100SILEX, de 0 ŗ 100 s: last
1522 5 Simple steps to secure TT-RSS reader
secure tt-rss, tt-rss security 5 Simple steps to secure TT-RSS reader July 27, 2015 by Anand Leave a Comment secure-tt-rss-ft Share: share htpcBeginner We recently presented Tiny Tiny RSS to you as a great alternative to Google reader, which is one more way you can extend the functionality of your home server or your hosting space. Hopefully, you already exported your data from Google Reader. In this post, we will show you how to secure TT-RSS reader to prevent unauthorized access. Tiny Tiny RSS is an open source web-based news feed (RSS/Atom) reader and aggregator, designed to allow you to read news from any location, while feeling as close to a real desktop application as possible. As we previously explained, it makes an ideal candidate to replace Google Reader. While there are services like Feedly and Newsblur grabbing the crowd Google Reader, which some of you may prefer, there are a group of people who would like to run a RSS reader on their own server and keep things private. Assuming that you have already installed Tiny Tiny RSS on your alternative to Google reader or hosting space, we will now show you how to secure TT-RSS reader. Secure TT-RSS Reader One of the main reasons to move to an RSS aggregator like TT-RSS is maintaining your privacy. So if you do not secure TT-RSS reader well you are not only making your data available public but also making your system vulnerable to potential attacks. Choosing a strong username and password while setting your TT-RSS is the first basic thing that you can do to secure TT-RSS reader. Listed below are few more ways you can increase TT-RSS reader‚Äôs security. 1. Rename TT-RSS Folder One of the first lines of defense is to not use tt-rss in your URL to access your TT-RSS reader. To do this on your hosting account, use a folder name other than tt-rss while installing TT-RSS. On your Linux home server, edit /etc/tt-rss/apache.conf and change the first /tt-rss to something else. An example is shown below. TT-RSS Rename URL TT-RSS Rename URL After making the change, restart your TT-RSS and Apache to apply the changes: sudo service tt-rss restart sudo serivce apache2 reload Your TT-RSS reader is now available through the new URL (example: http://mydomain.com/myreader) only. Amazon Kindle Fire HDX 2. Enable SSL Accessing TT-RSS through http sends all information as unencrypted data. This could mean less privacy due to potential sniffing. The solution is to encrypt the data during transfer, which makes sniffing by hackers harder. To enable and enforce HTTPS access on Linux servers with Apache, install the following run-time libraries: sudo apt-get install libssl0.9.8 libpam0g openssl Restart your Apache server as shown above. You should now be able to access your TT-RSS reader with HTTPS. Note that you may have to have a SSL certificate generated. Refer to Apache documentation if you want to generate your own certificate. By default, the system will install self-signed certificates for you. These certificates are likely to raise warnings when you point your browser to the site. 3. Disable Single User Mode By default the single user mode is already disabled (in /etc/tt-rss/config.php). Enabling single user mode will also disable TT-RSS login system. Therefore, keep the single user mode disabled. Disable Single User Mode Disable Single User Mode A better way to make it a single user system is by limiting the number of registrations to 1 as described below. For whatever reason, you still want to enable single user mode, make sure you implement Apache Authentication method described below. 4. Self Registrations Self registrations allow a visitor to register themselves, which could reduce TT-RSS security. If your TT-RSS will be for personal use only, then you may want to disable user registration by setting ‚ÄúENABLE_REGISTRATION‚ÄĚ to ‚Äúfalse‚ÄĚ. TT-RSS Self Registrations TT-RSS Self Registrations To further secure TT-RSS Reader, uou may also want to change ‚ÄúREG_MAX_USERS‚ÄĚ to ‚Äú1‚ÄĚ to make your account the only account on TT-RSS. asus n66uASUS RT-N66U Dual-Band Wireless-N900 Gigabit Router asus n66u reviewsFind out why it is rated the best wireless router in its class. 5. Apache Authentication Last but not the least, enable Authentication. This is even more important if you have enabled ‚ÄúSingle User Mode‚ÄĚ describe above. Every time you access TT-RSS, you will be asked for a username and password as shown in the picture below: Secure TT-RSS Reader On your hosting account this equivalent to password protecting a directory, in this case the TT-RSS directory. To do this on your Ubuntu server, you will have to create a .htpasswd file. More information is available in Apache documentation. But the easiest way to achieve this is to use one of the htpasswd generators available online. After you enter the username and password two code blocks will be generated. Copy the contents of the .htpasswd code block and save it to /etc/apache2/.htpasswd_ttrss. Next, copy the contents of the .htaccess code block and add it to /etc/tt-rss/apache.conf as shown below: TT-RSS Apache Authentication TT-RSS Apache Authentication Save and exit. Restart both TT-RSS and Apache previous shown above. You should be prompted for a password every time you try to access TT-RSS. Some may think that this double authentication method is an extra inconvenience. But I would rather be safe than sorry. Go ahead, secure Tiny Tiny RSS Reader and enjoy reading articles on your private secure RSS Reader.
http://www.htpcbeginner.com/secure-tt-rss-reader/

1407 Homelab - server at home - Graver un PCB de façon efficace et bon marché
L insolation - La lampe halog√®ne du salon - Les tubes n√©ons √† ultraviolets - Les diodes LED √† ultraviolets Voici mon bac √† U.V. Il n est pas beau, mais est parfaitement fonctionnel ! Ding-Ding !!! Le temps est √©coul√©, coupez votre bac √† U.V. et passez √† l √©tape 2 - La r√©v√©lation. La r√©v√©lation De la soude caustique ou du d√©boucheur √©viers c est pareil et le second est peut √™tre moins cher ! Une fois votre solution bien m√©lang√©e, plongez y votre circuit insol√©. Agitez doucement le bac en plastique pour que la solution produise tout son effet. Agitez le bac jusqu √† ce que vous soyez certain que tout le vernis ai disparu de la plaque insol√©e. Votre solution transparente va devenir bleu√Ętre durant la phase de dissolution du vernis (c est √† cause du vernis)
http://www.homelab.be/index.php?Page=PCB

