100SILEX, de 0 à 100 s: technology
Twenty years of a free, open web
On 30 April 1993 CERN published a statement that made World Wide Web technology available on a royalty free basis, allowing the web to flourish
On 30 April 1993 CERN published a statement that made World Wide Web ("W3", or simply "the web") technology available on a royalty-free basis. By making the software required to run a web server freely available, along with a basic browser and a library of code, the web was allowed to flourish.
1215 Panasonic Toughbook CF-T8 review | Laptops and netbooks Reviews | TechRadar
Panasonic Toughbook CF-T8 review - Panasonic have yet to release an Eee-style netbook PC; and with good reason - their Toughbook range of laptops has been hugely successful, and new, interesting additions to their line of ruggedised PCs are coming thick and fast. Buying advice from the leading technology site
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1140 New Musical Instruments Battle for $10K in Prizes
See the latest multimedia and applications including videos, animations, podcasts, photos, and slideshows on Wired.com
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1013 Quotables stories - Lifehacker
Procrastination is like a credit card: it's a lot of fun until you get the bill
Lifehacker, tips and downloads for getting things done
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1010 PowerFX Vocaloid 2 Sweet Ann
Yamahas Vocaloid technology has now been upgraded to version 2 and Sweet Ann, from PowerFX, is the first virtual singer based on the new release. So just how much further forward have Yamaha moved their intriguing vocal synthesis technology?
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992 Troy Hunt: Whoâs who of bad password practices â banks, airlines and more
Troy Hunt on observations, musings and conjecture about the world of software and technology
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Ah, passwords. Love âem or hate âem, theyâre a necessary evil of the digital age. The reality is we all end up with an alphabet soup of passwords spread over dozens of various sites and services across the internet. Whilst we might not always practice it, we all know the theory of creating a good password; uniqueness, randomness and length. The more of each, the better.
Of course we frequently donât do this because of all sorts of human factors such as convenience, memory or simple unawareness of the risks. Still, when itâs a case of individuals electing not to create secure passwords, they really only have themselves to blame.
But what happens when the website wonât allow you to create a secure password? Or at least when they severely constrain your ability to create long, random, unique passwords? And what about when they donât allow you to send it between your computer and their server securely?
Even worse, what happens when our most âsecureâ institutions implement lazy password policies? Unfortunately, all of this is pretty rampant practice.
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987 Alesis Micron
This is one of the cutest, smallest, yet most powerful synths I've ever put my hands on! The Micron is the sequel to the popular Ion, and while it can be considered as the Ion's younger brother, it actually has a few enhancements that are absent on the big bro.
This is a very clean, precise, sparkly and definitely virtual analog (or analog modeled) sounding synth. Eight voices of polyphony are plenty for these types of units, but we would always want more. The synth engine is the same as the Ion though, but extra and welcome features include sequencing, arpeggio, and great on board percussion, and the ability to build patterns.
The Micron really sounds bigger than it looks: while personally I feel that the character of its synth engine leans on the more digitally precise DSP side of virtual analog technology, it's certainly capable of huge, warm and fat sounds.
The main panel is logically laid out and easy to understand. At the very left, a big red knob offers volume control; the two "m1" and "m2" sliders provide useful modulation control, typically (but not always) vibrato and filter cutoff. The three knobs labeled "x", "y" and "z" also offer way of modulating sounds, and can (ought to) be assigned to your favorite parameters. Two octave buttons, and other useful commands such as tap (tempo) and latch (sustains the notes) occupy the space at the left of the two-line backlit green display. Finally, a multi-function matrix with push-down knob serve as the central nerve system of the machine, letting you easily access programs, setups, configurations, patterns and rhythms. You do the programming by turning the knob to view the various editing pages. In all, it's simple to program, and the manual does a fantastic job of being easy to follow and easy to understand.
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Nervous System works at the intersection of science, art, and technology. We combine generative computer simulations with digital fabrication to
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973 zCover X5
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Low Profile removable, rotating Belt Clip can be rotated and locked so that you can wear your iAudio vertically or horizontally when clipped to your belt.
