100SILEX, de 0 à 100 s: sit
1525 Pipotronic
En auditant la démarche managériale, les personnels concernés doivent faire interagir les nécessités secteur.
http://www.pipotronic.com/

1522 5 Simple steps to secure TT-RSS reader
secure tt-rss, tt-rss security 5 Simple steps to secure TT-RSS reader July 27, 2015 by Anand Leave a Comment secure-tt-rss-ft Share: share htpcBeginner We recently presented Tiny Tiny RSS to you as a great alternative to Google reader, which is one more way you can extend the functionality of your home server or your hosting space. Hopefully, you already exported your data from Google Reader. In this post, we will show you how to secure TT-RSS reader to prevent unauthorized access. Tiny Tiny RSS is an open source web-based news feed (RSS/Atom) reader and aggregator, designed to allow you to read news from any location, while feeling as close to a real desktop application as possible. As we previously explained, it makes an ideal candidate to replace Google Reader. While there are services like Feedly and Newsblur grabbing the crowd Google Reader, which some of you may prefer, there are a group of people who would like to run a RSS reader on their own server and keep things private. Assuming that you have already installed Tiny Tiny RSS on your alternative to Google reader or hosting space, we will now show you how to secure TT-RSS reader. Secure TT-RSS Reader One of the main reasons to move to an RSS aggregator like TT-RSS is maintaining your privacy. So if you do not secure TT-RSS reader well you are not only making your data available public but also making your system vulnerable to potential attacks. Choosing a strong username and password while setting your TT-RSS is the first basic thing that you can do to secure TT-RSS reader. Listed below are few more ways you can increase TT-RSS reader’s security. 1. Rename TT-RSS Folder One of the first lines of defense is to not use tt-rss in your URL to access your TT-RSS reader. To do this on your hosting account, use a folder name other than tt-rss while installing TT-RSS. On your Linux home server, edit /etc/tt-rss/apache.conf and change the first /tt-rss to something else. An example is shown below. TT-RSS Rename URL TT-RSS Rename URL After making the change, restart your TT-RSS and Apache to apply the changes: sudo service tt-rss restart sudo serivce apache2 reload Your TT-RSS reader is now available through the new URL (example: http://mydomain.com/myreader) only. Amazon Kindle Fire HDX 2. Enable SSL Accessing TT-RSS through http sends all information as unencrypted data. This could mean less privacy due to potential sniffing. The solution is to encrypt the data during transfer, which makes sniffing by hackers harder. To enable and enforce HTTPS access on Linux servers with Apache, install the following run-time libraries: sudo apt-get install libssl0.9.8 libpam0g openssl Restart your Apache server as shown above. You should now be able to access your TT-RSS reader with HTTPS. Note that you may have to have a SSL certificate generated. Refer to Apache documentation if you want to generate your own certificate. By default, the system will install self-signed certificates for you. These certificates are likely to raise warnings when you point your browser to the site. 3. Disable Single User Mode By default the single user mode is already disabled (in /etc/tt-rss/config.php). Enabling single user mode will also disable TT-RSS login system. Therefore, keep the single user mode disabled. Disable Single User Mode Disable Single User Mode A better way to make it a single user system is by limiting the number of registrations to 1 as described below. For whatever reason, you still want to enable single user mode, make sure you implement Apache Authentication method described below. 4. Self Registrations Self registrations allow a visitor to register themselves, which could reduce TT-RSS security. If your TT-RSS will be for personal use only, then you may want to disable user registration by setting “ENABLE_REGISTRATION” to “false”. TT-RSS Self Registrations TT-RSS Self Registrations To further secure TT-RSS Reader, uou may also want to change “REG_MAX_USERS” to “1” to make your account the only account on TT-RSS. asus n66uASUS RT-N66U Dual-Band Wireless-N900 Gigabit Router asus n66u reviewsFind out why it is rated the best wireless router in its class. 5. Apache Authentication Last but not the least, enable Authentication. This is even more important if you have enabled “Single User Mode” describe above. Every time you access TT-RSS, you will be asked for a username and password as shown in the picture below: Secure TT-RSS Reader On your hosting account this equivalent to password protecting a directory, in this case the TT-RSS directory. To do this on your Ubuntu server, you will have to create a .htpasswd file. More information is available in Apache documentation. But the easiest way to achieve this is to use one of the htpasswd generators available online. After you enter the username and password two code blocks will be generated. Copy the contents of the .htpasswd code block and save it to /etc/apache2/.htpasswd_ttrss. Next, copy the contents of the .htaccess code block and add it to /etc/tt-rss/apache.conf as shown below: TT-RSS Apache Authentication TT-RSS Apache Authentication Save and exit. Restart both TT-RSS and Apache previous shown above. You should be prompted for a password every time you try to access TT-RSS. Some may think that this double authentication method is an extra inconvenience. But I would rather be safe than sorry. Go ahead, secure Tiny Tiny RSS Reader and enjoy reading articles on your private secure RSS Reader.
http://www.htpcbeginner.com/secure-tt-rss-reader/

1502 Phone-Reluctant Introverts, There is Nothing Wrong With You
As I sit down to write this blog post there is the dreaded sound of a prolonged vibration as my phone skids, bouncing and sporadically across my desk. This is perfectly ideal and ironic distraction that actually befits the very thing I am thinking about and from which it is distracting me
 Itself! I have always had an absolute detest for talking on the phone. And I’ll say now that it has nothing whatsoever to do with the person at the other end, I just find it a horrible tool for communicating with. Phone Box I think I probably am, and always have been worse than most people when it comes to using the phone (in the traditional sense, ie speaking to people) but if you can identify with any of this then read on. If you’re thinking, “what are you on about, I love the phone” then you’ll probably just get confused, but if you also have friends who ‘never answer the phone’ then this might help you to understand them a bit better. I can’t sum it up any better than Sophia Dembling in her article, 9 Signs that You Might Be an Introvert:
http://www.sheepdressedlikewolves.com/phone-reluctant-introvert/

1489 Disposition de clavier francophone et ergonomique bépo

http://bepo.fr/wiki/Accueil

1433 Numérique, technologie - France Université Numérique - FUN

http://www.france-universite-numerique.fr/numerique-technologie.html

1421 The Absolute Minimum Every Software Developer Absolutely, Positively Must Know About Unicode and Character Sets (No Excuses!) - Joel on Software

http://www.joelonsoftware.com/articles/Unicode.html

1416 Tho-Radia (2)

http://tho-radia.monsite-orange.fr/page2/index.html

1400 Gravure de CI      [ PafGadget ]
bidouille,bricolage,DIY,do it yourself,audio,electronique,O.BLT,gravure,ci,pcb,cuivre,perchlorure,fer,typon,impression,imprimer,imprimante,papier,publicitaire,pub,graver,révélateur,bac,produit,toner,positif,insoler,insoleuse
http://pafgadget.free.fr/bidouillages/gravure-pcb.htm

1386 Retro Synth Ads: Sound Master Memory Rhythm SR-88, Keyboard 1982
Sound Master Memory Rhythm SR-88 drum machine 1-page advertisement from page 67 in Keyboard Magazine August 1982. Hmmm. Not sure how I feel about this ad. There just seems to be a lot going on. For example, am I supposed to know who "The Rhythm Section" is? The fact that they include themselves in an already long ad title suggests they must be some kind of a big deal. And then you find their name again in the bottom left-hand corner: "The SR-88. Another innovative product from The Rhythm Section by Sound Master Distributed exclusively by JTG of Nashville." So, let me get this straight. JTG of Nashville is the distributor of the SR-88 which was created by The Rhythm Section which is somehow owned or operated by Sound Master. That is waaaaay to much information. Sounds like something political is going on there, and readers unfortunately get stuck in the middle of it. There also seems to be a lot of ad-copy which actually doesn t give me much information. Reason #4 gives readers the most info including instant stop/start, variable tone and output switches, and a write/play mode indicator. The most I glean out of the four other reasons put together is: 16 rhythms, clock pulse and a price of under $200. The actual specs that are probably most important to potential buyers are inexplicably shoved into the bottom right-hand corner. Luckily for me, there are a few resources on the Web with more information about this beast. Unluckily for blog readers, as soon as I started looking for more info, I got swept up in a certain SR-88/Boss DR-55 controversy. Comparing the SR-88 and Boss DR-55 One of the first Web sites I hit while looking for info on the SR-88 was Dubsounds.com. The site includes a great little write-up on the SR-88, but, more interesting was finding out about a little controversy about whether the SR-88 or the very similar Boss DR-55 came out first. The two do seem mighty similar in functionality. For comparison purposes, I did a quick search on MATRIXSYNTH to find more photos. . A great photo of a gray SR-88 can be found in this December 2005 SR-88 MATRIXSYNTH auction post and the less common, but definitely more cool, blue SR-88 can be seen in this January 2011 MATRIXSYNTH auction post. Comparing the two to the Amdek RMK-100 Interestingly, it s not just these two machines that look and function similarly. In this May 2009 MATRIXSYNTH SR-88 auction post commenter "PAC" notices: "Interesting. I have an Amdek RMK-100 (sold as kit), very similar!" Never heard of it, so I Googled "Amdek RMK-100" to see just how similar it was to both the DR-55 and the SR-88. Turns out (according to the Internet) that Amdek products were made by Boss/Roland back in 80s, and, not only that, but that the RMK-100 is actually the kit version of the Boss DR-55. Makes sense on why it would also be similar to the SR-88. I found an ebay auction for an Amdek RMK-100 going on right now with a great photo of the front panel (see below), and indeed it does share a lot with the DR-55 and SR-88 - but definitely not identical to either one. For example, it looks like the Amdek and SR-88 share a similar filler function that as far as I can tell is not available on the DR-55. And the DR-55 and the RMK-100 share a similar accent function that I don t see on the SR-88. Now where does the Electro Dynamics Corporation Programmable Rhythm SR-99 fit in? I also came across another machine with similar features - the Programmable Rhythm SR-99. No - not manufactured by Sound Master, but by Electro Dynamics Corporation. And, it too resembles the others in functionality, and especially the SR-88 in design also. I ve included a row of photos below to help make the comparison between the two. The SR-88 photo is from the 2005 MATRIXSYNTH auction post and the EDC SR-99 photo is from the excellent BigBlueWave.co.uk site. I ve also thrown in a photo from another recent E-bay listing that included both - plus boxes and manuals! Sick! Obviously, Sound Master and EDC are somehow connected, although I can t find any info on the Internet concerning these two companies. I do know that they were both advertising separately in Keyboard Magazine in late 1983, making it unlikely that one of the companies changed their name to the other. Anyone know anything? And then there is the Clef Master Rhythm... Now, I m going to throw in a late entry. It s Sunday night, and I just came across this August 2010 MATRIXSYNTH auction post for the Clef Master Rhythm. It not only shares part of the name of one of the other units ("Master"), it too has many features of the other rhythm machines, and identical innards as the DR-55, but is expanded to include even more sounds: "This is essentially a fully expanded Boss DR-55 feature-wise and tone-wise. The circuits are identical (schematically and tonally) to the Boss DR-55, but the Clef Master Rhythm gives you way more instruments than the Boss DR-55..." Interestingly, according to the post, it pre-dates the Boss DR-55 - and also came in a kit form like the Amdek. "The Clef Master Rhythm came out a little before the Boss DR-55 in late 1979/early 1980. It was sold in two versions and available in greater quantities in Europe than in the United States. One version was a kit that the user put together and another one was a prebuilt machine." A photo from the MATRIXSYNTH post really helps show the similarities in functions with the others: What does it all mean? So, looking at all five machines, its almost like there was a rhythm machine salad bar of some sort in Japan, and each company stepped up to it and picked out which features they wanted to include in their product. And that begs the question - since we know there was a kit form available and there are claims that the Clef Master even has the same circuits as the DR-55, could all five products (and probably others) have used the exact same internal parts - each company choosing which features to include and then customizing in their respective rhythm machine? And if so, were those parts supplied by Amdek, or did all five get their internal parts from some other manufacturer? And if that is the case, then the question of whether the SR-88 or DR-55 came first doesn t really matter much, since it is likely that the kit components would have been available first. Plus, we have that one auction post with the claim that the Clef Master came out before the DR-55 - making it all even more confusing to figure out. Or, am I totally off the mark on all this? Were they all created separately? Maybe I ve just been fixated on this a little too much... I ll keep on looking for more info on these companies and any connection they might have, but if anyone want to buy all four and open them up to take a look - it would be muchly appreciated. :D Posted by RetroSynthAds at 12:05 PM Labels: 1982, amdek, clef master, dr-55, drum machine, electro dynamics corporation, keyboard magazine, rmk-100, Sound Master, sr-88, sr-99 2 comments: Simon said... Here s a funny thing - I seem to remember Clef in the early 1980s as a British company that made electronic pianos (touch-sensitive ones!) in kit form. Deep in the back of my mind I recall seeing them at a music fair in London with a couple of their pianos and some drum machines including a prototype drum/bass/chord sequencer called something like a "Band-Box". But it WAS a long time ago. February 12, 2012 at 12:36 PM Simon said... Looks like (for once) my memory didn t fail me. Here is a 1982 ad for Clef Electronics showing all the products I mentioned, plus a natty-looking little monosynth! BTW, I owned an EDC SR99 drum machine in the mid-1980s, but replaced it with a Yamaha RX-21 a couple of years later. February 12, 2012 at 12:46 PM
http://retrosynthads.blogspot.fr/2011/08/sound-master-memory-rhythm-sr-88.html

1385 Motherfucking Website

http://motherfuckingwebsite.com/

1381 COLLIN CUNNINGHAM / NARBOTIC INSTRUMENTS
COLLIN CUNNINGHAM / NARBOTIC INSTRUMENTS [BLOG] MidiVox CV sketch update 02.05.2012 The MidiVox CV sketch has been updated to work with Arduino 1.0 - grab it here Also be sure to use the new version of the Midi Library as well! Also, also: Some previous comments on earlier posts seem to have been lost in a recent Disqus migration - apologies to previous commenters. 7 Comments Updated Midi Library & site changes 01.23.2012 Perhaps you noticed narbotic.com looks different? It is different! A big thanks to everyone who picked up a MidiVox kit - you are now the proud owner of a rare piece of electronics. Though the kit is no longer in production, there is now a new version of the Midi Libray which has been updated to work with the Arduino 1.0 IDE. In addition to an aesthetic reboot, this site will now serve as your premiere destination for all things Collin Cunningham on the web. (and I vow that will be the one & only time I refer to myself in the third-person) New things are in the works - more to come 2 Comments
http://narbotic.com/?p=130

1363 EMPortal.info - View topic - MARK SHREEVE rarities
A site to discuss electronic music. electronic music,em,synthesizer music,synth music,space music,new age,ambient,klaus schulze,tangerine dream,jean michel jarre,vangelis,kitaro,kraftwerk,edgar froese,chris franke,peter baumann,johannes schmoelling,cosmic music,berliner schule,berlin school,brian eno,redshift,free system project,steve roach,michael stearns,patrick o hearn,wendy carlos,synergy,tomita,gert emmens,rmi,radio massacre international,airsculpture,robert rich,michael rother,jonn serrie,ron boots,ian boddy,mark shreeve,deuter,gandalf,ashra,schšnwŠlder,fanger,spyra,namlook,elektronische musik,elektronische muziek,symphonic rock,floating music,korg,yamaha,roland,moog,e-day,e-live,hampshire jam,portal,analog,analogue,modular,sequencer,emforum.nl
http://www.emportal.info/viewtopic.php?p=80856#80856

1351 Bienvenue dans L Hyper-Espace - Le site des Sheriffs de l Espace

http://gyaban.tokusatsu.org/

1339 Tonic Chair, la chaise anti mal de dos
Tonic Chair :nouvelle chaise ergonomique conçue par des kinésithérapeutes pour renforcer et tonifier votre silhouette Tonic Chair, chaises ergonomiques, kinésithérapeutes, ballon d exercice, renforcement, tonification, silouhette, confort inégalable
http://www.tonic-chair.com/

1327 dictionnaire céline
L objectif de ce travail est de restituer l ensemble des usages de la langue de CĂ©line Ă  partir de son lexique. Il a Ă©galement pour but de tisser un rĂ©seau de rĂ©ferences en matiĂšre de critique cĂ©linienne quand celle-ci s interroge sur la langue. La prĂ©sente version ce projet n en est qu Ă  son dĂ©but. Elle sera complĂ©tĂ©e le plus rĂ©guliĂšrement possible. BientĂŽt, un moteur de recherche permettra d accĂ©der directement Ă  la dĂ©finition d un mot et Ă  ses occurrences. Ce travail part du principe selon lequel on ne peut comprendre l oeuvre de CĂ©line que si l on se penche sur les notions les plus Ă©videntes de la lecture, Ă  savoir la comprĂ©hension des mots qui forment une syntaxe elle-mĂȘme particuliĂšre, au service d un style qui souvent manie l ellipse et le sous-entendu. Cette dimension de la lecture, Ă©vidente pour beaucoup, l est moins pour ceux qui parlent une langue maternelle autre que le français. C est essentiellement Ă  eux qu est destinĂ© ce dictionnaire qui regroupe l ensemble des nĂ©ologismes et des termes argotiques les moins connus aujourd hui. Je me rĂ©fĂšre, chaque fois que possible, Ă  l Ă©dition de la PlĂ©iade, qui comprend Ă  ce jour quatre volumes (on annonce un cinquiĂšme de correspondance pour dans quelques annĂ©es). Il est bien entendu que le Vocabulaire populaire et argotique de Catherine ROUAYRENC de chaque volume, quoique lacunaire, constitue la rĂ©fĂ©rence principale. Toute reprise est indiquĂ©e comme telle. Autre ouvrage utile : le Dictionnaire du français non conventionnel paru chez Larousse, et dont Alain Rey est l un des rĂ©dacteurs. Un travail systĂ©matique permettra, d ici quelque temps, de multiplier les rĂ©fĂ©rences aux Ă©tudes dĂ©jĂ  publiĂ©es (notamment celles de A. Juilland, de l UniversitĂ© de Stanford). a b c d e f g h i j k l m n o p q r s t u v x y z a> [accueil] [ateliers] [culture Ă  cluj] [lectorat] [Ă©crivez-nous] A ABIBOCHER (S ) vb. pron. NĂ©ologisme formĂ© Ă  partir de rabibocher (rĂ©concilier quelqu’un avec quelqu’un d’autre). Signifie dont se lier d amitiĂ©. Le glossaire de la PlĂ©iade indique qu en emploi transitif, veut dire Ă©galement mettre en Ă©tat . ‘Se mettre bien avec la mort, qu’elle leur fasse pas de mal Ă  eux, leur cher ‘eux’, le moment venu
 leur moment
 s’abibocher avec elle !
’ FI, 11. Ça m abiboche pour La Villette. PlĂ©iade IV, App. II, 616. * ABÎMER vb. tr. D aprĂšs le glossaire de la PlĂ©iade IV, maltraiter quelqu un en paroles. Il m a abĂźmĂ©, hein ? Jules ? FII, 183. * ACHARNERIE n. f. NĂ©ologisme Ă  partir de acharnement. Une acharnerie d intempĂ©rie! rarissime! F1, 17.
http://duclos.tripod.com/Dictiona.htm

1319 therevox : custom musical instruments
Inspired by the Ondes Martenot s au ruban controller, the ET-4 is controlled by moving a finger along a reference keyboard shaped to provide tactile feedback. Dual pressure sensitive intensity keys control the amplitude of the ET-4 s two independent analog oscillators. Combined with a filter, white noise generator and internal spring reverb the ET-4 is an expressive and versatile performance synthesizer.
http://therevox.com/

1318 preenFM
PreenFM - frequency modulation DIY synth
https://sites.google.com/site/preenfm/

1281 BTK 021- RIPIT - Orage Magnetique : BTK Bad Taste Krew : Free Download & Streaming : Internet Archive
label : BTK year : 2011 (november) ref : BTK 021 format : wav contact : contactbtk@yahoo.com websites : http://btkrecordz.eklablog.com ...
http://archive.org/details/Btk021-Ripit-OrageMagntique

1279 Safety & Comfort Guide | HP¼ Official Site
HP Safety & Comfort Guide computer, environment, ergo, ergonomics, ergonomic, health, healthy, healthy computing, office equipment, office ergonomics, PC, work, workspace, workstation, comfort, comfort zone, work environment
http://www8.hp.com/us/en/hp-information/ergo/index.html

1273 Programming: - Martin B / shruthi
Martin Bs Stuff
https://sites.google.com/site/thesonicfunk/programs

1271 Alimentation Rat - Rongeurs En Destress

http://rongeursendestress.e-monsite.com/pages/fiches-rongeurs/le-rat/alimentation-rat.html

1257 CiteSeerX — Eigenrhythms: Drum pattern basis sets for classification and generation
CiteSeerX - Document Details (Isaac Councill, Lee Giles, Pradeep Teregowda): We took a collection of 100 drum beats from popular music tracks and estimated the measure length and downbeat position of each one. Using these values, we normalized each pattern to form an ensemble of aligned drum patterns. Principal Component Analysis on this data set results in a set of basis ñ€˜patterns ñ€™ that can be combined to give approximations and interpolations of all the examples. We use this low-dimension representation of the drum patterns as a space for classification and visualization, and discuss its application to generating continua of rhythms. Our classification results were very modest ñ€“ about 20 % correct on a 10-way genre classification task ñ€“ but we show that the projection into principal component space reveals aspects of the rhythm that are largely orthogonal to genre but are still perceptually relevant. CiteSeerX, Daniel P. W. Ellis, John Arroyo
http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.113.1505

1256 Sony | Vintage Electronics Have Soul – The Pocket Calculator Show Website
We owe much gratitude to Sony, for they were responsible for making the personal stereo cassette player a reality. For over 25 years, Sony has been bringing a personal, portable stereo music experience to our ears–creativity and innovation have continued to make Walkman a useful product to everyone. Walkman has reached pop icon status and become a symbol of youth, individuality and freedom. In 1979 Sony warned, “Remember the name: Walkman.” How could we forget?
http://pocketcalculatorshow.com/walkman/sony/

