaha - TX7 - Windows - r1506 Windows 3.8 MB Sep 17 59 Yamaha - TX7.zip Yamaha - TX7 Windows 3.2 MB Aug 2010 11 Yamaha - TX81Z - Windows.zip Yamaha - TX81Z - Windows - r1506 Windows 3.0 MB Sep 17 112 Yamaha - TX81Z.zip Yamaha - TX81Z Windows 2.3 MB Aug 2010 26
http://code.google.com/p/ctrlr/downloads/list

878 Paul's Extreme Sound Stretch
This is a program for stretching the audio. It is suitable only for extreme sound stretching of the audio (like 50x) and for applying special effects by "spectral smoothing" the sounds. It can transform any sound/music to a texture. The program is Open-Source and it's released under the version 2 of the General Public License. You can download the source code for Linux or the Windows binaries. Please note that this is suitable only for extreme time stretching (e.g. if have a melody of 3 minutes and you want to listen it in 3 hours). If you want "less extreme" time stretching, you can use a program which contains the SoundTouch library.
http://hypermammut.sourceforge.net/paulstretch/

868 How Facebook Ships Code « FrameThink – Frameworks for Thinking People
I’m fascinated by the way Facebook operates. It’s a very unique environment, not easily replicated (nor would their system work for all companies, even if they tried). These are notes gathered from talking with many friends at Facebook about how the company develops and releases software. It’s been over six months since I assembled these observations and I’m sure Facebook has continuously evolved its software development practices in the meantime. So these notes are probably a little bit out-of-date. It also seems like Facebook’s developer-driven culture is coming under greater public scrutiny. So I’m feeling more comfortable now about releasing these notes
 HUGE thanks to the many folks who helped put together this view inside of Facebook! Thanks are also due to folks like epriest and fryfrog who have written up corrections and edits.
http://framethink.wordpress.com/2011/01/17/how-facebook-ships-code/

809 Un firmware non officiel pour la Neufbox | Fredzone
Tiens tiens... C'est en avril dernier que l'opérateur SFR a publié le code source du firmware de sa Neufbox avec pour objectif d'inviter les développeurs à astuce,bon plan,neufbox,sfr,geek,matos & logiciels
http://www.fredzone.org/un-firmware-non-officiel-pour-la-neufbox

805 Processeur Vocal DigiTech - Audiofanzine
Liste des produits Processeur Vocal DigiTech - Audiofanzine processeur vocal, processeurs vocaux, chant, chanteur, harmonizer, voca££, vocoder, voix, vovodeur, harmoniseur, processeur voca££, digitech
http://fr.audiofanzine.com/processeur-vocal/digitech/

767 The 5 types of programmers « Steven Benner's Blog
In my code journeys and programming adventures I’ve encountered many strange foes, and even stranger allies. I’ve identified at least five different kinds of code warriors, some make for wonderful comrades in arms, while others seem to foil my every plan. However they all have their place in the pantheon of software development. Without a healthy mix of these different programming styles you’ll probably find your projects either take too long to complete, are not stable enough or are too perfect for humans to look upon. The duct tape programmer The code may not be pretty, but damnit, it works! This guy is the foundation of your company. When something goes wrong he will fix it fast and in a way that won’t break again. Of course he doesn’t care about how it looks, ease of use, or any of those other trivial concerns, but he will make it happen, without a bunch of talk or time-wasting nonsense. The best way to use this person is to point at a problem and walk away. The OCD perfectionist programmer You want to do what to my code? This guy doesn’t care about your deadlines or budgets, those are insignificant when compared to the art form that is programming. When you do finally receive the finished product you will have no option but submit to the stunning glory and radiant beauty of perfectly formatted, no, perfectly beautiful code, that is so efficient that anything you would want to do to it would do nothing but defame a masterpiece. He is the only one qualified to work on his code. The anti-programming programmer I’m a programmer, damnit. I don’t write code. His world has one simple truth; writing code is bad. If you have to write something then you’re doing it wrong. Someone else has already done the work so just use their code. He will tell you how much faster this development practice is, even though he takes as long or longer than the other programmers. But when you get the project it will only be 20 lines of actual code and will be very easy to read. It may not be very fast, efficient, or forward-compatible, but it will be done with the least effort required. The half-assed programmer What do you want? It works doesn’t it? The guy who couldn’t care less about quality, that’s someone elses job. He accomplishes the tasks that he’s asked to do, quickly. You may not like his work, the other programmers hate it, but management and the clients love it. As much pain as he will cause you in the future, he is single-handedly keeping your deadlines so you can’t scoff at it (no matter how much you want to). The theoretical programmer Well, that’s a possibility, but in practice this might be a better alternative. This guy is more interested the options than what should be done. He will spend 80% of his time staring blankly at his computer thinking up ways to accomplish a task, 15% of his time complaining about unreasonable deadlines, 4% of his time refining the options, and 1% of his time writing code. When you receive the final work it will always be accompanied by the phrase “if I had more time I could have done this the right way”. Where do you fit? Personally, I’d have to classify myself as the perfectionist. So, which type of programmer are you? Or perhaps you know another programming archetype that is missing from my list? Post a comment below and I’ll add it to a new updated list.
http://stevenbenner.com/2010/07/the-5-types-of-programmers/

