100SILEX, de 0 à 100 s: school
1363 EMPortal.info - View topic - MARK SHREEVE rarities
A site to discuss electronic music. electronic music,em,synthesizer music,synth music,space music,new age,ambient,klaus schulze,tangerine dream,jean michel jarre,vangelis,kitaro,kraftwerk,edgar froese,chris franke,peter baumann,johannes schmoelling,cosmic music,berliner schule,berlin school,brian eno,redshift,free system project,steve roach,michael stearns,patrick o hearn,wendy carlos,synergy,tomita,gert emmens,rmi,radio massacre international,airsculpture,robert rich,michael rother,jonn serrie,ron boots,ian boddy,mark shreeve,deuter,gandalf,ashra,schšnwŠlder,fanger,spyra,namlook,elektronische musik,elektronische muziek,symphonic rock,floating music,korg,yamaha,roland,moog,e-day,e-live,hampshire jam,portal,analog,analogue,modular,sequencer,emforum.nl
http://www.emportal.info/viewtopic.php?p=80856#80856

1347 Online-REPs-and-REPLs
Action Script 3: http://eval.hurlant.com/demo/ http://wonderfl.net/ Ada: http://ideone.com/ Arc: http://dabuttonfactory.com:8080/ http://jonathan.tang.name/files/arclite/ Assembler: http://ideone.com/ AWK: http://ideone.com/ Bash: http://ideone.com/ BASIC: http://colabv6.dan.co.jp/lleval.html bc: http://ideone.com/ BeanShell: http://lotrepls.appspot.com/ Bloop: http://repl.it/ brainfuck: http://ideone.com/ http://repl.it/ C: http://codepad.org/ http://ideone.com/ C#: http://ideone.com/ C++: http://codepad.org/ http://ideone.com/ Clojure: http://tryclj.licenser.net/ http://www.try-clojure.org/ http://ideone.com/ http://lotrepls.appspot.com/ COBOL: http://ideone.com/ CoffeeScript: http://jashkenas.github.com/coffee-script/ (Click "TRY COFFEESCRIPT") http://repl.it/ Common Lisp: http://ideone.com/ http://biobike.org/ http://colabv6.dan.co.jp/lleval.html http://www.solve-et-coagula.com/As3Lisp.html (subset) D: http://codepad.org/ http://ideone.com/ Emacs Lisp: http://colabv6.dan.co.jp/lleval.html Emoticon: http://repl.it/ Erlang: http://ideone.com/ F#: http://tryfs.net/ Forth: http://ideone.com/ http://repl.it/ Fortran: http://ideone.com/ Go: http://ideone.com/ http://golang.org/doc/play/ Groovy: http://trygroovy.appspot.com/tutorial http://lotrepls.appspot.com/ Haskell: http://tryhaskell.org/ http://codepad.org/ http://ideone.com/ http://colabv6.dan.co.jp/lleval.html Icon: http://ideone.com/ Io: http://colabv6.dan.co.jp/lleval.html Intercal: http://ideone.com/ Java: http://ideone.com/ JavaScript: http://www.squarefree.com/shell/shell.html http://ideone.com/ http://lotrepls.appspot.com/ http://jsconsole.com/ http://colabv6.dan.co.jp/lleval.html http://repl.it/ http://webshell.io Kaffeine: http://repl.it/ LOLCODE: http://repl.it/ Lua: http://codepad.org/ http://ideone.com/ http://colabv6.dan.co.jp/lleval.html http://repl.it/ MongoDB: http://try.mongodb.org/ Move: http://repl.it/ Nemerle: http://ideone.com/ Nice: http://ideone.com/ Objective-J: http://cappuccino.org/learn/console/ OCaml: http://codepad.org/ http://ideone.com/ http://colabv6.dan.co.jp/lleval.html Oz: http://ideone.com/ Pascal: http://ideone.com/ Perl: http://codepad.org/ http://ideone.com/ http://colabv6.dan.co.jp/lleval.html http://sunaba.plackperl.org/ Perl6: http://colabv6.dan.co.jp/lleval.html PHP: http://codepad.org/ http://ideone.com/ http://colabv6.dan.co.jp/lleval.html Pike: http://ideone.com/ PostScript: http://colabv6.dan.co.jp/lleval.html Prolog: http://ideone.com/ Python: http://shell.appspot.com/ http://www.datamech.com/devan/trypython/trypython.py http://www.trypython.org/ http://try-python.mired.org/ http://codepad.org/ http://ideone.com/ http://lotrepls.appspot.com/ http://colabv6.dan.co.jp/lleval.html http://ironpython.net/try/ http://www.skulpt.org/ http://doc.pyschools.com/console http://pythonwebconsole.thomnichols.org/ http://repl.it/ QBasic: http://repl.it/ R: http://ideone.com/ Ruby: http://tryruby.org/ http://codepad.org/ http://ideone.com/ http://lotrepls.appspot.com/ http://repl.it/ Scala: http://www.simplyscala.com/ http://ideone.com/ http://lotrepls.appspot.com/ Scheme: http://sisc-scheme.org/sisc-online.php http://codepad.org/ http://ideone.com/ http://lotrepls.appspot.com/ http://colabv6.dan.co.jp/lleval.html http://repl.it/ Smalltalk: http://ideone.com/ Tcl: http://codepad.org/ http://ideone.com/ http://colabv6.dan.co.jp/lleval.html Unlambda: http://ideone.com/ http://repl.it/ Visual Basic .NET: http://ideone.com/ Whitespace: http://ideone.com/ See also: http://stackoverflow.com/questions/49092/online-interactive-consoles http://codepad.org/about http://ideone.com/faq http://repl.it/#:help
http://joel.franusic.com/Online-REPs-and-REPLs/

