100SILEX, de 0 à 100 s: run
1529 Table de caracteres Unicode
unicode, signes, symboles, caracteres, table Unicode, jeu de caracteres, la liste des caracteres Unicode, UFT-8, les caracteres de facebook, encodage, symbole de coeur, de l ecriture, les langues, emoji, hieroglyphes, runes, symboles de fleche, cyrillique, latin, symboles monetaires
http://unicode-table.com/fr/#supplemental-symbols-and-pictographs

1522 5 Simple steps to secure TT-RSS reader
secure tt-rss, tt-rss security 5 Simple steps to secure TT-RSS reader July 27, 2015 by Anand Leave a Comment secure-tt-rss-ft Share: share htpcBeginner We recently presented Tiny Tiny RSS to you as a great alternative to Google reader, which is one more way you can extend the functionality of your home server or your hosting space. Hopefully, you already exported your data from Google Reader. In this post, we will show you how to secure TT-RSS reader to prevent unauthorized access. Tiny Tiny RSS is an open source web-based news feed (RSS/Atom) reader and aggregator, designed to allow you to read news from any location, while feeling as close to a real desktop application as possible. As we previously explained, it makes an ideal candidate to replace Google Reader. While there are services like Feedly and Newsblur grabbing the crowd Google Reader, which some of you may prefer, there are a group of people who would like to run a RSS reader on their own server and keep things private. Assuming that you have already installed Tiny Tiny RSS on your alternative to Google reader or hosting space, we will now show you how to secure TT-RSS reader. Secure TT-RSS Reader One of the main reasons to move to an RSS aggregator like TT-RSS is maintaining your privacy. So if you do not secure TT-RSS reader well you are not only making your data available public but also making your system vulnerable to potential attacks. Choosing a strong username and password while setting your TT-RSS is the first basic thing that you can do to secure TT-RSS reader. Listed below are few more ways you can increase TT-RSS reader’s security. 1. Rename TT-RSS Folder One of the first lines of defense is to not use tt-rss in your URL to access your TT-RSS reader. To do this on your hosting account, use a folder name other than tt-rss while installing TT-RSS. On your Linux home server, edit /etc/tt-rss/apache.conf and change the first /tt-rss to something else. An example is shown below. TT-RSS Rename URL TT-RSS Rename URL After making the change, restart your TT-RSS and Apache to apply the changes: sudo service tt-rss restart sudo serivce apache2 reload Your TT-RSS reader is now available through the new URL (example: http://mydomain.com/myreader) only. Amazon Kindle Fire HDX 2. Enable SSL Accessing TT-RSS through http sends all information as unencrypted data. This could mean less privacy due to potential sniffing. The solution is to encrypt the data during transfer, which makes sniffing by hackers harder. To enable and enforce HTTPS access on Linux servers with Apache, install the following run-time libraries: sudo apt-get install libssl0.9.8 libpam0g openssl Restart your Apache server as shown above. You should now be able to access your TT-RSS reader with HTTPS. Note that you may have to have a SSL certificate generated. Refer to Apache documentation if you want to generate your own certificate. By default, the system will install self-signed certificates for you. These certificates are likely to raise warnings when you point your browser to the site. 3. Disable Single User Mode By default the single user mode is already disabled (in /etc/tt-rss/config.php). Enabling single user mode will also disable TT-RSS login system. Therefore, keep the single user mode disabled. Disable Single User Mode Disable Single User Mode A better way to make it a single user system is by limiting the number of registrations to 1 as described below. For whatever reason, you still want to enable single user mode, make sure you implement Apache Authentication method described below. 4. Self Registrations Self registrations allow a visitor to register themselves, which could reduce TT-RSS security. If your TT-RSS will be for personal use only, then you may want to disable user registration by setting “ENABLE_REGISTRATION” to “false”. TT-RSS Self Registrations TT-RSS Self Registrations To further secure TT-RSS Reader, uou may also want to change “REG_MAX_USERS” to “1” to make your account the only account on TT-RSS. asus n66uASUS RT-N66U Dual-Band Wireless-N900 Gigabit Router asus n66u reviewsFind out why it is rated the best wireless router in its class. 5. Apache Authentication Last but not the least, enable Authentication. This is even more important if you have enabled “Single User Mode” describe above. Every time you access TT-RSS, you will be asked for a username and password as shown in the picture below: Secure TT-RSS Reader On your hosting account this equivalent to password protecting a directory, in this case the TT-RSS directory. To do this on your Ubuntu server, you will have to create a .htpasswd file. More information is available in Apache documentation. But the easiest way to achieve this is to use one of the htpasswd generators available online. After you enter the username and password two code blocks will be generated. Copy the contents of the .htpasswd code block and save it to /etc/apache2/.htpasswd_ttrss. Next, copy the contents of the .htaccess code block and add it to /etc/tt-rss/apache.conf as shown below: TT-RSS Apache Authentication TT-RSS Apache Authentication Save and exit. Restart both TT-RSS and Apache previous shown above. You should be prompted for a password every time you try to access TT-RSS. Some may think that this double authentication method is an extra inconvenience. But I would rather be safe than sorry. Go ahead, secure Tiny Tiny RSS Reader and enjoy reading articles on your private secure RSS Reader.
http://www.htpcbeginner.com/secure-tt-rss-reader/

1428 ÜberlagerungsempfĂ€nger - Recherche Google

https://www.google.fr/search?q=%C3%9Cberlagerungsempf%C3%A4nger&client=firefox-a&hs=RAY&rls=org.mozilla:fr:official&channel=fflb&source=lnms&tbm=isch&sa=X&ei=7ySfUqaCEuLA7AbHiYHQAw&ved=0CAkQ_AUoAQ&biw=1267&bih=445&dpr=1

1408 » Cut simple SMT Stencil from common aluminum flashing on your CNC Animodule.com
Cut simple SMT Stencil from common aluminum flashing on your CNC Here’s a quick photodoc of how I made a reusable SMT stencil from some aluminum siding I had laying around. It’s very simple to assemble and works great. Dirt cheap too. I had picked up a roll of aluminum flashing a few years ago to flash some chimneys I rebuilt/repointed and was curious to see how it would hold up as an SMT stencil. To buy an SMT stencil frame is near $1000 so I didn’t have much to lose if it didn’t work out. I cut the frame out of some birch plywood since I had some handy. Really any sturdy frame would do the trick. You could easily glue one together out of some 1x or trim board. I put a thicker sheet of aluminum down underneath the flashing to give the CNC endmill something sturdy to cut against and clamped it down stretched and tight. My thought there was that If I cut straight on the MDF it might push on the flashing and bend it before it cut through. A 1mm endmill did the trick. Each pass was .05mm deep. I pulled the Flashing tight and stapled it to the frame. No rocket science here. I taped up the inside edges so no solderpaste could squeeze between the frame and the stencil. I had some old screen print hinge boards so I just attached this frame the same way I would a screen print stencil. The only fiddly part was aligning the first PCB. You have to push around a little and lift the stencil and fiddle with it a little bit. Once I get all the pads lined up correctly I hold it in place and trace around it with a thin tip sharpie marker. Then you place the PCB in the outline. If you have the height adjusted correctly the stencil is sturdy enough to hold the PCB in place while you print the Solderpaste on it. just hold the stencil frame down and it pushes down on the PCB. I used a flexible putty knife as a squeegee. It worked fine. Cleanup was a breeze. Just scrape it off, unscrew the stencil frame from the hingeboard and stick it in the corner till you are ready to do another run.
http://www.animodule.com/diy-2/cut-simple-smt-stencil-from-common-aluminum-flashing-on-your-cnc/

1361 Java Online Compiler & Runner
Java Online Compiler IDE and Launcher for console programs and applets java compiler online, java compiler, online java compiler, applet compiler, java runner, java launcher, online java ide, java ide online, java program builder, online java publisher
http://www.browxy.com/

1306 Cern
Twenty years of a free, open web On 30 April 1993 CERN published a statement that made World Wide Web technology available on a royalty free basis, allowing the web to flourish On 30 April 1993 CERN published a statement that made World Wide Web ("W3", or simply "the web") technology available on a royalty-free basis. By making the software required to run a web server freely available, along with a basic browser and a library of code, the web was allowed to flourish.
http://info.cern.ch/

1282 Lotus Notes/Domino - Tools and utilities for Administrators and Users.
VirtualObjectives provides IT consulting services for Microsoft SQL Server administration, Tools and utilities for Windows environments, and Lotus Notes/Domino databases/utilities for system administrators. virtual,objectives,lotus,notes,domino,database,utility,utilities,program,application,free,freeware,windows,development,john buoro,notes.ini,notesini,killnotes,stopnotes,moontool,log analyser,log analyzer,analyser,analyzer,sendsmtp,mail box cleaner,notesrepair,repair notes,repair lotus notes,repair,compact,desktop,workspace,desktop6.ndk,error code,text formatting,text tools,csv,col2csv,col2tab,csv2tab,tab2csv,csv2html,html2csv,csv2xml,xml2csv,epolicy,policy,netware quota,user registration,id store,partcopy,stopnotes,killnotes,recover,password,mame,frontend,mamerunner,emulator,partcopy,sql server,clean drive pro,clean drive,dts,dts package,sql,sql server,script,rconsole
http://www.virtualobjectives.com.au/notesdomino/notesdomino-index.htm

1262 The Targum from the Beginnings
The Targum from the Beginnings "on the run thoughts" As it is written daily, the path and soul of the journey leading to great and fabulous discoveries with realizations and directionalisation entering into great things! paranormal
http://www.sevenfoldtruth.com/urantia-clues.htm