1255 Sony Cassette Walkman Overview (1979 - 2003) - sonyvintage.com
Unofficial SONY vintage page Skip to content Home Personal Audio HiFi about sonyvintage.com My Collection ← Sony WM-WE1 (1997) Cassette Walkman 1979 → Sony Cassette Walkman Overview (1979 – 2003) Posted on February 18, 2012 by Quo TPS-L2 WM-2 WM-3 WM-3Ex WM-R2 WM-F2 WM-D6 WM-7 WM-DD WM-F5 WM-20 WM-F20 WM-DC2 WM-D6C WM-DDII WM-F15 WM-R15 WM-30 WM-F30 WM-40 WM-75 WM-F75 WM-F55 WM-55 WM-W800 WM-R55 WM-F85 WM-101 WM-F101 WM-F202 WM-R202 WM-F60 WM-57 WM-60 WM-F107 WM-D3 WM-109 WM-F109 WM-101 WM-102 WM-104 WM-F203 WM-51 WM-51 with radio WM-501 WM-504 WM-503 WM-509 WM-550C WM-52 WM-505 WM-701C WM-F701C WM-506 WM-F506 WM-F606 WM-609 WM-170/171/172 WM-F180 WM-F181 WM-607 WM-DD9 WM-R707 WM-F707 WM-702 WM-F702 WM-703C WM-507 WM-F507 WM-600 WM-190 WM-805 WM-EX80 WM-EX60 WM-EX70 WM-FX70 WM-EX85 WM-FX85 WM-EX90 WM-SX77 WM-WX88 WM-GX90 WM-EX88 WM-EX77 WM-FX77 WM-DX100 WM-EX78 WM-RX77 WM-EX66 WM-EX909 WM-GX77 WM-FX909 WM-EX707 WM-FX707 WM-FX505 WM-WX808 WM-EX606 WM-EX808/808HG WM-FX808 WM-GX707 WM-RX707 WM-EX999 WM-FX999 WM-EX777 WM-FX777 WM-EX555 WM-WX777 WM-EX666 WM-EX1・EX1HG WM-FX1 WM-EX511 WM-FX811 WM-EX911 WM-EX811 WM-GX711 WM-EJ95 WM-WX1 WM-GX312 WM-EX2 WM-FX2 WM-EX622 WM-FX822 WM-EQ2 WM-GX622 WM-EX922 WM-GX822 WM-RX822 WM-EX633 WM-EX641 WM-EX5 WM-FX5 WM-EX3 WM-FX833 WM-GX322 WM-MV1 WM-GX622 WM-GX655 WM-EQ3 WM-FX855 WM-WE1 WM-WE7 WM-FS1 WM-EX655 WM-EX7 WM-EQ5 WM-FK2 WM-EK1 WM-EQ9 WM-EX9 WM-EX677 WM-GX677 WM-FX877 WM-WE01 WM-FK5 WM-EK3 WM-EX20 WM-EX900 WM-EX600 WM-GX323 WM-GX200 WM-FX200 WM-EX2000 WM-EX910 WM-EX610 WM-EX615 WM-GX688 WM-GX400 WM-EX921 WM-EX621 WM-FX888 WM-EX631 WM-FX202 WM-GX202 WM-GX788 +22 0 This entry was posted in Cassette Walkman. Bookmark the permalink. ← Sony WM-WE1 (1997) Cassette Walkman 1979 → Leave a Reply Your email address will not be published. Required fields are marked * Name * Email * Website Comment You may use these HTML tags and attributes:
Recent Posts Minidisc Walkman 2003 Minidisc Walkman 2002 Minidisc Walkman 2001 Minidisc Walkman 2000 Minidisc Walkman 1999 Minidisc Walkman 1998 Minidisc Walkman 2004 Minidisc Walkman 2005 Minidisc Walkman 2006 Minidisc Walkman 1997 Minidisc Walkman 1996 Minidisc Walkman 1995 Minidisc Walkman 1993 1994(us) Minidisc Walkman 1992 Sony TPS-L2 SOUNDABOUT (1979) Sony MZ-R91 MD Minidisc Walkman (1999) Sony MZ-R30 MD Minidisc Walkman (1996) Sony MZ-R2 MD Minidisc Walkman (1993) Sony MZ-E800 MD Minidisc Walkman (2000) Sony MZ-E90 MD Minidisc Walkman (1999) Sony MZ-E80 MD Minidisc Walkman (1998) Sony MZ-E75 MD Minidisc Walkman (1999) Sony MZ-E55 MD Minidisc Walkman (1998) Sony MZ-RH1 / MZ-M200 Hi-MD Minidisc Walkman (2006) Sony WM-EX999 Cassette Walkman (1993) Sony WM-F404 Cassette Walkman (1988) Sony WM-F501 Cassette Walkman (1987) Sony WM-F15 Cassette Walkman (1984) Sony WM-FX1 Cassette Walkman (1994) Sony WM-F101 Cassette Walkman (1985) Recently Liked Posts CD WALKMAN DISCMAN (1991) Sony D-50 D-5 DISCMAN (1984) Sony WM-F107 Cassette Walkman (1987) Sony TPS-L2 WALKMAN (1979) Sony WM-109 Cassette Walkman (1986) Sony D-EJ815 CD WALKMAN (2000) Sony D-E999 CD Walkman (2000) Sony D-NE900 CD Walkman (2004) CD WALKMAN DISCMAN (1987) Sony WM-150 Cassette Walkman (1988) CD WALKMAN DISCMAN (2005) Minidisc Walkman 1992 Cassette Walkman 1986 Sony D-515 DISCMAN (1992) Sony D-EJ01 D-E01 DISCMAN (1999) CD WALKMAN DISCMAN (1990) Sony D-11 DISCMAN (1990) Sony WM-EX505 Cassette Walkman (1999) Sony D-100 D-10 DISCMAN (1986) Sony WM-51 CASSETTE WALKMAN (1987) Sony WM-701C CASSETTE WALKMAN (1988) Cassette Walkman 1988 Minidisc Walkman 2003 Sony D-20 Discman (1988) Cassette Walkman 1989 Sony D-50mkII DISCMAN (1985) Sony D-135 DISCMAN (1994) Sony Cassette Walkman Overview (1979 - 2003) Sony MZ-R50 MINIDISC RECORDER (1997) Sony WM-50 (1985) Sony WM-EX606 Cassette Walkman (1993) Sony MZ-RH1 / MZ-M200 Hi-MD Minidisc Walkman (2006) CD WALKMAN DISCMAN (1993) Sony D-33 DISCMAN (1991) Sony WM-EX80 Cassette Walkman (1990) Sony D-Z555 D-555 DISCMAN (1989) Recent Comments Brandon Edwards on OLIVIER SEKNAZI on Sony WM-D6C (1984) Brandon on sonyvintage.com wm-F2 1 Brandon on Sony WM-DD30 CASSETTE WALKMAN (1989) Vlad Sabbath on Traffic Pages Pages|Hits |Unique Last 24 hours: 1,154 Last 7 days: 7,160 Last 30 days: 24,957 Online now: 2 Old posts Proudly powered by WordPress.
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1247 Les commandes dos de Windows
Panneau de configuration * ACCESS.CPL : ouvre les options d'accessibilitĂ© (Pour XP uniquement) * APPWIZ.CPL : ouvre l'outil Ajouter/Supprimer un programme * AZMAN.MSC : ouvre le gestionnaire d'autorisations (Pour Vista uniquement) * CERTMGR.MSC : ouvre les certificats pour l’utilisateur actuel * CLICONFG : ouvre la configuration des clients SQL * COLLAB.CPL : ouvre le voisinage immĂ©diat (Pour Vista uniquement) * COMEXP.MSC ou bien DCOMCNFG : ouvre l'outil services et composants (Pour Vista uniquement) * COMPMGMT.MSC : ouvre l'outil de gestion de l'ordinateur * COMPUTERDEFAULTS : ouvrir l’outil des programmes par dĂ©faut (Pour Vista uniquement) * CONTROL /NAME MICROSOFT.BACKUPANDRESTORECENTER : ouvre le centre de sauvegarde et de restauration (Pour Vista uniquement). Tutoriel ICI * CONTROL ADMINTOOLS : ouvre les outils d'administrations * CONTROL COLOR : ouvre les paramĂštres de l'apparence * CONTROL FOLDERS : ouvre les options de dossiers * CONTROL FONTS : ouvre le gestionnaire de polices * CONTROL INTERNATIONAL ou bien INTL.CPL : ouvre les options rĂ©gionales et linguistiques * CONTROL KEYBOARD : ouvre les propriĂ©tĂ©s du clavier * CONTROL MOUSE ou bien MAIN.CPL : ouvre les propriĂ©tĂ©s de la souris * CONTROL PRINTERS : ouvre les imprimantes et les fax disponibles * CONTROL USERPASSWORDS : ouvre l’éditeur des comptes utilisateurs * CONTROL USERPASSWORDS2 ou bien NETPLWIZ : contrĂŽle les utilisateurs et leurs accĂšs< * CONTROL : ouvre le panneau de configuration * CREDWIZ : ouvre l’outil de sauvegarde et restauration des mots de passe des utilisateurs (Pour Vista uniquement) * DESK.CPL : ouvre les paramĂštres d'affichage * DEVMGMT.MSC : ouvre les gestionnaire de pĂ©riphĂ©riques. Tutoriel ICI * DRWTSN32 : ouvre Dr. Watson (Pour XP uniquement) * DXDIAG : ouvre l'outil de diagnostic DirectX * EVENTVWR ou bien EVENTVWR.MSC : ouvre l'observateur d'Ă©vĂšnements * FSMGMT.MSC : ouvre les dossiers partagĂ©s * GPEDIT.MSC : ouvre l’éditeur des stratĂ©gies de groupe (Pour les Ă©ditions professionnelles et plus de Windows) * HDWWIZ.CPL : ouvre l'assistant ajout de matĂ©riels * INFOCARDCPL.CPL : ouvre l'assistant compatibilitĂ© des programmes * IRPROPS.CPL : ouvre le gestionnaire d'infrarouge * ISCSICPL : ouvre l'outil de configuration de l'initiateur ISCI Microsoft (Pour Vista uniquement) * JOY.CPL : ouvre l'outil de contrĂŽleur de jeu * LPKSETUP : ouvre l’assistant d’installation et dĂ©sinstallation des langues d’affichage (Pour Vista uniquement) * LUSRMGR.MSC : ouvre l’éditeur des utilisateurs et groupes locaux * MDSCHED : ouvre l'outil de diagnostics de la mĂ©moire Windows (Pour Vista uniquement) * MMC : ouvre une nouvelle console vide * MMSYS.CPL : ouvre les paramĂštres de sons * MOBSYNC : ouvre le centre de synchronisation * MSCONFIG : ouvre l'outil de configuration du systĂšme * NAPCLCFG.MSC : ouvre l'outil de configuration du client NAP (Pour Vista uniquement) * NTMSMGR.MSC : ouvre le gestionnaire des supports de stockage amovibles * NTMSOPRQ.MSC : ouvre les demandes de l'opĂ©rateur de stockage amovible * ODBCAD32 : ouvre l'administrateur de sources de donnĂ©es ODBC * OPTIONALFEATURES : ouvre l’outil Ajouter/Supprimer des composants Windows (Pour Vista uniquement) * PERFMON ou bien PERFMON.MSC : ouvre le moniteur de fiabilitĂ© et de performances Windows. * POWERCFG.CPL : ouvre le gestionnaire des modes d’alimentation (Pour Vista uniquement) * REGEDIT ou bien REGEDT32 (Pour Vista uniquement) : ouvre l'Ă©diteur de registre * REKEYWIZ : ouvre le gestionnaire des certificats de chiffrement de fichiers (Pour Vista uniquement) * RSOP.MSC : ouvre le jeu de stratĂ©gie rĂ©sultant * SECPOL.MSC : ouvre les paramĂštres de sĂ©curitĂ©s locales * SERVICES.MSC : ouvre le gestionnaire de services * SLUI : ouvre l’assistant d’activation de Windows (Pour Vista uniquement) * SYSDM.CPL : ouvre les propriĂ©tĂ©s systĂšme * SYSEDIT : ouvre l’éditeur de configuration systĂšme (Attention, Ă  manipuler avec prudence) * SYSKEY : ouvre l’utilitaire de protection de la base de donnĂ©es des comptes Windows (Attention, Ă  manipuler avec extrĂȘme prudence !) * SYSPREP: ouvre le dossier contenant l'outil de prĂ©paration du systĂšme (Pour Vista uniquement) * TABLETPC.CPL : ouvre les paramĂštres pour Tablet pc (Pour Vista uniquement) * TASKSCHD.MSC ou bien CONTROL SCHEDTASKS : ouvre le planificateur de tĂąches (Pour Vista uniquement) * TELEPHON.CPL : ouvre l'outil de connexion tĂ©lĂ©phonique * TIMEDATE.CPL : ouvre les paramĂštres de l'heure et de la date * TPM.MSC : ouvre l'outil gestion de module de plateforme sĂ©curisĂ©e sur l'ordinateur local (Pour Vista uniquement) * UTILMAN : ouvre les options d’ergonomie (Pour Vista uniquement) * VERIFIER : ouvre le gestionnaire de vĂ©rification des pilotes * WMIMGMT.MSC : ouvre Windows Management Infrastructure * WSCUI.CPL : ouvre le centre de sĂ©curitĂ© Windows * WUAUCPL.CPL : ouvre le service de mise Ă  jour Windows (Pour XP uniquement) Programmes et outils Windows * %WINDIR%\SYSTEM32\RESTORE\RSTRUI.EXE : ouvre l’outil de restauration de systĂšme (Pour XP uniquement). Tutoriel ICI * CALC : ouvre la calculatrice * CHARMAP : ouvre la table des caractĂšres * CLIPBRD : ouvre le presse papier (Pour XP uniquement, pour l'ajouter Ă  Vista voir ICI) * CMD : ouvre l'invite de commandes * DIALER : ouvre le numĂ©rateur tĂ©lĂ©phonique de Windows * DVDPLAY : ouvre votre lecteur DVD * EUDCEDIT : ouvre l’éditeur de caractĂšres privĂ©s * EXPLORER : ouvre l'explorateur Windows * FSQUIRT : Assistant transfert Bluetooth * IEXPLORE : ouvre Internet explorer * IEXPRESS : ouvre l’assistant de crĂ©ation des archives auto-extractibles. Tutoriel ICI * JOURNAL : ouvre un nouveau journal (Pour Vista uniquement) * MAGNIFY : ouvre la loupe * MBLCTR : ouvre le centre de mobilitĂ© de Windows (Pour Vista uniquement) * MIGWIZ : ouvre l'outil de transfert de fichiers et de paramĂštres Windows (Pour Vista uniquement) * MIGWIZ.EXE : ouvre l'outil de transfert de fichiers et de paramĂštres Windows (pour XP uniquement) * MOVIEMK : ouvre Windows Movie Maker * MRT : lance l’utilitaire de suppression de logiciel malveillant. Tutoriel ICI * MSDT : ouvre l’outil de diagnostics et support Microsoft * MSINFO32 : ouvre les informations systĂšme * MSPAINT : ouvre Paint * MSRA : ouvre l'assistance Ă  distance Windows * MSTSC : ouvre l'outil de connexion du bureau a distance * NOTEPAD : ouvre le bloc-notes * OSK : ouvre le clavier visuel. Tutoriel ICI * PRINTBRMUI : ouvre l'assistant de migration d'imprimante (Vista uniquement) * RSTRUI : ouvre l'outil de restauration du systĂšme (Pour Vista uniquement) * SIDEBAR : ouvre le volet Windows (Pour Vista uniquement) * SIGVERIF : ouvre l'outil de vĂ©rification des signatures de fichiers * SNDVOL : ouvre le mĂ©langeur de volume * SNIPPINGTOOL : ouvre l'outil capture d'Ă©cran (Pour Vista uniquement). Tutoriel ICI * SOUNDRECORDER : ouvre le magnĂ©tophone * STIKYNOT : ouvre le pense-bĂȘte (Pour Vista uniquement) * TABTIP : ouvre le panneau de saisie Tablet PC (Pour Vista uniquement) * TASKMGR : ouvre le gestionnaire des tĂąches Windows * WAB : ouvre les contacts (Pour Vista uniquement) * WERCON : ouvre l'outil de rapports et de solutions aux problĂšmes (Pour Vista uniquement) * WINCAL : ouvre le calendrier Windows (Pour Vista uniquement) * WINCHAT : ouvre le logiciel Microsoft de chat en rĂ©seau (Pour Windows XP uniquement) * WINDOWSANYTIMEUPGRADE : permet la mise Ă  niveau de Windows Vista * WINVER : ouvre la fenĂȘtre pour connaĂźtre votre version Windows * WINWORD: ouvre Word (s'il est installĂ©) * WMPLAYER : ouvre le lecteur Windows Media * WRITE ou bien Wordpad : ouvre Wordpad Gestion des disques * CHKDSK : effectue une analyse de la partition prĂ©cisĂ©e dans les paramĂštres de la commande (Pour plus d’informations, tapez CHKDSK /? dans l’invite de commande CMD) * CLEANMGR : ouvre l'outil de nettoyage de disque * DEFRAG: DĂ©fragmente le disque dur (pour savoir comment utiliser, c'est ici ) * DFRG.MSC : ouvre l’outil de dĂ©fragmentation de disque * DISKMGMT.MSC : ouvre le gestionnaire de disques * DISKPART : ouvre l’outil de partitionnement (un peu lourd Ă  manipuler) Gestion des rĂ©seaux et Internet * CONTROL NETCONNECTIONS ou bien NCPA.CPL : ouvre les connexions rĂ©seau * FIREWALL.CPL : ouvre le pare-feu Windows * INETCPL.CPL : ouvre les propriĂ©tĂ©s internet * IPCONFIG : affiche les configurations des adresses IP sur l’ordinateur (Pour plus d’informations, tapez IPCONFIG /? dans l’invite de commande CMD) * NETSETUP.CPL : ouvre l’assistant configuration rĂ©seau (Pour XP uniquement) * WF.MSC : ouvre les fonctions avancĂ©es du pare-feu Windows (Pour Vista uniquement). Tutoriel ICI * À VOIR ÉGALEMENT : Commandes IP relatives aux rĂ©seaux sous Windows Commandes IP relatives aux rĂ©seaux sous Windows Il est parfois trĂšs utile de connaĂźtre les commandes IP, pour analyser voire configurer ses rĂ©seaux TCP/IP. Voici la liste de ces commandes Ă  utiliser dans une fenĂȘtre DOS : * Ping * Tracert * IpConfig * NetStat * Route * Arp * NbtStat * Telnet * Hostname * Ftp * NsLookUp * NetSh ------------------------------------------------------------------------------------------------------------------------------------------------ PING : Teste la connexion rĂ©seau avec une adresse IP distante ping -t [IP ou host] ping -l 1024 [IP ou host] * L’option -t permet de faire des pings en continu jusqu’à Ctrl-C. o Si vous avez prĂ©cisĂ© l'option -t vous pouvez Ă  tout moment avoir des statistiques sans interrompre les requĂȘtes ping en appuyant sur Ctrl+Attn (aussi nommĂ© Ctrl+Pause) Cette commande est aussi utile pour gĂ©nĂ©rer une charge rĂ©seau en spĂ©cifiant la taille du paquet avec l’option -l et la taille du paquet en octets. --------------------------------------------------------------------------------------------------------------------------------------------------- TRACERT : Affiche toutes les adresses IP intermĂ©diaires par lesquelles passe un paquet entre la machine locale et l’adresse IP spĂ©cifiĂ©e. tracert [@IP ou nom du host] tracert -d [@IP ou nom du host] Cette commande est utile si la commande ping ne donne pas de rĂ©ponse, afin d'Ă©tablir Ă  quel niveau la connexion est dĂ©faillante. -------------------------------------------------------------------------------------------------------------------------------------------------------------- IPCONFIG : Affiche ou rafraĂźchit la configuration rĂ©seau TCP/IP ipconfig /all [/release [carte]] [/renew [carte]] /flushdns /displaydns /registerdns [-a] [-a] [-a] Cette commande, exĂ©cutĂ©e sans option, affiche l’adresse IP en cours, le masque rĂ©seau ainsi que la passerelle par dĂ©faut au niveau des interfaces rĂ©seau connues sur la machine locale. * /all: Affiche toute la configuration rĂ©seau, y compris les serveurs DNS, WINS, bail DHCP, etc ... * /renew [carte]: Renouvelle la configuration DHCP de toutes les cartes (si aucune carte n'est spĂ©cifiĂ©e) ou d'une carte spĂ©cifique avec le paramĂštre carte. Le nom de carte est celui qui apparaĂźt avec ipconfig sans paramĂštre. * /release [carte]: Envoie un message DHCPRELEASE au serveur DHCP pour libĂ©rer la configuration DHCP actuelle et annuler la configuration d'adresse IP de toutes les cartes (si aucune carte n'est spĂ©cifiĂ©e) ou d'une carte spĂ©cifique avec paramĂštre carte. Ce paramĂštre dĂ©sactive TCP/IP pour les cartes configurĂ©es de maniĂšre Ă  obtenir automatiquement une adresse IP. * /flushdns: Vide et rĂ©initialise le cache de rĂ©solution du client DNS. Cette option est utile pour exclure les entrĂ©es de caches nĂ©gatives ainsi que toutes les autres entrĂ©es ajoutĂ©es de façon dynamique. * /displaydns: Affiche le cache de rĂ©solution du client DNS, qui inclut les entrĂ©es prĂ©chargĂ©es Ă  partir du fichier des hĂŽtes locaux ainsi que tous les enregistrements de ressources rĂ©cemment obtenus pour les requĂȘtes de noms rĂ©solues par l'ordinateur. Le service Client DNS utilise ces informations pour rĂ©soudre rapidement les noms frĂ©quemment sollicitĂ©s, avant d'interroger ses serveurs DNS configurĂ©s. * /registerdns: Actualise tous les baux DHCP et rĂ©inscrit les noms DNS. ------------------------------------------------------------------------------------------------------------------------------------------------------------------ NETSTAT : Affiche l’état de la pile TCP/IP sur la machine locale NETSTAT [-a] [-e] [-n] [-s] [-p proto] [-r] [intervalle] * -a Affiche toutes les connexions et ports d'Ă©coute (Les connexions cĂŽtĂ© serveur sont normalement inhibĂ©es). * -e Affiche les statistiques Ethernet. Peut ĂȘtre combinĂ©e avec l'option -s. * -n Affiche les adresses et les numĂ©ros de port sous forme numĂ©rique. * -p proto Affiche les connexions pour le protocole spĂ©cifiĂ© par proto; proto peut ĂȘtre TCP ou UDP. UtilisĂ© avec l'option -s pour afficher des statistiques par protocole, proto peut ĂȘtre TCP, UDP, ou IP. * -r Affiche le contenu de la table de routage. * -s Affiche les statistiques par protocole. Par dĂ©faut, des statistiques sur TCP, UDP et IP sont visualisĂ©es; l'option -p peut ĂȘtre utilisĂ©e pour spĂ©cifier un sous-ensemble du dĂ©faut. * intervalle: RĂ©affiche les statistiques sĂ©lectionnĂ©es, avec une pause de "intervalle" secondes entre chaque affichage. Appuyez sur Ctrl+C pour arrĂȘter l'affichage des statistiques. * -abnov Affiche les processus qui utilisent la connexion internet (Adresse IP local, port, adress IP distante et le PID du processus qui utilise la connexion ainsi que son nom). ------------------------------------------------------------------------------------------------------------------------------------------------------------------- ROUTE : Affiche ou modifie la table de routage ROUTE [-f] [commande [destination] [MASK masque rĂ©seau] [passerelle] * -f Efface les tables de routage de toutes les entrĂ©es de passerelles. UtilisĂ© conjointement Ă  une des commandes, les tables sont effacĂ©es avant l'exĂ©cution de la commande. * -p Rend rĂ©manente l’entrĂ©e dans la table aprĂšs le reboot de la machine * commande SpĂ©cifie une des quatre commandes : o DELETE: Efface un itinĂ©raire. o PRINT: Affiche un itinĂ©raire. o ADD: Ajoute un itinĂ©raire. o CHANGE: Modifie un itinĂ©raire existant. * destination: SpĂ©cifie l'hĂŽte. * MASK: Si le mot clĂ© MASK est prĂ©sent, le paramĂštre suivant est interprĂ©tĂ© comme le paramĂštre masque rĂ©seau. * masque rĂ©seau: Fourni, il spĂ©cifie la valeur de masque de sous-rĂ©seau Ă  associer Ă  cette entrĂ©e d'itinĂ©raire. Non spĂ©cifiĂ©, il prend la valeur par dĂ©faut 255.255.255.255. * passerelle: SpĂ©cifie la passerelle. * METRIC: SpĂ©cifie le coĂ»t mĂ©trique pour la destination ---------------------------------------------------------------------------------------------------------------------------------------------------------------------- ARP : RĂ©solution des adresses IP en adresses MAC. Affiche et modifie les tables de traduction des adresses IP en adresses physiques utilisĂ©es par le protocole de rĂ©solution d'adresses ARP. ARP -s adr_inet adr_eth [adr_if] ARP -d adr_inet [adr_if] ARP -a [adr_inet] [-N adr_if] * -a Affiche les entrĂ©es ARP actives en interrogeant le protocole de donnĂ©es actif. Si adr_inet est spĂ©cifiĂ©, seules les adresses IP et physiques de l'ordinateur spĂ©cifiĂ© sont affichĂ©es. Si plus d'une interface rĂ©seau utilise ARP, les entrĂ©es de chaque table ARP sont affichĂ©es. * -g Identique Ă  -a. * adr_inet SpĂ©cifie une adresse internet. * -N adr_if Affiche les entrĂ©es ARP pour l'interface rĂ©seau spĂ©cifiĂ©e par adr_if. * -d Efface l'hĂŽte spĂ©cifiĂ© par adr_inet. * -s Ajoute l'hĂŽte et associe l'adresse Internet adr_inet avec l'adresse physique adr_eth. L'adresse physique est donnĂ©e sous forme de 6 octets hexadĂ©cimaux sĂ©parĂ©s par des tirets. L'entrĂ©e est permanente. * adr_eth SpĂ©cifie une adresse physique. * adr_if PrĂ©cisĂ©e, elle spĂ©cifie l'adresse Internet de l'interface dont la table de traduction des adresses devrait ĂȘtre modifiĂ©e. Non prĂ©cisĂ©e, la premiĂšre interface applicable sera utilisĂ©e. --------------------------------------------------------------------------------------------------------------------------------------------------------------------- NBTSTAT : Mise Ă  jour du cache du fichier Lmhosts. Affiche les statistiques du protocole et les connexions TCP/IP actuelles utilisant NBT (NetBIOS sur TCP/IP). NBTSTAT [-a Nom Distant] [-A adresse IP] [-c] [-n] [-r] [-R] [-s] [S] [intervalle] * -a (Ă©tat carte) Liste la table de noms de la machine distante (nom connu). * -A (Ă©tat carte) Liste la table de noms de la machine distante (adresse IP). * -c (cache) Liste le cache de noms distants y compris les adresses IP. * -n (noms) Liste les noms NetBIOS locaux. * -r (rĂ©solus) Liste les noms rĂ©solus par diffusion et via WINS. * -R (Recharge) Purge et recharge la table du cache de noms distantes. * -S (Sessions) Liste la table de sessions avec les adresses destination IP. * -s (sessions) Liste la table de sessions convertissant les adresses de destination IP en noms d'hĂŽtes via le fichier hĂŽtes. Un Exemple : nbtstat -A @IP Cette commande renvoie le nom NetBIOS, nom du systĂšme, les utilisateurs connectĂ©s ...de la machine distante. -------------------------------------------------------------------------------------------------------------------------------------------------------------------- TELNET telnet telnet La commande telnet permet d'accĂ©der en mode Terminal (Ecran passif) Ă  un host distant. Elle permet Ă©galement de vĂ©rifier si un service quelconque TCP tourne sur un serveur distant en spĂ©cifiant aprĂšs l’adresse IP le numĂ©ro de port TCP. C’est ainsi que l’on peut tester si le service SMTP, par exemple, tourne sur un serveur Microsoft Exchange en utilisant l’adresse IP du connecteur SMTP et puis 25 comme numĂ©ro de port. Les ports les plus courants sont : * ftp (21), * telnet (23), * smtp (25), * www (80), * kerberos (88), * pop3 (110), * nntp (119) * et nbt (137-139). --------------------------------------------------------------------------------------------------------------------------------------------------------------------- HOSTNAME : Affiche le nom de la machine Ftp FTP: Client de tĂ©lĂ©chargement de fichiers ftp –s: * -s cette option permet de lancer des FTP en mode batch : spĂ©cifie un fichier textuel contenant les commandes FTP. --------------------------------------------------------------------------------------------------------------------------------------------------------------------- NsLookUp: envoie des requĂȘtes DNS sur un serveur DNS au choix nslookup [domaine] [serveur dns] La commande NsLookUp permet d'envoyer des requĂȘtes DNS Ă  un serveur. Par dĂ©faut, si vous ne mettez pas le serveur DNS, la commande utilisera celui qui est configurĂ© pour votre interface rĂ©seau (celui que vous utilisez pour naviguer sur internet, par exemple) mais vous pouvez forcer l'utilisation d'un autre serveur. Par exemple, pour demander au serveur DNS 10.0.0.3 l'adresse IP correspondante Ă  l'adresse www.commentcamarche.net: nslookup www.commentcamarche.net 10.0.0.3 * Si vous ne prĂ©cisez aucun paramĂštre pour nslookup, un shell s'ouvrira en attente de requĂȘtes de votre part. -------------------------------------------------------------------------------------------------------------------------------------------------------------------- Netsh (network shell : shell rĂ©seau) est un utilitaire en ligne de commande inclus dans la gamme des systĂšmes d'exploitation Windows NT (NT, 2000, XP, 2003 Serveur, Vista) Ă  partir de Windows 2000. Il permet la configuration du rĂ©seau, localement ou Ă  distance. Une utilisation classique de netsh est la rĂ©initialisation de la pile TCP/IP Ă  ses paramĂštres d'origines (Sous Windows 98, cette opĂ©ration nĂ©cessitait la rĂ©installation de l'adaptateur TCP/IP). Dans ce mode, vous devez fournir Ă  la commande un fichier journal (log). Celui-ci sera rempli avec les valeurs affectĂ©es par netsh. Netsh permet aussi (entre autres) de changer l'adresse IP de la machine. Exemples d'utilisations : - RĂ©initialisation de la pile TCP/IP : netsh interface ip reset C:\resetlog.txt - Adresse IP statique : netsh interface ip set address local static 123.123.123.123 255.255.255.0 - Adresse IP dynamique : netsh interface ip set address name="Connexion au rĂ©seau local" source=dhcp - Netsh et IPv6 : Netsh peut Ă©galement ĂȘtre utilisĂ© pour lire des informations provenant de la pile IPv6, cette commande est plus facile Ă  utiliser que la commande IPv6.exe et fournit quasiment le mĂȘme niveau d'information. Pour afficher votre adresse IPv6 en utilisant netsh : netsh interface ipv6 show address Autres commandes * %HOMEDRIVE% : ouvre l'explorateur sur la partition ou le systĂšme d'exploitation est installĂ© * %HOMEPATH% : ouvre le dossier d'utilisateur connectĂ© actuellement C:\Documents and settings\[nom d'utilisateur] * %PROGRAMFILES% : ouvre le dossier d’installation d’autres programmes (Program Files) * %TEMP% ou bien %TMP% : ouvre le dossier temporaire * %USERPROFILE% : ouvre le dossier du profil de l'utilisateur connectĂ© actuellement * %WINDIR% ou bien %SYSTEMROOT% : ouvre le dossier d’installation de Windows * %WINDIR%\system32\rundll32.exe shell32.dll,Control_RunDLL hotplug.dll : affiche la fenĂȘtre "Supprimer le pĂ©riphĂ©rique en toute sĂ©curitĂ©" * AC3FILTER.CPL : ouvre les propriĂ©tĂ©s du filtre AC3 (Si installĂ©) * FIREFOX : lance Mozilla FireFox (Si installĂ©) * JAVAWS : Visualise le cache du logiciel JAVA (Si installĂ©) * LOGOFF : ferme la session actuelle * NETPROJ : autorise ou pas la connexion Ă  un projecteur rĂ©seau (Pour Vista uniquement) * VĂ©rificateur des fichiers systĂšme (NĂ©cessite un CD de Windows si le cache n’est pas disponible): (Tutoriel ICI) o SFC /SCANNOW : scanne immĂ©diatement tous les fichiers systĂšme et rĂ©pare les fichiers endommagĂ©s o SFC /VERIFYONLY : scanne seulement les fichiers systĂšme o SFC /SCANFILE="nom et chemin de fichier" : scanne le fichier prĂ©cisĂ©, et le rĂ©pare s’il est endommagĂ© o SFC /VERIFYFILE="nom et chemin de fichier" : scanne seulement le fichier prĂ©cisĂ© o SFC /SCANONCE : scanne les fichiers systĂšme au prochain redĂ©marrage o SFC /REVERT : remet la configuration initiale (Pour plus d’informations, tapez SFC /? dans l’invite de commande CMD. * SHUTDOWN : Ă©teint Windows * SHUTDOWN –A : interrompe l’arrĂȘt de Windows * VSP1CLN : supprime le cache d'installation du service pack 1 de Vista (Tutoriel ICI) CrĂ©er votre propre commande Pour ceux qui aiment tout faire avec le clavier, il est possible de crĂ©er vos propres commandes exĂ©cutables dans Menu dĂ©marrer > ExĂ©cuter. Nous allons prendre l'exemple de la commande netnavig qui exĂ©cutera Mozilla FireFox. * Ouvrez la base de registre. * Allez vers la clĂ© HKEY_LOCAL_MACHINE puis les sous-clĂ©s successives \SOFTWARE\Microsoft\Windows\CurrentVersion\App Paths * Allez dans le menu Édition > Nouveau > ClĂ© et donnez-lui le nom netnavig.exe * Faites un double-clic sur la valeur que vous venez de crĂ©er, puis allez de nouveau dans le menu Édition > Nouveau > Valeur ChaĂźne et donnez-lui le nom Path * Faites encore un double-clic sur la valeur crĂ©Ă©e et entrez le chemin complet de l'application que vous voudrez lancer, dans notre exemple c'est C:\Program Files\Mozilla Firefox, puis validez. Il est possible de copier ce chemin Ă  partir de la barre d'adresse de l'explorateur directement. * Un autre double-clic sur la valeur (par dĂ©faut) et entrez l'exĂ©cutable de l'application avec son chemin complet : C:\Program Files\Mozilla Firefox\firefox, dans notre exemple. Ensuite, validez et fermez l'Ă©diteur de registre. Ainsi vous pouvez exĂ©cuter Mozilla Firefox juste en faisant: Menu dĂ©marrer > ExĂ©cuter > taper netnavig et valider. Vous pouvez faire la mĂȘme chose pour toutes les applications auxquelles vous voulez un accĂšs rapide avec le clavier.
http://www.artup-concept.com/commandes-dos-de-windows.html