1333 Download OpenStreetMap data OSM
Commonly Used Formats europe-latest.osm.pbf, suitable for Osmium, Osmosis, imposm, osm2pgsql, mkgmap, and others. This file was last modified 19 hours ago and contains all OSM data up to 2013-05-28T18:59:04Z. File size: 10.3 GB; MD5 sum: c97ac9a7c90bc7791893f19fe9e7e3a3. europe-latest.shp.zip is not available for this region; try one of the sub-regions. Other Formats and Auxiliary Files europe-latest.osm.bz2, yields OSM XML when decompressed; use for programs that cannot process the .pbf format. This file was last modified 5 days ago. File size: 14.9 GB; MD5 sum: 087b5f040c89d6d64ea18503b2723d61. .poly file that describes the extent of this region. .osc.gz files that contain all changes in this region, suitable e.g. for Osmosis updates raw directory index allowing you to see and download older files
http://download.geofabrik.de/europe.html

1255 Sony Cassette Walkman Overview (1979 - 2003) - sonyvintage.com
Unofficial SONY vintage page Skip to content Home Personal Audio HiFi about sonyvintage.com My Collection ‚Üź Sony WM-WE1 (1997) Cassette Walkman 1979 ‚Üí Sony Cassette Walkman Overview (1979 ‚Äď 2003) Posted on February 18, 2012 by Quo TPS-L2 WM-2 WM-3 WM-3Ex WM-R2 WM-F2 WM-D6 WM-7 WM-DD WM-F5 WM-20 WM-F20 WM-DC2 WM-D6C WM-DDII WM-F15 WM-R15 WM-30 WM-F30 WM-40 WM-75 WM-F75 WM-F55 WM-55 WM-W800 WM-R55 WM-F85 WM-101 WM-F101 WM-F202 WM-R202 WM-F60 WM-57 WM-60 WM-F107 WM-D3 WM-109 WM-F109 WM-101 WM-102 WM-104 WM-F203 WM-51 WM-51 with radio WM-501 WM-504 WM-503 WM-509 WM-550C WM-52 WM-505 WM-701C WM-F701C WM-506 WM-F506 WM-F606 WM-609 WM-170/171/172 WM-F180 WM-F181 WM-607 WM-DD9 WM-R707 WM-F707 WM-702 WM-F702 WM-703C WM-507 WM-F507 WM-600 WM-190 WM-805 WM-EX80 WM-EX60 WM-EX70 WM-FX70 WM-EX85 WM-FX85 WM-EX90 WM-SX77 WM-WX88 WM-GX90 WM-EX88 WM-EX77 WM-FX77 WM-DX100 WM-EX78 WM-RX77 WM-EX66 WM-EX909 WM-GX77 WM-FX909 WM-EX707 WM-FX707 WM-FX505 WM-WX808 WM-EX606 WM-EX808/808HG WM-FX808 WM-GX707 WM-RX707 WM-EX999 WM-FX999 WM-EX777 WM-FX777 WM-EX555 WM-WX777 WM-EX666 WM-EX1„ÉĽEX1HG WM-FX1 WM-EX511 WM-FX811 WM-EX911 WM-EX811 WM-GX711 WM-EJ95 WM-WX1 WM-GX312 WM-EX2 WM-FX2 WM-EX622 WM-FX822 WM-EQ2 WM-GX622 WM-EX922 WM-GX822 WM-RX822 WM-EX633 WM-EX641 WM-EX5 WM-FX5 WM-EX3 WM-FX833 WM-GX322 WM-MV1 WM-GX622 WM-GX655 WM-EQ3 WM-FX855 WM-WE1 WM-WE7 WM-FS1 WM-EX655 WM-EX7 WM-EQ5 WM-FK2 WM-EK1 WM-EQ9 WM-EX9 WM-EX677 WM-GX677 WM-FX877 WM-WE01 WM-FK5 WM-EK3 WM-EX20 WM-EX900 WM-EX600 WM-GX323 WM-GX200 WM-FX200 WM-EX2000 WM-EX910 WM-EX610 WM-EX615 WM-GX688 WM-GX400 WM-EX921 WM-EX621 WM-FX888 WM-EX631 WM-FX202 WM-GX202 WM-GX788 +22 0 This entry was posted in Cassette Walkman. Bookmark the permalink. ‚Üź Sony WM-WE1 (1997) Cassette Walkman 1979 ‚Üí Leave a Reply Your email address will not be published. Required fields are marked * Name * Email * Website Comment You may use these HTML tags and attributes:
Recent Posts Minidisc Walkman 2003 Minidisc Walkman 2002 Minidisc Walkman 2001 Minidisc Walkman 2000 Minidisc Walkman 1999 Minidisc Walkman 1998 Minidisc Walkman 2004 Minidisc Walkman 2005 Minidisc Walkman 2006 Minidisc Walkman 1997 Minidisc Walkman 1996 Minidisc Walkman 1995 Minidisc Walkman 1993 1994(us) Minidisc Walkman 1992 Sony TPS-L2 SOUNDABOUT (1979) Sony MZ-R91 MD Minidisc Walkman (1999) Sony MZ-R30 MD Minidisc Walkman (1996) Sony MZ-R2 MD Minidisc Walkman (1993) Sony MZ-E800 MD Minidisc Walkman (2000) Sony MZ-E90 MD Minidisc Walkman (1999) Sony MZ-E80 MD Minidisc Walkman (1998) Sony MZ-E75 MD Minidisc Walkman (1999) Sony MZ-E55 MD Minidisc Walkman (1998) Sony MZ-RH1 / MZ-M200 Hi-MD Minidisc Walkman (2006) Sony WM-EX999 Cassette Walkman (1993) Sony WM-F404 Cassette Walkman (1988) Sony WM-F501 Cassette Walkman (1987) Sony WM-F15 Cassette Walkman (1984) Sony WM-FX1 Cassette Walkman (1994) Sony WM-F101 Cassette Walkman (1985) Recently Liked Posts CD WALKMAN DISCMAN (1991) Sony D-50 D-5 DISCMAN (1984) Sony WM-F107 Cassette Walkman (1987) Sony TPS-L2 WALKMAN (1979) Sony WM-109 Cassette Walkman (1986) Sony D-EJ815 CD WALKMAN (2000) Sony D-E999 CD Walkman (2000) Sony D-NE900 CD Walkman (2004) CD WALKMAN DISCMAN (1987) Sony WM-150 Cassette Walkman (1988) CD WALKMAN DISCMAN (2005) Minidisc Walkman 1992 Cassette Walkman 1986 Sony D-515 DISCMAN (1992) Sony D-EJ01 D-E01 DISCMAN (1999) CD WALKMAN DISCMAN (1990) Sony D-11 DISCMAN (1990) Sony WM-EX505 Cassette Walkman (1999) Sony D-100 D-10 DISCMAN (1986) Sony WM-51 CASSETTE WALKMAN (1987) Sony WM-701C CASSETTE WALKMAN (1988) Cassette Walkman 1988 Minidisc Walkman 2003 Sony D-20 Discman (1988) Cassette Walkman 1989 Sony D-50mkII DISCMAN (1985) Sony D-135 DISCMAN (1994) Sony Cassette Walkman Overview (1979 - 2003) Sony MZ-R50 MINIDISC RECORDER (1997) Sony WM-50 (1985) Sony WM-EX606 Cassette Walkman (1993) Sony MZ-RH1 / MZ-M200 Hi-MD Minidisc Walkman (2006) CD WALKMAN DISCMAN (1993) Sony D-33 DISCMAN (1991) Sony WM-EX80 Cassette Walkman (1990) Sony D-Z555 D-555 DISCMAN (1989) Recent Comments Brandon Edwards on OLIVIER SEKNAZI on Sony WM-D6C (1984) Brandon on sonyvintage.com wm-F2 1 Brandon on Sony WM-DD30 CASSETTE WALKMAN (1989) Vlad Sabbath on Traffic Pages Pages|Hits |Unique Last 24 hours: 1,154 Last 7 days: 7,160 Last 30 days: 24,957 Online now: 2 Old posts Proudly powered by WordPress.
http://www.sonyvintage.com/?p=1034