1247 Les commandes dos de Windows
Panneau de configuration * ACCESS.CPL : ouvre les options d'accessibilitĂ© (Pour XP uniquement) * APPWIZ.CPL : ouvre l'outil Ajouter/Supprimer un programme * AZMAN.MSC : ouvre le gestionnaire d'autorisations (Pour Vista uniquement) * CERTMGR.MSC : ouvre les certificats pour l’utilisateur actuel * CLICONFG : ouvre la configuration des clients SQL * COLLAB.CPL : ouvre le voisinage immĂ©diat (Pour Vista uniquement) * COMEXP.MSC ou bien DCOMCNFG : ouvre l'outil services et composants (Pour Vista uniquement) * COMPMGMT.MSC : ouvre l'outil de gestion de l'ordinateur * COMPUTERDEFAULTS : ouvrir l’outil des programmes par dĂ©faut (Pour Vista uniquement) * CONTROL /NAME MICROSOFT.BACKUPANDRESTORECENTER : ouvre le centre de sauvegarde et de restauration (Pour Vista uniquement). Tutoriel ICI * CONTROL ADMINTOOLS : ouvre les outils d'administrations * CONTROL COLOR : ouvre les paramĂštres de l'apparence * CONTROL FOLDERS : ouvre les options de dossiers * CONTROL FONTS : ouvre le gestionnaire de polices * CONTROL INTERNATIONAL ou bien INTL.CPL : ouvre les options rĂ©gionales et linguistiques * CONTROL KEYBOARD : ouvre les propriĂ©tĂ©s du clavier * CONTROL MOUSE ou bien MAIN.CPL : ouvre les propriĂ©tĂ©s de la souris * CONTROL PRINTERS : ouvre les imprimantes et les fax disponibles * CONTROL USERPASSWORDS : ouvre l’éditeur des comptes utilisateurs * CONTROL USERPASSWORDS2 ou bien NETPLWIZ : contrĂŽle les utilisateurs et leurs accĂšs< * CONTROL : ouvre le panneau de configuration * CREDWIZ : ouvre l’outil de sauvegarde et restauration des mots de passe des utilisateurs (Pour Vista uniquement) * DESK.CPL : ouvre les paramĂštres d'affichage * DEVMGMT.MSC : ouvre les gestionnaire de pĂ©riphĂ©riques. Tutoriel ICI * DRWTSN32 : ouvre Dr. Watson (Pour XP uniquement) * DXDIAG : ouvre l'outil de diagnostic DirectX * EVENTVWR ou bien EVENTVWR.MSC : ouvre l'observateur d'Ă©vĂšnements * FSMGMT.MSC : ouvre les dossiers partagĂ©s * GPEDIT.MSC : ouvre l’éditeur des stratĂ©gies de groupe (Pour les Ă©ditions professionnelles et plus de Windows) * HDWWIZ.CPL : ouvre l'assistant ajout de matĂ©riels * INFOCARDCPL.CPL : ouvre l'assistant compatibilitĂ© des programmes * IRPROPS.CPL : ouvre le gestionnaire d'infrarouge * ISCSICPL : ouvre l'outil de configuration de l'initiateur ISCI Microsoft (Pour Vista uniquement) * JOY.CPL : ouvre l'outil de contrĂŽleur de jeu * LPKSETUP : ouvre l’assistant d’installation et dĂ©sinstallation des langues d’affichage (Pour Vista uniquement) * LUSRMGR.MSC : ouvre l’éditeur des utilisateurs et groupes locaux * MDSCHED : ouvre l'outil de diagnostics de la mĂ©moire Windows (Pour Vista uniquement) * MMC : ouvre une nouvelle console vide * MMSYS.CPL : ouvre les paramĂštres de sons * MOBSYNC : ouvre le centre de synchronisation * MSCONFIG : ouvre l'outil de configuration du systĂšme * NAPCLCFG.MSC : ouvre l'outil de configuration du client NAP (Pour Vista uniquement) * NTMSMGR.MSC : ouvre le gestionnaire des supports de stockage amovibles * NTMSOPRQ.MSC : ouvre les demandes de l'opĂ©rateur de stockage amovible * ODBCAD32 : ouvre l'administrateur de sources de donnĂ©es ODBC * OPTIONALFEATURES : ouvre l’outil Ajouter/Supprimer des composants Windows (Pour Vista uniquement) * PERFMON ou bien PERFMON.MSC : ouvre le moniteur de fiabilitĂ© et de performances Windows. * POWERCFG.CPL : ouvre le gestionnaire des modes d’alimentation (Pour Vista uniquement) * REGEDIT ou bien REGEDT32 (Pour Vista uniquement) : ouvre l'Ă©diteur de registre * REKEYWIZ : ouvre le gestionnaire des certificats de chiffrement de fichiers (Pour Vista uniquement) * RSOP.MSC : ouvre le jeu de stratĂ©gie rĂ©sultant * SECPOL.MSC : ouvre les paramĂštres de sĂ©curitĂ©s locales * SERVICES.MSC : ouvre le gestionnaire de services * SLUI : ouvre l’assistant d’activation de Windows (Pour Vista uniquement) * SYSDM.CPL : ouvre les propriĂ©tĂ©s systĂšme * SYSEDIT : ouvre l’éditeur de configuration systĂšme (Attention, Ă  manipuler avec prudence) * SYSKEY : ouvre l’utilitaire de protection de la base de donnĂ©es des comptes Windows (Attention, Ă  manipuler avec extrĂȘme prudence !) * SYSPREP: ouvre le dossier contenant l'outil de prĂ©paration du systĂšme (Pour Vista uniquement) * TABLETPC.CPL : ouvre les paramĂštres pour Tablet pc (Pour Vista uniquement) * TASKSCHD.MSC ou bien CONTROL SCHEDTASKS : ouvre le planificateur de tĂąches (Pour Vista uniquement) * TELEPHON.CPL : ouvre l'outil de connexion tĂ©lĂ©phonique * TIMEDATE.CPL : ouvre les paramĂštres de l'heure et de la date * TPM.MSC : ouvre l'outil gestion de module de plateforme sĂ©curisĂ©e sur l'ordinateur local (Pour Vista uniquement) * UTILMAN : ouvre les options d’ergonomie (Pour Vista uniquement) * VERIFIER : ouvre le gestionnaire de vĂ©rification des pilotes * WMIMGMT.MSC : ouvre Windows Management Infrastructure * WSCUI.CPL : ouvre le centre de sĂ©curitĂ© Windows * WUAUCPL.CPL : ouvre le service de mise Ă  jour Windows (Pour XP uniquement) Programmes et outils Windows * %WINDIR%\SYSTEM32\RESTORE\RSTRUI.EXE : ouvre l’outil de restauration de systĂšme (Pour XP uniquement). Tutoriel ICI * CALC : ouvre la calculatrice * CHARMAP : ouvre la table des caractĂšres * CLIPBRD : ouvre le presse papier (Pour XP uniquement, pour l'ajouter Ă  Vista voir ICI) * CMD : ouvre l'invite de commandes * DIALER : ouvre le numĂ©rateur tĂ©lĂ©phonique de Windows * DVDPLAY : ouvre votre lecteur DVD * EUDCEDIT : ouvre l’éditeur de caractĂšres privĂ©s * EXPLORER : ouvre l'explorateur Windows * FSQUIRT : Assistant transfert Bluetooth * IEXPLORE : ouvre Internet explorer * IEXPRESS : ouvre l’assistant de crĂ©ation des archives auto-extractibles. Tutoriel ICI * JOURNAL : ouvre un nouveau journal (Pour Vista uniquement) * MAGNIFY : ouvre la loupe * MBLCTR : ouvre le centre de mobilitĂ© de Windows (Pour Vista uniquement) * MIGWIZ : ouvre l'outil de transfert de fichiers et de paramĂštres Windows (Pour Vista uniquement) * MIGWIZ.EXE : ouvre l'outil de transfert de fichiers et de paramĂštres Windows (pour XP uniquement) * MOVIEMK : ouvre Windows Movie Maker * MRT : lance l’utilitaire de suppression de logiciel malveillant. Tutoriel ICI * MSDT : ouvre l’outil de diagnostics et support Microsoft * MSINFO32 : ouvre les informations systĂšme * MSPAINT : ouvre Paint * MSRA : ouvre l'assistance Ă  distance Windows * MSTSC : ouvre l'outil de connexion du bureau a distance * NOTEPAD : ouvre le bloc-notes * OSK : ouvre le clavier visuel. Tutoriel ICI * PRINTBRMUI : ouvre l'assistant de migration d'imprimante (Vista uniquement) * RSTRUI : ouvre l'outil de restauration du systĂšme (Pour Vista uniquement) * SIDEBAR : ouvre le volet Windows (Pour Vista uniquement) * SIGVERIF : ouvre l'outil de vĂ©rification des signatures de fichiers * SNDVOL : ouvre le mĂ©langeur de volume * SNIPPINGTOOL : ouvre l'outil capture d'Ă©cran (Pour Vista uniquement). Tutoriel ICI * SOUNDRECORDER : ouvre le magnĂ©tophone * STIKYNOT : ouvre le pense-bĂȘte (Pour Vista uniquement) * TABTIP : ouvre le panneau de saisie Tablet PC (Pour Vista uniquement) * TASKMGR : ouvre le gestionnaire des tĂąches Windows * WAB : ouvre les contacts (Pour Vista uniquement) * WERCON : ouvre l'outil de rapports et de solutions aux problĂšmes (Pour Vista uniquement) * WINCAL : ouvre le calendrier Windows (Pour Vista uniquement) * WINCHAT : ouvre le logiciel Microsoft de chat en rĂ©seau (Pour Windows XP uniquement) * WINDOWSANYTIMEUPGRADE : permet la mise Ă  niveau de Windows Vista * WINVER : ouvre la fenĂȘtre pour connaĂźtre votre version Windows * WINWORD: ouvre Word (s'il est installĂ©) * WMPLAYER : ouvre le lecteur Windows Media * WRITE ou bien Wordpad : ouvre Wordpad Gestion des disques * CHKDSK : effectue une analyse de la partition prĂ©cisĂ©e dans les paramĂštres de la commande (Pour plus d’informations, tapez CHKDSK /? dans l’invite de commande CMD) * CLEANMGR : ouvre l'outil de nettoyage de disque * DEFRAG: DĂ©fragmente le disque dur (pour savoir comment utiliser, c'est ici ) * DFRG.MSC : ouvre l’outil de dĂ©fragmentation de disque * DISKMGMT.MSC : ouvre le gestionnaire de disques * DISKPART : ouvre l’outil de partitionnement (un peu lourd Ă  manipuler) Gestion des rĂ©seaux et Internet * CONTROL NETCONNECTIONS ou bien NCPA.CPL : ouvre les connexions rĂ©seau * FIREWALL.CPL : ouvre le pare-feu Windows * INETCPL.CPL : ouvre les propriĂ©tĂ©s internet * IPCONFIG : affiche les configurations des adresses IP sur l’ordinateur (Pour plus d’informations, tapez IPCONFIG /? dans l’invite de commande CMD) * NETSETUP.CPL : ouvre l’assistant configuration rĂ©seau (Pour XP uniquement) * WF.MSC : ouvre les fonctions avancĂ©es du pare-feu Windows (Pour Vista uniquement). Tutoriel ICI * À VOIR ÉGALEMENT : Commandes IP relatives aux rĂ©seaux sous Windows Commandes IP relatives aux rĂ©seaux sous Windows Il est parfois trĂšs utile de connaĂźtre les commandes IP, pour analyser voire configurer ses rĂ©seaux TCP/IP. Voici la liste de ces commandes Ă  utiliser dans une fenĂȘtre DOS : * Ping * Tracert * IpConfig * NetStat * Route * Arp * NbtStat * Telnet * Hostname * Ftp * NsLookUp * NetSh ------------------------------------------------------------------------------------------------------------------------------------------------ PING : Teste la connexion rĂ©seau avec une adresse IP distante ping -t [IP ou host] ping -l 1024 [IP ou host] * L’option -t permet de faire des pings en continu jusqu’à Ctrl-C. o Si vous avez prĂ©cisĂ© l'option -t vous pouvez Ă  tout moment avoir des statistiques sans interrompre les requĂȘtes ping en appuyant sur Ctrl+Attn (aussi nommĂ© Ctrl+Pause) Cette commande est aussi utile pour gĂ©nĂ©rer une charge rĂ©seau en spĂ©cifiant la taille du paquet avec l’option -l et la taille du paquet en octets. --------------------------------------------------------------------------------------------------------------------------------------------------- TRACERT : Affiche toutes les adresses IP intermĂ©diaires par lesquelles passe un paquet entre la machine locale et l’adresse IP spĂ©cifiĂ©e. tracert [@IP ou nom du host] tracert -d [@IP ou nom du host] Cette commande est utile si la commande ping ne donne pas de rĂ©ponse, afin d'Ă©tablir Ă  quel niveau la connexion est dĂ©faillante. -------------------------------------------------------------------------------------------------------------------------------------------------------------- IPCONFIG : Affiche ou rafraĂźchit la configuration rĂ©seau TCP/IP ipconfig /all [/release [carte]] [/renew [carte]] /flushdns /displaydns /registerdns [-a] [-a] [-a] Cette commande, exĂ©cutĂ©e sans option, affiche l’adresse IP en cours, le masque rĂ©seau ainsi que la passerelle par dĂ©faut au niveau des interfaces rĂ©seau connues sur la machine locale. * /all: Affiche toute la configuration rĂ©seau, y compris les serveurs DNS, WINS, bail DHCP, etc ... * /renew [carte]: Renouvelle la configuration DHCP de toutes les cartes (si aucune carte n'est spĂ©cifiĂ©e) ou d'une carte spĂ©cifique avec le paramĂštre carte. Le nom de carte est celui qui apparaĂźt avec ipconfig sans paramĂštre. * /release [carte]: Envoie un message DHCPRELEASE au serveur DHCP pour libĂ©rer la configuration DHCP actuelle et annuler la configuration d'adresse IP de toutes les cartes (si aucune carte n'est spĂ©cifiĂ©e) ou d'une carte spĂ©cifique avec paramĂštre carte. Ce paramĂštre dĂ©sactive TCP/IP pour les cartes configurĂ©es de maniĂšre Ă  obtenir automatiquement une adresse IP. * /flushdns: Vide et rĂ©initialise le cache de rĂ©solution du client DNS. Cette option est utile pour exclure les entrĂ©es de caches nĂ©gatives ainsi que toutes les autres entrĂ©es ajoutĂ©es de façon dynamique. * /displaydns: Affiche le cache de rĂ©solution du client DNS, qui inclut les entrĂ©es prĂ©chargĂ©es Ă  partir du fichier des hĂŽtes locaux ainsi que tous les enregistrements de ressources rĂ©cemment obtenus pour les requĂȘtes de noms rĂ©solues par l'ordinateur. Le service Client DNS utilise ces informations pour rĂ©soudre rapidement