766 [WS001] Circuit-Bending – Initiation « Gasol
Introduction Le Circuit-Bending ou Circuitage dĂ©signe l’activitĂ© qui consiste Ă  volontairement court-circuiter un appareil Ă©lectronique (gĂ©nĂ©ralement sonore) afin de provoquer des comportements inattendus pour le dĂ©tourner de son usage d’origine. Par exemple, un jouet sonore pour enfant ou une console de jeu gĂ©nĂ©reront des sons ou des images plus ou moins alĂ©atoires et imprĂ©visibles. Ce terme Ă  Ă©tĂ© introduit par Reed Ghazala dans les annĂ©e 60 lorsqu’il court-circuita accidentellement l’un de ses instruments. Mais des mĂ©thodes similaires ont Ă©tĂ© utilisĂ©es auparavant par d’autres musiciens et ingĂ©nieurs. Cette activitĂ© peut ĂȘtre assimilĂ©e Ă  une certaine forme d’art, de part le dĂ©tournement, l’appropriation et la personnalisation de ces appareils ainsi que leurs usages lors de performances audiovisuelles. C’est l’art du court-circuit. On rencontrera souvent les termes Circuit-Bender ou Bender pour dĂ©signer la personne qui effectue ces modifications et on parlera de Bends pour toutes modifications apportĂ©es Ă  l’appareil. Attention: Ne jamais tenter ces manipulations sur des appareils alimentĂ©s par une tension supĂ©rieure Ă  12V, risque d’électrocution. Ne pas torturer des appareils trop onĂ©reux ou auxquels on tient, en effet il existe un haut risque de casse irrĂ©versible qui transformera le jouet en un joli presse papier. Un peu de thĂ©orie Le Circuitage ne demande pas de grandes connaissances en Ă©lectronique, mais quelques bases sont nĂ©cessaires Ă  l’apprĂ©hension de cette activitĂ©. Notamment la reconnaissance des divers composants Ă©lectroniques qui seront utilisĂ©s ou court-circuitĂ©s. RĂ©sistances La rĂ©sistance est surement le composant le plus rĂ©pandu. Sa principale caractĂ©ristique est d’opposer une plus ou moins grande rĂ©sistance Ă  la circulation du courant Ă©lectrique. Sa valeur (mesurĂ©e en ohms) peut ĂȘtre dĂ©terminĂ©e par un code couleur ou lue sur le boĂźtier des composants les plus rĂ©cents. PotentiomĂštres Un potentiomĂštre n’est autre qu’une rĂ©sistance ajustable. Il possĂšde 3 pattes ainsi qu’un systĂšme mĂ©canique permettant la variation de la rĂ©sistance. Photo-rĂ©sistances Une photo-rĂ©sistance est Ă©galement une rĂ©sistance dont la valeur varie en fonction de l’intensitĂ© lumineuse. On peut Ă©galement le nommer rĂ©sistance photo-dĂ©pendante (light-dependent resistor (LDR)) ou photoconducteur. Condensateurs Un condensateur est un composant Ă©lectronique ou Ă©lectrique Ă©lĂ©mentaire qui a pour propriĂ©tĂ© principale de pouvoir stocker des charges Ă©lectriques opposĂ©es sur ses armatures. Il est utilisĂ© principalement pour stabiliser une alimentation Ă©lectrique, traiter des signaux pĂ©riodiques, sĂ©parer le courant alternatif du courant continu, stocker de l’énergie. Diodes La diode est principalement utilisĂ©e comme convertisseur de courant alternatif vers du courant continu ou comme multiplicateur ou rĂ©gulateur de tension. C’est un composant polarisĂ©, ce qui signifie que le sens de branchement a une importance sur le fonctionnement du montage. Diodes Electro-Luminescentes (DEL / LED) La LED possĂšde la particularitĂ© de gĂ©nĂ©rer de la lumiĂšre lorsqu’elle est parcourue par un courant. De la mĂȘme maniĂšre que la diode, ce composant est polarisĂ©. Transistors Le transistor est le composant actif utilisĂ© principalement comme interrupteur commandĂ© ou pour l’amplification, mais aussi pour stabiliser une tension ou moduler un signal. Circuits intĂ©grĂ©s Le circuit intĂ©grĂ© (CI), aussi appelĂ© puce Ă©lectronique, est un composant Ă©lectronique reproduisant une ou plusieurs fonctions Ă©lectroniques plus ou moins complexes, intĂ©grant souvent plusieurs types de composants Ă©lectroniques de base dans un volume rĂ©duit, rendant le circuit facile Ă  mettre en Ɠuvre. Il existe une trĂšs grande variĂ©tĂ© de ces composants divisĂ©s en deux grandes catĂ©gories : analogique et numĂ©rique. Interrupteurs Un interrupteur est un dispositif permettant d’interrompre ou d’autoriser le passage d’un flux. Boutons poussoirs Le bouton poussoir est une touche tactile qui permet de faire une liaison Ă©lectrique momentanĂ©e le temps que l’on appuie dessus ou, sur certains modĂšles inversĂ©s, d’ouvrir temporairement le contact Ă©lectrique. Connecteurs Jack Format de connecteur mĂąle et femelle gĂ©nĂ©ralement utilisĂ© pour les connexions audio de types casques et micros. Le mini Jack fait 3,5 mm de diamĂštre, le jack normal fait 6,35 mm. MatĂ©riel et compĂ©tences Pour mener Ă  bien ces projets et en plus de certains composants citĂ©s ci-dessus, il faudra ĂȘtre Ă©quipĂ© du matĂ©riel basique (tournevis, fer Ă  souder, Ă©tain, pompe Ă  dessouder, cĂąblage, pinces coupantes, pinces croco, perceuse, dremel 
) De plus, il faudra un minimum de compĂ©tences en soudage, mais tout le monde se souvient des cours de technologies au collĂšge et dans tous les cas, ces compĂ©tences s’acquiĂšrent vite aprĂšs quelques essais. Il faudra simplement veiller Ă  ne pas dĂ©poser la panne du fer trop longtemps sur un composant pour ne pas l’endommager et ne pas faire baver l’étain au risque de crĂ©er un court-circuit non souhaitĂ©. Il faudra Ă©galement s’armer de patience, c’est la qualitĂ© premiĂšre et la plus haute compĂ©tence d’un Bender. En effet, un jouet nĂ©cessite gĂ©nĂ©ralement entre 4 Ă  12h pour ĂȘtre modifiĂ© (dont les 3/4 de ce temps sont consacrĂ©s Ă  la recherche des Bends). Avec l’expĂ©rience ce temps sera considĂ©rablement rĂ©duit. Beaucoup de pratique Victimes potentielles Pour dĂ©buter, l’idĂ©al est de s’attaquer Ă  des appareils peu couteux tels que des jouets sonores rĂ©cupĂ©rĂ©s dans votre cave ou lors de vide-greniers. Les plus rĂ©putĂ©s Ă©tant les jouets vintages du type DictĂ©e Magique et dĂ©rivĂ©s (Speak&Spell/Math/Learn), les insupportables Furby, les petits synthĂ©tiseurs type Casio SK-1 
 Tout ce qui possĂšde un haut-parleur, fonctionne sur piles ou en dessous de 12V. Plus particuliĂšrement les appareils fabriquĂ©s durant les annĂ©es 80/90 qui ne sont pas encore Ă©quipĂ©s de composants Ă©lectroniques sophistiquĂ©s ou de circuits entiĂšrement numĂ©riques. Les constructeurs les plus connus sont: Texas Instruments, Casio, Vtech, Coleco, Creatoy. Il est Ă©videmment possible d’élargir les domaines de recherches Ă  des appareils plus Ă©laborĂ©s mais gare Ă  l’irrĂ©versible court-circuit meurtrier qui mettra dĂ©finitivement la machine hors-service. Recherche Il faut tout d’abord dĂ©sosser votre cible pour mettre Ă  nu le circuit Ă©lectronique. Ensuite, on allume le jouet pour lui faire Ă©mettre un son et on test simplement sa rĂ©activitĂ© en posant plusieurs doigts simultanĂ©ment sur diffĂ©rents endroits du circuit. GĂ©nĂ©ralement, un effet de « pitch » se fait entendre (baisse/augmentation de la tonalitĂ©), on comprend alors que la machine est sensible au Circuitage et les choses sĂ©rieuses peuvent donc commencer (toutes les machines ne sont pas forcement sensibles au toucher, mais c’est une bonne technique d’approche). Afin de ne pas avoir Ă  mĂ©moriser tous les endroits sensibles, l’idĂ©al est de prendre une photo du circuit, de la transferer sur un ordinateur et ainsi noter pas Ă  pas Ă  l’aide d’un logiciel de dessin type MSPaint ou Photoshop tous les Bends dĂ©couverts. Certains les notent directement sur le circuit Ă  l’aide d’un stylo ou d’un feutre, mais l’encre contenant gĂ©nĂ©ralement du carbone et le carbone Ă©tant conducteur, il existe un risque de court-circuit non dĂ©sirĂ© dont on pourra difficilement se dĂ©faire. La premiĂšre et la plus simple des modifications Ă  apporter Ă  son appareil est le raccordement Ă  un ampli ou une console de mixage. Il sera alors possible d’enregistrer les sons de la machine ou de l’utiliser lors de performances live. Pour ce faire, on repĂšre gĂ©nĂ©ralement le haut-parleur et on le remplace ou on installe en parallĂšle un connecteur Jack. Dans le second cas, l’ajout d’un interrupteur pourra servir Ă  basculer entre la sortie audio ou le haut-parleur. On peut maintenant commencer Ă  parcourir mĂ©thodiquement ou au hasard le circuit Ă  l’aide d’un testeur. Le plus simple est d’utiliser des pinces croco que l’on raccordera Ă  deux petits tournevis d’horloger. On place la pointe du premier tournevis qui restera stationnaire sur un point du circuit et avec le second on parcourt diffĂ©rents autres points en Ă©coutant les changements de sons intĂ©ressants que l’on note au fur et Ă  mesure sur notre photo. On poursuit ensuite en dĂ©plaçant le premier tournevis sur un autre point et en recommençant notre parcours avec le second. On rĂ©pĂšte cette procĂ©dure jusqu’à ce que la totalitĂ© du circuit ait Ă©tĂ© parcouru ou lorsque nous estimons avoir trouvĂ© toutes les modifications souhaitĂ©es. Les Bends les plus courants sont gĂ©nĂ©ralement: la sortie audio permettant l’amplification, le volume, l’overdrive/distortion, les glitches, les boucles, le bouton reset. Dans certains cas, les Bends ne sont pas compatibles entre-eux. La machine plantera irrĂ©mĂ©diablement dĂšs lors qu’on activera plusieurs Bends simultanĂ©ment. On peut alors dĂ©cider de continuer la quĂȘte des modifications compatibles ou bien Ă©viter d’en activer plusieurs Ă  la fois. CĂąblage et placement des composants La prochaine Ă©tape est le raccordement des diffĂ©rents points du circuit trouvĂ©s prĂ©cĂ©demment. On les relie entre eux en soudant un fin cĂąble de cuivre sur chaque point. On placera ensuite, par exemple, un interrupteur entre deux de ces cĂąbles allant de paires, de maniĂšre Ă  (dĂ©s)activer notre court-circuit. Il est aussi possible dans certains cas de remplacer ou coupler l’interrupteur Ă  un potentiomĂštre ou une photo-rĂ©sistance qui appliquera une plus ou moins grande rĂ©sistance au passage du courant, attĂ©nuant ou accentuant ainsi l’effet du court-circuit (trĂšs utile pour les effets de pitch/volume/overdrive). Il est prĂ©fĂ©rable de ne pas souder le composant avant de l’avoir montĂ© sur le chĂąssis de la machine, de maniĂšre Ă  ne pas le dessouder par inadvertance lors de son placement. Utile aussi pour connaitre la bonne longueur des cĂąbles et leur cheminement et ainsi Ă©viter les surplus qui empĂȘcheraient la fermeture du boitier. Pour percer le chĂąssis, on utilisera une petite perceuse ou un Dremel. Le positionnement des composants est libre mais attention Ă  choisir un emplacement qui ne gĂȘnera ni la fermeture, ni l’ergonomie du boitier. En effet, un composant mal placĂ© et difficilement accessible pourrait compromettre la spontanĂ©itĂ© de la performance. Afin de ne pas trop endommager le chĂąssis, il est aussi possible de raccorder tous les composants sur un boitier externe qui servira de contrĂŽleur. Dans ce cas, l’utilisation d’un cĂąble nappe tel que l’on trouve dans un ordinateur peut ĂȘtre trĂšs pratique pour ne pas avoir des dizaines de fils qui sortent du chĂąssis (un cĂąble SCSI est parfait pour ce type de montage). Tests Il est maintenant l’heure de tester notre nouveau jouet ! Liens utiles http://www.anti-theory.com : Reed Ghazala, pĂšre du Circuit-Bending http://www.casperelectronics.com : Peter Edwards, grand maĂźtre Bender http://gieskes.nl : Gijs Gieskes, un extra-terrestre http://bitcrusher.free.fr : Mon cher ami Bitcrusher, grand Bender francophone http://www.dataglitch.org : Label associatif regroupant des amoureux des technologies Lo-Fi http://www.getlofi.com : Astuces et ressources pour dĂ©butants ou vĂ©tĂ©rans http://www.sailormouth.org : Des infos et des schĂ©mas trĂšs utiles http://www.datamath.org : MusĂ©e des produits Texas-Instruments http://www.miniorgan.com : Base de donnĂ©es de jouets plus ou moins rares CrĂ©ations personnelles Screaming Teacher aka Talking Teacher – Coleco Le Livre Tragique aka Le Livre Magique – TI Speak’n'Glitch’n'Bleep’n'Math aka Speak’n'Math – TI La Tortu(r)e aka Tortue Musicale – Carrefour LoFi Mic aka TĂ©lĂ©phone Ă  cadran – Socotel
http://www.gasol.fr/2010/06/30/5/