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Washable - you can wash zCover silicone case by hand. Make sure itâs dried out before putting your iAudio into it. Dry it in room temperature. Please avoid direct fire and direct bright sunshine.
921 Tapeline.info - Content
Established in 1985 ~ Serving the Audio and Video industry for over 25 years
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918 The SOS Guide To Choosing A Modular Synth
No longer the preserve of men in laboratories or capes, the modular synth business is thriving, and its now easier to go modular than ever before. Read on and well show you how...
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870 How I Use Visualization To Drive Creativity
This is a guest post by Mark Suster, a 2x entrepreneur turned VC. ĂÂ He sold his second company to Salesforce.com, becoming VP of Product Management. He joined GRP Partners in 2007 as a General Partner focusing on early-stage technology companies. Read more about Suster on his blog atĂÂ Bothsidesofthetable and on Twitter atĂÂ @msuster.
This is a guest post by Mark Suster, a 2x entrepreneur turned VC. He sold his second company to Salesforce.com, becoming VP of Product Management. He joined GRP Partners in 2007 as a General Partner focusing on early-stage technology companies. Read more about Suster on his blog at Bothsidesofthetable and on Twitter at @msuster.
Creativity. Iâve always believed itâs been one of the most important attributes of business success yet something very few business leaders talk about. So I thought Iâd write a post about how I drive my personal creativity.
As a practitioner of creativity rather than as an instructor of it Iâm certain that there are many ways to get the creative juices flowing and how to release more creativity. The one that works best for me is visualization coupled with self talk.
Visualization is so important to help yourself & others conceptualize ideas. Itâs why I always work hard to find images for my blog posts & why all of my keynote presentations are visual rather than bullet points with words.
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824 Set Up and Get to Know Your New Camera
Whether it takes photos or videos, and whether it fits in the palm of your hand or has interchangeable lenses, you've got a brand new camera to play with. Here's how to get the most out of your great new gift.
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823 Avoid Added Stress by Just Deciding and Moving Forward
Because our brains have a way of creating a synthesized happiness when we don't get what we want, it's often hard for us to make a "wrong" decision. As a result, you're better off just deciding and moving forward.
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804 Top 10 Ways to Find Better Answers Online (that Aren't Google)
You can Google just about anything, but it's not always your best resource for finding the exact answer to what you want. Here's a look at our top ten tools for finding better answers online.
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761 Midi Software - Synth Zone
MIDI Sequencing SoftwareAnvil Studio Anvil Studio is a MIDI and audio sequencer and is free software for Windows users.
Building Blocks Building Blocks for Windows is a multifunctional MIDI application / modular sequencer, that allows you to build custom controller remapping, LFO's, arpeggiators, autochords, drum and note sequences, echoes etc.
Busker A Windows score editor and player that has Yamaha style support. 1000s of Yamaha styles can be downloaded for free. Another great music software tool from Jos Maas.
Cakewalk Sonar Windows & Mac sequencer now with integrated midi and audio. Sonar demo available. For other Cakewalk resources see Synth Zone's Cakewalk Page
Cubase - Steinberg Featuring integrated midi & audio package Cubase VST For more info & related links see Synth Zone's Cubase Links
Cursed Sequencer Open Source sequencer for Windows and Linux.
Digital Performer MOTU presents Digital Performer for the Mac, a complete digital audio and MIDI production environment. Competitive upgrades available. See the new Digital Performer mailing list.
Ditty Ditty is a freeware MIDI sequencer for Windows aimed at assisting piano practice.
Easybeat Mac MIDI sequencing software from Uni Software Plus. Features include a software GM wavetable synth.
Energy XT Energy XT is Windows sequencer/composer software.
Fl Studio Windows application that provides easy to use yet powerful MIDI/digital audio sequencing and looping tools.
Intuem Mac OSX MIDI sequencer that provides a variable-tempo system and a simple way to transform a real, human, performance into a sequence where bars and beats actually have meaning. Time restricted version available to download.
Jammer - Soundtrek Jammer for Windows provides a 256 Track MIDI sequencer with built in studio musicians. A very useful program for creating arrangements & drum tracks with assistance from the software. Also check the Yahoo Jammer Group.