1244 CiteSeerX — Eigenrhythms: Drum pattern basis sets for classification and generation
CiteSeerX - Document Details (Isaac Councill, Lee Giles, Pradeep Teregowda): We took a collection of 100 drum beats from popular music tracks and estimated the measure length and downbeat position of each one. Using these values, we normalized each pattern to form an ensemble of aligned drum patterns. Principal Component Analysis on this data set results in a set of basis ñ€˜patterns ñ€™ that can be combined to give approximations and interpolations of all the examples. We use this low-dimension representation of the drum patterns as a space for classification and visualization, and discuss its application to generating continua of rhythms. Our classification results were very modest ñ€“ about 20 % correct on a 10-way genre classification task ñ€“ but we show that the projection into principal component space reveals aspects of the rhythm that are largely orthogonal to genre but are still perceptually relevant. CiteSeerX, Daniel P. W. Ellis, John Arroyo
http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.113.1505

1231 Le coin des rats
Site de conseils pour amateurs de rats: comment adopter un rat, en prenre soin, le comprendre et le rendre heureux coin des rats, NAC, domestique, domestiques, cage, cages, litiĂšre, litiĂšres, Gaspard, Sentenza, rat, rats, rongeur, rongeurs
http://www.lecoindesrats.net/pages/?rub=accessoires_tests#antibio

1220 Accessoires - Bagues d'adaptation - Optique - red Dot Photo Video
Cette catégorie regroupe toutes les bagues d'adaptation qui peuvent être requises pour pouvoir adapter vos objectifs avec des matériels disposant de montures différentes. En particulier, l'adaptation des optiques photo sur un caméscope nécessite un bague spécifique.
http://www.reddotphotovideo.com/77-bagues-d-adaptation

1215 Panasonic Toughbook CF-T8 review | Laptops and netbooks Reviews | TechRadar
Panasonic Toughbook CF-T8 review - Panasonic have yet to release an Eee-style netbook PC; and with good reason - their Toughbook range of laptops has been hugely successful, and new, interesting additions to their line of ruggedised PCs are coming thick and fast. Buying advice from the leading technology site
http://www.techradar.com/reviews/pc-mac/laptops-portable-pcs/laptops-and-netbooks/panasonic-toughbook-cf-t8-481969/review

1209 WJunction - Webmaster Forum!
Webmaster Hangout wjunction, webmasters, hosting, seedbox, rapidleech, servers, uploaders, uploading, uploaded, cyberlocker, server, admin, forums, websites, coding, programming, money, marketing
http://www.wjunction.com/

1208 Top Download Sites - DDLRank.com
DDLRank provides a list of all the top download sites. Find out where to download files and where to upload files. DDLRank, top download sites, top warez forums, top warez blogs, where to download files, where to upload files
http://ddlrank.com/

1207 GTmetrix | Website Speed and Performance Optimization
GTmetrix is a free tool that analyzes your page's speed performance. Using Page Speed and YSlow, GTmetrix generates scores for your pages and offers actionable recommendations on how to fix them.
http://gtmetrix.com/

1205 Remove Logos or Watermarks From Video with VirtualDub and DeLogo Filter - WJunction - Webmaster Forum!
This is tutorial how to remove logo or watermark Download Videodub Code: http://virtualdub.sourceforge.net/ Download delogo filter Code: http://neuron2 Remove,Logos,Watermarks,Video,VirtualDub,DeLogo,Filter, Remove Logos or Watermarks From Video with VirtualDub and DeLogo Filter, wjunction, webmasters, hosting, seedbox, rapidleech, servers, uploaders, uploading, uploaded, cyberlocker, server, admin, forums, websites, coding, programming, money, marketing
http://www.wjunction.com/13-tutorials-guides/84403-remove-logos-watermarks-video-virtualdub-delogo-filter.html

1203 Opentape
Opentape is a free, open-source package that lets you make and host your own mixtapes on the web. Upload songs (via web or FTP), reorder, rename, customize the style, and share what you like on other sites with an embeddable player.
http://opentape.fm/

1164 Liz Lang at The MAP
A cathartic experience. As a composer, musical sound designer, and performer my lifelong passion/goal is to give listeners exactly that. Through works that evoke a sense of mood, mystery, and otherworldliness. To achieve this, in a given composition I make a landscape of voice and/or instrumentation layered with heavily morphed samples and altered field recordings. The juxtaposition of familiar with supra-familiar gives the listener the experience of melody/harmony as a guiding light while giving voice to sonic geography of forms and energies unable to exist naturally in our matter-based world. Bel canto voice training, impressionist and futurist composers, glitch and industrial/ambient genres all figure into what comprises my influences. My professional experience includes composing, musical sound design, scoring, recording foley and dialogue, and creating sound effects for independent film. My work also appears on a number of collaborations on CD and vinyl currently floating around the globe, with works-in-progress slated for near-future release.
http://www.themap.org/lizlang/index.php?area=audio

1161 body rock tv fitness
I have a non-fitness related life situation that I wanted to run by you guys
. I wanted to talk to you guys today about not always having to say your sorry. Are you one of those people who finds yourself apologizing for things just to smooth things over or avoid a confrontation? This ability is admirable in certain low-key non-crucial situations. It’s when we apologize for our beliefs and principles – or in the face of being bullied that we pay the high price of compromising ourselves. I have a friend who is being treated badly by certain members of her family. It really comes down to her not living her life exactly the way they think she should be living it. My friend is not endangering herself or others, she is kind hearted and generous to the extreme, but because she is not pulling the line and placing the needs of others before her own basic needs and happiness she is taking a lot of undeserved heat bordering on emotional abuse. Her strategy to this point has been to apologize left and right in an attempt to smooth it over and reset everything. It hasn’t worked and if anything it has given the people giving her a hard time more of a license to push it even further. I think there comes a time when you just have to say enough and stop apologizing. I think that there is more strength and balance in believing in yourself and respectfully staying firm in your truth. From this position I think both sides have the best chance of talking it through and resolving it. What do you guys think? Do you find yourself constantly apologizing to certain people in your life? Is it helping or making the relationship more challenging? Any advice for my friend?
http://www.bodyrock.tv/

1157 Home - Web design inspiration from siteInspire
siteInspire is showcase and CSS gallery featuring the best web design today, highlighting examples of exciting visual and interface design. web design, inspiration, inspiring web design, css gallery, best web design, css inspiration, web design gallery, web design showcase
http://siteinspire.com/showcase

1151 EEU-EB1E101S Panasonic - ECG | P13476-ND | DigiKey

http://search.digikey.com/scripts/DkSearch/dksus.dll?lang=en&site=us&KeyWords=P13476-ND&x=0&y=0

1147 Maman Kusters - minimalsynth
S'envoie en l'air by maman Kusters, released 26 April 2011 1. 15mn De Gloire 2. Querelle Aquatique 3. Soda Cerise digital release by Black Leather record. BLR071. Le collectif Maman Kusters, basĂƒÂƒĂ‚Â© à Brest, rĂƒÂƒĂ‚Â©unit toutes sortes dñ€™individus bruyants dissĂƒÂƒĂ‚Â©minĂƒÂƒĂ‚Â©s de par le vaste monde, et propose en ĂƒÂƒĂ‚Â©coute des Mp3 dñ€™une rugositĂƒÂƒĂ‚Â© et dñ€™une puissance scandaleuse, qui ĂƒÂƒĂ‚Â©voquent des tas dñ€™instruments ĂƒÂƒĂ‚Â©lectroniques pelĂƒÂƒĂ‚Â©s et macĂƒÂƒĂ‚Â©rĂƒÂƒĂ‚Â©s, comme si Kraftwerk et DAF, de sinistre mĂƒÂƒĂ‚Â©moire, sĂƒÂąĂ‚Â€Ă‚Â™ĂƒÂƒĂ‚Â©taient plantĂƒÂƒĂ‚Â©s les doigts dans le secteur et mis à tripatouiller de la musique ĂƒÂƒĂ‚Â©lectronique sans sñ€™ÃÂÂȘtre lavĂƒÂƒĂ‚Â© les mains. A Munich, en 2005, rencontre entre Siska, chroniqueur sportif, Rainer, styliste, et Werner, Traducteur. Un rapport de fascination et de compassion s'instaure entre eux. Ils dĂƒÂƒĂ‚Â©couvrent peu à peu la musique sous l'influence du Dr Katz, femme affable qui les approvisionne en machines analogiques. contact : mamankusters@gmail.com * mamankusters.tumblr.com/ * soundcloud.com/maman-kusters
http://dieselcombustiblerecordings.bandcamp.com/album/senvoie-en-lair

1141 CYBERGUERRE - Conseils pour l'infiltration des forums. par Le Vicomte
Vendredi dernier, je dßnais au chùteau avec la Comtesse et sa famille et la conversation roulait autour des misérables que nous payons assez cher pour ce qu'ils font, à savoir infiltrer les forums des sites de gauche. Certains de ces mercenaires ne durent en effet pas longtemps sur ces forums, et le Comte a déploré qu'ils ne soient pas toujours assez formés à des techniques de communication qui sont pourtant bien maßtrisées a l'heure actuelle. Le fils de la Comtesse, qui dirige un service commercial (...)
http://www.legrandsoir.info/cyberguerre-conseils-pour-l-infiltration-des-forums.html

1134 Samare - Plugins, templates et autres trucs et astuces pour PluXml
Plugins, templates et autres trucs et astuces pour PluXml boutique, simple, légÚre, conseil, création, site internet, plugin, template, pluxml
http://www.samare.net/

1132 Mammoth Modular Synthesizer At MIT Museum
Just got an update from Joe Paradiso on his homebuilt mammoth analog modular synthesizer. He’s installed it in the MIT Museum and has completed a fairly epic patch which you can listen to (24 hours a day!) here. Joe will be at the museum this Thursday and Friday (2/23 and 2/24) at 1pm, demoing the synth to visitors, so be sure to stop by if you’re in the neighborhood. Here’s some info from Joe on the construction and inspiration for the latest patch. The second patch I made at the MIT Museum is totally done now, and you can hear it live on the stream. Listen to it at http://synth.media.mit.edu, and let me know what you think if you’re inclined – it’s running in physical space in Quad, of course – stereo on the stream. Note that this one has absolutely NO sequencer of any sort on it – all of the patterns you hear were made entirely from hand-patched logic (counters, ands, ors, flip flops, ring counters, rate multipliers, etc.). It’s an entirely different kind of composition environment from the norm – you really need to simultaneously be an engineer while being an artist and something of a performer. The inspiration for this patch started with the Boredoms – if you don’t know who they are, you should (http://www.boredoms.jp/). In particular, I was thinking of SuperRoots 9. The beauty of the patching interface is that you can never exactly nail what you start out to attain, but on the other hand, you get drawn into places you wouldn’t have normally gone once you start. The 3 drummers that Yamantaka Eye performs with lay down a compelling rhythm that my hand-patched logic and analog processing can’t match, of course. But this patch definitely has a strange jumpy groove once it gets into gear, and the 2-chord pad is archetypical too. Yes, Boredoms rule today! BTW, this patch took every cord I had, plus a good 30 more wires just shoved into the pin jacks – check out the photos here and here – the latter shows the kind of logic section patching complexity you need to build a sonic environment like this one. I’m ripping this baby out next Thursday, as I’ll be at the museum next Thursday and Friday (2/23 and 2/24) at 1pm to demonstrate the synthesizer to visitors – doing some very simple patches and showing off what the modules do in case anybody is interested in this. It will run continuously until then. Otherwise, enjoy the stream – there are moments of introspective drift in-between wild percussion (yes, Boredoms!). I might pull the percussion line back so it doesn’t come so often or regularly, but it’s essentially a wrap.
http://synth.media.mit.edu/