les noms frĂ©quemment sollicitĂ©s, avant d'interroger ses serveurs DNS configurĂ©s. * /registerdns: Actualise tous les baux DHCP et rĂ©inscrit les noms DNS. ------------------------------------------------------------------------------------------------------------------------------------------------------------------ NETSTAT : Affiche l’état de la pile TCP/IP sur la machine locale NETSTAT [-a] [-e] [-n] [-s] [-p proto] [-r] [intervalle] * -a Affiche toutes les connexions et ports d'Ă©coute (Les connexions cĂŽtĂ© serveur sont normalement inhibĂ©es). * -e Affiche les statistiques Ethernet. Peut ĂȘtre combinĂ©e avec l'option -s. * -n Affiche les adresses et les numĂ©ros de port sous forme numĂ©rique. * -p proto Affiche les connexions pour le protocole spĂ©cifiĂ© par proto; proto peut ĂȘtre TCP ou UDP. UtilisĂ© avec l'option -s pour afficher des statistiques par protocole, proto peut ĂȘtre TCP, UDP, ou IP. * -r Affiche le contenu de la table de routage. * -s Affiche les statistiques par protocole. Par dĂ©faut, des statistiques sur TCP, UDP et IP sont visualisĂ©es; l'option -p peut ĂȘtre utilisĂ©e pour spĂ©cifier un sous-ensemble du dĂ©faut. * intervalle: RĂ©affiche les statistiques sĂ©lectionnĂ©es, avec une pause de "intervalle" secondes entre chaque affichage. Appuyez sur Ctrl+C pour arrĂȘter l'affichage des statistiques. * -abnov Affiche les processus qui utilisent la connexion internet (Adresse IP local, port, adress IP distante et le PID du processus qui utilise la connexion ainsi que son nom). ------------------------------------------------------------------------------------------------------------------------------------------------------------------- ROUTE : Affiche ou modifie la table de routage ROUTE [-f] [commande [destination] [MASK masque rĂ©seau] [passerelle] * -f Efface les tables de routage de toutes les entrĂ©es de passerelles. UtilisĂ© conjointement Ă  une des commandes, les tables sont effacĂ©es avant l'exĂ©cution de la commande. * -p Rend rĂ©manente l’entrĂ©e dans la table aprĂšs le reboot de la machine * commande SpĂ©cifie une des quatre commandes : o DELETE: Efface un itinĂ©raire. o PRINT: Affiche un itinĂ©raire. o ADD: Ajoute un itinĂ©raire. o CHANGE: Modifie un itinĂ©raire existant. * destination: SpĂ©cifie l'hĂŽte. * MASK: Si le mot clĂ© MASK est prĂ©sent, le paramĂštre suivant est interprĂ©tĂ© comme le paramĂštre masque rĂ©seau. * masque rĂ©seau: Fourni, il spĂ©cifie la valeur de masque de sous-rĂ©seau Ă  associer Ă  cette entrĂ©e d'itinĂ©raire. Non spĂ©cifiĂ©, il prend la valeur par dĂ©faut 255.255.255.255. * passerelle: SpĂ©cifie la passerelle. * METRIC: SpĂ©cifie le coĂ»t mĂ©trique pour la destination ---------------------------------------------------------------------------------------------------------------------------------------------------------------------- ARP : RĂ©solution des adresses IP en adresses MAC. Affiche et modifie les tables de traduction des adresses IP en adresses physiques utilisĂ©es par le protocole de rĂ©solution d'adresses ARP. ARP -s adr_inet adr_eth [adr_if] ARP -d adr_inet [adr_if] ARP -a [adr_inet] [-N adr_if] * -a Affiche les entrĂ©es ARP actives en interrogeant le protocole de donnĂ©es actif. Si adr_inet est spĂ©cifiĂ©, seules les adresses IP et physiques de l'ordinateur spĂ©cifiĂ© sont affichĂ©es. Si plus d'une interface rĂ©seau utilise ARP, les entrĂ©es de chaque table ARP sont affichĂ©es. * -g Identique Ă  -a. * adr_inet SpĂ©cifie une adresse internet. * -N adr_if Affiche les entrĂ©es ARP pour l'interface rĂ©seau spĂ©cifiĂ©e par adr_if. * -d Efface l'hĂŽte spĂ©cifiĂ© par adr_inet. * -s Ajoute l'hĂŽte et associe l'adresse Internet adr_inet avec l'adresse physique adr_eth. L'adresse physique est donnĂ©e sous forme de 6 octets hexadĂ©cimaux sĂ©parĂ©s par des tirets. L'entrĂ©e est permanente. * adr_eth SpĂ©cifie une adresse physique. * adr_if PrĂ©cisĂ©e, elle spĂ©cifie l'adresse Internet de l'interface dont la table de traduction des adresses devrait ĂȘtre modifiĂ©e. Non prĂ©cisĂ©e, la premiĂšre interface applicable sera utilisĂ©e. --------------------------------------------------------------------------------------------------------------------------------------------------------------------- NBTSTAT : Mise Ă  jour du cache du fichier Lmhosts. Affiche les statistiques du protocole et les connexions TCP/IP actuelles utilisant NBT (NetBIOS sur TCP/IP). NBTSTAT [-a Nom Distant] [-A adresse IP] [-c] [-n] [-r] [-R] [-s] [S] [intervalle] * -a (Ă©tat carte) Liste la table de noms de la machine distante (nom connu). * -A (Ă©tat carte) Liste la table de noms de la machine distante (adresse IP). * -c (cache) Liste le cache de noms distants y compris les adresses IP. * -n (noms) Liste les noms NetBIOS locaux. * -r (rĂ©solus) Liste les noms rĂ©solus par diffusion et via WINS. * -R (Recharge) Purge et recharge la table du cache de noms distantes. * -S (Sessions) Liste la table de sessions avec les adresses destination IP. * -s (sessions) Liste la table de sessions convertissant les adresses de destination IP en noms d'hĂŽtes via le fichier hĂŽtes. Un Exemple : nbtstat -A @IP Cette commande renvoie le nom NetBIOS, nom du systĂšme, les utilisateurs connectĂ©s ...de la machine distante. -------------------------------------------------------------------------------------------------------------------------------------------------------------------- TELNET telnet telnet La commande telnet permet d'accĂ©der en mode Terminal (Ecran passif) Ă  un host distant. Elle permet Ă©galement de vĂ©rifier si un service quelconque TCP tourne sur un serveur distant en spĂ©cifiant aprĂšs l’adresse IP le numĂ©ro de port TCP. C’est ainsi que l’on peut tester si le service SMTP, par exemple, tourne sur un serveur Microsoft Exchange en utilisant l’adresse IP du connecteur SMTP et puis 25 comme numĂ©ro de port. Les ports les plus courants sont : * ftp (21), * telnet (23), * smtp (25), * www (80), * kerberos (88), * pop3 (110), * nntp (119) * et nbt (137-139). --------------------------------------------------------------------------------------------------------------------------------------------------------------------- HOSTNAME : Affiche le nom de la machine Ftp FTP: Client de tĂ©lĂ©chargement de fichiers ftp –s: * -s cette option permet de lancer des FTP en mode batch : spĂ©cifie un fichier textuel contenant les commandes FTP. --------------------------------------------------------------------------------------------------------------------------------------------------------------------- NsLookUp: envoie des requĂȘtes DNS sur un serveur DNS au choix nslookup [domaine] [serveur dns] La commande NsLookUp permet d'envoyer des requĂȘtes DNS Ă  un serveur. Par dĂ©faut, si vous ne mettez pas le serveur DNS, la commande utilisera celui qui est configurĂ© pour votre interface rĂ©seau (celui que vous utilisez pour naviguer sur internet, par exemple) mais vous pouvez forcer l'utilisation d'un autre serveur. Par exemple, pour demander au serveur DNS 10.0.0.3 l'adresse IP correspondante Ă  l'adresse www.commentcamarche.net: nslookup www.commentcamarche.net 10.0.0.3 * Si vous ne prĂ©cisez aucun paramĂštre pour nslookup, un shell s'ouvrira en attente de requĂȘtes de votre part. -------------------------------------------------------------------------------------------------------------------------------------------------------------------- Netsh (network shell : shell rĂ©seau) est un utilitaire en ligne de commande inclus dans la gamme des systĂšmes d'exploitation Windows NT (NT, 2000, XP, 2003 Serveur, Vista) Ă  partir de Windows 2000. Il permet la configuration du rĂ©seau, localement ou Ă  distance. Une utilisation classique de netsh est la rĂ©initialisation de la pile TCP/IP Ă  ses paramĂštres d'origines (Sous Windows 98, cette opĂ©ration nĂ©cessitait la rĂ©installation de l'adaptateur TCP/IP). Dans ce mode, vous devez fournir Ă  la commande un fichier journal (log). Celui-ci sera rempli avec les valeurs affectĂ©es par netsh. Netsh permet aussi (entre autres) de changer l'adresse IP de la machine. Exemples d'utilisations : - RĂ©initialisation de la pile TCP/IP : netsh interface ip reset C:\resetlog.txt - Adresse IP statique : netsh interface ip set address local static 123.123.123.123 255.255.255.0 - Adresse IP dynamique : netsh interface ip set address name="Connexion au rĂ©seau local" source=dhcp - Netsh et IPv6 : Netsh peut Ă©galement ĂȘtre utilisĂ© pour lire des informations provenant de la pile IPv6, cette commande est plus facile Ă  utiliser que la commande IPv6.exe et fournit quasiment le mĂȘme niveau d'information. Pour afficher votre adresse IPv6 en utilisant netsh : netsh interface ipv6 show address Autres commandes * %HOMEDRIVE% : ouvre l'explorateur sur la partition ou le systĂšme d'exploitation est installĂ© * %HOMEPATH% : ouvre le dossier d'utilisateur connectĂ© actuellement C:\Documents and settings\[nom d'utilisateur] * %PROGRAMFILES% : ouvre le dossier d’installation d’autres programmes (Program Files) * %TEMP% ou bien %TMP% : ouvre le dossier temporaire * %USERPROFILE% : ouvre le dossier du profil de l'utilisateur connectĂ© actuellement * %WINDIR% ou bien %SYSTEMROOT% : ouvre le dossier d’installation de Windows * %WINDIR%\system32\rundll32.exe shell32.dll,Control_RunDLL hotplug.dll : affiche la fenĂȘtre "Supprimer le pĂ©riphĂ©rique en toute sĂ©curitĂ©" * AC3FILTER.CPL : ouvre les propriĂ©tĂ©s du filtre AC3 (Si installĂ©) * FIREFOX : lance Mozilla FireFox (Si installĂ©) * JAVAWS : Visualise le cache du logiciel JAVA (Si installĂ©) * LOGOFF : ferme la session actuelle * NETPROJ : autorise ou pas la connexion Ă  un projecteur rĂ©seau (Pour Vista uniquement) * VĂ©rificateur des fichiers systĂšme (NĂ©cessite un CD de Windows si le cache n’est pas disponible): (Tutoriel ICI) o SFC /SCANNOW : scanne immĂ©diatement tous les fichiers systĂšme et rĂ©pare les fichiers endommagĂ©s o SFC /VERIFYONLY : scanne seulement les fichiers systĂšme o SFC /SCANFILE="nom et chemin de fichier" : scanne le fichier prĂ©cisĂ©, et le rĂ©pare s’il est endommagĂ© o SFC /VERIFYFILE="nom et chemin de fichier" : scanne seulement le fichier prĂ©cisĂ© o SFC /SCANONCE : scanne les fichiers systĂšme au prochain redĂ©marrage o SFC /REVERT : remet la configuration initiale (Pour plus d’informations, tapez SFC /? dans l’invite de commande CMD. * SHUTDOWN : Ă©teint Windows * SHUTDOWN –A : interrompe l’arrĂȘt de Windows * VSP1CLN : supprime le cache d'installation du service pack 1 de Vista (Tutoriel ICI) CrĂ©er votre propre commande Pour ceux qui aiment tout faire avec le clavier, il est possible de crĂ©er vos propres commandes exĂ©cutables dans Menu dĂ©marrer > ExĂ©cuter. Nous allons prendre l'exemple de la commande netnavig qui exĂ©cutera Mozilla FireFox. * Ouvrez la base de registre. * Allez vers la clĂ© HKEY_LOCAL_MACHINE puis les sous-clĂ©s successives \SOFTWARE\Microsoft\Windows\CurrentVersion\App Paths * Allez dans le menu Édition > Nouveau > ClĂ© et donnez-lui le nom netnavig.exe * Faites un double-clic sur la valeur que vous venez de crĂ©er, puis allez de nouveau dans le menu Édition > Nouveau > Valeur ChaĂźne et donnez-lui le nom Path * Faites encore un double-clic sur la valeur crĂ©Ă©e et entrez le chemin complet de l'application que vous voudrez lancer, dans notre exemple c'est C:\Program Files\Mozilla Firefox, puis validez. Il est possible de copier ce chemin Ă  partir de la barre d'adresse de l'explorateur directement. * Un autre double-clic sur la valeur (par dĂ©faut) et entrez l'exĂ©cutable de l'application avec son chemin complet : C:\Program Files\Mozilla Firefox\firefox, dans notre exemple. Ensuite, validez et fermez l'Ă©diteur de registre. Ainsi vous pouvez exĂ©cuter Mozilla Firefox juste en faisant: Menu dĂ©marrer > ExĂ©cuter > taper netnavig et valider. Vous pouvez faire la mĂȘme chose pour toutes les applications auxquelles vous voulez un accĂšs rapide avec le clavier.
http://www.artup-concept.com/commandes-dos-de-windows.html