737 Bulle Immobiliùre ‱ Voir le sujet - script PHP pour suivi des prix sur leboncoin
J'en ai parlé sur une autre file.... On ne sait jamais, ça peut toujours intéresser quelqu'un... Moi, je m'en sers pour suivre le marché immobilier de St Gilles Croix de Vie (en Vendée). Je le lance réguliÚrement pour mettre à jour le suivi des prix. Il y a quelques loupés, mais ça me sert bien. Le code n'est pas "hyper méga trop cool", il fonctionne juste premiÚre page: Edit: Ajout de la possibilité d'avoir plusieurs url à scanner (genre on veut les annonces du 85800 et celles du 85220)
http://www.bulle-immobiliere.org/forum/viewtopic.php?f=98&t=58956

735 RÉCUPÉRER DES INFORMATIONS SUR ALLOCINE.FR allocine, regex, php, parser, Source N°50847 PHP
Exemple de programmation : RÉCUPÉRER DES INFORMATIONS SUR ALLOCINE.FR, PHP allocine, regex, php, parser, RÉCUPÉRER, DES, INFORMATIONS, SUR, ALLOCINE.FR, PHP, Codes, Sources, PHP, sources, PHP, Codes, PHP, Scripts, PHP, Script, Programmation, Developper, Programmer, Developpement, Cours, Tutorial, Tutoriaux, aide, informations, PHP, Windows, 95, Windows, 98, Windows, NT4, Windows, 2000, Sources, Codes, France, Francais, French Ce script va rĂ©cupĂ©rer des informations sur le site Allocine.fr sous forme de tableau.
http://www.phpcs.com/codes/RECUPERER-INFORMATIONS-SUR-ALLOCINE-FR_50847.aspx

722 Making AJAX Applications Crawlable - Google Code
If you're running an AJAX application with content that you'd like to appear in search results, we have a new process that, when implemented, can help Google (and potentially other search engines) crawl and index your content. Historically, AJAX applications have been difficult for search engines to process because AJAX content is produced dynamically by the browser and thus not visible to crawlers. While there are existing methods for dealing with this problem, they involve regular manual maintenance to keep the content up-to-date. Learn more Learn why search engines don't see the content you see and what needs to happen to fix this. Getting started guide Get started in making your AJAX application visible to search engines. If you are in a hurry, you can start here, but AJAX crawling is a complex topic, so we recommend reading all the documentation. Creating HTML snapshots Learn more about creating HTML snapshots, and which technique might be best suited for your application. Frequently asked questions Having trouble? Check out the frequently asked questions. Specification Get the details.
http://code.google.com/intl/fr/web/ajaxcrawling/

721 DNA seen through the eyes of a coder
This is just some rambling by a computer programmer about DNA. I'm not a molecular geneticist. If you spot the inevitable mistakes, please mail me (bert hubert) at ahu@ds9a.nl. I'm not trying to force my view unto the DNA - each observation here is quite 'uncramped'. To see where I got all this from, head to the bibliography. Quick links: The source code, Position Independent Code, Conditional compilation, Dead code, bloat, comments ('junk dna'), fork() and fork bombs ('tumors'), Mirroring, failover, Cluttered APIs, dependency hell, Viruses, worms, Central Dogma, Binary patching aka 'Gene therapy', Bug Regression, Reed-Solomon codes: 'Forward Error Correction', Holy Code, Framing errors: start and stop bits, Massive multiprocessing: each cell is a universe, Self hosting & bootstrapping, The Makefile, Further reading.
http://ds9a.nl/amazing-dna/

720 Common Security Mistakes in Web Applications - Smashing Magazine
Web application developers today need to be skilled in a multitude of disciplines. It’s necessary to build an application that is user friendly, highly performant, accessible and secure, all while executing partially in an untrusted environment that you, the developer, have no control over. I speak, of course, about the User Agent. Most commonly seen in the form of a web browser, but in reality, one never really knows what’s on the other end of the HTTP connection. There are many things to worry about when it comes to security on the Web. Is your site protected against denial of service attacks? Is your user data safe? Can your users be tricked into doing things they would not normally do? Is it possible for an attacker to pollute your database with fake data? Is it possible for an attacker to gain unauthorized access to restricted parts of your site? Unfortunately, unless we’re careful with the code we write, the answer to these questions can often be one we’d rather not hear. We’ll skip over denial of service attacks in this article, but take a close look at the other issues. To be more conformant with standard terminology, we’ll talk about Cross-Site Scripting (XSS), Cross-Site Request Forgery (CSRF), Phishing, Shell injection and SQL injection. We’ll also assume PHP as the language of development, but the problems apply regardless of language, and solutions will be similar in other languages.
http://www.smashingmagazine.com/2010/10/18/common-security-mistakes-in-web-applications/