JUMP A highly streamlined Windows MIDI sequencer, designed to help you compose music
Jazzware - Jazz++ Windows & Linux open source MIDI sequencer with audio support. If you need a MIDI sequencer you really should check it out.
Logic Pro Audio Apple's MIDI & audio solution for the Mac. For Emagic product support see the Emagic Legacy pages at Apple. For related information see Emagic Users Page with resources & mailing list for Emagic products, the Logic Users' Net which includes Mac related info, and the Powerkeys "Learning Logic" web site. SwiftKick provides and archive for the Logic Users' Group environments. Editors, MIDI processors etc. are available. Omega Art has Logic info and resources. You can read the History Of Logic at Tweakheadz Lab.
Magix Magix Music Studio incorporates a MIDI sequencer with its digital audio sequencer.
Massiva An audio/MIDI sequencer for Windows users with undo plus plugin support. This is just an archive of an old site. You can still get it from AudioMelody.com. Massiva has now moved on to become Energy XT
Mixcraft Windows software that supports MIDI and audio sequencing..
MU.LAB An alternative, hi-quality music application for Mac OSX and Windows with MIDI and audio support.
MultitrackStudio Window digital audio recorder with VST 2.0 plugin and MIDI support. Freeware version and pro versions available.
Music Master Win sequencing & notation package with a full graphic interface for Roland VS880 control & integration.
Music Master Works A shareware Windows sequencing & accompaniment package. Win95 & Win3.1 versions available. From Aspire software
MusicPhrase XL MusicPhrase for Windows is a creative tool for composing music. Features phrase sequencing and visual groove editing tools.
Music Studio Producer Music Studio Producer is a free Windows MIDI sequencer, DAW which can host VST(i), supports ASIO. From Aspire software
Numerology Numerology is a modular sequencing and audio plugin environment for Mac OS X.
Onyx Onyx by Jasmine Music provides powerful sequencing, harmonizer and MIDI-2-Audio rendering.
Power Chords By Howling Dog Systems - Innovative Windows midi sequencer using onscreen guitar fretboard interface, plus other unique features for creating strum & rhythm patterns. Demo available
PowerTracks Pro Audio PG Music's budget priced sequencer for Windows now features up to 48 tracks of digital audio with effects, EQ, panning etc plus 3rd party plugin support.
Pro Tools Digidesign provide Pro Tools for Windows and Mac with MIDI, multitrack audio and plugin support.
Quartz Audio Master Quartz Audio Master is free Windows multitrack digital recording software and MIDI sequencing software. Provided by DigitalSound Planet
Reaper REAPER is a fully featured Windows multitrack audio and MIDI recording, editing, processing, mixing, and mastering environment. Fully functional evaluation available for download.
Rosegarden Rosegarden is a free MIDI sequencer and notation editor for Unix, and has binary distributions for Linux PCs and SGI IRIX.
SoftStep SoftStep is a Win9x modular step sequencer based on modular analog step sequencers. Features modules, which are math and logic functions that you treat as physical boxes with knobs and sliders.
Style Enhancer Windows MIDI sequencer based on Performance Modeling technology with powerful and intelligent MIDI-data generation and transformation.
SwarShala Midi sequencer package for Windows software that covers both the melodic and rhythmic aspects of Indian music. Featured instruments include Sitar, Sarod, Tanpura, Guitar, Tabla, Pakhawaj, Dholki and Bells. MIDI files and WAV files can be output.
Sweet Sixteen Midi sequencer package for Windows from Roni Music. And check out the Sweet MIDI arpeggiator for Windows, very cool !!
TR-x0x Freeware Windows step sequencer based on the Roland TR-808/909 drum machines.
Tracktion Tracktion from Mackie provides low cost MIDI and audio sequencing.
Tunafish A Windows VSTi MIDI sequencer with sample support. A fully functional ( save disabled ) demo is available to download. Has sample support and provides a built-in sample/drum sequencer.
Xx A multi-track MIDI sequencer for MacOS. It is also an algorithmic compositional tool. Requires OMS.