1121 Easy Design, générateur de graphisme
Easy Design : Graphic generator. Create your business marketing for free, powerfull & easy creation tool, totaly free. Imagine Adobe products working by themselves. easy design easy logo générateur de graphisme logiciel gratuit graphisme affiche illustration logo carte de visite pochette de CD flyer software free facile d'accÚs et d'usage creation graphique design art dessin vectoriel copy left, creative commons la mort du graphisme ? outil pédagogique d'analyse dispositif critique novateur réflexion anthropologique base de connaissance jouable crédible mode nature street trash M/M Paris John Maeda pixel suisse techno pascal chirol yannis perez dnat, diplome national des arts et techniques erba valence école des beaux arts
http://www.easydesign.fr/

1119 Mangle - The Random Picture and Image Generator
random, web, page, webpage, pictures, images, website, site, randomness, links, livejournal
http://www.mangle.ca/randomlj.php

1116 Sitting is Killing You
As we enter the second decade of the 21st century, there is one thing nearly all modern Americans have in common: we sit all the time. Though our great shift towards computer-based work has done great things for productivity, it has, unfortunately, done terrible things for our health. From increased risk of heart disease and obesity in the long term, to sharply hampered cholesterol maintenance in the short term, the negative health effects of sitting are starting to weigh heavily against the benefits. Even the medical field – the greatest advocates of reducing sitting time – is plagued by this new health issue. Though doctors and nurses get plenty of walking time, it usually falls to the secretaries, billers, and coders to do all the sitting. And, as we can see, something has to change.
http://www.medicalbillingandcoding.org/sitting-kills/

1115 Articles > Le patrimoine parisien des piscines > La piscine Molitor > Visite en 2009 lors d'une exposition de la fondation Cartier sur les grafittis - Nageurs.com
Le site de tous les nageurs, et des usagers des piscines. Natation, horaires, photos, alertes, fonctionnement, commentaires, visites, tarifs. Aquagym, accessoires natation, sport & bien ĂȘtre. sport,spa,jaccuzi,hammam,sauna,fitness,natation,aquagym,aquafitness,remise en forme,bien ĂȘtre,piscines,nage,swimming,guide,tourisme,maigrir,mincir,muscles
http://www.nageurs.com/articles/piscine-molitor/visite-2009/

1085 History's Shadow - but does it float
History's Shadow - but does it float blog, design, typography, inspiration
http://butdoesitfloat.com/2147976/History-s-Shadow

1064 Electronic Music - Interviews Index
Interviews with electronic music artists, inventors and engineers. electronic music artist interviews. Scott Jaeger The Harvestman George Mattson Mattson Mini Modular, Syntar Synthwerks Steve Turnidge, James Husted ~flight Flight Of Harmony Scott Rise Division 6 Rick Wakeman The Strawbs, YES, Journey To The Center Of The Earth Michael Paradinas Ό-Ziq, Tusken Raiders, Jake Slazenger, Gary Moscheles Bob Moog Moog Music, Minimoog Harry Hamer Chumbawumba Gary Numan Cars, Tubeway Army Scott Kirkland Crystal Method Larry Fast Synergy, Nektar, Peter Gabriel, Yes, Tony Levin Band Jeff Greinke LAND, Hana, Dennis Rea, Faith & Disease, Art Zoyd Jochem Paap Speedy J The Enigma Jim Rose Circus Paul Lansky Professor of music composition at Princeton University
http://www.electronicmusic.com/features/interview/index.html

1061 Windows xp wallapaper history
l'hsitoire du papier peint par défaut de windows XP
http://thenextweb.com/shareables/2011/08/28/ever-wonder-where-the-windows-xp-default-wallpaper-came-from/

1048 COIL
COIL Any future official Coil news and releases will be made here. Jordi Devas (the executor of Peter's estate) and myself intend to make the entire Coil back catalogue available again on CD and any previously unreleased or unfinished work will be released as such. All in good time. There have been NO official Coil releases since Peter passed away and I can confirm that a recent unofficial release has absolutely nothing to do with Coil . Please don't feed these parasites to genuine creativity.
http://www.arktodd.com/page10.htm

1020 GnomeActivityJournal - GNOME Live!
GNOME Activity Journal (formerly GNOME Zeitgeist) Contents GNOME Activity Journal (formerly GNOME Zeitgeist) Overview Code Getting in touch Use cases Grouping and Filtering Features TODO GUI Sprints Architecture Long term goals Video Mockups And Current Usage Sub Pages See Zeitgeist for information about the Zeitgeist engine used internally by the GNOME Activity Journal. Overview The GNOME Activity Journal is a tool for easily browsing and finding files on your computer. It uses Zeitgeist to get information and metadata on what files/websites/contacts/etc. you worked with. Links: Zeitgeist Website, Zeitgeist on Launchpad, GNOME Activity Journal on Launchpad Code The Zeitgeist code is split into two modules: GNOME Activity Journal (GTK+ interface) Project page: https://launchpad.net/gnome-activity-journal Repository: bzr branch lp:gnome-activity-journal Zeitgeist Engine Project page: https://launchpad.net/zeitgeist Repository: bzr branch lp:zeitgeist Getting in touch Mailing list: https://launchpad.net/~gnome-zeitgeist-users IRC: #zeitgeist @ irc.freenode.net, #gnome-zeitgeist @ irc.gimp.org Use cases John turns on his computer to work on his seminar paper. Instead of digging through his hierarchal file system, he simply opens up GNOME Activity Journal and clicks on the top item in the "Recently Used Files" list. When he realizes that he can't remember the name of the website that he was reading for research yesterday, he simply looks at the list of files related to his paper and clicks on the website. More at the Zeitgeist Vision page. Grouping and Filtering Our goal is to group/filter the data by: Type of data Source Time Name Tags Neighbouring Data Comments Location of use (GPS) Features Browse activities Drag and Drop (not for links) Tagging Auto tagging Searching Filtering by Dataproviders/Time/Tags Bookmark Data TODO GUI Sprints Add an actions toolbar to quickly share items by email or instant messaging. (See nautilus-share) Architecture Experiment with Tracker, Soylent, and Empathy. Long term goals Better metadata extraction (see some of the sprints above) Integration with other computers and mobile devices. Video Zeitgeist video GAJ video Mockups And Current Usage Some work was done by the City of Largo in the past which replicated some of the features of the Activity Journal. Possibly some of this work can result in ideas for improving the User Interface. Mockups And Usage. Sub Pages /BolzanoIdeas /CityOfLargo /Ideas
http://live.gnome.org/action/show/GnomeActivityJournal?action=show&redirect=GnomeZeitgeist

1017 Auction Sniper: eBay Sniper and eBay Bidding snipe, bid sniping for eBay
Auction Sniper is a free ebay sniper that automates the process of placing your bid at the auction closing. Place eBay auction bidding snipe automatically. auction sniper, auction bid, ebay, snipe, sniper, ebay sniper, bid sniping, auction sites, auction sniping software, auction software, auto auctions, bid snipe, bidding, bidding software, canada ebay, e snipe, ebay software
http://auctionsniper.com/

1014 Nord Modular Tips & Tricks
synth clavia Nord Modular & Micro Modular V3.03 tips & tricks Welcome to the Nord Modular and Micro Modular 'tips and tricks' section! The workshops of this section are created by a very skilled Nord Modular user: Rob Hordijk. On the 'tips and tricks' pages you will find various information regarding sound synthesis techniques. With every topic comes a workshop where you can follow the practical, non-mathematical, musician-oriented examples. The patches are kept as simple as possible showing only the basic connections. So it's up to you to color the tone to your liking, add modulation, etc., thus turning them into musically useful patches. Occasionally there might be a 'professional' patch as a bonus. If you have a Nord Modular or Nord MicroModular synthesizer you can download the example patches directly from the workshops into the Modular Editor V3.03 program and your synth and play with them. Just click on the patch image to download the actual patch to your Modular. If you do not have a Nord Modular you can download the Modular Editor V3.03 software here and check out the patches visually. Another very skilled Nord Modular/G2 user - Roland Kuit - has made the E-Book "SoundLab". This book covers synthesis techniques from A-Z, history of electronic music and composing techniques. For more info about the SoundLab E-Book, please visit: http://rolandkuit.blogspot.com/Topics available: Basics of sound synthesis on the Nord Modular This extensive section describes the basics of synthesis. (By Rob Hordijk) Basic synthesis Oscillator synchronisation This topic covers hardsync, softsync, FM-sync and VOSIM, a special application of sync. (By Rob Hordijk) Sync workshop Frequency Modulation This topic covers different types of FM, like linear FM, Phase Modulation and fixed formant FM. (By Rob Hordijk) FM Workshop Using the delay module It's too short for echos, but it's a valuable tool that can be used in a variety of ways, creating both sound effects as well as physical models of plucked string sounds and resonant bodies. (By Rob Hordijk) Delay Module Workshop Using logic modules Mastering those yellow connections. (By Rob Hordijk) Logic Workshop
http://www.clavia.se/nordmodular/Modularzone/index.html#SyncWorkshop

1009 Digital Watch Library
Website for Vintage Digital watch Enthusiasts, featuring vintage watches, manuals and information about digital watches from 1970 to 1995 manufacturers include Alba, Armitron, Casio, Citizen, Ingersoll, Innovative Time, JuVintage pico, Kessel, national semiconductor, NOVUS, OMEGA, Pular, Sanyo, Seiko, Solarwa, Sunrex, TA Partner, TAG HEUER, TEXAS INSTRUMENTS, TIMEX, Trafalgar, Yema, Zeon at ttime of writing the meta tags I will add new content all the time. Hope you enjoy the site
http://www.digitalwatchlibrary.com/

1007 Advanced Programming Techniques for Modular Synthesizers / Nord Modular
1 Introduction 1.1 The Purpose of this Document 1.2 Acknowledgements 2 Oscillator Waveform Modification 2.1 Sync 2.2 Frequency Modulation Techniques 2.3 Wave Shaping 2.4 Vector Synthesis 2.5 Wave Sequencing 2.6 Audio-Rate Crossfading 2.7 Wave Terrain Synthesis 2.8 VOSIM 2.9 FOF Synthesis 2.10 Granular Synthesis 3 Filter Techniques 3.1 Resonant Filters as Oscillators 3.2 Serial and Parallel Filter Techniques 3.3 Audio-Rate Filter Cutoff Modulation 3.4 Adding Analog Feel 3.5 Wet Filters 4 Noise Generation 4.1 White Noise 4.2 Brown Noise 4.3 Pink Noise 4.4 Pitched Noise 5 Percussion 5.1 Bass Drum Synthesis 5.2 Snare Drum Synthesis 5.3 Synthesis of Gongs, Bells and Cymbals 5.4 Synthesis of Hand Claps 6 Additive Synthesis 6.1 What is Additive Synthesis? 6.2 Resynthesis 6.3 Group Additive Synthesis 6.4 Morphing 6.5 Transients 6.7 Which Oscillator to Use 7 Physical Modeling 7.1 Introduction to Physical Modeling 7.2 The Karplus-Strong Algorithm 7.3 Tuning of Delay Lines 7.4 Delay Line Details 7.5 Physical Modeling with Digital Waveguides 7.6 String Modeling 7.7 Woodwind Modeling 7.8 Related Links 8 Speech Synthesis and Processing 8.1 Vocoder Techniques 8.2 Speech Synthesis 8.3 Pitch Tracking 9 Using the Logic Modules 9.1 Complex Logic Functions 9.2 Flipflops, Counters other Sequential Elements 9.3 Asynchronous Elements 9.4 Arpeggiation 10 Algorithmic Composition 10.1 Chaos and Fractal Music 10.2 Cellular Automata 10.3 Cooking Noodles 11 Reverb and Echo Effects 11.1 Synthetic Echo and Reverb 11.2 Short-Time Reverb 11.3 Low-Fidelity Echo and Reverb 12 Distortion Effects 12.1 Distortion using Nonlinearities 12.2 Multiband Distortion 12.3 Polynomial Distortion 12.4 Distortion using Time-Variant Systems 13 Frequency and Pitch Shifting 13.1 Frequency Shifting 13.2 Pitch Shifting 14 Spatialization 15 Emulating Classic Synths 15.1 General Guidelines 15.2 Yamaha DX7 15.3 Octave Cat 15.4 ARP Odyssey 15.5 Casio 15.6 Hallsey Mark 1 and 2 15.7 Other Emulations
http://www.cim.mcgill.ca/~clark/nordmodularbook/nm_book_toc.html

1005 COIL MUTEK
Blue Rats Drip Drop Triple Sun Radio Westin The First Five Minutes After Violent Death 7.5mb MOV 5.0MB MOV Live @ Mutek 29may03 Visit FlightDynamics Audio - 85.2MB MP3 Return to Offnominal Scraps Comments to logickal23@gmail.com
http://www.offnominal.com/scraps/coil/

1002 Belgian New Beat
De geschiedenis van de New Beat The history of New Beat
http://sites.google.com/site/belgiannewbeat/

997 Alesis Ion and Micron Wiki
Alesis Ion and Micron Wiki is a community site that anyone can contribute to. Discover, share and add your knowledge! Alesis Ion and Micron Wiki,ionmicron,Main Page,Micron FAQ,ION FAQ,Patch uploading and downloading,Ring Mod,Digests,XYZ Knobs,Filters,Matrix,LFO,ION Test Mode
http://ion-micron.wikia.com/wiki/Main_Page

992 Troy Hunt: Who’s who of bad password practices – banks, airlines and more
Troy Hunt on observations, musings and conjecture about the world of software and technology Troy Hunt, blog, .NET, Azure, Backup, Bing, Blogger, Career Development, Code Quality, Conference, Database, Design Utopia, DotNetNuke, Enterprise Software Platform, Internet Explorer, iPhone, K2, LinkedIn, Media, NDepend, Online Identity, OWASP, People Management, Personal Development, Product Review, ReSharper, Security, SharePoint, Silverlight, Software Quality, SQL Injection, SQL Server, Subversion, Travel, Twitter, Visual Studio, Windows Mobile, XSS, Ah, passwords. Love ‘em or hate ‘em, they’re a necessary evil of the digital age. The reality is we all end up with an alphabet soup of passwords spread over dozens of various sites and services across the internet. Whilst we might not always practice it, we all know the theory of creating a good password; uniqueness, randomness and length. The more of each, the better. Of course we frequently don’t do this because of all sorts of human factors such as convenience, memory or simple unawareness of the risks. Still, when it’s a case of individuals electing not to create secure passwords, they really only have themselves to blame. But what happens when the website won’t allow you to create a secure password? Or at least when they severely constrain your ability to create long, random, unique passwords? And what about when they don’t allow you to send it between your computer and their server securely? Even worse, what happens when our most “secure” institutions implement lazy password policies? Unfortunately, all of this is pretty rampant practice.
http://www.troyhunt.com/2011/01/whos-who-of-bad-password-practices.html

989 Blog de Hugues Truttmann: Entretien d'embauche et intelligence émotionnelle : la méthode I.D.E.A.L.
Entretien d'embauche et intelligence Ă©motionnelle : la mĂ©thode I.D.E.A.L. Pour un candidat, quelle est la diffĂ©rence entre un entretien d’embauche rĂ©ussi et un entretien d’embauche ratĂ© ? Partons de l’hypothĂšse que 2 candidats de formation et d’expĂ©rience Ă©quivalente passent un entretien pour un mĂȘme poste. Tous les 2 ont eu un entretien avec le mĂȘme recruteur. Pour le premier, le recruteur donne une suite favorable, pour le 2Ăšme, cela n’ira malheureusement pas plus loin, le candidat Ă©tait dans un mauvais jour certainement... Ayant fait passer des entretiens Ă  des centaines de candidats, j’ai constatĂ© que j’ai systĂ©matiquement donnĂ© une suite favorable Ă  ceux qui ont rĂ©ussi Ă  me faire “passer Ă  l’action”, c’est-Ă  dire qu’ils ont suscitĂ© chez moi l’intĂ©rĂȘt, puis le dĂ©sir qui m’a motivĂ© Ă  parler positivement et avec enthousiasme de leur candidature Ă  mes clients. Le candidat qui rĂ©ussit est donc celui qui est capable de transfĂ©rer de la sincĂ©ritĂ©, de l’intĂ©rĂȘt, de la motivation, de l’enthousiame ou toute autre Ă©motion positive. Le candidat qui rate a quant Ă  lui transfĂ©rĂ© des Ă©motions nĂ©gatives (dĂ©sintĂ©rĂȘt, peur, tristesse, ennui, etc...). Une Ă©motion positive fait passer Ă  l’action, une Ă©motion nĂ©gative, jamais. RĂ©ussir un entretien consiste donc Ă  utiliser efficacement son intelligence Ă©motionnelle. Voici une dĂ©finition de l’intelligence Ă©motionnelle : “HabiletĂ© Ă  percevoir et Ă  exprimer les Ă©motions, Ă  les intĂ©grer pour faciliter la pensĂ©e, Ă  comprendre et Ă  raisonner avec les Ă©motions, ainsi qu’à rĂ©guler les Ă©motions chez soi et chez les autres.” Une des composante de cette forme d’intelligence est l’empathie qui est la “capacitĂ© Ă  partager les Ă©motions avec autrui, sans confusion entre soi et l’autre”. Comment activer son intelligence Ă©motionnelle et motiver un recruteur ? En appliquant la mĂ©thode I.D.E.A.L : Cette mĂ©thode n’est pas une technique, mais plutĂŽt une attitude Ă  adopter. Avant chaque entretien dites - vous ceci et APPLIQUEZ - LE ! I Decide to act with Empathy by Asking questions and Listening Soit “Je dĂ©cide d’agir avec empathie en posant des questions et en Ă©coutant” Poser des questions (sincĂšres et honnĂȘtes) permet de garder le contrĂŽle d’un entretien, Ă©couter (sans faire semblant) permet de diriger une conversation et de montrer que l’on s’intĂ©resse Ă  son interlocuteur. Le meilleur des candidats n’est pas celui qui parle le plus, mais celui qui saura vĂ©hiculer une bonne Ă©nergie et des Ă©motions positives dans ses paroles et son attitude. Motiver un recruteur ne consiste pas Ă  savoir se vendre en faisant l’étalage de tous les avantages que l’on peut avoir. Ne faites pas comme ce (mauvais) vendeur de voiture qui vous prĂ©sente toutes les caractĂ©ristiques et superbes options d’une voiture SAUF celle qui va vous faire passer Ă  l’action, c’est - Ă  - dire vous engager en signant un bon de commande ! Posez donc LA question que jamais personne ne pose, mais qui vous fera obligatoirement ressortir du lot : Candidat : “Monsieur le Recruteur, pour ce poste, pourriez-vous me dĂ©crire quel est selon vous le candidat IDEAL ?” > ECOUTE Recruteur : “Pour ce poste le candidat IDEAL doit avoir les qualitĂ©s suivantes :” QualitĂ© A QualitĂ© B QualitĂ© C Etc... Candidat : “De toutes ces qualitĂ©s, quelle est selon vous LA PLUS IMPORTANTE ?" > ECOUTE Recruteur : “Sans AUCUN DOUTE, la qualitĂ© B” Candidat : “J’ai la qualitĂ© B, parce que (prouvez par des FAITS, expĂ©rience, formation, vĂ©cu) et d’autre part j’ai Ă©galement la qualitĂ© A, parce que...... et la qualitĂ© C, parce que...... > PASSAGE A L’ACTION Candidat : “Monsieur le Recruteur, dans ce cas, comment pouvons - nous envisager la suite des Ă©vĂšnements ? Testez, c’est puissant et cela fonctionne !
http://truttmann.blogspot.com/2011/02/entretien-dembauche-et-intelligence.html

983 Test de @font-face sur les différents navigateurs
La rĂšgle CSS @font-face est la rĂ©ponse de CSS aux besoin des webdesigners d’utiliser une typographie personnalisĂ©e, ne dĂ©pendant pas des fontes installĂ©es sur le poste informatique du visiteur d’un site. Elle permet de demander au navigateur de tĂ©lĂ©charger un fichier de fonte, et de l’utiliser pour un nom de fonte donnĂ©. Plus d’informations sont disponibles sur AlsacrĂ©ations: Comment utiliser une fonte «non-standard» sur un site Web? Nous allons tenter d’utiliser @font-face avec tous les navigateurs qui supportent cette rĂšgle d’une maniĂšre ou d’une autre.
http://covertprestige.info/css/font-face/

967 Anarchestra: www.anarchestra.net
Anarchestra is a group of exerimental musical instruments and the people who play them. The instruments, built by Alex Ferris, are predominantly steel with a few adapted parts, such as tuning machines and mouthpieces. The instruments were built to encourage non-musicians to explore the making of sound, to allow experienced musicians to make sound unconstricted by their technical habits and preconceptions, and to provide an alternative vocabulary of musical sounds. Musical Instrument Construction,Musical Instrument Design,Experimental Musical Instruments,Experimental Music,New Music,New Musical Instruments,Avant-Garde Music,Improvisation,Collective Improvisation,Free Jazz,Anarchist Music,Anarchist composition,Anarchist Aesthetics,Aesthetics of music,Music theory,Alternative Music,Alternative Tuning,Steel Musical Instruments,Welded Musical Instruments,Punk,Noise,Noyz,21st century music,post-modern music
http://www.anarchestra.net/

966 Le COSMICCAGIBI d'Olivier BÉGUÉ !
Le COSMICCAGIBI d'Olivier Bégué... Un passionné de musique électronique qui n'aime rien tant que de faire partager sa passion... La musique est un perpetuel mouvement, un incessant renouvellement. Depuis la nuit des temps et au delà de la fin de ce monde, les sons seront crées assemblés et mis "en suite" pour notre plus grand bonheur. La musicalité d'un son régénÚre nos souvenirs et c'est ce qui nous fait nous sentir puissants ou faibles suivant ceux retenus ou reconnus. DerniÚrement de nouvelles compositions sonores et musicales sont sorties à la vente et de nombreuses sont à venir. Plongez-vous dans l'univers attrayant de la musique électronique qui est en réalité une histoire sans fin... Cosmiccagibi, Olivier Bégué, musique électronique, musique planante, Klaus Schulze, Rubycon, Tangerine Dream, Manuel Göttsching, Ash Ra Tempel, Popop Vuh, Florian Fricke, Libourne, Dominique Roux, Pascal Lamon, Olivier Briand, Bertrand Loreau, Christian Richet, Nightbirds Hervé et Thierry Chausson, Jean-Christophe Allier, holophonie, Paul Caillot, musea, krautrock, rock allemand, Berlin School
http://www.cosmiccagibi.org/

965 Maguy Fred - Biographie
Maguy Fred Fiche biographique (site "Du Temps des cerises aux Feuilles mortes") Chanson française rétro Belle époque Fiche biographique Biographie Maguy Fred
http://www.chanson.udenap.org/fiches_bio/fred_maguy/fred_maguy.htm