713 40 Useful Online Generators For Web Designers - Noupe Design Blog
Generators can be a great way to save time in your web design projects. High-quality generators can create graphics or code or even layouts in a matter of seconds or minutes, things that might take an hour or more if done by hand. Below are some useful generators to help you speed up your web design process. There’s everything from color scheme tools to complete layout generators included. If you know of other useful generators out there, please share in the comments!
http://www.noupe.com/tools/40-useful-online-generators.html

693 Code source de CREER UN FLUX RSS DE SKYBLOG
Beaucoup de Codes Sources pour PHP, Scripts, Script, Sources, Codes, France, Francais, French PHP Codes Sources, PHP sources, PHP Codes, PHP Scripts, PHP Script, Programmation, Developper, Programmer, Developpement, Cours , Tutorial, Tutoriaux, aide, informations, PHP, Windows 95, Windows 98, Windows NT4, Windows 2000, Sources, Codes, France, Francais, French
http://www.phpcs.com/codesource.aspx?ID=37494

692 Code source de RÉCUPÉRER DES INFORMATIONS SUR ALLOCINE.FR
Beaucoup de Codes Sources pour PHP, Scripts, Script, Sources, Codes, France, Francais, French PHP Codes Sources, PHP sources, PHP Codes, PHP Scripts, PHP Script, Programmation, Developper, Programmer, Developpement, Cours , Tutorial, Tutoriaux, aide, informations, PHP, Windows 95, Windows 98, Windows NT4, Windows 2000, Sources, Codes, France, Francais, French
http://www.phpcs.com/codesource.aspx?ID=50847

678 Top 10 Most Useful CSS3 Generators To Write Clean Code Easily
Compilation of most useful and used CSS3 Generators for lazy web designers and web developers. If you don't want to write code, use these best css3 generators. best css3 generators, useful css3 generators, css3 generators to write css3 code,resources,top 10,design
http://savedelete.com/most-useful-css3-generators.html

675 9 Ways to Instantly Code Faster | Nettuts+
Doesn't the title say it all? There are a wide variety of tools and techniques which can drastically improve the speed at which we code. Particularly during code,code faster,coding tips,tips,tools
http://net.tutsplus.com/articles/general/9-ways-to-instantly-code-faster/

630 Push-Pull :: Synthés + Prod musicale en tous genres...
Mes dĂ©mos "monomachines" Principe: le morceau est rĂ©alisĂ© avec uniquement des sons du synthĂ© en question. Pas d'effets Ă  part un peu de delay ping-pong et un peu de reverb. Pour les synthĂ©s monophoniques, les parties poly sont enregistrĂ©es voix aprĂšs voix, Ă  l'ancienne ! Une technique un peu "lourde" mais qui en vaut la peine. Sauf remarque, les parties de batteries sont rĂ©alisĂ©es avec des sons du synthĂ© concernĂ©. Parfois jouĂ©s sur le synthĂ© (JP6) ou samplĂ©s pour plus de souplesse (MS20, Yusynth). Korg: MS10 - Fade To Grey La rythmique vient d'une TR606, le vocoder est celui du microkorg. MS20 for Couch Potatoes Ma premiĂšre dĂ©mo monomachine. MS20 sur une plage bretonne MS20 by Night MS20 - Tribute to Sergei MS20 - Introspection MS20 passĂ© dans le delay Spacebug d'Eowave. MS20 - J'ai froid MS20 - Nazareth EnregistrĂ© un 25 dĂ©cembre, avec un controleur de souffle BC2 Yamaha pour moduler le lead. MS50 - The Last Oscillator Les sons de drum sont des samples d'une Oberheim DX. Roland: SH09 - Solarize JP6 - From Io to Callisto JP8 - La prise de Carthage Les parties de percussions et batteries proviennent de divers softs. Yamaha: CS30 - Hamamatsu Les sons de drum sont issus de divers samples. CS30 - Hamamatsu (drumless) Le mĂȘme, sans la piste de drum. DX7 - At Night in the Cuyabeno Jungle La nappe de strings discrĂšte qui apparait depuis le millieu du morceau vient d'un Korg Z1. Divers: Clavia micromodular - Face nord Exercice d'imitation d'un MS20. OSCar - From Oxford With Love Les sons de drum sont issus de divers samples. Yusynth/DotCom - Modular Snow Les nappes viennent du Yamaha D85. Yusynth/DotCom - Little Bear Les nappes viennent du Yamaha D85.
http://www.pushpull.ch/demos.htm

625 QR Code Generator | The 2D Code

http://www.the2dcode.com/qr-code-generator

624 Enhance your web forms with new HTML5 features
HTML5 introduces numerous new options to create more functional web forms. In this article, I'll show you exciting new HTML5 features to improve your forms and make them more functional and user-friendly.
http://www.catswhocode.com/blog/enhance-your-web-forms-with-new-html5features

622 Google: HTML, CSS, and Javascript from the Ground Up - Google Code University - Google Code

http://code.google.com/intl/fr/edu/submissions/html-css-javascript/

608 Stories In Flight | HTML5/CSS3 Cheatsheet
Here are some simple cut-and-paste examples of HTML5/CSS3 features that are currently (mid-2010) usable across a number of web browsers, chief among them Firefox, Safari, Chrome and Opera. For many of the CSS3 examples, Internet Explorer is the lone holdout with a limited number of workarounds, however these features degrade gracefully and may still be useful on new projects as long as this limitation is kept in mind. Both for SVG and Canvas there exist solid workarounds in the form of JavaScript libraries that allow even Internet Explorer to display these new objects, and in the case of SVGweb it may be a good idea to use this workaround for all browsers to limit the variability of the SVG rendering across platforms. Please note: With the exception of SVGWeb, no Internet Explorer workarounds have been included on this page - most of the examples will therefore not work in IE6, IE7 or IE8. And if you want to discuss any of the code below or leave a correction or suggestion, you can leave comments below and here is also The Web We Should Have on my blog. Thanks! On this page: HTML5 DOCTYPE Rounded Corners Rounded Corners Redux: Circles Box Shadows Text Shadows Border Images Transform Rotate Column Layout SVG Canvas Canvas Text Canvas Text Rotate Some more complex subjects are also discussed in these separate pages: CSS3 Transforms Ruby Annotations Multiple Background Images HTML5 Audio and JavaScript Control HTML5 Audio Data API - Spectrum Visualizer JavaScript: Binary Loader Google Font API and Font Loading Behavior JavaScript: Sorting DIVs JavaScript: HTML5 Video with SRT Subtitles ...and don't forget to leave some comments below!
http://www.storiesinflight.com/html5/

576 55 Excellent Examples of Websites Using HTML5 | Inspiration
Html 5 is the new and updated version of the web standard and famous HTML. The HTML 5 has tons of new features, techniques and elements that allow designers to create new and beautiful stuff in short line codes. The new standard incorporates features like video playback and drag-and-drop that have been previously dependent on third-party browser plug-ins such as Adobe Flash, Microsoft Silverlight, and Google Gears. With HTML5 you can add some really nice effects to your website without loosing your head to do it... it's for sure a nice way to go. html,html5,inspiration,web design
http://webdesignledger.com/inspiration/55-excellent-examples-of-websites-using-html5/