Midi SoftwareAudible Oddities - Twerk's Tools Audible Oddities is an audio mastering business and Shawn Hatfield also provides some free music composition tools for the Mac featuring sequencing control and algorithmic music generation. Burnt Toast even has a beta version available for Win XP.
Catanya Software pattern arpeggiator VST plugin.
MIDI-OX Win9x/NT midi utility providing sysex handling, diagnostics, filtering & mapping of midi data Streams. All Windows MIDI users should check this out. It is also available from Yamaha UK. Also see MIDI Yoke which allows you to route MIDI between different applications.
vanBasco's Karaoke Player vanBasco's Karaoke Player is freeware Windows software that plays Karaoke (.kar) and standard MIDI (.mid, .midi, .rmi) files. Provides a piano keyboard and lyric display.
Vocal Writer Shareware music & vocal synthesis software for the Power Mac. Not only playback & edit GM midi files, but it will also sing your lyrics (85 voices to choose from)
Zel Zel is an interpretive MIDI programming language for Windows. Version 1.2 includes the Zel Drum Machine, a style based composer and editor which makes it easy to create MIDI drum tracks without having to learn the Zel language. Freeware.
Midi Sequencing Related SitesAtari-MIDI Yahoo Group for Atari computer users to discuss MIDI applications. Also check The Caged Artist Series Page for once commercial MIDI software that is now freeware.
Audio Forums Forums for most major sequencing & digital audio software packages.
Harmony Central Provide an archive of MIDI sequencer and notation applications to download. There is software for all platforms available.
HitSquad Provide links to a number of MIDI sequencers and "tracker" sequencers for Windows, Mac and Linux.
MacMusic.org Macmusic.org have lots of links to Mac specific audio and MIDI sequencing resources. .
Mac OSX MIDI Apps A very useful list of links to Mac OSX MIDI applications with descriptions and direct links to the websites and apps.
Midijoys Freeware Windows program that combines two independent fully programmable joystick controllers, and a Continuous MIDI Controller programmable sliders that can send a wide spectrum of MIDI control parameters.
MidiPlugins.com Links to freeware and commercial MIDI plugins for both Windows and Mac OS9/OSX.
Music-X Amiga University Info on the original Amiga sequencer Music-X including writing sysex protocols. Also see Driptomatic Fairytales for Music-X info and resources. AM/FM also provide disk images containing many Amiga MIDI articles and tools.
Sonic Control Sonic Control provides information and reviews of sequencers for all platforms as well as MIDI hardware.
SourceForge SourceForge provide freeware software for Windows, Mac and Linux platforms and have many MIDI sequencer applications.
Sweetwater Sequencer Forum Sweetwater.com provides forums including one dedicated to MIDI sequencers.
Vintage Sequencers Tweakheadz Lab provides a great rundown on the ancestors of todays sequencers on computers in the 80s. Very interesting and informative reading with screen shots of many sequencers from the early days of MIDI.
694 Kingston KTD-DM8400B/1G - Achat / Vente MĂ©moire PC sur LDLC.com
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Kingston ValueRAM 1 Go DDR2-SDRAM PC5300 - KTD-DM8400B/1G (garantie 10 ans par Kingston)
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658 The Gaia '10 Linux Desktop
Reader gabriela2400's desktop uses the Gaia customization set to completely revamp the Linux interface into a beautiful work of art, complete with wallpapers, icons, and a custom GTK theme.
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648 Amazon.com: Handbook for Sound Engineers, Third Edition (9780240804545): Glen Ballou: Books
Amazon.com: Handbook for Sound Engineers, Third Edition (9780240804545): Glen Ballou: Books
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633 Top 10 Ways to Organize and Streamline Your Workspace
Whether you work from home, in an office, or just a cubicle down the hall, you spend most of the day at your workspace. Here are some of the best ways to keep it from becoming a productivity nightmare.
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614 digital life - Digicult.it
DIGITAL LIFE, is a project dedicated to the digital future and to the cross-fertilization between technology, new media and contemporary artistic expressions. On the 3 March 2010, this project inaugurates La Pelanda, a new location in the newly refurbished ex-abattoirs in Testaccio for contemporary artistic and cultural productions. These premises have been renovated for the city by the Rome Municipality as part of the Zone attive Project.
