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1482 ResScan CPAP Reporting Software (current version: 5.3)

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1391 LED Facts & How To Safely Use LEDS
LED facts, current requirements, voltage and resistor selection. How to properly use LEDs in your own projects. With color and power chart and full details. diy led lamp, diy led light bulb, diy leds, homemade led light bulb, make a led light bulb, diy rv led lights, diy camper led lights, diy auto led light
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1247 Les commandes dos de Windows
Panneau de configuration * ACCESS.CPL : ouvre les options d'accessibilitĂ© (Pour XP uniquement) * APPWIZ.CPL : ouvre l'outil Ajouter/Supprimer un programme * AZMAN.MSC : ouvre le gestionnaire d'autorisations (Pour Vista uniquement) * CERTMGR.MSC : ouvre les certificats pour l’utilisateur actuel * CLICONFG : ouvre la configuration des clients SQL * COLLAB.CPL : ouvre le voisinage immĂ©diat (Pour Vista uniquement) * COMEXP.MSC ou bien DCOMCNFG : ouvre l'outil services et composants (Pour Vista uniquement) * COMPMGMT.MSC : ouvre l'outil de gestion de l'ordinateur * COMPUTERDEFAULTS : ouvrir l’outil des programmes par dĂ©faut (Pour Vista uniquement) * CONTROL /NAME MICROSOFT.BACKUPANDRESTORECENTER : ouvre le centre de sauvegarde et de restauration (Pour Vista uniquement). Tutoriel ICI * CONTROL ADMINTOOLS : ouvre les outils d'administrations * CONTROL COLOR : ouvre les paramĂštres de l'apparence * CONTROL FOLDERS : ouvre les options de dossiers * CONTROL FONTS : ouvre le gestionnaire de polices * CONTROL INTERNATIONAL ou bien INTL.CPL : ouvre les options rĂ©gionales et linguistiques * CONTROL KEYBOARD : ouvre les propriĂ©tĂ©s du clavier * CONTROL MOUSE ou bien MAIN.CPL : ouvre les propriĂ©tĂ©s de la souris * CONTROL PRINTERS : ouvre les imprimantes et les fax disponibles * CONTROL USERPASSWORDS : ouvre l’éditeur des comptes utilisateurs * CONTROL USERPASSWORDS2 ou bien NETPLWIZ : contrĂŽle les utilisateurs et leurs accĂšs< * CONTROL : ouvre le panneau de configuration * CREDWIZ : ouvre l’outil de sauvegarde et restauration des mots de passe des utilisateurs (Pour Vista uniquement) * DESK.CPL : ouvre les paramĂštres d'affichage * DEVMGMT.MSC : ouvre les gestionnaire de pĂ©riphĂ©riques. Tutoriel ICI * DRWTSN32 : ouvre Dr. Watson (Pour XP uniquement) * DXDIAG : ouvre l'outil de diagnostic DirectX * EVENTVWR ou bien EVENTVWR.MSC : ouvre l'observateur d'Ă©vĂšnements * FSMGMT.MSC : ouvre les dossiers partagĂ©s * GPEDIT.MSC : ouvre l’éditeur des stratĂ©gies de groupe (Pour les Ă©ditions professionnelles et plus de Windows) * HDWWIZ.CPL : ouvre l'assistant ajout de matĂ©riels * INFOCARDCPL.CPL : ouvre l'assistant compatibilitĂ© des programmes * IRPROPS.CPL : ouvre le gestionnaire d'infrarouge * ISCSICPL : ouvre l'outil de configuration de l'initiateur ISCI Microsoft (Pour Vista uniquement) * JOY.CPL : ouvre l'outil de contrĂŽleur de jeu * LPKSETUP : ouvre l’assistant d’installation et dĂ©sinstallation des langues d’affichage (Pour Vista uniquement) * LUSRMGR.MSC : ouvre l’éditeur des utilisateurs et groupes locaux * MDSCHED : ouvre l'outil de diagnostics de la mĂ©moire Windows (Pour Vista uniquement) * MMC : ouvre une nouvelle console vide * MMSYS.CPL : ouvre les paramĂštres de sons * MOBSYNC : ouvre le centre de synchronisation * MSCONFIG : ouvre l'outil de configuration du systĂšme * NAPCLCFG.MSC : ouvre l'outil de configuration du client NAP (Pour Vista uniquement) * NTMSMGR.MSC : ouvre le gestionnaire des supports de stockage amovibles * NTMSOPRQ.MSC : ouvre les demandes de l'opĂ©rateur de stockage amovible * ODBCAD32 : ouvre l'administrateur de sources de donnĂ©es ODBC * OPTIONALFEATURES : ouvre l’outil Ajouter/Supprimer des composants Windows (Pour Vista uniquement) * PERFMON ou bien PERFMON.MSC : ouvre le moniteur de fiabilitĂ© et de performances Windows. * POWERCFG.CPL : ouvre le gestionnaire des modes d’alimentation (Pour Vista uniquement) * REGEDIT ou bien REGEDT32 (Pour Vista uniquement) : ouvre l'Ă©diteur de registre * REKEYWIZ : ouvre le gestionnaire des certificats de chiffrement de fichiers (Pour Vista uniquement) * RSOP.MSC : ouvre le jeu de stratĂ©gie rĂ©sultant * SECPOL.MSC : ouvre les paramĂštres de sĂ©curitĂ©s locales * SERVICES.MSC : ouvre le gestionnaire de services * SLUI : ouvre l’assistant d’activation de Windows (Pour Vista uniquement) * SYSDM.CPL : ouvre les propriĂ©tĂ©s systĂšme * SYSEDIT : ouvre l’éditeur de configuration systĂšme (Attention, Ă  manipuler avec prudence) * SYSKEY : ouvre l’utilitaire de protection de la base de donnĂ©es des comptes Windows (Attention, Ă  manipuler avec extrĂȘme prudence !) * SYSPREP: ouvre le dossier contenant l'outil de prĂ©paration du systĂšme (Pour Vista uniquement) * TABLETPC.CPL : ouvre les paramĂštres pour Tablet pc (Pour Vista uniquement) * TASKSCHD.MSC ou bien CONTROL SCHEDTASKS : ouvre le planificateur de tĂąches (Pour Vista uniquement) * TELEPHON.CPL : ouvre l'outil de connexion tĂ©lĂ©phonique * TIMEDATE.CPL : ouvre les paramĂštres de l'heure et de la date * TPM.MSC : ouvre l'outil gestion de module de plateforme sĂ©curisĂ©e sur l'ordinateur local (Pour Vista uniquement) * UTILMAN : ouvre les options d’ergonomie (Pour Vista uniquement) * VERIFIER : ouvre le gestionnaire de vĂ©rification des pilotes * WMIMGMT.MSC : ouvre Windows Management Infrastructure * WSCUI.CPL : ouvre le centre de sĂ©curitĂ© Windows * WUAUCPL.CPL : ouvre le service de mise Ă  jour Windows (Pour XP uniquement) Programmes et outils Windows * %WINDIR%\SYSTEM32\RESTORE\RSTRUI.EXE : ouvre l’outil de restauration de systĂšme (Pour XP uniquement). Tutoriel ICI * CALC : ouvre la calculatrice * CHARMAP : ouvre la table des caractĂšres * CLIPBRD : ouvre le presse papier (Pour XP uniquement, pour l'ajouter Ă  Vista voir ICI) * CMD : ouvre l'invite de commandes * DIALER : ouvre le numĂ©rateur tĂ©lĂ©phonique de Windows * DVDPLAY : ouvre votre lecteur DVD * EUDCEDIT : ouvre l’éditeur de caractĂšres privĂ©s * EXPLORER : ouvre l'explorateur Windows * FSQUIRT : Assistant transfert Bluetooth * IEXPLORE : ouvre Internet explorer * IEXPRESS : ouvre l’assistant de crĂ©ation des archives auto-extractibles. Tutoriel ICI * JOURNAL : ouvre un nouveau journal (Pour Vista uniquement) * MAGNIFY : ouvre la loupe * MBLCTR : ouvre le centre de mobilitĂ© de Windows (Pour Vista uniquement) * MIGWIZ : ouvre l'outil de transfert de fichiers et de paramĂštres Windows (Pour Vista uniquement) * MIGWIZ.EXE : ouvre l'outil de transfert de fichiers et de paramĂštres Windows (pour XP uniquement) * MOVIEMK : ouvre Windows Movie Maker * MRT : lance l’utilitaire de suppression de logiciel malveillant. Tutoriel ICI * MSDT : ouvre l’outil de diagnostics et support Microsoft * MSINFO32 : ouvre les informations systĂšme * MSPAINT : ouvre Paint * MSRA : ouvre l'assistance Ă  distance Windows * MSTSC : ouvre l'outil de connexion du bureau a distance * NOTEPAD : ouvre le bloc-notes * OSK : ouvre le clavier visuel. Tutoriel ICI * PRINTBRMUI : ouvre l'assistant de migration d'imprimante (Vista uniquement) * RSTRUI : ouvre l'outil de restauration du systĂšme (Pour Vista uniquement) * SIDEBAR : ouvre le volet Windows (Pour Vista uniquement) * SIGVERIF : ouvre l'outil de vĂ©rification des signatures de fichiers * SNDVOL : ouvre le mĂ©langeur de volume * SNIPPINGTOOL : ouvre l'outil capture d'Ă©cran (Pour Vista uniquement). Tutoriel ICI * SOUNDRECORDER : ouvre le magnĂ©tophone * STIKYNOT : ouvre le pense-bĂȘte (Pour Vista uniquement) * TABTIP : ouvre le panneau de saisie Tablet PC (Pour Vista uniquement) * TASKMGR : ouvre le gestionnaire des tĂąches Windows * WAB : ouvre les contacts (Pour Vista uniquement) * WERCON : ouvre l'outil de rapports et de solutions aux problĂšmes (Pour Vista uniquement) * WINCAL : ouvre le calendrier Windows (Pour Vista uniquement) * WINCHAT : ouvre le logiciel Microsoft de chat en rĂ©seau (Pour Windows XP uniquement) * WINDOWSANYTIMEUPGRADE : permet la mise Ă  niveau de Windows Vista * WINVER : ouvre la fenĂȘtre pour connaĂźtre votre version Windows * WINWORD: ouvre Word (s'il est installĂ©) * WMPLAYER : ouvre le lecteur Windows