568 A6 Info Page Andromeda
synth
http://mailman.code404.com/mailman/listinfo/a6

533 The Theory and Technique of Electronic Music
Contents Sinusoids, amplitude and frequency Measures of Amplitude Units of Amplitude Controlling Amplitude Frequency Synthesizing a sinusoid Superposing Signals Periodic Signals About the Software Examples Examples Wavetables and samplers The Wavetable Oscillator Sampling Enveloping samplers Timbre stretching Interpolation Examples Audio and control computations The sampling theorem Control Control streams Converting from audio signals to numeric control streams Control streams in block diagrams Event detection Audio signals as control Operations on control streams Control operations in Pd Examples Automation and voice management Envelope Generators Linear and Curved Amplitude Shapes Continuous and discontinuous control changes Muting Switch-and-ramp Polyphony Voice allocation Voice tags Encapsulation in Pd Examples Modulation Taxonomy of spectra Multiplying audio signals Waveshaping Frequency and phase modulation Examples Designer spectra Carrier/modulator model Pulse trains Pulse trains via waveshaping Pulse trains via wavetable stretching Resulting spectra Movable ring modulation Phase-aligned formant (PAF) generator Examples Time shifts and delays Complex numbers Complex sinusoids Time shifts and phase changes Delay networks Recirculating delay networks Power conservation and complex delay networks Artificial reverberation Controlling reverberators Variable and fractional shifts Fidelity of interpolating delay lines Pitch shifting Examples Filters Taxonomy of filters Low-pass and high-pass filters Band-pass and stop-band filters Equalizing filters Elementary filters Elementary non-recirculating filter Non-recirculating filter, second form Elementary recirculating filter Compound filters Real outputs from complex filters Two recirculating filters for the price of one Designing filters One-pole low-pass filter One-pole, one-zero high-pass filter Shelving filter Band-pass filter Peaking and stop-band filter Butterworth filters Stretching the unit circle with rational functions Butterworth band-pass filter Time-varying coefficients Impulse responses of recirculating filters All-pass filters Applications Subtractive synthesis Envelope following Single Sideband Modulation Examples Fourier analysis and resynthesis Fourier analysis of periodic signals Periodicity of the Fourier transform Fourier transform as additive synthesis Properties of Fourier transforms Fourier transform of DC Shifts and phase changes Fourier transform of a sinusoid Fourier analysis of non-periodic signals Fourier analysis and reconstruction of audio signals Narrow-band companding Timbre stamping (classical vocoder) Phase Phase relationships between channels Phase bashing Examples Classical waveforms Symmetries and Fourier series Sawtooth waves and symmetry Dissecting classical waveforms Fourier series of the elementary waveforms Sawtooth wave Parabolic wave Square and symmetric triangle waves General (non-symmetric) triangle wave Predicting and controlling foldover Over-sampling Sneaky triangle waves Transition splicing Examples Index Bibliography
http://crca.ucsd.edu/~msp/techniques/latest/book-html/book.html

530 Audionumérique, ressources
Audionumérique, ressources : Ouvrages de référence. http://codelab.fr/up/audionumerique-curtis-roads.jpg. L'audionumérique, musique et informatique de Curtis Roads, traduit et adapté par Jean de Reydellet. Editions Dunod, 2007, ISBN-13 : 978-2-10-051249-2. Une mine d'informations pour ceux qui s ... Audionumérique, ressources, Ouvrages, référence, codelab, audionumerique, curtis, audionumérique, musique, informatique, Curtis, traduit, adapté, Reydellet, Editions, 051249, informations, intéressent, synthÚse, sonore, spatialisation, mixage, traduction, computer, tutorial»
http://codelab.fr/822

518 LA MUSIQUE INDUSTRIELLE
QU’EST-CE QUE LA MUSIQUE INDUSTRIELLE ? Vous trouverez chez les disquaires bien achalandĂ©s un coin rĂ©servĂ© aux albums d’ " indus ", souvent mĂ©langĂ©s au gothique, Ă  la cold ou encore aux indĂ©pendants. Les couleurs noire et grise dominent les pochettes et les noms des groupes sont souvent longs et imprononçables, Ă  consonance allemande ou anglaise. Pour continuer dans le clichĂ©, on peut dĂ©crire la musique industrielle comme un style basĂ© sur des percussions mĂ©talliques qui martĂšlent, accompagnĂ©es de bruits agressifs souvent dissonants et de voix trafiquĂ©es, criĂ©es plus que chantĂ©es. En fait, l’indus est pour beaucoup une musique suspecte, apprĂ©ciĂ©e par d’étranges mĂ©lomanes qui n’auraient pas compris que la musique moderne est faite pour distraire, pour danser ou encore adoucir les mƓurs. Peu de gens savent en fait ce qu’est l’industriel Ă  proprement parler. Pourtant ce style a Ă©tĂ© trĂšs productif et une partie de la musique actuelle s’en inspire. A la base, l’industriel est un mouvement de contestation sociale et artistique. Il rejette le contrĂŽle de la musique populaire par les businessmen, les mĂ©dias et tous les hommes de pouvoir. Son essor est marquĂ© par la crĂ©ation d’Industrial Records, Ă  Londres, Ă  la fin des annĂ©es 1970 par le groupe Throbbing Gristle. C’est un des premiers labels indĂ©pendants, une entreprise de production et de diffusion de cassettes audio et de 33 tours, qui laisse ses musiciens s’exprimer sans contrainte, ni censure, ni souci de rentabilitĂ©. Il dĂ©veloppe une " stratĂ©gie de guĂ©rilla " contre les major company, ces entreprises qui soumettent la musique populaire aux lois du marchĂ©. Plus gĂ©nĂ©ralement, le mouvement industriel vomit l’industrie des loisirs orchestrĂ©e par les grands mĂ©dias. Il cherche Ă  faire rĂ©flĂ©chir sur la propagande et le marketing, sur l’utilisation de l’art et des diverses techniques de communication pour convaincre et dominer. L’ambition est de crĂ©er une alternative Ă  la culture de masse afin de lutter contre l’uniformisation des esprits. Pape de l’industriel, Genesis P-Orridge (alias Neil Megson) explique qu’au dĂ©part le but est de "savoir jusqu’oĂč on pouvait mĂ©tamorphoser et coller le son, prĂ©senter des sons complexes et non-divertissants dans une situation de culture populaire, afin de convaincre et de convertir. Nous voulions rĂ©investir la musique rock avec un contenu, une motivation et un risque. " Apparu en mĂȘme temps que le punk, l’industriel se veut plus radical, plus rĂ©flĂ©chi et surtout plus novateur en matiĂšre musicale. Il milite pour l’éclatement des codes musicaux qu’ils soient rock, jazz, classique ou pop. Recherchant l’imprĂ©vu, fuyant le formatage, il puise dans diffĂ©rents styles. Par ailleurs, de nouveaux instruments sont incorporĂ©s Ă  la musique. Les membres d’EinstĂŒrzende Neubauten utilisent des perceuses, de l’eau, des tĂŽles, ou mĂȘme leurs dents pour produire des sons originaux. DĂšs le dĂ©part, les instruments Ă©lectroniques ont Ă©tĂ© privilĂ©giĂ©s : boites Ă  rythme, synthĂ©tiseurs et les tout premiers Ă©chantillonneurs (sampleurs), dĂšs le dĂ©but des annĂ©es 1980. Ces instruments Ă©lectroniques aidant, l’indus a Ă©tĂ© produit par des non-musiciens et a dĂ©veloppĂ© la rĂ©pĂ©titivitĂ© (utilisation des sĂ©quenceurs). C’est dans ce sens que l’industriel est pour une bonne part Ă  l’origine de la techno. L’industriel ne se limite pas au dĂ©part Ă  un courant musical, c’est une tentative d’art total. Soit les musiciens indus sont des touches Ă  tout en matiĂšre artistique (Genesis P-Orridge, Jim Thirlwell), soit ils collaborent frĂ©quemment avec des cinĂ©astes, des troupes de thĂ©Ăątre ou de danse contemporaine. Pour les disques, le graphisme des pochettes compte parfois autant que la musique elle-mĂȘme. Dans toutes ses expressions artistiques, l’industriel recherche la provocation la plus radicale, le choc et la confusion. Les thĂšmes dĂ©veloppĂ©s sont autant de tabous : le totalitarisme sous toutes ses formes (propagande, uniformes militaires, symboles paĂŻens, plus ou moins fascistes ou nazis) ; le sado-masochisme, bouffonnerie spectaculaire parodiant les rapports humains ; la mort. C’est un constat froid des horreurs du monde, l’irruption de la laideur sous toutes ses formes dans la musique populaire. Mais attention, l’humour, le sarcasme et le cynisme sont essentiels dans l’indus. L’ironie et l’ambiguĂŻtĂ© sont fondatrices : la musique qui se proclame industrielle s’oppose Ă  l’industrie de la musique et aux valeurs de la sociĂ©tĂ© industrielle. Les membres de Throbbing Gristle troquaient volontiers leurs uniformes pour des chemises hawaĂŻennes, Current 93 s’est pris de passion pour le hĂ©ros enfantin Oui-Oui (Noddy), Laibach a parodiĂ© pompeusement les Beatles, Clair Obscur a chantĂ© les cours de la bourse, aprĂšs avoir smurfĂ© au goulag, et Foetus s’est fait connaĂźtre par une parodie de disco en l’honneur du marquis de Sade (avant MylĂšne Farmer !). Tous les musiciens qui se prĂ©tendent industriels mais s’expriment sans cette ironie fondatrice ou sans vĂ©ritable recherche musicale utilisent le terme abusivement. DĂšs 1981, Throbbing Gristle se sĂ©pare. Genesis P-Orridge explique : " nous avons quitter un milieu envahi par des idĂ©es et des gens malsains, parce que ces gens ont choisi de ne pas comprendre ce que nous disions. C’est devenu une surenchĂšre de provocation ". On a assistĂ© en effet Ă  une dĂ©rive et un appauvrissement musical. L’industriel est devenu un style parmi les autres. Comme tout mouvement contestataire, il a Ă©tĂ© rĂ©cupĂ©rĂ©e ; Ă  la fois par les mĂ©dias et par des mouvements d’extrĂȘme droite. Ainsi on a pu entendre, dans des publicitĂ©s tĂ©lĂ©visĂ©es, des percussions mĂ©talliques pour vanter les mĂ©rites de slips trĂšs masculins, ou bien des bruits de mĂ©canique qui dĂ©raille sortant d’un autoradio, pour vendre une voiture Ă  la mĂ©canique irrĂ©prochable. Les liens avĂ©rĂ©s avec l’extrĂȘme-droite ne concernent que quelques uns : en particulier Boyd Rice (du groupe NON) et plusieurs pĂąles ersatz du groupe de folk industriel Death in June, engluĂ©s dans une soupe europĂ©aniste nausĂ©abonde, oĂč se mĂȘlent rĂ©volution conservatrice, paganisme nordique ou celtique, thĂšmes guerriers et romantisme noir. Ces connivences ont jetĂ© le discrĂ©dit sur tout le mouvement industriel. C’est oublier que les artistes d’Industrial records refusaient de s’exprimer sur le terrain politique traditionnel, que des groupes se sont engagĂ©s Ă  gauche (Test Dept), tandis que d’autres ont affirmĂ© leur rejet de l’extrĂȘme-droite (Front 242). Beaucoup cependant rĂ©pugnent Ă  se justifier et continuent de jouer le jeu dangereux de la provocation fasciste. Il y a peu le groupe allemand Substanz t. a Ă©chantillonnĂ© la phrase suivante dans un morceau : " if you don’t like fascism, don’t play industrial music " (compilation teknoir, 1998).
http://nksinternational.free.fr/indus.html