Digital Life, Richard Castelli, Romaeuropa, Ryuichi Sakamoto, Shiro Takatani, Jeffrey Shaw, Ulf Langheinrich, Jean Michel BruyĂšre, Erwin Redl, Thomas McIntosh, Emmanuel Madan, Martux-m, Mikko Hynninen, Julien Maire, Christian Partos, digicult, digital culture, culture, digital, electonics arts, arts, elecronics, promotions and circulation, circulation
562 BEST OF: 22 Free SEO / Search Engine Tools For Webmasters
Free SEO Tools will help you to optimize your website to get Google search engine position. SEO Software are Free online resource to research the most appropriate results for your blog / website.
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561 How to Choose the Right Android ROM For You
There are tons of great reasons to root your Android phone, but once you do, you'll likely be overwhelmed with all the custom ROM options out there. Here's how to go about finding—and installing—the one that fits your needs.
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465 I Got 99 Problems, but Developing Ain't One
I Got 99 Problems, but Developing Ain't One In the words of the rapper/entrepreneur and occasional developer Jay-Z, "If you got developing problems I
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463 Combien de fabricants de modules Eurorack ?
I'm mainly compiling this list for my own reference.
If anyone knows of another make, let me know.
Eurorack synthesizer module makers, 2010:
Analogue Solutions (UK)
Analogue Systems (UK)
Cwejman (Sweden by way of Poland)
Elby Designs (Australia)
Encore Electronics (USA)
Endangered Audio (USA)
Flight of Harmony (USA)
Future Sound Systems (UK)
Hinton Instruments (UK)
Macbeth (Scotland & England)
Malekko Heavy Industry (USA)
STG Soundlabs (USA)
Synthesis Technology/MOTM (USA)
Tip Top (USA)
428 Alain Neffe and the Home-Taped Electronic Music Revolution
Alain Neffe launched his first tape label at home in Belgium in 1981. He called it Insane Music Contact and his first installment was called Insane Music for Insane People. Thus began a nearly thirty year foray into home-made, visionary and utterly unfashionable electronic music that has hardly made anyone involved a household name.
Insane Music released 55 titles in its most prolific years (1981-87). Five of these were vinyl records and the rest were cassettes tapes. Why cassettes tapes? Magnetic tape was the obvious solution to the problem facing many artists working without record contracts in those days. Cassettes could be recorded at home, produced at home, dubbed at home, and sold or traded by mail. No need for tasteless outside producers and marketing mojoâone needed only leave home to buy more tapes. Says Neffe, âI could copy the tapes on demand. Releasing an LP required that you print 500 copies and 1000 copies of the cover sleeve, and everything had to be paid up front âŠ if the buyer didnât like the music, he or she could wipe it out and record something else on it.â
Mr. Neffe was not the only one out there recording, selling and trading tapes by mail. On both sides of the Atlantic, home cassette technology was permitting the release of much groundbreaking and breathlessly beautiful work, as well as some noxious and otherwise self-indulgent wankingâthat coat of many colors we call the DIY (do-it-yourself) Revolution. As early as 1974, Albrecht/d. self-released a cassette entitled Amsterdam Op De Dam in Germany. In 1976, Throbbing Gristle was distributing tapes of their infamous live recordings, and in 1977, the French electro-industrial unit Die Form began releasing tapes on their own Bain Total label. 1980 saw the release of two monumental self-released cassettes, The Storm Bugsâ A Safe Substitute and Colin Potterâs The Ghost Office. In Japan, 1980 saw the release of Merzbowâs first two cassettes, Remblandt Assemblage and Fuckexercise. And in the USA, 1981 saw John Benderâs Plaster: The Prototypes, a laconic and mysterious series of tone and vocal poems. Home taping was not limited to electronic music. R. Stevie Moore, one of the elder living ancestors of the lo-fi rock aesthetic, began releasing distributing home-made tapes via the R. Stevie Moore Cassette Club sometime in the 1970s. And tapes of live punk shows from the era continue to trade hands.