Media * WRITE ou bien Wordpad : ouvre Wordpad Gestion des disques * CHKDSK : effectue une analyse de la partition prĂ©cisĂ©e dans les paramĂštres de la commande (Pour plus d’informations, tapez CHKDSK /? dans l’invite de commande CMD) * CLEANMGR : ouvre l'outil de nettoyage de disque * DEFRAG: DĂ©fragmente le disque dur (pour savoir comment utiliser, c'est ici ) * DFRG.MSC : ouvre l’outil de dĂ©fragmentation de disque * DISKMGMT.MSC : ouvre le gestionnaire de disques * DISKPART : ouvre l’outil de partitionnement (un peu lourd Ă  manipuler) Gestion des rĂ©seaux et Internet * CONTROL NETCONNECTIONS ou bien NCPA.CPL : ouvre les connexions rĂ©seau * FIREWALL.CPL : ouvre le pare-feu Windows * INETCPL.CPL : ouvre les propriĂ©tĂ©s internet * IPCONFIG : affiche les configurations des adresses IP sur l’ordinateur (Pour plus d’informations, tapez IPCONFIG /? dans l’invite de commande CMD) * NETSETUP.CPL : ouvre l’assistant configuration rĂ©seau (Pour XP uniquement) * WF.MSC : ouvre les fonctions avancĂ©es du pare-feu Windows (Pour Vista uniquement). Tutoriel ICI * À VOIR ÉGALEMENT : Commandes IP relatives aux rĂ©seaux sous Windows Commandes IP relatives aux rĂ©seaux sous Windows Il est parfois trĂšs utile de connaĂźtre les commandes IP, pour analyser voire configurer ses rĂ©seaux TCP/IP. Voici la liste de ces commandes Ă  utiliser dans une fenĂȘtre DOS : * Ping * Tracert * IpConfig * NetStat * Route * Arp * NbtStat * Telnet * Hostname * Ftp * NsLookUp * NetSh ------------------------------------------------------------------------------------------------------------------------------------------------ PING : Teste la connexion rĂ©seau avec une adresse IP distante ping -t [IP ou host] ping -l 1024 [IP ou host] * L’option -t permet de faire des pings en continu jusqu’à Ctrl-C. o Si vous avez prĂ©cisĂ© l'option -t vous pouvez Ă  tout moment avoir des statistiques sans interrompre les requĂȘtes ping en appuyant sur Ctrl+Attn (aussi nommĂ© Ctrl+Pause) Cette commande est aussi utile pour gĂ©nĂ©rer une charge rĂ©seau en spĂ©cifiant la taille du paquet avec l’option -l et la taille du paquet en octets. --------------------------------------------------------------------------------------------------------------------------------------------------- TRACERT : Affiche toutes les adresses IP intermĂ©diaires par lesquelles passe un paquet entre la machine locale et l’adresse IP spĂ©cifiĂ©e. tracert [@IP ou nom du host] tracert -d [@IP ou nom du host] Cette commande est utile si la commande ping ne donne pas de rĂ©ponse, afin d'Ă©tablir Ă  quel niveau la connexion est dĂ©faillante. -------------------------------------------------------------------------------------------------------------------------------------------------------------- IPCONFIG : Affiche ou rafraĂźchit la configuration rĂ©seau TCP/IP ipconfig /all [/release [carte]] [/renew [carte]] /flushdns /displaydns /registerdns [-a] [-a] [-a] Cette commande, exĂ©cutĂ©e sans option, affiche l’adresse IP en cours, le masque rĂ©seau ainsi que la passerelle par dĂ©faut au niveau des interfaces rĂ©seau connues sur la machine locale. * /all: Affiche toute la configuration rĂ©seau, y compris les serveurs DNS, WINS, bail DHCP, etc ... * /renew [carte]: Renouvelle la configuration DHCP de toutes les cartes (si aucune carte n'est spĂ©cifiĂ©e) ou d'une carte spĂ©cifique avec le paramĂštre carte. Le nom de carte est celui qui apparaĂźt avec ipconfig sans paramĂštre. * /release [carte]: Envoie un message DHCPRELEASE au serveur DHCP pour libĂ©rer la configuration DHCP actuelle et annuler la configuration d'adresse IP de toutes les cartes (si aucune carte n'est spĂ©cifiĂ©e) ou d'une carte spĂ©cifique avec paramĂštre carte. Ce paramĂštre dĂ©sactive TCP/IP pour les cartes configurĂ©es de maniĂšre Ă  obtenir automatiquement une adresse IP. * /flushdns: Vide et rĂ©initialise le cache de rĂ©solution du client DNS. Cette option est utile pour exclure les entrĂ©es de caches nĂ©gatives ainsi que toutes les autres entrĂ©es ajoutĂ©es de façon dynamique. * /displaydns: Affiche le cache de rĂ©solution du client DNS, qui inclut les entrĂ©es prĂ©chargĂ©es Ă  partir du fichier des hĂŽtes locaux ainsi que tous les enregistrements de ressources rĂ©cemment obtenus pour les requĂȘtes de noms rĂ©solues par l'ordinateur. Le service Client DNS utilise ces informations pour rĂ©soudre rapidement les noms frĂ©quemment sollicitĂ©s, avant d'interroger ses serveurs DNS configurĂ©s. * /registerdns: Actualise tous les baux DHCP et rĂ©inscrit les noms DNS. ------------------------------------------------------------------------------------------------------------------------------------------------------------------ NETSTAT : Affiche l’état de la pile TCP/IP sur la machine locale NETSTAT [-a] [-e] [-n] [-s] [-p proto] [-r] [intervalle] * -a Affiche toutes les connexions et ports d'Ă©coute (Les connexions cĂŽtĂ© serveur sont normalement inhibĂ©es). * -e Affiche les statistiques Ethernet. Peut ĂȘtre combinĂ©e avec l'option -s. * -n Affiche les adresses et les numĂ©ros de port sous forme numĂ©rique. * -p proto Affiche les connexions pour le protocole spĂ©cifiĂ© par proto; proto peut ĂȘtre TCP ou UDP. UtilisĂ© avec l'option -s pour afficher des statistiques par protocole, proto peut ĂȘtre TCP, UDP, ou IP. * -r Affiche le contenu de la table de routage. * -s Affiche les statistiques par protocole. Par dĂ©faut, des statistiques sur TCP, UDP et IP sont visualisĂ©es; l'option -p peut ĂȘtre utilisĂ©e pour spĂ©cifier un sous-ensemble du dĂ©faut. * intervalle: RĂ©affiche les statistiques sĂ©lectionnĂ©es, avec une pause de "intervalle" secondes entre chaque affichage. Appuyez sur Ctrl+C pour arrĂȘter l'affichage des statistiques. * -abnov Affiche les processus qui utilisent la connexion internet (Adresse IP local, port, adress IP distante et le PID du processus qui utilise la connexion ainsi que son nom). ------------------------------------------------------------------------------------------------------------------------------------------------------------------- ROUTE : Affiche ou modifie la table de routage ROUTE [-f] [commande [destination] [MASK masque rĂ©seau] [passerelle] * -f Efface les tables de routage de toutes les entrĂ©es de passerelles. UtilisĂ© conjointement Ă  une des commandes, les tables sont effacĂ©es avant l'exĂ©cution de la commande. * -p Rend rĂ©manente l’entrĂ©e dans la table aprĂšs le reboot de la machine * commande SpĂ©cifie une des quatre commandes : o DELETE: Efface un itinĂ©raire. o PRINT: Affiche un itinĂ©raire. o ADD: Ajoute un itinĂ©raire. o CHANGE: Modifie un itinĂ©raire existant. * destination: SpĂ©cifie l'hĂŽte. * MASK: Si le mot clĂ© MASK est prĂ©sent, le paramĂštre suivant est interprĂ©tĂ© comme le paramĂštre masque rĂ©seau. * masque rĂ©seau: Fourni, il spĂ©cifie la valeur de masque de sous-rĂ©seau Ă  associer Ă  cette entrĂ©e d'itinĂ©raire. Non spĂ©cifiĂ©, il prend la valeur par dĂ©faut 255.255.255.255. * passerelle: SpĂ©cifie la passerelle. * METRIC: SpĂ©cifie le coĂ»t mĂ©trique pour la destination ---------------------------------------------------------------------------------------------------------------------------------------------------------------------- ARP : RĂ©solution des adresses IP en adresses MAC. Affiche et modifie les tables de traduction des adresses IP en adresses physiques utilisĂ©es par le protocole de rĂ©solution d'adresses ARP. ARP -s adr_inet adr_eth [adr_if] ARP -d adr_inet [adr_if] ARP -a [adr_inet] [-N adr_if] * -a Affiche les entrĂ©es ARP actives en interrogeant le protocole de donnĂ©es actif. Si adr_inet est spĂ©cifiĂ©, seules les adresses IP et physiques de l'ordinateur spĂ©cifiĂ© sont affichĂ©es. Si plus d'une interface rĂ©seau utilise ARP, les entrĂ©es de chaque table ARP sont affichĂ©es. * -g Identique Ă  -a. * adr_inet SpĂ©cifie une adresse internet. * -N adr_if Affiche les entrĂ©es ARP pour l'interface rĂ©seau spĂ©cifiĂ©e par adr_if. * -d Efface l'hĂŽte spĂ©cifiĂ© par adr_inet. * -s Ajoute l'hĂŽte et associe l'adresse Internet adr_inet avec l'adresse physique adr_eth. L'adresse physique est donnĂ©e sous forme de 6 octets hexadĂ©cimaux sĂ©parĂ©s par des tirets. L'entrĂ©e