509 A List Apart: Articles: Supersize that Background, Please!
With an advertising world keen to use every inch of a medium for brand or product experience, it is becoming increasingly popular to design websites with full-browser backgrounds. Using CSS, this can be achieved quite easily. Just drop a huge background image in a page with one line of code (Line wraps marked » —Ed.): body { background: #000 url(myBackground_1280x960.jpg) » center center fixed no-repeat; }
http://www.alistapart.com/articles/supersize-that-background-please/

476 Top 15+ Best Practices for Writing Super Readable Code | Nettuts+
Code readability is a universal subject in the world of computer programming. It’s one of the first things we learn as developers. Readable and maintainable code is something to be proud of in a finished product. We can share it with others, contribute to other projects, and reuse code from applications we wrote months or even years ago. This article will detail the fifteen most important best practices when writing readable code.
http://net.tutsplus.com/tutorials/html-css-techniques/top-15-best-practices-for-writing-super-readable-code/

464 Ksplice » Attack of the Cosmic Rays! - System administration and software blog
It’s a well-documented fact that RAM in modern computers is susceptible to occasional random bit flips due to various sources of noise, most commonly high-energy cosmic rays. By some estimates, you can even expect error rates as high as one error per 4GB of RAM per day! Many servers these days have ECC RAM, which uses extra bits to store error-correcting codes that let them correct most bit errors, but ECC RAM is still fairly rare in desktops, and unheard-of in laptops. For me, bitflips due to cosmic rays are one of those problems I always assumed happen to “other people”. I also assumed that even if I saw random cosmic-ray bitflips, my computer would probably just crash, and I’d never really be able to tell the difference from some random kernel bug. A few weeks ago, though, I encountered some bizarre behavior on my desktop, that honestly just didn’t make sense. I spent about half an hour digging to discover what had gone wrong, and eventually determined, conclusively, that my problem was a single undetected flipped bit in RAM. I can’t prove whether the problem was due to cosmic rays, bad RAM, or something else, but in any case, I hope you find this story interesting and informative.
http://blog.ksplice.com/2010/06/attack-of-the-cosmic-rays/

448 HTML Ampersand Character Codes
These are character sequences that may appear in HTML documents; they represent sometimes useful symbols that are not part of the standard ASCII set or that would be difficult or impossible to type otherwise (e.g. the less-than sign, which would always be mistaken for the beginning of an HTML tag). Case is signinficant. The content of this table has been throughly tested. If the character that appears in the first column does not fit the description in the third column, your browser has a screw loose.
http://rabbit.eng.miami.edu/info/htmlchars.html

443 Best Web Design Tools For Creating a Complete Website
Web Design Tools are always handy to a web designer and coder, with tons of features, fantastic UI, these tools provide best results if used wisely. Every tool free web design tools and resources , premium web designer tools , web development tools,photoshop,resources,best of,design,development
http://www.webdesignish.com/best-web-design-tools-for-creating-a-complete-website.html

440 A List Apart: Articles: Taking Advantage of HTML5 and CSS3 with Modernizr
Ten years ago, only the most cutting-edge web designers used CSS for layouts and styling. Browser support for CSS layouts was slim and buggy, so these people advocated for web standards adherence, while creating hacks that made CSS layouts work in all browsers. One hack that became widely used was browser sniffing: Detecting which browser and version the user had by looking at the navigator.userAgent property in JavaScript. Browser sniffing allowed for quick and easy code forking, allowing developers to target different browsers with different instructions. Today, CSS-based layouts are commonplace and every browser has pretty solid support for them. But now we have CSS3 and HTML5, and the situation is repeating itself—different browsers demonstrate varying levels of support for these new technologies. We’ve smartened up, however, and no longer employ CSS hacks nor use browser sniffing—an unreliable, poor practice. We’ve also convinced more and more clients that websites don’t need to look exactly the same in every browser. So how do we deal with this new but familiar problem? Simple: We use feature detection, which means that we do not ask the browser “who are you?” and make unreliable assumptions from there on. Instead we ask the browser, “can you do this and that?” It’s a simple way to test browser capabilities, but doing all these tests manually all the time gets tiresome. To solve that problem (and others), you can use Modernizr.
http://www.alistapart.com/articles/taking-advantage-of-html5-and-css3-with-modernizr/