1102 Samsung NC10 LCD Problem white screen cable
We are wondering if anyone else are having the same issues as us and have seen this problem before. We currently have over 200 Samsung NC10 Netbooks Samsung,NC10,LCD,Problem,nc10, samsung, screen, problem, white, youtube, wikipedia, flex, http://www.youtube.com/watch?v=zogq2wzsygw, case, http://www.youtube.com/watch?v=iecmjcdivsk&feature=related, willingly, admit, boards.ie, mentions, page, lots, free, mike, http://en.wikipedia.org/wiki/samsung_nc10, encyclopedia, http://www.tomshardware.co.uk/forum/58388-20-white-screen-samsung-nc10-netbook, http://www.sammynetbook.com/forum/threads/9891-blank-white-screen, blank, http://www.youtube.com/watch?v=g9amnuia1xi&feature=related, http://www.boards.ie/vbulletin/showthread.php?p=64617421, np-nc10, laptops-notebooks, general-laptops-notebooks, netbook, cable, requires, student, lessons, laptop, daily, school, brought, unit, trial, reveals, google, quick, issues, months, battery, fail, button, power, annoyingly
http://www.edugeek.net/forums/general-chat/64451-samsung-nc10-lcd-problem.html

1050 Frieze Magazine | Comment | Conrad Schnitzler
In the early 1960s, Conrad Schnitzler met Joseph Beuys in a bar in DĂŒsseldorf. Beuys was at the start of his legendary run as a professor of ‘monumental sculpture’ at DĂŒsseldorf’s Kunstakademie. Schnitzler was a sailor, who specialized in fixing the engines of merchant ships in nearby ports. Beuys took a liking to Schnitzler, inviting him to be one of his students. Schnitzler enrolled at the Kunstakademie, but dropped out a year or two later, much to Beuys’ dismay. If, as Beuys famously entreated, ‘everybody is an artist’, why did he have to go to school to be one? Schnitzler travelled for a few years, making metal sculptures and performance art. Then he took the metal sculptures he built during his time with Beuys, which he had covered in stark planes of black and white paint, dragged them all to a grassy field, and left them there.
http://www.frieze.com/comment/article/conrad-schnitzler/

966 Le COSMICCAGIBI d'Olivier BÉGUÉ !
Le COSMICCAGIBI d'Olivier Bégué... Un passionné de musique électronique qui n'aime rien tant que de faire partager sa passion... La musique est un perpetuel mouvement, un incessant renouvellement. Depuis la nuit des temps et au delà de la fin de ce monde, les sons seront crées assemblés et mis "en suite" pour notre plus grand bonheur. La musicalité d'un son régénÚre nos souvenirs et c'est ce qui nous fait nous sentir puissants ou faibles suivant ceux retenus ou reconnus. DerniÚrement de nouvelles compositions sonores et musicales sont sorties à la vente et de nombreuses sont à venir. Plongez-vous dans l'univers attrayant de la musique électronique qui est en réalité une histoire sans fin... Cosmiccagibi, Olivier Bégué, musique électronique, musique planante, Klaus Schulze, Rubycon, Tangerine Dream, Manuel Göttsching, Ash Ra Tempel, Popop Vuh, Florian Fricke, Libourne, Dominique Roux, Pascal Lamon, Olivier Briand, Bertrand Loreau, Christian Richet, Nightbirds Hervé et Thierry Chausson, Jean-Christophe Allier, holophonie, Paul Caillot, musea, krautrock, rock allemand, Berlin School
http://www.cosmiccagibi.org/