Soon, cassettes were coming from everywhere: mysterious PO boxes in the Midwest, to which you sent a blank tape and three dollars and received the tape back with something on it. The Tellus Audio Cassette Magazine was a Fluxus-inspired subscription audio-journal dedicated to music as well as poetry and drama and other forms of audio-art. Zines like Factsheet Five and Unsound devoted entire columns to the material they received from bands on home-made cassette, and demo tapes began leaking to radio stations prior to official record release dates. It was a grassroots movement that marched in association with the self-publication of zines, comics, chapbooks, and other media. The medium had begun to become the message.
Insane Music for Insane People (which eventually reached 25 volumes) was a series compiling all home-made electronic music made by artists from across the globe. By including in the liner notes the contact address for each artist featured, Neffe helped pioneer a snail-mail network for those interested in more of what they heard. Artists from all over Europe and the USA, from Japan, New Zealand, and beyond contributed over the years. One could send a few dollars to Insane Music Contact, receive tapes in the mail, write to artists involved and receive more cassettes.
Insane Music Contact (now known as Insane Music) has always been a vehicle for Mr. Neffeâs own electronic music projects as well, many of which are periodically active to this day. Though he now makes liberal use of the CD format, Neffeâs artistic approach remains undiluted by years of underexposure. He expects very little acknowledgment of or remuneration for his efforts, which, for him, are emotional articulation, continued experimentation, and purity. It seems nothing but nothing could possibly catapult such heavily uncommercial sounds into the public consciousnessânot even this thirty-year retrospective box-set entitled The Insane Box released (ironically, on vinyl) by the venerable Frank Maier of Vinyl-on-Demand Records, an outfit devoted to preserving the precious gems of cassette culture before the evidence disintegrates.
For this retrospective (4 LPs + a 7â 45), Mr. Neffe has reached into dusty attic boxes, wherein lay unreleased (or hardly available) material by five projects of which he has been a part: BeNe GeSSeRiT, Human Flesh, Pseudo Code, I Scream and Subject. Each has a unique cerebral orientation and emotional vibe made possible by the combined efforts of invited guests; each runs the high fever of a man very much committed to a personal vision of artistic purity without virtuosity, and each is distinctly French.
BeNe GeSSeRiT was not the first of Mr. Neffeâs projects to be recorded and distributed, but is, to my understanding, the genesis of his approach to music as âtextsâ or âphotographsâ, or as he puts it, âpotlatch musicâ. On these early tracks we also detect a burgeoning interest in the endless expressive properties of the human voice, both explicitly human and as heavily-treated sound sculpture, both French and English At times, voices shout like besotted Celine parlor workers at each other from tenement windows; at other times a high-pitched female voice wails up and down like Catherine Ribeiro alone in her bathroom. In these tracks, one can also detect the half-digested influence of electro-rock luminaries Silver Apples, the avant-lashings a la Yoko Ono, and occasionally the thunder-beat of early Laibach. Primitive Casio electronics, stage whispers, delay echoes, tape loops, and a certain absurdist humor redolent of Erik Satie, neither dampen the fabric with melodrama, nor detract from the integrity of the grist, nor from the topical seriousness of the textâs subjects. BeNe GeSSeRiT is difficult music, even in the moments that risk elegy, yet it is still more accessible than some of the other Francophone avant-dada outfits of the day, such as DDAA and Ătant DonnĂ©s, or Nurse with Wound in the UK.
Human Flesh is decidedly more structurally cohesive and song-oriented than BeNe GeSSeRiT, and its predecessors and influences are less clear. Still there is a clear interest in the human voice, its textures and timbers when removed of sign value by backwards-masking, and the new textures that emerge when disassembled and reassembled. Even rock-oriented at times, Human Flesh chases a more delirious climax, for the hounds of the carnival are snapping at their heels as they run. This is also a project of varied angles and pursuits, sliding as it does into poetic electro-pop (the supple and Chicago-accented voice of the late Lydia Tomkiw, of Algebra Suicide, appears on two tracks), and moments of Half Japanese-style primitivism. The side-long track âLangsamâ is more reminiscent of Piper-era Pink Floyd and Brainticket, as well as other Krautrock, yet is still distinctly French. These early and rare tracks are, in contrast to the more ambitious Pseudo Code and the more intimate recordings by I Scream, more oblique for being a mix-down of materials sent to Neffe from artists around the globe. The track âSons of God?â is also notable for what is perhaps the first recorded sample of the American fire-and-brimstone preacher Ferrell Griswold, whose voice has appeared in music by Front 242, Phallus Dei, Pragha Khan, et cetera.