428 Alain Neffe and the Home-Taped Electronic Music Revolution
Alain Neffe launched his first tape label at home in Belgium in 1981. He called it Insane Music Contact and his first installment was called Insane Music for Insane People. Thus began a nearly thirty year foray into home-made, visionary and utterly unfashionable electronic music that has hardly made anyone involved a household name. Insane Music released 55 titles in its most prolific years (1981-87). Five of these were vinyl records and the rest were cassettes tapes. Why cassettes tapes? Magnetic tape was the obvious solution to the problem facing many artists working without record contracts in those days. Cassettes could be recorded at home, produced at home, dubbed at home, and sold or traded by mail. No need for tasteless outside producers and marketing mojo—one needed only leave home to buy more tapes. Says Neffe, “I could copy the tapes on demand. Releasing an LP required that you print 500 copies and 1000 copies of the cover sleeve, and everything had to be paid up front 
 if the buyer didn’t like the music, he or she could wipe it out and record something else on it.” Mr. Neffe was not the only one out there recording, selling and trading tapes by mail. On both sides of the Atlantic, home cassette technology was permitting the release of much groundbreaking and breathlessly beautiful work, as well as some noxious and otherwise self-indulgent wanking—that coat of many colors we call the DIY (do-it-yourself) Revolution. As early as 1974, Albrecht/d. self-released a cassette entitled Amsterdam Op De Dam in Germany. In 1976, Throbbing Gristle was distributing tapes of their infamous live recordings, and in 1977, the French electro-industrial unit Die Form began releasing tapes on their own Bain Total label. 1980 saw the release of two monumental self-released cassettes, The Storm Bugs’ A Safe Substitute and Colin Potter’s The Ghost Office. In Japan, 1980 saw the release of Merzbow’s first two cassettes, Remblandt Assemblage and Fuckexercise. And in the USA, 1981 saw John Bender’s Plaster: The Prototypes, a laconic and mysterious series of tone and vocal poems. Home taping was not limited to electronic music. R. Stevie Moore, one of the elder living ancestors of the lo-fi rock aesthetic, began releasing distributing home-made tapes via the R. Stevie Moore Cassette Club sometime in the 1970s. And tapes of live punk shows from the era continue to trade hands. Soon, cassettes were coming from everywhere: mysterious PO boxes in the Midwest, to which you sent a blank tape and three dollars and received the tape back with something on it. The Tellus Audio Cassette Magazine was a Fluxus-inspired subscription audio-journal dedicated to music as well as poetry and drama and other forms of audio-art. Zines like Factsheet Five and Unsound devoted entire columns to the material they received from bands on home-made cassette, and demo tapes began leaking to radio stations prior to official record release dates. It was a grassroots movement that marched in association with the self-publication of zines, comics, chapbooks, and other media. The medium had begun to become the message. Insane Music for Insane People (which eventually reached 25 volumes) was a series compiling all home-made electronic music made by artists from across the globe. By including in the liner notes the contact address for each artist featured, Neffe helped pioneer a snail-mail network for those interested in more of what they heard. Artists from all over Europe and the USA, from Japan, New Zealand, and beyond contributed over the years. One could send a few dollars to Insane Music Contact, receive tapes in the mail, write to artists involved and receive more cassettes. Insane Music Contact (now known as Insane Music) has always been a vehicle for Mr. Neffe’s own electronic music projects as well, many of which are periodically active to this day. Though he now makes liberal use of the CD format, Neffe’s artistic approach remains undiluted by years of underexposure. He expects very little acknowledgment of or remuneration for his efforts, which, for him, are emotional articulation, continued experimentation, and purity. It seems nothing but nothing could possibly catapult such heavily uncommercial sounds into the public consciousness–not even this thirty-year retrospective box-set entitled The Insane Box released (ironically, on vinyl) by the venerable Frank Maier of Vinyl-on-Demand Records, an outfit devoted to preserving the precious gems of cassette culture before the evidence disintegrates. For this retrospective (4 LPs + a 7” 45), Mr. Neffe has reached into dusty attic boxes, wherein lay unreleased (or hardly available) material by five projects of which he has been a part: BeNe GeSSeRiT, Human Flesh, Pseudo Code, I Scream and Subject. Each has a unique cerebral orientation and emotional vibe made possible by the combined efforts of invited guests; each runs the high fever of a man very much committed to a personal vision of artistic purity without virtuosity, and each is distinctly French. BeNe GeSSeRiT was not the first of Mr. Neffe’s projects to be recorded and distributed, but is, to my understanding, the genesis of his approach to music as “texts” or “photographs”, or as he puts it, “potlatch music”. On these early tracks we also detect a burgeoning interest in the endless expressive properties of the human voice, both explicitly human and as heavily-treated sound sculpture, both French and English At times, voices shout like besotted Celine parlor workers at each other from tenement windows; at other times a high-pitched female voice wails up and down like Catherine Ribeiro alone in her bathroom. In these tracks, one can also detect the half-digested influence of electro-rock luminaries Silver Apples, the avant-lashings a la Yoko Ono, and occasionally the thunder-beat of early Laibach. Primitive Casio electronics, stage whispers, delay echoes, tape loops, and a certain absurdist humor redolent of Erik Satie, neither dampen the fabric with melodrama, nor detract from the integrity of the grist, nor from the topical seriousness of the text’s subjects. BeNe GeSSeRiT is difficult music, even in the moments that risk elegy, yet it is still more accessible than some of the other Francophone avant-dada outfits of the day, such as DDAA and Étant DonnĂ©s, or Nurse with Wound in the UK. Human Flesh is decidedly more structurally cohesive and song-oriented than BeNe GeSSeRiT, and its predecessors and influences are less clear. Still there is a clear interest in the human voice, its textures and timbers when removed of sign value by backwards-masking, and the new textures that emerge when disassembled and reassembled. Even rock-oriented at times, Human Flesh chases a more delirious climax, for the hounds of the carnival are snapping at their heels as they run. This is also a project of varied angles and pursuits, sliding as it does into poetic electro-pop (the supple and Chicago-accented voice of the late Lydia Tomkiw, of Algebra Suicide, appears on two tracks), and moments of Half Japanese-style primitivism. The side-long track “Langsam” is more reminiscent of Piper-era Pink Floyd and Brainticket, as well as other Krautrock, yet is still distinctly French. These early and rare tracks are, in contrast to the more ambitious Pseudo Code and the more intimate recordings by I Scream, more oblique for being a mix-down of materials sent to Neffe from artists around the globe. The track “Sons of God?” is also notable for what is perhaps the first recorded sample of the American fire-and-brimstone preacher Ferrell Griswold, whose voice has appeared in music by Front 242, Phallus Dei, Pragha Khan, et cetera. The cassette medium, for all its benefits to individual artistic expression and culture, is for the selfsame reasons impermanent. Magnetic tape has a thirty year lifespan if properly archived, which means both that preserving their contents in other formats is important, and that paying hundreds of dollars for the original artifacts is a questionable collectors’ pursuit (nevertheless, you can watch it happen daily). With the advent of the mp3 and the efforts of Vinyl-on-Demand and other labels, Insane Music’s CD-r reissue program included, some of this exquisite material has been rescued from oblivion.
http://www.timesquotidian.com/2010/05/28/alain-neffe-and-the-home-taped-electronic-music-revolution/

415 Audionumérique, ressources
Audionumérique, ressources : Ouvrages de référence. http://codelab.fr/up/audionumerique-curtis-roads.jpg. L'audionumérique, musique et informatique de Curtis Roads, traduit et adapté par Jean de Reydellet. Editions Dunod, 2007, ISBN-13 : 978-2-10-051249-2. Une mine d'informations pour ceux qui s ... Audionumérique, ressources, Ouvrages, référence, codelab, audionumerique, curtis, audionumérique, musique, informatique, Curtis, traduit, adapté, Reydellet, Editions, 051249, informations, intéressent, synthÚse, sonore, spatialisation, mixage, traduction, computer, tutorial»
http://codelab.fr/822

406 Modular Synth
Modules included so far: Synthesizers.com power supply and interface MFOS VCO x 2 MFOS VC-LFO x 2 MFOS state variable VCF CGS Synthacon VCF CGS simple waveshaper x 2 MFOS VCA x 2 CGS valve/tube VCA x 2 MFOS ADSR envelope generator CGS psycho LFO CGS psycho LFO with switchable capacitors MFOS sample and hold Multiples Slew generator CGS drum simulator with modifications MFOS weird sound generator x 2 PAiA 6710 vocoder - this one is loads of fun!
http://www.nervoussquirrel.com/modular.html