865 Evolver.html
Just Beautiful! What an amazing instrument! The DSI Evolver has the signature "old school" timbre down pat as well as being able to provide digital timbres reminiscent of the Waldorf Q. There's certainly a "rougher" side available as well with all the feedback implementation and controled distortion. Being able to make PM type plucked and blown sounds is just icing on the cake. Dave Smith should be commended for a job well done. Just have a look at the Panel Layout to get a taste of what this beauty can dish out - the controls are pretty much laid out in the form of a signal path graphic. Be sure to visit Dave Smith's Website! Evolver Sound Examples There are a lot of demos of the Evolver on the web showcasing the gutsy harsh sounds of this beast so I decided to post demos of some of my own patches as examples of the "softer" more "vintage" side of the Evolver's timbre. I make no apologies for these unpolished recordings - these are merely sound samples ;) Resonant Plucked Pad This pad shows some of the rich resonant nature of the filter. Soft Lead This is a simple analog brass lead patch. FM Pad A fun patch with lots of motion made using my "Audio-rate Filter FM" programming tip below. Warm Pad A nice bland-vanilla pad ^_^ What can I say? I love pads... For more MP3 demos showing the full gamut of sounds the Evolver and Polyevolver are capable of, please visit the excellent website of Stefan Trippler! The Definitive Guide to Evolver This rather in-depth guide to the Evolver goes places and does things a mere manual can't. This labor-of-love was crafted by Anu Kirk and with his kind permission, I am offering this fantastic resource right here in PDF format! A much smaller version (400K) is here but it dosen't have internal hyperlinks. Programming Tips Here's a fun repository of programming tips for the Evolver in all its incarnations. Please email me if you would like to add some. Fingered Wave Sequence Submitted by Dave Bryce. This brilliant technique has to be heard to be believed! Plus, its one of those cool things unique to the Evolver! This particular tip is so full of detailed information that it gets its own page! Audio-rate Filter FM Submitted by James Maier. Use the "Audio Mod" parameter in the Filter section to frequency-modulate the cutoff with the analog oscillator. Add resonance until the filter is just on the edge of oscillation then mod the cutoff with just a little triangle LFO set at a very slow speed. Amazing moving chorusing pad and lead sounds can be made this way. Fatter Bass/Pad Sounds Submitted by Mike Peake. Set the same sound in both channels (detuned saws, for instance). With the filters at the 24dB setting, increasing resonance cuts the passband as on the Moog filters. Set Envelope 3 to minimum attack, maximum decay and release, and sustain to maximum. This "creates" an offset, a continuous "on" signal while the keys are gated. Modulate one filters' resonance up (just one), or of the overall resonance level is high, us it to modulate one filters' resonance to its minimum. You get the resonant character plus the size of the non-resonant filter. Use Tri and Sine waves on that side too. "Warmer" Sounds Submitted by James Maier. The Evolver can make many ultra-bright and buzzy sounds due to its extensive feedback and distortion stages but sometimes people miss the subtler side of the beast. For a warmer sound use little or no distortion, close the filter just a bit and turn off the feedback and delay lines. I've managed to get dead-on Prophet5 timbres this way. Adding "Punch" Submitted by Mike Peake. Set the envelopes to linear, and use a Mod to modulate AmpEnv All by itself (lin through log responses with positive and negative self-modulation). This is of course fun on the filter envelopes as well. More Vintage Character Submitted by Mike Peake. Oscillator Slop, set at 5, doesn't come close to the Moog and other old-timer movement, so add slight (1 or 2) LFO to pitch modulations, with individual LFOs per oscillator, and a touch of LFO to LFO rate modulation. A tad of Envelope 3 to pitch helps as well. Don't miss out on the 12dB filter setting Submitted by Mike Peake. The 24dB setting has much more resonance, but the 12dB setting can sound nice and plucky, and do nice slightly fuzzy pads etc. DSI Evolver Waveshape Charts Below are charts I've assembled of the digital waveforms and their spectra as currently used in the DSI Evolver synthesizers. Originally these waves were unique to the SCI ProphetVS vector synth. I find these waveform/spectra graphics really usefull when programming sounds - maybe you will as well. Pay special attention to the spectra as this info is sometimes much more useful than waveshape in determining actual timbre - even before you hear what the waveform sounds like. These are designed to be downloaded (right-click & "save target as"), and printed at 300dpi on 8.5" x 11" pages - don't resize these images before printing or you will lose useful detail. Use them as a handy refrence. This information was cobbled together from various scattered sources (with very special thanks to Achim Gratz!). Any errors or omissions are my own. ^_^ HAVE FUN!!! Page 1 Page 2 Page 3 Page 4 As far as the origin of these waves is concerned, one of the original VS engineers, Chris Meyer, said: "The original waves for the VS were created three ways - extracting single-cycles from sampled sounds, using a custom additive synthesis program, and using a program Josh (Josh Jeffe, another VS engineer) slapped together called "Hacker" where you could draw the waveshape. These were fed straight from the computer through the filter and VCA of a Pro-One to figure out what they might sound like in a patch. And by the way, no PPG waveforms appear inside the VS - we had access to them, but in the end our consciences got the better of us. We did steal some waveforms from the Korg DW6000, but only by looking at the harmonic drawings on the front panel and trying to imitate them in our additive synthesis program." Modulation Matrix "Cheat Sheet" This chart shows all the modulation routing available on the Evolver. This same info is available in the manual but this can be printed on a single sheet of paper as a handy refrence! Evolver Wallpaper These I created just for fun and desktop "beautification" ;) 1280 X 1024 1024 X 768 800 X 600
http://www.carbon111.com/evolver.html

