100SILEX, de 0 à 100 s: ton
1517 THE MUTANT MACHINE Dynamic Analog Percussion Engine
MICROCONTROLLER FREE ANALOG PERCUSSION SYNTHESIS unique Inverter Core oscillators form the MEMBRANE. Each analog oscillator has three waveforms to select from capable of synthesizing everything from heavy-hitting bassdrums to classic 909-style snares and other complex timbres modular design gives the Machine many auxiliary purposes, great for modular sound design of many varieties, and not just percussion the SNAPPY section is comprised of a voltage controlled noise oscillator, for modelling the noisy part of drum timbres both MEMBRANE and SNAPPY elements have an external input for replacing the built-in sound sources, opening up many avenues of possibility 13 control voltage and audio inputs, for a fully modular drum experience 7 audio and CV/gate outputs for maximum integration with other modules dedicated outputs for each WAVE and NOISE oscillator mean you can use the Machine as a complex VCO in your system, when not synthesizing percussion WAVEFORM SCANNING FEATURE GENERATES COMPLEX TIMBRES the MEMBRANE’s waveforms can be scanned through automatically by the wavescanner’s voltage controlled clock generator, or an external clock or VCO can be used SCAN FREQ CV forms a unique form of timbre control, making the Machine act like a complex oscillator at its WAVES output the ENABLE input allows you to gate the wavescanner on and off with a CV or gate signal ARCHITECTURE OF THE MACHINE The Mutant Machine is a dynamic analog instrument capable of generating a wide palette of sounds, ranging from various forms of analog percussion to complex drones and oscillations. To achieve this, the Machine features two synthesis sections which are summed together at the final output: MEMBRANE and SNAPPY. Like the other Mutant Drums, the MEMBRANE and SNAPPY circuits began their mutation as classic analog percussion techniques and have been reimagined for 21st century modular synthesis. The MEMBRANE forms the main body of the sound by way of two analog VCOs, and the SNAPPY section further adds to the timbre by contributing noisy elements to the mix. A noisy CLICK which occurs at the beginning of the SNAPPY sound can have its volume adjusted independent of the main decaying SNAPPY texture. The waveforms which make up the MEMBRANE can be selected manually by button press, or the WAVESCANNER can be used to automatically scan through the available analog waveforms. By modulating the frequency through which waves are scanned, unique, complex sounds are created. Experimentation is encouraged by the many modulation inputs and outputs available to you. The Machine features 8 CV and gate inputs for modulation as well as two external audio inputs, for bringing other modules into the Machine’s core. There are many audio outputs for maximum versatility, allowing you to use the Machine to create drones and alien timbres for use elsewhere in the modular analog system.
http://www.hexinverter.net/mutant-machine

1512 FLORENCE DE MEREDIEU: SUR L’ÉLECTROCHOC, LE CAS ANTONIN ARTAUD : Table des matiùres

http://florencedemeredieu.blogspot.fr/2010/01/sur-lelectrochoc-le-cas-antonin-artaud.html

1504 Symbian programs by downloads (Symbian): Softonic
Symbian, Symbian, Software Symbian, Software Symbian,
http://en.softonic.com/symbian/downloads

1473 PHOTOS. En sous-vÃÂȘtements, elles posent pour dénoncer les normes de beauté imposées aux femmes
photos., en, sous-vĂȘtements,, elles, posent, pour, dĂ©noncer, les, normes, de, beautĂ©, imposĂ©es, aux, femmes, france
http://www.huffingtonpost.fr/2015/04/06/photos-sous-vetements-normes-beaute-femmes_n_7011960.html

1463 threestepsoverjapan | Reviews of Gakken Otona no Kagaku Kits

http://threestepsoverjapan.wordpress.com/

1400 Gravure de CI      [ PafGadget ]
bidouille,bricolage,DIY,do it yourself,audio,electronique,O.BLT,gravure,ci,pcb,cuivre,perchlorure,fer,typon,impression,imprimer,imprimante,papier,publicitaire,pub,graver,révélateur,bac,produit,toner,positif,insoler,insoleuse
http://pafgadget.free.fr/bidouillages/gravure-pcb.htm

1386 Retro Synth Ads: Sound Master Memory Rhythm SR-88, Keyboard 1982
Sound Master Memory Rhythm SR-88 drum machine 1-page advertisement from page 67 in Keyboard Magazine August 1982. Hmmm. Not sure how I feel about this ad. There just seems to be a lot going on. For example, am I supposed to know who "The Rhythm Section" is? The fact that they include themselves in an already long ad title suggests they must be some kind of a big deal. And then you find their name again in the bottom left-hand corner: "The SR-88. Another innovative product from The Rhythm Section by Sound Master Distributed exclusively by JTG of Nashville." So, let me get this straight. JTG of Nashville is the distributor of the SR-88 which was created by The Rhythm Section which is somehow owned or operated by Sound Master. That is waaaaay to much information. Sounds like something political is going on there, and readers unfortunately get stuck in the middle of it. There also seems to be a lot of ad-copy which actually doesn t give me much information. Reason #4 gives readers the most info including instant stop/start, variable tone and output switches, and a write/play mode indicator. The most I glean out of the four other reasons put together is: 16 rhythms, clock pulse and a price of under $200. The actual specs that are probably most important to potential buyers are inexplicably shoved into the bottom right-hand corner. Luckily for me, there are a few resources on the Web with more information about this beast. Unluckily for blog readers, as soon as I started looking for more info, I got swept up in a certain SR-88/Boss DR-55 controversy. Comparing the SR-88 and Boss DR-55 One of the first Web sites I hit while looking for info on the SR-88 was Dubsounds.com. The site includes a great little write-up on the SR-88, but, more interesting was finding out about a little controversy about whether the SR-88 or the very similar Boss DR-55 came out first. The two do seem mighty similar in functionality. For comparison purposes, I did a quick search on MATRIXSYNTH to find more photos. . A great photo of a gray SR-88 can be found in this December 2005 SR-88 MATRIXSYNTH auction post and the less common, but definitely more cool, blue SR-88 can be seen in this January 2011 MATRIXSYNTH auction post. Comparing the two to the Amdek RMK-100 Interestingly, it s not just these two machines that look and function similarly. In this May 2009 MATRIXSYNTH SR-88 auction post commenter "PAC" notices: "Interesting. I have an Amdek RMK-100 (sold as kit), very similar!" Never heard of it, so I Googled "Amdek RMK-100" to see just how similar it was to both the DR-55 and the SR-88. Turns out (according to the Internet) that Amdek products were made by Boss/Roland back in 80s, and, not only that, but that the RMK-100 is actually the kit version of the Boss DR-55. Makes sense on why it would also be similar to the SR-88. I found an ebay auction for an Amdek RMK-100 going on right now with a great photo of the front panel (see below), and indeed it does share a lot with the DR-55 and SR-88 - but definitely not identical to either one. For example, it looks like the Amdek and SR-88 share a similar filler function that as far as I can tell is not available on the DR-55. And the DR-55 and the RMK-100 share a similar accent function that I don t see on the SR-88. Now where does the Electro Dynamics Corporation Programmable Rhythm SR-99 fit in? I also came across another machine with similar features - the Programmable Rhythm SR-99. No - not manufactured by Sound Master, but by Electro Dynamics Corporation. And, it too resembles the others in functionality, and especially the SR-88 in design also. I ve included a row of photos below to help make the comparison between the two. The SR-88 photo is from the 2005 MATRIXSYNTH auction post and the EDC SR-99 photo is from the excellent BigBlueWave.co.uk site. I ve also thrown in a photo from another recent E-bay listing that included both - plus boxes and manuals! Sick! Obviously, Sound Master and EDC are somehow connected, although I can t find any info on the Internet concerning these two companies. I do know that they were both advertising separately in Keyboard Magazine in late 1983, making it unlikely that one of the companies changed their name to the other. Anyone know anything? And then there is the Clef Master Rhythm... Now, I m going to throw in a late entry. It s Sunday night, and I just came across this August 2010 MATRIXSYNTH auction post for the Clef Master Rhythm. It not only shares part of the name of one of the other units ("Master"), it too has many features of the other rhythm machines, and identical innards as the DR-55, but is expanded to include even more sounds: "This is essentially a fully expanded Boss DR-55 feature-wise and tone-wise. The circuits are identical (schematically and tonally) to the Boss DR-55, but the Clef Master Rhythm gives you way more instruments than the Boss DR-55..." Interestingly, according to the post, it pre-dates the Boss DR-55 - and also came in a kit form like the Amdek. "The Clef Master Rhythm came out a little before the Boss DR-55 in late 1979/early 1980. It was sold in two versions and available in greater quantities in Europe than in the United States. One version was a kit that the user put together and another one was a prebuilt machine." A photo from the MATRIXSYNTH post really helps show the similarities in functions with the others: What does it all mean? So, looking at all five machines, its almost like there was a rhythm machine salad bar of some sort in Japan, and each company stepped up to it and picked out which features they wanted to include in their product. And that begs the question - since we know there was a kit form available and there are claims that the Clef Master even has the same circuits as the DR-55, could all five products (and probably others) have used the exact same internal parts - each company choosing which features to include and then customizing in their respective rhythm machine? And if so, were those parts supplied by Amdek, or did all five get their internal parts from some other manufacturer? And if that is the case, then the question of whether the SR-88 or DR-55 came first doesn t really matter much, since it is likely that the kit components would have been available first. Plus, we have that one auction post with the claim that the Clef Master came out before the DR-55 - making it all even more confusing to figure out. Or, am I totally off the mark on all this? Were they all created separately? Maybe I ve just been fixated on this a little too much... I ll keep on looking for more info on these companies and any connection they might have, but if anyone want to buy all four and open them up to take a look - it would be muchly appreciated. :D Posted by RetroSynthAds at 12:05 PM Labels: 1982, amdek, clef master, dr-55, drum machine, electro dynamics corporation, keyboard magazine, rmk-100, Sound Master, sr-88, sr-99 2 comments: Simon said... Here s a funny thing - I seem to remember Clef in the early 1980s as a British company that made electronic pianos (touch-sensitive ones!) in kit form. Deep in the back of my mind I recall seeing them at a music fair in London with a couple of their pianos and some drum machines including a prototype drum/bass/chord sequencer called something like a "Band-Box". But it WAS a long time ago. February 12, 2012 at 12:36 PM Simon said... Looks like (for once) my memory didn t fail me. Here is a 1982 ad for Clef Electronics showing all the products I mentioned, plus a natty-looking little monosynth! BTW, I owned an EDC SR99 drum machine in the mid-1980s, but replaced it with a Yamaha RX-21 a couple of years later. February 12, 2012 at 12:46 PM
http://retrosynthads.blogspot.fr/2011/08/sound-master-memory-rhythm-sr-88.html

1347 Online-REPs-and-REPLs
Action Script 3: http://eval.hurlant.com/demo/ http://wonderfl.net/ Ada: http://ideone.com/ Arc: http://dabuttonfactory.com:8080/ http://jonathan.tang.name/files/arclite/ Assembler: http://ideone.com/ AWK: http://ideone.com/ Bash: http://ideone.com/ BASIC: http://colabv6.dan.co.jp/lleval.html bc: http://ideone.com/ BeanShell: http://lotrepls.appspot.com/ Bloop: http://repl.it/ brainfuck: http://ideone.com/ http://repl.it/ C: http://codepad.org/ http://ideone.com/ C#: http://ideone.com/ C++: http://codepad.org/ http://ideone.com/ Clojure: http://tryclj.licenser.net/ http://www.try-clojure.org/ http://ideone.com/ http://lotrepls.appspot.com/ COBOL: http://ideone.com/ CoffeeScript: http://jashkenas.github.com/coffee-script/ (Click "TRY COFFEESCRIPT") http://repl.it/ Common Lisp: http://ideone.com/ http://biobike.org/ http://colabv6.dan.co.jp/lleval.html http://www.solve-et-coagula.com/As3Lisp.html (subset) D: http://codepad.org/ http://ideone.com/ Emacs Lisp: http://colabv6.dan.co.jp/lleval.html Emoticon: http://repl.it/ Erlang: http://ideone.com/ F#: http://tryfs.net/ Forth: http://ideone.com/ http://repl.it/ Fortran: http://ideone.com/ Go: http://ideone.com/ http://golang.org/doc/play/ Groovy: http://trygroovy.appspot.com/tutorial http://lotrepls.appspot.com/ Haskell: http://tryhaskell.org/ http://codepad.org/ http://ideone.com/ http://colabv6.dan.co.jp/lleval.html Icon: http://ideone.com/ Io: http://colabv6.dan.co.jp/lleval.html Intercal: http://ideone.com/ Java: http://ideone.com/ JavaScript: http://www.squarefree.com/shell/shell.html http://ideone.com/ http://lotrepls.appspot.com/ http://jsconsole.com/ http://colabv6.dan.co.jp/lleval.html http://repl.it/ http://webshell.io Kaffeine: http://repl.it/ LOLCODE: http://repl.it/ Lua: http://codepad.org/ http://ideone.com/ http://colabv6.dan.co.jp/lleval.html http://repl.it/ MongoDB: http://try.mongodb.org/ Move: http://repl.it/ Nemerle: http://ideone.com/ Nice: http://ideone.com/ Objective-J: http://cappuccino.org/learn/console/ OCaml: http://codepad.org/ http://ideone.com/ http://colabv6.dan.co.jp/lleval.html Oz: http://ideone.com/ Pascal: http://ideone.com/ Perl: http://codepad.org/ http://ideone.com/ http://colabv6.dan.co.jp/lleval.html http://sunaba.plackperl.org/ Perl6: http://colabv6.dan.co.jp/lleval.html PHP: http://codepad.org/ http://ideone.com/ http://colabv6.dan.co.jp/lleval.html Pike: http://ideone.com/ PostScript: http://colabv6.dan.co.jp/lleval.html Prolog: http://ideone.com/ Python: http://shell.appspot.com/ http://www.datamech.com/devan/trypython/trypython.py http://www.trypython.org/ http://try-python.mired.org/ http://codepad.org/ http://ideone.com/ http://lotrepls.appspot.com/ http://colabv6.dan.co.jp/lleval.html http://ironpython.net/try/ http://www.skulpt.org/ http://doc.pyschools.com/console http://pythonwebconsole.thomnichols.org/ http://repl.it/ QBasic: http://repl.it/ R: http://ideone.com/ Ruby: http://tryruby.org/ http://codepad.org/ http://ideone.com/ http://lotrepls.appspot.com/ http://repl.it/ Scala: http://www.simplyscala.com/ http://ideone.com/ http://lotrepls.appspot.com/ Scheme: http://sisc-scheme.org/sisc-online.php http://codepad.org/ http://ideone.com/ http://lotrepls.appspot.com/ http://colabv6.dan.co.jp/lleval.html http://repl.it/ Smalltalk: http://ideone.com/ Tcl: http://codepad.org/ http://ideone.com/ http://colabv6.dan.co.jp/lleval.html Unlambda: http://ideone.com/ http://repl.it/ Visual Basic .NET: http://ideone.com/ Whitespace: http://ideone.com/ See also: http://stackoverflow.com/questions/49092/online-interactive-consoles http://codepad.org/about http://ideone.com/faq http://repl.it/#:help
http://joel.franusic.com/Online-REPs-and-REPLs/

1345 Ken Stone s Modular Synthesizer
Descriptions of the various modules in a home built music synthesizer. electronics, modular, diy, d.i.y., synthesizer, kit, music, audio, synthesiser, ken stone, lowrey, organ
http://www.cgs.synth.net/modules/cgs10_pedal.html

1339 Tonic Chair, la chaise anti mal de dos
Tonic Chair :nouvelle chaise ergonomique conçue par des kinésithérapeutes pour renforcer et tonifier votre silhouette Tonic Chair, chaises ergonomiques, kinésithérapeutes, ballon d exercice, renforcement, tonification, silouhette, confort inégalable
http://www.tonic-chair.com/

1326 Forget Your Past - Timothy Allen in Buzludzha, Bulgaria
A winter photographic exploration of the astonishing derelict Buzludzha Monument in Bulgaria. (Buzludja , ????? ??????? ???????? )
http://humanplanet.com/timothyallen/2012/02/buzludzha-buzludja-bulgaria/

1290 Super 8 : Films, caméras et Projecteurs Infos Super8 ciné Bauer Nizo
Vente de Films Super 8 Kodak, Chrome40 , lampes, accessoires, caméras, technicien spécialiste Super 8 depuis 1974 super8,film , cinema amateur, super 8, cameras, Nizo, Bauer, cinema reparations, reparations super8, vente super8, occasions, csve, reparateur cameras, reparateur super8, Super-8, movie, camera, super8mm, super-8mm, films super8, pellicules, Ekta64, Chrome 40, Kodachrome40, cine camera,ampoule projecteur, lampes, lampe projecteur super 8, dichroique, p30, lampe a miroir, projecteurs, projecteurs cinéma, projecteurs super8, festival cinéma, courts métrages, ciné courts, tournage cinéma, projection cinéma, festival super8, Ektachrome, T64, Kodak, wittner chrome, cinematon, gerard courant, tourné-monté, 8mm, normal8, normal 8, 8v 50w, grand-angle,kodachrome40, K40, transfert super8 en dvd ,cine2dvd, transfert super 8, transfert en video, location projecteur ,
http://www.cine-super8.net/index.php?pagep=Accueil&ordpp=1

1269 the-best-time-to-buy-anything-during-the-year
A bit of planning can save you a ton of money when it comes to buying throughout the year. Here's your comprehensive, always up-to-date guide on the best times to buy everything this year. always up to date guide, best time to buy, saving money, buying guide, buying, shopping, money, discounts, deals, financial, personal finance, chart, feature, Lifehacker
http://lifehacker.com/5973864/the-best-time-to-buy-anything-during-the-year

1221 Filtres photo, grip et autres accessoires aux meilleurs prix | APOLOBAMBA-PHOTO
Filtres photo et accessoires reflex. Livraison gratuite. Expé 24h. Un large choix pour équiper votre reflex. filtre, photo, polarisant, UV, protection, pare-soleil, bagues adaptation, bonette macro, nikon, canon, viseur angle, oeilleton
http://www.apolobamba-photo.com/index.cfm

1198 Forum de discussion Nokytech
Watercooling Tuning PC Silence PC WaterCooling, Tuning PC, Overclocking, OC, informatique, ventilateur, Watercase, Plexi, Cuivre, ventirad, Heat Pipe, Micro Channel, WB, Boost, performance, Comparatif, Commande Groupée, Dissipateur, Thermique, reservoir, pompe, rehobus, electonique, Compresseur, water Bloc, Radiateur, Boitier PC, news, mod, actualité, hardware, matériel, multimédia, Accessoire, Micro, logiciel, cpu, occasion, boutique, prix, comparer, home-made, Forum, Comparateur, l'informatique, Reportage, journal, Astuces, extreme, Optimisation, CG, Telecharger, Téléchargement, Download, nokytech.net, nokytech
http://www.nokytech.net/forum/index.php

1146 Glaucus atlanticus
Glaucus atlanticus, parfois appelĂ© glaucus atlantique ou francisĂ© en glauque dans les Ă©crits anciens, est une petite espĂšce de nudibranche de la famille des GlaucidĂ©s. C'est un mollusque gastĂ©ropode dĂ©crit comme Ă©lĂ©gant par ses formes et ses couleurs, mĂȘlant le blanc et le gris perle Ă  diffĂ©rents tons de bleu. Il vit dans toutes les eaux tempĂ©rĂ©es ou tropicales, oĂč il flotte Ă  la surface des eaux parmi le pleuston, la face ventrale tournĂ©e vers la surface. Il se nourrit principalement d'hydrozoaires dont il tire son pouvoir urticant, y compris pour l'Homme, en conservant certains nĂ©matocystes. Glaucus atlanticus est hermaphrodite et pond des chapelets d'Ɠufs laissĂ©s Ă  la dĂ©rive ou fixĂ©s sur les cadavres des proies des adultes. Au cours du XIXe siĂšcle, plusieurs grands naturalistes, pour une bonne part français, l'ont dĂ©crit Ă  plusieurs reprises, en dĂ©signant par de nombreux noms scientifiques diffĂ©rents chacune des formes, mais les Ă©tudes plus rĂ©centes ont conclu Ă  la synonymie de l'ensemble de ces noms. G. atlanticus est trĂšs proche de Glaucus marginatus, l'unique autre espĂšce du genre Glaucus et de la famille — dans l'acception la plus stricte de cette derniĂšre — et qui Ă©tait autrefois placĂ©e dans un genre monotypique sĂ©parĂ©, Glaucilla.
http://fr.wikipedia.org/wiki/Glaucus_atlanticus