1109 Weekend with the Ricoh GRDIV |
I’ve fielded a lot of questions lately about Ricoh’s latest camera, the GRDIV. Honestly, it was getting a little tedious hearing about it haha. Although I suppose I understand considering there’s hardly anything written about it anywhere. I’ve been having a bit of a love affair with Ricoh’s film cameras the last little while so I hadn’t thought much about the GRDIV. After having a chance to get one though, I decided it a good idea to give it a go.
http://jtinseoul.wordpress.com/2011/11/06/weekend-with-the-ricoh-grdiv/

962 25 Abandoned Soviet Monuments that look like they're from the Future | Crack Two
These structures were commissioned by former Yugoslavian president Josip Broz Tito in the 1960s and 70s to commemorate sites where WWII battles took place (like TjentiŇ°te, Kozara and Kadinjańća), or where concentration camps stood (like Jasenovac and NiŇ°). They were designed by different sculptors (DuŇ°an DŇĺamonja, Vojin Bakińá, Miodrag ŇĹivkovińá, Jordan and Iskra Grabul, to name a few) and architects (Bogdan Bogdanovińá, Gradimir Medakovińá...), conveying powerful visual impact to show the confidence and strength of the Socialist Republic. In the 1980s, these monuments attracted millions of visitors per year, especially young pioneers for their "patriotic education." After the Republic dissolved in early 1990s, they were completely abandoned, and their symbolic meanings were forever lost. From 2006 to 2009, Kempenaers toured around the ex-Yugoslavia region (now Croatia, Serbia, Slovenia, Bosnia and Herzegovina, etc.) with the help of a 1975 map of memorials, bringing before our eyes a series of melancholy yet striking images. His photos raise a question: can these former monuments continue to exist as pure sculptures? On one hand, their physical dilapidated condition and institutional neglect reflect a more general social historical fracturing. And on the other hand, they are still of stunning beauty without any symbolic significances. I know this may sound schizophrenic if you also read my last post. But maybe there are forms that can transcend meaning...
http://www.cracktwo.com/2011/04/25-abandoned-soviet-monuments-that-look.html