357 LiVES Video Editing System - Because the media should be open
LiVES - Open media and free video editing and VJ software for Linux media lives video editor linux BSD IRIX OpenMosix music multimedia free open source gnu GPL h264 x264 edition instal final cut premier ’Ž±’ÊŠ Â’ÂŽÂ±Â’ĂŠĂœÂ’ĂŠÂŠÂ’ĂŁĂ« Â‘ĂŠĂ“Â‘Ă†Â”Â‘Â±Ă Â‘ÂŒÂ­Â’ÂŽĂŻ ćź˜çœ‘ 柘æ–č眑站 ‘ÊӑƔ Â‘Â±Ă Â‘ÂŒÂ­ Â’ÂŒÂ«Â’ĂÂłÂ’Ă…ÂȘ Â‘ĂˆĂ­Â’Â·ĂŻ ‘”ç’±Æ ’ÂČÈ ’À¾‘ÂČĂș ’¿’ÇޒÂÎ OSX darwin hdv snow xvid FOSS FLOSS jack clip resize resample home capture display convert audio production dvd mp3 solaris ogg wav editing software freeware avi vcd svcd anime film movie divx mpeg matroska ubuntu debian mandriva redhat slackware fedora suse gentoo unix codec logiciel grab merge trim dvgrab dv hdv studio vob asf mpeg2 crop montaggio modificare dirac theora vorbis best good newest fastest sourceforge stream download project site professional quality pro powerful frame descargar feature multitrack simple composite composer real time realtime server encode encoder plugin effect tool nonlinear linear non-linear program animated gif jpeg png vj OSC sound control remote network sex porn pr0n
http://lives.sourceforge.net/index.php?do=downloads

352 Convertir une vidéo en format Ogg Theora avec VLC
Avec la sortie de Firefox 3.5, je vous propose un tutoriel pour encoder vos vidĂ©os en format Ogg Theora avec le logiciel VLC. Quel est l'intérêt de ce format ? Tout d'abord il est libre et supporté par pas mal de lecteurs vidéos dont VLC et MPlayer. Ce format vous permet aussi de diffuser de la vidéo sur votre site internet/blog sans l'installation de plugin supplémentaire si vos visiteurs utilisent un navigateur supportant les balises video (en HTML5) comme Firefox 3.5. Enfin, vous pouvez appliquer différents effets sur votre vidéo en utilisant le SVG.
http://blog.geekshadow.com/2009/06/30/convertir-une-video-en-format-ogg-theora-avec-vlc/

327 ReclaimPrivacy.org | Facebook Privacy Scanner
Get Informed Keep up with the latest news about privacy policies on Facebook. The Erosion of Facebook Privacy eff.org Facebook Privacy Changes eff.org 7 Things to Stop Doing Now on Facebook yahoo.com Facebook's Gone Rogue wired.com Get Protected This website provides an independent and open tool for scanning your Facebook privacy settings. The source code and its development will always remain open and transparent. Drag this link to your web browser bookmarks bar: Scan for Privacy Go to your Facebook privacy settings and then click that bookmark once you are on Facebook. You will see a series of privacy scans that inspect your privacy settings and warn you about settings that might be unexpectedly public. Follow us on Facebook to hear about the latest updates. Having trouble? Check our help page for tips and video walkthroughs. Get Involved Our mission is to promote privacy awareness on Facebook and elsewhere. Spread awareness to your friends on Facebook by sharing this website with them: Share 128K You can follow us on Twitter too! If you prefer email, you can also sign up for the newsletter to get informed of privacy updates: email: Are you a coder? Contribute to the source code and help to keep the privacy scanner up-to-date. Read Our Own Privacy Policy Our privacy policy is not long: we never see your Facebook data we never share your personal information Simple. The scanner operates entirely within your own browser. Statement of limitation of liability: you use this tool at your own risk, and by using this tool you agree to hold neither ReclaimPrivacy.org (nor its contributors) liable for damage to your Facebook account. However, we do strive to reduce that risk by keeping the source code open and transparent, so that we can identify bugs and quickly fix any functionality. about the author I am an avid Javascript developer and co-founder at Olark (check it out!). You can chat with me about ReclaimPrivacy.org on my website.
http://www.reclaimprivacy.org/

324 61 High Quality And Free xHTML Templates Part 2: Year 2010 | Graphic and Web Design Blog
This is part 2 of really fresh and high quality XHTML templates free for you to download, study and get inspired - all in the same time! free,xhtml,download,template,webdesign,2010,freebies We discussed importance and usefulness about such free templates few days ago, but today we will present updated Part 2 with even more free xhtml templates! How cool is that – check out this article and get more 61 new and free template right now! Study code, design, style – how templates work in different browsers, what makes them look good – great case study! Evaluate it and bookmark for later use, when you’ll need to complete quick project or check some nifty effect with some cool code.
http://www.1stwebdesigner.com/freebies/high-quality-free-xhtml-templates-2010/

299 Downloads - Measurements Using PC
phpadmentor, codes, values, symbol, linkman, by, kb, hz, designed, returned, line, of, about, need, handy, most, xp, download, electronics-lab.psd, php, circuits, getad, color, applications, designing, footer, key, you, digital, times, is, amp, auto, have, mosfet, meeting, cross-over, l, capacitor, d, parameters, electronics, rslt, arg, preload, software, new, both, selector, free, our, newimage, a, v, different, win, perform, info, designer, few, version, series, monostable, i, components, tool, band, calculator, extremely, computers, control, basic, echo, return, determining, pin, contains, nt, me, screen, preloadflag, resistor, program, true, for, downloads, ic, changeimages, enter, selguide, connection, or, an, assignments, joakim, slices, enabling, comparator, freeware, script, assistant, standard, information, finding, tables, volume, meet, will, buffer, everything, x, data, offline, language, ic-databook, platform, include, function, those, list, image, mb, transistor, astable, timer, find, devices, esp, important, guide, resistance, ordm, listed, n, calculate, technical, small, var, op, electronics-related, end, filter, ß, in, layouts, calculators, home, size, if, rslt.src, recorder, other, specific, the, headphone, mini, coder, choose, and, hardware, resistors, available, specifications, allows, user, selecting, imageready, stk, this, w, projects, electronic, pcb, amplifier, not, portable, to, nbsp, calculations, name, schematic, products, code, mini-box, speech, operational, ogren, very, them, low, misc, op-amp, book, document.images, reference, modes, audio, useful
http://www.electronics-lab.com/downloads/pc/index.html

230 ctrlr - Project Hosting on Google Code
Standalone and VST versions for each controller completly integrates to any DAW with VST support Cross platform (Windows/MAC UB/Linux)
http://code.google.com/p/ctrlr/

198 How to Add Google Analytics to Your Facebook Fan Page | Social Media Examiner
Facebook Google Analytics Tracker works on your Facebook fan page to track visitor statistics, traffic sources, visitor countries, and keyword searches fgat, facebook google analytics, facebook fan page,analytics code,application,facebook,facebook code,facebook fan page,facebook google analytics tracker,facebook insights,facebook statistics,fan page wall,fbgat,fbml,google analytics,javascript,keyword search,mariam john,tracking images,traffic sources,visitor countries,visitor statistics
http://www.socialmediaexaminer.com/how-to-add-google-analytics-to-your-facebook-fan-page/

175 Embed Flickr Slideshows - flickrSLiDR
Create code to embed Flickr slideshows within your website or blog. flickr,utility,api,slideshow
http://flickrslidr.com/index.php

147 SYNTHESE DES INSTRUCTION SQL, Tutoriel N°930,
Beaucoup de Codes Sources pour SQL, Scripts, Script, Sources, Codes, France, Francais, French SYNTHESE, DES, INSTRUCTION, SQL, SQL, procédures, stockées, Strored, Procedure, SQL, Functions, Developpement, Developper, Programmation, Cours, Tutorial, Tutoriaux
http://www.sqlfr.com/tutoriaux/SYNTHESE-INSTRUCTION-SQL_930.aspx

89 Top 20+ MySQL Best Practices
Database operations often tend to be the main bottleneck for most web applications today. It's not only the DBA's (database administrators) that have to worry about these performance issues. We as programmers need to do our part by structuring tables properly, writing optimized queries and better code. Here are some MySQL optimization techniques for programmers.
http://net.tutsplus.com/tutorials/other/top-20-mysql-best-practices/

84 Freeplane - mind map
Get Freeplane at SourceForge.net. Fast, secure and free downloads from the largest Open Source applications and software directory Office Suites, Project Management, Knowledge Management, Open Source, Open Source Software, Development, Community, Source Code, Secure, Downloads, Free Software
http://sourceforge.net/projects/freeplane/

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