est permanente. * adr_eth SpĂ©cifie une adresse physique. * adr_if PrĂ©cisĂ©e, elle spĂ©cifie l'adresse Internet de l'interface dont la table de traduction des adresses devrait ĂȘtre modifiĂ©e. Non prĂ©cisĂ©e, la premiĂšre interface applicable sera utilisĂ©e. --------------------------------------------------------------------------------------------------------------------------------------------------------------------- NBTSTAT : Mise Ă  jour du cache du fichier Lmhosts. Affiche les statistiques du protocole et les connexions TCP/IP actuelles utilisant NBT (NetBIOS sur TCP/IP). NBTSTAT [-a Nom Distant] [-A adresse IP] [-c] [-n] [-r] [-R] [-s] [S] [intervalle] * -a (Ă©tat carte) Liste la table de noms de la machine distante (nom connu). * -A (Ă©tat carte) Liste la table de noms de la machine distante (adresse IP). * -c (cache) Liste le cache de noms distants y compris les adresses IP. * -n (noms) Liste les noms NetBIOS locaux. * -r (rĂ©solus) Liste les noms rĂ©solus par diffusion et via WINS. * -R (Recharge) Purge et recharge la table du cache de noms distantes. * -S (Sessions) Liste la table de sessions avec les adresses destination IP. * -s (sessions) Liste la table de sessions convertissant les adresses de destination IP en noms d'hĂŽtes via le fichier hĂŽtes. Un Exemple : nbtstat -A @IP Cette commande renvoie le nom NetBIOS, nom du systĂšme, les utilisateurs connectĂ©s ...de la machine distante. -------------------------------------------------------------------------------------------------------------------------------------------------------------------- TELNET telnet telnet La commande telnet permet d'accĂ©der en mode Terminal (Ecran passif) Ă  un host distant. Elle permet Ă©galement de vĂ©rifier si un service quelconque TCP tourne sur un serveur distant en spĂ©cifiant aprĂšs l’adresse IP le numĂ©ro de port TCP. C’est ainsi que l’on peut tester si le service SMTP, par exemple, tourne sur un serveur Microsoft Exchange en utilisant l’adresse IP du connecteur SMTP et puis 25 comme numĂ©ro de port. Les ports les plus courants sont : * ftp (21), * telnet (23), * smtp (25), * www (80), * kerberos (88), * pop3 (110), * nntp (119) * et nbt (137-139). --------------------------------------------------------------------------------------------------------------------------------------------------------------------- HOSTNAME : Affiche le nom de la machine Ftp FTP: Client de tĂ©lĂ©chargement de fichiers ftp –s: * -s cette option permet de lancer des FTP en mode batch : spĂ©cifie un fichier textuel contenant les commandes FTP. --------------------------------------------------------------------------------------------------------------------------------------------------------------------- NsLookUp: envoie des requĂȘtes DNS sur un serveur DNS au choix nslookup [domaine] [serveur dns] La commande NsLookUp permet d'envoyer des requĂȘtes DNS Ă  un serveur. Par dĂ©faut, si vous ne mettez pas le serveur DNS, la commande utilisera celui qui est configurĂ© pour votre interface rĂ©seau (celui que vous utilisez pour naviguer sur internet, par exemple) mais vous pouvez forcer l'utilisation d'un autre serveur. Par exemple, pour demander au serveur DNS 10.0.0.3 l'adresse IP correspondante Ă  l'adresse www.commentcamarche.net: nslookup www.commentcamarche.net 10.0.0.3 * Si vous ne prĂ©cisez aucun paramĂštre pour nslookup, un shell s'ouvrira en attente de requĂȘtes de votre part. -------------------------------------------------------------------------------------------------------------------------------------------------------------------- Netsh (network shell : shell rĂ©seau) est un utilitaire en ligne de commande inclus dans la gamme des systĂšmes d'exploitation Windows NT (NT, 2000, XP, 2003 Serveur, Vista) Ă  partir de Windows 2000. Il permet la configuration du rĂ©seau, localement ou Ă  distance. Une utilisation classique de netsh est la rĂ©initialisation de la pile TCP/IP Ă  ses paramĂštres d'origines (Sous Windows 98, cette opĂ©ration nĂ©cessitait la rĂ©installation de l'adaptateur TCP/IP). Dans ce mode, vous devez fournir Ă  la commande un fichier journal (log). Celui-ci sera rempli avec les valeurs affectĂ©es par netsh. Netsh permet aussi (entre autres) de changer l'adresse IP de la machine. Exemples d'utilisations : - RĂ©initialisation de la pile TCP/IP : netsh interface ip reset C:\resetlog.txt - Adresse IP statique : netsh interface ip set address local static 123.123.123.123 255.255.255.0 - Adresse IP dynamique : netsh interface ip set address name="Connexion au rĂ©seau local" source=dhcp - Netsh et IPv6 : Netsh peut Ă©galement ĂȘtre utilisĂ© pour lire des informations provenant de la pile IPv6, cette commande est plus facile Ă  utiliser que la commande IPv6.exe et fournit quasiment le mĂȘme niveau d'information. Pour afficher votre adresse IPv6 en utilisant netsh : netsh interface ipv6 show address Autres commandes * %HOMEDRIVE% : ouvre l'explorateur sur la partition ou le systĂšme d'exploitation est installĂ© * %HOMEPATH% : ouvre le dossier d'utilisateur connectĂ© actuellement C:\Documents and settings\[nom d'utilisateur] * %PROGRAMFILES% : ouvre le dossier d’installation d’autres programmes (Program Files) * %TEMP% ou bien %TMP% : ouvre le dossier temporaire * %USERPROFILE% : ouvre le dossier du profil de l'utilisateur connectĂ© actuellement * %WINDIR% ou bien %SYSTEMROOT% : ouvre le dossier d’installation de Windows * %WINDIR%\system32\rundll32.exe shell32.dll,Control_RunDLL hotplug.dll : affiche la fenĂȘtre "Supprimer le pĂ©riphĂ©rique en toute sĂ©curitĂ©" * AC3FILTER.CPL : ouvre les propriĂ©tĂ©s du filtre AC3 (Si installĂ©) * FIREFOX : lance Mozilla FireFox (Si installĂ©) * JAVAWS : Visualise le cache du logiciel JAVA (Si installĂ©) * LOGOFF : ferme la session actuelle * NETPROJ : autorise ou pas la connexion Ă  un projecteur rĂ©seau (Pour Vista uniquement) * VĂ©rificateur des fichiers systĂšme (NĂ©cessite un CD de Windows si le cache n’est pas disponible): (Tutoriel ICI) o SFC /SCANNOW : scanne immĂ©diatement tous les fichiers systĂšme et rĂ©pare les fichiers endommagĂ©s o SFC /VERIFYONLY : scanne seulement les fichiers systĂšme o SFC /SCANFILE="nom et chemin de fichier" : scanne le fichier prĂ©cisĂ©, et le rĂ©pare s’il est endommagĂ© o SFC /VERIFYFILE="nom et chemin de fichier" : scanne seulement le fichier prĂ©cisĂ© o SFC /SCANONCE : scanne les fichiers systĂšme au prochain redĂ©marrage o SFC /REVERT : remet la configuration initiale (Pour plus d’informations, tapez SFC /? dans l’invite de commande CMD. * SHUTDOWN : Ă©teint Windows * SHUTDOWN –A : interrompe l’arrĂȘt de Windows * VSP1CLN : supprime le cache d'installation du service pack 1 de Vista (Tutoriel ICI) CrĂ©er votre propre commande Pour ceux qui aiment tout faire avec le clavier, il est possible de crĂ©er vos propres commandes exĂ©cutables dans Menu dĂ©marrer > ExĂ©cuter. Nous allons prendre l'exemple de la commande netnavig qui exĂ©cutera Mozilla FireFox. * Ouvrez la base de registre. * Allez vers la clĂ© HKEY_LOCAL_MACHINE puis les sous-clĂ©s successives \SOFTWARE\Microsoft\Windows\CurrentVersion\App Paths * Allez dans le menu Édition > Nouveau > ClĂ© et donnez-lui le nom netnavig.exe * Faites un double-clic sur la valeur que vous venez de crĂ©er, puis allez de nouveau dans le menu Édition > Nouveau > Valeur ChaĂźne et donnez-lui le nom Path * Faites encore un double-clic sur la valeur crĂ©Ă©e et entrez le chemin complet de l'application que vous voudrez lancer, dans notre exemple c'est C:\Program Files\Mozilla Firefox, puis validez. Il est possible de copier ce chemin Ă  partir de la barre d'adresse de l'explorateur directement. * Un autre double-clic sur la valeur (par dĂ©faut) et entrez l'exĂ©cutable de l'application avec son chemin complet : C:\Program Files\Mozilla Firefox\firefox, dans notre exemple. Ensuite, validez et fermez l'Ă©diteur de registre. Ainsi vous pouvez exĂ©cuter Mozilla Firefox juste en faisant: Menu dĂ©marrer > ExĂ©cuter > taper netnavig et valider. Vous pouvez faire la mĂȘme chose pour toutes les applications auxquelles vous voulez un accĂšs rapide avec le clavier.
http://www.artup-concept.com/commandes-dos-de-windows.html