938 Composant électronique GoTronic : catalogue de composants électroniques et appareils électroniques
GoTronic, vente par correspondance de composants et appareils √ɬ©lectroniques : accessoires tv vid√ɬ©o, alarmes, t√ɬ©l√ɬ©commandes, appareils de mesure, audio, cam√ɬ©ras, vid√ɬ©osurveillance, commutateurs, connectique, fils et c√ɬĘbles, livres techniques et CD-ROM's, micro-informatique, opto√ɬ©lectronique, refroidisseurs et ventilateurs, robotique, transformateurs, fusibles, accus Accessoire alarme, Accessoire t√ɬ©l√ɬ©phonique, accumulateur, accumulateur chargeur, accumulateur pile √ɬ©lectrique, accus, accus batterie, accus chargeur, accus pile, accus rechargeable, Adaptateur secteur, Adh√ɬ©sif, A√ɬ©rosol, Afficheur, Afficheur √ɬ† leds, Afficheur alphanum√ɬ©rique, Afficheur de tableau, Afficheur lcd, Aide m√ɬ©moire, Aimant, alarme, alarme anti intrusion, alarme domestique, alarme habitation, alarme intrusion, alarme maison, alarme sans fil, alarme vid√ɬ©osurveillance, alarme voiture, Alimentation, alimentation 12 volts transformateur, alimentations, Ampli r√ɬ©partiteur, Amplificateur, Ampoule, Antenne, Antenne active, Appareil de mesure, appareil de mesure √ɬ©lectronique, Appareil pour chien, Appareils de mesure, Argent conducteur, Audio, Aurel, Balance digitale, Balance num√ɬ©rique, Ballast, Bargraphe, Barrette de connexion, Barrette s√ɬ©cable, Barri√ɬ®re infrarouge, Barri√ɬ®re IR, Basic Stamp, batterie d'accumulateur, batterie √ɬ©lectronique, Bloc laser, Bloc secteur, Bo√ɬģte de connexion, Bo√ɬģtier √ɬ©lectronique, Boomer, Borne pour haut parleur, Bornier, Bornier √ɬ† poussoir, Bornier pour haut parleur, Bouton, Bouton √ɬ† blocage, Bouton compte tours, Bouton poussoir, Bouton-poussoir, Bracelet antistatique, Brosse antistatique, Brucelle, Buzzer, c√ɬĘble, c√ɬĘble coaxial, c√ɬĘble et connectique, c√ɬĘble et connectique audio vid√ɬ©o, c√ɬĘble peritel, Cadre pour afficheur, cam√ɬ©ra, Cam√ɬ©ra de recul, cam√ɬ©ra de surveillance, cam√ɬ©ra vid√ɬ©o, cam√ɬ©ra vid√ɬ©osurveillance, Capacim√ɬ®tre, Capsule √ɬ† ultrasons, capteur, Capteur √ɬ† effet Hall, Capteur de courant, 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d'alarme intrusion residentiel, Table de mixage, Tachym√ɬ®tre, Talkie walkie, Tapis antistatique, Tapis de contact, Tapis de r√ɬ©paration, T√ɬ©l√ɬ©commande, t√ɬ©l√ɬ©commande de t√ɬ©l√ɬ©vision, t√ɬ©l√ɬ©commande infrarouge, t√ɬ©l√ɬ©commande radio, t√ɬ©l√ɬ©commande t√ɬ©l√ɬ©viseur, t√ɬ©l√ɬ©commande tv, T√ɬ©l√ɬ©controlli, T√ɬ©l√ɬ©m√ɬ®tre, T√ɬ©l√ɬ©rupteur, T√ɬ©l√ɬ©rupteur bipolaire, Temporisateur, Temporisation, temporisation type 86, Testeur de r√ɬ©seau, Testeur √ɬ©lectronique, Testeur infrarouge, T√ɬ™te LNB, Thermistance, Thermom√ɬ®tre, Thermostat, THT, Thyristor, Tore, Tore de ferrite, Touche, Tranfo torique, Transducteur √ɬ† ultrasons, Transducteur pi√ɬ©zo, Transducteur pi√ɬ©zo√ɬ©lectrique, Transfo moul√ɬ©, Transfo THT, transformateur, transformateur 12v 220v, transformateur 12v 230 v, transformateur 12v 230v, transformateur 12v √ɬ©lectricit√ɬ©, transformateur 220 12 volts, transformateur 220v en 12v, transformateur de tension, transformateur √ɬ©lectrique, Transformateur FI, transformateur monophase, Transformateur moul√ɬ©, Transformateur THT, Transformateur torique,
http://www.gotronic.fr/index.htm

884 jh_polykorg_clone
I have started to build a (slightly) updated version of the Korg PS-3200 synthesizer. The PS-3200 was the last of three fully polyphonic, semi-modular analogue synthesizers offered by Korg in the late 70's. (See Ben Ward's excellent Korg PS site for detailed information, including user manuals.) The concept of the PS-Synthesizers was different from other manufacturer's early polyphonic instruments. Instead of using a small number of voices and a clever keyboard assigning circuit, the "PolyKorgs" had a complete synthesizer circuit, hard wired to each key. That makes a total of 48 VCFs, 48 VCAs and 48 voltage controlled ADSRs even for the smallest of the range, the PS-3100. The largest of the range, PS-3300, even had 144 of these circuits. The sheer number of synthesizer circuits called for an extremly economic circuit design, and it's a joy to look at Korg's design ideas which led to building blocks that almost did the same as in the better known "classic" synthesizers. And after many years of engineering and reverse-engineering electronic music circuits, I have learned to look at odd solutions not as "substandard", but as a source of creativity an individual character. Here's a list of some highlights: Function Implementation Side effects Single-Transistor Waveform Converter creates triangle, saw, pulse and PWM from saw input, using one (!) transistor, one diode and two resistors per voice, plus two global control voltages Pulse height also changes with pulse width 5-Transistor-VCF (Korg-35) A Voltage controlled 2-pole (Sallen&Key) LPF built from 5 transistors rather high CV feedthru Single-Diode VC Resonance The dynamic resistance of a simple diode is used to alter the feedback gain of the VCF limited range of Q "Expand" function instead of VCF Envelope modulation depth Instead of scaling down the ADSR with a VCA, the a variable portion of the Envelope is just clipped with a single diode. It's so remarkably close to ordinary VCA function that apparently nobody takes notice. At least I have not read about it anywhere. At slow Atack times, the Envelope appears delayed at the VCF (no effect until th eclipping point is reached). Usefull for Brass sounds, and not easy to emulate with conventional synthesizers. Minimum parts count Voltage Controlled ADSR Three transistors, 1/2 of a LM324 and one CD4007 per voice. Plus some more involved control circuit, shared by several voices Transistors must be selected in 13-tuples, not just in pairs. ADSR detail (1): One-opamp control logic 1/4 LM324 is used as Flipflop, which is dynamically set by Gate-ON, dynamically reset by Gate-OFF, statically reset when the attack peak voltage is reached, and whose set/reset sensitivity is altered by a CV Very odd "Hold" function, depending on the "Attack"-value. But very useful in practise. ADSR detail (2): Single-Transistor, exponential slope VC-Decay Using a single transistor per voice for VC Attack and Release is remarkable already, even though the A and R slopes are linerar. But the Decay slope is exponential, and this is achieved with a single transistor and two resistors per voice! The Decay time range is rather limited. No ultra fast Decay, and no ultra slow Decay either. Single-Transistor VCA That's the "Korg standard" VCA, well known from other instruments like the MS-10.
http://jhaible.de/polykorg/jh_polykorg_clone.html