1133 Shutterdown Blog: General Archives
Meeting: Pittsburgh Modular By Antisa on September 30, 2011 12:37 AM | No Comments Tonight we got to play in the basement studio of Pittsburgh's very own modular synth Stradivari - tucked away on unassuming Pocusset Street in Squirrel Hill. Headed by local Richard Nicol, Pittsburgh Modular is fast becoming a contender in the world market of modular synthesizers - supplying analog enthusiasts in the US, Europe and Australia (and possibly elsewhere, but I got too distracted by the beautiful glowing oscillators)... Interest in Pittsburgh Modular is picking up speed - and it's no wonder. The modules are as pretty as they are solidly built. Nicol, who now shares design and manufacturing duties with Thomas O'Connor (Australia) and Scott Swartz (USA), had moved away from producing electronic sounds digitally, in part, because analog is more fun. "The key to modular synthesis is that its captivatingly fun," he says. "After playing with it for 5 minutes, you get sucked into its world... and the next thing you know, you've created something new."
http://shutterdownmusic.com/a/archive/general/

1131 Photos: The Best Facial Hair in the Civil War
Browse through these portraits of officers with great facial hair and then vote for your favorite Civil War Facial Hair, civil war, facial hair, vote, beard, mustache, mutton chop, sideburn
http://www.smithsonianmag.com/history-archaeology/Photos-The-Best-Facial-Hair-in-the-Civil-War.html?c=y&page=2&navigation=thumb#IMAGES

1117 Kit eGo 650 Joyetech - Cigarette electronique
Pack complet grande autonomie. Sensations excellentes. Coffret pour commencer. Composé de 2 batteries 2 atomiseurs 1 housse de transport pour commencer a vapoter dans de bonnes conditions pack ego, joyetech, arreter de fumer, e-cigarette, vapoter
http://www.taklope.com/8-kit-ego-joye

1114 Custom EMS Oscillator Bank in Euro module format | Hinton Instruments News
Hinton Instruments has provided a custom rebuild of an EMS Board “C” into a 3U 62HP Eurorack format module incorporating all of Graham Hinton’s modifications and more, all within a 40mm depth. This is not a clone, we don’t do clones so don’t ask. The module is shown here mounted in our new four rail open Euro frame with rear mounted Triple 1A PSU module and our new ModMix module. The combination provides a very high specification, comprehensive modular synthesizer front end.
http://hinton-instruments.co.uk/wp/2011/05/18/custom-ems-oscillator-bank-in-euro-module-format/

1104 Custom EMS Oscillator Bank in Euro module format | Hinton Instruments News
Hinton Instruments has provided a custom rebuild of an EMS Board “C” into a 3U 62HP Eurorack format module incorporating all of Graham Hinton’s modifications and more, all within a 40mm depth. This is not a clone, we don’t do clones so don’t ask. The module is shown here mounted in our new four rail open Euro frame with rear mounted Triple 1A PSU module and our new ModMix module. The combination provides a very high specification, comprehensive modular synthesizer front end.
http://hinton-instruments.co.uk/wp/2011/05/18/custom-ems-oscillator-bank-in-euro-module-format/

1102 Samsung NC10 LCD Problem white screen cable
We are wondering if anyone else are having the same issues as us and have seen this problem before. We currently have over 200 Samsung NC10 Netbooks Samsung,NC10,LCD,Problem,nc10, samsung, screen, problem, white, youtube, wikipedia, flex, http://www.youtube.com/watch?v=zogq2wzsygw, case, http://www.youtube.com/watch?v=iecmjcdivsk&feature=related, willingly, admit, boards.ie, mentions, page, lots, free, mike, http://en.wikipedia.org/wiki/samsung_nc10, encyclopedia, http://www.tomshardware.co.uk/forum/58388-20-white-screen-samsung-nc10-netbook, http://www.sammynetbook.com/forum/threads/9891-blank-white-screen, blank, http://www.youtube.com/watch?v=g9amnuia1xi&feature=related, http://www.boards.ie/vbulletin/showthread.php?p=64617421, np-nc10, laptops-notebooks, general-laptops-notebooks, netbook, cable, requires, student, lessons, laptop, daily, school, brought, unit, trial, reveals, google, quick, issues, months, battery, fail, button, power, annoyingly
http://www.edugeek.net/forums/general-chat/64451-samsung-nc10-lcd-problem.html

1090 Nord Modular Index
Patches The Nord Modular patch archive. All patches ordered by author Patches catagorized by Kristof Middendorf Patches catagorized by 'sound' or 'style'. Most of these patches can also be found in the regular archive. Patches catagorized by Tony Smyth Patches catagorized by 'sound' or 'style'. Most of these patches can also be found in the regular archive. Patches zipped This folder holds the .ZIP-ed archives of the patches and interesting threads. These archives are updated every day, so all recent patches can be found here too. Interesting threads A growing collection of interesting articles from the Nord Modular mailing list. Workshops Workshops... Miscellaneous Here we keep everything that doesn't fit elsewhere Recent patches This folder contains patches that are extracted from the Nord Modular mailinglist automaticly. These files are not manually checked and might be broken, copyrighted or might contain doubles. Here you can find the latest patches only posted minutes ago ! FAQ FAQ stands for Frequently Asked Questions. Here you can find answers on subjects that arise frequently on the mailinglist.
http://nm-archives.electro-music.com/010_NordModular/

1083 colored screw
fasteners. Fastener Express offers one of the largest selections of high quality fasteners on the web. Specializing in aluminum screws, nuts and washers. fastener express,screws, aluminum screws, aluminum nuts, washers, nuts, washers, bolts, socket screws, wood screws, sheet metal screws, stainless steel, alloy, aluminum,blue anodized, hex screws, metric screws,metric fasteners, fastners, hobby screws, socket head cap screws, flat head, button head, steel plated, nylon screws, truss head, binder head, oval head, set screws, marine screws, model helicopter, model, modle, fastner, model train, model boats, robotics, miniature
http://www.fastener-express.com/search.aspx?find=m3+anodized

1071 Musiques Incongrues - Mutantswing Radio : de nouveaux copains on dirait !
http://www.mixcloud.com/mutantswing/mutantswing-radio-1-fail-part-2/#utm_source=redirect&utm_medium=shorturl&utm_campaign=cloudcast Torgny & Happy Joe 1 Curt Lazers Saxparty Buy 2 Curt Lazers Kurtz Buy 3 Torgny & Happy Joe 4 Gangpol & Mit Effet Kazoo Buy 5 Aelters Idworldnite Buy 6 The Bran Flakes Hey Wont Somebody Come And Play Buy 7 Neros Day At Disneyland Untitled Buy 8 Torgny & Happy Joe 9 Shit On The Pitt Hallou Torso Buy 10 Roger Species Donkey Says Hello Buy 11 Silverlink Drunk Girls Buy 12 Torgny & Happy Joe 13 Wevie Stonder Egg-Nition Buy 14 Roger Species Fuck Off Buy 15 Los Kinkos Girls To Watch Music By Buy 16 Dan Deacon I Have musiques incongrues, da ! heard it records, the brain, egotwister
http://www.musiques-incongrues.net/forum/discussion/4759/mutantswing-radio-de-nouveaux-copains-on-dirait-/#Item_1

1068 APOLOBAMBA - Filtres et accessoires photo aux meilleurs prix
Filtres et accessoires photo aux meilleurs prix filtre, photo, polarisant, UV, protection, pare-soleil, bagues adaptation, bonette macro, nikon, canon, viseur angle, oeilleton
http://www.apolobamba-photo.com/index.cfm

1064 Electronic Music - Interviews Index
Interviews with electronic music artists, inventors and engineers. electronic music artist interviews. Scott Jaeger The Harvestman George Mattson Mattson Mini Modular, Syntar Synthwerks Steve Turnidge, James Husted ~flight Flight Of Harmony Scott Rise Division 6 Rick Wakeman The Strawbs, YES, Journey To The Center Of The Earth Michael Paradinas Ό-Ziq, Tusken Raiders, Jake Slazenger, Gary Moscheles Bob Moog Moog Music, Minimoog Harry Hamer Chumbawumba Gary Numan Cars, Tubeway Army Scott Kirkland Crystal Method Larry Fast Synergy, Nektar, Peter Gabriel, Yes, Tony Levin Band Jeff Greinke LAND, Hana, Dennis Rea, Faith & Disease, Art Zoyd Jochem Paap Speedy J The Enigma Jim Rose Circus Paul Lansky Professor of music composition at Princeton University
http://www.electronicmusic.com/features/interview/index.html

1060 Fukushima Robot Operator Writes Tell-All Blog
An anonymous worker at Japan's Fukushima Dai-ichi nuclear power plant has written dozens of blog posts describing his experience as a lead robot operator at the crippled facility radiation, robot, fukushima robot blog, radioactive, nuclear, fukushima robot diaries, japan tsunami, robot operator, japan, japan nuclear emergency, japan earthquake, fukushima dai-1, warrior, robot operator blog, disaster robots, fukushima daiichi, irobot, packbot, nuclear accident, fukushima, fukushima robots, fukushima dai-ichi, nuclear disaster, robots, robotics, japanese robots, robot diary, radioactivity, robot diaries
http://spectrum.ieee.org/automaton/robotics/industrial-robots/fukushima-robot-operator-diaries

1053 Fukushima Robot Operator Writes Tell-All Blog
An anonymous worker at Japan's Fukushima Dai-ichi nuclear power plant has written dozens of blog posts describing his experience as a lead robot operator at the crippled facility fukushima daiichi, radioactive, nuclear disaster, robots, robot, nuclear accident, fukushima robots, japanese robots, japan, packbot, fukushima dai-ichi, irobot, fukushima, robotics, japan tsunami, fukushima dai-1, robot operator, japan nuclear emergency, disaster robots, robot operator blog, radiation, fukushima robot diaries, japan earthquake, warrior, radioactivity, nuclear
http://spectrum.ieee.org/automaton/robotics/industrial-robots/fukushima-robot-operator-diaries

1039 ThinkGeek :: Sundial Ring
Sundial Ring - Tell the time with a magical bead of light! Sundial Ring - sundial rings stardial ring clock watch pendant jewelry necklace sun dial ring star dial ring sextant compass stonehenge thinkgeek think geek gifts for geeks
http://www.thinkgeek.com/gadgets/watches/e56d/

1023 plusone-button

http://www.google.com/intl/en/webmasters/+1/button/index.html

1014 Nord Modular Tips & Tricks
synth clavia Nord Modular & Micro Modular V3.03 tips & tricks Welcome to the Nord Modular and Micro Modular 'tips and tricks' section! The workshops of this section are created by a very skilled Nord Modular user: Rob Hordijk. On the 'tips and tricks' pages you will find various information regarding sound synthesis techniques. With every topic comes a workshop where you can follow the practical, non-mathematical, musician-oriented examples. The patches are kept as simple as possible showing only the basic connections. So it's up to you to color the tone to your liking, add modulation, etc., thus turning them into musically useful patches. Occasionally there might be a 'professional' patch as a bonus. If you have a Nord Modular or Nord MicroModular synthesizer you can download the example patches directly from the workshops into the Modular Editor V3.03 program and your synth and play with them. Just click on the patch image to download the actual patch to your Modular. If you do not have a Nord Modular you can download the Modular Editor V3.03 software here and check out the patches visually. Another very skilled Nord Modular/G2 user - Roland Kuit - has made the E-Book "SoundLab". This book covers synthesis techniques from A-Z, history of electronic music and composing techniques. For more info about the SoundLab E-Book, please visit: http://rolandkuit.blogspot.com/Topics available: Basics of sound synthesis on the Nord Modular This extensive section describes the basics of synthesis. (By Rob Hordijk) Basic synthesis Oscillator synchronisation This topic covers hardsync, softsync, FM-sync and VOSIM, a special application of sync. (By Rob Hordijk) Sync workshop Frequency Modulation This topic covers different types of FM, like linear FM, Phase Modulation and fixed formant FM. (By Rob Hordijk) FM Workshop Using the delay module It's too short for echos, but it's a valuable tool that can be used in a variety of ways, creating both sound effects as well as physical models of plucked string sounds and resonant bodies. (By Rob Hordijk) Delay Module Workshop Using logic modules Mastering those yellow connections. (By Rob Hordijk) Logic Workshop
http://www.clavia.se/nordmodular/Modularzone/index.html#SyncWorkshop

1008 é›»ć­ă‚­ăƒƒăƒˆă‚·ăƒȘăƒŒă‚ș | 性äșșăźç§‘ć­ŠèŁœć“ç‰ˆ | 性äșșぼ科歩.net
gakken delux 210
http://otonanokagaku.net/products/kit/index.html

989 Blog de Hugues Truttmann: Entretien d'embauche et intelligence émotionnelle : la méthode I.D.E.A.L.
Entretien d'embauche et intelligence Ă©motionnelle : la mĂ©thode I.D.E.A.L. Pour un candidat, quelle est la diffĂ©rence entre un entretien d’embauche rĂ©ussi et un entretien d’embauche ratĂ© ? Partons de l’hypothĂšse que 2 candidats de formation et d’expĂ©rience Ă©quivalente passent un entretien pour un mĂȘme poste. Tous les 2 ont eu un entretien avec le mĂȘme recruteur. Pour le premier, le recruteur donne une suite favorable, pour le 2Ăšme, cela n’ira malheureusement pas plus loin, le candidat Ă©tait dans un mauvais jour certainement... Ayant fait passer des entretiens Ă  des centaines de candidats, j’ai constatĂ© que j’ai systĂ©matiquement donnĂ© une suite favorable Ă  ceux qui ont rĂ©ussi Ă  me faire “passer Ă  l’action”, c’est-Ă  dire qu’ils ont suscitĂ© chez moi l’intĂ©rĂȘt, puis le dĂ©sir qui m’a motivĂ© Ă  parler positivement et avec enthousiasme de leur candidature Ă  mes clients. Le candidat qui rĂ©ussit est donc celui qui est capable de transfĂ©rer de la sincĂ©ritĂ©, de l’intĂ©rĂȘt, de la motivation, de l’enthousiame ou toute autre Ă©motion positive. Le candidat qui rate a quant Ă  lui transfĂ©rĂ© des Ă©motions nĂ©gatives (dĂ©sintĂ©rĂȘt, peur, tristesse, ennui, etc...). Une Ă©motion positive fait passer Ă  l’action, une Ă©motion nĂ©gative, jamais. RĂ©ussir un entretien consiste donc Ă  utiliser efficacement son intelligence Ă©motionnelle. Voici une dĂ©finition de l’intelligence Ă©motionnelle : “HabiletĂ© Ă  percevoir et Ă  exprimer les Ă©motions, Ă  les intĂ©grer pour faciliter la pensĂ©e, Ă  comprendre et Ă  raisonner avec les Ă©motions, ainsi qu’à rĂ©guler les Ă©motions chez soi et chez les autres.” Une des composante de cette forme d’intelligence est l’empathie qui est la “capacitĂ© Ă  partager les Ă©motions avec autrui, sans confusion entre soi et l’autre”. Comment activer son intelligence Ă©motionnelle et motiver un recruteur ? En appliquant la mĂ©thode I.D.E.A.L : Cette mĂ©thode n’est pas une technique, mais plutĂŽt une attitude Ă  adopter. Avant chaque entretien dites - vous ceci et APPLIQUEZ - LE ! I Decide to act with Empathy by Asking questions and Listening Soit “Je dĂ©cide d’agir avec empathie en posant des questions et en Ă©coutant” Poser des questions (sincĂšres et honnĂȘtes) permet de garder le contrĂŽle d’un entretien, Ă©couter (sans faire semblant) permet de diriger une conversation et de montrer que l’on s’intĂ©resse Ă  son interlocuteur. Le meilleur des candidats n’est pas celui qui parle le plus, mais celui qui saura vĂ©hiculer une bonne Ă©nergie et des Ă©motions positives dans ses paroles et son attitude. Motiver un recruteur ne consiste pas Ă  savoir se vendre en faisant l’étalage de tous les avantages que l’on peut avoir. Ne faites pas comme ce (mauvais) vendeur de voiture qui vous prĂ©sente toutes les caractĂ©ristiques et superbes options d’une voiture SAUF celle qui va vous faire passer Ă  l’action, c’est - Ă  - dire vous engager en signant un bon de commande ! Posez donc LA question que jamais personne ne pose, mais qui vous fera obligatoirement ressortir du lot : Candidat : “Monsieur le Recruteur, pour ce poste, pourriez-vous me dĂ©crire quel est selon vous le candidat IDEAL ?” > ECOUTE Recruteur : “Pour ce poste le candidat IDEAL doit avoir les qualitĂ©s suivantes :” QualitĂ© A QualitĂ© B QualitĂ© C Etc... Candidat : “De toutes ces qualitĂ©s, quelle est selon vous LA PLUS IMPORTANTE ?" > ECOUTE Recruteur : “Sans AUCUN DOUTE, la qualitĂ© B” Candidat : “J’ai la qualitĂ© B, parce que (prouvez par des FAITS, expĂ©rience, formation, vĂ©cu) et d’autre part j’ai Ă©galement la qualitĂ© A, parce que...... et la qualitĂ© C, parce que...... > PASSAGE A L’ACTION Candidat : “Monsieur le Recruteur, dans ce cas, comment pouvons - nous envisager la suite des Ă©vĂšnements ? Testez, c’est puissant et cela fonctionne !
http://truttmann.blogspot.com/2011/02/entretien-dembauche-et-intelligence.html

987 Alesis Micron
This is one of the cutest, smallest, yet most powerful synths I've ever put my hands on! The Micron is the sequel to the popular Ion, and while it can be considered as the Ion's younger brother, it actually has a few enhancements that are absent on the big bro. This is a very clean, precise, sparkly and definitely virtual analog (or analog modeled) sounding synth. Eight voices of polyphony are plenty for these types of units, but we would always want more. The synth engine is the same as the Ion though, but extra and welcome features include sequencing, arpeggio, and great on board percussion, and the ability to build patterns. The Micron really sounds bigger than it looks: while personally I feel that the character of its synth engine leans on the more digitally precise DSP side of virtual analog technology, it's certainly capable of huge, warm and fat sounds. The main panel is logically laid out and easy to understand. At the very left, a big red knob offers volume control; the two "m1" and "m2" sliders provide useful modulation control, typically (but not always) vibrato and filter cutoff. The three knobs labeled "x", "y" and "z" also offer way of modulating sounds, and can (ought to) be assigned to your favorite parameters. Two octave buttons, and other useful commands such as tap (tempo) and latch (sustains the notes) occupy the space at the left of the two-line backlit green display. Finally, a multi-function matrix with push-down knob serve as the central nerve system of the machine, letting you easily access programs, setups, configurations, patterns and rhythms. You do the programming by turning the knob to view the various editing pages. In all, it's simple to program, and the manual does a fantastic job of being easy to follow and easy to understand.
http://www.synthmania.com/micron.htm

986 Arduino Blog » Blog Archive » CHEAP, FAT and OPEN
synth Jacob Remin, at CIID will present on August 27th, his Arduino-compatible sound synth. There are many projects out there aiming musicians that use Arduino’s IDE as a programming platform, but Jacob’s wins them all when it comes to the PCB’s shape. Take a look at the picture here and explore his thesis’ blog for more information and videos where he shows the system at its full power. (c) 2009 Cheap, Fat, and Open by J. Remin As for today he hasn’t published the videos using the final PCB, yet. However you can get a sneak preview to how it will be to play with it at the prototype he hand-wired using bits and pieces from a Stylophone, an LCD, some buttons, and other parts.
http://arduino.cc/blog/2009/08/25/cheap-fat-and-open/