1164 Liz Lang at The MAP
A cathartic experience. As a composer, musical sound designer, and performer my lifelong passion/goal is to give listeners exactly that. Through works that evoke a sense of mood, mystery, and otherworldliness. To achieve this, in a given composition I make a landscape of voice and/or instrumentation layered with heavily morphed samples and altered field recordings. The juxtaposition of familiar with supra-familiar gives the listener the experience of melody/harmony as a guiding light while giving voice to sonic geography of forms and energies unable to exist naturally in our matter-based world. Bel canto voice training, impressionist and futurist composers, glitch and industrial/ambient genres all figure into what comprises my influences. My professional experience includes composing, musical sound design, scoring, recording foley and dialogue, and creating sound effects for independent film. My work also appears on a number of collaborations on CD and vinyl currently floating around the globe, with works-in-progress slated for near-future release.
http://www.themap.org/lizlang/index.php?area=audio

1126 Tim Stinchcombe - Home Page
Doepfer A-100 Synthesizer The Doepfer A-100 system conforms to the smaller of the two most popular sizes, modules being 3U high and using 3.5mm jacks, as opposed to the larger 'Moog-style' modules using the large 1/4-inch jacks. This is not to everyone's taste, but there is no denying that they offer a very wide range of modules, currently at over 100, and they are competitively priced. My system has been steadily growing (go here for my current list) since I bought the original batch in 2001
http://www.timstinchcombe.co.uk/index.php?pge=home

1102 Samsung NC10 LCD Problem white screen cable
We are wondering if anyone else are having the same issues as us and have seen this problem before. We currently have over 200 Samsung NC10 Netbooks Samsung,NC10,LCD,Problem,nc10, samsung, screen, problem, white, youtube, wikipedia, flex, http://www.youtube.com/watch?v=zogq2wzsygw, case, http://www.youtube.com/watch?v=iecmjcdivsk&feature=related, willingly, admit, boards.ie, mentions, page, lots, free, mike, http://en.wikipedia.org/wiki/samsung_nc10, encyclopedia, http://www.tomshardware.co.uk/forum/58388-20-white-screen-samsung-nc10-netbook, http://www.sammynetbook.com/forum/threads/9891-blank-white-screen, blank, http://www.youtube.com/watch?v=g9amnuia1xi&feature=related, http://www.boards.ie/vbulletin/showthread.php?p=64617421, np-nc10, laptops-notebooks, general-laptops-notebooks, netbook, cable, requires, student, lessons, laptop, daily, school, brought, unit, trial, reveals, google, quick, issues, months, battery, fail, button, power, annoyingly
http://www.edugeek.net/forums/general-chat/64451-samsung-nc10-lcd-problem.html

1020 GnomeActivityJournal - GNOME Live!
GNOME Activity Journal (formerly GNOME Zeitgeist) Contents GNOME Activity Journal (formerly GNOME Zeitgeist) Overview Code Getting in touch Use cases Grouping and Filtering Features TODO GUI Sprints Architecture Long term goals Video Mockups And Current Usage Sub Pages See Zeitgeist for information about the Zeitgeist engine used internally by the GNOME Activity Journal. Overview The GNOME Activity Journal is a tool for easily browsing and finding files on your computer. It uses Zeitgeist to get information and metadata on what files/websites/contacts/etc. you worked with. Links: Zeitgeist Website, Zeitgeist on Launchpad, GNOME Activity Journal on Launchpad Code The Zeitgeist code is split into two modules: GNOME Activity Journal (GTK+ interface) Project page: https://launchpad.net/gnome-activity-journal Repository: bzr branch lp:gnome-activity-journal Zeitgeist Engine Project page: https://launchpad.net/zeitgeist Repository: bzr branch lp:zeitgeist Getting in touch Mailing list: https://launchpad.net/~gnome-zeitgeist-users IRC: #zeitgeist @ irc.freenode.net, #gnome-zeitgeist @ irc.gimp.org Use cases John turns on his computer to work on his seminar paper. Instead of digging through his hierarchal file system, he simply opens up GNOME Activity Journal and clicks on the top item in the "Recently Used Files" list. When he realizes that he can't remember the name of the website that he was reading for research yesterday, he simply looks at the list of files related to his paper and clicks on the website. More at the Zeitgeist Vision page. Grouping and Filtering Our goal is to group/filter the data by: Type of data Source Time Name Tags Neighbouring Data Comments Location of use (GPS) Features Browse activities Drag and Drop (not for links) Tagging Auto tagging Searching Filtering by Dataproviders/Time/Tags Bookmark Data TODO GUI Sprints Add an actions toolbar to quickly share items by email or instant messaging. (See nautilus-share) Architecture Experiment with Tracker, Soylent, and Empathy. Long term goals Better metadata extraction (see some of the sprints above) Integration with other computers and mobile devices. Video Zeitgeist video GAJ video Mockups And Current Usage Some work was done by the City of Largo in the past which replicated some of the features of the Activity Journal. Possibly some of this work can result in ideas for improving the User Interface. Mockups And Usage. Sub Pages /BolzanoIdeas /CityOfLargo /Ideas
http://live.gnome.org/action/show/GnomeActivityJournal?action=show&redirect=GnomeZeitgeist