1161 body rock tv fitness
I have a non-fitness related life situation that I wanted to run by you guys
. I wanted to talk to you guys today about not always having to say your sorry. Are you one of those people who finds yourself apologizing for things just to smooth things over or avoid a confrontation? This ability is admirable in certain low-key non-crucial situations. It’s when we apologize for our beliefs and principles – or in the face of being bullied that we pay the high price of compromising ourselves. I have a friend who is being treated badly by certain members of her family. It really comes down to her not living her life exactly the way they think she should be living it. My friend is not endangering herself or others, she is kind hearted and generous to the extreme, but because she is not pulling the line and placing the needs of others before her own basic needs and happiness she is taking a lot of undeserved heat bordering on emotional abuse. Her strategy to this point has been to apologize left and right in an attempt to smooth it over and reset everything. It hasn’t worked and if anything it has given the people giving her a hard time more of a license to push it even further. I think there comes a time when you just have to say enough and stop apologizing. I think that there is more strength and balance in believing in yourself and respectfully staying firm in your truth. From this position I think both sides have the best chance of talking it through and resolving it. What do you guys think? Do you find yourself constantly apologizing to certain people in your life? Is it helping or making the relationship more challenging? Any advice for my friend?
http://www.bodyrock.tv/

1148 reichelt.de electronique
Profi-QualitÀt zu Discount-Preisen. Elektronik und Technik jetzt online bestellen - Schnelle Lieferung + Kompetenter Service. ,, profi-qualitÀt zu discount-preisen. elektronik und technik jetzt online bestellen - schnelle lieferung + kompetenter service.
http://www.reichelt.de/

1132 Mammoth Modular Synthesizer At MIT Museum
Just got an update from Joe Paradiso on his homebuilt mammoth analog modular synthesizer. He’s installed it in the MIT Museum and has completed a fairly epic patch which you can listen to (24 hours a day!) here. Joe will be at the museum this Thursday and Friday (2/23 and 2/24) at 1pm, demoing the synth to visitors, so be sure to stop by if you’re in the neighborhood. Here’s some info from Joe on the construction and inspiration for the latest patch. The second patch I made at the MIT Museum is totally done now, and you can hear it live on the stream. Listen to it at http://synth.media.mit.edu, and let me know what you think if you’re inclined – it’s running in physical space in Quad, of course – stereo on the stream. Note that this one has absolutely NO sequencer of any sort on it – all of the patterns you hear were made entirely from hand-patched logic (counters, ands, ors, flip flops, ring counters, rate multipliers, etc.). It’s an entirely different kind of composition environment from the norm – you really need to simultaneously be an engineer while being an artist and something of a performer. The inspiration for this patch started with the Boredoms – if you don’t know who they are, you should (http://www.boredoms.jp/). In particular, I was thinking of SuperRoots 9. The beauty of the patching interface is that you can never exactly nail what you start out to attain, but on the other hand, you get drawn into places you wouldn’t have normally gone once you start. The 3 drummers that Yamantaka Eye performs with lay down a compelling rhythm that my hand-patched logic and analog processing can’t match, of course. But this patch definitely has a strange jumpy groove once it gets into gear, and the 2-chord pad is archetypical too. Yes, Boredoms rule today! BTW, this patch took every cord I had, plus a good 30 more wires just shoved into the pin jacks – check out the photos here and here – the latter shows the kind of logic section patching complexity you need to build a sonic environment like this one. I’m ripping this baby out next Thursday, as I’ll be at the museum next Thursday and Friday (2/23 and 2/24) at 1pm to demonstrate the synthesizer to visitors – doing some very simple patches and showing off what the modules do in case anybody is interested in this. It will run continuously until then. Otherwise, enjoy the stream – there are moments of introspective drift in-between wild percussion (yes, Boredoms!). I might pull the percussion line back so it doesn’t come so often or regularly, but it’s essentially a wrap.
http://synth.media.mit.edu/

1078 The Modular Synth
A long time ago, in a galaxy far away, before your local music shop was packed with the latest digital synths, even before the early analogue monosynths, if you wanted a synthesizer you had to make it yourself. Modular synthesis is not in itself a different type of synthesis, but refers to the fact that a synth would be built up from individual components (modules) , which would be linked together (patched) in a configuration decided by the person doing the building. Compared with today's 'plug and play' synths which come with 100's of presets, GM soundsets, etc, this has the obvious disadvantage that 'recalling' a preset can only be done if your synth is patched together in exactly the same way every time and every controller has to be manually set to the same parameter. However, the big advantage of Modular synthesis, of course, is that, providing you have the right components, you can build practically anything you want, without being constrained by the 'hardwired' configurations of modern factory built synthesizers. The Pulsar/Scope Modular synth, like any other Modular 'soft synth' brings together the advantages of both Modular synths and modern factory built synths. Modular configurations can be saved as patches for total recall later on, and each patch can contain any number of presets, again for later recall. Furthermore, with a software modular, you can re-use each component as many times as you wish within one patch, you never run out of cables, you don't have to dedicate a whole room to the synth and the modules never suffer from physical damage. What's more, each parameter can be controlled by MIDI so parameter changes can be recorded into your sequencer in real-time.
http://www.modularsynth.co.uk/themodularsynth.shtml

1071 Musiques Incongrues - Mutantswing Radio : de nouveaux copains on dirait !
http://www.mixcloud.com/mutantswing/mutantswing-radio-1-fail-part-2/#utm_source=redirect&utm_medium=shorturl&utm_campaign=cloudcast Torgny & Happy Joe 1 Curt Lazers Saxparty Buy 2 Curt Lazers Kurtz Buy 3 Torgny & Happy Joe 4 Gangpol & Mit Effet Kazoo Buy 5 Aelters Idworldnite Buy 6 The Bran Flakes Hey Wont Somebody Come And Play Buy 7 Neros Day At Disneyland Untitled Buy 8 Torgny & Happy Joe 9 Shit On The Pitt Hallou Torso Buy 10 Roger Species Donkey Says Hello Buy 11 Silverlink Drunk Girls Buy 12 Torgny & Happy Joe 13 Wevie Stonder Egg-Nition Buy 14 Roger Species Fuck Off Buy 15 Los Kinkos Girls To Watch Music By Buy 16 Dan Deacon I Have musiques incongrues, da ! heard it records, the brain, egotwister
http://www.musiques-incongrues.net/forum/discussion/4759/mutantswing-radio-de-nouveaux-copains-on-dirait-/#Item_1

1069 WebAudio Drum Machine
Create custom drum beats with a few clicks. Choose from 15 drum kits and 26 effects, and adjust the pitch of each drum. Save and share your beatsñ€© rock on!
http://chromium.googlecode.com/svn/trunk/samples/audio/shiny-drum-machine.html

1066 EML Electrocomp 101
Electronic Music Labs (EML), based in Vernon, CT, was a rather strange but interesting outfit that, for a brief period in the early 1970s, had some success in the commercial synthesizer market. The company was founded and largely run by electrical engineers rather than musicians, an attribute with both strengths and weaknesses.
http://home.hiwaay.net/~cornutt/Music/Web%20Page/EML.html

1050 Frieze Magazine | Comment | Conrad Schnitzler
In the early 1960s, Conrad Schnitzler met Joseph Beuys in a bar in DĂŒsseldorf. Beuys was at the start of his legendary run as a professor of ‘monumental sculpture’ at DĂŒsseldorf’s Kunstakademie. Schnitzler was a sailor, who specialized in fixing the engines of merchant ships in nearby ports. Beuys took a liking to Schnitzler, inviting him to be one of his students. Schnitzler enrolled at the Kunstakademie, but dropped out a year or two later, much to Beuys’ dismay. If, as Beuys famously entreated, ‘everybody is an artist’, why did he have to go to school to be one? Schnitzler travelled for a few years, making metal sculptures and performance art. Then he took the metal sculptures he built during his time with Beuys, which he had covered in stark planes of black and white paint, dragged them all to a grassy field, and left them there.
http://www.frieze.com/comment/article/conrad-schnitzler/

956 MIDI Specification
The MIDI Specification MIDI (ie, Musical Instrument Digital Interface) consists of both a simple hardware interface, and a more elaborate transmission protocol. For a simple, layman's explanation of what MIDI is, read What is MIDI? The MIDI Specification is published by the MIDI Manufacturer's Association, ie, MMA (although this online document gives you the same information for free, in easier-to-understand language, and in many cases, with even more detail than the official document). synth
http://home.roadrunner.com/~jgglatt/tech/midispec.htm

897 Generic Synth Preset Storage and Conversion
For my synths with preset storage and the ability to dump & load presets via midi sysex, I wanted to be able to feed the sysex of a synth into a software program which can display the sound parameters in a meaningful form, and convert the sound into the sysex format of any of my other presets synths The generic patch storage format must display meaningful values for the parameters (filter envelope amount = 1/2 octave, envelope 1 attack = 50ms, etc) and convert between these values and a given synth's sysex (as much as possible - resolution probably isn't good enough to get envelope attack to exactly 50ms on each and every synth, and envelope shapes vary between synths, etc). The storage format will also store the original parameters, using the "native" value range of each parameter (e.g. filter cutoff frequency between 0 and 127) as well as the original sysex program as an ASCII hex dump. Since I didn't find any software which could do this, I began writing my own in Java. I am concentrating on converting basic analog components; any on-board effects are not used.
http://www.nmrailrunners.org/synth/gpc/index.html