972 cowon iaudio X5 [topic unique]
pourquoi les balladeurs cowon sont biens ?et le X5 en particulier... -son irrĂ©prochable et puissant (trop pour la lĂ©gislation francaise d'ailleurs, il peut dĂ©passer les 100db, evidemment avec un casque c'est trĂšs mauvais entre les mains de crĂ©tins qui le poussent Ă  fond, mais avec des petites enceintes non-amplifiĂ©es ca peut ĂȘtre utile ) -pas cher du tout par rapport au matos -veritablement UMS et mĂȘme usb on the go -coque entiĂšrement en alu, et design sympa je trouve, qui donne une bonne impression de "plein" -autaunomie! surtout les modĂšles L en quoi ca vaut le coup un L chez cowon? ca sert simplement Ă  passer de 14 heures non-stop Ă  35! -radio FM intĂ©grĂ©e -enregistreur numĂ©rique/dictaphone intĂ©grĂ© -egaliser 5 bandes personalisables, et effets psychoacoustiques -un ecran TFT de qualitĂ© , pas trĂšs grand (160x128), mais il permet un bon bonus, lire des videos, pour de vrai! le X5 n'est pas un video player, (et cowon sort un video player bientĂŽt alors ca aurait pas Ă©tĂ© dans leur intĂ©rĂȘt ) mais pour le mĂȘme prix voire moins cher qu'un sur-populaire ipod, ca peut ĂȘtre sympa quand mĂȘme -capacitĂ© de 20, 30, et bientĂŽt 60Go ; et des modĂšles 30L (alors que les M3L par exemple sont limitĂ©s Ă  20Go) et attention le meilleur sur la fin, support OGG, MP3, WMA,ASF et mĂȘme FLAC, ce qui est dĂ©jĂ  plus rare,ainsi que JPEG et MPEG4!, mais il ne supporte pas les DRM avec le firmware actuel je crois (quelqu'un confirme?) mais Ă©tant assez puissant pour lire des videos, le support de codecs variĂ©s n'est donc limitĂ© que par le firmware en accessoire, -la telecommande la plus complĂšte qui existe sur un player MP3 (la mĂȘme qu'avec un M3 simplement) -une station dock (cradle) -une houssette iaudio sympathique donc pour moi , c'est un balladeur ultime, d'un fabricant corĂ©en encore mĂ©connu des masses, mais jugez par vous mĂȘme la critique unanime: LES REVIEWS >>>prise en main par spaceturtle<<<, avec photos et tĂ©lĂ©commande, ici mĂȘme! http://forum.hardware.fr/forum2.ph [...] w=0&nojs=0 akihabara news (plein de photos) http://www.akihabaranews.com/revue_48.html ZDnet http://www.zdnet.fr/produits/mater [...] m?tab=test generationMP3 http://www.generationmp3.com/forum [...] ntry242882 et encore http://www.generationmp3.com/forum [...] 22069.html DAPreview (in english) http://www.dapreview.net/content.php?review.201 200 photos dans la gallerie iaudiophile (in english) http://www.iaudiophile.net/content.php?review.24.0 bon test avec benchs et tout mp3.com (in english) http://www.mp3.com/tech/players_31447897_review.php sondage X5 vs Ipod, mais qui gagne donc? et de combien? http://reviews.cnet.com/4520-3000_7-6245404.html les commentaires des ipodiens sont hilarants ("si je voulais des fonctions qui servent Ă  rien et 2 heures d'autonomie j'acheterai un archos!" )
http://forum.hardware.fr/hfr/VideoSon/Materiel/unique-iaudio-x5-sujet_85395_132.htm

953 fonitronik modular synth diy
fonitronik modular synth diy synth, diy, sdiy, modular, cgs, efm, soundlab, fonik, wasp, klee, sequencer, ken, stone, ray, wilson, music from outer space, polivoks, scott, stites, cabinet
http://modular.fonik.de/index.html

946 docs synth
- 360 SYSTEMS DIGITAL KEYBOARD brochure / prix / pub 1983 - 360 SYSTEMS MIDI BASS user manual - ACCESS VIRUS catalogue été 2004 - ACCESS VIRUS user manual - ACCESS VIRUS OS4 user manual - ACCESS VIRUS TI brochure 2004 - ACCESS VIRUS TI user manual os1.0 - ALESIS HR 16-MMT 8 brochure - ALESIS HR 16-16B-MMT8 user manual - ALESIS HR16-MMT8 banc essai disc international avril 1988 - ALESIS HR16-MMT8 pub numéra - VOCODER X-32 user manual / sons - XPASS FILTER user manual - SEMblance banc essai keyboards allemagne 2004 - SEMblance user manual - FilteredCOFFEE user manual - DROID 3 brochure - VOSTOK user manual - VOSTOK test electronic musician février 2003 - VOSTOK test keys allemagne - VOSTOK keyboard japon mai 2003 - AKAI AX73 brochure (avril 1986) - AKAI AX80 banc essai sono - AKAI AX80 brochure - AKAI EVI 1000 user manual - AKAI EWI 1000-EVI 1000-EVW 2000 banc essai sono - AKAI EWI 3020 user manual - AKAI EWI 3030m user manual - AKAI ME série banc essai sono (10D 15F, 20A) - AKAI ME série banc essai guitare claviers janvier 1986 (10D, 15F, 20A) - AKAI ME série brochure (juin 1985) - AKAI ME20A user manual - AKAI ME25S brochure - AKAI ME30P user manual - AKAI ME30P brochure - AKAI ME30PII user manual - AKAI MX73 brochure - AKAI S612 brochure - AKAI S612 banc essai sono - AKAI S900 banc essai sono - AKAI S900 brochure (avril 1986) - AKAI S900 carte marion system - import numéra - AKAI S1000 banc essai sono - AKAI S1100 user manual - AKAI SG01P user manual - AKAI SG01V user manual - AKAI U4 phrase trainer brochure - AKAI VX90 brochure (avril 1986) - AKAI VX90 banc essai sono - AKAI XR 10 brochure - AKAI PEQ6 - MB76 banc essai sono - AKAI pub - AKAI catalogue gamme 86 - ARP AVATAR brochure publicitaire / modulaire façon 2600 / - ARP AXXE banc essai disc international / pub keyboards 1976 / pub keyboards 1977 - ARP CENTAUR article disc international 1978 - ARP CHROMA brochure publicitaire - ARP EXPLORER service manual / patch book - ARP ODYSSEY banc essai sono / brochure / pub keyboards 1975 / pub1 - ARP OMNI pub disc 1976 / pub omni 2 1979 / voir atelier chok - ARP POLARIS brochure - ARP PRELUDE pub 1983 - ARP PRODGX banc essai sono - ARP QUADRA banc essai sono / pub - ARP QUARTET service manual / pub - ARP LITTLE BROTHER 2950 schematics - ARP PIANO 16 voies pub - ARP SEQUENCER pub 1976 - ARP SOLUS banc essai Claviers septembre 1981 / pub Keyboards 1980 - ARP WING I et II modulaire - ARP catalogue gamme / pub gamme 1977 - ARP catalogue gamme & accessoires - ARP retro family tree - future music - The rise and fall of ARP instruments keyboards avril 1983 ARP AVATAR ARP OMNI EMS VOCODER 5000 MP3 MP3 MP3 pub envoi des 2 flexi disc - BANANA brochure - BALDWIN 88 (KUSTOM) electronique piano brochure - BOHM digidrums banc essai disc international décembre 1983 - BOHM digidrums pub1 / pub2 - BOHM soundlab user manual - BOHM soundlab service manual - BOHM soundlab pub - BOSS DR55 user manual+ tips / banc essai sono / service manual - BOSS DR110 banc essai guitares claviers mai 1984 - BOSS catalogue Micro studio série - BOSS banc essai sono sur 8 pédales - CASIO 401 banc essai claviers aout 1981 / pub fiche technique / - CASIO 701 pub janvier 1982 - CASIO 1000P pub 1983 - CASIO CZ101 pub - CASIO CZ1000 banc essai guitares claviers décembre 1985 - CASIO DH 100 user manual - CASIO DH 500 service manual - CASIO FZ1 user manual / banc essai disc international mai 1987 / pub - CASIO MT40 pub mai 1982 - CASIO PT30 banc essai sono juillet 1983 - CASIOTONE VL1 banc essai disc international juillet 1981 / pub 1 / pub 2 / mod - CASIO VZ1 user & service manual - CASIO VZ1 banc essai disc international janvier 1989 - CASIO VZ1 pub disc international janvier 1989 - CASIO pub gamme 201 à 401/MT30&40 1981 - CASIO catalogue gamme COUVERTURES (cliquer pour agrandir) - DJET 004 banc essai disc international decembre 1979 - EXAGONE XM 64 banc essai disc international - EXAGONE 64 pub - REGGY synthétiseur de percussions banc essai sono - CHEETAH pub distribution music land - CHEETAH MS6 user manual - CREAMWARE B4000 user manual - CREAMWARE MINIMAX user manual - CREAMWARE PRO12 user manual - CREAMWARE PRODYSSEY user manual - CREAMWARE MINMAX/PROFIT5 brochure - BIT99 user manual - BIT99 brochure - BIT99 pub / banc essai sono 01 - BIT99 / BIT01 banc essai sono 2 - BIT01 voices and midi - BIT MASTERKEYBOARD user manual - BIT01 & MASTERKEYBOARD sous UNIQUE DBM test keyboards decembre 1986 - BIT variantes BIT/LEM/UNIQUE - CRUMAR BABY GRAND pub - CRUMAR MULTIMAN brochure - CRUMAR MULTIMAN schematics - CRUMAR MULTIMAN ORCHESTRATOR pub - CRUMAR PERFORMER service manual - CRUMAR série T pub - CRUMAR T3 banc essai claviers février 1982 - CRUMAR TRILOGY STRATUS pub CASIOTONE 202 CASIOTONE 301 MATTEL SYNSONICS DRUMS YAMAHA SY77 MP3 MP3 MP3 MP3 MP3 - POLYEVOLVER rack banc essai recording musicien septembre 2004 - DOEPFER MAQ 16/3 banc essai sono - DOEPFER MCV1-MCV8 user manual - DREAM SAM XR pub 1989 / banc essai disc international 1989 - DYNACORD ADS / ADS K brochure - DYNACORD DRS 78 banc essai sono - DYNACORD DC 200 leslie brochure / pub 1976 - DYNACORD EMINENT 100A user manual - DYNACORD EMINENT 100A service manual - DYNACORD SRV 66 vocoder user manual / schematics / MP3 demo - DYNACORD catalogue drum computer - SYNERGY banc essai sono - SYNERGY digital keyboards brochure - SYNERGY I & II+ test keyboard US COUVERTURES (cliquer pour agrandir) - ELECTRO HARMONIX DIGITAL LOOPING RECORDER 64 Sec - ELECTRO HARMONIX EH300 VOCODER manual / schematics - ELECTRO HARMONIX HARMONIC OCTAVE GENERATOR user manual - ELECTRO HARMONIX MICRO SYNTHESIZER user manual / schematics - ELECTRO HARMONIX 8 pédales d'effets au banc d'essai - sono - ELKA EK22 / EM22 user manual - ELKA SYNTHEX banc essai sono / brochure / pub 1983 - ELKA 610 pub Keyboards 1975 / pub keyboards 1978 - ELKA MICROPIANO 16 brochure / pub 1983 - ELKA OMB5 pub - ELKA OMB3 C92 X35 user manual - ELKA SOLIST 505 pub 1978 - ELKA X50 banc essai claviers mars 1982 - ELKA X50/TWIN 51 pub - ELKA X50 & 61P banc essai sono janvier 1982 - ELKA pub gamme - EMS SYNTHI E banc essai sono - EMS SYNTHI AKS banc essai disc international juillet-aout 1977 - VCS 3 / AKS article keyboard US novembre 1990 - AKS / VCS3 / Keyboard DK1/KS brochure - EMS SYNTHI HI-FLI brochure - EMS SYNTHI HI-FLI tarifs février 1977 revendeurs Gamme - EMS VOCODER 2000 banc essai disc international mai 1979 - EMS tarifs gamme janvier 1976 electrone / piano center - ENSONIQ ASR user manual - ENSONIQ ASR X user manual - ENSONIQ ASR pro keyboards juillet 1999 - ENSONIQ EPS banc essai sono - ENSONIQ EPS 16 plus user manual - ENSONIQ ESQ1 pub - ENSONIQ ESQM brochure - ENSONIQ MIRAGE pub / article sono - ENSONIQ SPM1 brochure - ENSONIQ SQ2 banc essai sono - ENSONIQ SQ80 banc essai sono - ENSONIQ SQ88 reportage de EPS16 jusqu'au SQ80 keyboards - ENSONIQ TS10-12 brochure - ENSONIQ VFX banc essai keyboards aout 1989 / article disc international octobre 1989 - ENSONIQ VFX SD banc essai disc international decembre 1989 - FARFISA POLYCHROME banc essai claviers janvier 1983 - FARFISA SOUNDMAKER service manual - FARFISA SYNTHORCHESTRA service manual - FARFISA PRO 110 pub1 / pub2 / banc essai disc international mai 1979 - FARFISA VIP 255 brochure - FARFISA VIP 345 brochure / service manual - FARFISA VIP 400 brochure - FARFISA MINI COMPACT user manual / service manual COUVERTURES (cliquer pour agrandir) - RHODES 54 notes pub - RHODES 54 banc essai sono - RHODES 73 & 88 notes catalogue - RHODES Mark catalogue - RHODES extrait catalogue 1976 - RHODES electronic piano brochure / pub keyboards 1983 - RHODES pub herbie hancock - RHODES pub disc international - RHODES MK80/60 brochure - ORGACOR Fratelli Crosio pub 1979 - ORGACOR PROHONIC SYNTHE pub (1982) / pub 1979 - DOCTOR CLICK user manual - DOCTOR CLICK 2, MULTI TRIGGER, DRUM DOCTOR, MASTERBEAT extrait catalogue Music Land - DOCTOR CLICK pub keyboards novembre 1983 - DOCTOR CLICK banc essai keyboards 1983 - MINI DOC, CLOCK DELAY, DOCTOR FLICK, MODULATOR extrait catalogue Music Land - NANO SERIES pub 1983 - GEM SPRINTER 61 & 49 pub - banc essai - GEM orgue série F30 à F50 pub 1976 - GEM orgue gamme portable (rodéo 61, phantom 61) et meuble (H600, X365, wizard 320) pub - GEM orgue gamme portable (sprinter 49 & 61) et meuble (H2000, wizard 315 & 321) pub - IBANEZ mixer RM60 pub (catalogue oscar music) - IBANEZ AD202 banc essai sono - IBANEZ DM1000 pub 1983 / - IBANEZ gamme pédale effets 1981 pub - JEN caroussel C390 banc essai disc décembre 1978 (orgue incluant JEN SX2000) - JEN string machine 2007 banc essai sono - JEN sx1000 brochure - JEN sx2000 banc essai sono / test + pub disc international / user manual / patch vide et preset - HAMMOND catalogue gamme 01 - HAMMOND catalogue gamme 02 - HH P73 piano électrique banc essai claviers octobre 1981 - HH P73 pub disc international 1981 - HELPINSTILL piano électro-accoustique banc essai claviers 1981 - HELPINSTILL piano électro-accoustique pub - HOHNER PIANET test disc international juillet aout 1977 - HOHNER C86 user manual - HOHNER C86 service manual - HOHNER C86 banc essai claviers janvier 1982 - HOHNER CLAVINET D6 banc essai sono - HOHNER MELODICA SOPRANO user manual - HOHNER MULTIMONICA user manual - HOHNER orgue soufflerie organa mélodica catalogue Millet - HOHNER extrait gamme 1975 / 1977 - JMS CGX interface midi in cv/gate - import numéra - JMS midi master synchronizer - import numéra - KAWAI 100 F banc essai sono - KAWAI 100 F brochure - KAWAI 100F notes disc international - KAWAI 100F schematics - KAWAI 100F user manual and patchs - KAWAI 100F user manual in français - KAWAI GB1 user manual - KAWAI GB2 user manual / rythm pattern - KAWAI K1 banc essai guitares claviers juillet 1988 / pub 1989 / brochure - KAWAI K4 banc essai keyboards novembre 1989 - KAWAI K5 brochure / sound library - KAWAI SPECTRA KC10 user manual - KAWAI MAV8 user manual - KAWAI MM16 user manual - KAWAI MX16 user manual - KAWAI MX8R user manual - KAWAI R100 service manual / brochure / banc essai disc international - KAWAI SX210 banc essai sono / brochure / pub keyboards 1983 / pub disc 1983 - KAWAI série EP 308/308S/608 pub1 1983 / pub2 1983 - KAWAI EP608 user manual/schematics / brochure - KAWAI EP308/308S user manual - KAWAI ORGAN E550/650 service manual - KORG 700S user manual - KORG 900S banc essai sono - KORG A3 banc essai disc international aout 1989 - KORG BX3 pub1 / pub2 - KORG CX3 banc essai claviers aout 1981 / pub 1981 - KORG DS8 brochure - KORG EPS1 banc essai sono - KORG EX800 user manual - KORG EX800/RK100 brochure - KORG KMX 8/MM 25 brochure 1983 - KORG KPR77 banc essai disc international décembre 1983 - KORG MICROPRESET M500 user manual+service manual / patches - KORG MICROPRESET M500 banc essai sono - KORG MONOPOLY - POLYSIX brochure - KORG MONOPOLY banc essai sono / settings - KORG MONOTRON schematics - KORG MS 20/ SQ 10 - YAMAHA CS 30 match synthétiseurs disc international décembre 1978 - KORG POLY 800 user manual francais / banc essai sono - KORG POLYSIX banc essai disc international aout 1982 - KORG PSS50 banc essai guitares claviers février 1985 + modif - KORG TRIDENT banc essai sono mag - KORG mr multi user manual - KORG EPS1 banc essai sono - KORG SDD300 pub 1983 - KORG SYGMA banc essai disc international septembre 1979 - KORG SYGMA user manual - KORG SYGMA korg magazine winter 2002 - KORG VC10 banc essai disc international mai 1979 - KORG X911 pages annotées d'Eric.G pour modularisation du X911 / voir son site - KORG catalogue gamme 1981 - KORG catalogue gamme 1982 - KORG article disc international arrivée série ms Francfort Synthesizer Bionic Orchestra - Francis rimbert Joop Stokkermans - The Magic of the ARP-Synthesizer MP3 - KURZWEIL 250 banc essai claviers octobre 1984 - LINN 9000 pub keyboards juillet 1985 - LINNDRUM pub keyboards juin 1983 - MATTEL SYNSONICS DRUMS user manual francais + plan accessory jack - MATTEL SYNSONICS DRUMS pub keyboards 1983 - MATTEL MAGICAL MUSICAL THING user manual - M-AUDIO AXIOM user manual - MDB sortie polyséquenceur 1981 - MDB TRIGGTOM 4 extrait catalogue music land - MDB WINDOW RECORDER extrait catalogue music land - POLY-MIDI brochure - POLY-MIDI vs YAMAHA QX7 banc essai guitares claviers septembre 1985 - S2000 séquenceur monophonique brochure - SUPERBAT brochure - MICROPERFORMANCE encart pub disc international - MOOG constellation brochure - MOOG memorymoog brochure - MOOG micromoog notes disc international - MOOG le minimoog de 1998 pub - MOOG polymoog brochure 1 / brochure 2 - MOOG polymoog pub annonce disc international - MOOG PRODIGY banc essai disc international juin 1980 - MOOG PRODIGY brochure - MOOG SONIC 6 brochure 1974 - MOOG pub1 1979 / - MOOG prix 1979 - MOOG catalogue - MOOG CATALOGUE 1973 - ENCYCLOPEDIA of MOOG ARTISTS - MXR 15-21 equalizer brochure - MXR time delay command banc essai disc international aout 1982 - MXR pub gamme effets 1979 / pub 1982 - NOVATION A STATION brochure - NOVATION BASS STATION brochure - NOVATION DRUM STATION brochure - NOVATION KS4-KS5-KS6 brochure - NOVATION KS4-KS5 user manual - NOVATION K-STATION brochure - NOVATION SUPERNOVA banc essai keyboards novembre 1998 - NOVATION SUPERNOVA 2 brochure - NOVATION X STATION REMOTE brochure - NOVATION Xio synth brochure - OBERHEIM MATRIX 6 banc essai sono / brochure - OBERHEIM DMX banc essai sono juillet 1983 / brochure - OBERHEIM DPX1 brochure 1897 - OBERHEIM DSX brochure / pub 1981 - OBERHEIM DX brochure 1986 - OBERHEIM MATRIX 6 banc essai sono / brochure - OBERHEIM MATRIX 12 banc essai sono / brochure / banc essai keyboards juillet 1985 - OBERHEIM MATRIX 1000 patches 1 / schematics / patchesbook 2 - OBERHEIM OB-X pub (piano center) - OBERHEIM OB-Xa banc essai claviers mai 1981 - OBERHEIM OB-1 brochure / pub 1978 - OBERHEIM OB-8 banc essai keyboards 1983 avec DMX & DSX - OBERHEIM PROMMER banc essai sono / brochure - OBERHEIM STRETCH brochure 1987 - OBERHEIM pub gamme mars 1986 / pub 1984 - OBERHEIM prix Numéra 1985 / article retro family tree-future music OSCAR oxford - OSCAR banc essai sono - OSCAR pub - OSCAR extrait catalogue Music Land - OSC ADVANCED SOUND GENERATOR extrait catalogue Music land - OSC ADVANCED SOUND GENERATOR guitare de "commande" SYNTHAXE - voir sur le site de jbfairlight - PPG PRK brochure - PPG WALDORF retro family tree article future music - PPG prices list numéra 1985 - PPG WAVE II banc essai claviers novembre 1981 / article disc international - PPG pub 1 1984 / pub 2 1984 / pub 3 1984 - QUASIMIDI SIRIUS banc essai keyboards janvier 1999 - QUASIMIDI RAVEOLUTION 909 banc essai keyboards décembre 1997 - ROLAND A880 banc essai sono - ROLAND CR78 banc essai sono - ROLAND CR1000 pub 1987 - ROLAND DDR 30-PD10-PD20 brochure 1985 - ROLAND GR300 banc essai sono - ROLAND GR700 banc essai claviers 1985 - ROLAND GR700 user manual - ROLAND G707 guitar controller user manual - ROLAND JUNO 6 banc essai sono - ROLAND JUNO 106 banc essai sono - ROLAND JUPITER 4 banc essai disc international janvier 1979 - ROLAND JUPITER 6 banc essai sono - ROLAND JUPITER 8 banc essai sono - ROLAND JX3P banc essai sono - ROLAND JX8P banc essai sono - ROLAND MC202 banc essai sono - ROLAND MP600 banc essai claviers novembre 1981 - ROLAND MP700 banc essai sono + pub - ROLAND OCTAPAD pad 8 controller brochure 1985 - ROLAND PIANO PLUS 11 banc essai disc international aout 1982 - ROLAND REVO 250 / 120 pub - ROLAND SDE 2000 banc essai sono mai 1982 - ROLAND SDE 2500 banc essai sono - ROLAND SH101 banc essai sono - ROLAND SH3A banc essai disc international mai 1977 - ROLAND SDP11 brochure 1993 - ROLAND SUPER JX banc essai sono - ROLAND SVC 350 banc essai sono - ROLAND TB303 banc essai sono / pub 1983 - ROLAND TR505 banc essai sono - ROLAND TR707 banc essai sono - ROLAND TR808 banc essai sono / pub 1981 - ROLAND TR909 banc essai sono - ROLAND TL12 brochure 1986 - ROLAND VP 330 banc essai disc international juin 1980 - ROLAND pub / pub gamme 1977 - ROLAND catalogue gamme 1981 - ROLAND catalogue volume 5 mai 1984 - ROLAND catalogue news été 1986 - DRUMTRACKS banc essai sono - DRUMTRACKS brochure - DRUMTRACKS banc essai guitare claviers (basse res) - PRO ONE banc essai claviers décembre 1981 - PRO ONE banc essai sono - PRO ONE brochure - PROPHET 5 banc essai sono - PROPHET 5 banc essai disc international mai 1979 - PROPHET 5 brochure - PROPHET 5 pub "devenez revendeur" disc international 1981 - PROPHET 600 banc essai sono - PROPHET 600 brochure - PROPHET T8 banc essai sono - PROPHET T8 brochure - PROPHET T8 user manual (seulement chapitre 7 midi) - PROPHET 10 pub - PROPHET VS brochure - SIXTRAK banc essai guitares claviers mai 1984 - SIXTRAK banc essai sono - SIXTRAK brochure - MODEL 700 programmer brochure - MODEL 800 sequenceur user manual - POLYSEQUENCEUR pub keyboards juin 1983 - PROPHET 2000 brochure - PROPHET 2000 user manual - SPLIT EIGHT user manual - PRELUDE pub - PIANO FORTE pub - SEQUENTIAL TRAKS music system brochure distribution music - SEQUENTIAL pub 1984 / pub 1982 - SEQUENTIAL prix gamme (1981/1984) - SEQUENTIAL CIRCUITS brochure gamme (basse res) - SEQUENTIAL CIRCUITS brochure gamme inclus PRO-FX - SEQUENTIAL CIRCUITS catalogue wine country novembre 1994 - SIEL OPERA 6 banc essai sono - SIEL OPERA 6 brochure - SIEL CRUISE user manual - SIEL DK600/EXP600 pub - SIEL MK900 pub keyboards novembre 1984 - SIEL pub disc international 1981 - CLAVIOLINE SELMER livret accompagnement de l'appareil - SELMER PIANOTRON / ORGUE CAPRI brochure - SIMONS SILICON MALLET reportage disc international 1987 - SIMMONS MTX9 banc essai disc international avril 1987 / user manual - SIMMONS SDSV banc essai claviers décembre 1981 - SOLTON live series pub 1988 - SOLTON ARRANGER PLUS pub 1987 - SOLTON MS40 user manual - SOLTON MS 50/60 user manual - SOLTON orgue synthé P500 C pub - STYLOPHONE DUBREQ user manual 1+ boite - STYLOPHONE DUBREQ user manual 2 + boite/vinyl - STYLOPHONE 350S PUB SYNTON - SYRINX banc essai sono - SYRINX patch sheet - SYRINX brochure - SYNTOVOX SPX216 extrait catalogue music land - SYNTOVOX 222 banc essai disc international décembre 1979 - SYNTECHNO TEEBEE mark1 user manual (3.1) - TEISCO S60F banc essai claviers octobre 1981 / banc essai sono - TEISCO S60F & S110F banc essai disc international juillet 1981 / pub disc international 1981 - TEISCO brochure gamme - VOX catalogue incluant Electronic piano - WALDORF MICROWAVE XT banc essai keyboards juillet 1998 - WELSON GLOBE TROTTER banc essai disc international septembre 1979 & pub - WELSON METEOR pub - WELSON CONDOR pub - WELSON gamme spinet (princess, comet, music love, granfiesta) pub - WELSON FIESTA & IMPERATIVE 1977 pub - YAMAHA CE20 banc essai claviers février 1983 - YAMAHA série DX brochure - YAMAHA DX5 brochure - YAMAHA DX7 banc essai sono / brochure - YAMAHA DX7 II brochure - YAMAHA DX9 brochure - YAMAHA DX11 brochure - YAMAHA DX21 brochure - YAMAHA FB01 user manual / service manual - YAMAHA QX5 banc essai disc international janvier 1989 - YAMAHA RX5&17 banc essai disc international - YAMAHA RX15 user manual fr / brochure (11&15) / banc essai sono / pattern book (11&15) - YAMAHA REV 100 user manual - YAMAHA CS30 vs KORG MS 20 disc international - YAMAHA CS70M pub 1983 - YAMAHA WALKBAND pub 1981 / pub gamme 1983 - YAMAHA GX1 user manual - YAMAHA YC30 user manual - YAMAHA YC45D service manual / user manual - YAMAHA Série 100 pub 1989 - YAMAHA catalogue series producer 1983 - YAMAHA catalogue series producer 1985 - YAMAHA catalogue 1984 - YAMAHA brochure gamme 1982 / pub 1982 - YAMAHA pub 1 1979 / pub 2 1979 AMPLIFICATION - LAB series L5 L7 L9 L11 schematics - LAB L5 pub AMPLIFICATION LESLIE (ou effet leslie) - DYNACORD DC200 H pub 1976 - ROTOR-SOUND CSE 80M pub - POLYTONES electronic rotating sound modulator pub keyboards 1984 - ECHOLETTE M IVE brochure - LESLIE/CABINES A SON TOURNANT banc essai disc international - NEO INSTRUMENTS VENTILATOR user manual - ROLAND REVO 250 / 120 pub - HUGHES KETTNER/ROTOSPHERE - MOTION SOUND PRO 3 keyboards mai 1997 - LESLIE STORY article de Stéphane Bredel - LES CABINES LESLIE modÚles,achat, cablage, accessoires, entretien ECHO BANDES - LES CHAMBRES D'ECHO et REVERBERATION A BANDES mécanisme disc janvier 1976 - BANC ESSAI CHAMBRES ECHO à BANDES disc janvier 1976 VOCODER - ANALOG LAB VOCODER X-32 user manual / sons - DYNACORD SRV 66 vocoder user manual / schematics / MP3 demo - ELECTRO HARMONIX EH300 VOCODER manual / schematics - EMS VOCODER 2000 banc essai disc international mai 1979 - KORG VC10 banc essai disc international mai 1979 - ROLAND SVC 350 banc essai sono - SYNTOVOX SPX216 extrait catalogue music land - SYNTOVOX 222 banc essai disc international décembre 1979 - LES VOCODERS disc international mai 1979 DIVERS CONTROLEURS MIDI - FROSTWAVE FAT CONTROLLER user manual - J.L.COOPER CS10-2 user manual - KEYFAX PHATBOY banc essai keyboards décembre 1998 - BLUE SKY LOGIC MIXI user manual - PEAVEY 1600 user manual / Patchs pour 1600 - PEAVEY 1600X user manual / Patchs pour 1600X - PEAVEY 1600X banc essai keyboards mars 1998 - ZENDRUM ZX user manual DIVERS MIDI (ACCESSOIRES) - KENTON ELECTRONICS PRO II intégrale DIVERS MODULAIRE - EUROPAC rational/ SCHROFF catalogue DIVERS SYNTHE - Les synthétiseurs de A à Z sono (article en 2 parties) - Les synthétiseurs hifi stéréo septembre 1976 de E.Lemery - SynthÚse sonore 1Úre partie - SynthÚse sonore 2Úme partie - SynthÚse sonore 3Úme partie - SynthÚse sonore 4Úme partie - Le vcf - Le bruit de J.P.Verpeaux (claviers) - Le suiveur d'enveloppe de J.P.Verpeaux (claviers) - Sample hold1 / sample hold2 (1983) - Mon premier "appareil" clavier octobre 1981 - Le compresseur - Les sequenceurs (guitares claviers J.P Verpeaux 1985) + le sequenceur apprivoisé (claviers) - Le modulateur de J.P. Verpeaux (claviers) - 10 ans de synthétiseur J.Sanjuan Hifi stéréo 1978 - 2éme disco forum matériel tournée F.Rimbert/korg - History of electronic sound modification H.Bode - La synthÚse du son de E.Lemery - disc international novembre 1979 - Vangelis, victoire sur les vibrations - Alain dister - claviers mai 1981 - Onze nouveaux synthétiseurs mis en fiches - claviers mars 1982 - 120 years of electronic music - Les instruments de musique électronique (E.Lemery - hifi stéréo mai 1976) - Les principes de base piezo électricité, magnétisme et électrostatique (E.Lemery) - Martin Newcomb, the collector - Future Music - Rhythmic control of analog sequencer polyphony septembre/octobre 1978 - Introduction aux techniques de synthese du son S.Natkin 2003 - Electronic musical instruments "a survey of the commercial scene" - Pratical electronic supplements novembre 1972 - Francis Rimbert démonstrateur korg (au début...) - Richard Wright & Pink floyd - Keyboard, synthesizer & electronics equipment - ver 1.56 - ONDIOLINE PUB - MELLOTRON prix janvier 1976 - MIDI CODE HEX fabricants - MIDI PITCH - NOTE FREQUENCY - LAG LE KEY pub et banc essai computer music - Will systems MAB 303 banc essai keyboards mai 1997 - MULTIVOX pub gamme décembre 1979 DIVERS ORGUES - ELEX gamme pub 1976 - GIBSON G101 user manual / service manual - GIBSON P2 service manual - KUSTOM ORGAN brochure - RIHA JUPITER 2 pub 1977 - RIHA gamme variété pub 1978 - RIHA ORCHESTRA pub 1979 - Evolution de l'orgue électronique disc international décembre 1978 - Répertoire midi : les orgues - MILTON les orgues pub disc international - L'orgue photoélectronique FOTOSONOR - Anatomie de l'orgue électronique Hifi Stéréo juin 1976 de E.Lemery DIVERS PEDALES EFFETS - ARIA pub gamme effets 1983 - DOD pub gamme effets 1979 - REDSON 7pédales effets banc essai sono janvier 1982 DIVERS EFFETS - ELECTRIX EQ killer user manual - ELECTRIX filter factory user manual - ELECTRIX filter factory keyboards juillet 1999 - ELECTRIX filter queen user manual - ELECTRIX mo fx user manual - ELECTRIX warp factory user manual - ELECTRIX repeater user manual - ELECTRIX banc essai warp/filter /mofx computer music 1999 - EVENTIDE BABY HARMONIZER HM80 banc essai claviers octobre 1981 - DIGITECH DSP128 keyboards juillet 1999 - DBX catalogue 1980 (ou 78 pas sur ...) - ROCKTRON HUSH IIC banc essai disc international mai 1987 - ROLLING REC5/COSMIC AE 7000/ZOOM ER 200 banc essai sono - T.C ELECTRONIC 2290 banc essai disc international mai 1987 - PUBLISON DHM 92-B2 banc essai disc international septembre 1979 - PUBLISON RELIEF ENLARGER banc essai sono 1983 - Principe fondamentaux des effets (E.Lemery) 1981 DIVERS ENREGISTREMENT - AKAI 4000 DS MKII user manual - AKAI 4000 DS brochure et banc essai hifi stéréo octobre 1975 - AKAI GX 635D service manual - AKAI GX 646 service manual - TASCAM 22-2 & 22-4 banc essai sono janvier 1982 - TASCAM 688 user manual - TASCAM 388 studio8 user manual - TASCAM A34 service manual - TEAC 3440 user manual - OTARI MX 5050 1/2 QXHD - TEAC A 3440 banc essai disc international - CHOISIR SA TABLE DE MIXAGE disc international novembre 1979 - LES TETES MAGNETIQUES DIVERS BOITE A RYTHME / PERCUSSION - RYTHMATIC MARS ou HENCOT brochure / manual - PEARL DRUMX banc essai guitares claviers - PEARL SC20/SC40 user manual - PEARL SYNCUSSION 1 user manual - SOUNDMASTER STIX ST305 test guitares claviers mai 1984 - SOUDMASTER STIX ST305 pub keyboards novembre 1983 - SYNTOBA RAMEAU - SYNDRUM test DISC international - SYNARE pub / banc essai disc international juillet 1981 - SYNARE 3 banc essai disc international - CAPELLE KLONE KIT 2 banc essai claviers octobre 1984 DIVERS INCLASSABLE - DIGITAR CHARLIE LAB brochure - MARANTZ pianocorder brochure distribution hamm DIVERS BOUTIQUE / CATALOGUES / PRIX - SOMMAIRE SONO magazine du 1 au 95 - PHONORGAN pub DIVERS LIVRES - HISTOIRE DE LA MUSIQUE - Casterman - 1972 - CLAVIERS - Edts J.M.G - 1989 - LE MONDE DU POP ROCK - HATIER - 1977 - CATALOGUE Studio Robert Schroeder LIENS - User & service manual sur le site de pharmacon : http://www.cem3374.com/archive.htm - Les pubs sur :http://retrosynthads.blogspot.com/
http://www.studio250.fr/accueildocs.html