The cassette medium, for all its benefits to individual artistic expression and culture, is for the selfsame reasons impermanent. Magnetic tape has a thirty year lifespan if properly archived, which means both that preserving their contents in other formats is important, and that paying hundreds of dollars for the original artifacts is a questionable collectorsâ pursuit (nevertheless, you can watch it happen daily). With the advent of the mp3 and the efforts of Vinyl-on-Demand and other labels, Insane Musicâs CD-r reissue program included, some of this exquisite material has been rescued from oblivion.
426 steampunk brass synthesizer blows my mind on [technabob]
I always thought analog synthesizers were inherently retro. Just not quite this retro. This unbelievable steampunk modular synthesizer features tons of dials and intricate brass etching throughout. All of the buttons and knobs were hand lathed, and the synth includes a number of antique parts as well.
audio, geek art + craft, retro, strange + wonderful, technology, analog, brass, handmade, music, sound, steampunk, synthesizer
393 Multicolr Search Lab - IdĂ©e Inc.
We extracted the colours from 10 million of the most âinterestingâ Creative Commons images on Flickr. Using our visual similarity technology you can navigate the collection by colour.
387 Kaossilator Hacks and Hidden Features [Tim Rideout : recording artist, music producer, New Media musician]
Geek,Music production,Film soundtracks,Technology,Synthesizers,Cool stuff that I like,Korg,Kaossilator,DJ,Looper,Electronic Music,Hacks,Tips, music, MP3, downloads, Montreal, Fredericton, Quebec, New Brunswick, Canada, artist, electronic, electronica, breakbeat, house, jazz, drums, drummer, musician, producer, new media, loops, samples, indie, independent, Tim Rideout, Fibii Media, cool, hip, geek, singer, songwriter, composer, film maker, DJ, new media
366 How to Track Down Anyone Online
When you're trying to find someone online, Google's not the only game in town. In the last two years, a handful of new people search engines have come onto the scene that offer better ways to pinpoint people info by name, handle, location, or place of employment. While there's still no killer, one-stop people search, there are more ways than ever to track down a long-lost friend, stalk an ex, or screen a potential date or employee. The next time you wonder, "What ever happened to so-and-so?" you've got a few power people search tools to turn to.
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337 Most Popular Social News And Social Bookmarking Websites
Social bookmarking is emerging as awesome way to share your interest, organize, search, manage bookmarks of web resources and information on Internet.
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333 Education Eye - Mapping Innovations
Education innovations for you to discover and share. New education practice, technology and resources selected from the best of the web and updated daily.
332 Web Design Trends for 2010 | Webdesigner Depot
Purists will say that great design is timeless. Yes, in an ideal world, we should ignore trends.
Pragmatically speaking, though, there is a lot of value in monitoring and incorporating design trends, especially with regard to websites.
Letâs face it: the web changes at a rapid pace. Unlike in other media, design trends on the web are not just driven by aesthetics.
Technology is changing that can drastically alter the capabilities of the medium.
In 2010, weâre seeing designers continuing to push the boundaries of web design, setting the following clear trendsâŠ
277 50 (More) Excellent Mini Icon Sets | Icons
When it comes to GUI and navigation design, we need our buttons to be relatively small, simple and yet descriptive. There is no room for text or complex
Design, Technology, Web, Blog, Photoshop, Icon, Wordpress, Tool, Inspiration, Photography, Graphic, Wallpaper, Information, Tips, Google, Twitter, Facebook
266 Products and Reviews | Search | TechRadar UK
Search the latest technology news and reviews, covering computing, home entertainment systems, gadgets and more. TechRadar UK
235 MATRIXSYNTH: Alesis Andromeda A6 Aurora Mod
This was a custom mod. I originally put a post up in August of 05 here. Anyone know the website where more info on this mod is hosted? I accidentally lost the link when mucking around with Blogger's settings a while back.