870 How I Use Visualization To Drive Creativity
This is a guest post by Mark Suster, a 2x entrepreneur turned VC.  He sold his second company to Salesforce.com, becoming VP of Product Management. He joined GRP Partners in 2007 as a General Partner focusing on early-stage technology companies. Read more about Suster on his blog at Bothsidesofthetable and on Twitter at @msuster. This is a guest post by Mark Suster, a 2x entrepreneur turned VC. He sold his second company to Salesforce.com, becoming VP of Product Management. He joined GRP Partners in 2007 as a General Partner focusing on early-stage technology companies. Read more about Suster on his blog at Bothsidesofthetable and on Twitter at @msuster. Creativity. I’ve always believed it’s been one of the most important attributes of business success yet something very few business leaders talk about. So I thought I’d write a post about how I drive my personal creativity. As a practitioner of creativity rather than as an instructor of it I’m certain that there are many ways to get the creative juices flowing and how to release more creativity. The one that works best for me is visualization coupled with self talk. Visualization is so important to help yourself & others conceptualize ideas. It’s why I always work hard to find images for my blog posts & why all of my keynote presentations are visual rather than bullet points with words.
http://techcrunch.com/2011/01/17/how-i-use-visualization-to-drive-creativity/

761 Midi Software - Synth Zone
MIDI Sequencing SoftwareAnvil Studio Anvil Studio is a MIDI and audio sequencer and is free software for Windows users. Building Blocks Building Blocks for Windows is a multifunctional MIDI application / modular sequencer, that allows you to build custom controller remapping, LFO's, arpeggiators, autochords, drum and note sequences, echoes etc. Busker A Windows score editor and player that has Yamaha style support. 1000s of Yamaha styles can be downloaded for free. Another great music software tool from Jos Maas. Cakewalk Sonar Windows & Mac sequencer now with integrated midi and audio. Sonar demo available. For other Cakewalk resources see Synth Zone's Cakewalk Page Cubase - Steinberg Featuring integrated midi & audio package Cubase VST For more info & related links see Synth Zone's Cubase Links Cursed Sequencer Open Source sequencer for Windows and Linux. Digital Performer MOTU presents Digital Performer for the Mac, a complete digital audio and MIDI production environment. Competitive upgrades available. See the new Digital Performer mailing list. Ditty Ditty is a freeware MIDI sequencer for Windows aimed at assisting piano practice. Easybeat Mac MIDI sequencing software from Uni Software Plus. Features include a software GM wavetable synth. Energy XT Energy XT is Windows sequencer/composer software. Fl Studio Windows application that provides easy to use yet powerful MIDI/digital audio sequencing and looping tools. Intuem Mac OSX MIDI sequencer that provides a variable-tempo system and a simple way to transform a real, human, performance into a sequence where bars and beats actually have meaning. Time restricted version available to download. Jammer - Soundtrek Jammer for Windows provides a 256 Track MIDI sequencer with built in studio musicians. A very useful program for creating arrangements & drum tracks with assistance from the software. Also check the Yahoo Jammer Group. JUMP A highly streamlined Windows MIDI sequencer, designed to help you compose music Jazzware - Jazz++ Windows & Linux open source MIDI sequencer with audio support. If you need a MIDI sequencer you really should check it out. Logic Pro Audio Apple's MIDI & audio solution for the Mac. For Emagic product support see the Emagic Legacy pages at Apple. For related information see Emagic Users Page with resources & mailing list for Emagic products, the Logic Users' Net which includes Mac related info, and the Powerkeys "Learning Logic" web site. SwiftKick provides and archive for the Logic Users' Group environments. Editors, MIDI processors etc. are available. Omega Art has Logic info and resources. You can read the History Of Logic at Tweakheadz Lab. Magix Magix Music Studio incorporates a MIDI sequencer with its digital audio sequencer. Massiva An audio/MIDI sequencer for Windows users with undo plus plugin support. This is just an archive of an old site. You can still get it from AudioMelody.com. Massiva has now moved on to become Energy XT Mixcraft Windows software that supports MIDI and audio sequencing.. MU.LAB An alternative, hi-quality music application for Mac OSX and Windows with MIDI and audio support. MultitrackStudio Window digital audio recorder with VST 2.0 plugin and MIDI support. Freeware version and pro versions available. Music Master Win sequencing & notation package with a full graphic interface for Roland VS880 control & integration. Music Master Works A shareware Windows sequencing & accompaniment package. Win95 & Win3.1 versions available. From Aspire software MusicPhrase XL MusicPhrase for Windows is a creative tool for composing music. Features phrase sequencing and visual groove editing tools. Music Studio Producer Music Studio Producer is a free Windows MIDI sequencer, DAW which can host VST(i), supports ASIO. From Aspire software Numerology Numerology is a modular sequencing and audio plugin environment for Mac OS X. Onyx Onyx by Jasmine Music provides powerful sequencing, harmonizer and MIDI-2-Audio rendering. Power Chords By Howling Dog Systems - Innovative Windows midi sequencer using onscreen guitar fretboard interface, plus other unique features for creating strum & rhythm patterns. Demo available PowerTracks Pro Audio PG Music's budget priced sequencer for Windows now features up to 48 tracks of digital audio with effects, EQ, panning etc plus 3rd party plugin support. Pro Tools Digidesign provide Pro Tools for Windows and Mac with MIDI, multitrack audio and plugin support. Quartz Audio Master Quartz Audio Master is free Windows multitrack digital recording software and MIDI sequencing software. Provided by DigitalSound Planet Reaper REAPER is a fully featured Windows multitrack audio and MIDI recording, editing, processing, mixing, and mastering environment. Fully functional evaluation available for download. Rosegarden Rosegarden is a free MIDI sequencer and notation editor for Unix, and has binary distributions for Linux PCs and SGI IRIX. SoftStep SoftStep is a Win9x modular step sequencer based on modular analog step sequencers. Features modules, which are math and logic functions that you treat as physical boxes with knobs and sliders. Style Enhancer Windows MIDI sequencer based on Performance Modeling technology with powerful and intelligent MIDI-data generation and transformation. SwarShala Midi sequencer package for Windows software that covers both the melodic and rhythmic aspects of Indian music. Featured instruments include Sitar, Sarod, Tanpura, Guitar, Tabla, Pakhawaj, Dholki and Bells. MIDI files and WAV files can be output. Sweet Sixteen Midi sequencer package for Windows from Roni Music. And check out the Sweet MIDI arpeggiator for Windows, very cool !! TR-x0x Freeware Windows step sequencer based on the Roland TR-808/909 drum machines. Tracktion Tracktion from Mackie provides low cost MIDI and audio sequencing. Tunafish A Windows VSTi MIDI sequencer with sample support. A fully functional ( save disabled ) demo is available to download. Has sample support and provides a built-in sample/drum sequencer. Xx A multi-track MIDI sequencer for MacOS. It is also an algorithmic compositional tool. Requires OMS. Midi SoftwareAudible Oddities - Twerk's Tools Audible Oddities is an audio mastering business and Shawn Hatfield also provides some free music composition tools for the Mac featuring sequencing control and algorithmic music generation. Burnt Toast even has a beta version available for Win XP. Catanya Software pattern arpeggiator VST plugin. MIDI-OX Win9x/NT midi utility providing sysex handling, diagnostics, filtering & mapping of midi data Streams. All Windows MIDI users should check this out. It is also available from Yamaha UK. Also see MIDI Yoke which allows you to route MIDI between different applications. vanBasco's Karaoke Player vanBasco's Karaoke Player is freeware Windows software that plays Karaoke (.kar) and standard MIDI (.mid, .midi, .rmi) files. Provides a piano keyboard and lyric display. Vocal Writer Shareware music & vocal synthesis software for the Power Mac. Not only playback & edit GM midi files, but it will also sing your lyrics (85 voices to choose from) Zel Zel is an interpretive MIDI programming language for Windows. Version 1.2 includes the Zel Drum Machine, a style based composer and editor which makes it easy to create MIDI drum tracks without having to learn the Zel language. Freeware. Midi Sequencing Related SitesAtari-MIDI Yahoo Group for Atari computer users to discuss MIDI applications. Also check The Caged Artist Series Page for once commercial MIDI software that is now freeware. Audio Forums Forums for most major sequencing & digital audio software packages. Harmony Central Provide an archive of MIDI sequencer and notation applications to download. There is software for all platforms available. HitSquad Provide links to a number of MIDI sequencers and "tracker" sequencers for Windows, Mac and Linux. MacMusic.org Macmusic.org have lots of links to Mac specific audio and MIDI sequencing resources. . Mac OSX MIDI Apps A very useful list of links to Mac OSX MIDI applications with descriptions and direct links to the websites and apps. Midijoys Freeware Windows program that combines two independent fully programmable joystick controllers, and a Continuous MIDI Controller programmable sliders that can send a wide spectrum of MIDI control parameters. MidiPlugins.com Links to freeware and commercial MIDI plugins for both Windows and Mac OS9/OSX. Music-X Amiga University Info on the original Amiga sequencer Music-X including writing sysex protocols. Also see Driptomatic Fairytales for Music-X info and resources. AM/FM also provide disk images containing many Amiga MIDI articles and tools. Sonic Control Sonic Control provides information and reviews of sequencers for all platforms as well as MIDI hardware. SourceForge SourceForge provide freeware software for Windows, Mac and Linux platforms and have many MIDI sequencer applications. Sweetwater Sequencer Forum Sweetwater.com provides forums including one dedicated to MIDI sequencers. Vintage Sequencers Tweakheadz Lab provides a great rundown on the ancestors of todays sequencers on computers in the 80s. Very interesting and informative reading with screen shots of many sequencers from the early days of MIDI.
http://www.synthzone.com/midiseq.htm

722 Making AJAX Applications Crawlable - Google Code
If you're running an AJAX application with content that you'd like to appear in search results, we have a new process that, when implemented, can help Google (and potentially other search engines) crawl and index your content. Historically, AJAX applications have been difficult for search engines to process because AJAX content is produced dynamically by the browser and thus not visible to crawlers. While there are existing methods for dealing with this problem, they involve regular manual maintenance to keep the content up-to-date. Learn more Learn why search engines don't see the content you see and what needs to happen to fix this. Getting started guide Get started in making your AJAX application visible to search engines. If you are in a hurry, you can start here, but AJAX crawling is a complex topic, so we recommend reading all the documentation. Creating HTML snapshots Learn more about creating HTML snapshots, and which technique might be best suited for your application. Frequently asked questions Having trouble? Check out the frequently asked questions. Specification Get the details.
http://code.google.com/intl/fr/web/ajaxcrawling/

718 Musiques - H O R S N O R M E
Dossier : OĂč trouver de la musique sur internet ? Par Ed End le samedi, mai 29 2010, 10:07 albums apprendre audio comment complet dossier efficace exhaussif fĂȘte de la musique gratuites guide illĂ©gal internet libre lĂ©gal meilleurs sites mp3 musiques oĂč trouver de la musique recherche simple son trouver tĂ©lĂ©chargement tĂ©lĂ©charger I. Pourquoi chercher de la musique sur internet ? Pour rĂ©pondre Ă  cette question on peut se poser une autre question : OĂč trouver de la musique en dehors d'internet ? A part quelques exceptions Ă  Paris, la plupart des disquaires indĂ©pendants ont disparus. Les supermarchĂ©s ont trĂšs peu de choix. Les magasins spĂ©cialisĂ©s, par exemple la Fnac ont un nombre limitĂ© de rĂ©fĂ©rences disponibles Ă  des prix pas toujours accessibles. Cependant il reste des solutions intĂ©ressantes : le marchĂ© de l'occasion, acheter les albums lors des concerts Ă  des prix plus abordables ou encore moins onĂ©reux les emprunter Ă  des mĂ©diathĂšques. Convertir en mp3 les anciens supports, k7, cd, vinyles et Ă©changer des albums numĂ©risĂ©s dont on dĂ©tient les originaux, lĂ©galement, dans le cadre de la copie privĂ©. Si malgrĂ© cela tant de personnes cherchent de la musique sur internet, c'est : a. Parce qu'il y a beaucoup plus de choix. A l'heure actuelle, par exemple, le dĂ©veloppement de la musique libre est tel qu'il est impossible de suivre l'intĂ©gralitĂ© des Ɠuvres qui sont publiĂ©es. b. Parce que le coĂ»t est quasi nul. - Soit en raison de la disparition du support, il n'y a plus de coĂ»t de diffusion, plus de coĂ»t de fabrication, juste Ă©ventuellement un coup de crĂ©ation. MalgrĂ© cela dans le domaine commercial les magasins en ligne (Itune et autres consorts) sont loin de rĂ©percuter la disparition des coups sur leurs tarifs. - Soit en raison de ce que les lobbys et le gouvernement appĂšlent piratage, pour ma part je considĂšre qu'ils font une faute d'orthographe et prĂ©fĂšre parler de partage. Un exemple flagrant de leur mauvaise foie, contrairement Ă  ce qu'a prĂ©tendu un jour un patron de la Fnac, un album n'est pas une baguette de pain, passer l'Ă©tape de crĂ©ation du premier exemplaire, il est duplicable Ă  l'infini, ni farine, ni travail supplĂ©mentaire, autrement dit, je ne connais aucune baguette de pain qui puisse nourrir toute la planĂšte. c. Parce que la dĂ©couverte est facilitĂ©e. Depuis que les majors ont pris le contrĂŽle des mĂ©dias radio et tĂ©lĂ©, Ă  part dans de rares mĂ©dias papiers spĂ©cialisĂ©s, et certains gratuits culturels, c'est trĂšs difficile de faire des dĂ©couvertes. ConcrĂštement avec un logiciel de peer to peer, on Ă©tend trĂšs rapidement la diversitĂ© des musiques que l'on apprĂ©cie. DĂ©jĂ  pour la simple raison que dans tous les genres, au-delĂ  du mainstream des majors il existe des Ɠuvres de qualitĂ©. d. Pour pouvoir essayer la musique avant de l'acheter. Une bonne façon de se prĂ©munir des singles qui pourraient permettent d'Ă©couler des albums bĂąclĂ©s.
http://hors.norme.blog.free.fr/index.php?category/L-internet-pour-les-nuls/Ressources-culturelles/Musique