938 Composant Ă©lectronique GoTronic : catalogue de composants Ă©lectroniques et appareils Ă©lectroniques
GoTronic, vente par correspondance de composants et appareils électroniques : accessoires tv vidéo, alarmes, télécommandes, appareils de mesure, audio, caméras, vidéosurveillance, commutateurs, connectique, fils et cùbles, livres techniques et CD-ROM's, micro-informatique, optoélectronique, refroidisseurs et ventilateurs, robotique, transformateurs, fusibles, accus Accessoire alarme, Accessoire téléphonique, accumulateur, accumulateur chargeur, accumulateur pile électrique, accus, accus batterie, accus chargeur, accus pile, accus rechargeable, Adaptateur secteur, Adhésif, Aérosol, Afficheur, Afficheur à leds, Afficheur alphanumérique, Afficheur de tableau, Afficheur lcd, Aide mémoire, Aimant, alarme, alarme anti intrusion, alarme domestique, alarme habitation, alarme intrusion, alarme maison, alarme sans fil, alarme vidéosurveillance, alarme voiture, Alimentation, alimentation 12 volts transformateur, alimentations, Ampli répartiteur, Amplificateur, Ampoule, Antenne, Antenne active, Appareil de mesure, appareil de mesure électronique, Appareil pour chien, Appareils de mesure, Argent conducteur, Audio, Aurel, Balance digitale, Balance numérique, Ballast, Bargraphe, Barrette de connexion, Barrette sécable, BarriÚre infrarouge, BarriÚre IR, Basic Stamp, batterie d'accumulateur, batterie électronique, Bloc laser, Bloc secteur, Boßte de connexion, Boßtier électronique, Boomer, Borne pour haut parleur, Bornier, Bornier à poussoir, Bornier pour haut parleur, Bouton, Bouton à blocage, Bouton compte tours, Bouton poussoir, Bouton-poussoir, Bracelet antistatique, Brosse antistatique, Brucelle, Buzzer, cùble, cùble coaxial, cùble et connectique, cùble et connectique audio vidéo, cùble peritel, Cadre pour afficheur, caméra, Caméra de recul, caméra de surveillance, caméra vidéo, caméra vidéosurveillance, CapacimÚtre, Capsule à ultrasons, capteur, Capteur à effet Hall, Capteur de courant, Capteur de gaz, Capteur de mesure de distance, capteur de niveau, capteur de pression, capteur de température, capteur robotique, Carillon sans fil, Casque audio, Casque multimédia, Casque stéréo, cellule optoélectronique, Cellule photorésistive, Cellule solaire, Chargeur, Chargeur accu, chargeur accus, Chùssis à insoler, Chien de garde électronique, ChronomÚtre, circuit électronique, Circuit epoxy, circuit imprimé, Circuit intégré, circuit intégré électronique, Circuit linéaire, Circuit logique, Clavier, Clavier alarme, Clixon, Coffret, Coffret électronique, Collier à sertir, Colliers anti-aboiement, Colliers de dressage, Colonnette, Commande à distance, Commutateur, Commutateur à clé, Commutateur quad, Commutateur rotatif, Commutateur vidéo, Composant, composant actif, composant actif passif, composant électronique, Composants HF, Composants opto, Condensateur, Condensateur céramique, Condensateur chimique, ondensateur de démarrage, Condensateur électrolytique, Condensateur polyester, Condensateur tantale, Connecteur BNC, Connecteur carte à puce, Connecteur cinch, connecteur circuit imprimé, Connecteur Din41612, Connecteur DIP, Connecteur étanche, Connecteur HE10, Connecteur HE14, Connecteur jack, Connecteur pour ci, Connecteur RCA, Connecteur secteur, Connecteur sub d, Connecteur SUB-D, Connecteur TV, Connecteur USB, Connecteur XLR, Connectique, connectique cùble, Contact magnétique, Convertisseur, Convertisseur audio vidéo usb, Convertisseur de tension, Cordon audio, Cordon BNC, Cordon de mesure, Cordon firewire, Cordon informatique, Cordon modular, Cordon null modem, Cordon spiralé, Cordon usb, Cordon vidéo, Cosse à sertir, Cosse faston, Coupleur de pile, DécibelmÚtre, Del, Détecteur de faux billets, Détecteur de gaz, Détecteur de mouvements, Détecteur de niveau, Détecteur de proximité, Détecteur filaire, Détecteur infrarouge, Digisat, Diode, Diode électroluminescente, diode et transistor, Diode infrarouge, Diode zéner, Dip-switch, disjoncteur et fusibles, Dissipateur, Douille pour halogÚne, Ecouteur, Ecran lcd, Ecran vidéo, Eeprom, électronique et robotique, Enceinte, Enceinte audio, Engrenage, Enregistreur vidéo, Entretoise, Eprom, équipement connecteurs électrique, Etain chimique, Etau, Extracteur de fumées, Fer à dessouder, Fer à souder, Fiche alimentation, Fiche banane, Fiche DIN, Fiche F, Fiche mini-Din, Fiche péritel, Fiche secteur, Fil émaillé, Filtre, Filtre audio, Fin de course, Foret carbure, Foret miniature, Foreuse, FréquencemÚtre, Frigo portable, Fusible, Gaine thermorétractable, Galet presseur, GalvanomÚtre, Générateur de fonction, Gradateur, Graisse molykote, Graisse pour vidéo, Graisse silicone, Graisse thermique, Graveuse, Grignoteuse, Grip-fil, Grippe fil, Harmonique, Haut parleur, Haut parleur étanche, Haut-parleur, Horloge, Humidistance, Inductance variable, Insoleuse, Instrument météo, Inter TV, Interface, Interface PC, Interphone, Interphone sans fil, Interphone vidéo, Interrupteur, Interrupteur à bille, Interrupteur à clé, Interrupteur infrarouge, Interrupteur opto, Interrupteur optoélectronique, Interrupteur secteur, Interrupteur TV, Inverseur, kit alarme, Kit audio, Kit didactique, kit électronique, Kit mécanique, Lampe, Lampe halogÚne, Lampe loupe, Lampe torche, Ldr, Lecteur de carte SIM, Led, Livre pour pc, Loupe, LuxmÚtre, Machine à graver, Machine à insoler, Mandrin à bobiner, matériel électronique, matériel optoélectronique, matériel vidéosurveillance, Mécanisme d'horloge, Mégaphone, Mémoire, Mesureur d'isolement, Micro, Micro électret, Micro multimédia, Microchip, MicrocontrÎleur, MicrocontrÎleur PIC, micro-informatique, Microrupteur, Modulateur, Modulateur audio vidéo, Module graphique, Module hybride, Module laser, Module lcd, Module Peltier, modules HF, Molykote, Moniteur, Moniteur couleur, Moniteur LCD, Moniteur noir et blanc, Moniteur vidéo, Montage didactique, Moteur, Moteur audio, Moteur pas-à-pas, Moto réducteur, MultimÚtre, Optocoupleur, Optoélectronique, Oscillateur à quartz, Oscilloscope, Outil de manipulation, Outillage, Outillage vidéo, Panne à souder, Parlophone, Perceuse, Perchlorure, Perchlorure de fer, Persultate, Persultate de sodium, Photodiode, Photorésistance, Phototransistor, Pied à coulisse, Pile, pile accus, pile électrique et accumulateur, pile et accumulateur, Pince, Pince à dénuder, Pince à sertir, Pince ampÚremétrique, Pince crocodile, Pistolet à colle, Plaque epoxy, Plaque thermoformable, Platine d'expérimentation, PluviomÚtre, Pointe de touche, Pointeur laser, Pompe à dessouder, Pont redresseur, Pont rlc, Portier vidéo, PotentiomÚtre, PotentiomÚtre multitours, Poulie miniature, Pré amplificateur, Pré-amplificateur, Prise anti-surtension, Programmateur, Programmateur de PIC, programmateur électronique, Projecteur halogÚne, Projecteur infrarouge, protection électrique fusibles, Réfrigérateur portable, Régulateur, Relais bistable, Relais miniature, Relais statique, Relais temporisé, Répartiteur mural, Répartiteur péritel, repartiteur tv antenne et accessoire, Résistance, Résistance carbone, Résistance cms, Résistance métal, Résonateur, Révélateur, Robot, Robotique, Rotacteur, roue codeuse, Roue dentée, Satfinder, Sation de dessoudage, Satmeter, Schéma, Scie à chantourner, Scie circulaire, sécurité alarme, Self, Semiconducteur, Semi-conducteur, Servo moteur, Servomoteur, SirÚne, Sonde de température, SonomÚtre, Spot halogÚne, Station de soudage, Station météo, Stylo conducteur, Stylo électronique, Subwoofer, Support, Support à insertion nulle, Support de caméra, Support de fer à souder, Support de relais, Support lyre, Support tulipe, systÚme alarme maison, systÚme d'alarme, systÚme d'alarme intrusion residentiel, Table de mixage, TachymÚtre, Talkie walkie, Tapis antistatique, Tapis de contact, Tapis de réparation, Télécommande, télécommande de télévision, télécommande infrarouge, télécommande radio, télécommande téléviseur, télécommande tv, Télécontrolli, TélémÚtre, Télérupteur, Télérupteur bipolaire, Temporisateur, Temporisation, temporisation type 86, Testeur de réseau, Testeur électronique, Testeur infrarouge, TÃÂȘte LNB, Thermistance, ThermomÚtre, Thermostat, THT, Thyristor, Tore, Tore de ferrite, Touche, Tranfo torique, Transducteur à ultrasons, Transducteur piézo, Transducteur piézoélectrique, Transfo moulé, Transfo THT, transformateur, transformateur 12v 220v, transformateur 12v 230 v, transformateur 12v 230v, transformateur 12v électricité, transformateur 220 12 volts, transformateur 220v en 12v, transformateur de tension, transformateur électrique, Transformateur FI, transformateur monophase, Transformateur moulé, Transformateur THT, Transformateur torique,
http://www.gotronic.fr/index.htm