962 25 Abandoned Soviet Monuments that look like they're from the Future | Crack Two
These structures were commissioned by former Yugoslavian president Josip Broz Tito in the 1960s and 70s to commemorate sites where WWII battles took place (like TjentiĆĄte, Kozara and Kadinjača), or where concentration camps stood (like Jasenovac and NiĆĄ). They were designed by different sculptors (DuĆĄan DĆŸamonja, Vojin Bakić, Miodrag Ćœivković, Jordan and Iskra Grabul, to name a few) and architects (Bogdan Bogdanović, Gradimir Medaković...), conveying powerful visual impact to show the confidence and strength of the Socialist Republic. In the 1980s, these monuments attracted millions of visitors per year, especially young pioneers for their "patriotic education." After the Republic dissolved in early 1990s, they were completely abandoned, and their symbolic meanings were forever lost. From 2006 to 2009, Kempenaers toured around the ex-Yugoslavia region (now Croatia, Serbia, Slovenia, Bosnia and Herzegovina, etc.) with the help of a 1975 map of memorials, bringing before our eyes a series of melancholy yet striking images. His photos raise a question: can these former monuments continue to exist as pure sculptures? On one hand, their physical dilapidated condition and institutional neglect reflect a more general social historical fracturing. And on the other hand, they are still of stunning beauty without any symbolic significances. I know this may sound schizophrenic if you also read my last post. But maybe there are forms that can transcend meaning...
http://www.cracktwo.com/2011/04/25-abandoned-soviet-monuments-that-look.html

948 Pixel Perfection When Rotating, Pasting And Nudging In Photoshop - Smashing Magazine
When creating Web and app interfaces, most designers slave over every single pixel, making sure itñ€™s got exactly the right color, texture and position. If youñ€™re... web design, magazine, html, photoshop, wordpress, wallpaper, icons
http://www.smashingmagazine.com/2011/04/14/mastering-photoshop-pixel-perfection-when-rotating-pasting-and-nudging/

946 docs synth
- 360 SYSTEMS DIGITAL KEYBOARD brochure / prix / pub 1983 - 360 SYSTEMS MIDI BASS user manual - ACCESS VIRUS catalogue été 2004 - ACCESS VIRUS user manual - ACCESS VIRUS OS4 user manual - ACCESS VIRUS TI brochure 2004 - ACCESS VIRUS TI user manual os1.0 - ALESIS HR 16-MMT 8 brochure - ALESIS HR 16-16B-MMT8 user manual - ALESIS HR16-MMT8 banc essai disc international avril 1988 - ALESIS HR16-MMT8 pub numéra - VOCODER X-32 user manual / sons - XPASS FILTER user manual - SEMblance banc essai keyboards allemagne 2004 - SEMblance user manual - FilteredCOFFEE user manual - DROID 3 brochure - VOSTOK user manual - VOSTOK test electronic musician février 2003 - VOSTOK test keys allemagne - VOSTOK keyboard japon mai 2003 - AKAI AX73 brochure (avril 1986) - AKAI AX80 banc essai sono - AKAI AX80 brochure - AKAI EVI 1000 user manual - AKAI EWI 1000-EVI 1000-EVW 2000 banc essai sono - AKAI EWI 3020 user manual - AKAI EWI 3030m user manual - AKAI ME série banc essai sono (10D 15F, 20A) - AKAI ME série banc essai guitare claviers janvier 1986 (10D, 15F, 20A) - AKAI ME série brochure (juin 1985) - AKAI ME20A user manual - AKAI ME25S brochure - AKAI ME30P user manual - AKAI ME30P brochure - AKAI ME30PII user manual - AKAI MX73 brochure - AKAI S612 brochure - AKAI S612 banc essai sono - AKAI S900 banc essai sono - AKAI S900 brochure (avril 1986) - AKAI S900 carte marion system - import numéra - AKAI S1000 banc essai sono - AKAI S1100 user manual - AKAI SG01P user manual - AKAI SG01V user manual - AKAI U4 phrase trainer brochure - AKAI VX90 brochure (avril 1986) - AKAI VX90 banc essai sono - AKAI XR 10 brochure - AKAI PEQ6 - MB76 banc essai sono - AKAI pub - AKAI catalogue gamme 86 - ARP AVATAR brochure publicitaire / modulaire façon 2600 / - ARP AXXE banc essai disc international / pub keyboards 1976 / pub keyboards 1977 - ARP CENTAUR article disc international 1978 - ARP CHROMA brochure publicitaire - ARP EXPLORER service manual / patch book - ARP ODYSSEY banc essai sono / brochure / pub keyboards 1975 / pub1 - ARP OMNI pub disc 1976 / pub omni 2 1979 / voir atelier chok - ARP POLARIS brochure - ARP PRELUDE pub 1983 - ARP PRODGX banc essai sono - ARP QUADRA banc essai sono / pub - ARP QUARTET service manual / pub - ARP LITTLE BROTHER 2950 schematics - ARP PIANO 16 voies pub - ARP SEQUENCER pub 1976 - ARP SOLUS banc essai Claviers septembre 1981 / pub Keyboards 1980 - ARP WING I et II modulaire - ARP catalogue gamme / pub gamme 1977 - ARP catalogue gamme & accessoires - ARP retro family tree - future music - The rise and fall of ARP instruments keyboards avril 1983 ARP AVATAR ARP OMNI EMS VOCODER 5000 MP3 MP3 MP3 pub envoi des 2 flexi disc - BANANA brochure - BALDWIN 88 (KUSTOM) electronique piano brochure - BOHM digidrums banc essai disc international décembre 1983 - BOHM digidrums pub1 / pub2 - BOHM soundlab user manual - BOHM soundlab service manual - BOHM soundlab pub - BOSS DR55 user manual+ tips / banc essai sono / service manual - BOSS DR110 banc essai guitares claviers mai 1984 - BOSS catalogue Micro studio série - BOSS banc essai sono sur 8 pédales - CASIO 401 banc essai claviers aout 1981 / pub fiche technique / - CASIO 701 pub janvier 1982 - CASIO 1000P pub 1983 - CASIO CZ101 pub - CASIO CZ1000 banc essai guitares claviers décembre 1985 - CASIO DH 100 user manual - CASIO DH 500 service manual - CASIO FZ1 user manual / banc essai disc international mai 1987 / pub - CASIO MT40 pub mai 1982 - CASIO PT30 banc essai sono juillet 1983 - CASIOTONE VL1 banc essai disc international juillet 1981 / pub 1 / pub 2 / mod - CASIO VZ1 user & service manual - CASIO VZ1 banc essai disc international janvier 1989 - CASIO VZ1 pub disc international janvier 1989 - CASIO pub gamme 201 à 401/MT30&40 1981 - CASIO catalogue gamme COUVERTURES (cliquer pour agrandir) - DJET 004 banc essai disc international decembre 1979 - EXAGONE XM 64 banc essai disc international - EXAGONE 64 pub - REGGY synthétiseur de percussions banc essai sono - CHEETAH pub distribution music land - CHEETAH MS6 user manual - CREAMWARE B4000 user manual - CREAMWARE MINIMAX user manual - CREAMWARE PRO12 user manual - CREAMWARE PRODYSSEY user manual - CREAMWARE MINMAX/PROFIT5 brochure - BIT99 user manual - BIT99 brochure - BIT99 pub / banc essai sono 01 - BIT99 / BIT01 banc essai sono 2 - BIT01 voices and midi - BIT MASTERKEYBOARD user manual - BIT01 & MASTERKEYBOARD sous UNIQUE DBM test keyboards decembre 1986 - BIT variantes BIT/LEM/UNIQUE - CRUMAR BABY GRAND pub - CRUMAR MULTIMAN brochure - CRUMAR MULTIMAN schematics - CRUMAR MULTIMAN ORCHESTRATOR pub - CRUMAR PERFORMER service manual - CRUMAR série T pub - CRUMAR T3 banc essai claviers février 1982 - CRUMAR TRILOGY STRATUS pub CASIOTONE 202 CASIOTONE 301 MATTEL SYNSONICS DRUMS YAMAHA SY77 MP3 MP3 MP3 MP3 MP3 - POLYEVOLVER rack banc essai recording musicien septembre 2004 - DOEPFER MAQ 16/3 banc essai sono - DOEPFER MCV1-MCV8 user manual - DREAM SAM XR pub 1989 / banc essai disc international 1989 - DYNACORD ADS / ADS K brochure - DYNACORD DRS 78 banc essai sono - DYNACORD DC 200 leslie brochure / pub 1976 - DYNACORD EMINENT 100A user manual - DYNACORD EMINENT 100A service manual - DYNACORD SRV 66 vocoder user manual / schematics / MP3 demo - DYNACORD catalogue drum computer - SYNERGY banc essai sono - SYNERGY digital keyboards brochure - SYNERGY I & II+ test keyboard US COUVERTURES (cliquer pour agrandir) - ELECTRO HARMONIX DIGITAL LOOPING RECORDER 64 Sec - ELECTRO HARMONIX EH300 VOCODER manual / schematics - ELECTRO HARMONIX HARMONIC OCTAVE GENERATOR user manual - ELECTRO HARMONIX MICRO SYNTHESIZER user manual / schematics - ELECTRO HARMONIX 8 pédales d'effets au banc d'essai - sono - ELKA EK22 / EM22 user manual - ELKA SYNTHEX banc essai sono / brochure / pub 1983 - ELKA 610 pub Keyboards 1975 / pub keyboards 1978 - ELKA MICROPIANO 16 brochure / pub 1983 - ELKA OMB5 pub - ELKA OMB3 C92 X35 user manual - ELKA SOLIST 505 pub 1978 - ELKA X50 banc essai claviers mars 1982 - ELKA X50/TWIN 51 pub - ELKA X50 & 61P banc essai sono janvier 1982 - ELKA pub gamme - EMS SYNTHI E banc essai sono - EMS SYNTHI AKS banc essai disc international juillet-aout 1977 - VCS 3 / AKS article keyboard US novembre 1990 - AKS / VCS3 / Keyboard DK1/KS brochure - EMS SYNTHI HI-FLI brochure - EMS SYNTHI HI-FLI tarifs février 1977 revendeurs Gamme - EMS VOCODER 2000 banc essai disc international mai 1979 - EMS tarifs gamme janvier 1976 electrone / piano center - ENSONIQ ASR user manual - ENSONIQ ASR X user manual - ENSONIQ ASR pro keyboards juillet 1999 - ENSONIQ EPS banc essai sono - ENSONIQ EPS 16 plus user manual - ENSONIQ ESQ1 pub - ENSONIQ ESQM brochure - ENSONIQ MIRAGE pub / article sono - ENSONIQ SPM1 brochure - ENSONIQ SQ2 banc essai sono - ENSONIQ SQ80 banc essai sono - ENSONIQ SQ88 reportage de EPS16 jusqu'au SQ80 keyboards - ENSONIQ TS10-12 brochure - ENSONIQ VFX banc essai keyboards aout 1989 / article disc international octobre 1989 - ENSONIQ VFX SD banc essai disc international decembre 1989 - FARFISA POLYCHROME banc essai claviers janvier 1983 - FARFISA SOUNDMAKER service manual - FARFISA SYNTHORCHESTRA service manual - FARFISA PRO 110 pub1 / pub2 / banc essai disc international mai 1979 - FARFISA VIP 255 brochure - FARFISA VIP 345 brochure / service manual - FARFISA VIP 400 brochure - FARFISA MINI COMPACT user manual / service manual COUVERTURES (cliquer pour agrandir) - RHODES 54 notes pub - RHODES 54 banc essai sono - RHODES 73 & 88 notes catalogue - RHODES Mark catalogue - RHODES extrait catalogue 1976 - RHODES electronic piano brochure / pub keyboards 1983 - RHODES pub herbie hancock - RHODES pub disc international - RHODES MK80/60 brochure - ORGACOR Fratelli Crosio pub 1979 - ORGACOR PROHONIC SYNTHE pub (1982) / pub 1979 - DOCTOR CLICK user manual - DOCTOR CLICK 2, MULTI TRIGGER, DRUM DOCTOR, MASTERBEAT extrait catalogue Music Land - DOCTOR CLICK pub keyboards novembre 1983 - DOCTOR CLICK banc essai keyboards 1983 - MINI DOC, CLOCK DELAY, DOCTOR FLICK, MODULATOR extrait catalogue Music Land - NANO SERIES pub 1983 - GEM SPRINTER 61 & 49 pub - banc essai - GEM orgue série F30 à F50 pub 1976 - GEM orgue gamme portable (rodéo 61, phantom 61) et meuble (H600, X365, wizard 320) pub - GEM orgue gamme portable (sprinter 49 & 61) et meuble (H2000, wizard 315 & 321) pub - IBANEZ mixer RM60 pub (catalogue oscar music) - IBANEZ AD202 banc essai sono - IBANEZ DM1000 pub 1983 / - IBANEZ gamme pédale effets 1981 pub - JEN caroussel C390 banc essai disc décembre 1978 (orgue incluant JEN SX2000) - JEN string machine 2007 banc essai sono - JEN sx1000 brochure - JEN sx2000 banc essai sono / test + pub disc international / user manual / patch vide et preset - HAMMOND catalogue gamme 01 - HAMMOND catalogue gamme 02 - HH P73 piano électrique banc essai claviers octobre 1981 - HH P73 pub disc international 1981 - HELPINSTILL piano électro-accoustique banc essai claviers 1981 - HELPINSTILL piano électro-accoustique pub - HOHNER PIANET test disc international juillet aout 1977 - HOHNER C86 user manual - HOHNER C86 service manual - HOHNER C86 banc essai claviers janvier 1982 - HOHNER CLAVINET D6 banc essai sono - HOHNER MELODICA SOPRANO user manual - HOHNER MULTIMONICA user manual - HOHNER orgue soufflerie organa mélodica catalogue Millet - HOHNER extrait gamme 1975 / 1977 - JMS CGX interface midi in cv/gate - import numéra - JMS midi master synchronizer - import numéra - KAWAI 100 F banc essai sono - KAWAI 100 F brochure - KAWAI 100F notes disc international - KAWAI 100F schematics - KAWAI 100F user manual and patchs - KAWAI 100F user manual in français - KAWAI GB1 user manual - KAWAI GB2 user manual / rythm pattern - KAWAI K1 banc essai guitares claviers juillet 1988 / pub 1989 / brochure - KAWAI K4 banc essai keyboards novembre 1989 - KAWAI K5 brochure / sound library - KAWAI SPECTRA KC10 user manual - KAWAI MAV8 user manual - KAWAI MM16 user manual - KAWAI MX16 user manual - KAWAI MX8R user manual - KAWAI R100 service manual / brochure / banc essai disc international - KAWAI SX210 banc essai sono / brochure / pub keyboards 1983 / pub disc 1983 - KAWAI série EP 308/308S/608 pub1 1983 / pub2 1983 - KAWAI EP608 user manual/schematics / brochure - KAWAI EP308/308S user manual - KAWAI ORGAN E550/650 service manual - KORG 700S user manual - KORG 900S banc essai sono - KORG A3 banc essai disc international aout 1989 - KORG BX3 pub1 / pub2 - KORG CX3 banc essai claviers aout 1981 / pub 1981 - KORG DS8 brochure - KORG EPS1 banc essai sono - KORG EX800 user manual - KORG EX800/RK100 brochure - KORG KMX 8/MM 25 brochure 1983 - KORG KPR77 banc essai disc international décembre 1983 - KORG MICROPRESET M500 user manual+service manual / patches - KORG MICROPRESET M500 banc essai sono - KORG MONOPOLY - POLYSIX brochure - KORG MONOPOLY banc essai sono / settings - KORG MONOTRON schematics - KORG MS 20/ SQ 10 - YAMAHA CS 30 match synthétiseurs disc international décembre 1978 - KORG POLY 800 user manual francais / banc essai sono - KORG POLYSIX banc essai disc international aout 1982 - KORG PSS50 banc essai guitares claviers février 1985 + modif - KORG TRIDENT banc essai sono mag - KORG mr multi user manual - KORG EPS1 banc essai sono - KORG SDD300 pub 1983 - KORG SYGMA banc essai disc international septembre 1979 - KORG SYGMA user manual - KORG SYGMA korg magazine winter 2002 - KORG VC10 banc essai disc international mai 1979 - KORG X911 pages annotées d'Eric.G pour modularisation du X911 / voir son site - KORG catalogue gamme 1981 - KORG catalogue gamme 1982 - KORG article disc international arrivée série ms Francfort Synthesizer Bionic Orchestra - Francis rimbert Joop Stokkermans - The Magic of the ARP-Synthesizer MP3 - KURZWEIL 250 banc essai claviers octobre 1984 - LINN 9000 pub keyboards juillet 1985 - LINNDRUM pub keyboards juin 1983 - MATTEL SYNSONICS DRUMS user manual francais + plan accessory jack - MATTEL SYNSONICS DRUMS pub keyboards 1983 - MATTEL MAGICAL MUSICAL THING user manual - M-AUDIO AXIOM user manual - MDB sortie polyséquenceur 1981 - MDB TRIGGTOM 4 extrait catalogue music land - MDB WINDOW RECORDER extrait catalogue music land - POLY-MIDI brochure - POLY-MIDI vs YAMAHA QX7 banc essai guitares claviers septembre 1985 - S2000 séquenceur monophonique brochure - SUPERBAT brochure - MICROPERFORMANCE encart pub disc international - MOOG constellation brochure - MOOG memorymoog brochure - MOOG micromoog notes disc international - MOOG le minimoog de 1998 pub - MOOG polymoog brochure 1 / brochure 2 - MOOG polymoog pub annonce disc international - MOOG PRODIGY banc essai disc international juin 1980 - MOOG PRODIGY brochure - MOOG SONIC 6 brochure 1974 - MOOG pub1 1979 / - MOOG prix 1979 - MOOG catalogue - MOOG CATALOGUE 1973 - ENCYCLOPEDIA of MOOG ARTISTS - MXR 15-21 equalizer brochure - MXR time delay command banc essai disc international aout 1982 - MXR pub gamme effets 1979 / pub 1982 - NOVATION A STATION brochure - NOVATION BASS STATION brochure - NOVATION DRUM STATION brochure - NOVATION KS4-KS5-KS6 brochure - NOVATION KS4-KS5 user manual - NOVATION K-STATION brochure - NOVATION SUPERNOVA banc essai keyboards novembre 1998 - NOVATION SUPERNOVA 2 brochure - NOVATION X STATION REMOTE brochure - NOVATION Xio synth brochure - OBERHEIM MATRIX 6 banc essai sono / brochure - OBERHEIM DMX banc essai sono juillet 1983 / brochure - OBERHEIM DPX1 brochure 1897 - OBERHEIM DSX brochure / pub 1981 - OBERHEIM DX brochure 1986 - OBERHEIM MATRIX 6 banc essai sono / brochure - OBERHEIM MATRIX 12 banc essai sono / brochure / banc essai keyboards juillet 1985 - OBERHEIM MATRIX 1000 patches 1 / schematics / patchesbook 2 - OBERHEIM OB-X pub (piano center) - OBERHEIM OB-Xa banc essai claviers mai 1981 - OBERHEIM OB-1 brochure / pub 1978 - OBERHEIM OB-8 banc essai keyboards 1983 avec DMX & DSX - OBERHEIM PROMMER banc essai sono / brochure - OBERHEIM STRETCH brochure 1987 - OBERHEIM pub gamme mars 1986 / pub 1984 - OBERHEIM prix Numéra 1985 / article retro family tree-future music OSCAR oxford - OSCAR banc essai sono - OSCAR pub - OSCAR extrait catalogue Music Land - OSC ADVANCED SOUND GENERATOR extrait catalogue Music land - OSC ADVANCED SOUND GENERATOR guitare de "commande" SYNTHAXE - voir sur le site de jbfairlight - PPG PRK brochure - PPG WALDORF retro family tree article future music - PPG prices list numéra 1985 - PPG WAVE II banc essai claviers novembre 1981 / article disc international - PPG pub 1 1984 / pub 2 1984 / pub 3 1984 - QUASIMIDI SIRIUS banc essai keyboards janvier 1999 - QUASIMIDI RAVEOLUTION 909 banc essai keyboards décembre 1997 - ROLAND A880 banc essai sono - ROLAND CR78 banc essai sono - ROLAND CR1000 pub 1987 - ROLAND DDR 30-PD10-PD20 brochure 1985 - ROLAND GR300 banc essai sono - ROLAND GR700 banc essai claviers 1985 - ROLAND GR700 user manual - ROLAND G707 guitar controller user manual - ROLAND JUNO 6 banc essai sono - ROLAND JUNO 106 banc essai sono - ROLAND JUPITER 4 banc essai disc international janvier 1979 - ROLAND JUPITER 6 banc essai sono - ROLAND JUPITER 8 banc essai sono - ROLAND JX3P banc essai sono - ROLAND JX8P banc essai sono - ROLAND MC202 banc essai sono - ROLAND MP600 banc essai claviers novembre 1981 - ROLAND MP700 banc essai sono + pub - ROLAND OCTAPAD pad 8 controller brochure 1985 - ROLAND PIANO PLUS 11 banc essai disc international aout 1982 - ROLAND REVO 250 / 120 pub - ROLAND SDE 2000 banc essai sono mai 1982 - ROLAND SDE 2500 banc essai sono - ROLAND SH101 banc essai sono - ROLAND SH3A banc essai disc international mai 1977 - ROLAND SDP11 brochure 1993 - ROLAND SUPER JX banc essai sono - ROLAND SVC 350 banc essai sono - ROLAND TB303 banc essai sono / pub 1983 - ROLAND TR505 banc essai sono - ROLAND TR707 banc essai sono - ROLAND TR808 banc essai sono / pub 1981 - ROLAND TR909 banc essai sono - ROLAND TL12 brochure 1986 - ROLAND VP 330 banc essai disc international juin 1980 - ROLAND pub / pub gamme 1977 - ROLAND catalogue gamme 1981 - ROLAND catalogue volume 5 mai 1984 - ROLAND catalogue news été 1986 - DRUMTRACKS banc essai sono - DRUMTRACKS brochure - DRUMTRACKS banc essai guitare claviers (basse res) - PRO ONE banc essai claviers décembre 1981 - PRO ONE banc essai sono - PRO ONE brochure - PROPHET 5 banc essai sono - PROPHET 5 banc essai disc international mai 1979 - PROPHET 5 brochure - PROPHET 5 pub "devenez revendeur" disc international 1981 - PROPHET 600 banc essai sono - PROPHET 600 brochure - PROPHET T8 banc essai sono - PROPHET T8 brochure - PROPHET T8 user manual (seulement chapitre 7 midi) - PROPHET 10 pub - PROPHET VS brochure - SIXTRAK banc essai guitares claviers mai 1984 - SIXTRAK banc essai sono - SIXTRAK brochure - MODEL 700 programmer brochure - MODEL 800 sequenceur user manual - POLYSEQUENCEUR pub keyboards juin 1983 - PROPHET 2000 brochure - PROPHET 2000 user manual - SPLIT EIGHT user manual - PRELUDE pub - PIANO FORTE pub - SEQUENTIAL TRAKS music system brochure distribution music - SEQUENTIAL pub 1984 / pub 1982 - SEQUENTIAL prix gamme (1981/1984) - SEQUENTIAL CIRCUITS brochure gamme (basse res) - SEQUENTIAL CIRCUITS brochure gamme inclus PRO-FX - SEQUENTIAL CIRCUITS catalogue wine country novembre 1994 - SIEL OPERA 6 banc essai sono - SIEL OPERA 6 brochure - SIEL CRUISE user manual - SIEL DK600/EXP600 pub - SIEL MK900 pub keyboards novembre 1984 - SIEL pub disc international 1981 - CLAVIOLINE SELMER livret accompagnement de l'appareil - SELMER PIANOTRON / ORGUE CAPRI brochure - SIMONS SILICON MALLET reportage disc international 1987 - SIMMONS MTX9 banc essai disc international avril 1987 / user manual - SIMMONS SDSV banc essai claviers décembre 1981 - SOLTON live series pub 1988 - SOLTON ARRANGER PLUS pub 1987 - SOLTON MS40 user manual - SOLTON MS 50/60 user manual - SOLTON orgue synthé P500 C pub - STYLOPHONE DUBREQ user manual 1+ boite - STYLOPHONE DUBREQ user manual 2 + boite/vinyl - STYLOPHONE 350S PUB SYNTON - SYRINX banc essai sono - SYRINX patch sheet - SYRINX brochure - SYNTOVOX SPX216 extrait catalogue music land - SYNTOVOX 222 banc essai disc international décembre 1979 - SYNTECHNO TEEBEE mark1 user manual (3.1) - TEISCO S60F banc essai claviers octobre 1981 / banc essai sono - TEISCO S60F & S110F banc essai disc international juillet 1981 / pub disc international 1981 - TEISCO brochure gamme - VOX catalogue incluant Electronic piano - WALDORF MICROWAVE XT banc essai keyboards juillet 1998 - WELSON GLOBE TROTTER banc essai disc international septembre 1979 & pub - WELSON METEOR pub - WELSON CONDOR pub - WELSON gamme spinet (princess, comet, music love, granfiesta) pub - WELSON FIESTA & IMPERATIVE 1977 pub - YAMAHA CE20 banc essai claviers février 1983 - YAMAHA série DX brochure - YAMAHA DX5 brochure - YAMAHA DX7 banc essai sono / brochure - YAMAHA DX7 II brochure - YAMAHA DX9 brochure - YAMAHA DX11 brochure - YAMAHA DX21 brochure - YAMAHA FB01 user manual / service manual - YAMAHA QX5 banc essai disc international janvier 1989 - YAMAHA RX5&17 banc essai disc international - YAMAHA RX15 user manual fr / brochure (11&15) / banc essai sono / pattern book (11&15) - YAMAHA REV 100 user manual - YAMAHA CS30 vs KORG MS 20 disc international - YAMAHA CS70M pub 1983 - YAMAHA WALKBAND pub 1981 / pub gamme 1983 - YAMAHA GX1 user manual - YAMAHA YC30 user manual - YAMAHA YC45D service manual / user manual - YAMAHA Série 100 pub 1989 - YAMAHA catalogue series producer 1983 - YAMAHA catalogue series producer 1985 - YAMAHA catalogue 1984 - YAMAHA brochure gamme 1982 / pub 1982 - YAMAHA pub 1 1979 / pub 2 1979 AMPLIFICATION - LAB series L5 L7 L9 L11 schematics - LAB L5 pub AMPLIFICATION LESLIE (ou effet leslie) - DYNACORD DC200 H pub 1976 - ROTOR-SOUND CSE 80M pub - POLYTONES electronic rotating sound modulator pub keyboards 1984 - ECHOLETTE M IVE brochure - LESLIE/CABINES A SON TOURNANT banc essai disc international - NEO INSTRUMENTS VENTILATOR user manual - ROLAND REVO 250 / 120 pub - HUGHES KETTNER/ROTOSPHERE - MOTION SOUND PRO 3 keyboards mai 1997 - LESLIE STORY article de Stéphane Bredel - LES CABINES LESLIE modÚles,achat, cablage, accessoires, entretien ECHO BANDES - LES CHAMBRES D'ECHO et REVERBERATION A BANDES mécanisme disc janvier 1976 - BANC ESSAI CHAMBRES ECHO à BANDES disc janvier 1976 VOCODER - ANALOG LAB VOCODER X-32 user manual / sons - DYNACORD SRV 66 vocoder user manual / schematics / MP3 demo - ELECTRO HARMONIX EH300 VOCODER manual / schematics - EMS VOCODER 2000 banc essai disc international mai 1979 - KORG VC10 banc essai disc international mai 1979 - ROLAND SVC 350 banc essai sono - SYNTOVOX SPX216 extrait catalogue music land - SYNTOVOX 222 banc essai disc international décembre 1979 - LES VOCODERS disc international mai 1979 DIVERS CONTROLEURS MIDI - FROSTWAVE FAT CONTROLLER user manual - J.L.COOPER CS10-2 user manual - KEYFAX PHATBOY banc essai keyboards décembre 1998 - BLUE SKY LOGIC MIXI user manual - PEAVEY 1600 user manual / Patchs pour 1600 - PEAVEY 1600X user manual / Patchs pour 1600X - PEAVEY 1600X banc essai keyboards mars 1998 - ZENDRUM ZX user manual DIVERS MIDI (ACCESSOIRES) - KENTON ELECTRONICS PRO II intégrale DIVERS MODULAIRE - EUROPAC rational/ SCHROFF catalogue DIVERS SYNTHE - Les synthétiseurs de A à Z sono (article en 2 parties) - Les synthétiseurs hifi stéréo septembre 1976 de E.Lemery - SynthÚse sonore 1Úre partie - SynthÚse sonore 2Úme partie - SynthÚse sonore 3Úme partie - SynthÚse sonore 4Úme partie - Le vcf - Le bruit de J.P.Verpeaux (claviers) - Le suiveur d'enveloppe de J.P.Verpeaux (claviers) - Sample hold1 / sample hold2 (1983) - Mon premier "appareil" clavier octobre 1981 - Le compresseur - Les sequenceurs (guitares claviers J.P Verpeaux 1985) + le sequenceur apprivoisé (claviers) - Le modulateur de J.P. Verpeaux (claviers) - 10 ans de synthétiseur J.Sanjuan Hifi stéréo 1978 - 2éme disco forum matériel tournée F.Rimbert/korg - History of electronic sound modification H.Bode - La synthÚse du son de E.Lemery - disc international novembre 1979 - Vangelis, victoire sur les vibrations - Alain dister - claviers mai 1981 - Onze nouveaux synthétiseurs mis en fiches - claviers mars 1982 - 120 years of electronic music - Les instruments de musique électronique (E.Lemery - hifi stéréo mai 1976) - Les principes de base piezo électricité, magnétisme et électrostatique (E.Lemery) - Martin Newcomb, the collector - Future Music - Rhythmic control of analog sequencer polyphony septembre/octobre 1978 - Introduction aux techniques de synthese du son S.Natkin 2003 - Electronic musical instruments "a survey of the commercial scene" - Pratical electronic supplements novembre 1972 - Francis Rimbert démonstrateur korg (au début...) - Richard Wright & Pink floyd - Keyboard, synthesizer & electronics equipment - ver 1.56 - ONDIOLINE PUB - MELLOTRON prix janvier 1976 - MIDI CODE HEX fabricants - MIDI PITCH - NOTE FREQUENCY - LAG LE KEY pub et banc essai computer music - Will systems MAB 303 banc essai keyboards mai 1997 - MULTIVOX pub gamme décembre 1979 DIVERS ORGUES - ELEX gamme pub 1976 - GIBSON G101 user manual / service manual - GIBSON P2 service manual - KUSTOM ORGAN brochure - RIHA JUPITER 2 pub 1977 - RIHA gamme variété pub 1978 - RIHA ORCHESTRA pub 1979 - Evolution de l'orgue électronique disc international décembre 1978 - Répertoire midi : les orgues - MILTON les orgues pub disc international - L'orgue photoélectronique FOTOSONOR - Anatomie de l'orgue électronique Hifi Stéréo juin 1976 de E.Lemery DIVERS PEDALES EFFETS - ARIA pub gamme effets 1983 - DOD pub gamme effets 1979 - REDSON 7pédales effets banc essai sono janvier 1982 DIVERS EFFETS - ELECTRIX EQ killer user manual - ELECTRIX filter factory user manual - ELECTRIX filter factory keyboards juillet 1999 - ELECTRIX filter queen user manual - ELECTRIX mo fx user manual - ELECTRIX warp factory user manual - ELECTRIX repeater user manual - ELECTRIX banc essai warp/filter /mofx computer music 1999 - EVENTIDE BABY HARMONIZER HM80 banc essai claviers octobre 1981 - DIGITECH DSP128 keyboards juillet 1999 - DBX catalogue 1980 (ou 78 pas sur ...) - ROCKTRON HUSH IIC banc essai disc international mai 1987 - ROLLING REC5/COSMIC AE 7000/ZOOM ER 200 banc essai sono - T.C ELECTRONIC 2290 banc essai disc international mai 1987 - PUBLISON DHM 92-B2 banc essai disc international septembre 1979 - PUBLISON RELIEF ENLARGER banc essai sono 1983 - Principe fondamentaux des effets (E.Lemery) 1981 DIVERS ENREGISTREMENT - AKAI 4000 DS MKII user manual - AKAI 4000 DS brochure et banc essai hifi stéréo octobre 1975 - AKAI GX 635D service manual - AKAI GX 646 service manual - TASCAM 22-2 & 22-4 banc essai sono janvier 1982 - TASCAM 688 user manual - TASCAM 388 studio8 user manual - TASCAM A34 service manual - TEAC 3440 user manual - OTARI MX 5050 1/2 QXHD - TEAC A 3440 banc essai disc international - CHOISIR SA TABLE DE MIXAGE disc international novembre 1979 - LES TETES MAGNETIQUES DIVERS BOITE A RYTHME / PERCUSSION - RYTHMATIC MARS ou HENCOT brochure / manual - PEARL DRUMX banc essai guitares claviers - PEARL SC20/SC40 user manual - PEARL SYNCUSSION 1 user manual - SOUNDMASTER STIX ST305 test guitares claviers mai 1984 - SOUDMASTER STIX ST305 pub keyboards novembre 1983 - SYNTOBA RAMEAU - SYNDRUM test DISC international - SYNARE pub / banc essai disc international juillet 1981 - SYNARE 3 banc essai disc international - CAPELLE KLONE KIT 2 banc essai claviers octobre 1984 DIVERS INCLASSABLE - DIGITAR CHARLIE LAB brochure - MARANTZ pianocorder brochure distribution hamm DIVERS BOUTIQUE / CATALOGUES / PRIX - SOMMAIRE SONO magazine du 1 au 95 - PHONORGAN pub DIVERS LIVRES - HISTOIRE DE LA MUSIQUE - Casterman - 1972 - CLAVIERS - Edts J.M.G - 1989 - LE MONDE DU POP ROCK - HATIER - 1977 - CATALOGUE Studio Robert Schroeder LIENS - User & service manual sur le site de pharmacon : http://www.cem3374.com/archive.htm - Les pubs sur :http://retrosynthads.blogspot.com/
http://www.studio250.fr/accueildocs.html