704 What Is User Experience Design? Overview, Tools And Resources - Smashing Magazine
Websites and Web applications have become progressively more complex as our industry’s technologies and methodologies advance. What used to be a one-way static medium has evolved into a very rich and interactive experience. But regardless of how much has changed in the production process, a website’s success still hinges on just one thing: how users perceive it. “Does this website give me value? Is it easy to use? Is it pleasant to use?” These are the questions that run through the minds of visitors as they interact with our products, and they form the basis of their decisions on whether to become regular users. User experience design is all about striving to make them answer “Yes” to all of those questions. This guide aims to familiarize you with the professional discipline of UX design in the context of Web-based systems such as websites and applications. [Offtopic: by the way, did you know that we are publishing a Smashing eBook Series? The brand new eBook #3 is Mastering Photoshop For Web Design, written by our Photoshop-expert Thomas Giannattasio.]
http://www.smashingmagazine.com/2010/10/05/what-is-user-experience-design-overview-tools-and-resources/

667 There is no Plan B: why the IPv4-to-IPv6 transition will be ugly
The Internet is running out of IPv4 addresses—not at some point in the future, but right now. But the only solution to the problem, IPv6, is just now really starting to be deployed. That's why we're all in for some tough times ahead.
http://arstechnica.com/business/news/2010/09/there-is-no-plan-b-why-the-ipv4-to-ipv6-transition-will-be-ugly.ars

639 Read Ruby 1.9: Free Ebook About the Ruby Programming Language
ery early draft of a book about version 1.9 of the Ruby programming language, released under a Creative Commons license. Photo credit: Matthias Richwin
http://ruby.runpaint.org/

613 Making Sound
[- â™Ș -] C’est quoi ? Un blog dĂ©diĂ© aux amateurs de sons et Ă  toutes les façons d’en gĂ©nĂ©rer. [- â™Ș -] C’est qui ? Cyril Colom – Journaliste (Future Music – Musicrun – La bible de la musique sur PC) synth modular
http://makingsound.free.fr/

523 Yamaha CS-01 Resonance Mod
Just to get this up here. I hope to make this clearer soon... This shows how you can modify the Yamaha CS-01 Mk1 to: 1) have variable resonance control, by hijacking the Breath Control VCF potentiometer a) remove the 10k resistor near the VCF chip. b) cut the traces (or lift the pins) of the Breath Control VCF pot that connect it to GND and the Breath Control jack. I lifted the pins just to avoid cutting PCB traces c) remove the 39k resistor tied to the wiper of the VCF pot. d) solder wires from one side of the pot and the pot wiper and run these wires over to the holes that used to contain the 10k resistor near the VCF chip e) I'd suggest adjusting the resonance trimmer that's near the VCF chip to make your new Resonance control self-oscillate near the end of the rotation. why? because this filter gets out of control in a very loud and dramatic way. I don't think this VCF chip was designed for stable self-oscillation - that may explain why, in the CS-01 Mk2, when they gave you analog control of the resonance, they used a different 24dB VCF chip. 2) have variable VCA "drone" by hijacking the Breath Control VCA potentiometer. a) remove the 1k resistor that grounds usually-closed terminal of the breath control jack to GND b) solder a 47k resistor from the ungrounded, non-wiper terminal of the pot to -9V. c) when the VCA drone pot is now fully on, you'll always get a DCO-VCF signal running to the power amp. this mod keeps the VCA only partially open, and you can still superimpose the EG over the drone. I did this because I don't have a spec sheet on the VCA chip and I didn't want to risk having the EG slamming the VCA while the drone was going full on (basically, I don't know the max CV that the VCA chip can tolerate). so if you just use the drone, you'll have to increase the volume at the power amp. But now the front-panel VCA slider actually becomes useful, since if you don't want the EG to affect the drone, just turn that down to nothing! Sorry I don't have actual pics of the mod up! Perhaps someday soon...
http://home.earthlink.net/~kerrybradley/id11.html

506 The Sheldons » Don’t worry, ma’am. We’re from the Internet

Certo. Resolvi abraçar o papel de uber-geek do grupo, pelo menos no que se refere Ă s coisas menos tĂ©cnicas. Uma das coisas que mais faço pela Internet Ă© passear por fĂłruns. De todos os assuntos. Esportes, quadrinhos, cinema, tecnologia, segurança. E, em todos eles, o que mais encontro é .. outros nerds. Como qualquer outro grupo, os nerds tĂȘm expressĂ”es prĂłprias, referĂȘncias que sĂł eles entendem. O interessante Ă© que, no caso da Internet, essas referĂȘncias tĂȘm alcance mundial, e se espalham rapidamente. SĂŁo os chamados Internet Memes. Na verdade, o termo “internet memes” pode atĂ© ser usado de forma mais abrangente, significando fenĂŽmenos que se iniciam na Internet, e transbordam para a cultura pop, normalmente em função de serem repetidos em diversas mĂ­dias. (pequena pausa para cultura. O termo “meme” foi criado por um dos meus autores favoritos: Richard Dawkins. Ele Ă© um ateu proeminente, que no livro “The Selfish Gene” usou o termo “meme” como referĂȘncia a um grupo de informaçÔes culturais) O sitcom responsĂĄvel pelo nome deste blog, o The Big Bang Theory, volta e meia faz alguma dessas referĂȘncias, mas ele nĂŁo Ă© o Ășnico. Existem alguns temas que se repetem, principalmente nos fĂłruns, nos comentĂĄrios de blog, nos comentĂĄrios do Digg.com. Normalmente, eles começam de alguma forma estĂșpida, alguĂ©m acha engraçado, repete, e o negĂłcio cresce a olhos vistos (ui!).
http://www.thesheldons.com.br/2009/06/10/dont-worry-mam-were-from-the-internet/

486 Ninite Easy PC Setup - Silent Unattended Install Multiple Programs At Once
Ninite is the fastest, easiest way to get software. Ninite will automatically download and install multiple apps unattended and 100% hands-free. 1. Pick your favorite software below. 2. Click "Get Installer" and run it. 3. You're done! No Toolbars Ninite says "No" to toolbars and other junk. No Clicking Ninite automates installers offscreen. 32 and 64-bit Ninite installs the best version of an app for your PC. International Ninite installs apps in your PC's language. Fast No manual labor means installs finish quickly. And More Ninite Pro has even more features. Learn more
http://ninite.com/

484 Why did so many successful entrepreneurs and startups come out of PayPal? Answered by Insiders
Why did so many successful entrepreneurs and startups come out of PayPal? I long have been fascinated by the extraordinary achievement from the ex-Paypal team and wonder about the reasons behind their success. In the past, mass media tried to answer this question several times but still couldn’t give us a clear answer. I once asked David Sacks the same question during an event in Los Angeles. He told me the secret is that Paypal has built a “scrappy” culture. No matter what problems they faced, they would find a way to solve them. I kind of got the idea, but was still confused about the execution details. So when I saw some of the past Paypal employees answering this question on Quora, I was super excited! After all, they should be the only ones who can tell people the inside stories. Below are some highlights of their answers. *If you want to check out the sources or leave your comments, please go to here and here. On Talent Management “Peter and Max assembled an unusual critical mass of entrepreneurial talent, primarily due to their ability to recognize young people with extraordinary ability (the median age of *execs* on the S1 filing was 30). But the poor economy allowed us to close an abnormal number of offers, as virtually nobody other than eBay and (in part) google was hiring in 2000-02.” (by Keith Rabois, former Executive Vice President of Paypal) “Extreme Focus (driven by Peter): Peter required that everyone be tasked with exactly one priority. He would refuse to discuss virtually anything else with you except what was currently assigned as your #1 initiative. Even our annual review forms in 2001 required each employee to identify their single most valuable contribution to the company.” (by Keith Rabois, former Executive Vice President of Paypal) “Dedication to individual accomplishment: Teams were almost considered socialist institutions. Most great innovations at PayPal were driven by one person who then conscripted others to support, adopt, implement the new idea. If you identified the 8-12 most critical innovations at PayPal (or perhaps even the most important 25), almost every one had a single person inspire it (and often it drive it to implementation). As a result, David enforced an anti-meeting culture where any meeting that included more than 3-4 people was deemed suspect and subject to immediate adjournment if he gauged it inefficient. Our annual review forms in 2002 included a direction to rate the employee on “avoids imposing on others’ time, e.g. scheduling unnecessary meetings.” (by Keith Rabois, former Executive Vice President of Paypal) “Refusal to accept constraints, external or internal:We were expected to pursue our #1 priority with extreme dispatch (NOW) and vigor. To borrow an apt phrase, employees were expected to “come to work every day willing to be fired, to circumvent any order aimed at stopping your dream.” Jeremy Stoppelman has relayed elsewhere the story about an email he sent around criticizing management that he expected to get him fired and instead got him promoted. Peter did not accept no for answer: If you couldn’t solve the problem, someone else would be soon assigned to do it.” (by Keith Rabois, former Executive Vice President of Paypal) “Driven problem solvers: PayPal had a strong bias toward hiring (and promoting / encouraging, as Keith mentions) smart, driven problem solvers, rather than subject matter experts. Very few of the top performers at the company had any prior experience with payments, and many of the best employees had little or no prior background building Internet products. I worked on the fraud analytics team at PayPal, and most of our best people had never before done anything related to fraud detection. If he’d approached things “traditionally”, Max would have gone out and hired people who had been building logistic regression models for banks for 20 years but never innovated, and fraud losses would likely have swallowed the company.” (by Mike Greenfield, former Sr. Fraud R&D Scientist of Paypal) “Self-sufficiency – individuals and small teams were given fairly complex objectives and expected to figure out how to achieve them on their own. If you needed to integrate with an outside vendor, you picked up the phone yourself and called; you didn’t wait for a BD person to become available. You did (the first version of) mockups and wireframes yourself; you didn’t wait for a designer to become available. You wrote (the first draft of) site copy yourself; you didn’t wait for a content writer.” (by Yee Lee, former Product & BU GM of Paypal) On Culture & Ideology “Extreme bias towards action – early PayPal was simply a really *productive* workplace. This was partly driven by the culture of self-sufficiency. PayPal is and was, after all, a web service; and the company managed to ship prodigious amounts of relatively high-quality web software for a lot of years in a row early on. Yes, we had the usual politics between functional groups, but either individual heroes or small, high-trust teams more often than not found ways to deliver projects on-time.” (by Yee Lee, former Product & BU GM of Paypal) “Willingness to try – even in a data-driven culture, you’ll always run in to folks who either don’t believe you have collected the right supporting data for a given decision or who just aren’t comfortable when data contradicts their gut feeling. In many companies, those individuals would be the death of decision-making. At PayPal, I felt like you could almost always get someone to give it a *try* and then let performance data tell us whether to maintain the decision or rollback.” (by Yee Lee, former Product & BU GM of Paypal) “Data-driven decision making – PayPal was filled with smart, opinionated people who were often at logger-heads. The way to win arguments was to bring data to bear. So you never started a sentence like this “I feel like it’s a problem that our users can’t do X”, instead you’d do your homework first and then come to the table with “35% of our [insert some key metric here] are caused by the lack of X functionality
” (by Yee Lee, former Product & BU GM of Paypal) “Radical transparency on metrics: All employees were expected to be facile with the metrics driving the business. Otherwise, how could one expect each employee to make rational calculations and decisions on their own every day? To enforce this norm, almost every all-hands meeting consisted of distributing a printed Excel spreadsheet to the assembled masses and Peter conducting a line by line review of our performance (this is only a modest exaggeration).” (by Keith Rabois, former Executive Vice President of Paypal) “Vigorous debate, often via email: Almost every important issue had champions and critics. These were normally resolved not by official edict but by a vigorous debate that could be very intense. Being able to articulate and defend a strategy or product in a succinct, compelling manner with empirical analysis and withstand a withering critique was a key attribute of almost every key contributor. I still recall the trepidation I confronted when I was informed that I needed to defend the feasibility of my favorite “baby” to Max for the first time.” (by Keith Rabois, former Executive Vice President of Paypal) “Extreme Pressure – PayPal was a very difficult business with many major issues to solve. We were able to see our colleagues work under extreme pressure and hence we learned who we could rely on and trust.” (by Keith Rabois, former Executive Vice President of Paypal)
http://primitus.com/blog/why-did-so-many-successful-entrepreneurs-and-startups-come-out-of-paypal-answered-by-insiders/