865 Evolver.html
Just Beautiful! What an amazing instrument! The DSI Evolver has the signature "old school" timbre down pat as well as being able to provide digital timbres reminiscent of the Waldorf Q. There's certainly a "rougher" side available as well with all the feedback implementation and controled distortion. Being able to make PM type plucked and blown sounds is just icing on the cake. Dave Smith should be commended for a job well done. Just have a look at the Panel Layout to get a taste of what this beauty can dish out - the controls are pretty much laid out in the form of a signal path graphic. Be sure to visit Dave Smith's Website! Evolver Sound Examples There are a lot of demos of the Evolver on the web showcasing the gutsy harsh sounds of this beast so I decided to post demos of some of my own patches as examples of the "softer" more "vintage" side of the Evolver's timbre. I make no apologies for these unpolished recordings - these are merely sound samples ;) Resonant Plucked Pad This pad shows some of the rich resonant nature of the filter. Soft Lead This is a simple analog brass lead patch. FM Pad A fun patch with lots of motion made using my "Audio-rate Filter FM" programming tip below. Warm Pad A nice bland-vanilla pad ^_^ What can I say? I love pads... For more MP3 demos showing the full gamut of sounds the Evolver and Polyevolver are capable of, please visit the excellent website of Stefan Trippler! The Definitive Guide to Evolver This rather in-depth guide to the Evolver goes places and does things a mere manual can't. This labor-of-love was crafted by Anu Kirk and with his kind permission, I am offering this fantastic resource right here in PDF format! A much smaller version (400K) is here but it dosen't have internal hyperlinks. Programming Tips Here's a fun repository of programming tips for the Evolver in all its incarnations. Please email me if you would like to add some. Fingered Wave Sequence Submitted by Dave Bryce. This brilliant technique has to be heard to be believed! Plus, its one of those cool things unique to the Evolver! This particular tip is so full of detailed information that it gets its own page! Audio-rate Filter FM Submitted by James Maier. Use the "Audio Mod" parameter in the Filter section to frequency-modulate the cutoff with the analog oscillator. Add resonance until the filter is just on the edge of oscillation then mod the cutoff with just a little triangle LFO set at a very slow speed. Amazing moving chorusing pad and lead sounds can be made this way. Fatter Bass/Pad Sounds Submitted by Mike Peake. Set the same sound in both channels (detuned saws, for instance). With the filters at the 24dB setting, increasing resonance cuts the passband as on the Moog filters. Set Envelope 3 to minimum attack, maximum decay and release, and sustain to maximum. This "creates" an offset, a continuous "on" signal while the keys are gated. Modulate one filters' resonance up (just one), or of the overall resonance level is high, us it to modulate one filters' resonance to its minimum. You get the resonant character plus the size of the non-resonant filter. Use Tri and Sine waves on that side too. "Warmer" Sounds Submitted by James Maier. The Evolver can make many ultra-bright and buzzy sounds due to its extensive feedback and distortion stages but sometimes people miss the subtler side of the beast. For a warmer sound use little or no distortion, close the filter just a bit and turn off the feedback and delay lines. I've managed to get dead-on Prophet5 timbres this way. Adding "Punch" Submitted by Mike Peake. Set the envelopes to linear, and use a Mod to modulate AmpEnv All by itself (lin through log responses with positive and negative self-modulation). This is of course fun on the filter envelopes as well. More Vintage Character Submitted by Mike Peake. Oscillator Slop, set at 5, doesn't come close to the Moog and other old-timer movement, so add slight (1 or 2) LFO to pitch modulations, with individual LFOs per oscillator, and a touch of LFO to LFO rate modulation. A tad of Envelope 3 to pitch helps as well. Don't miss out on the 12dB filter setting Submitted by Mike Peake. The 24dB setting has much more resonance, but the 12dB setting can sound nice and plucky, and do nice slightly fuzzy pads etc. DSI Evolver Waveshape Charts Below are charts I've assembled of the digital waveforms and their spectra as currently used in the DSI Evolver synthesizers. Originally these waves were unique to the SCI ProphetVS vector synth. I find these waveform/spectra graphics really usefull when programming sounds - maybe you will as well. Pay special attention to the spectra as this info is sometimes much more useful than waveshape in determining actual timbre - even before you hear what the waveform sounds like. These are designed to be downloaded (right-click & "save target as"), and printed at 300dpi on 8.5" x 11" pages - don't resize these images before printing or you will lose useful detail. Use them as a handy refrence. This information was cobbled together from various scattered sources (with very special thanks to Achim Gratz!). Any errors or omissions are my own. ^_^ HAVE FUN!!! Page 1 Page 2 Page 3 Page 4 As far as the origin of these waves is concerned, one of the original VS engineers, Chris Meyer, said: "The original waves for the VS were created three ways - extracting single-cycles from sampled sounds, using a custom additive synthesis program, and using a program Josh (Josh Jeffe, another VS engineer) slapped together called "Hacker" where you could draw the waveshape. These were fed straight from the computer through the filter and VCA of a Pro-One to figure out what they might sound like in a patch. And by the way, no PPG waveforms appear inside the VS - we had access to them, but in the end our consciences got the better of us. We did steal some waveforms from the Korg DW6000, but only by looking at the harmonic drawings on the front panel and trying to imitate them in our additive synthesis program." Modulation Matrix "Cheat Sheet" This chart shows all the modulation routing available on the Evolver. This same info is available in the manual but this can be printed on a single sheet of paper as a handy refrence! Evolver Wallpaper These I created just for fun and desktop "beautification" ;) 1280 X 1024 1024 X 768 800 X 600
http://www.carbon111.com/evolver.html

763 TinEye Reverse Image Search
TinEye is a reverse image search engine built by Idée currently in beta. Give it an image and it will tell you where the image appears on the web. TinEye, image-based, search engine, visual search, image search, Idee Inc., Idée Inc., Idée Inc.
http://www.tineye.com/

714 30 free programming eBooks « citizen428.blog()
Since this post got quite popular I decided to incorporate some of the excellent suggestions posted in the comments, so this list now has more than 40 books in it. [UPDATED: 2010-10-12] Learning a new programming language always is fun and there are many great books legally available for free online. Here’s a selection of 30 of them: Lisp/Scheme: How to Desing Programs Interpreting Lisp (PDF, suggested by Gary Knott) Let Over Lambda On Lisp Practical Common Lisp Programming in Emacs Lisp Programming Languages. Application and Interpretation (suggested by Alex Ott) Structure and Interpretation of Computer Programs Teach Yourself Scheme in Fixnum Days Visual LISP Developer’s Bible (suggested by “skatterbrainz”) Ruby: Data Structures and Algorithms with Object-Oriented Design Patterns in Ruby Learn to Program MacRuby: The Definitive Guide Mr. Neighborly’s Humble Little Ruby Book (suggested by @tundal45) Programming Ruby Read Ruby 1.9 Ruby Best Practices Ruby on Rails Tutorial Book (suggested by @tundal45) Javascript: Building iPhone Apps with HTML, CSS, and JavaScript Eloquent Javascript jQuery Fundamentals Mastering Node Haskell: Learn You a Haskell for Great Good Real World Haskell Erlang: Concurrent Programming in Erlang Learn You Some Erlang for Great Good Python: Dive into Python How to Think Like a Computer Scientist – Learning with Python Smalltalk: Dynamic Web Development with Seaside Pharo by Example (based on the next book in this list, suggested by Anonymous) Squeak by Example Misc: Algorithms The Art of Assembly Language Beginning Perl Building Accessible Websites (suggested by Joe Clark) The C Book C# Yellow Book (suggested by Joe Wyatt) Compiler Construction Dive Into HTML 5 (suggested by @til) Higher-Order Perl The Implementation of Functional Programming Languages (suggested by “Def”) An Introduction to R Learn Prolog Now! Objective-C 2.0 Essentials Programming Scala Of course there are many more free programming eBooks, but this list consists of the ones I read or want(ed) to read. This is far from comprehensive and languages that are completely missing are mostly left out on purpose (e.g. PHP, C++, Java). I’m sure somebody else made a list for them somewhere.
http://citizen428.net/archives/434

632 ericmiraglia.com » The 2010 Web Application (R)evolution: HTML5 and Beyond (Resources)
Some notes from a recent presentation on HTML5, CSS3, and other current proposals that are starting to see real world browser implementations — serves as a starter linkography for reading up on recent developments.
http://ericmiraglia.com/blog/?p=425