937 Vidéos de physique
Présentation de vidéos utiles pour l'apprentissage de la physique. Comme le titre l'indique, ce blog est un répertoire des vidéos de physique que je juge intéressantes: vous y trouverez des démonstrations, des animations, et aussi des conférences et des cours complets. Si vous connaissez d'autres vidéos utiles pour l'apprentissage de la physique (ou si vous désirez émettre un commentaire sur ce site), veuillez cliquer ici. Si vous détenez les droits d'une vidéo que vous ne voulez pas voir diffusée ici, veuillez cliquer ici. Si vous comprenez l'anglais, vous trouverez un grand nombre de vidéos de physique sur mon autre blog Best Physics Videos.
http://videosphysique.blogspot.com/

932 Trent Reznor's Oscar-Nominated Score - Video Library - The New York Times
Melena Ryzik visits Trent Reznor in his home studio to discuss his work on the score of NIN
http://video.nytimes.com/video/2011/02/03/movies/1248069609685/trent-reznor-s-oscar-nominated-score.html?ref=movies

927 YouTube Ucreate Music Toy Review
Title says it all. ucreate, music, toy, synthisyser, synth, composing, composition, easy, to, do, how, for, begginers, all, ages, review, radica, games, and, artmintation, anim...
http://www.youtube.com/watch?v=lL5OpcRoUI8&feature=related

925 Forum Holga, SX70, pinhole,polaroid... canette ou boite Ă  chaussures; tout le cheap est ici ~
Holg4.org ? Ami(e)s photographes, Bienvenue sur h0lg4.org, le portail francophone dĂ©diĂ© aux photographies cheap et aux appareils exotiques. Vous ĂȘtes un fĂ©ru de bidouillage photographique ou un parfait dĂ©butant ? Holga est votre prĂ©nom prĂ©fĂ©rĂ© ? Vous voulez savoir comment prendre des photos avec une simple boĂźte de conserve ? Vous souhaitez expĂ©rimenter des modes photographiques diffĂ©rents, ou tout simplement visualiser ce qu'on obtient avec des appareils cheap ? Vous en pincez pour Diana ? Vous souhaitez partager vos impressions et vos expressions photographiques ? Devenez membre du forum en vous inscrivant, participez aux Ă©changes et crĂ©ez votre propre galerie en ligne. Armez votre bonne humeur, rĂ©glez votre curiositĂ© sur la plus grande ouverture, et dĂ©clenchez !!! Clic, clic, clic !!! Derniers articles € MĂ©thode de DĂ©veloppement C41 avec le kit digibase de Rollei. € DĂ©veloppement au HC-110 de la FP4 exposĂ©e en-dessous de sa sensibitĂ© € DĂ©velopper les films couleurs Ă  la maison (chimie C41) € Agat 18 € Great Wall DF Les derniĂšres interventions » Pavillon d'Aveyron ou une semaine chez mami » HĂŽtel 4 Ă©toiles » Symphonie en UT 18 ... » La boite de bonbon ... » Youkfou a sa flĂȘche... » Les accords d'LĂ©on » Exposition aux Baux de Provence » La grange » Ces inconnus. » apĂ©ro Hitchcockien
http://h0lg4.org/

921 Tapeline.info - Content
Established in 1985 ~ Serving the Audio and Video industry for over 25 years News, news, New, new, Technology, technology, Headlines, headlines, Nuke, nuke, PHP-Nuke, phpnuke, php-nuke, Geek, geek, Geeks, geeks, Hacker, hacker, Hackers, hackers, Linux, linux, Windows, windows, Software, software, Download, download, Downloads, downloads, Free, FREE, free, Community, community, MP3, mp3, Forum, forum, Forums, forums, Bulletin, bulletin, Board, board, Boards, boards, PHP, php, Survey, survey, Kernel, kernel, Comment, comment, Comments, comments, Portal, portal, ODP, odp, Open, open, Open Source, OpenSource, Opensource, opensource, open source, Free Software, FreeSoftware, Freesoftware, free software, GNU, gnu, GPL, gpl, License, license, Unix, UNIX, *nix, unix, MySQL, mysql, SQL, sql, Database, DataBase, Blogs, blogs, Blog, blog, database, Mandrake, mandrake, Red Hat, RedHat, red hat, Slackware, slackware, SUSE, SuSE, suse, Debian, debian, Gnome, GNOME, gnome, Kde, KDE, kde, Enlightenment, enlightenment, Interactive, interactive, Programming, programming, Extreme, extreme, Game, game, Games, games, Web Site, web site, Weblog, WebLog, weblog, Guru, GURU, guru, Oracle, oracle, db2, DB2, odbc, ODBC, plugin, plugins, Plugin, Plugins
http://www.tapeline.info/site/modules.php?name=Content&pa=showpage&pid=6

919 Passion Carré
J'ai depuis toujours une attirance certaine pour les coupes au carrĂ©, passion que je partage avec mon Ă©pouse qui se prĂȘte au jeu pour mon plus grand plaisir. Je souhaite au travers de ce blog vous proposer des idĂ©es, des modĂšles de coiffures, partager des coups de coeur, et vous donner envie pourquoi pas, d'aller voir votre coiffeur. N'hĂ©sitez pas Ă  me faire parvenir vos clichĂ©s 'Avant / AprĂšs' afin que je puisse les publier en respectant au mieux votre vie privĂ©e bien entendu. Bonne visite.
http://www.passioncarre.net/

917 Sitting 101: Desk Ergonomics
I consider myself an active person and am definitely happier strolling about than sitting, but I sit for a large portion of the day. I blog – how could I avoid a chair? Like most things, there's a technique to sitting. A well-designed workstation Sitting, 101, Desk, Ergonomics
http://www.fitsugar.com/Sitting-101-Desk-Ergonomics-1669975

916 HughLeCaine.com - Bonjour
Biographie On a qualifiĂ© le scientifique et compositeur canadien Hugh Le Caine (1914-1977) de "hĂ©ros" de la musique Ă©lectronique. Il a grandi Ă  Port Arthur (maintenant Thunder Bay) dans le nord-ouest de l'Ontario. TrĂšs tĂŽt, il a commencĂ© Ă  construire des instruments de musique et Ă  expĂ©rimenter avec des appareils Ă©lectroniques. Dans sa jeunesse, il imaginait des "sonoritĂ©s merveilleuses" qu'il pensait pouvoir rĂ©aliser Ă  l'aide de nouvelles inventions Ă©lectroniques. Hugh Le Caine travaillant dans le laboratoire de physique de l'UniversitĂ© Queen Ă  Kingston en Ontario, en 1938 AprĂšs l'obtention de son diplĂŽme de maĂźtrise en science Ă  l'UniversitĂ© Queen en 1939, il s'est joint au Conseil national de recherche du Canada (CNRC) Ă  Ottawa. Il a travaillĂ© au dĂ©veloppement des premiers systĂšmes de radar et en physique atomique, se distinguant comme scientifique et publiant d'importants articles dans ces domaines. Chez lui, il poursuivait ses recherches en musique Ă©lectronique et en gĂ©nĂ©ration de son. Il a montĂ© son studio personnel en 1945 oĂč il a dĂ©butĂ© son travail indĂ©pendant sur la conception d'instruments de musique Ă©lectroniques tels que la sacqueboute Ă©lectronique, un instrument monophonique trĂšs Ă©laborĂ© qui est maintenant reconnu comme le premier synthĂ©tiseur contrĂŽlĂ© par tension. Par la suite, Le Caine a dĂ©veloppĂ© des systĂšmes de contrĂŽle par tension pour une grande variĂ©tĂ© d'applications. En 1948, Le Caine est parti en Angleterre pour quatre ans oĂč il a fait des Ă©tudes en physique, poursuivant son travail en musique Ă©lectronique Ă  son retour au Canada. GrĂące aux dĂ©monstrations publiques de ses instruments, il a obtenu la permission de dĂ©placer ses activitĂ©s musicales au CNRC et de s'y consacrer Ă  plein temps en 1954. Pendant les vingt annĂ©es qui ont suivi, il a construit plus de vingt-deux nouveaux instruments diffĂ©rents. Il a collaborĂ© au dĂ©veloppement de deux des premiers studios de musique Ă©lectronique Ă  l'UniversitĂ© de Toronto (inaugurĂ© en 1959) et Ă  l'UniversitĂ© McGill Ă  MontrĂ©al (inaugurĂ© en 1964). Le laboratoire de Le Caine au CNRC a fourni pratiquement Ă  lui seul l'Ă©quipement pour ces deux premiers studios. Les composantes de la saqueboute ont Ă©tĂ© sĂ©parĂ©es en unitĂ©s indĂ©pendantes - ou modules - permettant au compositeurs de leur assigner une tĂąche spĂ©cifique au sein d'un ensemble. Le Caine a enseignĂ© aux deux universitĂ©s et a influencĂ© toute une gĂ©nĂ©ration de compositeurs de musique Ă©lectroacoustique. Ses nombreux articles et dĂ©monstrations personnelles ont eu un effet catalyseur dans la communautĂ© canadienne et internationale. Il a exercĂ© une influence indirecte sur le dĂ©veloppement du synthĂ©tiseur modulaire Moog par l'entremise de Gustav Ciamaga, qui Ă©tait familier avec les filtres de Le Caine et qui a par la suite encouragĂ© Robert Moog Ă  dĂ©velopper son filtre passe-bas contrĂŽlĂ© par tension. Un des aspects les plus importants des instruments de Le Caine est sans doute leur efficacitĂ© pour la performance, leur maniabilitĂ©. Son obsession pour le "beau son" l'a conduit Ă  concevoir des instruments capables de produire un jeu expressif nuancĂ© caractĂ©ristique de la tradition orchestrale. Il avait un sens aigu des besoins de l'interprĂšte afin que celui-ci puisse exĂ©cuter les gestes qui, selon Le Caine, constituent l'essence de la musique. À cet Ă©gard, la sensibilitĂ© au toucher a Ă©tĂ© un Ă©lĂ©ment essentiel et a Ă©tĂ© utilisĂ©e pour les claviers, les mixeurs et autres composantes, sous des formes d'application mĂ©canique, Ă©lectronique et au moyen de la sensibilitĂ© Ă  la lumiĂšre. Sur ce point, les conceptions de Le Caine Ă©taient tellement avancĂ©es que certaines des possibilitĂ©s qu'il a dĂ©veloppĂ©es n'ont connu d'application commerciale que dans les annĂ©es 1980. IdĂ©alement, un instrument de musique devrait offrir de bonnes qualitĂ©s sonores et une certaine flexibilitĂ© dans son contrĂŽle. Or ces deux objectifs ne sont pas toujours compatibles. Les instruments traditionnels exigent habituellement une longue formation avant que l'interprĂšte puisse tirer parti de leurs qualitĂ©s musicales. Dans la conception de ses instruments Ă©lectroniques, Le Caine a tentĂ© de mettre l'accent sur la maniabilitĂ© de l'instrument sans compromettre l'intĂ©gritĂ© de la musique. Chacune de ses crĂ©ations est une Ă©tude unique sur l'Ă©quilibre et le raffinement. Sur le CD, HUGH LE CAINE, COMPOSITIONS, DOMONSTRATIONS 1946-1974, nous pouvons entendre les enregistrements rĂ©alisĂ©s par Le Caine, oĂč il explore et fait la dĂ©monstration des possibilitĂ©s qu'offrent huit de ses instruments. Dripsody, sa composition de 1955 construite Ă  partir du son d'une seule goutte d'eau, compte encore parmi les exemples les plus jouĂ©s de musique concrĂšte. MalgrĂ© l'accueil favorable que ses compositions ont Ă  juste titre connu, Le Caine a conservĂ© une attitude critique Ă  leur Ă©gard : "Je ne me considĂ©rais pas comme un compositeur. Toutefois, j'ai senti que la seule façon de comprendre l'intĂ©rĂȘt du compositeur pour un instrument Ă©tait de l'utiliser moi-mĂȘme dans les diffĂ©rentes formes musicales actuelles." Son humour dĂ©prĂ©ciateur Ă  l'Ă©gard de lui-mĂȘme est Ă©vident dans certains des titres qu'il a donnĂ©s Ă  ses compositions, tel que A Noisome Pestilence (le titre est un calembours : l'anglais "noisome" signifie rĂ©pugnant ou fĂ©tide, mais suggĂšre Ă©galement "noise" qui signifie bruit, d'oĂč la traduction adoptĂ©e, "Une peste bruyante"). Lorsqu'on lui a demandĂ© pourquoi il avait nommĂ© sa premiĂšre composition Dripsody, il a rĂ©pondu : "Parce qu'elle a Ă©tĂ© Ă©crite par une goutte."
http://www.hughlecaine.com/fr/