466 Musicians – This Is How You Create A Great Looking Facebook Page
Like most of you, I too LIKE Facebook, and ever since my last TechCrunch post (How to Build Engaging One-of-Kind Facebook Fan Pages), I've been exploring and trying to find new ways to improve the creation process of a Page. This time, I'd like to focus on a how-to for the musicians among you.
http://techcrunch.com/2010/06/27/facebook-musicians-page/

445 Doug Kaufman's Web Site - DOS ports LYNX
This site exists primarily to distribute DOS ports of programs in which I have taken an interest. This consists primarily of the text-mode web browser "lynx", the network file retrievers "wget" and "curl", the file compressor "bzip2" and the URL extractor "urlview". Running programs originally designed for unix in DOS is not necessarily easy. If you download these programs, please read the text files which explain how to set up these programs in DOS and which functional problems may be present. The latest DOS port of lynx is 2.8.5rel.1. You can download it here (2463576 bytes, 18 April 2004). This version is compiled with openssl-0.9.7d to give SSL support. This means that it can now access https:// URLs. This can now be distributed because of the easing of US export controls on encryption. Please note, however, that US regulations still prohibit export to Cuba, Iran, Iraq, Libya, North Korea, Sudan, or Syria. Do not download the file if you are from any of these countries. Please check your own country's regulations on the use of strong cryptography before using or redistributing this file.
http://www.rahul.net/dkaufman/

431 Exploring the software behind Facebook, the world’s largest site | Royal Pingdom
At the scale that Facebook operates, a lot of traditional approaches to serving web content break down or simply arenñ€™t practical. The challenge for Facebookñ€™s engineers has been to keep the site up and running smoothly in spite of handling close to half a billion active users. This article takes a look at some of the software and techniques they use to accomplish that.
http://royal.pingdom.com/2010/06/18/the-software-behind-facebook/

428 Alain Neffe and the Home-Taped Electronic Music Revolution
Alain Neffe launched his first tape label at home in Belgium in 1981. He called it Insane Music Contact and his first installment was called Insane Music for Insane People. Thus began a nearly thirty year foray into home-made, visionary and utterly unfashionable electronic music that has hardly made anyone involved a household name. Insane Music released 55 titles in its most prolific years (1981-87). Five of these were vinyl records and the rest were cassettes tapes. Why cassettes tapes? Magnetic tape was the obvious solution to the problem facing many artists working without record contracts in those days. Cassettes could be recorded at home, produced at home, dubbed at home, and sold or traded by mail. No need for tasteless outside producers and marketing mojo—one needed only leave home to buy more tapes. Says Neffe, “I could copy the tapes on demand. Releasing an LP required that you print 500 copies and 1000 copies of the cover sleeve, and everything had to be paid up front 
 if the buyer didn’t like the music, he or she could wipe it out and record something else on it.” Mr. Neffe was not the only one out there recording, selling and trading tapes by mail. On both sides of the Atlantic, home cassette technology was permitting the release of much groundbreaking and breathlessly beautiful work, as well as some noxious and otherwise self-indulgent wanking—that coat of many colors we call the DIY (do-it-yourself) Revolution. As early as 1974, Albrecht/d. self-released a cassette entitled Amsterdam Op De Dam in Germany. In 1976, Throbbing Gristle was distributing tapes of their infamous live recordings, and in 1977, the French electro-industrial unit Die Form began releasing tapes on their own Bain Total label. 1980 saw the release of two monumental self-released cassettes, The Storm Bugs’ A Safe Substitute and Colin Potter’s The Ghost Office. In Japan, 1980 saw the release of Merzbow’s first two cassettes, Remblandt Assemblage and Fuckexercise. And in the USA, 1981 saw John Bender’s Plaster: The Prototypes, a laconic and mysterious series of tone and vocal poems. Home taping was not limited to electronic music. R. Stevie Moore, one of the elder living ancestors of the lo-fi rock aesthetic, began releasing distributing home-made tapes via the R. Stevie Moore Cassette Club sometime in the 1970s. And tapes of live punk shows from the era continue to trade hands. Soon, cassettes were coming from everywhere: mysterious PO boxes in the Midwest, to which you sent a blank tape and three dollars and received the tape back with something on it. The Tellus Audio Cassette Magazine was a Fluxus-inspired subscription audio-journal dedicated to music as well as poetry and drama and other forms of audio-art. Zines like Factsheet Five and Unsound devoted entire columns to the material they received from bands on home-made cassette, and demo tapes began leaking to radio stations prior to official record release dates. It was a grassroots movement that marched in association with the self-publication of zines, comics, chapbooks, and other media. The medium had begun to become the message. Insane Music for Insane People (which eventually reached 25 volumes) was a series compiling all home-made electronic music made by artists from across the globe. By including in the liner notes the contact address for each artist featured, Neffe helped pioneer a snail-mail network for those interested in more of what they heard. Artists from all over Europe and the USA, from Japan, New Zealand, and beyond contributed over the years. One could send a few dollars to Insane Music Contact, receive tapes in the mail, write to artists involved and receive more cassettes. Insane Music Contact (now known as Insane Music) has always been a vehicle for Mr. Neffe’s own electronic music projects as well, many of which are periodically active to this day. Though he now makes liberal use of the CD format, Neffe’s artistic approach remains undiluted by years of underexposure. He expects very little acknowledgment of or remuneration for his efforts, which, for him, are emotional articulation, continued experimentation, and purity. It seems nothing but nothing could possibly catapult such heavily uncommercial sounds into the public consciousness–not even this thirty-year retrospective box-set entitled The Insane Box released (ironically, on vinyl) by the venerable Frank Maier of Vinyl-on-Demand Records, an outfit devoted to preserving the precious gems of cassette culture before the evidence disintegrates. For this retrospective (4 LPs + a 7” 45), Mr. Neffe has reached into dusty attic boxes, wherein lay unreleased (or hardly available) material by five projects of which he has been a part: BeNe GeSSeRiT, Human Flesh, Pseudo Code, I Scream and Subject. Each has a unique cerebral orientation and emotional vibe made possible by the combined efforts of invited guests; each runs the high fever of a man very much committed to a personal vision of artistic purity without virtuosity, and each is distinctly French. BeNe GeSSeRiT was not the first of Mr. Neffe’s projects to be recorded and distributed, but is, to my understanding, the genesis of his approach to music as “texts” or “photographs”, or as he puts it, “potlatch music”. On these early tracks we also detect a burgeoning interest in the endless expressive properties of the human voice, both explicitly human and as heavily-treated sound sculpture, both French and English At times, voices shout like besotted Celine parlor workers at each other from tenement windows; at other times a high-pitched female voice wails up and down like Catherine Ribeiro alone in her bathroom. In these tracks, one can also detect the half-digested influence of electro-rock luminaries Silver Apples, the avant-lashings a la Yoko Ono, and occasionally the thunder-beat of early Laibach. Primitive Casio electronics, stage whispers, delay echoes, tape loops, and a certain absurdist humor redolent of Erik Satie, neither dampen the fabric with melodrama, nor detract from the integrity of the grist, nor from the topical seriousness of the text’s subjects. BeNe GeSSeRiT is difficult music, even in the moments that risk elegy, yet it is still more accessible than some of the other Francophone avant-dada outfits of the day, such as DDAA and Étant DonnĂ©s, or Nurse with Wound in the UK. Human Flesh is decidedly more structurally cohesive and song-oriented than BeNe GeSSeRiT, and its predecessors and influences are less clear. Still there is a clear interest in the human voice, its textures and timbers when removed of sign value by backwards-masking, and the new textures that emerge when disassembled and reassembled. Even rock-oriented at times, Human Flesh chases a more delirious climax, for the hounds of the carnival are snapping at their heels as they run. This is also a project of varied angles and pursuits, sliding as it does into poetic electro-pop (the supple and Chicago-accented voice of the late Lydia Tomkiw, of Algebra Suicide, appears on two tracks), and moments of Half Japanese-style primitivism. The side-long track “Langsam” is more reminiscent of Piper-era Pink Floyd and Brainticket, as well as other Krautrock, yet is still distinctly French. These early and rare tracks are, in contrast to the more ambitious Pseudo Code and the more intimate recordings by I Scream, more oblique for being a mix-down of materials sent to Neffe from artists around the globe. The track “Sons of God?” is also notable for what is perhaps the first recorded sample of the American fire-and-brimstone preacher Ferrell Griswold, whose voice has appeared in music by Front 242, Phallus Dei, Pragha Khan, et cetera. The cassette medium, for all its benefits to individual artistic expression and culture, is for the selfsame reasons impermanent. Magnetic tape has a thirty year lifespan if properly archived, which means both that preserving their contents in other formats is important, and that paying hundreds of dollars for the original artifacts is a questionable collectors’ pursuit (nevertheless, you can watch it happen daily). With the advent of the mp3 and the efforts of Vinyl-on-Demand and other labels, Insane Music’s CD-r reissue program included, some of this exquisite material has been rescued from oblivion.
http://www.timesquotidian.com/2010/05/28/alain-neffe-and-the-home-taped-electronic-music-revolution/