608 Stories In Flight | HTML5/CSS3 Cheatsheet
Here are some simple cut-and-paste examples of HTML5/CSS3 features that are currently (mid-2010) usable across a number of web browsers, chief among them Firefox, Safari, Chrome and Opera. For many of the CSS3 examples, Internet Explorer is the lone holdout with a limited number of workarounds, however these features degrade gracefully and may still be useful on new projects as long as this limitation is kept in mind. Both for SVG and Canvas there exist solid workarounds in the form of JavaScript libraries that allow even Internet Explorer to display these new objects, and in the case of SVGweb it may be a good idea to use this workaround for all browsers to limit the variability of the SVG rendering across platforms. Please note: With the exception of SVGWeb, no Internet Explorer workarounds have been included on this page - most of the examples will therefore not work in IE6, IE7 or IE8. And if you want to discuss any of the code below or leave a correction or suggestion, you can leave comments below and here is also The Web We Should Have on my blog. Thanks! On this page: HTML5 DOCTYPE Rounded Corners Rounded Corners Redux: Circles Box Shadows Text Shadows Border Images Transform Rotate Column Layout SVG Canvas Canvas Text Canvas Text Rotate Some more complex subjects are also discussed in these separate pages: CSS3 Transforms Ruby Annotations Multiple Background Images HTML5 Audio and JavaScript Control HTML5 Audio Data API - Spectrum Visualizer JavaScript: Binary Loader Google Font API and Font Loading Behavior JavaScript: Sorting DIVs JavaScript: HTML5 Video with SRT Subtitles ...and don't forget to leave some comments below!
http://www.storiesinflight.com/html5/

529 SynthesisWorkshops
synth modular Sound synthesis and sound design Music has brought pleasure and entertainment to mankind throughout the whole of history. Each person is by nature equipped with one of the most elaborate and emotional musical instruments; the human voice. Whenever people feel good music seems to fit the occasion, and it is considered quite natural to hum or sing a song. Musical instruments have brought their own moods to music and at the current moment in human evolution there is an enormous variety of musical instruments available. The twentieth century has seen the development of a range of new and exciting electronic musical instruments. These electronic instruments are very flexible, they can produce a wide range of timbres and can be amplified to whatever loudness level sounds best for the occasion. Most of these electronic instruments are played by a keyboard, but in essence the keyboard can be replaced by any electromechanical device that is able to transform a movement caused by a human interaction into an electrical signal that can drive the sound generating core of the electronic instrument. All sorts of technical and scientific developments have helped to create electronic instruments and the human interface to play them. Still, music is an art and not really a hard science, although music and sound have for a long time been subject to various scientific research. An important realization is that science can not really explain why much music is such a pleasure to listen to and such a joy to make. Which is not a bad thing, as probably no one is waiting for science to take the fun out of music by applying formalized rules and templates on what is also subject to ‘feel’. So, although this book covers techniques that lean heavily on scientific research, the application of these techniques will in general be aimed at creating fun. There are a lot of professionals working with sound and even more people that make music for their personal enjoyment. Mastery of sound synthesis is valuable to all of them. Still, it won’t be easy to please everyone with one single book, as some people will be more interested in how things work and others might want practical examples that just work. The aim of this book is that it can at least be used as a practical guide in workshops and courses in electronic music, covering some essential basics that are needed to operate the equipment used in sound synthesis in a way that makes some sense. Additionally it can be used to explore techniques to find out how they can help in the development of one’s own musical style. Sound synthesis is the art of creating sounds by using suitable electronic means, using either analog or digital electronic devices. Sound design is the art of creating particular sounds using sound synthesis techniques. The definition of sound design as used here might be confusing to some, as the name sound design is also used in the discipline in industrial design that occupies itself with how mass produced objects should sound. Examples are how the sound of cars or ladyshaves are ‘designed’ to sound pleasing while in use. Which of course has nothing to do at all with music or sound synthesizers. This book puts the emphasis on the various synthesis techniques for musical purposes and how to setup sound synthesizers to create a large range of characteristic musical sounds. The art of musical sound design is left to the artist.
http://www.xs4all.nl/~rhordijk/G2Pages/

518 LA MUSIQUE INDUSTRIELLE
QU’EST-CE QUE LA MUSIQUE INDUSTRIELLE ? Vous trouverez chez les disquaires bien achalandĂ©s un coin rĂ©servĂ© aux albums d’ " indus ", souvent mĂ©langĂ©s au gothique, Ă  la cold ou encore aux indĂ©pendants. Les couleurs noire et grise dominent les pochettes et les noms des groupes sont souvent longs et imprononçables, Ă  consonance allemande ou anglaise. Pour continuer dans le clichĂ©, on peut dĂ©crire la musique industrielle comme un style basĂ© sur des percussions mĂ©talliques qui martĂšlent, accompagnĂ©es de bruits agressifs souvent dissonants et de voix trafiquĂ©es, criĂ©es plus que chantĂ©es. En fait, l’indus est pour beaucoup une musique suspecte, apprĂ©ciĂ©e par d’étranges mĂ©lomanes qui n’auraient pas compris que la musique moderne est faite pour distraire, pour danser ou encore adoucir les mƓurs. Peu de gens savent en fait ce qu’est l’industriel Ă  proprement parler. Pourtant ce style a Ă©tĂ© trĂšs productif et une partie de la musique actuelle s’en inspire. A la base, l’industriel est un mouvement de contestation sociale et artistique. Il rejette le contrĂŽle de la musique populaire par les businessmen, les mĂ©dias et tous les hommes de pouvoir. Son essor est marquĂ© par la crĂ©ation d’Industrial Records, Ă  Londres, Ă  la fin des annĂ©es 1970 par le groupe Throbbing Gristle. C’est un des premiers labels indĂ©pendants, une entreprise de production et de diffusion de cassettes audio et de 33 tours, qui laisse ses musiciens s’exprimer sans contrainte, ni censure, ni souci de rentabilitĂ©. Il dĂ©veloppe une " stratĂ©gie de guĂ©rilla " contre les major company, ces entreprises qui soumettent la musique populaire aux lois du marchĂ©. Plus gĂ©nĂ©ralement, le mouvement industriel vomit l’industrie des loisirs orchestrĂ©e par les grands mĂ©dias. Il cherche Ă  faire rĂ©flĂ©chir sur la propagande et le marketing, sur l’utilisation de l’art et des diverses techniques de communication pour convaincre et dominer. L’ambition est de crĂ©er une alternative Ă  la culture de masse afin de lutter contre l’uniformisation des esprits. Pape de l’industriel, Genesis P-Orridge (alias Neil Megson) explique qu’au dĂ©part le but est de "savoir jusqu’oĂč on pouvait mĂ©tamorphoser et coller le son, prĂ©senter des sons complexes et non-divertissants dans une situation de culture populaire, afin de convaincre et de convertir. Nous voulions rĂ©investir la musique rock avec un contenu, une motivation et un risque. " Apparu en mĂȘme temps que le punk, l’industriel se veut plus radical, plus rĂ©flĂ©chi et surtout plus novateur en matiĂšre musicale. Il milite pour l’éclatement des codes musicaux qu’ils soient rock, jazz, classique ou pop. Recherchant l’imprĂ©vu, fuyant le formatage, il puise dans diffĂ©rents styles. Par ailleurs, de nouveaux instruments sont incorporĂ©s Ă  la musique. Les membres d’EinstĂŒrzende Neubauten utilisent des perceuses, de l’eau, des tĂŽles, ou mĂȘme leurs dents pour produire des sons originaux. DĂšs le dĂ©part, les instruments Ă©lectroniques ont Ă©tĂ© privilĂ©giĂ©s : boites Ă  rythme, synthĂ©tiseurs et les tout premiers Ă©chantillonneurs (sampleurs), dĂšs le dĂ©but des annĂ©es 1980. Ces instruments Ă©lectroniques aidant, l’indus a Ă©tĂ© produit par des non-musiciens et a dĂ©veloppĂ© la rĂ©pĂ©titivitĂ© (utilisation des sĂ©quenceurs). C’est dans ce sens que l’industriel est pour une bonne part Ă  l’origine de la techno. L’industriel ne se limite pas au dĂ©part Ă  un courant musical, c’est une tentative d’art total. Soit les musiciens indus sont des touches Ă  tout en matiĂšre artistique (Genesis P-Orridge, Jim Thirlwell), soit ils collaborent frĂ©quemment avec des cinĂ©astes, des troupes de thĂ©Ăątre ou de danse contemporaine. Pour les disques, le graphisme des pochettes compte parfois autant que la musique elle-mĂȘme. Dans toutes ses expressions artistiques, l’industriel recherche la provocation la plus radicale, le choc et la confusion. Les thĂšmes dĂ©veloppĂ©s sont autant de tabous : le totalitarisme sous toutes ses formes (propagande, uniformes militaires, symboles paĂŻens, plus ou moins fascistes ou nazis) ; le sado-masochisme, bouffonnerie spectaculaire parodiant les rapports humains ; la mort. C’est un constat froid des horreurs du monde, l’irruption de la laideur sous toutes ses formes dans la musique populaire. Mais attention, l’humour, le sarcasme et le cynisme sont essentiels dans l’indus. L’ironie et l’ambiguĂŻtĂ© sont fondatrices : la musique qui se proclame industrielle s’oppose Ă  l’industrie de la musique et aux valeurs de la sociĂ©tĂ© industrielle. Les membres de Throbbing Gristle troquaient volontiers leurs uniformes pour des chemises hawaĂŻennes, Current 93 s’est pris de passion pour le hĂ©ros enfantin Oui-Oui (Noddy), Laibach a parodiĂ© pompeusement les Beatles, Clair Obscur a chantĂ© les cours de la bourse, aprĂšs avoir smurfĂ© au goulag, et Foetus s’est fait connaĂźtre par une parodie de disco en l’honneur du marquis de Sade (avant MylĂšne Farmer !). Tous les musiciens qui se prĂ©tendent industriels mais s’expriment sans cette ironie fondatrice ou sans vĂ©ritable recherche musicale utilisent le terme abusivement. DĂšs 1981, Throbbing Gristle se sĂ©pare. Genesis P-Orridge explique : " nous avons quitter un milieu envahi par des idĂ©es et des gens malsains, parce que ces gens ont choisi de ne pas comprendre ce que nous disions. C’est devenu une surenchĂšre de provocation ". On a assistĂ© en effet Ă  une dĂ©rive et un appauvrissement musical. L’industriel est devenu un style parmi les autres. Comme tout mouvement contestataire, il a Ă©tĂ© rĂ©cupĂ©rĂ©e ; Ă  la fois par les mĂ©dias et par des mouvements d’extrĂȘme droite. Ainsi on a pu entendre, dans des publicitĂ©s tĂ©lĂ©visĂ©es, des percussions mĂ©talliques pour vanter les mĂ©rites de slips trĂšs masculins, ou bien des bruits de mĂ©canique qui dĂ©raille sortant d’un autoradio, pour vendre une voiture Ă  la mĂ©canique irrĂ©prochable. Les liens avĂ©rĂ©s avec l’extrĂȘme-droite ne concernent que quelques uns : en particulier Boyd Rice (du groupe NON) et plusieurs pĂąles ersatz du groupe de folk industriel Death in June, engluĂ©s dans une soupe europĂ©aniste nausĂ©abonde, oĂč se mĂȘlent rĂ©volution conservatrice, paganisme nordique ou celtique, thĂšmes guerriers et romantisme noir. Ces connivences ont jetĂ© le discrĂ©dit sur tout le mouvement industriel. C’est oublier que les artistes d’Industrial records refusaient de s’exprimer sur le terrain politique traditionnel, que des groupes se sont engagĂ©s Ă  gauche (Test Dept), tandis que d’autres ont affirmĂ© leur rejet de l’extrĂȘme-droite (Front 242). Beaucoup cependant rĂ©pugnent Ă  se justifier et continuent de jouer le jeu dangereux de la provocation fasciste. Il y a peu le groupe allemand Substanz t. a Ă©chantillonnĂ© la phrase suivante dans un morceau : " if you don’t like fascism, don’t play industrial music " (compilation teknoir, 1998).
http://nksinternational.free.fr/indus.html