916 HughLeCaine.com - Bonjour
Biographie On a qualifiĂ© le scientifique et compositeur canadien Hugh Le Caine (1914-1977) de "hĂ©ros" de la musique Ă©lectronique. Il a grandi Ă  Port Arthur (maintenant Thunder Bay) dans le nord-ouest de l'Ontario. TrĂšs tĂŽt, il a commencĂ© Ă  construire des instruments de musique et Ă  expĂ©rimenter avec des appareils Ă©lectroniques. Dans sa jeunesse, il imaginait des "sonoritĂ©s merveilleuses" qu'il pensait pouvoir rĂ©aliser Ă  l'aide de nouvelles inventions Ă©lectroniques. Hugh Le Caine travaillant dans le laboratoire de physique de l'UniversitĂ© Queen Ă  Kingston en Ontario, en 1938 AprĂšs l'obtention de son diplĂŽme de maĂźtrise en science Ă  l'UniversitĂ© Queen en 1939, il s'est joint au Conseil national de recherche du Canada (CNRC) Ă  Ottawa. Il a travaillĂ© au dĂ©veloppement des premiers systĂšmes de radar et en physique atomique, se distinguant comme scientifique et publiant d'importants articles dans ces domaines. Chez lui, il poursuivait ses recherches en musique Ă©lectronique et en gĂ©nĂ©ration de son. Il a montĂ© son studio personnel en 1945 oĂč il a dĂ©butĂ© son travail indĂ©pendant sur la conception d'instruments de musique Ă©lectroniques tels que la sacqueboute Ă©lectronique, un instrument monophonique trĂšs Ă©laborĂ© qui est maintenant reconnu comme le premier synthĂ©tiseur contrĂŽlĂ© par tension. Par la suite, Le Caine a dĂ©veloppĂ© des systĂšmes de contrĂŽle par tension pour une grande variĂ©tĂ© d'applications. En 1948, Le Caine est parti en Angleterre pour quatre ans oĂč il a fait des Ă©tudes en physique, poursuivant son travail en musique Ă©lectronique Ă  son retour au Canada. GrĂące aux dĂ©monstrations publiques de ses instruments, il a obtenu la permission de dĂ©placer ses activitĂ©s musicales au CNRC et de s'y consacrer Ă  plein temps en 1954. Pendant les vingt annĂ©es qui ont suivi, il a construit plus de vingt-deux nouveaux instruments diffĂ©rents. Il a collaborĂ© au dĂ©veloppement de deux des premiers studios de musique Ă©lectronique Ă  l'UniversitĂ© de Toronto (inaugurĂ© en 1959) et Ă  l'UniversitĂ© McGill Ă  MontrĂ©al (inaugurĂ© en 1964). Le laboratoire de Le Caine au CNRC a fourni pratiquement Ă  lui seul l'Ă©quipement pour ces deux premiers studios. Les composantes de la saqueboute ont Ă©tĂ© sĂ©parĂ©es en unitĂ©s indĂ©pendantes - ou modules - permettant au compositeurs de leur assigner une tĂąche spĂ©cifique au sein d'un ensemble. Le Caine a enseignĂ© aux deux universitĂ©s et a influencĂ© toute une gĂ©nĂ©ration de compositeurs de musique Ă©lectroacoustique. Ses nombreux articles et dĂ©monstrations personnelles ont eu un effet catalyseur dans la communautĂ© canadienne et internationale. Il a exercĂ© une influence indirecte sur le dĂ©veloppement du synthĂ©tiseur modulaire Moog par l'entremise de Gustav Ciamaga, qui Ă©tait familier avec les filtres de Le Caine et qui a par la suite encouragĂ© Robert Moog Ă  dĂ©velopper son filtre passe-bas contrĂŽlĂ© par tension. Un des aspects les plus importants des instruments de Le Caine est sans doute leur efficacitĂ© pour la performance, leur maniabilitĂ©. Son obsession pour le "beau son" l'a conduit Ă  concevoir des instruments capables de produire un jeu expressif nuancĂ© caractĂ©ristique de la tradition orchestrale. Il avait un sens aigu des besoins de l'interprĂšte afin que celui-ci puisse exĂ©cuter les gestes qui, selon Le Caine, constituent l'essence de la musique. À cet Ă©gard, la sensibilitĂ© au toucher a Ă©tĂ© un Ă©lĂ©ment essentiel et a Ă©tĂ© utilisĂ©e pour les claviers, les mixeurs et autres composantes, sous des formes d'application mĂ©canique, Ă©lectronique et au moyen de la sensibilitĂ© Ă  la lumiĂšre. Sur ce point, les conceptions de Le Caine Ă©taient tellement avancĂ©es que certaines des possibilitĂ©s qu'il a dĂ©veloppĂ©es n'ont connu d'application commerciale que dans les annĂ©es 1980. IdĂ©alement, un instrument de musique devrait offrir de bonnes qualitĂ©s sonores et une certaine flexibilitĂ© dans son contrĂŽle. Or ces deux objectifs ne sont pas toujours compatibles. Les instruments traditionnels exigent habituellement une longue formation avant que l'interprĂšte puisse tirer parti de leurs qualitĂ©s musicales. Dans la conception de ses instruments Ă©lectroniques, Le Caine a tentĂ© de mettre l'accent sur la maniabilitĂ© de l'instrument sans compromettre l'intĂ©gritĂ© de la musique. Chacune de ses crĂ©ations est une Ă©tude unique sur l'Ă©quilibre et le raffinement. Sur le CD, HUGH LE CAINE, COMPOSITIONS, DOMONSTRATIONS 1946-1974, nous pouvons entendre les enregistrements rĂ©alisĂ©s par Le Caine, oĂč il explore et fait la dĂ©monstration des possibilitĂ©s qu'offrent huit de ses instruments. Dripsody, sa composition de 1955 construite Ă  partir du son d'une seule goutte d'eau, compte encore parmi les exemples les plus jouĂ©s de musique concrĂšte. MalgrĂ© l'accueil favorable que ses compositions ont Ă  juste titre connu, Le Caine a conservĂ© une attitude critique Ă  leur Ă©gard : "Je ne me considĂ©rais pas comme un compositeur. Toutefois, j'ai senti que la seule façon de comprendre l'intĂ©rĂȘt du compositeur pour un instrument Ă©tait de l'utiliser moi-mĂȘme dans les diffĂ©rentes formes musicales actuelles." Son humour dĂ©prĂ©ciateur Ă  l'Ă©gard de lui-mĂȘme est Ă©vident dans certains des titres qu'il a donnĂ©s Ă  ses compositions, tel que A Noisome Pestilence (le titre est un calembours : l'anglais "noisome" signifie rĂ©pugnant ou fĂ©tide, mais suggĂšre Ă©galement "noise" qui signifie bruit, d'oĂč la traduction adoptĂ©e, "Une peste bruyante"). Lorsqu'on lui a demandĂ© pourquoi il avait nommĂ© sa premiĂšre composition Dripsody, il a rĂ©pondu : "Parce qu'elle a Ă©tĂ© Ă©crite par une goutte."
http://www.hughlecaine.com/fr/

907 RĂ©paration des boutons d'une Roland CR-5000 CompuRhythm
AudioBusters.com,MAO,Home-Studio,Musique,Plug-in,VST,Instruments,Synthes,Claviers,Guitares,Effets,basses,batteries,logiciels,interfaces,audionumerique,MIDI,samplers,synthes,boites a rythmes,DJ des, est, bouton, vous, les, sur, une, boutons, ça, contact, pour, contacts, qui, support, avec Vous trouverez plein de tutoriaux sur Internet pour réparer des CR5000 mais vous devrez les suivre dans une salle blanche en vous mordant le bout de la langue, avec une goutte de sueur qui perle sur votre tempe gauche, et surtout vous endetter auprÚs de vendeurs de piÚces d'occasion de machines vintage. Pas de ça ici, on a droit à des essais, des erreurs, à des outils de type pince coupante. Mais attention, ça fonctionne, et la CR 5000 que je me propose de remettre en état marchera comme au premier jour. Les boutons de la CR 5000, la fierté du département ingénierie psycho-pathologique de chez Roland Quand vous chillez tranquillement avec votre bar, que le groove vous habite et que vous lancez un fill, vous souhaitez que le fill se déclenche. Idem quand vous voulez rajouter des doubles croches de hi hat ou bien switcher entre bossa nova et grind core. Sur la CR5000, les changements de rythme se méritent. Il faut appuyer fort, ou de biais ou plusieurs fois en tapotant. Car contrairement aux CR78 et aux TR, les CR 5000 disposent de boutons cauchemardesques.
http://audiobusters.com/reparations-bidouilles/boutons-roland-cr-5000

899 DIY musician and Modular Synth accessories. Analogue Solutions - Concussor modular synthesiser
Electronic Music Accessories. concussor, Concussor, CONCUSSOR, EMIS, Doepfer A-100, A100, Analogue Systems Integrator, Phoenix modular, TR909, TR808 drum machines, percussion, voices, electronic drums, simmons, pearl syncussion sy1, RS, RS200, MIDI interface for Mac, MIDI interface for Pc, digital audio card, PCI, Cubase VST, MIDI Thru box, MIDI Merge box, MIDI switcher, USB MIDI interface, CO2, MIDIman, midiman, sync box, analog sequencer, analogue sequencer, synths, synthesizers, drum machines, MIDI-CV converters, convertors, nord modular, waldorf microwavem waldorf pulse, kenton electronics, MIDI to trigger, sample CD, Yamaha, SCI, Oberheim, ladder filter, moog filter, bass drum, kick drum, hihat, cymbal, tom drum, clap, rimshot, clave, maracas, fame, f.a.m.e., analogue heaven, hyperreal, sync 24, din sync, vco, vcf, vca, envelope generator, filter, low pass, resonance, lfo, ring modulation
http://www.users.globalnet.co.uk/~concuss/diy.htm

894 Sonic State - News (Video Item) WNAMM11: Make Noise PhonoGene, Tape splicer and looper
(Video Item) WNAMM11: Make Noise PhonoGene, Tape splicer and looper Synths, Make Noise, WNAMM11: Make Noise PhonoGene,Tape splicer and looper Tony Rolando from Make Noise shows off his new PhonoGene Tape splicer/ Looper Eurorack module. A mix of sampler, splicer and tape echo in digital form it can dice up your audio sample and give you control over many parameters in real time. Also on show was the new Modumix balanced modulator and the Timbre Mixer a low pass gate with a damper circuit. All should be available Q1 2011
http://www.sonicstate.com/news/2011/01/21/wnamm11-make-noise-phonogene/

890 Make Noise PhonoGene, Tape splicer and looper
(Video Item) WNAMM11: Make Noise PhonoGene, Tape splicer and looper Synths, Make Noise, WNAMM11: Make Noise PhonoGene,Tape splicer and looper Tony Rolando from Make Noise shows off his new PhonoGene Tape splicer/ Looper Eurorack module. A mix of sampler, splicer and tape echo in digital form it can dice up your audio sample and give you control over many parameters in real time. Also on show was the new Modumix balanced modulator and the Timbre Mixer a low pass gate with a damper circuit. All should be available Q1 2011
http://www.sonicstate.com/news/2011/01/21/wnamm11-make-noise-phonogene/

872 Boomkat - Your independent music specialist
Boomkat - A specialist music website selling VINYLs, CDs, DVDs and DIGITAL DOWNLOADS, brought to you by a dedicated team who have been operating in this field for 10 years - building up a huge resource of information and opinion about music that exists beyond the radar... Our product extends to cover the most underground forms of Electronic music, Hip Hop, Post-Folk, Alt.Country, IDM, Electro, Acoustica, Post-Rock, Ambient, Micro House, Detroit Techno, Mentalism, Electropop, Indiepop, Grime, Free Jazz, Modern Composition, Cologne Techno, Future Disco, Drone, Sublow, Soundtracks, Noise and out and out post-generic objects of wonder. Electronic Music, Electronica, IDM, Warp, Autechre, Aphex Twin, Boards Of Canada, Arovane, Bola, Experimental, Dance, Dance Music, Records, Vinyl, Skam, CCO, Morr Music, Kid 606, Isan, City Centre Offices, Pole, Matmos, Anticon, Mush, Schematic, Drexciya, Hip Hop, Mille Plateaux, VVM, Ryoji Ikeda, Fennesz, Mego, Raster Noton, Rephlex, Squarepusher, Skanfrom, Marumari, Force Inc, Stereolab, Herbert, Geiom, Neo Ouija, Tzadik, Team Doyobi, Black Dog, Ulrich Schnauss, Opiate, Bjork, Thrill Jockey, Scape, Gonzales, Benge, Toytronic, Gimmik, Abfahrt Hinwil, Kompakt, Berlin, Tigerbeat 6, Cex, Twerk, Neuton, Maurizio, Tikiman, Prefuse 73, Akufen, Cologne, A-Musik, Boomkat, Boomcat
http://boomkat.com/

866 Robert Sutton: The No Asshole Rule: Part 1
I define workplace assholes as people who leave behind a trail of demeaned and de-energized people and lists lots of ways that these creeps do damage to others. the, no, asshole, rule:, part, 1, business
http://www.huffingtonpost.com/robert-sutton/the-no-asshole-rule-part-_b_49678.html

798 FELIX VISSER COLLECTION
AND HIS GEAR MOOG CEMS CUSTOM MODULAR SYSTEM ODYSSEY BLACK/GOLD MICROMOOG ODYSSEY WHITE EMS SYNTHI AKS MOOG SYSTEM 55 EMS SYNTHI HIFLI MOOG KEYBOARD POLYMOOG PPG WAVETERM PPG FD KEYBOARD PPG EVU LINN 9000 LINNDRUM LINN SEQUENCER EMU DRUMULATOR EMU SP-12 T & N SPRINGER EMU EMULATOR 360 SYSTEMS EDP SPIDER EDP GNAT STEINER MASTERS TOUCH SYNTOVOX SPX-216 SYNTON 3000 SYNTOVOX 221 SYNTON SYRINX KORG MS-02 KORG MS-50 KORG MS-10 MELLOTRON M-400 KORG PS3100 HAMMOND PORTA-B WEM COPICAT PROPHET 5 ELMO TAPESOUND SYNCLAVIER II YAMAHA YC-45D VAKO ORCHESTRON FENDER RHODES 73 WERSIVOICE FAIRLIGHT CMI QUANTEC QRS-1 OBERHEIM DS-2A ACE TONE RHYTHM ACE RMI KC-11 EKO RHYTHMAKER DYNACORD EMINENT-100
http://www.vintageplanet.nl/pages/felix07.html

794 TouellSkouarn Gallery
TouellSkouarn is a boutique pedal & stompboxes builder with breton serigraphy and/or etching, vintage and NOS components, based near Brest - France. pedal, fuzz, vintage, NOS, fuzzes, tube, preamp, breton
http://www.touellskouarn.fr/skeudennou-gallery-gallerie