871 Get familiar with HTML5! - Dev.Opera
Dev.Opera article: Get familiar with HTML5! developer,article,html, wsc,html5,web standards curriculum,open web Introduction Most of the web standards curriculum is based on the last stable version of HTML ‚ÄĒ HTML 4.01. The HTML 4.01 spec was completed in 1999, over 10 years ago as of the time of this writing! But unless you've been hiding under a rock for the last year or so, you'll be well aware that there is a new version of HTML in production ‚ÄĒ HTML5! So why have we been teaching you HTML 4.01 in spite of this? In this article we'll answer this question, and many more. We'll give you the essential background you need to know on why HTML5 came about, and where it is up to now. We'll advise you on how it can fit into your learning right now, even if you are a novice web designer or developer, and we will look at some of the main features of HTML5, so you can see what it adds to the already powerful HTML language.
http://dev.opera.com/articles/view/get-familiar-with-html5/

727 How To Create an Antique Mirror Effect | Apartment Therapy DC
How To Create an Antique Mirror Effect Mclain Wiesand, a Baltimore-based custom furniture company, has made a name for itself by producing handcrafted pieces that capture the feel of real antiques. One of the techniques they use for aging mirror is wonderfully simple and serves as the inspiration for this how to. Creating an antique mirror effect is an inexpensive way to revamp a flea market find, or add a new layer of interest and depth to an ordinary wall mirror. Almost any type of mirror can be aged using this technique, including mirrored plexiglass. Supplies ‚ÄĘ Mirrored glass or plexiglass. Due to the type of paint applied to the reflective coating, inexpensive, craft-store mirror works wonderfully. ‚ÄĘ Latex or other gloves for hand protection. ‚ÄĘ Paint stripper. Most types work fine. For a less toxic product, Citristrip works well. ‚ÄĘ Plastic putty spreader or putty knife. ‚ÄĘ Modern Masters Metal Effects Black Patina. This patina solution is essentially an acid that eats at the reflective surface of the mirror. There are probably other products that work similarly, but Modern Masters products work well and can be found online or in most art supply stores or specialty paint stores. ‚ÄĘ 1‚ÄĚ chip brush (or similar brush). ‚ÄĘ Silver paint of choice. Steps Step 1: (Image 2, above) Wearing gloves, place mirror face down on cardboard or other protected surface in a well-ventilated area. Apply stripper generously to back of mirror and allow to sit for a few hours, or until paint can be easily removed with plastic scraper. It is not necessary for all of the paint to be removed; generally speaking, 80-90% should suffice. When paint has been stripped, wash mirror with soap and water and allow to dry. Step 2: (Images 3 & 4) Place stripped mirror face down on clean cardboard or other protected surface. Dip chip brush in Modern Masters Metal Patina Solution and gradually apply it to the raw reflective surface of the mirror. As mirror tends to age from the edges inward, it is best to apply patina solution in heavier amounts around the edges of the mirror. In a matter of minutes (or less), the patina solution will begin to eat away at the reflective surface. Other application techniques that produce nice effects are spattering and light directional brushing of patina solution. Continue applying solution until desired level of ageing is achieved. Rinse with water to neutralize the reaction and allow to dry. Step 3: (photos 5 & 6) This next step involves reapplying paint to the back of the mirror. The color paint you choose will be visible through the spots created by the patina solution. The dark areas of aged antique mirrors tend to be a dark silver-grey but depending on the silvering technique used, can range from gold to pale silver to black. One method that produced nice results is a combination of dark and light silver paints, applied randomly (per images). Apply paint until the reflective surface is completely covered.
http://www.apartmenttherapy.com/dc/how-to/how-to-create-an-antique-mirror-effect-127227

691 visualizing.org
Visualizing.org is a community of creative people working to make sense of complex issues through data and design‚Ķ and it‚Äôs a shared space and free resource to help you achieve this goal. Why Visualizing.org? By some estimates, we now create more data each year than in the entirety of prior human history. Data visualization helps us approach, interpret, and extract knowledge from this information. Over the last couple of years, we‚Äôve seen government agencies, NGOs, and companies open up their data for the public to see and use. And we‚Äôve seen data visualization figure more prominently in design curricula, conference programs, and the media. We created Visualizing.org because we want to help connect the proliferation of public data‚Ķ with a community that can help us understand this data‚Ķ with the general public. What is Visualizing.org? What can I do on the site? For designers: Visualizing is a place to showcase your work, get feedback, ensure that your work is seen by lots of people and gets used by teachers, journalists, and conference organizers to help educate the public about various world issues Visualizing is a free resource to search for data Use Visualizing to keep up with and be inspired by the latest work from other designers and design schools Learn about new visualization tools, blogs, books and other resources to help your work Everything you upload remains your sole and exclusive property and is licensed under a Creative Commons Attribution Non-Commercial Share-Alike License For teachers and schools: Visualizing is a place to exhibit the collective work of your students, organize assignments and class projects, and help your students find data for their own visualizations We‚Äôre working on new tools to help you share teaching material with other teachers As an Academic Partner, your students are eligible to participate in various design competitions ‚Äď we‚Äôre hosting the first Visualizing Marathon in New York in October To learn more, contact Saira Jesani For bloggers and journalists: Visualizing is a resource to find data visualizations about a wide variety of world issues to inform and accompany your own reporting ‚Äď and it‚Äôs easy to embed visualizations and widgets from Visualizing on your own site For conference organizers: As a Knowledge Partner, Visualizing allows you to use data visualizations at your conferences under a Creative Commons License To learn more, contact Saira Jesani For all: Visualizing is a new and fun online resource to learn more about the world in all its complexity and inter-dependence -- and become more comfortable with data and how it can be visually represented How does it work? The site is open and free to use. Everything you upload remains your sole and exclusive property and is licensed under a Creative Commons Attribution Non-Commercial Share Alike License. Simply put, this means that anyone can share, copy, remix, or build upon the visualization as long as: (i) it is used non-commercially; and (ii) the visualization‚Äôs creator and source are credited.
http://www.visualizing.org/