499 modularsynth.net :: View topic - What modular s do you currently own

http://modularsynth.net/viewtopic.php?p=16343&sid=b5f069585dfeb196156a7b14e64c1c3e

484 Why did so many successful entrepreneurs and startups come out of PayPal? Answered by Insiders
Why did so many successful entrepreneurs and startups come out of PayPal? I long have been fascinated by the extraordinary achievement from the ex-Paypal team and wonder about the reasons behind their success. In the past, mass media tried to answer this question several times but still couldn’t give us a clear answer. I once asked David Sacks the same question during an event in Los Angeles. He told me the secret is that Paypal has built a “scrappy” culture. No matter what problems they faced, they would find a way to solve them. I kind of got the idea, but was still confused about the execution details. So when I saw some of the past Paypal employees answering this question on Quora, I was super excited! After all, they should be the only ones who can tell people the inside stories. Below are some highlights of their answers. *If you want to check out the sources or leave your comments, please go to here and here. On Talent Management “Peter and Max assembled an unusual critical mass of entrepreneurial talent, primarily due to their ability to recognize young people with extraordinary ability (the median age of *execs* on the S1 filing was 30). But the poor economy allowed us to close an abnormal number of offers, as virtually nobody other than eBay and (in part) google was hiring in 2000-02.” (by Keith Rabois, former Executive Vice President of Paypal) “Extreme Focus (driven by Peter): Peter required that everyone be tasked with exactly one priority. He would refuse to discuss virtually anything else with you except what was currently assigned as your #1 initiative. Even our annual review forms in 2001 required each employee to identify their single most valuable contribution to the company.” (by Keith Rabois, former Executive Vice President of Paypal) “Dedication to individual accomplishment: Teams were almost considered socialist institutions. Most great innovations at PayPal were driven by one person who then conscripted others to support, adopt, implement the new idea. If you identified the 8-12 most critical innovations at PayPal (or perhaps even the most important 25), almost every one had a single person inspire it (and often it drive it to implementation). As a result, David enforced an anti-meeting culture where any meeting that included more than 3-4 people was deemed suspect and subject to immediate adjournment if he gauged it inefficient. Our annual review forms in 2002 included a direction to rate the employee on “avoids imposing on others’ time, e.g. scheduling unnecessary meetings.” (by Keith Rabois, former Executive Vice President of Paypal) “Refusal to accept constraints, external or internal:We were expected to pursue our #1 priority with extreme dispatch (NOW) and vigor. To borrow an apt phrase, employees were expected to “come to work every day willing to be fired, to circumvent any order aimed at stopping your dream.” Jeremy Stoppelman has relayed elsewhere the story about an email he sent around criticizing management that he expected to get him fired and instead got him promoted. Peter did not accept no for answer: If you couldn’t solve the problem, someone else would be soon assigned to do it.” (by Keith Rabois, former Executive Vice President of Paypal) “Driven problem solvers: PayPal had a strong bias toward hiring (and promoting / encouraging, as Keith mentions) smart, driven problem solvers, rather than subject matter experts. Very few of the top performers at the company had any prior experience with payments, and many of the best employees had little or no prior background building Internet products. I worked on the fraud analytics team at PayPal, and most of our best people had never before done anything related to fraud detection. If he’d approached things “traditionally”, Max would have gone out and hired people who had been building logistic regression models for banks for 20 years but never innovated, and fraud losses would likely have swallowed the company.” (by Mike Greenfield, former Sr. Fraud R&D Scientist of Paypal) “Self-sufficiency – individuals and small teams were given fairly complex objectives and expected to figure out how to achieve them on their own. If you needed to integrate with an outside vendor, you picked up the phone yourself and called; you didn’t wait for a BD person to become available. You did (the first version of) mockups and wireframes yourself; you didn’t wait for a designer to become available. You wrote (the first draft of) site copy yourself; you didn’t wait for a content writer.” (by Yee Lee, former Product & BU GM of Paypal) On Culture & Ideology “Extreme bias towards action – early PayPal was simply a really *productive* workplace. This was partly driven by the culture of self-sufficiency. PayPal is and was, after all, a web service; and the company managed to ship prodigious amounts of relatively high-quality web software for a lot of years in a row early on. Yes, we had the usual politics between functional groups, but either individual heroes or small, high-trust teams more often than not found ways to deliver projects on-time.” (by Yee Lee, former Product & BU GM of Paypal) “Willingness to try – even in a data-driven culture, you’ll always run in to folks who either don’t believe you have collected the right supporting data for a given decision or who just aren’t comfortable when data contradicts their gut feeling. In many companies, those individuals would be the death of decision-making. At PayPal, I felt like you could almost always get someone to give it a *try* and then let performance data tell us whether to maintain the decision or rollback.” (by Yee Lee, former Product & BU GM of Paypal) “Data-driven decision making – PayPal was filled with smart, opinionated people who were often at logger-heads. The way to win arguments was to bring data to bear. So you never started a sentence like this “I feel like it’s a problem that our users can’t do X”, instead you’d do your homework first and then come to the table with “35% of our [insert some key metric here] are caused by the lack of X functionality
” (by Yee Lee, former Product & BU GM of Paypal) “Radical transparency on metrics: All employees were expected to be facile with the metrics driving the business. Otherwise, how could one expect each employee to make rational calculations and decisions on their own every day? To enforce this norm, almost every all-hands meeting consisted of distributing a printed Excel spreadsheet to the assembled masses and Peter conducting a line by line review of our performance (this is only a modest exaggeration).” (by Keith Rabois, former Executive Vice President of Paypal) “Vigorous debate, often via email: Almost every important issue had champions and critics. These were normally resolved not by official edict but by a vigorous debate that could be very intense. Being able to articulate and defend a strategy or product in a succinct, compelling manner with empirical analysis and withstand a withering critique was a key attribute of almost every key contributor. I still recall the trepidation I confronted when I was informed that I needed to defend the feasibility of my favorite “baby” to Max for the first time.” (by Keith Rabois, former Executive Vice President of Paypal) “Extreme Pressure – PayPal was a very difficult business with many major issues to solve. We were able to see our colleagues work under extreme pressure and hence we learned who we could rely on and trust.” (by Keith Rabois, former Executive Vice President of Paypal)
http://primitus.com/blog/why-did-so-many-successful-entrepreneurs-and-startups-come-out-of-paypal-answered-by-insiders/