915 The DSI Evolvers, Prophet '08, and MoPho forum
The DSI Evolvers, Prophet '08, and MoPho are killer synths, and quite affordable for real analogs. Visit Dave Smith's site at davesmithinstruments.com for additional details. Also be sure to check out the discussion and files at Ravi's Evolver Yahoo group.
http://www.ex5tech.com/ex5ubb_cgi/ultimatebb.cgi?ubb=forum&f=23

914 Social Sound Design is a Q&A site for Sound Designers.
Social Sound Design is a Q&A site encompassing all the wonderful disciplines of sound design: Film, game, art and installations, sound effects, new media, software, programming (Max/MSP; Pd, etc.), Arduino and micro-controllers, gear, feedback, recording, techniques and tips... As long as it involves sound design, it is welcome here!
http://socialsounddesign.com/

913 Facebook choqué par la nudité dans un tableau de Courbet
Un artiste danois a vu son profil Facebook fermé aprÚs avoir publié L'Origine du monde. Ce tableau de Gustave Courbet, qui représente un sexe de femme, est contraire au rÚglement du réseau social.
http://www.01net.com/www.01net.com/editorial/528449/facebook-ne-veut-pas-dun-nu-de-courbet-sur-son-site/?r=/rss/actus.xml

888 MOS-LAB Clinic synth
Nouveauté chez MOS-LAB ; nous vous proposons un service de restauration / réparation pour les synthétiseurs analogique. N'hésitez pas à nous envoyer un mail, nous étudierons votre demande le plus rapidement possible. Les projets en cours : ARP PRO-DGX, OBX, OBX-a, Polysix, Polykobol 2
http://www.mos-lab.com/Clinic%20page%20de%20base.htm

884 jh_polykorg_clone
I have started to build a (slightly) updated version of the Korg PS-3200 synthesizer. The PS-3200 was the last of three fully polyphonic, semi-modular analogue synthesizers offered by Korg in the late 70's. (See Ben Ward's excellent Korg PS site for detailed information, including user manuals.) The concept of the PS-Synthesizers was different from other manufacturer's early polyphonic instruments. Instead of using a small number of voices and a clever keyboard assigning circuit, the "PolyKorgs" had a complete synthesizer circuit, hard wired to each key. That makes a total of 48 VCFs, 48 VCAs and 48 voltage controlled ADSRs even for the smallest of the range, the PS-3100. The largest of the range, PS-3300, even had 144 of these circuits. The sheer number of synthesizer circuits called for an extremly economic circuit design, and it's a joy to look at Korg's design ideas which led to building blocks that almost did the same as in the better known "classic" synthesizers. And after many years of engineering and reverse-engineering electronic music circuits, I have learned to look at odd solutions not as "substandard", but as a source of creativity an individual character. Here's a list of some highlights: Function Implementation Side effects Single-Transistor Waveform Converter creates triangle, saw, pulse and PWM from saw input, using one (!) transistor, one diode and two resistors per voice, plus two global control voltages Pulse height also changes with pulse width 5-Transistor-VCF (Korg-35) A Voltage controlled 2-pole (Sallen&Key) LPF built from 5 transistors rather high CV feedthru Single-Diode VC Resonance The dynamic resistance of a simple diode is used to alter the feedback gain of the VCF limited range of Q "Expand" function instead of VCF Envelope modulation depth Instead of scaling down the ADSR with a VCA, the a variable portion of the Envelope is just clipped with a single diode. It's so remarkably close to ordinary VCA function that apparently nobody takes notice. At least I have not read about it anywhere. At slow Atack times, the Envelope appears delayed at the VCF (no effect until th eclipping point is reached). Usefull for Brass sounds, and not easy to emulate with conventional synthesizers. Minimum parts count Voltage Controlled ADSR Three transistors, 1/2 of a LM324 and one CD4007 per voice. Plus some more involved control circuit, shared by several voices Transistors must be selected in 13-tuples, not just in pairs. ADSR detail (1): One-opamp control logic 1/4 LM324 is used as Flipflop, which is dynamically set by Gate-ON, dynamically reset by Gate-OFF, statically reset when the attack peak voltage is reached, and whose set/reset sensitivity is altered by a CV Very odd "Hold" function, depending on the "Attack"-value. But very useful in practise. ADSR detail (2): Single-Transistor, exponential slope VC-Decay Using a single transistor per voice for VC Attack and Release is remarkable already, even though the A and R slopes are linerar. But the Decay slope is exponential, and this is achieved with a single transistor and two resistors per voice! The Decay time range is rather limited. No ultra fast Decay, and no ultra slow Decay either. Single-Transistor VCA That's the "Korg standard" VCA, well known from other instruments like the MS-10.
http://jhaible.de/polykorg/jh_polykorg_clone.html

883 Synth Exchange | Synthesizers, Samplers and Drum Machines for Sale.
Synth Exchange is a web site dedicated to shopping for, purchasing and selling synthesizers, samplers and drum machines. classifieds want ad buy sell trade wtb wts wtt synth synthesizer drum machine beat sampler keyboard music electronic
http://synthexchange.com/

881 Forum des audiophiles
Forum des audiophiles : Un lieu d'échange des amateurs de haute fidélité des, forum, audiophiles, fidélité, amateurs, haute, lieu, échange
http://www.audiophilefr.com/Site/forum2/

877 Musique électronique - Wikipédia
La musique Ă©lectronique est un type de musique qui a Ă©tĂ© conçue Ă  partir des annĂ©es 1950 avec des gĂ©nĂ©rateurs de signaux et de sons synthĂ©tiques. Avant de pouvoir ĂȘtre utilisĂ©e en temps rĂ©el, elle a Ă©tĂ© primitivement enregistrĂ©e sur bande magnĂ©tique, ce qui permettait aux compositeurs de manier aisĂ©ment les sons, par exemple dans l'utilisation de boucles rĂ©pĂ©titives superposĂ©es. Ses prĂ©curseurs ont pu bĂ©nĂ©ficier de studios spĂ©cialement Ă©quipĂ©s ou faisaient partie d'institutions musicales prĂ©-existantes. La musique pour bande de Pierre Schaeffer, Ă©galement appelĂ©e musique concrĂšte, se distingue de ce type de musique dans la mesure oĂč son matĂ©riau primitif Ă©tait constituĂ© des sons de la vie courante. La particularitĂ© de la musique Ă©lectronique de l'Ă©poque est de n'utiliser que des sons gĂ©nĂ©rĂ©s par des appareils Ă©lectroniques.
http://fr.wikipedia.org/wiki/Musique_Ă©lectronique

872 Boomkat - Your independent music specialist
Boomkat - A specialist music website selling VINYLs, CDs, DVDs and DIGITAL DOWNLOADS, brought to you by a dedicated team who have been operating in this field for 10 years - building up a huge resource of information and opinion about music that exists beyond the radar... Our product extends to cover the most underground forms of Electronic music, Hip Hop, Post-Folk, Alt.Country, IDM, Electro, Acoustica, Post-Rock, Ambient, Micro House, Detroit Techno, Mentalism, Electropop, Indiepop, Grime, Free Jazz, Modern Composition, Cologne Techno, Future Disco, Drone, Sublow, Soundtracks, Noise and out and out post-generic objects of wonder. Electronic Music, Electronica, IDM, Warp, Autechre, Aphex Twin, Boards Of Canada, Arovane, Bola, Experimental, Dance, Dance Music, Records, Vinyl, Skam, CCO, Morr Music, Kid 606, Isan, City Centre Offices, Pole, Matmos, Anticon, Mush, Schematic, Drexciya, Hip Hop, Mille Plateaux, VVM, Ryoji Ikeda, Fennesz, Mego, Raster Noton, Rephlex, Squarepusher, Skanfrom, Marumari, Force Inc, Stereolab, Herbert, Geiom, Neo Ouija, Tzadik, Team Doyobi, Black Dog, Ulrich Schnauss, Opiate, Bjork, Thrill Jockey, Scape, Gonzales, Benge, Toytronic, Gimmik, Abfahrt Hinwil, Kompakt, Berlin, Tigerbeat 6, Cex, Twerk, Neuton, Maurizio, Tikiman, Prefuse 73, Akufen, Cologne, A-Musik, Boomkat, Boomcat
http://boomkat.com/

865 Evolver.html
Just Beautiful! What an amazing instrument! The DSI Evolver has the signature "old school" timbre down pat as well as being able to provide digital timbres reminiscent of the Waldorf Q. There's certainly a "rougher" side available as well with all the feedback implementation and controled distortion. Being able to make PM type plucked and blown sounds is just icing on the cake. Dave Smith should be commended for a job well done. Just have a look at the Panel Layout to get a taste of what this beauty can dish out - the controls are pretty much laid out in the form of a signal path graphic. Be sure to visit Dave Smith's Website! Evolver Sound Examples There are a lot of demos of the Evolver on the web showcasing the gutsy harsh sounds of this beast so I decided to post demos of some of my own patches as examples of the "softer" more "vintage" side of the Evolver's timbre. I make no apologies for these unpolished recordings - these are merely sound samples ;) Resonant Plucked Pad This pad shows some of the rich resonant nature of the filter. Soft Lead This is a simple analog brass lead patch. FM Pad A fun patch with lots of motion made using my "Audio-rate Filter FM" programming tip below. Warm Pad A nice bland-vanilla pad ^_^ What can I say? I love pads... For more MP3 demos showing the full gamut of sounds the Evolver and Polyevolver are capable of, please visit the excellent website of Stefan Trippler! The Definitive Guide to Evolver This rather in-depth guide to the Evolver goes places and does things a mere manual can't. This labor-of-love was crafted by Anu Kirk and with his kind permission, I am offering this fantastic resource right here in PDF format! A much smaller version (400K) is here but it dosen't have internal hyperlinks. Programming Tips Here's a fun repository of programming tips for the Evolver in all its incarnations. Please email me if you would like to add some. Fingered Wave Sequence Submitted by Dave Bryce. This brilliant technique has to be heard to be believed! Plus, its one of those cool things unique to the Evolver! This particular tip is so full of detailed information that it gets its own page! Audio-rate Filter FM Submitted by James Maier. Use the "Audio Mod" parameter in the Filter section to frequency-modulate the cutoff with the analog oscillator. Add resonance until the filter is just on the edge of oscillation then mod the cutoff with just a little triangle LFO set at a very slow speed. Amazing moving chorusing pad and lead sounds can be made this way. Fatter Bass/Pad Sounds Submitted by Mike Peake. Set the same sound in both channels (detuned saws, for instance). With the filters at the 24dB setting, increasing resonance cuts the passband as on the Moog filters. Set Envelope 3 to minimum attack, maximum decay and release, and sustain to maximum. This "creates" an offset, a continuous "on" signal while the keys are gated. Modulate one filters' resonance up (just one), or of the overall resonance level is high, us it to modulate one filters' resonance to its minimum. You get the resonant character plus the size of the non-resonant filter. Use Tri and Sine waves on that side too. "Warmer" Sounds Submitted by James Maier. The Evolver can make many ultra-bright and buzzy sounds due to its extensive feedback and distortion stages but sometimes people miss the subtler side of the beast. For a warmer sound use little or no distortion, close the filter just a bit and turn off the feedback and delay lines. I've managed to get dead-on Prophet5 timbres this way. Adding "Punch" Submitted by Mike Peake. Set the envelopes to linear, and use a Mod to modulate AmpEnv All by itself (lin through log responses with positive and negative self-modulation). This is of course fun on the filter envelopes as well. More Vintage Character Submitted by Mike Peake. Oscillator Slop, set at 5, doesn't come close to the Moog and other old-timer movement, so add slight (1 or 2) LFO to pitch modulations, with individual LFOs per oscillator, and a touch of LFO to LFO rate modulation. A tad of Envelope 3 to pitch helps as well. Don't miss out on the 12dB filter setting Submitted by Mike Peake. The 24dB setting has much more resonance, but the 12dB setting can sound nice and plucky, and do nice slightly fuzzy pads etc. DSI Evolver Waveshape Charts Below are charts I've assembled of the digital waveforms and their spectra as currently used in the DSI Evolver synthesizers. Originally these waves were unique to the SCI ProphetVS vector synth. I find these waveform/spectra graphics really usefull when programming sounds - maybe you will as well. Pay special attention to the spectra as this info is sometimes much more useful than waveshape in determining actual timbre - even before you hear what the waveform sounds like. These are designed to be downloaded (right-click & "save target as"), and printed at 300dpi on 8.5" x 11" pages - don't resize these images before printing or you will lose useful detail. Use them as a handy refrence. This information was cobbled together from various scattered sources (with very special thanks to Achim Gratz!). Any errors or omissions are my own. ^_^ HAVE FUN!!! Page 1 Page 2 Page 3 Page 4 As far as the origin of these waves is concerned, one of the original VS engineers, Chris Meyer, said: "The original waves for the VS were created three ways - extracting single-cycles from sampled sounds, using a custom additive synthesis program, and using a program Josh (Josh Jeffe, another VS engineer) slapped together called "Hacker" where you could draw the waveshape. These were fed straight from the computer through the filter and VCA of a Pro-One to figure out what they might sound like in a patch. And by the way, no PPG waveforms appear inside the VS - we had access to them, but in the end our consciences got the better of us. We did steal some waveforms from the Korg DW6000, but only by looking at the harmonic drawings on the front panel and trying to imitate them in our additive synthesis program." Modulation Matrix "Cheat Sheet" This chart shows all the modulation routing available on the Evolver. This same info is available in the manual but this can be printed on a single sheet of paper as a handy refrence! Evolver Wallpaper These I created just for fun and desktop "beautification" ;) 1280 X 1024 1024 X 768 800 X 600
http://www.carbon111.com/evolver.html

853 Petites annonces - Yakaz France
IIñ–ÂșAvec Yakaz, recherchez parmi plus de 3 millions de PETITES ANNONCES trouvées sur 500 sites : Auto, Moto, Immobilier, Emploi... annonces gratuites, annonces de professionnels et annonces entre particuliers.
http://www.yakaz.fr/

851 50+ Sites with Free Stock Photography | Literary Spring Designs
4 Free Photos Public Domain Photos Arspublik Public Domain Images for Designers Best Photos US Big Photo This is a good site for free photographs for links,resources
http://blog.literaryspring.com/2011/01/free-stock-links/

843 PC Pedia -| Blogger| Computer Tips | tricks |Internet Tools |SEO| Tech | Reviews: Increase Traffic by 150-300% with Wahoha- Unique visitors
PC PEDIA is a Technology Blog which mainly Focuses on Computer Tips,Blogging,Tricks,Technology,Internet tools that helps you work smarter and geekier Computer Tips, blog,Blogging,Internet tools,Technology,Tricks,tweepi,reviews,Delete Yahoo Account Permanently,free ways to bring traffic,facepad
http://pcpedia.blogspot.com/2011/01/increase-traffic-by-150-300-with-wahoha.html

839 ISO50 Blog – The Blog of Scott Hansen (Tycho / ISO50) » The blog of Scott Hansen (aka ISO50 / Tycho)
ISO50 graphic design portfolio website design portfolio sacramento San Francisco california ca scott hansen scot hanson tycho tyco print photography posters ISO50 ISOSO Clothing Field Research Clothing ISO50 Blog Systems Clothing System Shirts American Apparel
http://blog.iso50.com/

832 The Quietus | Features | A Quietus Interview | Living In The Back Of Beyond: Coil & TG's Sleazy Interviewed
A new rock music and pop culture website. Editorial independent music website offering news, reviews, features, interviews, videos and pictures quietus, thequietus.com, get music videos, photos, reviews, interviews, newsletters, info on festivals, tours, clubs, concerts, releases, cd, indie, rock, pop, film, books, metal, rap, see photos, music videos, hip hop, dance, mash up, john doran, luke turner
http://thequietus.com/articles/04504-sleazy-interview-coil-throbbing-gristle

821 25 Free High-Quality Minimalist Icon Sets
Simple icon sets that are free for you to download. These icons are suitable for iOS (i.e. iPhone, iPad) apps, Android apps, website prototypes, etc.
http://designinstruct.com/articles/resources/25-free-high-quality-minimalist-icon-sets/

788 Setting Up Your Digital Camera For HDR Shooting
You’ve probably heard of High Dynamic Range (HDR) Photography, it’s made quite an entrance into the world of digital photography. If you haven’t, the HDR process is accomplished by taking multiple exposures of a high contrast scene (usually a landscape or cityscape), at different levels of brightness, and then combining the best light from each exposure into one image. The end result is a stunning image that very closely resembles how the human eye views a scene. This process of digital manipulation has caused a bit of controversy and debate in the world of photography, especially with images that are “over-cooked.” One thing is for sure though, HDR is here to stay. When done right, this unique and in depth processing technique can produce beautiful works of art that mimic the way we view and remember a landscape or scene. The above image is an example of what HDR processing can produce. This image, taken from the Big Island of Hawaii, would not be possible without HDR processing. It was taken around noon, the harshest light of the day. The first image is the best image my camera could produce given the situation. While still beautiful, there are obvious problems. Get ready, this article is going to show you how to take your digital camera and turn it into an HDR shooting machine!
http://www.digital-photography-school.com/setting-up-your-digital-camera-for-hdr-shooting

787 Roland Vintage Gear Manuals
synth manual
http://rvgm.site90.net/

783 scanner de diapositives et de négatifs : informations et conseils achat
Les informations et conseils pour scanner des négatifs, diapositives, noir et blanc, couleur, kodachrome, du 24x36, moyen format et plaques de verre. Conseils d'achat de matériel, adresses de laboratoires spécialisés, trucs et astuces.
http://www.mackoo.com/photo/scan.htm

781 Atlas obscura
About the Atlas Obscura Welcome to the Atlas Obscura, a compendium of this age's wonders, curiosities, and esoterica. The Atlas Obscura is a collaborative project with the goal of cataloging all of the singular, eccentric, bizarre, fantastical, and strange out-of-the-way places that get left out of traditional travel guidebooks and are ignored by the average tourist. If you're looking for miniature cities, glass flowers, books bound in human skin, gigantic flaming holes in the ground, phallological museums, bone churches, balancing pagodas, or homes built entirely out of paper, the Atlas Obscura is where you'll find them. The Atlas Obscura is not just about collecting oddities. In an age where everything seems to have been explored and there is nothing new to be found, the Atlas Obscura celebrates a different way of traveling, and a different lens through which to view the world. The Atlas Obscura depends on our community of far-flung explorers to find and report back about the world's wonders and curiosities. If you have been to, know of, or have heard about a place that belongs in the Atlas Obscura, we want you to tell us about it. Anyone and everyone is welcome and encouraged to nominate places for inclusion, and to edit content already in the Atlas. Thanks for stopping by, and good exploring!
http://atlasobscura.com/globe/europe/france?page=3

777 SPERRZONE: [ K E Y C H A I N S ]: Zazzle.com Store
About Beat Hauser, SPERRZONE Beat Hauser is interested in industrial archaeology and history of Europe. His special area is the brewing industry of Switzerland and the former German Democratic Republic. Since 2003 he is taking pictures of industrial areas and abandoned places within all Europe. On his web site SPERRZONE (www.sperrzone.net) he does not only present his own pictures, but also some information about the related factories and places as well as historical photo post cards, old letter heads, labels, advertisings to document the history of the factories. Most pictures are taken in abandoned factories. Abandoned places and industrial ruins are generally seen as ñ€œspots of dirtñ€ and people feel uncomfortable around them. Often such places have a very long and interesting history, which seems almost forgotten today. Instead of the activity of former days there is nothing but silence and emptiness. Instead of windows, black holes are staring out of the walls. But very often the architecture of elapsed eras is attractive and astonishing. In combination with the emptiness and beginning decay, such places often spread the impression of a dream world. Decay and nature give new structures to strictly geometric forms and lines, e.g. in production halls. Moisture, moss and rust give new colors to gray halls. Beat Hauser tries to capture these impressions with his photographs. Aesthetics of decay is illustrated in its huge variety from huge industrial plants to small details. Past exhibitions 10 Jun ñ€“ 1 Jul 2007 3Fotografen3, Alte evangelische Kirche Kirchzarten (Exhibition of the 3 winners of the ñ€žKirchzARTener FOTOsalons 2006ñ€œ) 2 Dec ñ€“ 3 Dec 2006 KirchzARTener FOTOsalon 2006, Kurhaus Kirchzarten (Photo contest with 54 participants, 1. rank) 20 Nov ñ€“ 21 Nov 2004 KirchzARTener FOTOsalon 2004, Kurhaus Kirchzarten (Photo contest with 46 participants, 11. rank) Several beamer shows at party events of ñ€žRigor Mortisñ€œ and ñ€žSolanaceaeñ€œ in Basle, Aarau, Pratteln and Reinach (all Switzerland) sperrzone, industry, industrial, archaeology, industrie, industriekultur, zerfall, decay, architektur, architecture
http://www.zazzle.com/sperrzone/gifts?cg=196119980926265824

772 16 Step Sequencer (With improved PCB) (+/-9V to +/-15V)
Article by Ray Wilson Back to "Music From Outer Space" Analog Synth Pages Watch Thomas White's Excellent Sequencer Videos on YouTube http://www.youtube.com/watch?v=EU6d24_eZ08 http://www.youtube.com/watch?v=AvZi-YMvHRE http://www.youtube.com/watch?v=s5cx6Z7wDOg Thomas White used the MFOS sequencer boards to produce this incredible rotary sequencer. Visit his site to keep up with his latest awesome projects. Features Improved PC board (far less kludging). Produces sequences of 4 to 16 steps in length Modes include stop at count, reverse at count, reset at count and random 16 mode Each step has coarse tune, fine tune, and switchable gate Accepts external clock and external start pulse. Simultaneous outputs with and without portamento. Forward, Back, and Reset controls ease sequence set up. Introduction Please see the pages at 16 Step Analog Sequencer Circuit for details regarding circuit descriptions etc. This page is here soley as a vehicle to present the new PC boards and support board purchases. The schematic and PCBs presented here incorporate all of the improvements and modifications shown on the previous sequencer pages. Panel to board wiring is presented here. Please browse the entire page before ordering board to ensure you understand the circuit and there is enough information provided here for you to successfully complete the project prior to purchasing PC boards. Thanks.
http://www.musicfromouterspace.com/analogsynth/SEQ16_2006/SEQ16_2006.php