670 Blocket.se - Sveriges största Köp & Sälj marknad
Sveriges st√ɬ∂rsta k√ɬ∂p- och s√ɬ§ljmarknad. Bilar, b√ɬ•tar, m√ɬ∂bler, l√ɬ§genheter, fritidsboende, kl√ɬ§der & skor, tj√ɬ§nster m.m. Bilar,Bildelar,Biltillbeh√ɬ∂r,B√ɬ•tar,B√ɬ•tdelar,tillbeh√ɬ∂r,Husvagnar,Husbilar,Mopeder,A-traktor,Motorcyklar,MC-delar,tillbeh√ɬ∂r,Sn√ɬ∂skotrar,Sn√ɬ∂skoterdelar,tillbeh√ɬ∂r,Lastbil,Truck,Entreprenad,Skogs-,Lantbruksmaskiner,Bygg,Tr√ɬ§dg√ɬ•rd,Verktyg,M√ɬ∂bler,Heminredning,Husger√ɬ•d,Vitvaror,L√ɬ§genheter,Fritidsboende,Tomter,G√ɬ•rdar,Utland,Villor,Radhus,Barnkl√ɬ§der,Skor,Barnartiklar,Leksaker,Accessoarer,Klockor,Kl√ɬ§der,Skor,Datorer,TV-spel,Ljud,Bild,Telefoner,Biljetter,Resor,B√ɬ∂cker,Studentlitteratur,Cyklar,Djur,Hobby,Samlarprylar,H√ɬ§star,Ridsport,Jakt,Fiske,Musikutrustning,Sport,Fritid,Aff√ɬ§rs√ɬ∂verl√ɬ•telser,Inventarier,Maskiner,Lokaler,Fastigheter,Tj√ɬ§nster,Jobb,Efterlysningar,√ɬĖvrigt
http://www.blocket.se/

630 Push-Pull :: Synthés + Prod musicale en tous genres...
Mes démos "monomachines" Principe: le morceau est réalisé avec uniquement des sons du synthé en question. Pas d'effets à part un peu de delay ping-pong et un peu de reverb. Pour les synthés monophoniques, les parties poly sont enregistrées voix après voix, à l'ancienne ! Une technique un peu "lourde" mais qui en vaut la peine. Sauf remarque, les parties de batteries sont réalisées avec des sons du synthé concerné. Parfois joués sur le synthé (JP6) ou samplés pour plus de souplesse (MS20, Yusynth). Korg: MS10 - Fade To Grey La rythmique vient d'une TR606, le vocoder est celui du microkorg. MS20 for Couch Potatoes Ma première démo monomachine. MS20 sur une plage bretonne MS20 by Night MS20 - Tribute to Sergei MS20 - Introspection MS20 passé dans le delay Spacebug d'Eowave. MS20 - J'ai froid MS20 - Nazareth Enregistré un 25 décembre, avec un controleur de souffle BC2 Yamaha pour moduler le lead. MS50 - The Last Oscillator Les sons de drum sont des samples d'une Oberheim DX. Roland: SH09 - Solarize JP6 - From Io to Callisto JP8 - La prise de Carthage Les parties de percussions et batteries proviennent de divers softs. Yamaha: CS30 - Hamamatsu Les sons de drum sont issus de divers samples. CS30 - Hamamatsu (drumless) Le même, sans la piste de drum. DX7 - At Night in the Cuyabeno Jungle La nappe de strings discrète qui apparait depuis le millieu du morceau vient d'un Korg Z1. Divers: Clavia micromodular - Face nord Exercice d'imitation d'un MS20. OSCar - From Oxford With Love Les sons de drum sont issus de divers samples. Yusynth/DotCom - Modular Snow Les nappes viennent du Yamaha D85. Yusynth/DotCom - Little Bear Les nappes viennent du Yamaha D85.
http://www.pushpull.ch/demos.htm

466 Musicians ‚Äď This Is How You Create A Great Looking Facebook Page
Like most of you, I too LIKE Facebook, and ever since my last TechCrunch post (How to Build Engaging One-of-Kind Facebook Fan Pages), I've been exploring and trying to find new ways to improve the creation process of a Page. This time, I'd like to focus on a how-to for the musicians among you.
http://techcrunch.com/2010/06/27/facebook-musicians-page/