788 Setting Up Your Digital Camera For HDR Shooting
You’ve probably heard of High Dynamic Range (HDR) Photography, it’s made quite an entrance into the world of digital photography. If you haven’t, the HDR process is accomplished by taking multiple exposures of a high contrast scene (usually a landscape or cityscape), at different levels of brightness, and then combining the best light from each exposure into one image. The end result is a stunning image that very closely resembles how the human eye views a scene. This process of digital manipulation has caused a bit of controversy and debate in the world of photography, especially with images that are “over-cooked.” One thing is for sure though, HDR is here to stay. When done right, this unique and in depth processing technique can produce beautiful works of art that mimic the way we view and remember a landscape or scene. The above image is an example of what HDR processing can produce. This image, taken from the Big Island of Hawaii, would not be possible without HDR processing. It was taken around noon, the harshest light of the day. The first image is the best image my camera could produce given the situation. While still beautiful, there are obvious problems. Get ready, this article is going to show you how to take your digital camera and turn it into an HDR shooting machine!
http://www.digital-photography-school.com/setting-up-your-digital-camera-for-hdr-shooting

756 Matmos - Supreme Balloon
The arcs of rising and falling pitches that start this song reminded us of a rainbow, and the title stuck: any resemblance to fluttering symbols of homo-nationalist pride are side effects. People have asked us about the Latin kitsch aspect of the song, and we plead guilty to a great love of the Richard Hayman "The Genuine Electric Latin Love Machine" Moog novelty LP from 1969. Having lived in the Mission District of San Francisco for seven years up until our recent move to Baltimore, we have had enough casual exposure to actual Mexican and Salvadorean music to know that this bears only the faintest relation to the real thing. Keith Fullerton Whitman contributed some tasty squelches and zaps from his Doepfer modular synth to brighten the corners, but not everything on here is that high-tech. Consider the lowly stylophone, a handheld novelty instrument popular with British schoolkids that was immortalized during the rave era in the cheesy techno banger "Stylophonia" by the fabulously named UK crew Two Little Boys. The stylophone that is played on this record was sent to us in the mail by a well-wisher and we thank him for this unexpected present. We are even more grateful to Safety Scissors, who forgave us when M. C. Schmidt broke his MS-20 filter knob by tweaking it too vigorously while recording the "horn" part of this song. It's all been patched up now.
http://www.brainwashed.com/common/htdocs/discog/ole799.php?site=matmos

747 10 Alternative Ways To Access Blocked Sites | TechiFire
Is your favorite website blocked in your school college or office ? Then here are 10 Alternative and innovative Ways To Access Blocked Sites other than proxies . access blocked site ,access blocked websites,unblock blocked websites ,proxy access blocked websites,internet tricks,tips and tricks
http://www.techifire.com/tips-tricks/10-ways-to-access-blocked-websites/