473 Djihad - Wikipédia
Djihad, jihad ou djihĂąd (arabe : jihād, ŰŹÙ‡Ű§ŰŻ, lutte) est un terme arabe et signifiant « exercer une force », « tĂącher » ou « combattre ». Dans le Coran, l'expression « al-jihad bi anfousikoum » (Lutter contre les penchants de votre Ăąme) est l'Ă©quivalent de l'expression se faire violence ou « al-jihad fi sabil Allah » (combat sacrĂ© dans le chemin d'Allah)1,2. Le concept du jihad a constamment Ă©voluĂ© ce qui empĂȘche toute dĂ©finition figĂ©e au profit de la recherche d'interprĂ©tations successives, souvent concurrentes parmi les sphĂšres intellectuelles musulmanes3. L'islam compte quatre types de jihad : par le cƓur, par la langue, par la main et par l'Ă©pĂ©e. Le jihad par le cƓur, aussi nommĂ© « Grand jihad », invite les musulmans Ă  combattre afin de s'amĂ©liorer ou d'amĂ©liorer la sociĂ©tĂ©4,5. De nombreux savants musulmans interprĂštent le jihad comme une lutte dans un sens spirituel. Une minoritĂ© de savants sunnites le considĂšrent comme le sixiĂšme pilier de l'islam quoique le jihad n'en ait pas le statut officiel4. Dans le chiisme duodĂ©cimain, il est considĂ©rĂ© comme une des dix pratiques religieuses du culte. Le plus connu des sens du jihad est le jihad par l'Ă©pĂ©e ou « Petit jihad ». Il a servi d'argument Ă  diffĂ©rents groupes musulmans Ă  travers l'histoire pour
http://fr.wikipedia.org/wiki/Djihad

423 MACBETH STUDIO SYSTEMS
Welcome to MacBeth Synthesizers! LATEST NEWS: 20/07/09 please scroll down for infoOver the last year and half or so, more products have been developed. Work has gone into the design of a new modular synthesizer system shared by two formats- the 3U format and the 5U format. The designs are relatively new but still retain the inherant qualities of the M3X, M5 and M5N synthesizers. The system is called the X-Series Modular Synthesizer after the popular M3X and its protégé keyboard synthesizer the X-Factor. This fully analogue keyboard is still under serious development and there will be more information to follow on that one. As a refreshing change from making the large scale semi modular M5 and M5N, I am now delving into the production of smaller, free for all systems that will probably grow large! I'm taking into it all my experience of designing both large and small analogue synthesizers as well as a few new ideas too. Please take the time to look around this website. In each catagory there is product information, sounds, tracks and links to other related media on the internet. Currently the 3U X-Series Dual Oscillator and 'Backend' Filter Combo are in production. I expect delivery of the Dual Oscillator within the next two weeks- shortly after that the 'Backend' Filter Combo will roll out of production. Please contact any of the Distributers listed to get your modules. I intend to produce a short run of the 5U modules soon, so once again- stay tuned for that... ...anyway! I have uploaded quite a few demo sounds on here- maybe not to everyones taste- but at least they make you think of what these modules could do in the right hands, i.e. you! - after all- I'm an engineer, not a muscian as such!...Well you decide! All MacBeth Products are built to exacting standards- from materials selection to the physical build. The PCBs and Sheet Metalwork are fabricated by Zot Engineering from Musselburgh, Scotland http://www.zot.co.uk and final assembly is performed by Diatron Assembly Systems from Norwich, England http://www.diatron.co.uk Both companies also manufacture equipment for the medical, military and aerospace sectors of industrial engineering
http://www.macbethstudiosystems.com/

312 12 Applications to Make Your Facebook Page More Engaging
Currently, there are more than three million active Facebook Pages on the top ranked site, with the typical Page boasting an average of less than 1,000 fans – oops, I mean ‘likes‘ (seriously, that just doesn’t roll off your tongue quite the same way). Standing out from the static requires you to dress up your Page and make it more interesting and fun for your ‘likers’. That’s where Facebook applications come in. They’re basically like plugins for your Page and there are tens of thousands of them available. Deciding what apps you’d like to incorporate depends on how you’d like to engage with your peeps (that’s an even better word than ‘likers’). Here’s a compilation of some must have applications for any Page. They’re great additions to the the basic layout that Facebook provides and they can be used in interesting ways to move your ‘likes‘ into action.
http://www.socialmediatoday.com/SMC/197503/

307 SEO Tips : 11 Tips To Improve Your Site Ranking In Bing Search Engine
Bing (formerly Live Search, Windows Live Search, and MSN Search) is the current web search engine from Microsoft. Bing was unveiled by Microsoft CEO Steve seo tips for bing search engine, how to get good ranking in search engine, bing seo tips , tips on bing seo,microsoft,seo,internet tips
http://savedelete.com/seo-tips-11-tips-to-improve-your-site-ranking-in-bing-search-engine.html

286 The Current State of Web Design: Trends 2010 - Smashing Magazine
Web design is a fickle industry. Just like every other form of artistic expression, Web design has undergone a continuous and surprisingly fast evolution. Once a... 2010, trends, design, magazine, photoshop, wordpress, wallpaper, icons, css, fonts
http://www.smashingmagazine.com/2010/05/04/web-design-trends-2010/

237 31 Free Clean Icon Sets For Minimal Web Design | Graphic and Web Design Blog
Minimal and letterpress effects currently are very popular in webdesigns and many designers will find this collection useful and worth bookmarking! clean,minimal,icon,webdesign,free,download,resources
http://www.1stwebdesigner.com/resources/free-clean-icon-sets-minimal-web-design/

189 Select Manufacturer /// PrePal
List of manufacturers currently tracked, with links to their product prices. prepal,used,preowned,worth,value,price,price guide,for sale,music,musical,musician,instrument,gear,music gear,musical equipment,guitar,bass,rack mount,keyboard,synth,synthesizer,sampler,drum,amp,effects,manufacturers
http://www.prepal.com/manufacturers.htm

135 all - dj accessories - Turntablelab.com
we started the Lab in 1998, our first year out of college. Turntable Lab was established in 1998 by Anthony Cattarina, Jasper Goggins, and Peter Hahn. The trio formed the idea for the Lab based on numerous negative experiences at stores that sold dj equipment: both big musical instrument chains and shady Canal Street stereo stores. Turned off by haggling, uninformed salesmen, and questionable product, Turntable Lab built its business on fair pricing, informed reviews, and a well researched selection of “Lab approved” items. Most of the Lab's employees are working djs / producers / musicians, which helps to ensure this high standard. The business model was an immediate success, establishing rapid growth and a dedicated customer base. Turntable Lab soon applied their business model to other areas including recorded music, production equipment, clothing, and books. Each expansion has been met with success, and today Turntable Lab is a recognized tastemaker in all those areas. To bring the Turntable Lab experience directly to consumers, Turntable Lab opened its first retail location in 2001. In December of 2005, Turntable opened its flagship store in Hollywood, California. Currently the Turntable Lab headquarters is located in Brooklyn, New York.
http://www.turntablelab.com/dj_equipment/42/2204/

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