777 SPERRZONE: [ K E Y C H A I N S ]: Zazzle.com Store
About Beat Hauser, SPERRZONE Beat Hauser is interested in industrial archaeology and history of Europe. His special area is the brewing industry of Switzerland and the former German Democratic Republic. Since 2003 he is taking pictures of industrial areas and abandoned places within all Europe. On his web site SPERRZONE (www.sperrzone.net) he does not only present his own pictures, but also some information about the related factories and places as well as historical photo post cards, old letter heads, labels, advertisings to document the history of the factories. Most pictures are taken in abandoned factories. Abandoned places and industrial ruins are generally seen as ñ€œspots of dirtñ€ and people feel uncomfortable around them. Often such places have a very long and interesting history, which seems almost forgotten today. Instead of the activity of former days there is nothing but silence and emptiness. Instead of windows, black holes are staring out of the walls. But very often the architecture of elapsed eras is attractive and astonishing. In combination with the emptiness and beginning decay, such places often spread the impression of a dream world. Decay and nature give new structures to strictly geometric forms and lines, e.g. in production halls. Moisture, moss and rust give new colors to gray halls. Beat Hauser tries to capture these impressions with his photographs. Aesthetics of decay is illustrated in its huge variety from huge industrial plants to small details. Past exhibitions 10 Jun ñ€“ 1 Jul 2007 3Fotografen3, Alte evangelische Kirche Kirchzarten (Exhibition of the 3 winners of the ñ€žKirchzARTener FOTOsalons 2006ñ€œ) 2 Dec ñ€“ 3 Dec 2006 KirchzARTener FOTOsalon 2006, Kurhaus Kirchzarten (Photo contest with 54 participants, 1. rank) 20 Nov ñ€“ 21 Nov 2004 KirchzARTener FOTOsalon 2004, Kurhaus Kirchzarten (Photo contest with 46 participants, 11. rank) Several beamer shows at party events of ñ€žRigor Mortisñ€œ and ñ€žSolanaceaeñ€œ in Basle, Aarau, Pratteln and Reinach (all Switzerland) sperrzone, industry, industrial, archaeology, industrie, industriekultur, zerfall, decay, architektur, architecture
http://www.zazzle.com/sperrzone/gifts?cg=196119980926265824

773 Tactile Switches | bustedgear.com TRITON
Menu of tactile switches for musical instrument keyboards, for sale using PayPal BUY NOW buttons. These switch replacements fix worn-out or broken buttons on instruments manufactured by Korg, Roland, Kurzweil, and Yamaha
http://www.bustedgear.com/part_switch_tactile.html#SWTAP2

766 [WS001] Circuit-Bending – Initiation « Gasol
Introduction Le Circuit-Bending ou Circuitage dĂ©signe l’activitĂ© qui consiste Ă  volontairement court-circuiter un appareil Ă©lectronique (gĂ©nĂ©ralement sonore) afin de provoquer des comportements inattendus pour le dĂ©tourner de son usage d’origine. Par exemple, un jouet sonore pour enfant ou une console de jeu gĂ©nĂ©reront des sons ou des images plus ou moins alĂ©atoires et imprĂ©visibles. Ce terme Ă  Ă©tĂ© introduit par Reed Ghazala dans les annĂ©e 60 lorsqu’il court-circuita accidentellement l’un de ses instruments. Mais des mĂ©thodes similaires ont Ă©tĂ© utilisĂ©es auparavant par d’autres musiciens et ingĂ©nieurs. Cette activitĂ© peut ĂȘtre assimilĂ©e Ă  une certaine forme d’art, de part le dĂ©tournement, l’appropriation et la personnalisation de ces appareils ainsi que leurs usages lors de performances audiovisuelles. C’est l’art du court-circuit. On rencontrera souvent les termes Circuit-Bender ou Bender pour dĂ©signer la personne qui effectue ces modifications et on parlera de Bends pour toutes modifications apportĂ©es Ă  l’appareil. Attention: Ne jamais tenter ces manipulations sur des appareils alimentĂ©s par une tension supĂ©rieure Ă  12V, risque d’électrocution. Ne pas torturer des appareils trop onĂ©reux ou auxquels on tient, en effet il existe un haut risque de casse irrĂ©versible qui transformera le jouet en un joli presse papier. Un peu de thĂ©orie Le Circuitage ne demande pas de grandes connaissances en Ă©lectronique, mais quelques bases sont nĂ©cessaires Ă  l’apprĂ©hension de cette activitĂ©. Notamment la reconnaissance des divers composants Ă©lectroniques qui seront utilisĂ©s ou court-circuitĂ©s. RĂ©sistances La rĂ©sistance est surement le composant le plus rĂ©pandu. Sa principale caractĂ©ristique est d’opposer une plus ou moins grande rĂ©sistance Ă  la circulation du courant Ă©lectrique. Sa valeur (mesurĂ©e en ohms) peut ĂȘtre dĂ©terminĂ©e par un code couleur ou lue sur le boĂźtier des composants les plus rĂ©cents. PotentiomĂštres Un potentiomĂštre n’est autre qu’une rĂ©sistance ajustable. Il possĂšde 3 pattes ainsi qu’un systĂšme mĂ©canique permettant la variation de la rĂ©sistance. Photo-rĂ©sistances Une photo-rĂ©sistance est Ă©galement une rĂ©sistance dont la valeur varie en fonction de l’intensitĂ© lumineuse. On peut Ă©galement le nommer rĂ©sistance photo-dĂ©pendante (light-dependent resistor (LDR)) ou photoconducteur. Condensateurs Un condensateur est un composant Ă©lectronique ou Ă©lectrique Ă©lĂ©mentaire qui a pour propriĂ©tĂ© principale de pouvoir stocker des charges Ă©lectriques opposĂ©es sur ses armatures. Il est utilisĂ© principalement pour stabiliser une alimentation Ă©lectrique, traiter des signaux pĂ©riodiques, sĂ©parer le courant alternatif du courant continu, stocker de l’énergie. Diodes La diode est principalement utilisĂ©e comme convertisseur de courant alternatif vers du courant continu ou comme multiplicateur ou rĂ©gulateur de tension. C’est un composant polarisĂ©, ce qui signifie que le sens de branchement a une importance sur le fonctionnement du montage. Diodes Electro-Luminescentes (DEL / LED) La LED possĂšde la particularitĂ© de gĂ©nĂ©rer de la lumiĂšre lorsqu’elle est parcourue par un courant. De la mĂȘme maniĂšre que la diode, ce composant est polarisĂ©. Transistors Le transistor est le composant actif utilisĂ© principalement comme interrupteur commandĂ© ou pour l’amplification, mais aussi pour stabiliser une tension ou moduler un signal. Circuits intĂ©grĂ©s Le circuit intĂ©grĂ© (CI), aussi appelĂ© puce Ă©lectronique, est un composant Ă©lectronique reproduisant une ou plusieurs fonctions Ă©lectroniques plus ou moins complexes, intĂ©grant souvent plusieurs types de composants Ă©lectroniques de base dans un volume rĂ©duit, rendant le circuit facile Ă  mettre en Ɠuvre. Il existe une trĂšs grande variĂ©tĂ© de ces composants divisĂ©s en deux grandes catĂ©gories : analogique et numĂ©rique. Interrupteurs Un interrupteur est un dispositif permettant d’interrompre ou d’autoriser le passage d’un flux. Boutons poussoirs Le bouton poussoir est une touche tactile qui permet de faire une liaison Ă©lectrique momentanĂ©e le temps que l’on appuie dessus ou, sur certains modĂšles inversĂ©s, d’ouvrir temporairement le contact Ă©lectrique. Connecteurs Jack Format de connecteur mĂąle et femelle gĂ©nĂ©ralement utilisĂ© pour les connexions audio de types casques et micros. Le mini Jack fait 3,5 mm de diamĂštre, le jack normal fait 6,35 mm. MatĂ©riel et compĂ©tences Pour mener Ă  bien ces projets et en plus de certains composants citĂ©s ci-dessus, il faudra ĂȘtre Ă©quipĂ© du matĂ©riel basique (tournevis, fer Ă  souder, Ă©tain, pompe Ă  dessouder, cĂąblage, pinces coupantes, pinces croco, perceuse, dremel 
) De plus, il faudra un minimum de compĂ©tences en soudage, mais tout le monde se souvient des cours de technologies au collĂšge et dans tous les cas, ces compĂ©tences s’acquiĂšrent vite aprĂšs quelques essais. Il faudra simplement veiller Ă  ne pas dĂ©poser la panne du fer trop longtemps sur un composant pour ne pas l’endommager et ne pas faire baver l’étain au risque de crĂ©er un court-circuit non souhaitĂ©. Il faudra Ă©galement s’armer de patience, c’est la qualitĂ© premiĂšre et la plus haute compĂ©tence d’un Bender. En effet, un jouet nĂ©cessite gĂ©nĂ©ralement entre 4 Ă  12h pour ĂȘtre modifiĂ© (dont les 3/4 de ce temps sont consacrĂ©s Ă  la recherche des Bends). Avec l’expĂ©rience ce temps sera considĂ©rablement rĂ©duit. Beaucoup de pratique Victimes potentielles Pour dĂ©buter, l’idĂ©al est de s’attaquer Ă  des appareils peu couteux tels que des jouets sonores rĂ©cupĂ©rĂ©s dans votre cave ou lors de vide-greniers. Les plus rĂ©putĂ©s Ă©tant les jouets vintages du type DictĂ©e Magique et dĂ©rivĂ©s (Speak&Spell/Math/Learn), les insupportables Furby, les petits synthĂ©tiseurs type Casio SK-1 
 Tout ce qui possĂšde un haut-parleur, fonctionne sur piles ou en dessous de 12V. Plus particuliĂšrement les appareils fabriquĂ©s durant les annĂ©es 80/90 qui ne sont pas encore Ă©quipĂ©s de composants Ă©lectroniques sophistiquĂ©s ou de circuits entiĂšrement numĂ©riques. Les constructeurs les plus connus sont: Texas Instruments, Casio, Vtech, Coleco, Creatoy. Il est Ă©videmment possible d’élargir les domaines de recherches Ă  des appareils plus Ă©laborĂ©s mais gare Ă  l’irrĂ©versible court-circuit meurtrier qui mettra dĂ©finitivement la machine hors-service. Recherche Il faut tout d’abord dĂ©sosser votre cible pour mettre Ă  nu le circuit Ă©lectronique. Ensuite, on allume le jouet pour lui faire Ă©mettre un son et on test simplement sa rĂ©activitĂ© en posant plusieurs doigts simultanĂ©ment sur diffĂ©rents endroits du circuit. GĂ©nĂ©ralement, un effet de « pitch » se fait entendre (baisse/augmentation de la tonalitĂ©), on comprend alors que la machine est sensible au Circuitage et les choses sĂ©rieuses peuvent donc commencer (toutes les machines ne sont pas forcement sensibles au toucher, mais c’est une bonne technique d’approche). Afin de ne pas avoir Ă  mĂ©moriser tous les endroits sensibles, l’idĂ©al est de prendre une photo du circuit, de la transferer sur un ordinateur et ainsi noter pas Ă  pas Ă  l’aide d’un logiciel de dessin type MSPaint ou Photoshop tous les Bends dĂ©couverts. Certains les notent directement sur le circuit Ă  l’aide d’un stylo ou d’un feutre, mais l’encre contenant gĂ©nĂ©ralement du carbone et le carbone Ă©tant conducteur, il existe un risque de court-circuit non dĂ©sirĂ© dont on pourra difficilement se dĂ©faire. La premiĂšre et la plus simple des modifications Ă  apporter Ă  son appareil est le raccordement Ă  un ampli ou une console de mixage. Il sera alors possible d’enregistrer les sons de la machine ou de l’utiliser lors de performances live. Pour ce faire, on repĂšre gĂ©nĂ©ralement le haut-parleur et on le remplace ou on installe en parallĂšle un connecteur Jack. Dans le second cas, l’ajout d’un interrupteur pourra servir Ă  basculer entre la sortie audio ou le haut-parleur. On peut maintenant commencer Ă  parcourir mĂ©thodiquement ou au hasard le circuit Ă  l’aide d’un testeur. Le plus simple est d’utiliser des pinces croco que l’on raccordera Ă  deux petits tournevis d’horloger. On place la pointe du premier tournevis qui restera stationnaire sur un point du circuit et avec le second on parcourt diffĂ©rents autres points en Ă©coutant les changements de sons intĂ©ressants que l’on note au fur et Ă  mesure sur notre photo. On poursuit ensuite en dĂ©plaçant le premier tournevis sur un autre point et en recommençant notre parcours avec le second. On rĂ©pĂšte cette procĂ©dure jusqu’à ce que la totalitĂ© du circuit ait Ă©tĂ© parcouru ou lorsque nous estimons avoir trouvĂ© toutes les modifications souhaitĂ©es. Les Bends les plus courants sont gĂ©nĂ©ralement: la sortie audio permettant l’amplification, le volume, l’overdrive/distortion, les glitches, les boucles, le bouton reset. Dans certains cas, les Bends ne sont pas compatibles entre-eux. La machine plantera irrĂ©mĂ©diablement dĂšs lors qu’on activera plusieurs Bends simultanĂ©ment. On peut alors dĂ©cider de continuer la quĂȘte des modifications compatibles ou bien Ă©viter d’en activer plusieurs Ă  la fois. CĂąblage et placement des composants La prochaine Ă©tape est le raccordement des diffĂ©rents points du circuit trouvĂ©s prĂ©cĂ©demment. On les relie entre eux en soudant un fin cĂąble de cuivre sur chaque point. On placera ensuite, par exemple, un interrupteur entre deux de ces cĂąbles allant de paires, de maniĂšre Ă  (dĂ©s)activer notre court-circuit. Il est aussi possible dans certains cas de remplacer ou coupler l’interrupteur Ă  un potentiomĂštre ou une photo-rĂ©sistance qui appliquera une plus ou moins grande rĂ©sistance au passage du courant, attĂ©nuant ou accentuant ainsi l’effet du court-circuit (trĂšs utile pour les effets de pitch/volume/overdrive). Il est prĂ©fĂ©rable de ne pas souder le composant avant de l’avoir montĂ© sur le chĂąssis de la machine, de maniĂšre Ă  ne pas le dessouder par inadvertance lors de son placement. Utile aussi pour connaitre la bonne longueur des cĂąbles et leur cheminement et ainsi Ă©viter les surplus qui empĂȘcheraient la fermeture du boitier. Pour percer le chĂąssis, on utilisera une petite perceuse ou un Dremel. Le positionnement des composants est libre mais attention Ă  choisir un emplacement qui ne gĂȘnera ni la fermeture, ni l’ergonomie du boitier. En effet, un composant mal placĂ© et difficilement accessible pourrait compromettre la spontanĂ©itĂ© de la performance. Afin de ne pas trop endommager le chĂąssis, il est aussi possible de raccorder tous les composants sur un boitier externe qui servira de contrĂŽleur. Dans ce cas, l’utilisation d’un cĂąble nappe tel que l’on trouve dans un ordinateur peut ĂȘtre trĂšs pratique pour ne pas avoir des dizaines de fils qui sortent du chĂąssis (un cĂąble SCSI est parfait pour ce type de montage). Tests Il est maintenant l’heure de tester notre nouveau jouet ! Liens utiles http://www.anti-theory.com : Reed Ghazala, pĂšre du Circuit-Bending http://www.casperelectronics.com : Peter Edwards, grand maĂźtre Bender http://gieskes.nl : Gijs Gieskes, un extra-terrestre http://bitcrusher.free.fr : Mon cher ami Bitcrusher, grand Bender francophone http://www.dataglitch.org : Label associatif regroupant des amoureux des technologies Lo-Fi http://www.getlofi.com : Astuces et ressources pour dĂ©butants ou vĂ©tĂ©rans http://www.sailormouth.org : Des infos et des schĂ©mas trĂšs utiles http://www.datamath.org : MusĂ©e des produits Texas-Instruments http://www.miniorgan.com : Base de donnĂ©es de jouets plus ou moins rares CrĂ©ations personnelles Screaming Teacher aka Talking Teacher – Coleco Le Livre Tragique aka Le Livre Magique – TI Speak’n'Glitch’n'Bleep’n'Math aka Speak’n'Math – TI La Tortu(r)e aka Tortue Musicale – Carrefour LoFi Mic aka TĂ©lĂ©phone Ă  cadran – Socotel
http://www.gasol.fr/2010/06/30/5/

756 Matmos - Supreme Balloon
The arcs of rising and falling pitches that start this song reminded us of a rainbow, and the title stuck: any resemblance to fluttering symbols of homo-nationalist pride are side effects. People have asked us about the Latin kitsch aspect of the song, and we plead guilty to a great love of the Richard Hayman "The Genuine Electric Latin Love Machine" Moog novelty LP from 1969. Having lived in the Mission District of San Francisco for seven years up until our recent move to Baltimore, we have had enough casual exposure to actual Mexican and Salvadorean music to know that this bears only the faintest relation to the real thing. Keith Fullerton Whitman contributed some tasty squelches and zaps from his Doepfer modular synth to brighten the corners, but not everything on here is that high-tech. Consider the lowly stylophone, a handheld novelty instrument popular with British schoolkids that was immortalized during the rave era in the cheesy techno banger "Stylophonia" by the fabulously named UK crew Two Little Boys. The stylophone that is played on this record was sent to us in the mail by a well-wisher and we thank him for this unexpected present. We are even more grateful to Safety Scissors, who forgave us when M. C. Schmidt broke his MS-20 filter knob by tweaking it too vigorously while recording the "horn" part of this song. It's all been patched up now.
http://www.brainwashed.com/common/htdocs/discog/ole799.php?site=matmos

730 Photos de shkaria - Audiofanzine
Audiofanzine : tout sur la MAO, le home studio, les instruments de musique... membres korg triton, pile, flancs
http://fr.audiofanzine.com/membres/a.play,u.340936,s.photos.html

697 WAVE-Sequencer
WAVE sequencer software with a WAVE edit function, It is easy to synchronize the tempo of a sequence with the tempo of an audio. A MIDI sequence is convertible to WAVE. Sequencer,Sampler,nano PAD,nano KEY,nano KONTROL,LPD8,LPK25,WAVE EDIT,MPD,MPD16,MPD18,MPD24,MPD32,APC20,APC40,MIDI,WAV,WAVE,Ableton Live,Cubase,Reason,MPC500,MPC5000,MPC2000XL,MPC2500,MV8800,MPC1000,ADSR,Synthesizer,Roland,KORG
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696 MĂ©moire PC - Achat / Vente MĂ©moire PC sur LDLC.com
mémoire pc en vente sur la boutique en ligne de matériel informatique LDLC.com L'achat de mémoire PC au meilleur prix ! Choisissez parmi nos nombreuses références de PC133, SDRAM, DDR, DDR2 et DDR3. Achetez la quantité de mémoire vive adaptée à votre besoin: de 128 Mo à 24 Go, à l'unité ou en kit de 2, 3, 4 ou 6 barrettes, overclockée ou non. Toutes les modÚles des grandes marques sont au catalogue: GSKILL, OCZ, Kingston, Crucial ou Corsair.
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694 Kingston KTD-DM8400B/1G - Achat / Vente MĂ©moire PC sur LDLC.com
LDLC.com tous vos besoins informatiques à portée de souris ! Kingston ValueRAM 1 Go DDR2-SDRAM PC5300 - KTD-DM8400B/1G (garantie 10 ans par Kingston) Constructeur : Kingston Technology (KTD-DM8400B/1G)
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684 Irish Acts - Triton Studio
synth korg triton extreme sounds
http://www.korgforums.com/support/triton-extreme.html

671 customsynth
customsynth custom synth end panels bells moog roland korg yamaha 100 system respray screen printing white synthersier ms sh modular wood walnut mahogany desktop rack desk top wood drums bass drum art work custom logo picture minimoog pro 5 prophet 5 five desktop rack devon newton abbot synthersizers decal guitar sticker band bands
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659 Eee-Control prend les rĂȘnes de votre EeePC sous Ubuntu. | blogeee.net
Beaucoup de logiciels se battent pour permettre aux possesseurs de netbooks de gĂ©rer au mieux leur autonomie sous Windows. Beaucoup ont Ă©tĂ© passĂ©s en revue ici, mais bien peu existent pour le monde Linux. Eee-Control va peut-ĂȘtre changer la donne.
http://www.blogeee.net/2008/11/eee-control-prend-les-rennes-de-votre-eeepc-sous-ubuntu/#more-1353

641 redvoid - musician, producer, dj, & electronica modular synthesist
recording artist redvoid, of defcon6, beyond and back, window seat, and founder of ghostcone distribution - a dj, producer, blogger and holistic human music, tech, ideas, analog, eurorack, modular, synthesis, electro, \indie dance\, \nu disco\, house, dj, electronica, edm, dub, dubstep, fidget, idm, ambient, musician, artist, producer, remixer, controllerist, \rhino cubes\, \beat kangz\, ableton, \digital dj\, \music business\, youlicense
http://www.redvoidmusic.com/blog/