This image via Photobucket
Update: I found the original site but it is down. Some info and additional shots pulled from the Internet Archive Way Back Machine. You can find some thumbnails there, but most give you a 404 if you click on them for the larger shot. I pulled the large pics below before they are gone forever.
"Alesis made Synthesis History when they released their Alesis Andromeda A6, an analog polysynth bred with new technology and classic analog sound! Sixteen awesome voices with two types of filters, a vast modulation system, and enough bells and whistles to make the Andromeda A6 THE most highly featured analog polysynth in existence. If it only had a sloped panel...
* Take one Andromeda, lightly used (but out of warranty - very important!)
* Add one black on blue BETA Panel - because the pre-production beta panels were lacking the Pre- and Post-Filter Mix VIEW buttons, either the buttoncaps must be pulled off of the switches on the PCBs OR two holes need to be carefully drilled through the panel to accomodate. I drilled the holes after measuring about fifteen times each.
* Tilt that panel at approx. the same slope as the Korg MS-20. Requires the extending of a couple of ribbon cables inside, and some pop-rivetted braces. Not too hard.
* Custom wood endcheeks of nice Oak, plus a wood accent over the keyboard. I chose to go with thick, high quality wood to make Aurora more of a beast.
* Replace all green LEDs with red high-intensity ones. This also required changing some resistor values to increase the brightness.
* Replace the LCD with a Hantronix Blue-on-White display. Also, some resistor changes are needed.
* Have a very agreeable Alesis burn a custom Boot EPROM with the custom-designed bootup screen below.
* Build a custom top panel, complete with several additional controls (two joysticks, several switches and knobs) as well as a full 16-channel mixer with level and pan per channel, one for each of the 16 individual outs on the Andromeda.
* Add lots of careful, hard work and time, and PRESTO - you have the Aurora A6!
The Name: I went with Aurora for a couple of reasons.
1. Alliteration - AurorA - AndromedA - get it?
2. There is some legend/lore as to how the Alesis Andromeda got its name. Could be related to the Greek mythos. Could be related to the Andromeda galaxy. Could be darts thrown at dictionary pages :-) In any case, Aurora fits with the mythology bent because in Roman mythology, Aurora was the goddess of the dawn (Andromeda was rescued and married by Perseus in Greek mythos). Aurora also fits the 'celestial' thing as well, as the Aurora Borealis. Either way, it kept with what might have perhaps been Alesis' reasons for naming the Andromeda.
3. I just liked it.
4. The A6 is kept because this fits with Alesis' naming convention (QS8 = 81-key QuadraSynth, A6 = 61-key Analog). There is some rumor that A6 was a play on ASICs, the custom chips within Andromeda, but I'm assured this is just rumor :-) "
219 Top 10 Most Expensive Turntables - Born Rich
Cruise to the luxury lifestyle
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211 30 Old PC Ads That Will Blow Your Processor | Information Technology Schools
Many people today either are too young to have ever seen some early pcâs or have forgotten what they looked like and how much they cost. Today we complain about the cost of a laptop running 2Ghz with 4GB ram for a cost of $ 400.00, however it wasnât that long ago that laptops and pcâs were priced quite a bit higher. Here are 30 Old PC ads that will make you laugh and possibly appreciate what you have today.
176 Retro Thing
The independent guide to vintage gadgets and retro technology.
retro, vintage, technology, hi-fi, photography, video games, home computers, film, movie cameras, watches, classic cars, robots, sixties, seventies, eighties, space, turntables, super 8, design
68 The Best Sounds for Getting Work Done - Music - Lifehacker
The right kind of sound can relax your mind, hone your focus, drown out distractions, or get you pumped to kill your to-do list. We've assembled some research and free resources to help you create your own best workspace soundtrack.
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