766 [WS001] Circuit-Bending – Initiation « Gasol
Introduction Le Circuit-Bending ou Circuitage dĂ©signe l’activitĂ© qui consiste Ă  volontairement court-circuiter un appareil Ă©lectronique (gĂ©nĂ©ralement sonore) afin de provoquer des comportements inattendus pour le dĂ©tourner de son usage d’origine. Par exemple, un jouet sonore pour enfant ou une console de jeu gĂ©nĂ©reront des sons ou des images plus ou moins alĂ©atoires et imprĂ©visibles. Ce terme Ă  Ă©tĂ© introduit par Reed Ghazala dans les annĂ©e 60 lorsqu’il court-circuita accidentellement l’un de ses instruments. Mais des mĂ©thodes similaires ont Ă©tĂ© utilisĂ©es auparavant par d’autres musiciens et ingĂ©nieurs. Cette activitĂ© peut ĂȘtre assimilĂ©e Ă  une certaine forme d’art, de part le dĂ©tournement, l’appropriation et la personnalisation de ces appareils ainsi que leurs usages lors de performances audiovisuelles. C’est l’art du court-circuit. On rencontrera souvent les termes Circuit-Bender ou Bender pour dĂ©signer la personne qui effectue ces modifications et on parlera de Bends pour toutes modifications apportĂ©es Ă  l’appareil. Attention: Ne jamais tenter ces manipulations sur des appareils alimentĂ©s par une tension supĂ©rieure Ă  12V, risque d’électrocution. Ne pas torturer des appareils trop onĂ©reux ou auxquels on tient, en effet il existe un haut risque de casse irrĂ©versible qui transformera le jouet en un joli presse papier. Un peu de thĂ©orie Le Circuitage ne demande pas de grandes connaissances en Ă©lectronique, mais quelques bases sont nĂ©cessaires Ă  l’apprĂ©hension de cette activitĂ©. Notamment la reconnaissance des divers composants Ă©lectroniques qui seront utilisĂ©s ou court-circuitĂ©s. RĂ©sistances La rĂ©sistance est surement le composant le plus rĂ©pandu. Sa principale caractĂ©ristique est d’opposer une plus ou moins grande rĂ©sistance Ă  la circulation du courant Ă©lectrique. Sa valeur (mesurĂ©e en ohms) peut ĂȘtre dĂ©terminĂ©e par un code couleur ou lue sur le boĂźtier des composants les plus rĂ©cents. PotentiomĂštres Un potentiomĂštre n’est autre qu’une rĂ©sistance ajustable. Il possĂšde 3 pattes ainsi qu’un systĂšme mĂ©canique permettant la variation de la rĂ©sistance. Photo-rĂ©sistances Une photo-rĂ©sistance est Ă©galement une rĂ©sistance dont la valeur varie en fonction de l’intensitĂ© lumineuse. On peut Ă©galement le nommer rĂ©sistance photo-dĂ©pendante (light-dependent resistor (LDR)) ou photoconducteur. Condensateurs Un condensateur est un composant Ă©lectronique ou Ă©lectrique Ă©lĂ©mentaire qui a pour propriĂ©tĂ© principale de pouvoir stocker des charges Ă©lectriques opposĂ©es sur ses armatures. Il est utilisĂ© principalement pour stabiliser une alimentation Ă©lectrique, traiter des signaux pĂ©riodiques, sĂ©parer le courant alternatif du courant continu, stocker de l’énergie. Diodes La diode est principalement utilisĂ©e comme convertisseur de courant alternatif vers du courant continu ou comme multiplicateur ou rĂ©gulateur de tension. C’est un composant polarisĂ©, ce qui signifie que le sens de branchement a une importance sur le fonctionnement du montage. Diodes Electro-Luminescentes (DEL / LED) La LED possĂšde la particularitĂ© de gĂ©nĂ©rer de la lumiĂšre lorsqu’elle est parcourue par un courant. De la mĂȘme maniĂšre que la diode, ce composant est polarisĂ©. Transistors Le transistor est le composant actif utilisĂ© principalement comme interrupteur commandĂ© ou pour l’amplification, mais aussi pour stabiliser une tension ou moduler un signal. Circuits intĂ©grĂ©s Le circuit intĂ©grĂ© (CI), aussi appelĂ© puce Ă©lectronique, est un composant Ă©lectronique reproduisant une ou plusieurs fonctions Ă©lectroniques plus ou moins complexes, intĂ©grant souvent plusieurs types de composants Ă©lectroniques de base dans un volume rĂ©duit, rendant le circuit facile Ă  mettre en Ɠuvre. Il existe une trĂšs grande variĂ©tĂ© de ces composants divisĂ©s en deux grandes catĂ©gories : analogique et numĂ©rique. Interrupteurs Un interrupteur est un dispositif permettant d’interrompre ou d’autoriser le passage d’un flux. Boutons poussoirs Le bouton poussoir est une touche tactile qui permet de faire une liaison Ă©lectrique momentanĂ©e le temps que l’on appuie dessus ou, sur certains modĂšles inversĂ©s, d’ouvrir temporairement le contact Ă©lectrique. Connecteurs Jack Format de connecteur mĂąle et femelle gĂ©nĂ©ralement utilisĂ© pour les connexions audio de types casques et micros. Le mini Jack fait 3,5 mm de diamĂštre, le jack normal fait 6,35 mm. MatĂ©riel et compĂ©tences Pour mener Ă  bien ces projets et en plus de certains composants citĂ©s ci-dessus, il faudra ĂȘtre Ă©quipĂ© du matĂ©riel basique (tournevis, fer Ă  souder, Ă©tain, pompe Ă  dessouder, cĂąblage, pinces coupantes, pinces croco, perceuse, dremel 
) De plus, il faudra un minimum de compĂ©tences en soudage, mais tout le monde se souvient des cours de technologies au collĂšge et dans tous les cas, ces compĂ©tences s’acquiĂšrent vite aprĂšs quelques essais. Il faudra simplement veiller Ă  ne pas dĂ©poser la panne du fer trop longtemps sur un composant pour ne pas l’endommager et ne pas faire baver l’étain au risque de crĂ©er un court-circuit non souhaitĂ©. Il faudra Ă©galement s’armer de patience, c’est la qualitĂ© premiĂšre et la plus haute compĂ©tence d’un Bender. En effet, un jouet nĂ©cessite gĂ©nĂ©ralement entre 4 Ă  12h pour ĂȘtre modifiĂ© (dont les 3/4 de ce temps sont consacrĂ©s Ă  la recherche des Bends). Avec l’expĂ©rience ce temps sera considĂ©rablement rĂ©duit. Beaucoup de pratique Victimes potentielles Pour dĂ©buter, l’idĂ©al est de s’attaquer Ă  des appareils peu couteux tels que des jouets sonores rĂ©cupĂ©rĂ©s dans votre cave ou lors de vide-greniers. Les plus rĂ©putĂ©s Ă©tant les jouets vintages du type DictĂ©e Magique et dĂ©rivĂ©s (Speak&Spell/Math/Learn), les insupportables Furby, les petits synthĂ©tiseurs type Casio SK-1 
 Tout ce qui possĂšde un haut-parleur, fonctionne sur piles ou en dessous de 12V. Plus particuliĂšrement les appareils fabriquĂ©s durant les annĂ©es 80/90 qui ne sont pas encore Ă©quipĂ©s de composants Ă©lectroniques sophistiquĂ©s ou de circuits entiĂšrement numĂ©riques. Les constructeurs les plus connus sont: Texas Instruments, Casio, Vtech, Coleco, Creatoy. Il est Ă©videmment possible d’élargir les domaines de recherches Ă  des appareils plus Ă©laborĂ©s mais gare Ă  l’irrĂ©versible court-circuit meurtrier qui mettra dĂ©finitivement la machine hors-service. Recherche Il faut tout d’abord dĂ©sosser votre cible pour mettre Ă  nu le circuit Ă©lectronique. Ensuite, on allume le jouet pour lui faire Ă©mettre un son et on test simplement sa rĂ©activitĂ© en posant plusieurs doigts simultanĂ©ment sur diffĂ©rents endroits du circuit. GĂ©nĂ©ralement, un effet de « pitch » se fait entendre (baisse/augmentation de la tonalitĂ©), on comprend alors que la machine est sensible au Circuitage et les choses sĂ©rieuses peuvent donc commencer (toutes les machines ne sont pas forcement sensibles au toucher, mais c’est une bonne technique d’approche). Afin de ne pas avoir Ă  mĂ©moriser tous les endroits sensibles, l’idĂ©al est de prendre une photo du circuit, de la transferer sur un ordinateur et ainsi noter pas Ă  pas Ă  l’aide d’un logiciel de dessin type MSPaint ou Photoshop tous les Bends dĂ©couverts. Certains les notent directement sur le circuit Ă  l’aide d’un stylo ou d’un feutre, mais l’encre contenant gĂ©nĂ©ralement du carbone et le carbone Ă©tant conducteur, il existe un risque de court-circuit non dĂ©sirĂ© dont on pourra difficilement se dĂ©faire. La premiĂšre et la plus simple des modifications Ă  apporter Ă  son appareil est le raccordement Ă  un ampli ou une console de mixage. Il sera alors possible d’enregistrer les sons de la machine ou de l’utiliser lors de performances live. Pour ce faire, on repĂšre gĂ©nĂ©ralement le haut-parleur et on le remplace ou on installe en parallĂšle un connecteur Jack. Dans le second cas, l’ajout d’un interrupteur pourra servir Ă  basculer entre la sortie audio ou le haut-parleur. On peut maintenant commencer Ă  parcourir mĂ©thodiquement ou au hasard le circuit Ă  l’aide d’un testeur. Le plus simple est d’utiliser des pinces croco que l’on raccordera Ă  deux petits tournevis d’horloger. On place la pointe du premier tournevis qui restera stationnaire sur un point du circuit et avec le second on parcourt diffĂ©rents autres points en Ă©coutant les changements de sons intĂ©ressants que l’on note au fur et Ă  mesure sur notre photo. On poursuit ensuite en dĂ©plaçant le premier tournevis sur un autre point et en recommençant notre parcours avec le second. On rĂ©pĂšte cette procĂ©dure jusqu’à ce que la totalitĂ© du circuit ait Ă©tĂ© parcouru ou lorsque nous estimons avoir trouvĂ© toutes les modifications souhaitĂ©es. Les Bends les plus courants sont gĂ©nĂ©ralement: la sortie audio permettant l’amplification, le volume, l’overdrive/distortion, les glitches, les boucles, le bouton reset. Dans certains cas, les Bends ne sont pas compatibles entre-eux. La machine plantera irrĂ©mĂ©diablement dĂšs lors qu’on activera plusieurs Bends simultanĂ©ment. On peut alors dĂ©cider de continuer la quĂȘte des modifications compatibles ou bien Ă©viter d’en activer plusieurs Ă  la fois. CĂąblage et placement des composants La prochaine Ă©tape est le raccordement des diffĂ©rents points du circuit trouvĂ©s prĂ©cĂ©demment. On les relie entre eux en soudant un fin cĂąble de cuivre sur chaque point. On placera ensuite, par exemple, un interrupteur entre deux de ces cĂąbles allant de paires, de maniĂšre Ă  (dĂ©s)activer notre court-circuit. Il est aussi possible dans certains cas de remplacer ou coupler l’interrupteur Ă  un potentiomĂštre ou une photo-rĂ©sistance qui appliquera une plus ou moins grande rĂ©sistance au passage du courant, attĂ©nuant ou accentuant ainsi l’effet du court-circuit (trĂšs utile pour les effets de pitch/volume/overdrive). Il est prĂ©fĂ©rable de ne pas souder le composant avant de l’avoir montĂ© sur le chĂąssis de la machine, de maniĂšre Ă  ne pas le dessouder par inadvertance lors de son placement. Utile aussi pour connaitre la bonne longueur des cĂąbles et leur cheminement et ainsi Ă©viter les surplus qui empĂȘcheraient la fermeture du boitier. Pour percer le chĂąssis, on utilisera une petite perceuse ou un Dremel. Le positionnement des composants est libre mais attention Ă  choisir un emplacement qui ne gĂȘnera ni la fermeture, ni l’ergonomie du boitier. En effet, un composant mal placĂ© et difficilement accessible pourrait compromettre la spontanĂ©itĂ© de la performance. Afin de ne pas trop endommager le chĂąssis, il est aussi possible de raccorder tous les composants sur un boitier externe qui servira de contrĂŽleur. Dans ce cas, l’utilisation d’un cĂąble nappe tel que l’on trouve dans un ordinateur peut ĂȘtre trĂšs pratique pour ne pas avoir des dizaines de fils qui sortent du chĂąssis (un cĂąble SCSI est parfait pour ce type de montage). Tests Il est maintenant l’heure de tester notre nouveau jouet ! Liens utiles http://www.anti-theory.com : Reed Ghazala, pĂšre du Circuit-Bending http://www.casperelectronics.com : Peter Edwards, grand maĂźtre Bender http://gieskes.nl : Gijs Gieskes, un extra-terrestre http://bitcrusher.free.fr : Mon cher ami Bitcrusher, grand Bender francophone http://www.dataglitch.org : Label associatif regroupant des amoureux des technologies Lo-Fi http://www.getlofi.com : Astuces et ressources pour dĂ©butants ou vĂ©tĂ©rans http://www.sailormouth.org : Des infos et des schĂ©mas trĂšs utiles http://www.datamath.org : MusĂ©e des produits Texas-Instruments http://www.miniorgan.com : Base de donnĂ©es de jouets plus ou moins rares CrĂ©ations personnelles Screaming Teacher aka Talking Teacher – Coleco Le Livre Tragique aka Le Livre Magique – TI Speak’n'Glitch’n'Bleep’n'Math aka Speak’n'Math – TI La Tortu(r)e aka Tortue Musicale – Carrefour LoFi Mic aka TĂ©lĂ©phone Ă  cadran – Socotel
http://www.gasol.fr/2010/06/30/5/

761 Midi Software - Synth Zone
MIDI Sequencing SoftwareAnvil Studio Anvil Studio is a MIDI and audio sequencer and is free software for Windows users. Building Blocks Building Blocks for Windows is a multifunctional MIDI application / modular sequencer, that allows you to build custom controller remapping, LFO's, arpeggiators, autochords, drum and note sequences, echoes etc. Busker A Windows score editor and player that has Yamaha style support. 1000s of Yamaha styles can be downloaded for free. Another great music software tool from Jos Maas. Cakewalk Sonar Windows & Mac sequencer now with integrated midi and audio. Sonar demo available. For other Cakewalk resources see Synth Zone's Cakewalk Page Cubase - Steinberg Featuring integrated midi & audio package Cubase VST For more info & related links see Synth Zone's Cubase Links Cursed Sequencer Open Source sequencer for Windows and Linux. Digital Performer MOTU presents Digital Performer for the Mac, a complete digital audio and MIDI production environment. Competitive upgrades available. See the new Digital Performer mailing list. Ditty Ditty is a freeware MIDI sequencer for Windows aimed at assisting piano practice. Easybeat Mac MIDI sequencing software from Uni Software Plus. Features include a software GM wavetable synth. Energy XT Energy XT is Windows sequencer/composer software. Fl Studio Windows application that provides easy to use yet powerful MIDI/digital audio sequencing and looping tools. Intuem Mac OSX MIDI sequencer that provides a variable-tempo system and a simple way to transform a real, human, performance into a sequence where bars and beats actually have meaning. Time restricted version available to download. Jammer - Soundtrek Jammer for Windows provides a 256 Track MIDI sequencer with built in studio musicians. A very useful program for creating arrangements & drum tracks with assistance from the software. Also check the Yahoo Jammer Group. JUMP A highly streamlined Windows MIDI sequencer, designed to help you compose music Jazzware - Jazz++ Windows & Linux open source MIDI sequencer with audio support. If you need a MIDI sequencer you really should check it out. Logic Pro Audio Apple's MIDI & audio solution for the Mac. For Emagic product support see the Emagic Legacy pages at Apple. For related information see Emagic Users Page with resources & mailing list for Emagic products, the Logic Users' Net which includes Mac related info, and the Powerkeys "Learning Logic" web site. SwiftKick provides and archive for the Logic Users' Group environments. Editors, MIDI processors etc. are available. Omega Art has Logic info and resources. You can read the History Of Logic at Tweakheadz Lab. Magix Magix Music Studio incorporates a MIDI sequencer with its digital audio sequencer. Massiva An audio/MIDI sequencer for Windows users with undo plus plugin support. This is just an archive of an old site. You can still get it from AudioMelody.com. Massiva has now moved on to become Energy XT Mixcraft Windows software that supports MIDI and audio sequencing.. MU.LAB An alternative, hi-quality music application for Mac OSX and Windows with MIDI and audio support. MultitrackStudio Window digital audio recorder with VST 2.0 plugin and MIDI support. Freeware version and pro versions available. Music Master Win sequencing & notation package with a full graphic interface for Roland VS880 control & integration. Music Master Works A shareware Windows sequencing & accompaniment package. Win95 & Win3.1 versions available. From Aspire software MusicPhrase XL MusicPhrase for Windows is a creative tool for composing music. Features phrase sequencing and visual groove editing tools. Music Studio Producer Music Studio Producer is a free Windows MIDI sequencer, DAW which can host VST(i), supports ASIO. From Aspire software Numerology Numerology is a modular sequencing and audio plugin environment for Mac OS X. Onyx Onyx by Jasmine Music provides powerful sequencing, harmonizer and MIDI-2-Audio rendering. Power Chords By Howling Dog Systems - Innovative Windows midi sequencer using onscreen guitar fretboard interface, plus other unique features for creating strum & rhythm patterns. Demo available PowerTracks Pro Audio PG Music's budget priced sequencer for Windows now features up to 48 tracks of digital audio with effects, EQ, panning etc plus 3rd party plugin support. Pro Tools Digidesign provide Pro Tools for Windows and Mac with MIDI, multitrack audio and plugin support. Quartz Audio Master Quartz Audio Master is free Windows multitrack digital recording software and MIDI sequencing software. Provided by DigitalSound Planet Reaper REAPER is a fully featured Windows multitrack audio and MIDI recording, editing, processing, mixing, and mastering environment. Fully functional evaluation available for download. Rosegarden Rosegarden is a free MIDI sequencer and notation editor for Unix, and has binary distributions for Linux PCs and SGI IRIX. SoftStep SoftStep is a Win9x modular step sequencer based on modular analog step sequencers. Features modules, which are math and logic functions that you treat as physical boxes with knobs and sliders. Style Enhancer Windows MIDI sequencer based on Performance Modeling technology with powerful and intelligent MIDI-data generation and transformation. SwarShala Midi sequencer package for Windows software that covers both the melodic and rhythmic aspects of Indian music. Featured instruments include Sitar, Sarod, Tanpura, Guitar, Tabla, Pakhawaj, Dholki and Bells. MIDI files and WAV files can be output. Sweet Sixteen Midi sequencer package for Windows from Roni Music. And check out the Sweet MIDI arpeggiator for Windows, very cool !! TR-x0x Freeware Windows step sequencer based on the Roland TR-808/909 drum machines. Tracktion Tracktion from Mackie provides low cost MIDI and audio sequencing. Tunafish A Windows VSTi MIDI sequencer with sample support. A fully functional ( save disabled ) demo is available to download. Has sample support and provides a built-in sample/drum sequencer. Xx A multi-track MIDI sequencer for MacOS. It is also an algorithmic compositional tool. Requires OMS. Midi SoftwareAudible Oddities - Twerk's Tools Audible Oddities is an audio mastering business and Shawn Hatfield also provides some free music composition tools for the Mac featuring sequencing control and algorithmic music generation. Burnt Toast even has a beta version available for Win XP. Catanya Software pattern arpeggiator VST plugin. MIDI-OX Win9x/NT midi utility providing sysex handling, diagnostics, filtering & mapping of midi data Streams. All Windows MIDI users should check this out. It is also available from Yamaha UK. Also see MIDI Yoke which allows you to route MIDI between different applications. vanBasco's Karaoke Player vanBasco's Karaoke Player is freeware Windows software that plays Karaoke (.kar) and standard MIDI (.mid, .midi, .rmi) files. Provides a piano keyboard and lyric display. Vocal Writer Shareware music & vocal synthesis software for the Power Mac. Not only playback & edit GM midi files, but it will also sing your lyrics (85 voices to choose from) Zel Zel is an interpretive MIDI programming language for Windows. Version 1.2 includes the Zel Drum Machine, a style based composer and editor which makes it easy to create MIDI drum tracks without having to learn the Zel language. Freeware. Midi Sequencing Related SitesAtari-MIDI Yahoo Group for Atari computer users to discuss MIDI applications. Also check The Caged Artist Series Page for once commercial MIDI software that is now freeware. Audio Forums Forums for most major sequencing & digital audio software packages. Harmony Central Provide an archive of MIDI sequencer and notation applications to download. There is software for all platforms available. HitSquad Provide links to a number of MIDI sequencers and "tracker" sequencers for Windows, Mac and Linux. MacMusic.org Macmusic.org have lots of links to Mac specific audio and MIDI sequencing resources. . Mac OSX MIDI Apps A very useful list of links to Mac OSX MIDI applications with descriptions and direct links to the websites and apps. Midijoys Freeware Windows program that combines two independent fully programmable joystick controllers, and a Continuous MIDI Controller programmable sliders that can send a wide spectrum of MIDI control parameters. MidiPlugins.com Links to freeware and commercial MIDI plugins for both Windows and Mac OS9/OSX. Music-X Amiga University Info on the original Amiga sequencer Music-X including writing sysex protocols. Also see Driptomatic Fairytales for Music-X info and resources. AM/FM also provide disk images containing many Amiga MIDI articles and tools. Sonic Control Sonic Control provides information and reviews of sequencers for all platforms as well as MIDI hardware. SourceForge SourceForge provide freeware software for Windows, Mac and Linux platforms and have many MIDI sequencer applications. Sweetwater Sequencer Forum Sweetwater.com provides forums including one dedicated to MIDI sequencers. Vintage Sequencers Tweakheadz Lab provides a great rundown on the ancestors of todays sequencers on computers in the 80s. Very interesting and informative reading with screen shots of many sequencers from the early days of MIDI.
http://www.synthzone.com/midiseq.htm

756 Matmos - Supreme Balloon
The arcs of rising and falling pitches that start this song reminded us of a rainbow, and the title stuck: any resemblance to fluttering symbols of homo-nationalist pride are side effects. People have asked us about the Latin kitsch aspect of the song, and we plead guilty to a great love of the Richard Hayman "The Genuine Electric Latin Love Machine" Moog novelty LP from 1969. Having lived in the Mission District of San Francisco for seven years up until our recent move to Baltimore, we have had enough casual exposure to actual Mexican and Salvadorean music to know that this bears only the faintest relation to the real thing. Keith Fullerton Whitman contributed some tasty squelches and zaps from his Doepfer modular synth to brighten the corners, but not everything on here is that high-tech. Consider the lowly stylophone, a handheld novelty instrument popular with British schoolkids that was immortalized during the rave era in the cheesy techno banger "Stylophonia" by the fabulously named UK crew Two Little Boys. The stylophone that is played on this record was sent to us in the mail by a well-wisher and we thank him for this unexpected present. We are even more grateful to Safety Scissors, who forgave us when M. C. Schmidt broke his MS-20 filter knob by tweaking it too vigorously while recording the "horn" part of this song. It's all been patched up now.
http://www.brainwashed.com/common/htdocs/discog/ole799.php?site=matmos

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