630 Push-Pull :: Synthés + Prod musicale en tous genres...
Mes dĂ©mos "monomachines" Principe: le morceau est rĂ©alisĂ© avec uniquement des sons du synthĂ© en question. Pas d'effets Ă  part un peu de delay ping-pong et un peu de reverb. Pour les synthĂ©s monophoniques, les parties poly sont enregistrĂ©es voix aprĂšs voix, Ă  l'ancienne ! Une technique un peu "lourde" mais qui en vaut la peine. Sauf remarque, les parties de batteries sont rĂ©alisĂ©es avec des sons du synthĂ© concernĂ©. Parfois jouĂ©s sur le synthĂ© (JP6) ou samplĂ©s pour plus de souplesse (MS20, Yusynth). Korg: MS10 - Fade To Grey La rythmique vient d'une TR606, le vocoder est celui du microkorg. MS20 for Couch Potatoes Ma premiĂšre dĂ©mo monomachine. MS20 sur une plage bretonne MS20 by Night MS20 - Tribute to Sergei MS20 - Introspection MS20 passĂ© dans le delay Spacebug d'Eowave. MS20 - J'ai froid MS20 - Nazareth EnregistrĂ© un 25 dĂ©cembre, avec un controleur de souffle BC2 Yamaha pour moduler le lead. MS50 - The Last Oscillator Les sons de drum sont des samples d'une Oberheim DX. Roland: SH09 - Solarize JP6 - From Io to Callisto JP8 - La prise de Carthage Les parties de percussions et batteries proviennent de divers softs. Yamaha: CS30 - Hamamatsu Les sons de drum sont issus de divers samples. CS30 - Hamamatsu (drumless) Le mĂȘme, sans la piste de drum. DX7 - At Night in the Cuyabeno Jungle La nappe de strings discrĂšte qui apparait depuis le millieu du morceau vient d'un Korg Z1. Divers: Clavia micromodular - Face nord Exercice d'imitation d'un MS20. OSCar - From Oxford With Love Les sons de drum sont issus de divers samples. Yusynth/DotCom - Modular Snow Les nappes viennent du Yamaha D85. Yusynth/DotCom - Little Bear Les nappes viennent du Yamaha D85.
http://www.pushpull.ch/demos.htm

614 digital life - Digicult.it
DIGITAL LIFE, is a project dedicated to the digital future and to the cross-fertilization between technology, new media and contemporary artistic expressions. On the 3 March 2010, this project inaugurates La Pelanda, a new location in the newly refurbished ex-abattoirs in Testaccio for contemporary artistic and cultural productions. These premises have been renovated for the city by the Rome Municipality as part of the Zone attive Project. Digital Life, Richard Castelli, Romaeuropa, Ryuichi Sakamoto, Shiro Takatani, Jeffrey Shaw, Ulf Langheinrich, Jean Michel BruyĂšre, Erwin Redl, Thomas McIntosh, Emmanuel Madan, Martux-m, Mikko Hynninen, Julien Maire, Christian Partos, digicult, digital culture, culture, digital, electonics arts, arts, elecronics, promotions and circulation, circulation
http://www.digicult.it/en/2010/digitallife.asp

596 Eventide
Accessories Eventide PitchFactor Support Links â€șDocumentation â€șSoftware Updates â€șPitchFactor Support â€șKnowledge Base â€șForum Find a Dealer No Comparison Nothing Sounds Like an Eventide Through the decades, top players have depended on Eventide: Jimmy Page, Frank Zappa, Brian May, Eddie Van Halen, Steve Vai, Robert Fripp, John Petrucci, and Adrian Belew, to name a few. Now, for the first time these effects are portable AND affordable. Stompbox simple, PitchFactor fits on your pedalboard or in your gigbag. Features Specifications Photos Media Studio Quality Effects at Your Feet Top recording studios worldwide use Eventide effects on hit after hit. PitchFactor includes Eventide's best pitch-changing effects from the past 39 years without compromising quality OR flexibility. Flexibility Built-In Plug-and-play expression pedal control of wet/dry mix or any combination of parameters. Control program changes and vary parameters continuously via MIDI. Supports instrument or line level inputs and outputs. Plays well with others; adapts seamlessly with a wide variety of amps and other foot pedals. Obsolescence is so 20th Century Easy to upgrade; download new software from the Internet and install via USB. Features 10 of Eventide’s signature stereo or mono pitch+delay effects: Diatonic PitchFlexℱ Quadravoxℱ Octaverℱ HarModulatorℱ Crystalsℱ MicroPitch HarPeggiatorℱ H910 / H949 Synthonizerℱ Up to 4 voices of diatonic pitch shifting and up to 1.5 seconds of stereo delay Studio quality sound Guitar or bass compatible Built-in Tuner Software upgradeable via USB 2.0 MIDI control via USB or MIDI in, out/thru Instant program change Real-time control with 10 knobs, MIDI, or expression pedal Tap tempo and MIDI clock sync 100 factory presets, unlimited through MIDI True analog bypass Rugged cast metal construction Reliable metal footswitches for instant preset access Mono or stereo operation Guitar or line level inputs and outputs
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591 Corden|Potts Gallery
Corden Potts Gallery exhibits the work of emerging photographers. It is located at 49 Geary St., SF, CA, Suite 211. photography, gallery, san francisco, contemporary photography, 49 Geary, Bill Mattick, Beth Kientzle, Andrea Camuto, Elizabeth Corden, Jan Potts, Laurie Lambrecht, Jacqueline Walters, Michael Starkman, Ron Moultrie Saunders, Takeshi Shikama, Jane Fulton Alt, Jeri Eisenberg, Dog Days,
http://www.cordenpottsgallery.com/index.cfm

576 55 Excellent Examples of Websites Using HTML5 | Inspiration
Html 5 is the new and updated version of the web standard and famous HTML. The HTML 5 has tons of new features, techniques and elements that allow designers to create new and beautiful stuff in short line codes. The new standard incorporates features like video playback and drag-and-drop that have been previously dependent on third-party browser plug-ins such as Adobe Flash, Microsoft Silverlight, and Google Gears. With HTML5 you can add some really nice effects to your website without loosing your head to do it... it's for sure a nice way to go. html,html5,inspiration,web design
http://webdesignledger.com/inspiration/55-excellent-examples-of-websites-using-html5/

569 Welcome to RL Music
buy, sell, sale, Buchla 200e european distributor, Macbeth M5, Vintage Analogue Synthesisers, Analogue Synthesisers, Vintage Analog Synthesizers, Analog Synthesizers, Electronic Musical Instruments, Keyboards, Interview, Bob, Moog, Howard Jones, Jean-Jacques Perrey, Vintage Synthesiser, Synthesizer, Analogue, Modular, Keyboard, Moog, Arp, Oberheim, Korg, Roland, Yamaha, Voyager, Polymoog, Memorymoog, Minimoog, 2600, System 700, Xpander, Prophet 10, Prodigy, Mellotron, MKVI, Metasonix, CS15, CS30, Monopoly, SEM, MS20, MS10, PS3100, Jupiter 8, Kenton, Steiner-Parker Synthacon
http://www.rlmusic.co.uk/

565 Inside Alesis A6 Andromeda | Ibsendesign blog
Inside Alesis A6 Andromeda Here are some pics I’ve shot during the reconnaissance inside my A6 (taking some measures before pimping it with some custom made wooden cheeks). It’s quite surprising that its guts are not that complicated as it may seem looking at it’s interface. Very clean layout and good engineering (with tons of silicone glue, WTF?). The only con is that in order to remove those original cheeks I have to disassemble all the PCB’s attached to the front panel – and probably all the pots! Teh drama.
http://www.blog.ibsendesign.pl/?p=81

561 How to Choose the Right Android ROM For You
There are tons of great reasons to root your Android phone, but once you do, you'll likely be overwhelmed with all the custom ROM options out there. Here's how to go about finding—and installing—the one that fits your needs. How to Choose the Right Android ROM For You, software, productivity, technology, downloads, life hacks, hacker, lifehacks, computing, lifestyle, timesavers, health, internet, personal technology, DIY, projects, tricks, advice, backup, email, Mac, Windows, Firefox, Google, Yahoo, Gmail, keyboard shortcuts, household, HOWTO, how to's, tutorials
http://lifehacker.com/5596108/how-to-choose-the-right-android-rom-for-you/

553 Gearjunkies.com - Comprehensive resource for music production and DJ equipment
New gear in this Category Categories Digital Pianos Drum computers Drum modules Expansion and effect boards Modulair synths Sampler workstations Samplers Sequencers Sound modules Synthesizer filters Synthesizer modules Synthesizer workstations Synthesizers Vintage Exotics Latest news Roxy Music consider releasing new material as downloads only on 21/07/2010 Continuum Fingerboard version 4.08 released on 21/07/2010 Teenage Engineering OP-1 featured in a music video on 17/07/2010 Get closer to the music with Producer Sessions Live on 16/07/2010 Moogfest 2010 will be held in Asheville from October 29-31 on 16/07/2010 The Fingerist keytar for iPhone or iPad on 15/07/2010 New gear at Deadmau5 studio: Modular Mau5 on 15/07/2010 Next Generation M-Audio Axiom Keyboard Controller Series unveiled on 13/07/2010 Click here for more news! Hyperlinks Ableton Denver User Group - Site for Ableton users and electronic music producers, based around Denver Indaba Music - Online musicians community SoftSynthForum review page (dutch) - Our dutch SoftSynth forum review page Collabs - Seek electronic musician partners (dutch) EMS Synthi - Everything EMS! 440 TV - Audio en music video\'s Digital Audio Service - German gear blog SoftSynthForum - Dutch softsynth forum Lydmaskinen - Audio forum from Denkmark Wrongroom - Blog about adventurous projects in the world of audio-electronics. Click here for a complete list of hyperlinks New gear Roland Lucina AX-09 Dave Smith Mopho Keyboard MFB Nanozwerg MFB Urzwerg Analogue Solutions Europa Hardsid UPlay Evol Audio Fucifier Clavia Nord Piano Kawai ES 6 Korg SV-1 Roland V-Piano Kurzweil PC3LE6 GotharMusic deMOON Roland SP-404SX Akai Pro MINIAK Clavia Nord C2 Dave Smith Tetr4 Roland Juno Di Yamaha S90 XS MFB Schlagzwerg Jomox MBase11
http://www.gearjunkies.com/default.php?cPath=2

552 Highly Liquid: MIDI Retrofits: MIDISpeak: Speak & Spell MIDI Retrofit
MIDISpeak 2 Talking Toy MIDI Retrofit $42.95 - MIDISpeak 2 In Stock. Assembly Service: $29.95 Qty: Support Forum - Blog Entries For installation service, contact Class A Electronics or Alien-Devices. Features Use MIDI to trigger thousands of sounds—words, word fragments, garbled speech, percussion and bizarre sound effects Trigger sounds in a controlled, repeatable manner Works with Speak & Spell (American or British), Speak & Read, Speak & Math, La DictĂ©e Magique (French), Grillo Parlante (Italian), and Buddy (German) Use toy's headphone jack or speaker for audio output User-selected MIDI input channel Assembly service optional Sample Audio Sounds triggered from Speak & Math using a midi keyboard Speak & Math percussion loop Speak & Math loop repeated at increasing tempo Speak & Math sounds The phrase "say it", looped repeatedly at decreasing tempo The word "answer", using normal synthesis, then slow synthesis Operation ROM Mode Trigger synthesis with MIDI notes. 128 banks of sounds. Keypad Mode MIDI notes 50-89 control keypad buttons; notes 90-92 control "glitch" triggers. Kit Contents Printed circuit board All required components Standard MIDI jack & mounting screws Adhesive foam pad See Also Hook-Up Wire
http://highlyliquid.com/kits/midispeak/

513 Welcome to Analogue Solutions - Concussor modular synthesiser - compatible with Doepfer A100 and RS Integrator modualr synths
analogue electronic synthesisers, modular synths, Concussor, Integrator, Doepfer A100 concussor, Concussor, CONCUSSOR, EMIS, Doepfer A-100, A100, Analogue Systems Integrator, Phoenix modular, TR909, TR808 drum machine, percussion, voices, electronic drums, simmons, pearl syncussion sy1, RS, RS200, minimodular, analog sequencer, analogue sequencer, synths, synthesizers, MIDI-CV converters, convertors, nord modular, waldorf microwave, waldorf pulse, kenton electronics, Roland TB303, MIDI to trigger, sample CD, Yamaha, SCI, Oberheim, AKS, ARP, Buchla, Spring reverb, EDP, electro, Korg, Linn, Moog, Music and More, PAiA, PPG, philip rees, midiman, technosaurus, kraftwerk, analogue heaven, hyperreal, digital audio
http://www.users.globalnet.co.uk/~concuss/

480 Formanta Polivoks Synthesizer | Audio Files
The Formanta Polivoks is becoming an increasingly familiar sound to Western ears — it is, for example, all over Franz Ferdinand’s most recent album Tonight. But for those who haven’t heard this mighty Russian beast in action, Sam Inglis created a few examples to accompany Gordon Reid’s Retrozone feature. Formanta Polivoks Synthesizer, Russian synths
http://www.soundonsound.com/sos/jul10/articles/polivoksaudio.htm

463 Combien de fabricants de modules Eurorack ?
I'm mainly compiling this list for my own reference. If anyone knows of another make, let me know. Eurorack synthesizer module makers, 2010: 4ms (USA) http://www.4mspedals.com/eurorack.php Analogue Solutions (UK) http://www.analoguesolutions.co.uk/ Analogue Systems (UK) http://www.analoguesystems.co.uk/index2.htm Bananalogue (USA) http://bananalogue.com/ Bubblesound (USA) http://www.bubblesound-instruments.com Cwejman (Sweden by way of Poland) http://www.cwejman.net/ Cyndustries (USA) http://www.cyndustries.com/modules.cfm Doepfer (Germany) http://www.doepfer.de Elby Designs (Australia) http://www.elby-designs.com/panther/panther.htm Encore Electronics (USA) http://www.encoreelectronics.com/ Endangered Audio (USA) http://smashingguitarsasheville.com/endangered-audio FLAME (Germany) http://flame.fortschritt-musik.de/start.htm Flight of Harmony (USA) http://www.flightofharmony.com/ Future Sound Systems (UK) http://www.futuresoundsystems.co.nr Harvestman (USA) http://www.theharvestman.org/menu.php Hinton Instruments (UK) http://hinton-instruments.co.uk/paprod/analogue/switchmix/ Livewire (USA) http://www.livewire-synthesizers.com/ Macbeth (Scotland & England) http://macbethstudiosystems.com/ Makenoise (USA) http://www.makenoisemusic.com/ Malekko Heavy Industry (USA) http://www.malekkoheavyindustry.com/ Metasonix (USA) http://www.metasonix.com MFB (Germany) http://www.mfberlin.de/Produkte/Module/module.html Oakley/Krisp1 (UK) http://www.krisp1.com/3u/3u.htm STG Soundlabs (USA) http://www.stgsoundlabs.com Synthesis Technology/MOTM (USA) http://www.synthtech.com/ Synthwerks (USA) http://www.synthwerks.com/ Tip Top (USA) http://www.tiptopaudio.com/ Toppobrillo (USA) http://www.sdiy.org/toppobrillo/TWF/TWF.html WMD (USA) http://www.wmdevices.com/
http://forum.anafrog.com/phpBB/viewtopic.php?f=29&t=1105

443 Best Web Design Tools For Creating a Complete Website
Web Design Tools are always handy to a web designer and coder, with tons of features, fantastic UI, these tools provide best results if used wisely. Every tool free web design tools and resources , premium web designer tools , web development tools,photoshop,resources,best of,design,development
http://www.webdesignish.com/best-web-design-tools-for-creating-a-complete-website.html

428 Alain Neffe and the Home-Taped Electronic Music Revolution
Alain Neffe launched his first tape label at home in Belgium in 1981. He called it Insane Music Contact and his first installment was called Insane Music for Insane People. Thus began a nearly thirty year foray into home-made, visionary and utterly unfashionable electronic music that has hardly made anyone involved a household name. Insane Music released 55 titles in its most prolific years (1981-87). Five of these were vinyl records and the rest were cassettes tapes. Why cassettes tapes? Magnetic tape was the obvious solution to the problem facing many artists working without record contracts in those days. Cassettes could be recorded at home, produced at home, dubbed at home, and sold or traded by mail. No need for tasteless outside producers and marketing mojo—one needed only leave home to buy more tapes. Says Neffe, “I could copy the tapes on demand. Releasing an LP required that you print 500 copies and 1000 copies of the cover sleeve, and everything had to be paid up front 
 if the buyer didn’t like the music, he or she could wipe it out and record something else on it.” Mr. Neffe was not the only one out there recording, selling and trading tapes by mail. On both sides of the Atlantic, home cassette technology was permitting the release of much groundbreaking and breathlessly beautiful work, as well as some noxious and otherwise self-indulgent wanking—that coat of many colors we call the DIY (do-it-yourself) Revolution. As early as 1974, Albrecht/d. self-released a cassette entitled Amsterdam Op De Dam in Germany. In 1976, Throbbing Gristle was distributing tapes of their infamous live recordings, and in 1977, the French electro-industrial unit Die Form began releasing tapes on their own Bain Total label. 1980 saw the release of two monumental self-released cassettes, The Storm Bugs’ A Safe Substitute and Colin Potter’s The Ghost Office. In Japan, 1980 saw the release of Merzbow’s first two cassettes, Remblandt Assemblage and Fuckexercise. And in the USA, 1981 saw John Bender’s Plaster: The Prototypes, a laconic and mysterious series of tone and vocal poems. Home taping was not limited to electronic music. R. Stevie Moore, one of the elder living ancestors of the lo-fi rock aesthetic, began releasing distributing home-made tapes via the R. Stevie Moore Cassette Club sometime in the 1970s. And tapes of live punk shows from the era continue to trade hands. Soon, cassettes were coming from everywhere: mysterious PO boxes in the Midwest, to which you sent a blank tape and three dollars and received the tape back with something on it. The Tellus Audio Cassette Magazine was a Fluxus-inspired subscription audio-journal dedicated to music as well as poetry and drama and other forms of audio-art. Zines like Factsheet Five and Unsound devoted entire columns to the material they received from bands on home-made cassette, and demo tapes began leaking to radio stations prior to official record release dates. It was a grassroots movement that marched in association with the self-publication of zines, comics, chapbooks, and other media. The medium had begun to become the message. Insane Music for Insane People (which eventually reached 25 volumes) was a series compiling all home-made electronic music made by artists from across the globe. By including in the liner notes the contact address for each artist featured, Neffe helped pioneer a snail-mail network for those interested in more of what they heard. Artists from all over Europe and the USA, from Japan, New Zealand, and beyond contributed over the years. One could send a few dollars to Insane Music Contact, receive tapes in the mail, write to artists involved and receive more cassettes. Insane Music Contact (now known as Insane Music) has always been a vehicle for Mr. Neffe’s own electronic music projects as well, many of which are periodically active to this day. Though he now makes liberal use of the CD format, Neffe’s artistic approach remains undiluted by years of underexposure. He expects very little acknowledgment of or remuneration for his efforts, which, for him, are emotional articulation, continued experimentation, and purity. It seems nothing but nothing could possibly catapult such heavily uncommercial sounds into the public consciousness–not even this thirty-year retrospective box-set entitled The Insane Box released (ironically, on vinyl) by the venerable Frank Maier of Vinyl-on-Demand Records, an outfit devoted to preserving the precious gems of cassette culture before the evidence disintegrates. For this retrospective (4 LPs + a 7” 45), Mr. Neffe has reached into dusty attic boxes, wherein lay unreleased (or hardly available) material by five projects of which he has been a part: BeNe GeSSeRiT, Human Flesh, Pseudo Code, I Scream and Subject. Each has a unique cerebral orientation and emotional vibe made possible by the combined efforts of invited guests; each runs the high fever of a man very much committed to a personal vision of artistic purity without virtuosity, and each is distinctly French. BeNe GeSSeRiT was not the first of Mr. Neffe’s projects to be recorded and distributed, but is, to my understanding, the genesis of his approach to music as “texts” or “photographs”, or as he puts it, “potlatch music”. On these early tracks we also detect a burgeoning interest in the endless expressive properties of the human voice, both explicitly human and as heavily-treated sound sculpture, both French and English At times, voices shout like besotted Celine parlor workers at each other from tenement windows; at other times a high-pitched female voice wails up and down like Catherine Ribeiro alone in her bathroom. In these tracks, one can also detect the half-digested influence of electro-rock luminaries Silver Apples, the avant-lashings a la Yoko Ono, and occasionally the thunder-beat of early Laibach. Primitive Casio electronics, stage whispers, delay echoes, tape loops, and a certain absurdist humor redolent of Erik Satie, neither dampen the fabric with melodrama, nor detract from the integrity of the grist, nor from the topical seriousness of the text’s subjects. BeNe GeSSeRiT is difficult music, even in the moments that risk elegy, yet it is still more accessible than some of the other Francophone avant-dada outfits of the day, such as DDAA and Étant DonnĂ©s, or Nurse with Wound in the UK. Human Flesh is decidedly more structurally cohesive and song-oriented than BeNe GeSSeRiT, and its predecessors and influences are less clear. Still there is a clear interest in the human voice, its textures and timbers when removed of sign value by backwards-masking, and the new textures that emerge when disassembled and reassembled. Even rock-oriented at times, Human Flesh chases a more delirious climax, for the hounds of the carnival are snapping at their heels as they run. This is also a project of varied angles and pursuits, sliding as it does into poetic electro-pop (the supple and Chicago-accented voice of the late Lydia Tomkiw, of Algebra Suicide, appears on two tracks), and moments of Half Japanese-style primitivism. The side-long track “Langsam” is more reminiscent of Piper-era Pink Floyd and Brainticket, as well as other Krautrock, yet is still distinctly French. These early and rare tracks are, in contrast to the more ambitious Pseudo Code and the more intimate recordings by I Scream, more oblique for being a mix-down of materials sent to Neffe from artists around the globe. The track “Sons of God?” is also notable for what is perhaps the first recorded sample of the American fire-and-brimstone preacher Ferrell Griswold, whose voice has appeared in music by Front 242, Phallus Dei, Pragha Khan, et cetera. The cassette medium, for all its benefits to individual artistic expression and culture, is for the selfsame reasons impermanent. Magnetic tape has a thirty year lifespan if properly archived, which means both that preserving their contents in other formats is important, and that paying hundreds of dollars for the original artifacts is a questionable collectors’ pursuit (nevertheless, you can watch it happen daily). With the advent of the mp3 and the efforts of Vinyl-on-Demand and other labels, Insane Music’s CD-r reissue program included, some of this exquisite material has been rescued from oblivion.
http://www.timesquotidian.com/2010/05/28/alain-neffe-and-the-home-taped-electronic-music-revolution/