428 Alain Neffe and the Home-Taped Electronic Music Revolution
Alain Neffe launched his first tape label at home in Belgium in 1981. He called it Insane Music Contact and his first installment was called Insane Music for Insane People. Thus began a nearly thirty year foray into home-made, visionary and utterly unfashionable electronic music that has hardly made anyone involved a household name. Insane Music released 55 titles in its most prolific years (1981-87). Five of these were vinyl records and the rest were cassettes tapes. Why cassettes tapes? Magnetic tape was the obvious solution to the problem facing many artists working without record contracts in those days. Cassettes could be recorded at home, produced at home, dubbed at home, and sold or traded by mail. No need for tasteless outside producers and marketing mojo‚ÄĒone needed only leave home to buy more tapes. Says Neffe, ‚ÄúI could copy the tapes on demand. Releasing an LP required that you print 500 copies and 1000 copies of the cover sleeve, and everything had to be paid up front ‚Ķ if the buyer didn‚Äôt like the music, he or she could wipe it out and record something else on it.‚ÄĚ Mr. Neffe was not the only one out there recording, selling and trading tapes by mail. On both sides of the Atlantic, home cassette technology was permitting the release of much groundbreaking and breathlessly beautiful work, as well as some noxious and otherwise self-indulgent wanking‚ÄĒthat coat of many colors we call the DIY (do-it-yourself) Revolution. As early as 1974, Albrecht/d. self-released a cassette entitled Amsterdam Op De Dam in Germany. In 1976, Throbbing Gristle was distributing tapes of their infamous live recordings, and in 1977, the French electro-industrial unit Die Form began releasing tapes on their own Bain Total label. 1980 saw the release of two monumental self-released cassettes, The Storm Bugs‚Äô A Safe Substitute and Colin Potter‚Äôs The Ghost Office. In Japan, 1980 saw the release of Merzbow‚Äôs first two cassettes, Remblandt Assemblage and Fuckexercise. And in the USA, 1981 saw John Bender‚Äôs Plaster: The Prototypes, a laconic and mysterious series of tone and vocal poems. Home taping was not limited to electronic music. R. Stevie Moore, one of the elder living ancestors of the lo-fi rock aesthetic, began releasing distributing home-made tapes via the R. Stevie Moore Cassette Club sometime in the 1970s. And tapes of live punk shows from the era continue to trade hands. Soon, cassettes were coming from everywhere: mysterious PO boxes in the Midwest, to which you sent a blank tape and three dollars and received the tape back with something on it. The Tellus Audio Cassette Magazine was a Fluxus-inspired subscription audio-journal dedicated to music as well as poetry and drama and other forms of audio-art. Zines like Factsheet Five and Unsound devoted entire columns to the material they received from bands on home-made cassette, and demo tapes began leaking to radio stations prior to official record release dates. It was a grassroots movement that marched in association with the self-publication of zines, comics, chapbooks, and other media. The medium had begun to become the message. Insane Music for Insane People (which eventually reached 25 volumes) was a series compiling all home-made electronic music made by artists from across the globe. By including in the liner notes the contact address for each artist featured, Neffe helped pioneer a snail-mail network for those interested in more of what they heard. Artists from all over Europe and the USA, from Japan, New Zealand, and beyond contributed over the years. One could send a few dollars to Insane Music Contact, receive tapes in the mail, write to artists involved and receive more cassettes. Insane Music Contact (now known as Insane Music) has always been a vehicle for Mr. Neffe‚Äôs own electronic music projects as well, many of which are periodically active to this day. Though he now makes liberal use of the CD format, Neffe‚Äôs artistic approach remains undiluted by years of underexposure. He expects very little acknowledgment of or remuneration for his efforts, which, for him, are emotional articulation, continued experimentation, and purity. It seems nothing but nothing could possibly catapult such heavily uncommercial sounds into the public consciousness‚Äďnot even this thirty-year retrospective box-set entitled The Insane Box released (ironically, on vinyl) by the venerable Frank Maier of Vinyl-on-Demand Records, an outfit devoted to preserving the precious gems of cassette culture before the evidence disintegrates. For this retrospective (4 LPs + a 7‚ÄĚ 45), Mr. Neffe has reached into dusty attic boxes, wherein lay unreleased (or hardly available) material by five projects of which he has been a part: BeNe GeSSeRiT, Human Flesh, Pseudo Code, I Scream and Subject. Each has a unique cerebral orientation and emotional vibe made possible by the combined efforts of invited guests; each runs the high fever of a man very much committed to a personal vision of artistic purity without virtuosity, and each is distinctly French. BeNe GeSSeRiT was not the first of Mr. Neffe‚Äôs projects to be recorded and distributed, but is, to my understanding, the genesis of his approach to music as ‚Äútexts‚ÄĚ or ‚Äúphotographs‚ÄĚ, or as he puts it, ‚Äúpotlatch music‚ÄĚ. On these early tracks we also detect a burgeoning interest in the endless expressive properties of the human voice, both explicitly human and as heavily-treated sound sculpture, both French and English At times, voices shout like besotted Celine parlor workers at each other from tenement windows; at other times a high-pitched female voice wails up and down like Catherine Ribeiro alone in her bathroom. In these tracks, one can also detect the half-digested influence of electro-rock luminaries Silver Apples, the avant-lashings a la Yoko Ono, and occasionally the thunder-beat of early Laibach. Primitive Casio electronics, stage whispers, delay echoes, tape loops, and a certain absurdist humor redolent of Erik Satie, neither dampen the fabric with melodrama, nor detract from the integrity of the grist, nor from the topical seriousness of the text‚Äôs subjects. BeNe GeSSeRiT is difficult music, even in the moments that risk elegy, yet it is still more accessible than some of the other Francophone avant-dada outfits of the day, such as DDAA and √Čtant Donn√©s, or Nurse with Wound in the UK. Human Flesh is decidedly more structurally cohesive and song-oriented than BeNe GeSSeRiT, and its predecessors and influences are less clear. Still there is a clear interest in the human voice, its textures and timbers when removed of sign value by backwards-masking, and the new textures that emerge when disassembled and reassembled. Even rock-oriented at times, Human Flesh chases a more delirious climax, for the hounds of the carnival are snapping at their heels as they run. This is also a project of varied angles and pursuits, sliding as it does into poetic electro-pop (the supple and Chicago-accented voice of the late Lydia Tomkiw, of Algebra Suicide, appears on two tracks), and moments of Half Japanese-style primitivism. The side-long track ‚ÄúLangsam‚ÄĚ is more reminiscent of Piper-era Pink Floyd and Brainticket, as well as other Krautrock, yet is still distinctly French. These early and rare tracks are, in contrast to the more ambitious Pseudo Code and the more intimate recordings by I Scream, more oblique for being a mix-down of materials sent to Neffe from artists around the globe. The track ‚ÄúSons of God?‚ÄĚ is also notable for what is perhaps the first recorded sample of the American fire-and-brimstone preacher Ferrell Griswold, whose voice has appeared in music by Front 242, Phallus Dei, Pragha Khan, et cetera. The cassette medium, for all its benefits to individual artistic expression and culture, is for the selfsame reasons impermanent. Magnetic tape has a thirty year lifespan if properly archived, which means both that preserving their contents in other formats is important, and that paying hundreds of dollars for the original artifacts is a questionable collectors‚Äô pursuit (nevertheless, you can watch it happen daily). With the advent of the mp3 and the efforts of Vinyl-on-Demand and other labels, Insane Music‚Äôs CD-r reissue program included, some of this exquisite material has been rescued from oblivion.
http://www.timesquotidian.com/2010/05/28/alain-neffe-and-the-home-taped-electronic-music-revolution/