691 visualizing.org
Visualizing.org is a community of creative people working to make sense of complex issues through data and design
 and it’s a shared space and free resource to help you achieve this goal. Why Visualizing.org? By some estimates, we now create more data each year than in the entirety of prior human history. Data visualization helps us approach, interpret, and extract knowledge from this information. Over the last couple of years, we’ve seen government agencies, NGOs, and companies open up their data for the public to see and use. And we’ve seen data visualization figure more prominently in design curricula, conference programs, and the media. We created Visualizing.org because we want to help connect the proliferation of public data
 with a community that can help us understand this data
 with the general public. What is Visualizing.org? What can I do on the site? For designers: Visualizing is a place to showcase your work, get feedback, ensure that your work is seen by lots of people and gets used by teachers, journalists, and conference organizers to help educate the public about various world issues Visualizing is a free resource to search for data Use Visualizing to keep up with and be inspired by the latest work from other designers and design schools Learn about new visualization tools, blogs, books and other resources to help your work Everything you upload remains your sole and exclusive property and is licensed under a Creative Commons Attribution Non-Commercial Share-Alike License For teachers and schools: Visualizing is a place to exhibit the collective work of your students, organize assignments and class projects, and help your students find data for their own visualizations We’re working on new tools to help you share teaching material with other teachers As an Academic Partner, your students are eligible to participate in various design competitions – we’re hosting the first Visualizing Marathon in New York in October To learn more, contact Saira Jesani For bloggers and journalists: Visualizing is a resource to find data visualizations about a wide variety of world issues to inform and accompany your own reporting – and it’s easy to embed visualizations and widgets from Visualizing on your own site For conference organizers: As a Knowledge Partner, Visualizing allows you to use data visualizations at your conferences under a Creative Commons License To learn more, contact Saira Jesani For all: Visualizing is a new and fun online resource to learn more about the world in all its complexity and inter-dependence -- and become more comfortable with data and how it can be visually represented How does it work? The site is open and free to use. Everything you upload remains your sole and exclusive property and is licensed under a Creative Commons Attribution Non-Commercial Share Alike License. Simply put, this means that anyone can share, copy, remix, or build upon the visualization as long as: (i) it is used non-commercially; and (ii) the visualization’s creator and source are credited.
http://www.visualizing.org/

517 Design video - Korg Kaossilator Grid Modification (Mod/Hack)
Korg Kaossilator Grid Modification (Mod/Hack) graphic design,graphic design jobs,web graphic design,creative graphic design,graphic design job,graphic design school,freelance graphic design,graphic design company,web design,web design company,web design jobs,flash web design,web design development,web design hosting,web design services,best web design,web design business,ecommerce web design,custom web design,professional web design,web design companies,web design firm,website design,website design company,flash website design,best website design,ecommerce website design,business website design,website design services,web site design,web site development,web site designer,logo design,logo design company,logo design business,home design,creative design,design studio,landscape design,design company,product design,flash design,graphics design,web page design,brochure design,magazine design,portfolio design,web hosting,web development,web development company,graphic designer web,web designing company,web development companies,web page designer,web designing companies,web designers page,professional web designer,graphic designer
http://www.customglassanddoors.com/view.php?video=4d5QrCCxc_Y&feature=youtube_gdata&title=Korg+Kaossilator+Grid+Modification+%28Mod%2FHack%29

298 The Evolution of Privacy on Facebook
Facebook is a great service. I have a profile, and so does nearly everyone I know under the age of 60. However, Facebook hasn't always managed its users' data well. In the beginning, it restricted the visibility of a user's personal information to just their friends and their "network" (college or school). Over the past couple of years, the default privacy settings for a Facebook user's personal information have become more and more permissive. They've also changed how your personal information is classified several times, sometimes in a manner that has been confusing for their users. This has largely been part of Facebook's effort to correlate, publish, and monetize their social graph: a massive database of entities and links that covers everything from where you live to the movies you like and the people you trust. This blog post by Kurt Opsahl at the the EFF gives a brief timeline of Facebook's Terms of Service changes through April of 2010. It's a great overview, but I was a little disappointed it wasn't an actual timeline: hence my initial inspiration for this infographic.
http://mattmckeon.com/facebook-privacy/

211 30 Old PC Ads That Will Blow Your Processor | Information Technology Schools
Many people today either are too young to have ever seen some early pc’s or have forgotten what they looked like and how much they cost. Today we complain about the cost of a laptop running 2Ghz with 4GB ram for a cost of $ 400.00, however it wasn’t that long ago that laptops and pc’s were priced quite a bit higher. Here are 30 Old PC ads that will make you laugh and possibly appreciate what you have today.
http://www.informationtechnologyschools.org/blog/2010/30-old-pc-ads-that-will-blow-your-processor/

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