423 MACBETH STUDIO SYSTEMS
Welcome to MacBeth Synthesizers! LATEST NEWS: 20/07/09 please scroll down for infoOver the last year and half or so, more products have been developed. Work has gone into the design of a new modular synthesizer system shared by two formats- the 3U format and the 5U format. The designs are relatively new but still retain the inherant qualities of the M3X, M5 and M5N synthesizers. The system is called the X-Series Modular Synthesizer after the popular M3X and its protégé keyboard synthesizer the X-Factor. This fully analogue keyboard is still under serious development and there will be more information to follow on that one. As a refreshing change from making the large scale semi modular M5 and M5N, I am now delving into the production of smaller, free for all systems that will probably grow large! I'm taking into it all my experience of designing both large and small analogue synthesizers as well as a few new ideas too. Please take the time to look around this website. In each catagory there is product information, sounds, tracks and links to other related media on the internet. Currently the 3U X-Series Dual Oscillator and 'Backend' Filter Combo are in production. I expect delivery of the Dual Oscillator within the next two weeks- shortly after that the 'Backend' Filter Combo will roll out of production. Please contact any of the Distributers listed to get your modules. I intend to produce a short run of the 5U modules soon, so once again- stay tuned for that... ...anyway! I have uploaded quite a few demo sounds on here- maybe not to everyones taste- but at least they make you think of what these modules could do in the right hands, i.e. you! - after all- I'm an engineer, not a muscian as such!...Well you decide! All MacBeth Products are built to exacting standards- from materials selection to the physical build. The PCBs and Sheet Metalwork are fabricated by Zot Engineering from Musselburgh, Scotland http://www.zot.co.uk and final assembly is performed by Diatron Assembly Systems from Norwich, England http://www.diatron.co.uk Both companies also manufacture equipment for the medical, military and aerospace sectors of industrial engineering
http://www.macbethstudiosystems.com/

422 ARGO Liens Links
ARGO = real-time sound synthesis modules = modules de synthĂŻÂżÂœse et de traitement sonore ARGO, ARGOPd, patch, patches, pure, data, puredata, pd, runtime, Music, Musique, Software, Freeware, Max, MSP, Sound, Synthesis, Module, real-time, Temps reel, free, audio, MIDI, puredata
http://pagesperso-orange.fr/paresys/ARGO/liens.html

397 Oscilloscope TO-3 Radio Tech; Tokyo?
Oscilloscope TO-3 Radio Tech; Tokyo? Pays: Japon Fabricant / Marque: Tech; Tokyo? Année: 1968 ?? Type: Appareils de mesure et de dépannage (Lab Equipment) Lampes / Tubes 9: 12AT7 12AT7 12AU7 12AU7 12AU7 6U8 6X4 1X2B 3KP1F Nous avons besoin de ce schéma! Principe de réception non indiqué Gammes d'ondes - sans Tension / type courant Alimentation Courant Alternatif (CA) / 110; 220 Volt Haut-parleur / Puissance - - No sound reproduction output. De Radiomuseum.org Model: Oscilloscope TO-3 MatiÚre Boitier métallique Forme ModÚle de table de forme quelconque, profil pas précisés. Dimensions 140 x 220 x 325 mm / 5.5 x 8.7 x 12.8 inch Remarques Runde Kathodenstrahl-Röhre. Y-VerstÀrker: Ablenkempfindlichkeit: 0,1Vss/cm Frequenzbereich: 1,5Hz...1,5MHz Eingangsimpedanz: 2MOhm, 25pF X-VerstÀrker: Ablenkempfindlichkeit: 1Vss/cm Frequenzbereich: 1,5Hz...800kHz Eingangsimpedanz: 2MOhm, 20pF Zeitablenkung: 5 Bereiche: 10-100-1k-10k-80k-300kHz Synchronisation: intern, extern, Netz.
http://www.radiomuseum.org/r/tech_oscilloscope_to_3to.html

387 Kaossilator Hacks and Hidden Features [Tim Rideout : recording artist, music producer, New Media musician]
Geek,Music production,Film soundtracks,Technology,Synthesizers,Cool stuff that I like,Korg,Kaossilator,DJ,Looper,Electronic Music,Hacks,Tips, music, MP3, downloads, Montreal, Fredericton, Quebec, New Brunswick, Canada, artist, electronic, electronica, breakbeat, house, jazz, drums, drummer, musician, producer, new media, loops, samples, indie, independent, Tim Rideout, Fibii Media, cool, hip, geek, singer, songwriter, composer, film maker, DJ, new media
http://www.timrideout.com/spip.php?article176

369 How to Install Mac OS X on a PC (Without Using a Mac)
There are many great tutorials on the web for using a Mac to install Mac OS X Snow Leopard on a PC. Unfortunately, you may be unable to follow such tutorials if you do not readily have access to a Mac to perform the preparation necessary for the installation. Great progress has been made in hacking PCs to run OS X, and it is now possible to install Mac OS X without a Mac. Thanks to some great tools put together by some brilliant hackers, it is also much easier and does not involve nearly as much time and effort as was once required.
http://www.makeuseof.com/tag/how-to-install-mac-os-x-on-a-pc-without-using-a-mac/

364 What every programmer should know about memory, Part 1 [LWN.net]
Editor's introduction: Ulrich Drepper recently approached us asking if we would be interested in publishing a lengthy document he had written on how memory and software interact. We did not have to look at the text for long to realize that it would be of interest to many LWN readers. Memory usage is often the determining factor in how software performs, but good information on how to avoid memory bottlenecks is hard to find. This series of articles should change that situation. The original document prints out at over 100 pages. We will be splitting it into about seven segments, each run 1-2 weeks after its predecessor. Once the entire series is out, Ulrich will be releasing the full text. Reformatting the text from the original LaTeX has been a bit of a challenge, but the results, hopefully, will be good. For ease of online reading, Ulrich's footnotes have been placed {inline in the text}. Hyperlinked cross-references (and [bibliography references]) will not be possible until the full series is published. Many thanks to Ulrich for allowing LWN to publish this material; we hope that it will lead to more memory-efficient software across our systems in the near future.
https://lwn.net/Articles/250967/

325 Electronic_a # 11: Jeudi 29 avril 2010
Ben Edwards est un humble artisan amoureux de l’analogique, archĂ©ologue des temps prĂ©-Ă©lectroniques. "la musique synthĂ©tique", comme on l’appelait alors. Ben collectionne les synthĂ©tiseurs et en a accumulĂ© une quantitĂ© invraisemblable. Si les noms suivants ne vous disent rien, Korg Modular, Oberheim SEM, Roland 100 M 
 souvenez-vous de Abbey Road ou de Blade Runner. C'est tout un pan de la musique pop qui fut irriguĂ© des vibrations quasi cosmiques de ces machines et c’est une Ăąme singuliĂšre et poĂ©tique que nous retrouverons ainsi ce soir. Ce que la presse en dit: « De son vrai nom Ben Edwards, Benge dĂ©veloppe depuis ses premiers pas musicaux une passion peu commune pour les synthĂ©tiseurs, passion qui l’a conduit Ă  amasser au fil du temps une collection de machines qui ferait baver d’envie bien des aficionados de la chose. ObsĂ©dĂ© par cette famille d’instruments aux possibilitĂ©s infinies et compositeur stakhanoviste si il en est, Benge passe sa vie Ă  dissĂ©quer les algorithmes abscons de chacune de ses machines qu’il connaĂźt jusqu’au plus profond de leur process Ă©lectroniques » - A dĂ©couvrir absolument « Album concept que ce Twenty Systems puisqu’il s’agit, en vingt pistes plutĂŽt courtes, de prĂ©senter vingt synthĂ©tiseurs diffĂ©rents, un par annĂ©e de 1968 Ă  1988. Dans un esprit didactique, le disque est accompagnĂ© d’un livret cartonnĂ© de 52 pages dĂ©taillant les caractĂ©ristiques de chaque synthĂ©tiseur tandis que les morceaux portent le nom de l’instrument ayant Ă©tĂ© utilisĂ© pour chacun et l’annĂ©e correspondante (utilisation unique et solitaire d’ailleurs, Ben Edwards indiquant n’avoir employĂ© aucun autre effet ou appareil en dehors de ces synthĂ©tiseurs). » - Etherreal « Avec ce disque poĂ©tique, Ă  la naĂŻvetĂ© parfois dĂ©sarmante (Yamaha CS30) mais toujours trĂšs inspirĂ©, Benge nous fait voyager Ă  travers les Ă©poques et rend un bel hommage Ă  ces machines pleines de chaleur (qui sont pour certaines de vĂ©ritables antiquitĂ©s !) et Ă  leurs gĂ©niaux crĂ©ateurs. Rarement une leçon d'histoire aura Ă©tĂ© aussi dĂ©licieuse que celle-ci. » - Pop News « La musique de Ben Edwards est en effet bien plus et bien moins qu'un impossible catalogue de sons ou une ode technopositiviste : c'est un rĂ©enchantement viscĂ©ral du son Ă©lectronique. » - Chronic’art « A brilliant contribution to the archaeology of electronic music » - Brian Eno « Indicates what a deliriously desirable thing the synthesis of sound has historically been » - The Wire « Absolutely cast iron irrefutable proof that synthesisers are better than guitars » - Vice Magazine
http://bellegarde.toulouse.fr/archives/154-electronica11

261 Photoshop Text Effect Tutorials
If you are looking to learn about grungy metal, glass, water, clouds, fire, wet ink Photoshop text effect tutorials, you will find some by reading up on these tutorials. photoshop text effect tutorials,photoshop
http://sixrevisions.com/photoshop/photoshop-text-effect-tutorials/

244 . . . der Pro-Ject RPM1 . . .Erfahrungen . . ., Analogtechnik - HIFI-FORUM
. . . der Pro-Ject RPM1 . . .Erfahrungen . . ., Analogtechnik: Forum zum Thema Analogtechnik: Plattenspieler, Tonabnehmer, Tonband, Kassette. - Community mit Diskussionsforen rund um Audio, Hifi, High End, Surround, Heimkino, Car-Hifi und Musik... der,Pro-Ject,RPM1,Erfahrungen,Analogtechnik,hifi,hififorum,hifi-forum,forum,plasma,lcd,stereo,surround,car-hifi,heimkino
http://www.hifi-forum.de/viewthread-26-8184.html

242 Bilder eurer Plattenspieler, Analogtechnik - HIFI-FORUM
Bilder eurer Plattenspieler, Analogtechnik: Forum zum Thema Analogtechnik: Plattenspieler, Tonabnehmer, Tonband, Kassette. - Community mit Diskussionsforen rund um Audio, Hifi, High End, Surround, Heimkino, Car-Hifi und Musik. Bilder,eurer,Plattenspieler,Analogtechnik,hifi,hififorum,hifi-forum,forum,plasma,lcd,stereo,surround,car-hifi,heimkino
http://www.hifi-forum.de/viewthread-26-2780.html

215 VirtualBox Virtual Appliances | VirtualBoxImages.com
VirtualBox Virtual Appliances Total Activated Virtual Computers: 30,262 VDI images of pre-installed "Open Source" Operating System distros. Pre-installed virtualbox images ready for you to explore and play with. VirtualBox runs on SunOS, OpenSolaris, Mac OS X, Windows, OS/2 and Linux. It's a computer inside your computer. Looking for OVFAppliances.com SugarSync Cloud Storage FREE Virtual Appliances available in the SugarSync Cloud. Direct HTTP download, no torrent client required. You receive 2Gig of FREE Cloud Storage Instantly run another operating system on your desktop in a window, on almost any computer. Implement full Linux functionality on an existing Windows Desktop or server. Windows XP Tutorial: 7 quick steps to using our VDI's Need a specific Application? Find an Image using the Pre-Installed Applications Index A number of Virtual Machines are also available in OVF Appliance" format
http://virtualboximages.com/

211 30 Old PC Ads That Will Blow Your Processor | Information Technology Schools
Many people today either are too young to have ever seen some early pc’s or have forgotten what they looked like and how much they cost. Today we complain about the cost of a laptop running 2Ghz with 4GB ram for a cost of $ 400.00, however it wasn’t that long ago that laptops and pc’s were priced quite a bit higher. Here are 30 Old PC ads that will make you laugh and possibly appreciate what you have today.
http://www.informationtechnologyschools.org/blog/2010/30-old-pc-ads-that-will-blow-your-processor/

78 Mandelbulb: The Unravelling of the Real 3D Mandelbrot Fractal
TIMESTAMP 08/11/2009. The original Mandelbrot is an amazing object that has captured the public's imagination for 30 years with its cascading patterns and hypnotically colourful detail. It's known as a 'fractal' - a type of shape that yields (sometimes elaborate) detail forever, no matter how far you 'zoom' into it (think of the trunk of a tree sprouting branches, which in turn split off into smaller branches, which themselves yield twigs etc.).
http://www.skytopia.com/project/fractal/mandelbulb.html

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