426 steampunk brass synthesizer blows my mind on [technabob]
I always thought analog synthesizers were inherently retro. Just not quite this retro. This unbelievable steampunk modular synthesizer features tons of dials and intricate brass etching throughout. All of the buttons and knobs were hand lathed, and the synth includes a number of antique parts as well. audio, geek art + craft, retro, strange + wonderful, technology, analog, brass, handmade, music, sound, steampunk, synthesizer
http://technabob.com/blog/2009/06/26/steampunk-brass-synthesizer-blows-my-mind/

421 Welcome to Analogue Solutions - Concussor modular synthesiser - compatible with Doepfer A100 and RS Integrator modualr synths
analogue electronic synthesisers, modular synths, Concussor, Integrator, Doepfer A100 concussor, Concussor, CONCUSSOR, EMIS, Doepfer A-100, A100, Analogue Systems Integrator, Phoenix modular, TR909, TR808 drum machine, percussion, voices, electronic drums, simmons, pearl syncussion sy1, RS, RS200, minimodular, analog sequencer, analogue sequencer, synths, synthesizers, MIDI-CV converters, convertors, nord modular, waldorf microwave, waldorf pulse, kenton electronics, Roland TB303, MIDI to trigger, sample CD, Yamaha, SCI, Oberheim, AKS, ARP, Buchla, Spring reverb, EDP, electro, Korg, Linn, Moog, Music and More, PAiA, PPG, philip rees, midiman, technosaurus, kraftwerk, analogue heaven, hyperreal, digital audio
http://www.users.globalnet.co.uk/~concuss/

394 17 Fresh Web Tools for Working with Colors
Color is a design element that sets the tone, theme, and mood of a visual project. Here are some handy web tools to help you choose the perfect colors. Design Lists,Lists,Web Design,Web Development,contributor,features,mashable
http://mashable.com/2010/06/10/color-tools-web-design/

390 BestPractice, an open-source audio time-stretching tool for Windows
As a free audio time-stretch tool for Windows, BestPractice allows you to reduce or increase the speed with which audio plays, without affecting its tonal height. free,audio,time-stretch,time,stretch,windows,slow,speed,pitch-shift,shift,pitch,tune,guitar,riff,practice,rehearse,solo,play,music,mp3,CD,wave,wav,piano,sing,song
http://www.xs4all.nl/~mp2004/bp/

387 Kaossilator Hacks and Hidden Features [Tim Rideout : recording artist, music producer, New Media musician]
Geek,Music production,Film soundtracks,Technology,Synthesizers,Cool stuff that I like,Korg,Kaossilator,DJ,Looper,Electronic Music,Hacks,Tips, music, MP3, downloads, Montreal, Fredericton, Quebec, New Brunswick, Canada, artist, electronic, electronica, breakbeat, house, jazz, drums, drummer, musician, producer, new media, loops, samples, indie, independent, Tim Rideout, Fibii Media, cool, hip, geek, singer, songwriter, composer, film maker, DJ, new media
http://www.timrideout.com/spip.php?article176

379 SDIYCUT - Synthesizer Do It Yourself... cut-outs ! | Michel Le Stum
Vente de kits en carton, Ă  monter soi-mĂȘme, de quelques synthĂ©s mythiques qui me font rĂȘver... PrĂ©sentation du projet et vente en ligne. sdiy, sdiycut, cut-out, decoupages, papiers decoupes, maquettes en carton, card modeling, scalemodel, synthe, synthetiseurs en kit, synthe en kit, arp 2600, arp odyssey, vcs-3, ems vcs-3, minimoog, big moog, klaus schulze, michel le stum, michel lestum, lestum, le stum
http://www.sdiycut.com/

349 NDS Composer Applications
ToneSynth nintendo DS home brew music
http://ndscomposer.blogspot.com/

347 Pixelh8 - Multidisciplinary Artist and Techno Anthropologist » Software
The Pixelh8 Music Tech Master Stroke DS is a real time synthesizer for the Nintendo DS system it allows for extensive sound design and is the natural evolution of the Music Tech Series allowing for the classic chip tune sound on a modern device. The new system allows for keyboard style play by pressing “X” to bring up the 2 Ocatve Xylophone or classic Music Tech mode by using the directional pad to control the sounds in the same way as the Music Tech Game Boy and Pro Performer Game Boy Advance. Loads of new combinations are possible as you can now combine interval settings with time based effects as well as using the noise channel instead of tone and the easy change between menus allow for quick change during performance. All sounds are produced via the on board sound chip and no samples or sample manipulation is used, this is a real time chip tune synth for the DS.
http://pixelh8.co.uk/software/

329 How To Check and Fix Your Facebook Privacy Settings In Less Than A Minute
Since Facebook launched Open Graph API and brought instant personalization with web-release of Like button, everyone is talking about Facebook user's privacy facebook privacy settings, check facebook privacy settings, fix facebook privacy, now want to make data public, facebook settings ,facebook,how-to,internet tips
http://savedelete.com/how-to-check-and-fix-your-facebook-privacy-settings-in-less-than-a-minute.html

325 Electronic_a # 11: Jeudi 29 avril 2010
Ben Edwards est un humble artisan amoureux de l’analogique, archĂ©ologue des temps prĂ©-Ă©lectroniques. "la musique synthĂ©tique", comme on l’appelait alors. Ben collectionne les synthĂ©tiseurs et en a accumulĂ© une quantitĂ© invraisemblable. Si les noms suivants ne vous disent rien, Korg Modular, Oberheim SEM, Roland 100 M 
 souvenez-vous de Abbey Road ou de Blade Runner. C'est tout un pan de la musique pop qui fut irriguĂ© des vibrations quasi cosmiques de ces machines et c’est une Ăąme singuliĂšre et poĂ©tique que nous retrouverons ainsi ce soir. Ce que la presse en dit: « De son vrai nom Ben Edwards, Benge dĂ©veloppe depuis ses premiers pas musicaux une passion peu commune pour les synthĂ©tiseurs, passion qui l’a conduit Ă  amasser au fil du temps une collection de machines qui ferait baver d’envie bien des aficionados de la chose. ObsĂ©dĂ© par cette famille d’instruments aux possibilitĂ©s infinies et compositeur stakhanoviste si il en est, Benge passe sa vie Ă  dissĂ©quer les algorithmes abscons de chacune de ses machines qu’il connaĂźt jusqu’au plus profond de leur process Ă©lectroniques » - A dĂ©couvrir absolument « Album concept que ce Twenty Systems puisqu’il s’agit, en vingt pistes plutĂŽt courtes, de prĂ©senter vingt synthĂ©tiseurs diffĂ©rents, un par annĂ©e de 1968 Ă  1988. Dans un esprit didactique, le disque est accompagnĂ© d’un livret cartonnĂ© de 52 pages dĂ©taillant les caractĂ©ristiques de chaque synthĂ©tiseur tandis que les morceaux portent le nom de l’instrument ayant Ă©tĂ© utilisĂ© pour chacun et l’annĂ©e correspondante (utilisation unique et solitaire d’ailleurs, Ben Edwards indiquant n’avoir employĂ© aucun autre effet ou appareil en dehors de ces synthĂ©tiseurs). » - Etherreal « Avec ce disque poĂ©tique, Ă  la naĂŻvetĂ© parfois dĂ©sarmante (Yamaha CS30) mais toujours trĂšs inspirĂ©, Benge nous fait voyager Ă  travers les Ă©poques et rend un bel hommage Ă  ces machines pleines de chaleur (qui sont pour certaines de vĂ©ritables antiquitĂ©s !) et Ă  leurs gĂ©niaux crĂ©ateurs. Rarement une leçon d'histoire aura Ă©tĂ© aussi dĂ©licieuse que celle-ci. » - Pop News « La musique de Ben Edwards est en effet bien plus et bien moins qu'un impossible catalogue de sons ou une ode technopositiviste : c'est un rĂ©enchantement viscĂ©ral du son Ă©lectronique. » - Chronic’art « A brilliant contribution to the archaeology of electronic music » - Brian Eno « Indicates what a deliriously desirable thing the synthesis of sound has historically been » - The Wire « Absolutely cast iron irrefutable proof that synthesisers are better than guitars » - Vice Magazine
http://bellegarde.toulouse.fr/archives/154-electronica11

312 12 Applications to Make Your Facebook Page More Engaging
Currently, there are more than three million active Facebook Pages on the top ranked site, with the typical Page boasting an average of less than 1,000 fans – oops, I mean ‘likes‘ (seriously, that just doesn’t roll off your tongue quite the same way). Standing out from the static requires you to dress up your Page and make it more interesting and fun for your ‘likers’. That’s where Facebook applications come in. They’re basically like plugins for your Page and there are tens of thousands of them available. Deciding what apps you’d like to incorporate depends on how you’d like to engage with your peeps (that’s an even better word than ‘likers’). Here’s a compilation of some must have applications for any Page. They’re great additions to the the basic layout that Facebook provides and they can be used in interesting ways to move your ‘likes‘ into action.
http://www.socialmediatoday.com/SMC/197503/

308 miniorgan.com
Miniorgan: the first museum of lost organs, damned keyboards, childish synthesizers, dusty voice transformers and singing calculators. toy organ, mini organ, electronic organ, stylophone, vl-tone, childs organ, voice transformer, organ, synthesizer, synth, circuit bend, moog, oberheim, casio, yamaha, analog, digital, vintage, musical toy, little keyboard, electronic toy, electronic toys, eric schneider, retro, pop, museum, 1980s, 1980, 1970s, 1970
http://www.miniorgan.com/home.php

302 Silent Way working with Yamaha CS-30 (Hz/V) | website | Expert Sleepers
Another video from Captain Proton, this time showing Silent Way controlling a Yamaha CS-30 synth. This is using the new Hz/V calibration mode added in v1.1.0.
http://www.expert-sleepers.co.uk/index_files/silent-way-yamaha-cs30.php

287 Photo laboratory (Photl.com) - Free Stock Photo / photl.com
Photo laboratory photl.com est Photo laboratory photl.com est le propriĂ©taire et diffuseur d’une considĂ©rable collection de photos exclusives gratuites (Free Stock Photo) Ă  haute rĂ©solution pour l’usage commercial. Toutes les photographies ont une licence Ă©tendue Ă  l’usage (Extended Royalty Free) et sont toutes gratuites. Celles-lĂ  sont destinĂ©es pour l’usage dans l’activitĂ© commerciale. Toutes les photogrqphies peuvent ĂȘtre utilisĂ©es entiĂšrement aussi bien qu’en vue de fragments (partiellement). AprĂšs un simple et rapide enregistrement (qui nous est nĂ©cessaire pour un fonctionnement de plus haute qualitĂ© de la ressource donnĂ©e). Votre compte d’utilisateur sera activĂ© tout de suite et vous aurez un accĂšs complet Ă  nos photographies. Vous pouvez tĂ©lĂ©charger sur un IP par jour — l’adresse pas plus de 35 Mb du traffic en raison de quoi, pour l’usage des images plus complet, servez-vous attentivement de la recherche et tĂ©lĂ©chargez les photographies en taille que vous voulez. Par exemple, 35 Mb du traffic peuvent contenir deux photographies chacune desquelles par 17 Mb de volume (Ă  rĂ©solution de 4368×2912), 4 images par 8,7 Mb de volume (Ă  rĂ©solution de 4368×2912), 10 photographies Ă  rĂ©solution moyenne (1440×1920) ou 20 photographies Ă  petite rĂ©solution (1024×1280). En cas de nĂ©cessitĂ©, vous pouvez rendre opperationnelle la fonction de la recherche selon la couleur. Pour le faire, aprĂšs avoir entrĂ© le mot de passe, il faut choisir la couleur nĂ©cessaire en cliquant sur le bouton de la palette de couleur et aprĂšs cela de choisir la recherche.
http://www.photl.com/de/

277 50 (More) Excellent Mini Icon Sets | Icons
When it comes to GUI and navigation design, we need our buttons to be relatively small, simple and yet descriptive. There is no room for text or complex Design, Technology, Web, Blog, Photoshop, Icon, Wordpress, Tool, Inspiration, Photography, Graphic, Wallpaper, Information, Tips, Google, Twitter, Facebook
http://www.hongkiat.com/blog/mini-icon-sets/

276 SUPER, pour convertir toutes vos vidéos dans tous les formats - Tuto Videos
Si seulement je pouvais avoir un logiciel qui transforme mes vidĂ©os crĂ©Ă©es avec Windows Movie Maker (wmv)en un format qui soit reconnu par mon lecteur divx de salon... Si seulement ce logiciel Ă©tait gratuit, si seulement ce logiciel pouvait convertir tous mes fichiers vidĂ©os de diffĂ©rents formats (mov, xvid, flv) en un seul et mĂȘme format (divx). Si en plus, ce logiciel me permettait de crĂ©er des vidĂ©os reconnus sur mon tĂ©lĂ©phone portable, sur ta psp, ou ton ipod vidĂ©o
 ça serait vraiment SUPER videos, mobilite
http://astuces.jeanviet.info/videos/super-pour-convertir-toutes-vos-videos-dans-tous-les-formats.htm

275 charabia.net : génération de textes
Quelques explications Fort mĂ©connue du grand public, la gĂ©nĂ©ration de textes demeure une discipline sportive essentiellement universitaire, pratiquĂ©e par d'obscurs chercheurs dans des laboratoires tristes et exigus. Cette discipline pousse ses malheureux adeptes Ă  des pratiques honteuses : la gĂ©nĂ©ration par ordinateur interposĂ© de textes longs et soporifiques Ă  partir d'une composition sĂ©mantique produite mĂ©caniquement. C'est donc avec la plus grande fiertĂ© que ce site se dĂ©voue Ă  faire exactement le contraire, dans une contre-culture gĂ©nĂ©rative particuliĂšrement ambitieuse : produire du texte en fonction d'un modĂšle de discours oĂč la notion de sens est totalement absente. On parle alors de gĂ©nĂ©ration automatique de textes alĂ©atoires. Notons nĂ©anmoins que, paradoxalement, l'absence de sens donne parfois du sens.
http://www.charabia.net/gen/docs.php?n=introduction

257 21 Creative Ways To Increase Your Facebook Fanbase | Social Media Examiner
Facebook fan page marketing: 21 ways to create strategic visibility and promote your Facebook fan page facebook fan page marketing, facebookk fan page, ,buddy media,bullseye gives,canvas page,email signature,facebook,facebook advertising,facebook autograph,facebook badge,facebook comment feature,facebook contest,facebook extended info,facebook fan page,facebook fanbase,facebook friends,facebook invitation,facebook landing tap,facebook logo,facebook marketing,facebook marketing an hour a day,facebook personal profile,facebook profile,facebook promotional guidelines,facebook tag,facebook text message,facebook users,facebook video,facebook votes,facebook wall post,facebook welcome video,facebook widget,facebookk share button,fan count,fan page,fan page broadcast,fanappz,fbml,hootsuite,involver,join our fan page,live stream,nick oneil,page badge,profile html,social media,social plugins,social proof,steve spangler,suggest to friends,tag photos,target,the fan box,threadless,twitter,video,video streaming app,virtue,vpype,welcome page,wildfire apps
http://www.socialmediaexaminer.com/21-creative-ways-to-increase-your-facebook-fanbase/

256 Geocities-izer - Make Any Webpage Look Like It Was Made By A 13 Year-Old In 1996
Make Any Webpage Look Like It Was Made By A 13 Year-Old In 1996. Geocities, web design, animated gifs, marquee tag, blink tag, midi music
http://wonder-tonic.com/geocitiesizer/

249 Like Button

http://likebutton.me/

246 Ortofon 2M Red >> Ortofon 2M Red MM Phono Cartridge
The Ortofon 2m Red MM Phono Cartridge + Stylus - an excellent cartridge suitable for many makes of tonearm, turntable or record player. Visit Needles & Spins at http://www.needles-and-spins.co.uk/ for great deals on a wide choice of phono cartridge, turntable, record player, tonearm and other vinyl accessories Ortofon,2M,Red,MM,Phono,Cartridge
http://www.needles-and-spins.co.uk/pd_ortofon_2m_red_mm_phono_cartridge.cfm

244 . . . der Pro-Ject RPM1 . . .Erfahrungen . . ., Analogtechnik - HIFI-FORUM
. . . der Pro-Ject RPM1 . . .Erfahrungen . . ., Analogtechnik: Forum zum Thema Analogtechnik: Plattenspieler, Tonabnehmer, Tonband, Kassette. - Community mit Diskussionsforen rund um Audio, Hifi, High End, Surround, Heimkino, Car-Hifi und Musik... der,Pro-Ject,RPM1,Erfahrungen,Analogtechnik,hifi,hififorum,hifi-forum,forum,plasma,lcd,stereo,surround,car-hifi,heimkino
http://www.hifi-forum.de/viewthread-26-8184.html

242 Bilder eurer Plattenspieler, Analogtechnik - HIFI-FORUM
Bilder eurer Plattenspieler, Analogtechnik: Forum zum Thema Analogtechnik: Plattenspieler, Tonabnehmer, Tonband, Kassette. - Community mit Diskussionsforen rund um Audio, Hifi, High End, Surround, Heimkino, Car-Hifi und Musik. Bilder,eurer,Plattenspieler,Analogtechnik,hifi,hififorum,hifi-forum,forum,plasma,lcd,stereo,surround,car-hifi,heimkino
http://www.hifi-forum.de/viewthread-26-2780.html

240 SoundClick - Free MP3 music download and much, much more.
SoundClick - the best free artist music community. Exclusive top stars and unsigned bands. Free member pages including unlimited free webspace, free MP3 download and hosting, streaming audio, personalized news, charts, tour calendar, auctions, ecommerce, music greeting cards, and tons more. Join Now!! Free MP3, MP3, Music, Bands, Unsigned, Record Deal, Download, Download MP3, Indie, Hip Hop, Beats, Beatz, Instrumentals, Lyrics, Social Network, mySpace
http://www.soundclick.com/default.cfm

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