423 MACBETH STUDIO SYSTEMS
Welcome to MacBeth Synthesizers! LATEST NEWS: 20/07/09 please scroll down for infoOver the last year and half or so, more products have been developed. Work has gone into the design of a new modular synthesizer system shared by two formats- the 3U format and the 5U format. The designs are relatively new but still retain the inherant qualities of the M3X, M5 and M5N synthesizers. The system is called the X-Series Modular Synthesizer after the popular M3X and its protégé keyboard synthesizer the X-Factor. This fully analogue keyboard is still under serious development and there will be more information to follow on that one. As a refreshing change from making the large scale semi modular M5 and M5N, I am now delving into the production of smaller, free for all systems that will probably grow large! I'm taking into it all my experience of designing both large and small analogue synthesizers as well as a few new ideas too. Please take the time to look around this website. In each catagory there is product information, sounds, tracks and links to other related media on the internet. Currently the 3U X-Series Dual Oscillator and 'Backend' Filter Combo are in production. I expect delivery of the Dual Oscillator within the next two weeks- shortly after that the 'Backend' Filter Combo will roll out of production. Please contact any of the Distributers listed to get your modules. I intend to produce a short run of the 5U modules soon, so once again- stay tuned for that... ...anyway! I have uploaded quite a few demo sounds on here- maybe not to everyones taste- but at least they make you think of what these modules could do in the right hands, i.e. you! - after all- I'm an engineer, not a muscian as such!...Well you decide! All MacBeth Products are built to exacting standards- from materials selection to the physical build. The PCBs and Sheet Metalwork are fabricated by Zot Engineering from Musselburgh, Scotland http://www.zot.co.uk and final assembly is performed by Diatron Assembly Systems from Norwich, England http://www.diatron.co.uk Both companies also manufacture equipment for the medical, military and aerospace sectors of industrial engineering
http://www.macbethstudiosystems.com/

395 The Ultimate CSS3 Toolbox: 50+ Resources, Tutorials and Articles | CreativeFan
The ultimate CSS3 toolbox, with introductory articles, then tutorials, then see what's possible with inspiration and finally some more resources. css3, css, resources, tutorials, tips, tricks, techniques, css3 tips, css3 tutorials, css3 tutorial, css3 tip, css techniques, css3 techniques Last week, I published a massive roundup of HTML5 resources, articles, tips and techniques, and it was a big hit within the design and development community. Since HTML5 is only of the upgrades that is being rolled out, I thought it would be appropriate and helpful to assemble a set of CSS3 resources. This post serves as the ultimate CSS3 toolbox. You’ll start with a few introductory articles, then jump right in with tutorials, then see what’s possible with inspiration and finally some more resources. If you have any resources to add to the list, please, let us know in the comments!
http://creativefan.com/the-ultimate-css3-toolbox-50-resources-tutorials-and-articles/

392 50 New Useful CSS Techniques, Tools and Tutorials - Smashing Magazine
Over the last years we've got a pretty good understanding of what CSS does, how it works and how we can use it for our layouts, typography and visual presentation of... web design, magazine, html, photoshop, wordpress, wallpaper, icons
http://www.smashingmagazine.com/2010/06/10/50-new-useful-css-techniques-tools-and-tutorials/

366 How to Track Down Anyone Online
When you're trying to find someone online, Google's not the only game in town. In the last two years, a handful of new people search engines have come onto the scene that offer better ways to pinpoint people info by name, handle, location, or place of employment. While there's still no killer, one-stop people search, there are more ways than ever to track down a long-lost friend, stalk an ex, or screen a potential date or employee. The next time you wonder, "What ever happened to so-and-so?" you've got a few power people search tools to turn to. How to Track Down Anyone Online, software, productivity, technology, downloads, life hacks, hacker, lifehacks, computing, lifestyle, timesavers, health, internet, personal technology, DIY, projects, tricks, advice, backup, email, Mac, Windows, Firefox, Google, Yahoo, Gmail, keyboard shortcuts, household, HOWTO, how to's, tutorials
http://lifehacker.com/329033/how-to-track-down-anyone-online/

318 knobs
Control knobs with metal inserts When it comes to the choice of control knobs for a synthesizer or modular project, one can pick very different styles, from cheap plastic knobs to stylish and more expensive phenol knobs with classy spun metal inserts. For my own projects I did a little survey of the second kind of knobs. Below is the result of my researches. You can also find infos at Emulator Achive.
http://yusynth.net/technique/knobs.html

280 How-To Permanently Delete Your Facebook Account
Over the last 12 months, Facebook has seen it√ʬĬôs share of controversy in regard to account privacy and it√ʬĬôs terms of service.¬† It√ʬĬôs hard to say what sparked all the excitement: Rapid growth of the service (#3 on the internet overall)?¬† Parents growing awareness of the site and how their kids were using it?¬† The Media?¬† Or perhaps they deserved it based on their unethical business practices, privacy policy and terms of service?¬† facebook,how-to,privacy,security
http://www.groovypost.com/howto/security/permanently-delete-your-facebook-profile-account/

258 SEOmoz | 30 SEO Problems & the Tools to Solve Them (Part 2 of 2)
Last November, I authored a popular post on SEOmoz detailing 15 SEO Problems and the Tools to Solve Them. It focused on a number of free tools and SEOmoz PRO tools. Today, I'm finishing up that project with a stab at another set of thorny issues that continually confound SEOs and how some new ...
http://www.seomoz.org/blog/30-seo-problems-the-tools-to-solve-them-part-2

202 How Accessible is Your Website? 8 Tools to Analyze Your Website’s Level of Accessibility | Spyre Studios
Designing a website that's as much successful as it is effective takes time, skills, and a lot of testing. Normally, when we're talking about web design and we hear the word testing, the first thing that comes to mind is usability, and that's fine, but when was the last time you sat down to analyze the level of accessibility of your website? Testing on other aspects of your website are important, however, a lot of us seem to neglect our websites accessibility. This can ultimately lead to the loss of a wide range of users and poor elements of design. But not to fear, below we've compiled a set of tools that will help you combat poor accessibility. Every tool is free to use and has been chosen because it's easy to use and offers quality testing. accessibility,tools
http://spyrestudios.com/website-accessibility-tools/

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